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A collection of letters, manuscripts, and documents of prominent actors, actresses, and theatrical managers. Many of these are single, unrelated items. The largest body of correspondence is from the American actress, Charlotte Cushman (14 letters). Another figure of major interest is William Charles Macready, partly because of Miss Cushman's relationship to him (she toured with him for several years) and also as there are several of his letters. Sir Henry Irving, Edwin Forrest and James Mowatt are each represented by a few letters. A group of 8 unsigned letters may have been written by the famous singer, actress, and manager, Eliza Vestris. One box contains manuscripts of Samuel Coit, Charlotte Cushman, Clyde Fitch, Wallace Gould, Henry von Heiseler, E.H. Sothern, and Lester Wallack. Six boxes contain Augustin Daly's check stubs and bank books for Daly's Theatre, New York, for 1872-1899. (For additional Augustin Daly business records, see description sheets for Daly's Theatre Collection, X810.128/D15& the Dramatic Library Collection shelf list).

This record colocates books received in conjunction with the Random House records.

Office files consisting of correspondence, reports, memoranda, and other documents relating to the operation of the Museum. Included are numerous biographical and topical folders on the theatrical subjects such as David Belasco, Costumes, French stage models, Helen Hayes, etc. Masks and Puppets account for 29 folders.

Papers of Leah Goldstein Javne Salisbury, consisting of correspondence, contracts, scripts, and financial records. Among the correspondents are Christopher Fry, William Gibson, Eugène Ionesco, Dorothy Parker, S.J. Perelman, and Stark Young.

The School of the Arts Records consists of administrative files from several offices within the School. The files span from the creation of the Department of Fine Arts through the mid-1990s and document the day to day maintenance of the School as well as the large scale vision held by faculty and administration. General administrative files such as financial records, meeting minutes, proposals, reports, and correspondence comprise the bulk of the collection. Correspondence from Dean Davidson Taylor and Associate Dean Grafton Nunes is well represented. Records from the Translation Center tend to focus on individual issues, but there are also files concerning fundraising, publicity, and the many awards granted on a yearly basis.

Letters, diaries, albums, photographs, and printed material.

This collection of papers documents the work of Amnesty International's IEC, IEC Standing Committees, International Council Meetings, materials related to international planning and finances, and papers concerning AI policies and country priorities. Thematic areas of focus include research coverage in AI, crisis response (including Rwanda), impunity and the International Criminal Court, and economic, social and cultural rights.

A collection concerned with the various phases of black life in America, containing clippings, pamphlets, photographs, pictures, extracts from periodicals, and a representative group of approximately 350 letters, signatures, manuscripts, and documents. Among the letters are several each from Countee Cullen, Frederick Douglass, Alexander Dumas, fils, William Lloyd Garrison, Claude McKay, Abraham Lincoln, Henry Mencken, William Pickens, Albert A. Smith, and Booker T. Washington. Also, eighteen slavery documents.

Papers containing correspondence, manuscripts, notes, radio scripts, letters asking Franzblau's advice, clippings, memoranda, announcements, photographs, tape recordings, records, books, pamphlets, and memorabilia. She kept the vast number of letters asking her advice and the typescripts of her replies. Among the cataloged correspondents are Ann Landers, Jo Mielziner, Dorothy Schiff, and Abigail Van Buren.

The John Loring papers consist of correspondence, photographs, articles by and about him, and other materials that document his long and storied life. This includes his own work as an artist, and interior and garden designer, and his long tenure as Design Director of Tiffany & Co. where one of his most celebrated designs is the Atlas Series.

This collection consists of ten volumes of business records connected with the operation of Daly's Theatre between 1872 and 1899. Included are cash account books recording income and expenditures, rosters of personnel, attendance books for members of the company, salary accounts, receipt books, and one volume having to do with directions for the settings for various plays.

Materials include correspondence and e-mail communications, mission reports, testimonies and interviews, addresses and contact lists, confidential interoffice memos, legal and advocacy material, internal planning and policy material, declassified government and United Nations documents, published and unpublished human rights reports from individuals and fellow non-governmental organizations (NGOs), press clippings and news releases, and maps. Another category of documents consists of HRW reports and briefing papers, as well as press releases and open letters to heads of state, governments and various government agencies.

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

The files of Curtis Brown, Ltd. literary agency include correspondence with authors, publishers, and other agents and deal with the editing and publishing of trade and textbooks, serial rights, reprints, dramatic rights, translations and foreign rights, promotion and copyright registration. For each author there are contracts, royalty statements, tax statements, and other financial materials. There is also a contract file, including cancellations and related correspondence, from 1914 to 1988. Among the cataloged correspondents are: Louis S. Auchincloss, W.H. Auden, Erle Stanley Gardner, Robert Graves, Ogden Nash, Ayn Rand, and Sloan Wilson.

Personal and professional correspondence, including 25 long letters from Professor Henry F. Herbig; manuscripts (mainly speeches); specifications for patents in electrical fields; technical and personal photographs; and memorabilia. Included is a copy of the famous "shot in hand" x-ray photograph, ca. 1896, one of the first ever to be taken. This collection also contains the correspondence, manuscripts, documents, and memorabilia of Professor Pupin's daughter, Varvara Smith, and his son-in-law, Louis Graham Smith. His daughter's letters and documents deal with her financial difficulties, her administration of Pupin's estate and her claims against Columbia University. Louis G. Smith's letters deal with his anti-Communist sentiments and his manuscripts are mainly ideas for popular songs and plays. There are three letters (photostatic copies) to Smith from Dwight D. Eisenhower.

Correspondence, documents, manuscripts and typescripts of writings, paintings, photographs, audio tapes, and printed materials. The collection chiefly consists on the Group's writings and research materials.

Correspondence, manuscripts, documents, photographs, memorabilia, scrapbooks, and printed material. Among his correspondents represented in the collection by at least 75 items are: William Archer, Hobart C. Chatfield-Taylor, Augustin Daly, Austin Dobson, Hamlin Garland, Bronson Howard, William Dean Howells, Henry Arthur Jones, Henry Cabot Lodge and Thomas Raynesford Lounsbury. There are bound volumes of letters from Henry C. Bunner, Andrew Lang, Rudyard Kipling, Theodore Roosevelt, miscellaneous letters to Matthews, and Matthews' editorial correspondence with the North American Review. There are three boxes of manuscripts, including poems by 21 authors; essays on drama; and plays by Henry Arthur Jones, Don Marquis, and Matthews; bound volumes of manuscripts of Matthews' plays and his book, "Development for the Drama." Also included are 17 boxes of his manuscript notes for his many lectures, articles, and books; and memorabilia, primarily from the theatre and from his life at Columbia. Material on the Dunlap Society, which was devoted to printing works relating to the theater, of which Matthews was co-founder with Laurence Hutton, includes documents and correspondence, much of which is between then secretary Evert J. Wendell and members on meetings and other Society business around 1914. In addition, there are notes and correspondence of Herbert Kleinfield relating to his research on Matthews.

Papers, promptbooks, photographs, lecture notes, correspondence, and theatrical files of Somerville. Included are materials from the Washington Square Players and Duke's Oak Theatre in Cooperstown, N.Y.

Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection.

This artificial collection consists of oversized posters, maps, newspapers, drawings, floor plans and architectural plans related to Columbia events, people and locations. The collection has been organized by subject matter.

Correspondence, outlines, scripts, production notes, technical materials, story boards, contracts, posters, programs, announcements, recordings, reviews, and other printed materials relating to all aspects of Robert Wilson's theater works, opera, films, artwork and video productions. There are files for all of Wilson's theatrical performances, the most extensive of which is the CIVIL warS. Also included are the files of the Byrd Hoffman Foundation.

Correspondence, manuscripts, and books of Melville H. Cane. Among the correspondents are Van Wyck Brooks, Carl Jung, Lewis Mumford, William Saroyan, Upton Sinclair, Felix Frankfurter, Jessamyn West, and W.H.Auden. Included is a scrapbook of newspaper articles by Cane, written chiefly for the "New York Evening Post". He served as the Columbia University correspondent during 1901 and 1902, when he was studying for his degree at the School of Law

138 original scenic, costume, and prop designs, executed variously in watercolor, gouache, pastel, ink, colored pencil, and graphite pencil for the Stratford Shakespearean Festival or Canada, as well as some related items. Some of the designs have attached fabric swatches. The bulk of the work is designs for Shakespearean plays, but there are also designs for other works such as "The Man of La Mancha" and Gogol's "The Government Inspector.".