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Among Feder's best known architectural commissions were the lighting of the Prometheus Fountain and the GE/RCA building at Rockefeller Center, the Philhamonic Hall at Lincoln Center, and JFK Airport, all in New York City; also, the San Francisco Civic Center; the JFK Center for the Performing Arts in Washington, D.C.; several buildings for the 1967 World Exposition in Montreal; the University of Illinois' Assembly Hall; and the Israel National Museum in Jerusalem. As well, he received numerous commissions to light department stores, fashion shows, and other temporary events.
Feder maintained close professional and social relationships with many noted architects, interior designers, and artists, including Max Abramovitz and Wallace Harrison; Cecil Beaton; Carson and Lundin; Emery Roth & Sons; Harper and George; Melanie Kahane; William Lescaze; Morris Lapidus; Loebl, Schlossman, and Bennett; Shreve, Lamb and Harmon; Skidmore, Owings & Merrill; Edward Durell Stone; Frederick P. Victoria; Welton Becket and Associates; and Wurster, Bernardi, and Emmons. A small portion of the records in this collection also document his lighting designs for such noted theatrical productions as "The Boy Friend," "Camelot," "Four Saints in Three Acts," "Grand Hotel," "The King and I," "Inherit the Wind," "My Fair Lady," "Night of the Iguana," and "On a Clear Day You Can See Forever."
Using the Collection
Avery Architectural and Fine Arts Library
Restrictions on Access
This collection is available for use by appointment in the Department of Drawings & Archives, Avery Architectural and Fine Arts Library, Columbia University. For further information and to make an appointment, please email firstname.lastname@example.org.
Terms Governing Use and Reproduction
Columbia University is providing access to the materials in the Library's collections solely for noncommercial educational and research purposes. The unauthorized use, including, but not limited to, publication of the materials without the prior written permission of Columbia University is strictly prohibited. All inquiries regarding permission to publish should be submitted in writing to the Director, Avery Architectural and Fine Arts Library, Columbia University. In addition to permission from Columbia University, permission of the copyright owner (if not Columbia University) and/or any holder of other rights (such as publicity and/or privacy rights) may also be required for reproduction, publication, distributions, and other uses. Responsibility for making an independent legal assessment of any item and securing any necessary permissions rests with the persons desiring to publish the item. Columbia University makes no warranties as to the accuracy of the materials or their fitness for a particular purpose.
Abe H. Feder lighting records and papers. Located in the Dept. of Drawings & Archives, Avery Architectural and Fine Arts Library, Columbia University.
Gift of LaVerne Roston, 2008.017
About the Finding Aid / Processing Information
Columbia University Libraries, Avery Architectural and Fine Arts Library
This collection was processed by Shelley Hayreh, Avery Archivist, in 2013-2014.
2009-06-25 File created.
2019-05-20 EAD was imported spring 2019 as part of the ArchivesSpace Phase II migration.
History / Biographical Note
Biographical / Historical
Abe Feder was an architectural and theatrical lighting design engineer, practicing in New York City from the 1930s until the early 1990s. He was born on July 27, 1908 in Milwaukee, Wisconsin, and studied architecture at the Carnegie Institute in Pittsburgh, but left after his sophomore year. Feder worked briefly for the Goodman Theatre in Chicago before moving to New York City in 1930, where he began to establish his reputation as an innovative designer in such theatrical productions as Virgil Thompson's "Four Saints in Three Acts" and Orson Welles' "Dr. Faustus" the latter through the WPA's Federal Theatre Project. After World War II, he opened his own business, Lighting by Feder, in New York City and began to light built structures in addition to stage productions, becoming one of the most prominent architectural lighting designers in the United States. His projects ranged in size from small urban apartments to international airports, with many related bulb and fixture designs that are now standards in the industry. Feder is recognized as a founder of the lighting design profession in the U.S. and wrote and lectured widely on the subject. Feder was appointed the first president of the International Association of Lighting Designers (IALD) and was named a Fellow of the Illuminating Engineering Society of America. Feder was also inducted into the Theatre Hall of Fame in New York City in 1996. He died in New York City on April 24, 1997.