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The Graphic Arts collection contains over 20,000 books on the history of printing and publishing, and related topics such as illustrative techniques, bookbinding, calligraphy, and book collecting. It thus overlaps significantly with the Book Arts Collection, though the books tend to be newer (post-1850). Created in the 1950s within the Library Service Library to serve the needs of library school students learning about the history of the book, the collection was transferred to RBML in 1991 when the library school was closed. The books, classed in the Library of Congress system, are found in CLIO.

The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

Posters, catalogs, book covers, printed materials and ephemera related to the AIGA book collection (winners of the American Institute of Graphic Artists awards known as "The Fifty Books of the Year" from 1923 to the present)

The papers consist of correspondence, diaries, journals, interviews, manuscripts, transcripts, and printed material.

The winners of the American Institute of Graphic Artists awards known as "The Fifty Books of the Year" from 1923 to the present. RBML also has some of the cover award winners.

Materials consist of biographical, faculty, historical, subject and chornological files maintained by this office, speeches of University Presidents, Columbia in the News publications, and materials generated by Fred Knuble, Director of Public Information from 1969 to his death in 1998.

The Corporation awards grants to nonprofit organizations and institutions for projects that are broadly educational in nature and that show promise of having national or international impact. Certain appropriations are made for activities, such as Corporation-led initiatives that are administered by the foundation's officers. The trustees set the overall policies of the foundation and have final authority to approve all grants above $50,000 recommended by the program staff. Grants of $25,000 or less, called discretionary grants, are made upon the approval of the president and are reported to the board; larger discretionary grants, those between $25,000 and $50,000, are also reviewed by a Corporation-wide group, which makes recommendations to the president. (from Program Guidelines 2003-2004 (http://www.carnegie.org/sub/program/areas.html))

These files have been compiled by the Rare Book and Manuscript Library from its origin in 1930 through the present day. The material derives largely from gifts, and the occasional purchase; much of the subject file in particular is made of ephemera included in the American Type Founders, Co. Library, purchased in 1942. Prospectuses and information sent by fine presses and book artists are added to the relevant files in an ongoing fashion. The files cover subjects from the beginning of printing to the current day.

A collection of letters, manuscripts, and documents relating to the history of printing and the graphic arts. The collection is in six parts. Cataloged Correspondence and manuscripts, including cataloged letters to and from Henry Lewis Bullen, the librarian of American Typefounders Company Library. Uncataloged letters of the Typographic Library, including routine correspondence, letters of inquiry to Bullen, the Library's order file, and library correspondence of Columbia University, 1941-1946, pertaining to the collection. Correspondence, manuscripts, documents and printed material by and relating to Henry L. Bullen. Letter books, ledgers, daybooks, and journals of the early American typefounders, Binney and Ronaldson. A collection of over 200 typographical patents for the design of printing types (19th and 20th centuries). Archives of the Companía Real de Impresores, Madrid, relating to its operations and business.

This collection contains the correspondence, editorial files and office files of the Columbia University Press, primarily from its reorganization in 1923 by Frederick Coykendall to the present.

Business and editorial records of Granary Books. The collection includes the production files for these limited edition and trade titles, as well as Steve Clay's extensive correspondence with writers and printers, and other artist book press proprietors. Electronic records include almost two decades of email, editorial and production files, and the "Archaic Smile Lecture Series".

Included are correspondence, minutes of Board of Directors and committees, proceedings of annual business meetings, surveys, statistical reports, financial records, photographs, and printed materials. The correspondence files dating from 1927, contain letters from university press directors regarding meetings arrangements, cooperative programs, and other matters of mutual concern. There are no correspondence files for the years 1936 to 1943.

This collection primarily contains architectural drawings, photographs, business records and reference materials related to the projects and designs of architectural and engineering firm Abbott, Merkt and Company. A subsidiary portion of the collection includes drawings, photographs and papers related to the life and career of Richard H. Tatlow, III, president of Abbott Merkt, as well as the firms and agencies for which he also worked.

This collection contains materials related to Chermayeff's personal, professional, and academic lives, the bulk originating during his residency in the United States, beginning in the late 1930s. Project records document the full range of his work, including many records from his British period. The collection also contains extensive correspondence with personal friends, clients, and professional and academic colleagues.

Jaroslav Šváb's collection of his book design and illustration work, a working archive which he assembled throughout his career, containing the bulk of his life's work. The material was largely drawn upon for the illustrated monographJaroslav Šváb, published in 1966, at the time of his first large retrospective exhibition in Prague. Spanning the period 1928 until the late 1960s, the archive contains approximately (650) items, including printing samples and specimens, test printings, alternate variations, publisher's ephemera, and original renderings

Avery's collection of Spanish children's drawings of the civil war consist of 153 drawings made by children aged 7 to 14 between the years 1936 and 1938. The drawings were willed to the Department of Art History and Archaeology of Columbia University by Martin Vogel, a lawyer, who died on May 20, 1938 at the age of 59. He made several bequests to Columbia University in a will dated March 16, 1938. From the date of this will and of his death, it is likely the drawings he purchased were those exhibited at Lord & Taylor's in February 1938. His name, however, does not appear among the patrons of the exhibition.

Correspondence, manuscripts, documents, mock-ups, book dummies, proofs, book jackets, photographs, and printed materials of Reichl.

A series of 12 letters from Graily Hewitt, 20 letters from Stanley Morison, and 3 letters from John Carter to Sir James Wardrop; also 10 letters from Sir James Wardrop to Graily Hewitt. This correspondence deals with calligraphic and manuscript matters. The single manuscript is Wardrop's draft obituary of Hewitt.

Correspondence addressed to the Laboratory Press and to Porter Garnett, its director. The letters are from many names well known in the field of graphic arts such as Douglas McMurtrie, Frederic Warde, Carl Purington Rollins, and Dard Hunter, and are mainly on subjects of professional interest.

The collection consists of the manauscripts of Fuhrmann's articles, notes, and related items on the history of printing and graphic arts. A great many of Fuhrmann's articles were about Johann Gutenberg. There is also correspondence, primarily with people well known in the printing trade.

A collection consisting of rock posters, primarily from the Fillmore and Matrix auditoriums in San Francisco, representing works by artists including Victor Moscoso, Wes Wilson, and David Singer.

Graphic designs for newspapers, promotions, magazines, books, and related work by Silverstein. He primarily worked for the New York Times, regional U.S. newspapers, foreign newspapers, and other organizations. Includes correspondence, notes, sample newspaper issues, photographs, and negatives from his consulting projects. Also includes Silverstein's drawings, monoprints, and other artwork.

This collection of approx. 7 linear feet of papers documents the output of the independent printing press established at Taliesin in the 1930s. The collection consists of brochures, pamphlets, newsletters, Taliesin magazines, festival programs, invitations, and miscellaneous ephemera such as Christmas cards and stationery. The collection also includes every issue of the Taliesin Square Papers series dating from 1941 to 1953. All of the printed material in the collection features the distinctive graphic design associated with Frank Lloyd Wright. Much of the graphic design work can be attributed to Eugene Masselink (1910-1962).

A collection pf drawings, original and proof book illustrations, type designs and specimens, publisher's dummies and dust jackets by Chappell.

Correspondence, manuscripts, diaries, radio, television, and film scripts, notes, subject files, documents, financial records, photographs, memorabilia, clippings, and printed materials. Grauer's voluminous professional, personal, and family correspondence reflect his many and varied interests in radio, television, motion pictures, sound recordings, journalism, book collecting, printing, the graphic arts, and travel. Among the significant correspondents there are 43 letters from Henry Miller, 26 letters from Eric Partridge, and ten letters from Bruce Rogers. There are numerous single letters from public figures and celebrities, many written to the author, Quentin Reynolds, who organized Grauer's 25th Anniversary in Broadcasting in 1950. Among these are George Abbott, Agnes de Mille, Samuel Goldwyn, John Hersey, Bob Hope, Lauritz Melchior, Edward R. Murrow, Anaïs Nin, David Sarnoff, and Thornton Wilder. There are thousands of letters from fans, friends, and family, including Grauer's wife Melanie Kahane, the interior decorator. b The manuscripts consist of early writings; radio, television, film, and sound recording scripts with related notes and correspondence; speeches; periodical articles; and several book manuscripts. The majority of the Scripts File are for NBC productions, but also included are scripts for the Voice of America, commercials, films, and records. Among Grauer's many "firsts" in broadcasting are the first live report of Count Folke Bernadotte's assasination, the first radio show to present cash prizes ("Pot 'o Gold"), and NBC television's first live news event, the opening of the 1939 New York World's Fair. The Activities File documents Grauer's presence in broadcasting, book collecting, printing and the graphic arts, travel, including the promotion of the Pan American Highway, and his membership in countless organizations. There are more than 3,000 photographs documenting his career from his years as a child actor through the more than 40 years he was associated with NBC. He was photographed with the famous men and women of his generation whose activities he covered on the air. The Publicity File contains newspaper and periodical clippings on his career. Also included is one audio tape recording of "Salute to Ben Grauer" Nov. 15, 1950, an off the air recording

This is a small collection of exhibition catalogs, clippings, articles, photographs, and a few items of correspondence concerning the artist Lovis Corinth, assembled by his son, Thomas Corinth, who donated it to the Avery Library.

Kitchen Sink Press was a comic book publisher founded by Denis Kitchen in 1969. The company closed in 1999. The press was known for publishing underground comics and reprints of classic comic strips. The records include contracts, correspondence, editorial files, financial records, proofs, and other materials. This collection is still being processed; currently, only the correspondence is available for research.

Woodblocks, linoleum blocks, wood and linoleum tools, wooden types, metal types, books, proofs, and special printings. Included are woodblocks and linoleum blocks of illustrations and decorations for Walt Whitman's SHORT STORIES (Columbia University Press, 1927), De La Motte Fouqué's UNDINE (Limited Editions Club, 1930), and Sir Walter Scott's IVANHOE (Limited Editions Club, 1940). There are several metal types designed and cast for Lewis; full or nearly full alphabets of special wooden types designed and cut by Lewis in both 216 pt. and 144 pt. sizes; specimens of his wood and linoleum tools, mainly of his own manufacture; books containing illustrations, decorations, and special types by Lewis; proofs of bookplates he designed; and proofs and special printings of various plates.

The collection consists of some papermaking equipment (a small Hollander beater and a papermaking vat) which Elliott used for hand papermaking demonstrations, and some related stuff, mostly different raw materials. Though it is a "small" beater, it is extremely heavy, and takes up a good bit of floor space. This material was given to Special Collections in the 1950s as part of the effort to create a Graphic Arts Center at Columbia .

An artificial teaching collection to illustrate different photographic processes organized by process (some items are photomechanical rather than photographs proper), or by photographer.

A collection of bibliographical ephemera, consisting of announcements, leaflets, invitations, etc., from bibliographical societies, bibliophilic clubs, typographical organizations, and rare-book libraries, from about 1960 through 2015 (with a few earlier materials).

Correspondence, manuscripts, documents, photographs, subject files and printed materials of Simon Lissim. Among the correspondents are Aleksandr Benois, Mikhail Larionov, Georgiĭ Lukomskiĭ and Saveliĭ Sorin. There are many manuscripts by Lissim himself including the tests for a number of lectures and speeches, sections of his memoirs and essays on aesthectics. The documents include passports documenting his emigration from Russia to France and the United States, and several awards and certificates. There are many photographs of Lissim as well as dozens of photographic reproductions of his work, uncluding Lenox and Sèvres porcelain, textile designs, silver work and graphic arts. There are subjecxt files relating to two books for which he did the illustrations, and there are many folders of clippings documenting his career.

The archive consolidates materials and correspondence from all phases of Wilson's career, and presents an unparalleled opportunity for research not only into the underground comix movement but also into his influence on the beats, the punk movement, biker culture, tattoo culture, mail art, censorship, underground publishing, and the graphic arts.

Correspondence, documents, manuscripts and typescripts of writings, paintings, photographs, audio tapes, and printed materials. The collection chiefly consists on the Group's writings and research materials.