Search

The papers consist of correspondence, diaries, journals, interviews, manuscripts, transcripts, and printed material.

The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

Correspondence, memoranada, agreements, notes, contracts, posters, clippings, financial files covering the entire career of the Maysles brothers.

The files of Curtis Brown, Ltd. literary agency include correspondence with authors, publishers, and other agents and deal with the editing and publishing of trade and textbooks, serial rights, reprints, dramatic rights, translations and foreign rights, promotion and copyright registration. For each author there are contracts, royalty statements, tax statements, and other financial materials. There is also a contract file, including cancellations and related correspondence, from 1914 to 1988. Among the cataloged correspondents are: Louis S. Auchincloss, W.H. Auden, Erle Stanley Gardner, Robert Graves, Ogden Nash, Ayn Rand, and Sloan Wilson.

Papers and 50 boxes of paperback books.

Arthur B. Krim (1910–1994) was an entertainment lawyer and the former chairman of Orion Pictures and the United Artists Corporation. The correspondence, papers, photographs, and A/V content document the professional and personal life of Arthur Krim and his involvement with Columbia University and the Democratic National Committee, especially his relationship with President Lyndon B. Johnson (1908-1973) and First Lady Claudia Alta "Lady Bird" Johnson (1912-2007).

The Bob Fass Recordings and Papers contains materials created by Bob Fass, host of the late-night program Radio Unnameable on New York City's WBAI radio station. The collection primarily consists of audio recordings of Radio Unnameable and other radio programs hosted by Bob Fass between 1963 and 2011. A small number of video recordings, photographs, correspondence, printed ephemera, and motion picture films are also included in the collection.

Business and editorial records of Granary Books. The collection includes the production files for these limited edition and trade titles, as well as Steve Clay's extensive correspondence with writers and printers, and other artist book press proprietors. Electronic records include almost two decades of email, editorial and production files, and the "Archaic Smile Lecture Series".

Records of the North American Committee to Aid Spanish Democracy and Medical Bureau to Aid Spanish Democracy, two New York City-based American organizations working to raise funds and provide medical and humanitarian aid for the Republican cause in the Spanish Civil War (1936-1939), and to refugees who fled Spain after the defeat of the Republican forces in April 1939. The organizations formally merged in January 1938 and became known as the Spanish Refugee Relief Campaign. These files include the organization's official reports, correspondence, pamphlets, broadsides, photographs, and publicity material, as well as several scrapbooks of news clippings.

The dead columns of Marvin Kitman, mostly from Newsday. The file folders contain clippings, notes, background research, correspondence, publicity materials, photographs, etc. for the columns. Kitman writes about a variety of topics as he criticizes practically every television program and genre from the 1960s through 2003. There are also a few files of letters, as well as his various "polls".

The majority of the collection's interviews were taken by Gail Mary Killian and document her life in the 1970s-1980s as a woman living with Down syndrome in Eastern Massachusetts. Killian recorded her birthday starting in 1970, and many recordings capture the conversations that took place at these celebrations, which were attended by family members and neighbors. Topics discussed at these parties include music-related gifts received by Killian; rock music and Polish folk music; television shows and movies; employment opportunities for people with disabilities in the region; work at the United States Postal Service (her father's employer); and happenings in their local community. The family also sings together, both in English and Polish. Also included are recordings made by Killian during her daily life. Killian was an avid music fan, and she records thoughts on rock bands such as the Beatles, Journey, and Van Halen. Portions of the local New Bedford, MA radio program "Polish Happy Hour" are captured on tape.

Correspondence and teaching materials.

The collection consists of 97 audio recordings from music concerts performanced at Taliesin West and Taliesin, Spring Green. The majority of the recordings are from the period after Wrights death, however, there are 12 recordings dated from 1950 to 1955. There are a few recordings of discussion groups sessions; these are likely recordings from the Movement participant's weekly philosophy group meetings held in tandem with Saturday Evening concerts.

The Cuban Voices oral history collection is comprised of interviews conducted for the project of the same name. The project resulted in the publication of Elizabeth Dore's book How Things Fall Apart. The interviews are intended to engage in conversations with Cubans who lived through the transition to communist rule after the Cuban Revolution and experienced events of the following decades. The goal of the project, led by Dore, was not to interview people who have established themselves as public or political figures after the Revolution, but rather to generate a dialogue with ordinary citizens whose narratives do not appear in conventional narratives. Most of the interviewees, then, are not prominent personalities. They are professionals, campesinxs, teachers, sex workers, state employees, cooks, messengers, and people working illegally, among others.

Research materials, including notes, audio tapes, and original items, related to his multiple projects on Columbia and Barnard history.