Search

The bulk of the collection (292 drawings) features original drawings for the 1889 publication of Carl Pfeiffer's designs for American mansions and cottages. These are a mix of ink on paper, linen and tracing paper, as well as pencil on trace. Also included are a set of 7 drawings for a private home on Madison at 25th Street -- these are in ink and watercolor on paper, with a great level of detail -- and an illuminated monogram in a fantasy landscape.

Included are the architectural drawings pertaining to the Church of St. Vincent Ferrer in New York, N.Y. These drawings include plans, elevations, sections, and details in full-scale, and the dates of the drawings span 1908-1928. The drawings are cataloged separately in CLIO and their call numbers are NYDA98-F0 through NYDA98-F6; their accession numbers are 1996.011.00001 through.00452.

Architectural drawings (no longer in current use by Facilities Management), transferred to the Avery Architectural & Fine Arts Library from the Dept. of Facilities Management pertaining to proposals, construction, alteration and addition of properties formerly used or owned, and buildings demolished or still extant. The dates of the materials span 1895 to today. The drawings include plans showing the heating and ventilation systems, electrical and plumbing details, and some original construction materials. Some of the buildings represented in this collection are: Avery Hall; Earl Hall; St. Paul's Chapel; Teachers College; Low Library; Ferris Booth; and Uris Hall, as well as details of fences; steps; statues; and bronze railings. Some of the architects hired by the University include McKim, Mead & White, Howells & Stokes, James Gamble Rogers, and Allen & Collens, as well as builder and architect R. Guastavino Co. who was responsible for the domes and vaults of St. Paul's Chapel, Earl Hall, and the Van Amringe Memorial

The drawings are of the construction of an airplane hanger, as part of WWII war effots.

The collection represents the span of Williams' architectural practice through drawings, photographs and a very small amount of papers. The majority of the collection consists of working drawings for a select number of projects. These projects include the Holmes residence "the Chimneys" on Long Island, the alteration and addition for the Donnell branch of the New York Public Library and the main branch, and the Rutherford Free Public Library. Also included are the New Milford Historical Society and New Milford Public Library as well as the United States Embassy building in Tokyo, Japan as well as other smaller projects. A wide range of projects are represented in presentation drawings, largely color renderings on board. These drawings consist of projects mainly on the East Coast including libraries, commercial work, residential work, schools, memorials, office buildings, a railroad station, a club, a post office, a hospital as well as unidentified projects. Notable projects include the Carstadt Memorial Municipal building, Essex County Country Club, Hackensack Golf Clubhouse, the National Academy of Design and several projects in Rutherford, New Jersey. Studies for executed projects are also included as well as studies are of other architects' work to serve as inspiration to Williams. Some of the Photostats in the collection are reproductions of original drawings. Photographs mainly document the exterior of a building while some interior views are included especially for the Holmes residence. A small amount of large-scale photographs mounted on board for display are also included. Miscellaneous papers are included for the Holmes residence and the New Milford Public Library. Finally, a poster and two notebooks comprised of notes, sketches and calculations for various projects complete the collection.

Three sheets giving two plans and two elevations for a public building (presumably a court house - three of the rooms are designated on the plan as 'clerk''sheriff', and 'surrogate'). There are two facades and it is difficult to tell which is the front and which is the back; one is marked by three segmental arches with a recessed porch behind; the other also has a recessed porch but has a more formal (and more up-to-date) frontispiece in the Greek Revival style, with two pilasters on either side and two square columns in the center, flanking door. Also the roof cornice of this facade has a long low rectangular panel centered over the entryway. These motifs are close to those shown in American builder's pattern books of the 1830s and 40s. The builders' manuals and pattern books of the 19th century were the do-it-yourself manuals of their era, and for builder-architects like Hadden & Gedney, were important resources for construction techniques and design details.

The architectural drawings found at "Natirar" at the time the property was acquired by Somerset County, in 2003, include those relating to the original designs by Guy Lowell and Henry J. Hardenbergh between 1910 and 1912, and those relating to the alterations and renovations made in the late 1940s under the direction of York and Sawyer. The drawings are organized by architect, which, in effect, also organizes the drawings by date ranges. Drawings that bear the names of various subcontractors have been organized by subcontractor but are filed with reference to the relevant principal architect. In addition to the drawings pertaining to "Natirar," the collection includes copies of three drawings by architect William Hanford Beers (1856-1932) of the "Gedney Farm" residence of Howard Willets and Mary Macy Willets at White Plains, New York, which was constructed circa 1898 (see photographs of the Willets residence in the July 1901 issue of The American Architect and Building News). William H. Beers' wife, Alice Macy, was a first cousin once removed to sisters Mary Macy Willets and Kate Macy Ladd.

Architectural drawings, correspondence, pamphlets, photographs, and newspaper and magazine clippings pertaining to projects completed by George de Ris and Lamb Studios. Correspondents include Lee Lawrie, Hartley Burr Alexander, B.G. Goodhue Associates, George de Ris, J.D. Denney, James A. Mitchell, Karl Lamb, and Marshall Muir. Drawings represent the following projects: Nebraska State Capitol, Lincoln, Nebraska; Christ Church, Grosse Pointe Farms, Mich.; St. Peter's Church, New York, N.Y.; West End Methodist Episcopal Church, Winston-Salem, N.C.; and other unspecified projects

Drawings show plans, elevations, and sections, and structural framing plan.

Correspondence, specifications, contracts, invoices, financial statements, memoranda, and architectural drawings pertaining to the construction of St. Paul's Chapel (Columbia University, New York, N.Y.), a project designed by Howells & Stokes, and by Stokes independently. Correspondence is between Howells & Stokes and Columbia University officials, contractors, and suppliers, including Nicholas Murray Butler, R. Guastavino Co., Tiffany Studios, Coppède, Paul Manship, and McKim, Mead & White, as well as Stokes' aunts Olivia Egleston Phelps Stokes and Caroline Phelps Stokes.

Collection consists of sixty original architectural and furniture drawings for Lever House in New York City, drawn between 1950 and 1952. Most sheet are graphite on paper, with a smaller group of sepia diazo prints with extensive graphite annotations. All sheets were treated by a paper conservator and are now encapsulated in polyester film.

This collection contains landscape designs and planting plans for a significant housing development project in Radburn, New Jersey and for the Phipps Garden Apartments project in Sunnyside, Queens.

The four drawings include: Frieze detail (Anthemion Band) : ink and graphite on paper (33 x 49 cm) ; Plan and elevation for the fly-doors at the entrances of the New Custom House, N.Y. : pen and ink on paper, signed (33 x 40 1/2 cm) ; Plan of the Basement of the New Customs House, New York : Ink, brown wash, green wash on paper mounted on linen (64 x 97 4/5 cm) ; Plan of the Flagging of the Principal Floor of New Custom House, N.Y. : Ink on paper mounted on linen (59 x 93 1/3 cm). Condition: The two larger drawings are heavily varnished and stained. A medium size portion of the "Plan and elevation for the fly-doors" has been cut.

The collection consists of of architectural working drawings and renderings for 23 projects undertaken by firms associated with Ralph Adams Cram (firms include Cram, Wentworth, and Goodhue; Cram, Goodhue, and Ferguson; and Cram & Ferguson). The dates of the drawings span 1890-1929. Each project was catalogued separately in the online catalog. This finding aid provides a link to each project's associated record. Sheet level description can be found in these project-level records. Each sheet is individually accessioned with numbers ranging from 1000.026.00001 through .00151. Drawings are arranged alphabetically by project title/client.

Architectural, electrical, mechanical, plumbing, structural, and elevator drawings for the Eldorado Apartment Building at 300 Central Park West in New York City.

Collection consists of 51 reprographic architectural working drawings for the TWA Terminal A at John F. Kennedy International Airport in Queens, N.Y., drawn between 1958 and 1961. All sheets are diazo print on paper, with a very few bearing graphite and/or colored pencil annotations. Earlier drawings note Eero Saarinen as the architect of record; later drawings note Eero Saarinen and Associates. Architectural working drawings are stored in numerical order, sheets 2 through 121, with some sheets lacking.

Collection consists of over 1,200 architectural drawings primary for residential buildings.

The collection contains 290 drawings by American architect William Gehron for projects in the New York area. Projects represented are: Queens Borough Hall, 1939-40 (74 drawings); P.S. 191, 1952 (25 drawings); Convalescent Day Camp, Welfare Island, 1937 (15 drawings); Micellaneous Housing Projects, 1935 (25 drawings); Proposed Plaza for Broadway and 122nd Street, 1936 (1 drawing); World War II Memorial in Watermill, Long Island, NY, 1950 (6 drawings); Harlem Hospital OPD, 1939 (77 drawings); Studies for MacDonald Observatory, 1931 (28 drawings); and Utica State Hospital, 1949 (41 drawings). An rendering by Hugh Ferriss of the State Educational Building and Memorial Pylons in Harrisburg, PA was donated in 2004 (acq. 2004.005).

Drawings are primarily for residential commissions in and around New York City, Connecticut, and Rhode Island. Some manuscript and photographic materials are also included in the collection.

The William Muschenheim collection spans from 1929 to 1957, with bulk dates from 1931-1950. The collection documents approximately 130 separate jobs and is made up of architectural drawings, correspondence, accounts, estimates, specifications, invoices, contracts, samples, invoices, and other material related to Muschenheim's professional projects. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY), Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

Architectural drawings for projects designed by the firm. The drawings, mostly blueprints, documents Allegheny General Hospital, Pittsburgh, Pa.; Mountainside Hospital, Glen Ridge, N.J.; The Department of Commerce Building, Washington, D.C.; The New York Academy of Medicine, New York, N.Y.; Federal Reserve Bank of New York, New York, N.Y.; and University of Michigan, Ann Arbor, Mich.