Jerome Moross papers, 1924-2018

Box 6 Orchestral score: photocopy., 1960, 156 pages bd.

Box 43 Orchestral score: manuscript, signed., 1960, 144 pages a.ms.s.

Box 43 Orchestral score, piano reduction: photocopy., 156 pages

Box 40 Microfilm. "Huckleberry Finn.", 1 box/reel

Box 6 Programs, newspaper clippings., n.d.; 1934-1938, 3 programs, ?? pages

Box 6 Doris Humphrey, Charles Weidman Dance Group Programs., Guild Theatre, New York, 1936, 3 programs

Box 6 Typescript texts in Latin and English, 57 pages

Box 6 1) Vocal score for two voices and guitar: ozalid copy. 2) Vocal score: reverse copy on thin sheets. 2) Royalty statements., 1951 copyright, 2 pages, 4 pages, 3 items

Box 6 Score for string quartet: manuscript in ink on thin sheets., 1939 copyright, 16 pages

Box 6 [COPIES] 1) Clippings. 2) Programs. The New School for Social Research, NY (3) and The New Chamber Orchestra, NY (5)., 1933, ? pages, 8 items

Box 6 Financial records: statements, expense sheets, check stubs for several productions., 1 folders

Box 7 Kurt E. Wolff Financial papers., California, 1950-1951, 1 folders

Box 7 Typewritten notes., 6 pages

Box 7 To Jerome Moross Opening night telegrams., 8 May 1948-17 May 1948, 18 telegrams

Box 7 Production photographs and head shots., 53 photographs (8 x 10), 4 contact sheets

Box 7 To Jerome Moross and Hazel Moross Signed photograph from "Ruthanna and Frank.", 1 photograph (8 x 10)

Box 7 Informal cast photographs/snapshots, 6 photographs (5 x 3.5), 6 negatives

Box 7 Programs and playbills., 40 items

Box 8 Publicity: press releases and production notices., n.d.; 1948-1950, 1 folders

Box 8 [COPIES] Newspaper and periodical clippings., n.d.; entry in process., 1 folders

Box 8 Chappell & Co., Publisher Score: "I've Got Me" (song)., 1948 copyright, 7 pages,

Box 8 Chappell & Co., Publisher Score: "My Yellow Flower" (song)., 1948 copyright, 5 pages,

Box 8 Chappell & Co., Publisher Score: "Ridin' on the Breeze" (song)., 1948 copyright, 5 pages,

Box 8 Stage designs: "Susannah and Elders"; "Willy the Weeper," "Willy Alternative"; "Dave Crockett," "Dave Crockett Alternative.", 5 blueprints,

Box 9 Vocal score "Susannah and the Elders": 1) Manuscript on thin sheets; nonsequential order. 2) Ozalid copy; binding removed., 29 Jan 1940; 1944, 83 pages , 52 pages

Flat Box 236 Vocal score "Susannah and the Elders": ozalid copy; binding removed., 1944 copyright, 52 pages

Box 9 Orchestral score "Susannah and the Elders": manuscript on thin sheets., 85 pages

Flat Box 236 Score for two pianos "Susannah and the Elders": ozalid copy; 2 copies., 27 pages, 27 pages; bd.

Flat Box 236 Harry Aspruer Watercolor stage design "Susannah and the Elders." Inscribed by artist to Moross., 1, painting with mat (15 x 20 in.)

Box 9 Master score (70 parts) "Susannah and the Elders"; manuscript in ink., 1 folder a.ms.s.

Box 9 Scores for two pianos "Susannah and the Elders," "Willie the Weeper," and "The Eccentricities of Davey Crockett": ozalid copy., 145 pages, bd.,

Box 9 Vocal score "Susannah and the Elders" "Willie the Weeper," "The Eccentricities of Davey Crockett": 1) Published version. 2) Negative photostat of pages 68-69., 1949, 210 pages, bd., 2 pages

Box 9 Orchestral score "Willie the Weeper": manuscript on thin sheets., 25 pages a.ms.s.,

Flat Box 236 Orchestral score "Willie the Weeper": manuscript on thin sheets., 220 pages a.ms.s.

Flat Box 236 Orchestral score "Willie the Weeper": reduced transparencies on ozalid., 220 pages

Box 9 Score (22 Parts)"Willie the Weeper": manuscript on transparencies., 340 pages a.ms.s.,

Box 9 Score for two pianos "Willie the Weeper": manuscript in pencil., 52 pages a.ms.s.,

Flat Box 237 Score for two pianos "Willie the Weeper": ozalid copies (2 copies)., 52 pages, 52 pages bd.

Box 9 Vocal score "Willie the Weeper": manuscript on thin sheets., 1945 copyright, 68 pages a.ms.s.,

Flat Box 237 Vocal score "Willie the Weeper": ozalid copy., 68 pages

Box 10 Score for two pianos "The Eccentricities of Davy Crockett": manuscript., 66 pages

Flat Box 237 Vocal score "The Eccentricities of Davy Crockett": ozalid copy; broken binding., 66 pages

Box 10 Vocal score "The Eccentricities of Davy Crockett": manuscript on thin sheets., 1946 copyright, 83 pages

Box 10 Score for two pianos "Riding Hood Revisited": manuscript., 63 pages

Box 10 Score for two pianos "Riding Hood Revisited": ozalid copy; 3 copies of 63 p., 3 vol.

Box 10 "Riding Hood Revisited": manuscript on thin sheets., 79 pages

Flat Box 237 Vocal score "Riding Hood Revisited": ozalid copy; broken binding., 79 pages bd.

Box 10 Vocal score "Riding Hood Revisited": ozalid copy., 79 pages

Box 40 Microfilm: "Willie the Weeper." 1 reel; loose., 1 box

Box 41 Tape recording: "1. Susanna. 2. Willie. 3. Davy Crockett.", Los Angeles, 1950, 1 cassette

Box 41 Tape recording. "Legend Inside.", 20 October 1950, 1 box/reel

Box 41 Tape recording. "Susanna," "Davy Crockett, Part I," "Davy Crockett, Part II," "Three Dances from the Last Judgement.", 1 box/reel

Box 41 Tape recording. "The Last Judgement (piano reduction)," "Willie the Weeper.", 1 box/reel

Box 42 Records: 1) "Davy Crockett, Part I" and "Davy Crockett, Part II." 2) "Susanna" and "Willie the Weeper." 3) "Oh Baby, Gee Baby," "I've Got Me," "Yellow Flower," and "Riding on the Breeze.", 3 discs

Box 48 Score (19 Parts): "The Eccentricities of Davy Crockett.", 509 pages

Box 10 Score for two pianos: manuscript with corresponding newspaper clippings., n.d.; 1935, 16 pages, 2 pages

Box 10 Score for two pianos; manuscript sketches in pencil., 19 pages a.ms.s.

Box 10 Manuscript: reduced ozalid negatives., 1958, 25 pages

Box 10 Score (film sketches): 1) Manuscript. 2) Ozalid copy., 1958, 174 pages, 174 pages

Box 10 Vocal score "Another Day, Another Sunset": published version., 1958 copyright, 5 pages

Flat Box 238 Orchestral score: manuscript in hand of Bernard L. Mayers and others. 1) Reel 1, Part 1: "Main Title"; 22 p. 2) Reel 1, Part 2: "Julie's House"; 18 p. 3) Reel 2, Part 1: "The Welcoming"; 31 p. 4) Reel 2, Part 2: "The Hazing"; 13 p. 5) Reel 2, Part 3: "Courtin' Time"; 15 p. ,, 1958, 6 folios

Flat Box 238 Orchestral score: manuscript in hand of Bernard L. Mayers and others. 6) Reel 3, Part 1: "The Terrill Ranch"; 9 p. 7) Reel 3, Part 2: "Old Thunder"; 16 p. 8) Reel 4, Part 1: "Breakfast Scene"; 13 p. 9) Reel 4, Part 2: "The Raid"; 31 p. 10) Reel 4, Part 2 (revised); 16 p. 11) Reel 4, Part 2A: "The Raid" (continued); 14 p. 12) Reel 5, Part 1: "McKay's Decision"; 10 p. 13) Reel 5, Part 2: "The Capture"; 15 p. ,, 1958, 7 folios

Flat Box 239 Orchestral score: manuscript in hand of Bernard L. Mayers and others. 14) Reel 6, Part 1: "McKay's Triumph"; 11 p. 15) Reel 6, Part 2: "Major Terrill's Party"; 14 p. 16) Reel 6, Part 2A: "Major Terrill's Party" (continued); 9 p. 17) Reel 7, Part 1: "Waltz"; 28 p. 18) Reel 7, Parts 2 and 3: "Polka"; 7 p. and Part 2, "alternate ending"; 1 p. 19) Reel 7, Part 4: "Night in Blanco County"; 4 p. 20) Reel 8, Part 1: "McKay's Ride"; 8 p. 21) Reel 8, Part 1A: "McKay is Missing"; 11 p. 22) Reel 8, Part 1B; 16 p. 23) Reel 9, Part 1: "Waiting"; 2 p. 24) Reel 9, Part 2: "Horror Stories"; 10 p. 25) Reel 9, Part 3: "The Big Muddy"; 14 p. 26) Reel 10, Part 1: "Still Waiting"; 12 p. 27) Reel 10, Part 2: "McKay Alone"; 10 p. 28) Reel 10, Part 3: "Night at Ladder Ranch"; 5 p. ,, 1958, 15 folios

Flat Box 239 Orchestral score: manuscript in hand of Bernard L. Mayers and others. 29) Reel 11, Part 1: "The Fight"; 17 p. 30) Reel 12, Part 1: "The Cattle at the River"; 22 p. 31) Reel 13, Part 1: "Pat's Mistake"; 10 p. 32) Reel 13, Part 2: "Buck Comes for Julia"; 9 p. 33) Reel 14, Part 1: "The Abduction"; 8 p. 34) Reel 15, Part 1: "The Captive"; 8 p. 35) Reel 15, Part 2 (revised): "The Attempted Rape"; 9 p. 36) Reel 15, Part 2 (new): "The Attempted Rape"; 17 p. ,, 1958, 8 folios

Flat Box 240 Orchestral score: manuscript in hand of Bernard L. Mayers and others. 37) Reel 16, Part 1: "The War Party Gathers"; 22 p. 38) Reel 16, Part 1 (new). 25 p. 39) Reel 17, Part 1: "McKay in Blanco Canyon." 27 p. 40) Reel 18, Part 1: "Jim and Julie"; 2 p. 41) Reel 18, Part 2: "The Major Alone"; 14 p. 42) Reel 19, Part 1: "The Duel"; 4 p. 43) Reel 19, Part 2: "The Death of Buck Hennessy"; 11 p. 44) Reel 19, Part 3 and Reel 20, Part 1: "Ambush in Blanco Canyon"; 30 p. 45) Reel 20, Part 2: "The Stalking"; 8 p. 46) Reel 20, Part 3: End Title; 12 p. ,, 1958, 10 folios

Flat Box 241 Orchestral score: manuscript on thin sheets in pencil; signed, 1958, 144 pages a.ms.s.

Flat Box 241 Orchestral score: ozalid copy., 1958, 144 pages bd.

Box 10 Programs: Royal Philharmonic Orchestra with Elmer Bernstein; Long Beach Symphony (CA) with letter from conductor John Green; Mantovani and his Concert Orchestra (Lincoln Center, NY)., v.p., n.d.; 1966-67; 1982, 4 programs

Flat Box 241 Plaque: Academy Award Nomination for Best Music Score., Los Angeles, 1958, 1 folder, 1 framed plaque

Box 40X Microfilm. Copy of 665 p. Orchestral score shelved in Flatbox 238-240., 1958, 1 box/reel (2 copies)

Box 42 Record: "William Wyler's: The Big Country.", 1958, 1 disc

Box 43 Soundtrack. Commemorative volume with compact disc. 2 copies., 1990, 2 boxes

Box 44 Tape recording., 1958, 3 boxes/reels

Box 44 Tape recording. 1987 copy of original., 1958, 3 boxes/reels

Box 44 Magnetic film transfer log., 1958, 2 pages

Box 11 New Music Orchestra Series Orchestral score: 1) Published score. 2) Program (with notes): Symphony Under the Stars at Hollywood Bowl, 22-27 August 1944; 2 copies., San Fransisco, 1935 copyright; 1944., 32 pages, bd., 2 vol., bd.

Box 11 Orchestral score (6 Parts): manuscript in ink on thin sheets (incomplete)., 12 pages a.ms.

Box 11 Master score (32 Parts): published version., 95 pages

Box 11 Frederico Garcia Lorca; incidental music by Moross. Vocal score: 1) Manuscript in pencil. 2) Ozalid copy. 3) Ozalid copy (incomplete). 4) Negative ozalid copy. 5) Program: New Stages Theatre, 159 Bleecker St., New York; 4 copies., 1949 (program); ca. 1950, 15 pages a.ms.s., 15 pages bd., 10 pages, 15 pages, 4 vol.

Box 11 Score (film sketches): manuscript in pencil., 64 pages a.ms.

Box 41 Video tape recording: "Captive City.", 1 cassette

Flat Box 241 Orchestral score: manuscript in pencil. 1) "Foxtrot"; 10 p. 2) "Foxtrot"; 10 p. 3) "Waltz"; 19 p. 4) "Waltz"; 19 p., 1963, 58 pages a.ms.

Box 11 "An Episode in Vienna": manuscript in pencil., 1963, 65 pages a.ms.

Box 11 Gamma Productions, Inc. Piano score: 1) "Main Theme," published version. 2) "Waltz," published version., 1963, 3 pages bd, 5 pages bd.

Box 11 Publicity items: 1) Article by Bill Batchelor, London. 2) Review. "The American Record Guide." February 1964; page 545. 3) Film production list and program., 1963-1964, 4 pages t.ms., 1 page, 1 booklet

Box 11 Orchestral score: manuscript in pencil on thin sheets with changes., 1963, 123 pages

Box 11 , Orchestral score: ozalid copy., 1963, 127 pages bd.

Box 11 Score: ozalid copies (incomplete)., 1963, 37 pages bd., 118 pages bd.

Box 42 Records: 1) "Otto Preminger presents: The Cardinal." 2) "The Cardinal: Dixieland Tango." 3) "The Cardinal: Theatre Tango." 4) "The Cardinal: U.S.A.", 1963, 4 discs

Box 12 Score: ozalid copy., 1947(?), 39 pages

Box 12 American Composers Alliance, Inc. Vocal score: blue print., 8 pages

Box 12 Orchestral score: manuscript on thin sheets., 1978, 61 pages a.ms.

Box 12 Scores for Parts: 1) Ozalid copy (5 parts). 2) Manuscript on thin sheets (6 parts)., 1978, 90 pages, 107 pages a.ms.

Box 12 Sorom Editions Score: solo flute and piano reduction. 1) Printed; 13 p. bd. and 45 p. bd. 2) Manuscript in pencil., 1998 copyright, 58 pages bd., 63 pages a.ms.

Box 12 Publicity items: 1) Contract (Moross and Monday Productions). 2) Collected reviews and notices (as of 24 June 1980). 3) Publicity prints (Moross as a child); 3 copies. 4) "Critic's Choice" listings in "High Fidelity," Vol. 30, No. 3: March 1980; page 82., 1975-1981, 1 page, 12 pages, 3 pages (12.5 x 12.5 in.), 1 page

Box 12 Lyrics by Lynn Riggs and Ramon Naya; music by Jerome Moross 1) Playscript: carbon copy. 2) Vocal score: manuscript on thin sheets. Pages 1-58, 58-64, 71-106; 1 unidentified. 3) Vocal score "Scene 1": ozalid copy. 4) Vocal score: ozalid copy, unidentified pages., 90 pages t.ms., 102 pages, 12 pages, 104 pages, bd.

Box 12 To John W. Green CBS Correspondence regarding radio performance of Moross' composition., New York City, 1934, 1 page t.l.s., 1 page a.l.s.

Box 12 Scenerio: "First Outline.", 196?, 21 page t.ms.

Box 12 Esther Junger and the Dance Theatre Series of the Y.M.H.A. Program: performance includes Moross work., 1940, 4 pages

Box 12 John LaTouche and Jerome Moross Synopsis: carbon copy., 6, pages t.ms.

Box 12 Score: manuscript on thin sheets., 2 pages, 1 torn page

Box 13 Score: manuscript sketches in pencil., 87 pages a.ms.

Box 13 Orchestral score: ozalid copy., 89 pages

Box 13 1) Lyrics with notes in pencil. 2) Publicity: newspaper clipping from Daily News., n.d.; 4 May 1963, 24 pages t.ms., 1 page

Box 13 Score, Parts I-IX: manuscript in pencil., 137 pages a.ms.

Box 13 Synopsis, carbon copies. 1) "Act 1"; 6 p. 2) "The First Lady"; 7 p. 3) "The First Lady" with corrections; 7 p. 4) "Flossie: An Outline for a Musical"; 9 p. 5) "Flossie: An Outline of a Work for the Musical Theatre"; 2 copies of 11 p., 51 pages t.ms.

Box 13 Vocal scores. 1) Manuscript on thin sheets, Acts I-IX. 2) Ozalid copy, Acts I-IX. 3) Ozalid copy., 105 pages, 67 pages, 32 pages bd.

Box 13 Clarinet part: 1) Manuscript in ink on thin sheet; 1 p. 2) Ozalid copies; 4 p. Score for clarinet and piano: 3) Manuscript in pencil; 2 p. 4) Manuscript in ink on thin sheets; 3 p. 5) Ozalid copy; 3 p., 13 pages

Box 13 Orchestral and vocal score Movements I-V: manuscript in pencil on thin sheets., 43 pages a.ms.s.

Box 13 Scores for Movements I-V: 1) Manuscript for 4 parts (strings) in pen. 2) Ozalid copies of orchestral and vocal score; 4 copies of 43 p., 57 pages a.ms., 172 pages bd.

Box 13 Scenerio: carbon copy., 7 pages t.ms.

Box 13 Vocal score "Some Day" (song): 1) Manuscript on thin sheets in pencil. 2) Ozalid copy., 3 pages a.ms.s., 3 pages

Box 41 Video tape recording: "When I Grow Up.", 1 cassette

Box 42 Record: "J. Moross: Music from Forget Me Not.", 1 disc

Box 14 Orchestral score: 1) Ozalid copies; 194 pages each. 2) Notes by Moross., 1938, 2 vol., 2 pages

Box 14 Orchestral score: reduced negative transparencies; not in sequence., 1938, 194 pages

Flat Box 242 Orchestral score: enlarged photocopy with composer's corrections., 1938, 194 pages

Flat Box 242 Orchestral score: manuscript on thin sheets., 1938, 194 pages a.ms.s.

Flat Box 242 Orchestral score: ozalid copy., 1938, 194 pages bd.

Box 14 Publicity items. 1) Newspaper clippings collected with a personal memo from "Tom." 2) Season flyer from Chicago Ballet (1978). 3) Book: "Les Ballet Americains" by authors including Ruth Page (autographed), Jose Limon, and Bentley Stone with photographs by Serge Lido., 1945-1978, 9 pages a.s., 4 pages bd., 1 vol. s.

Box 14 Newspaper clippings: photocopies., n.d., 1933-1982, 66 pages

Box 14 [COPIES] Periodical clippings: 1) "Saturday Review," page 52. 2) "Time," page 88. 3) "Musical America," page 19. 4) Clipping with signature of Mike Snell., 1945-1965, 1 folders

Box 14 Programs: Dance Theatre of Harlem; Cincinnati Ballet Company; Pittsburgh Ballet Theatre; Ballet Russe de Monte Carlo; Les Ballet des Champs-Elysees., 1945-1982, 23 programs

Box 15 Score (22 parts): manuscript on transparencies., 1938, 256 pages

Box 15 Orchestral score: early version with corrections and additions by Moross., 1938, 168 pages bd.

Box 15 Orchestral score: miniature photocopy of early version., 1938, 168 pages

Box 15 Score for two pianos: 1) Manuscript on thin sheets. 2) Ozalid copy., 1938, 56 pages a.ms. s., 55 pages bd.

Box 15 Vocal score "Women's Trio"(for 2 sopranos and 1 alto): manuscript in pencil., 1938, 12 pages a.ms.

Box 15 Vocal score "Women's trio": 1) Reduced ozalid; 5 copies of 12 p. bd. 2) Negative ozalid. 3) Reduced negative photostat., 1938, 5 vol., 12 pages, 12 pages

Box 42 Record: "Jerome Moross: The Scandalous Life of Frankie and Johnny." Vienna Symphony Orchestra. Walter Hendl, Dean Dixon, conductors., 1 disc

Box 45 Parts (22): new master parts with all corrections. Receipts for writing services (3)., 1938, 256 pages, 3 folders

Box 54 12" Vinyl Disk (damaged)

Box 16 1) Playscript. 2) Score: manuscript; signed; 3) Score in copyist's hand., 1943, 20 pages t.ms., 8 pages ms.s., 5 pages

Box 16 New York City Opera Company Cast list; 7 copies., 10 October 1963, 7 pages

Box 16 Opening night telegrams to Jerome and Hazel Moross., 9-11 October 1963, 36 telegrams

Box 16 Playscript: early draft with corrections and changes., 1963, 71 page t.ms.

Box 16 Playscript: drafts with many changes and additions and letters from collaborator Edward Eager., 1963, 184 pages t.ms.

Box 16 Playscript: later copy with changes., 1963, 100 pages t.ms.

Box 16 Playscript: final copy., 1963, 90 pages t.ms.

Box 16 Publicity: 1) Playbill. 2) Press release from The Playwrights' Company., 1963, 1 program, 2 pages

Box 16 Publicity: newspaper clippings., n.d.,15 April 1955-11 October 1963, 12 pages

Box 16 Publicity: periodical clippings. 1) "Saturday Review." 26 Oct 1963. 2) "Show." Jan 1964., 1963, 3 pages, 3 pages

Box 17 Orchestral scores: reduced ozalid copies. 1) "Grand March." 2) "In the Sunny Old South." 3) "The Freedom Train." 4) "Waltzing in the Shadow." 5) "Fare You Well." 6) "The Dome." 7) "Picnic at Manassas." 8) "Mockingbird." 9) [untitled] 10) "The Ballad of Belle Boyd." 11) "'Mancipation." 12) "It Isn't a Gentleman's War." 13) "The Contraband Ball." 14) "Gentlemen, Be Seated." 15) "All Quiet on the Potomac." [no designated 16] 17) "Mr. Brady Takes a Photograph." 18) "I Can't Remember." 19) "From Atlanta to the Sea.", 1963, 988 pages, 18 folders

Flat Box 243 Orchestral scores: manuscripts. Discarded sheets; 8 p. 1) "Grand March"; 51 p. 2) "In the Sunny Old South"; 31 p. 3) "Freedom Train"; 38 p. 4) "Waltzing in the Shadows"; 140 p. 5) "Fare You Well"; 28 p. 6) "The Dome"; 43 p. [no designated 7], 1963, 7 folders

Flat Box 244 Orchestral scores: manuscripts. 8) "Mockingbird"; 14 p. [no designated 9] 10) "The Ballad of Belle Boyd"; 88 p. 11) "'Mancipation"; 24 p. 12) "It Isn't a Gentleman's War"; 55 p. 13) "Contraband Ball"; 115 p. 14) "Gentlemen, Be Seated!"; 26 p., 1963, 6 folders

Flat Box 245 Orchestral scores: manuscripts. 15) "All Quiet on the Potomac"; 40 p. [no designated 16] 17) "Mr. Brady Takes a Photograph"; 88 p. 18) "I Can't Remember"; 26 p., 1963, 3 folders

Flat Box 246 Orchestral scores: manuscripts. 19) "From Atlanta to the Sea"; 132 p. 20) "What Has Become of Beauty?"; 47 p. 21) "Have You Seen Him?"; 29 p. 22) "Grand Finale"; 27 p., 1963, 4 folders

Mapcase 14-N-7 Stage design. 1) Watercolor painting, signed by William Pitkin. 2) Watercolor and ink painting for stage curtain; signed and inscribed to Moross by William Pitkin., 1963, 2 paintings s.

Flat Box 247 Piano/vocal scores, Act 1: 1) Songs 1-13. Ozalid copy with changes and additions. 2) Extra #13 "The Contraband Ball," ozalid copy with changes. 3) "Dialogue IX- page 1" with memo., 1963, 1 vol. bd., 39 pages bd., 2 1 page t.ms.; 1 page a.ms.

Flat Box 247 Piano/vocal score, Act II: 1) Ozalid copy with changes in pencil. 2) #17 "Mr. Brady Takes a Photograph.", 1963, 138 pages bd., 24 pages bd.

Flat Box 247 Ozalid copies in 4 folios, duplicates with additions in pencil. 1) Act I: "Grand March"; 17 p. 2) "The Freedom Train"; 17 p. 3) "The Contraband Ball"; 39 p. 4) "What Has Become of Beauty"; 12 p., 1963, 85 pages bd.

Flat Box 248 Vocal score: Act I and Act II. Ozalid copy in 23 folios., 1963, 355 pages bd.

Box 18 Parts for musical numbers 1-12. Manuscripts on transparancies (with changes) and copies in blueprint. 1) "Grand March," manuscript. 2) "Grand March," copies. 3) "In the Sunny Old South," manuscript. 4) "In the Sunny Old South," copies. 5) "The Freedom Train," manuscript. 6) "The Freedom Train," copies. 7) "Waltzing in the Shadows," manuscript. 8) "Waltzing in the Shadows," copies. 9) "Fare You Well," manuscript. 10) "Fare You Well," copies. 11) "The Dome," manuscript. 12) "The Mocking Bird," copies [no manuscript]. 13) "Ballad of Belle Boyd," manuscript. 14) "Ballad of Belle Boyd," copies. 15) "'Mancipation," manuscript [no copy]. 16) "This Isn't a Gentleman's War," manuscript. 17) "[It's Not] a Gentleman's War," copies., 1963, 17 folders

Box 19 Parts for musical numbers 13-22. Manuscripts on transparancies (with changes) and blueprint copies. 1) "The Contraband Ball," manuscript. 2) "The Contraband Ball," copies. 3) "Gentlemen, Be Seated!" manuscript. 4) "All Quiet on the Potomac," manuscript. 5) "All Quiet on the Potomac," copies. 6) "Mr. Brady Takes a Photograph," manuscript. 7) "Mr. Brady Takes a Photograph," copies. 8) "I Can't Remember," manuscript. 9) "I Can't Remember," copy. 10) "From Atlanta to the Sea," manuscript. 11) "From Atlanta to the Sea," copies. 12) "What Has Become of Beauty?" manuscript. 13) "What Has Become of Beauty?" copies.14) "Have You Seen Him?" manuscript. 15) "Have You Seen Him?" copies. 16) "Grand Finale," manuscript. 17) "Grand Finale," copies., 1963, 17 folders

Box 20 Curtain design: 8 photocopies of 1 page., 1963, 8 pages

Box 20 Stage design: "The Dome." Watercolor and wash drawing signed by artist William Pitkin., 1963, 1 painting s.

Box 20 Vocal score Act I: manuscript on thin sheets., 1963, 212 pages a.ms.

Box 20 Vocal score, Act II: manuscript on thin sheets., 1963, 140 pages a.ms.

Box 20 Vocal score: manuscript on thin sheets (revised pages)., 1963, 11 pages a.ms.

Box 20 Vocal score: ozalid copies in 15 folios., 1963, 212 pages

Box 42 Records. "Gentlemen Be Seated!": 1) "Act I, Part 1" and "Act I, Part 2"; 2 copies. 2) "Act 1, Part 3" and "Act I, Part 4"; 2 copies. 3) "Act II, Part 1"and "Act II, Part 2"; 2 copies., 1963, 6 discs

Box 47 Score (Parts) "Picnic at Manassas, No. 7": 1) Xerox copy. 2) List of corrections., 1963, 62 pages, 3 pages

Box 21 Director's score: ozalid copy with notes and changes., 1954, 325 pages bd.

Box 21 Director's score: ozalid copy with notes and changes., 1954, 157 pages bd., 191 pages bd.

Box 21 Director's score: ozalid copy with notes and changes., 1954, 157 pages bd., 191 pages bd.

Box 22 Orchestral score, Act I: manuscript on thin sheets; p. 3-105., 1954, 102 pages a.ms.

Box 22 Orchestral score, Act II: manuscript on thin sheets., 1954, 65 pages a.ms.

Box 22 Orchestral score: manuscript in ink on thin sheets., 1954, 395 pages a.ms.

Box 22 Orchestral score: manuscript in pencil on thin sheets., 1954, 197 pages a.ms.

Box 22 Orchestral score: ozalid copies with changes and additions on thin manuscript sheets in pencil., 1954, 251 pages a.ms.

Box 23 Orchestral score, Act 1 (1): ozalid copy with changes; p. 4-100., 1954, 96 pages bd.

Box 23 Orchestral score, Act 1 (2): ozalid copy with changes; p. 141-284., 1954, 143 pages bd.

Box 23 Orchestral score, Act 1 (3): ozalid copy with changes; p. 285-391C., 1954, 108 pages bd.

Box 23 Orchestral score, Act 1 (4): ozalid copy with changes; p. 391-480., 1954, 89 pages bd.

Box 23 Orchestral score, Act 1 (5): ozalid copy with changes; p. 481-530., 1954, 51 pages bd.

Box 23 Orchestral score, Act 2 (1): ozalid copy with changes; p. 1-116., 1954, 116 pages bd.

Box 23 Orchestral score, Act 2 (2): ozalid copy with changes; p. 117-197., 1954, 80 pages bd.

Box 23 Orchestral score, Act 2 (3): ozalid copy with changes; p. 198-311., 1954, 113 pages bd.

Box 23 Orchestral score, Act 2 (4): ozalid copy with changes; p. 312-460., 1954, 148 pages bd.

Box 23 Orchestral score, Act 2 (5): ozalid copy with changes; p. 460-533., 1954, 73 pages bd.

Box 24 Orchestral score, Act I (1): ozalid copy with changes; p. 2-100., 1954, 99 pages bd.

Box 24 Orchestral score, Act I (2): ozalid copy with changes; p. 141-284., 1954, 143 pages bd.

Box 24 Orchestral score, Act I (3): ozalid copy with changes; p. 285-390., 1954, 105 pages bd.

Box 24 Orchestral score, Act I (4): ozalid copy with changes; p. 391-506., 1954, 115 pages bd.

Box 24 Orchestral score, Act I (5): ozalid copy with changes; p. 507-595., 1954, 88 pages bd.

Box 24 Orchestral score, Act II (1): ozalid copy with changes; p. 1-106., 1954, 105 pages bd.

Box 24 Orchestral score, Act II (2): ozalid copy with changes; p. 107-223., 1954, 106 pages bd.

Box 24 Orchestral score, Act II (3): ozalid copy with changes; p. 224-353., 1954, 129 pages bd.

Box 24 Orchestral score, Act II (4): ozalid copy with changes; p.354-471., 1954, 117 pages bd.

Box 24 Orchestral score, Act II (5): ozalid copy with changes; p. 472-569., 1954, 97 pages bd.

Box 24 Orchestral score, Act II (6), "New Finale": ozalid copy with changes; p. 533-569., 1954, 36 pages bd.

Box 25 Orchestral Score, Act I: ozalid copy; p. 1-100 (series incomplete)., 1954, 40 pages (double sided)

Box 25 Orchestral score, Act II: ozalid copy with changes and additions; p. 1-116., 1954, 116 pages bd.

Box 25 Orchestral score, Act II: ozalid copy with changes; p. 117-197., 1954, 80 pages bd.

Box 25 Orchestral score, Act II: ozalid copy with changes; p.198-311., 1954, 113 pages bd.

Box 25 Orchestral score, Act II: ozalid copy with changes and additions; p. 312-439., 1954, 127 pages bd.

Box 25 Orchestral score, Act II: ozalid copy with changes and additions; p. 440-509., 1954, 69 pages bd.

Box 25 Orchestral score: miscellaneous pages with changes and additions; previously torn from binding., 1954, 15 pages (double sided)

Box 25 Orchestral score: miscellaneous pages, blueprint and ozalid copies., 1954, 519 pages

Box 25 Orchestral score: ozalid negatives., 1954, 4 pages

Flat Box 249 Orchestral score: discarded manuscript on thin sheets. Identified "55D" and "162-163.", 1954, 2 pages a.ms.

Flat Box 249 Orchestral score, Act I: ozalid copy with changes; p. 1-231., 1954, 230 pages bd.

Flat Box 249 Orchestral score, Act I: ozalid copy with changes; p. 232-431, 1954, 199 pages bd.

Flat Box 249 Orchestral score, Act I: ozalid copy with changes; p. 432-530., 1954, 98 pages bd.

Flat Box 249 Orchestral score, Act I: ozalid copy with changes; p. 531-595., 1954, 64 pages bd.

Flat Box 250 Orchestral score, Act II: ozalid copies with changes. 1) Pages 1-40 and 350; 41 p. bd. 2) Pages 1-143; 143 p. bd. 3) Pages 144-248; 104 p. bd. 4) Pages 249-411; 162 p. bd. 5) Pages 412-499; 87 p. bd. 6) Pages 533-567 - "New Finale"; 34 p. bd., 1954, 6 folios

Flat Box 250 Orchestral score, Act II: reverse blueprint (ink); p. 1-38., 1954, 38 pages

Flat Box 250 Vocal score: 1) Manuscript in pencil on thin sheets; pages identified: 321, 322, 325, 326, 328; 5 p. 2) Handwritten memo: "Photograph, original vocal score, Pages 318-319-320"; 1 p., 1954, 6 pages a.ms.

Flat Box 250 Bill Hargate, visual artist. Stage design: watercolor painting., 1954, 1 painting s.

Flat Box 250 Publicity poster. York Playhouse: 1st Ave. at 64th St., New York City., 1954, 1 folders

Box 26 Playscript: carbon draft with changes and additions., 1954, 97 pages bd.

Box 26 Playscript: mimeograph copy., 1954, 101 pages bd.

Box 26 Playscript: draft with changes and additions., 1954, 92 pages bd.

Box 26 Playscript, Act I: manuscript (early draft) on thin sheets with handwritten corrections., 1954, 85 pages t.ms./a.ms.

Box 26 Playscript, Act II: manuscript (early draft) on thin sheets., 1954, 72 pages t.ms.

Box 26 Playscript: miscellaneous handwritten notes and sketches., 1954, 53 pages a.ms.

Box 26 Playscript: miscellaneous draft., 1954, 46 pages t.ms.

Box 26 Playscript: carbon drafts., 1954, 62 pages

Box 26 Production papers including cast list, contract, correspondence with Lucy Kroll agency, statements, petition to Ford Foundation., 1954, 31 pages

Box 26 Production papers: statements., 1954, 1 folders

Box 26 [COPIES] Publicity clippings: newspapers., 1954, 1 folders

Box 26 Publicity: 11 programs. Cast/production biographies., 1954, 1 folders

Box 27 [COPIES] Publicity: newspaper clippings., 1954, 1 folders

Box 27 [COPIES] Publicity: periodical clippings., 1954, 1 folders

Box 27 Publicity: photographs of Moross and production shots; various sizes., 1954, 30 photographs

Box 27 Publicity: programs., 1954, 56 items

Box 27 Embossed scrapbook: no contents., 1954, 1 folders

Box 28Askpatrick Empty folder: marked "vocal score- ozalid copy bound, 2 vol.", 1954, 1 folders

Box 28 Vocal score: manuscript in pencil; miscellaneous pages., 1954, 38 pages a.ms.

Box 28 Vocal score: manuscript on thin sheets; miscellaneous pages., 1954, 26 pages a.ms.

Box 28 Vocal score, Act I: manuscript in pencil., 1954, 178 pages a.ms.

Box 28 Vocal score, Act II: manuscript in pencil., 1954, 167 pages a.ms.

Box 29 Vocal score, Act I: ozalid copy., 1954, 149 pages

Box 29 Vocal score: ozalid negatives., 1954, 155 pages

Box 29 Vocal score, Act II: ozalid copy., 1954, 45 pages bd.

Box 29 Vocal score: ozalid copy; misecellaneous pages., 1954, 1 folders

Box 29 Vocal score: printed songs; 7 pages each., 1954, 4 volumes, 28 pages bd.

Flat Box 251 Vocal score, Act I: ozalid copy; miscellaneous pages., 1954, 1 folders

Box 40 Microfilm. 1) "Orchestral score: Act I." 2) "Vocal Score.", 2 boxes/reels

Box 42 Record: "The Golden Apple." Original cast album: Phoenix Theatre production., 1 disc

Box 47 Compact disc: "The Golden Apple: A Musical Play." Hugh Ross, musical director., 1997 copyright., 1 disc

Box 48 Piano conductor score: "computerized score.", 1954, 388 pages

Box 48 Piano conductor score., 1954, 393 pages bd.

Box 48 Playscript., 1954, 80 pages bd.

Orchestral Parts:

Box 30 Vocal and piano score: ozalid copy., 1939, 46 pages

Box 30 Two songs from the Ballet. 1) Photostat of miniature orchestral score; p. 101-111. 2) Vocal and piano score: manuscript, signed. 3) Vocal and piano score: ozalid copy., 1939, 10 pages, 5 pages ms.s., 5 pages

Box 43 Orchestral score: manuscript in pencil. 1) "The Corral." 2) "The Horse Theft." 3) "Kitty." 4) "Jeff." 5) "Riding." 6) "Thataway." 7) "The Shark." 8) "In the Bushes." 9) "The Captive." 10) "Kurch." 11) "Back at the Ranch." 12) "Chief Quick Knife." 13) "Farewell.", 26 pages

Box 30 Conductor's score: manuscript., 33 pages

Box 30 Vocal score: 1) Manuscript, signed. 2) Ozalid copy., 1940, 8 pages a.ms.s., 8 pages

Box 30 1) Piano score: ozalid copy; 3 p. 2) Vocal score: ozalid copy; 3 p., 6 pages

Box 30 1) Piano score: manuscript draft; signed. 2) Piano score: manuscript in copyist's hand. 3) Playscript: mimeograph copy., 1943, 3 pages a.ms.s., 3 pages ms., 22 pages t.ms.

Box 30 Score: 1) Manuscript, signed. 2) Manuscript on thin sheets, signed., 4 pages a.ms.s., 2 pages a.ms.s.

Box 30 Vocal score: 1) Manuscript, signed. 2) Ozalid copy., 6 pages a.ms.s., 6 pages

Box 30 Score: ozalid copy. Reel 1, Part A): "Seal and Main Title." 1B) "Kansas." 1C) "Cam Recovers." 1E-2A) "Jeanne Hides Cam." 2B) "Chopping Wood." 2C) "Jeanne's House." 2E) "Cam's Capture." 3B) "A Smashed Guitar." 3Cx) "Cam Saves Jake." 3C) "Cam Saves Jake." 4B) "Cam Shoots Evans." 5A) "The Stronghold." 5B) "Attempted Assault." 6B) "Raid Montage," Part 1." 6B) "Raid Montage," Part II. 6D) "Cam Riding." 7A) "Love and a Doublecross." 7B) "The Posse." 8B) "Brothers." 8C) "A Raid." 8D) "Accusation." 9B) "Darcy Weakens." 9C) "Cam Arrives." 9D) "Darcy Arrives." 10B) "Premonitions." 10B1) "Premonitions" (continued). 10C) "Zero Hour." 10C1) "Zero Hour," continued. 10D) "Danger Trill." 11A) "The Last Act." 12A) "Prelude to Death." 12B) "Death." 12C) "Finale.", 1958, 113 pages

Box 30 Score: Manuscript on thin sheets. (See titles from previous file.), 1958, 113 pages a.ms.s.

Box 30 Programs: 2 photocopies., Lyric Theatre, New York, 12 pages, 12 pages

Box 30 Clipping: review. "The Hollywood Reporter.", 20 October 1948, 2 pages

Box 30 1) Score for Parts (4): manuscript in ink. 2) Orchestral score: manuscript on thin sheets in pencil. 3) Orchestral score: photocopy. 2 copies of 3 pages., 7 pages a.ms.s., 3 pages a.ms., 6 pages

Box 30 1) Score for two pianos: manuscript on thin sheets, signed. 2) Score: manuscript on thin sheets, signed. 3) Manuscript, signed. 4) Text by Susan Glaspell, printed copy., 8 pages a.ms.s., 6 pages a.ms.s., 8 pages a.ms.s., 9 pages

Flat Box 252 Orchestral score: manuscript in pencil on thin sheets., 24 pages a.ms.

Box 30 1) Score for two pianos: manuscript on thin sheets. 2) Score for two pianos: ozalid copy of copyist's version; 2 copies of 26 pages., 1946, 19 pages a.ms.s., 52 pages

Box 30 Orchestral score: manuscript on thin sheets., 1975, 200 pages a.ms.

Box 30 Orchestral score: ozalid copy., 1975, 200 pages bd.

Box 31 Piano score: 1) Manuscript on thin sheets, signed. 2) Ozalid copy., 1975, 40 pages a.ms.s., 40 pages

Box 31 Score: manuscript, signed., 1975, 7 pages a.ms.s.

Box 31 Score for two pianos: 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 51 pages, bd., 1975, 51 pages a.ms.s., 2 vol.

Box 41 Tape recording: "Piano 4 Hands," "3 Dances-Orchestral version," "Repeat of Side 1.", 1 cassette

Box 42 Records (damaged). 1) "The Last Judgement (TLJ): Piano Reduction" and "Three Dances from TLJ." 2) "TLJ: 1" and "TLJ: 3." 3) "TLJ: 2." 4) "Three Dances from TLJ." 5) "TLJ: The Los Angeles Philharmonic." 6) "TLJ: Parts 1, 2, 3" and "TLJ: Parts 8 and 9." 7) "TLJ: Parts 4 and 5" and "TLJ: Parts 6 and 7." 8) "TLJ: Part 10." 9) "TLJ: Excerpts: Three Dances" and "Piano Groove.", 9 discs

Box 31 Concert programs: Robin Hood Dell., 1935, 2 vol.

Box 31 Orchestral scores. 1) Part One "Gnomenreigen": manuscript, signed. 2) Part Four "Underwater Ballet": manuscript, signed. 3) Part Six "Valse Oubilee": manuscript., 10 pages a.ms.s., 14 pages a.ms.s., 35 pages a.ms.

Box 31 Vocal score: 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 2 pages., 2 pages a.ms.s., 4 pages

Box 31 Piano score: ozalid copy., 6 pages

Box 31 Vocal score "Reel 3, Part 2": ozalid copies; 3 copies of 3 p., 9 pages

Box 31 1) Orchestral score: ozalid copy. 2) Playscript: mimeograph copy., 30 May 1943, 4 pages, 22 pages

Box 31 Scenario: carbon copy with signed letter of agreement., 11 pages

Box 31 Periodical review: "Daily Variety," Hollywood, California., 23 March 1960, 1 page

Box 45 Orchestral score: manuscript, signed., 1960, 164 pages

Box 45 Orchestral score: photocopy., 1960, 114 pages

Box 45 Score "Can Can": photostat., 1960, 4 pages

Box 45 Timing chart: photostat; 2 copies of 3 p., 1960, 3 pages

Box 31 Program with composer note: Oakland Symphony Youth Orchestra., 11 April 1980, 1 item

Flat Box 252 Orchestral score: manuscript in pencil on thin sheets in five parts. 1) Outline and list of parts. 2) I. An Episode in Venice. 3) II. Pastorale. 4) III. Romanza. 5) IV. Habanera and Danzon. 6) V. Nocturnal Procession., 1966, 1 page t.ms., 40 pages a.ms., 27 pages a.ms.s., 31 pages a.ms.s., 40 pages a.ms.s., 17 pages a.ms.s.

Box 31 [COPIES] Article: "New Theatre" magazine; pgs. 12-13, 33., October 1935, 2 vol.

Box 31 Programs with inserts: 1) New Chamber Orchestra (NY). 2) Newspaper clipping, no identified source (photocopy)., 25 February 1934, 10 items, 1 page

Box 31 Mimeograph copy of Moross' program notes for a concert in which none of his works were played., 3 pages t.ms.

Box 31 Vocal score: 1) Manuscript on thin sheets, signed. 2) Published version., 1955 c., 2 pages a.ms.s., 5 pages

Box 31 1) Orchestral score: manuscript in pencil, signed. 2) Orchestral score: published version; 3 copies of 16 pages, bd. 3) Programs with announcements: Chamber Symphony Orchestra (NY)., 1931; 13 February 1932, 18 pages a.ms.s., 3 vol., 4 items

Box 31 1) Orchestral score "Letter to the President": manuscript in pencil, signed. 2) Vocal score "Letter to the President": manuscript in the hand of a copyist with ozalid copy; each 7 p., bd. 3) Vocal score "Life Could be so Beautiful": published version; two copies of 5 p., bd., 1935, 16 pages, a.ms.s., 2 vol., 2 vol.

Box 31 Publicity: 1) Program: Guild Theatre (NY); 3 copies. 2) Newspaper clippings including the New York Times and The Boston Globe. 3) Periodical clipping: "The New Theatre," June 1935 with photocopy; 2 copies of 5 p., n.d., March-June 1935, 3 items, 27 pages, 10 pages

Box 49 Lyrics. Xerox copy of materials at the Library of Congress., 1935, 16 pages

Box 49 Miscellaneous notes. Xerox copy of materials at the Library of Congress., 1935, 5 pages

Box 49 "Music Notebook." Xerox copy of materials at the Library of Congress., 1935, 15 pages

Flat Box 252 Orchestral score: "Bourgeois Processional." Xerox copy of materials at the Library of Congress., 1935, 52 pages

Flat Box 252 Orchestral score: "Cock-eyed Finale." Xerox copy of materials at the Library of Congress., 1935, 10 pages

Box 49 Orchestral score: "Don't Tell Us You're Going." Xerox copy of materials at the Library of Congress., 1935, 36 pages

Flat Box 252 Orchestral score: "Flight from the Soviets." Xerox copy of materials at the Library of Congress., 1935, 30 pages

Box 49 Orchestral score: "I'm All Washed Up on Love." Xerox copy of materials at the Library of Congress., 1935, 19 pages

Box 49 Orchestral score: "I'm Telling You, Louie"; pages 9-16A. Xerox copy of materials at the Library of Congress., 1935, 9 pages

Box 49 Orchestral score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 9 pages

Box 49 Orchestral score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 24 pages

Box 49 Orchestral score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 35 pages

Flat Box 252 Orchestral score: "Join Our Ranks." Xerox copy of materials at the Library of Congress., 1935, 15 pages

Box 49 Orchestral score: "Life Could Be so Beautiful." Xerox copy of materials at the Library of Congress., 1935, 52 pages

Box 49 Orchestral score: "Marry Me." Xerox copy of materials at the Library of Congress., 1935, 34 pages

Box 49 Orchestral score: "Marry Me: Encore." Xerox copy of materials at the Library of Congress., 1935, 20 pages

Box 49 Orchestral score: "Newsboy-ballet scene." Xerox copy of materials at the Library of Congress., 1935, 6 pages

Box 49 Orchestral score: "Newsboy-opening music." Xerox copy of materials at the Library of Congress., 1935, 6 pages

Box 49 Orchestral score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress., 1935, 19 pages

Box 49 Orchestral score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 2 pages

Flat Box 252 Orchestral score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 26 pages

Flat Box 252 Orchestral score: "Parade No. 2." Xerox copy of materials at the Library of Congress., 1935, 1 page

Box 49 Orchestral score: "The Policeman." Xerox copy of materials at the Library of Congress., 1935, 8 pages

Box 49 Orchestral score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 15 pages

Box 49 Orchestral score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 35 pages

Box 49 Orchestral score: "Selling Sex: Encore." Xerox copy of materials at the Library of Congress., 1935, 20 pages

Box 49 Orchestral score: "Send for the Militia." Xerox copy of materials at the Library of Congress., 1935, 15 pages

Box 49 Orchestral score: "Snow from Heaven." Xerox copy of materials at the Library of Congress., 1935, 36 pages

Box 49 Orchestral score: "Wild Boys on the Road." Xerox copy of materials at the Library of Congress., 1935, 18 pages

Box 49 Orchestral score: "You Ain't So Hot." Xerox copy of materials at the Library of Congress., 1935, 6 pages

Box 49 Orchestral score: "You Ain't So Hot"; pages 5-37. Xerox copy of materials at the Library of Congress., 1935, 33 pages

Box 49 Score for parts: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 31 pages

Box 49 Vocal score: "Dance." Xerox copy of materials at the Library of Congress., 1935, 8 pages

Box 49 Vocal score: "Don't Tell Us You're Going." Xerox copy of materials at the Library of Congress., 1935, 18 pages

Box 49 Vocal score: "Don't Tell Us You're Going." Xerox copy of materials at the Library of Congress., 1935, 20 pages

Box 49 Vocal score: "Fear in My Heart." Xerox copy of materials at the Library of Congress., 1935, 2 pages

Box 49 Vocal score: "I'm All Washed Up on Love." Xerox copy of materials at the Library of Congress., 1935, 6 pages

Box 49 Vocal score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 6 pages

Box 49 Vocal score: "Join Our Ranks." Xerox copy of materials at the Library of Congress., 1935, 5 pages

Box 49 Vocal score: "Letter to the President." Xerox copy of materials at the Library of Congress., 1935, 7 pages

Box 49 Vocal score: "Marry Me." Xerox copy of materials at the Library of Congress., 1935, 5 pages

Box 49 Vocal score: "My Feet are Planted Firmly on the Ground." Xerox copy of materials at the Library of Congress., 1935, 16 pages

Box 49 Vocal score: "My Feet are Planted Firmly on the Ground." Xerox copy of materials at the Library of Congress., 1935, 7 pages

Box 49 Vocal score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress., 1935, 5 pages

Box 49 Vocal score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress., 1935, 6 pages

Box 49 Vocal score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress., 1935, 6 pages

Box 49 Vocal score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 6 pages

Box 49 Vocal score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 7 pages

Box 49 Vocal score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 7 pages

Box 49 Vocal score: "The Policeman." Xerox copy of materials at the Library of Congress., 1935, 3 pages

Box 49 Vocal score: "The Policeman (I Love Boys in Blue)." Xerox copy of materials at the Library of Congress., 1935, 3 pages

Box 49 Vocal score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 6 pages

Box 49 Vocal score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 8 pages

Box 49 Vocal score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 12 pages

Box 49 Vocal score: "Snow From Heaven." Xerox copy of materials at the Library of Congress., 1935, 8 pages

Box 49 Vocal score: "Snow From Heaven." Xerox copy of materials at the Library of Congress., 1935, 9 pages

Box 49 Vocal score: "The Tabloid Reds." Xerox copy of materials at the Library of Congress., 1935, 16 pages

Box 49 Vocal score: "The Tabloid Reds." Xerox copy of materials at the Library of Congress., 1935, 22 pages

Box 49 Vocal score: "Wild Boys of the Road." Xerox copy of materials at the Library of Congress., 1935, 7 pages

Box 49 Vocal score: "Wild Boys of the Road." Xerox copy of materials at the Library of Congress., 1935, 7 pages

Box 32 1) Orchestral score: manuscript, signed. 2) Publicity: periodical "Film Music" Vol. XII, Jan.-Feb. 1953; p. 18, 1952, 40 pages a.ms.s., 1 page

Box 32 Orchestral score: 1) Manuscript, signed. 2) Ozalid copy. 3) Photostat of miniaturized score. Vocal score: 4) "My Rebel Heart": published version., 1958, 118 pages a.ms.s., 117 pages, 54 pages, 3 pages

Box 40 Microfilm., 1 box/reel

Box 40 Tape recordings: 2 copies of 2 reels., 4 boxes/reels

Box 32 Music cues: xerox copy., 1968, 17 pages

Box 42 Record: "Soundtrack Music from The Proud Rebel.", 1 disc

Box 42 Records: unidentified., 12 discs

Box 32 1) Piano score: ozalid copy. 2) Publicity: "Life," Vol. 65, No. 16, 18 Oct 1968, p. 46-53., 1968, 3 pages, 7 pages

Box 32 Orchestral score: xerox copy., 1968, 85 pages

Flat Box 252 Orchestral score: xerox copies. 1) Japonica Street; 2 p. 2) Shadow Pictures; 5 p. 3) Accident Fantasy; 5 p. 4) Hand-Kissing Fantasy; 2 p. 5) Auto-Erotica; 7 p. 6) Hysteria; 7 p. 7) Country Walk; 15 p. 8) The Sci-Fi Flick; 7 p. 9) Fantasy Dance; 2 p. 10) Love Scene; 7 p. 11) Pill Fantasy; 2 p. 12) The Cellar Door; 4 p. 13) Down on the Farm; 6 p. 14) End of the Affair; 2 p. 15) Rachel Pregnant; 5 p. 16) The Basement; 2 p. 17) Suicide Fantasy; 6 p. 18) The Operation; 6 p. 19) End Title; 6 p., 1968, 101 pages

Box 32 1) Piano score "III- Invention" and "Symphony IIIrd Movement": manuscript in ink, signed. 2) Orchestral score: ozalid copy., 5 pages a.ms.s., 9 pages

Box 42 Records. "Music from Rachel, Rachel.", 4 discs

Box 32 Score for violin: purple hectograph; two copies of 5 p., 10 pages

Box 32 Score for Violin: 1) Manuscript on thin sheets. 2) Ozalid copy. 3) Purple ozalid; 2 copies of 4 p., 4 pages a.ms., 4 pages, 8 pages

Box 32 Score for Violin II: 1) Manuscript, signed. 2) Ozalid copy., 8 pages a.ms.s., 8 pages

Box 32 Score for violin and orchestra: manuscript on thin sheets; signed., 10 pages a.ms.s.

Box 32 Score for violin and piano (drafts): 1) Manuscript, signed. 2) Manuscript on thin sheets. 3) manuscript on thin sheets., 1941, c. 1947, 14 pages a.ms.s., 18 pages a.ms.s., 13 pages a.ms.s.

Box 32 Score for violin and piano: 1) Ozalid copy. 2) Purple ozalid copy; two copies of 13 p. 3) Ozalid copy, signed; 10 p., bd. 4) Photostat., 1941, c. 1947, 13 pages, 26 pages 1 , vol. 18, pages

Box 32 Score: manuscript on transparencies., 272 pages ms.

Box 33 l) Playscript: mimeograph copy with pencil corrections. 2) Score: manusript, signed. 3) Ozalid copy of score., 1943, 22 pages t.ms, 4 pages ms.s., 2 pages

Box 33 1) Music notes: carbon copy. 2) Published publicity brouchure (Stanley Warner Corp.). Scores: signed manuscripts on thin sheets and ozalid copies. 3) "The Holy Land," manuscript; 15 p. 4) "The Mediterranean," manuscript; 8 p. 5) "Rome," manuscript; 5 p. 6) "The Vatican (Beginning),"manuscript; 5 p. 7) "The Holy Land," copy with pencil additions; 2 copies of 15 p. 8) "The Mediterranean," copy; 8 p. 9) "Rome," copy; 6 p. 10) "The Vatican (Beginning)," copy; 5 p. 11) "The Vatican (Ending)," copy; 3 p., 1953, 18 pages t.ms., 1 item, 85 pages

Box 33 Orechestral scores: 1) Manuscript on thin sheets, signed. 2) Rejected manuscript on thin sheets, signed. 3) "Theme from the Sharkfighters": manuscript on thin sheets, signed. 4) Text to "Restless Lover.", 1956, 94 pages a.ms.s., 3 pages a.ms.s., 3 pages a.ms.s., 2 pages

Box 33 Orchestral score: 1) Photostat copy. 2) "Theme from the Sharkfighters," published score. 3) Ozalid copy with additions in pencil., 1956, 57 pages, 2 pages, 94 pages

Box 40 Microfilm. "Orchestral Score.", 1 box/reel

Box 47 Score for 30 parts., 352 pages

Flat Box 255 1) Orchestral score: master score in pencil. 2) List of players., 97 pages a.ms.s., 2 pages

Box 33 Program: Pan American Association of Composers Inc.(NY), 1 page

Box 33 Scores. 1) Orchestral score: manuscript on thin sheets, signed. 2) Score for 4 Parts: ozalid copies with pencil notations. 3) Score: manuscript, signed., 1975, 85 pages a.ms.s., 54 pages, 61 pages a.ms.s.

Box 42 Record: "Test Pressing.", 1975, 1 disc

Box 34 1) Manuscript on thin sheets, signed. 2) Score: manuscript in pencil, signed. 1) Programs: Miami Chamer Ensemble; 3 copies., 1969, 16 pages a.ms.s., 21 pages a.ms.s., 3 pages

Box 34 Orchestral score: 1)Manuscript in pencil on thin sheets, signed. 2) Ozalid copy. 3) Manuscript in pencil. 4) Published music review (no source): original and photocopy., 1966, 35 pages a.ms.s., 35 pages bd., 35 pages a.ms.s., 2 pages

Box 34 Orchestral score: 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 24 p., bd. 3) Score: manuscript in pencil., 1966, 24 pages, 2 vol., 32 pages a.ms.

Box 34 1) Orchestral score: manuscript on thin sheets, signed. 2) Five parts: manuscript on transparencies. 3) Score: manuscript, signed., 1970, 30 pages a.ms.s., 50 pages a.ms., 39 pages a.ms.s.

Box 34 Orchestral score: 1) Ozalid copy; 30 p. 2) Ozalid copies; 3 copies of 30 p., bd. 3) Score for 5 parts: 3 copies of 5 vol., 1970, 30 pages, 3 vol., 15 vol.

Box 42 Records: "Sonatinas for Divers Intruments." Pro Musica of London., 1 disc

Box 35 Vocal score: manuscript on thin sheets, signed., 1977, 83 pages a.ms.s.

Box 35 Vocal score: manuscript, signed., 1977, 116 pages a.ms.

Box 35 Score for 23 parts: manuscript on transparencies., 1977, 354 pages

Box 35 Playscript: mimeograph copy; two copies of 28 p., 1977, 56 pages t.ms.

Box 35 Programs: Lake George Opera Festival (Glen Falls, NY)., 1977, 4 items

Box 35 Periodical clipping: Contemporary American Opera Studio., June-August 1980, 1 page

Box 35 1) Vocal score: ozalid copy of rehearsal score. 2) Score for two pianos and voices: manuscript, signed., 1977, 80 pages, 116 pages a.ms.

Flat Box 253 1) Orchestral score: manuscript in pencil on thin sheets. 2) Correction sheet written in pencil., 1977, 327 pages a.ms., 1 page

Flat Box 253 Orchestral score: reduced ozalid negatives with original postal packaging to Moross., 1978, 327 pages

Box 41 Tape recording: "Orchestral Reading: Lake George Opera.", 1, reel

Box 41 Tape recording: "Orchestral reading: Lake George Opera.", 1 cassette

Box 35 Programs: Civic Repertory Theatre (New York City)., 1934, 2 items

Box 36 Orchestral score: ozalid copy with additions in pencil; 2 copies of 106 p., bd., 1943, 2 vol.

Box 36 Orchestral score: reduced ozalid negatives., 1943, 146 pages

Box 36 Orchestral score: manuscript on thin sheets., 1943, 106 pages a.ms.

Box 36 Parts (30): manuscript on transparencies., 1943, 220 pages a.ms.

Box 36 Piano score: manuscript on thin sheets., 1943, 42 pages a.ms.

Box 36 Programs. Philharmonic Orchestra of Los Angeles (6 with 2 inserts); The Philharmonic-Symphony Orchestra, City College of New York (3); Seattle Symphony Orchestra (3); Glendale Philharmonic Orchestra presents the Philharmonic Orchestra of Los Angeles (2)., 1943-1945, 14 items, 2 inserts

Box 36 Season programs: The Southern California Symphony Association presents the Philharmonic Orchestra of Los Angeles., 1944-1955, 3 items

Box 36 Publicity: newspaper clippings., n.d., 19 Oct 1943-19 Nov 1944, 28 pages

Box 36 Publicity: periodicals. 1) "Modern Music," Vol. 22, No. 2. Jan.-Feb. 1945. (p. 111-114.) 2) "Rob Wagner's Script," Vol. 30, No. 693. Dec. 2, 1944. (p. 24). 3) Photocopies of articles., 1944-1945, 1 vol., 1 vol., 4 pages

Box 36 Miscellaneous publicity: 1) Statement. 2) Guggenheim Fellowship application., 1944, n.d., 1 page, 2 pages

Box 37 Score for two pianos "Second Movement Sonata Scherzo": manuscript on thin sheets, signed., 1943, 21 pages a.ms.s.

Box 37 Score for two pianos: 1) Ozalid copy; p. 8-28. 2) "Second Movement": ozalid copy; p. 9-28., 1943, 21 pages, 20 pages

Box 37 Score for two pianos "IV-Fugue": ozalid copy; p. 34-42., 1943, 9 pages

Box 41 Tape recording of radio broadcast: "Symphony No. 1: L.A. Philharmonic-Wallenstein.", 19 Nov 1944, 1 cassette

Box 43 Records: Los Angeles Philharmonic, Alfred Wallenstein, conductor. 1) "Symphony No. 1," 4 copies. 2) "Symphony No. 1, 3rd and 4th Movements" and "1st and End mvts." 3) "Symphony #1, First Movement.", 4 discs, 1 disc, 1 disc

Box 46 Orchestral Score (30 parts): new master parts with all corrections., 1943, 220 pages, 3 folders

Box 46 Piano score: new master part with all corrections., 1943, 15 pages

Box 46 Recording: compact disc. London Symphony Orchestra , JoAnn Falletta conductor., London, 1993, 1 disc

Flat Box 254 1) Orchestral score: photocopy with composer's corrections. 2) List of movements and instruments specific to performance the Seattle Symphony Orchestra (WA)., 18 Oct 1943, 146 pages, 1 page

Flat Box 254 1) Orchestral score: manuscript on thin sheets, signed. 2) Composers notes on reduced copy of score., 1943, 146 pages a.ms.s., 2 pages

Flat Box 254 Orchestral score: ozalid copy., 1943, 146 pages bd.

Box 37 Score: manuscript sketches., 95 pages

Box 37 Score: manuscript sketches, signed., 5 pages a.ms.s.

Box 37 1) Programs. 2) Orchestral score: reduced ozalid negatives., 1938, 14 items, 96 pages

Box 37 Parts (27): manuscript on transparencies., 1938, 149 pages

Flat Box 255 1) Orchestral score: manuscript on thin sheets, signed. 2) List of players., 1938, 96 pages a.ms., 1 page t.ms.

Box 37 Announcement/ticket., 1 item

Box 37 Orchestral score: manuscript, signed., 1932, 27 pages a.ms.s.

Box 37 1) Program: New School for Social Research (NY). 2) Newspaper clippings including New York Sun, 29 Oct 1932., 1932, 1 item, 2 pages

Box 37 Vocal score: ozalid copy., 6 pages

Box 37 Orchestral score: ozalid negatives., 1966, 55 pages

Box 37 Piano score "Theme from Tumwater Music": 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 2 p., 1966, 2 pages a.ms.s., 4 pages

Flat Box 255 Score: ozalid copy., 1966, 55 pages bd.

Box 37 1) Program: The New School Auditorium (NY). 2) Newspaper clipping., 1933, 2 items, 1 page

Box 37 Playscript: 1) Mimeograph copy. 2) Mimeograph copy., 1960, 111 pages, 110 pages

Box 37 Playscript: miscellaneous pages with notes added in pencil., 1960, 43 pages t.ms.

Box 37 Playscript: draft, carbon copy; two copies of 60 pages., 1960, 120 pages

Box 37 Playscript: miscellaneous xerox pages., 1960, 52 pages t.ms.

Box 38 Vocal score "Baby's Gonna Shake It Tonight" (song): 1) Manuscript, signed. 2) Ozalid copy., 1960, 7 pages a.ms., 7 pages

Box 38 "The Bad Old Days" (song). 1) Lyrics. Vocal score: 1) Manuscript, signed. 3) Manuscript, signed. 4) Ozalid copies with changes; two copies of 4 p., 1960, 1 page, 6 pages a.ms.s., 4 pages a.ms.s., 8 pages

Box 38 "Beer and Flowers" (song). Vocal score: manuscript, signed., 1960, 9 pages a.ms.s.

Box 38 Vocal score "The Cream of Society" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil changes. 3) Ozalid copy; 3 copies of 9 p., 1960, 9 pages a.ms.s., 9 pages, 27 pages

Box 38 "Danger" (song): 1) Lyrics with changes in pencil. Vocal score: 2) Manuscript on thin sheets in pencil, signed. 3) Ozalid copy with pencil changes; two copies of 6 p., bd. 4) Manuscript on thin sheets in pencil, signed. 5) Photocopy. "Cicero's Danger Song." Vocal score: 6) Manuscript on thin sheets in pencil with ozalid copy; two copies of 8 p., 1960, 1 page t.ms., 3 pages a.ms.s., 2 vol., 11 pages a.ms.s., 11 pages, 16 pages

Box 38 "The Girls" (song): 1) Lyrics with pencil changes. 2) Vocal score: manuscript on thin sheets., 1960, 5 pages t.ms., 5 pages a.ms.

Box 38 Vocal score "Give Me a Chance" (song): 1) Manuscript on thin sheets with pencil changes; signed. 2) Ozalid copy with pencil changes; three copies of 6 p. 3) Ozalid copy., 1960, 6 pages a.ms.s., 18 pages, 6 pages

Box 38 Vocal score "It's Almost Time Now" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil notes., 1960, 5 pages, 5 pages

Box 38 Vocal score "I've Even Been in Love" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil notes; 2 copies of 11 p. 3) Ozalid copy., 1960, 11 pages a.ms.s., 22 pages, 11 pages

Box 38 "Keep on Saying It" (song). Score: 1) Manuscript on thin sheets, signed. Vocal score: 2) Manuscript on thin sheets, signed. 3) Manuscript on thin sheets, signed., 1960, 6 pages a.ms.s., 6 pages a.ms.s., 4 pages a.ms.s.

Box 38 "Kinda Like" (song). 1) Lyrics. Score: 2) Manuscript on thin sheets, signed;. 3) Manuscript sketch., 1960, 2 pages, 5 pages a.ms.s., 1 page a.ms.

Box 38 Vocal score "Love Me" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil changes. 3) Ozalid copy., 1960, 6 pages a.ms.s., 6 pages, 6 pages

Box 38 Vocal score "Paddy Boy" (song): manuscript on thin sheets, signed., 1960, 9 pages a.ms.s.

Box 38 Score "Pepita's Song" (song): manucript on thin pages., 1960, 7 pages a.ms.

Box 38 "Prologue" (song). 1) Lyrics. 2) Score: manuscript on thin sheets. Vocal score: 3) Manuscript on thin sheets, signed. 4) Ozalid copy., 1960, 3 pages t.ms., 6 pages a.ms., 6 pages a.ms., 6 pages

Box 38 Vocal score "That Extra Bit" (song): 1) Manuscript, signed. 2) Ozalid copy., 1960, 8 pages a.ms.s., 8 pages

Box 38 "You've Got Brains" (song). 1) Score: manuscript, signed. 2) Vocal score: manuscript, signed., 1960, 6 pages a.ms.s., 2 pages a.ms.s.

Box 38 Miscellaneous items. Scores: 1) Manuscript sketches; 2 p. Lyrics, t.ms.: 2) "All I Have Left," carbon copy; 1 p., t.ms. 3) "Chicago Isn't Mine Anymore," with pencil changes; 3 p. 4) "Fighting and Drinking"; 4 p., t.ms. 5) "Make It a Fast One"; 2 p., a.ms. 6) "Mock Wedding" carbon copy; 2 p., t.ms. 7) "Start It Moving"; 4 p., a. and t.ms. 8) "We're Throwing a Party" carbon copy; 1 p., t.ms., 1960, 17 pages ms.

Box 47 Compact disc: "Songs from the Underworld" and "Parade." Broadway soundtrack., 1991, 1 disc

Flat Box 255 Vocal scores: ozalid copies with pencil changes. 1) "Beer and Flowers"; 9 p. 2) "Keep on Saying It"; 4 p. 3) "Paddy Boy"; 9 p. 4) "Prologue and Epilogue"; 6 p. 5) "That Extra Bit"; 8 p. 6) "You Got Brains"; 2 p. 7) "You Got Brains (Tango)"; 2 p., 1960, 7 folios, 40 pages

Box 38 1) Playscript: mimeograph copy with pencil changes. 2) Score: ozalid copy., 27 June 1943, 21 pages, 3 pages

Box 38 Score: manuscript on thin sheets, signed., 1968, 164 pages a.ms.s.

Box 38 Score: ozalid copy., 1968, 164 pages bd.

Box 47 Compact disc: "The Classic Film Music of Jerome Moross." City of Prague Philharmonic conducted by Paul Bateman. Includes: "The Valley of Gwangi," "The Sharkfighters," "Rachel, Rachel," "The War Lord," "The Mountain Road," "Five Finger Exercise," "Wagon Train," and "The Adventures of Huckleberry Finn.", 1995 copyright, 1 disc

Box 38 Program: The New Chamber Orchestra., Town Hall, 113 West 43rd St., New York City., 3 December 1933, 4 items

Box 38 Score (31 Parts): manuscript on transparencies in copyist's hand., 1980, 259 pages ms.

Box 43 Record. "Variations on a Waltz: Two Piano Demo.", 1 disc

Flat Box 255 1) Orchestral score: manuscript on thin sheets; signed. 2) List of players., 1980, 156 pages a.ms.s., 1 page t.ms.

Box 39 Theme music: published score in vol.; p. 62-64, 1959, 3 pages bd.

Box 39 Conductor parts: 2 ozalid copies of 128 p., 1965, 256 pages

Box 39 Conductor parts: Ozalid copy with recording history., 1965, 128 pages bd.

Box 43 Record. "The War Lord: Original Soundtrack Album.", 1965, 1 disc

Flat Box 256 Conductor score: manuscript; signed. 1) 1A: "Prelude"; 4 p. -- 2) 1C: "Main Title"; 7 p. -- 3) Reel 2, Cue B: "Pagan Shrine"; 3 p. -- 4) Reel II, Part C: "Forsaken Village"; 4 p. -- 5) Reel II, Part D and Reel II Part A: "Obsession Begins"; 8 p. -- 6) Reel III, Part B: "Father's Fate"; 3 p. -- 7) 3C: "The Hunt"; 1 p. -- 8) 3D: "Naked Emotion"; 6 p. -- 9) 4A: "To Ease the Pain"; 9 p. -- 10) 4B: "Agony Shared"; 2 p. -- 11) 4C: "Injured Dignity"; 3 p. -- 12) 4D-5A: "Witch Chase"; 4 p. -- 13) 5B: "Come Lie with Me"; 6 p. -- 14) 5C: "Judge and Jury"; 2 p. -- 15) 5D: "Consent to Wed"; 5 p. -- 15) Reel VI, Part A: "Rustic Wedding"; 5 p. -- 16) 6B: "Marriage Ceremony and Dance"; 6 p. -- 17) 7A: "Virgin Sacrifice"; 6 p. -- 18) 7B: "Bewitched"; 5 p. -- 19) 7C-8A: "Vigil in the Night"; 1 p. -- 20) 8B: "Pledge at Dawn"; 6 p. -- 21) 9B: "What of the Future"; 11 p. -- 22) 13C-14A: "Vengeance and Death"; 10 p. -- 23) 14B: "End Title"; 2 p., 1965, 23 folios, 128 pages

Flat Box 256 Orchestral score: thermofax copy., 1965, 17 pages

Box 39 1) Score: manuscript, signed. -- 2) Payment receipts., 1951, 82 pages a.ms.s., 2 pages

Box 41 Video tape recording: "When I Grow Up.", 1951, 1 cassette

Box 39 1) Score: manuscript in pencil, signed. 2) Photocopy from "The Music of George Washington's Time," p. 36-37., 6 pages a.ms.s., 1 page

Box 39 1) Contract (Moross/William Morris Agency, Inc.). 2) Program (Booth Theatre, NY). Scores:manuscripts on thin sheets. 3) "Finale Act I"; 2 p. 4) "Final Minuet-Finale Act II"; 2 p. 5) "Madame Jourdains Exit"; 1 p. 6) "Overture"; 3 p. 7) "Pas de Trois"; 5 p. 8) "Serenade"; 2 p. 9) "Stop Thief"; 1 p. 10) "Turkish March"; 1 p. 11) "Werner's Specialty"; 7 p. 12) "Werner's Specialty"; 2 p. 13) "Pas de Trois," score for five parts in copyist's hand; 18 p. 14) "Pas de Trois," ozalid copy; 5 p. 15) Miscellaneous. Ozalid copy; 1 p., 1945, 2 items, 50 pages