Jerome Moross papers, 1924-2018

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Series I: Cataloged Correspondence



Box 1 Antheil, George To Jerome and Hazel Moross, Hollywood, 14 March 1951, 1 page t.l.s.


Box 1 Carter, Jimmy and Rosalyn To Hazel Aframs Moross, Washington, [1977-1980], 4 Christmas Cards

[With envelopes]


Box 1 Catton, Bruce To Jerome Moross, New York, 23 September 1963, 1 page t.l.s.


Box 1 Clemens, Cyril To Jerome Moross, Kirkwood, MO, 27 May 1970, 1 page t.l.s.


Box 1 Copland, Aaron To Jerome Moross, Peekskill, NY & New York, NY, [n.d.] & 10 Nov 1940-7 Nov 1944, 2 pages a.l.s., 3 pages t.l.s.


Box 1 Corwin, Norman To Jerome Moross, v.p., 23 April 1958-15 Dec 58, 6 pages t.l.s.

[With copies of related letters.]


Box 1 De Mille, Agnes George To Jerome Moross, [New York], 21 Jan 1952 through April 1952, 2 pages t.l.s., 1 page a.l.s.


Box 1 Evans, Maurice To Hazel Aframs Moross, [n.p.], 12 July 1965, 1 page t.l.s.


Box 1 Kreymborg, Alfred To Jerome Moross, New York, 5 July 1944, 1 page t.l.s.


Box 1 Mancini, Henry To Jerome Moross, Hollywood, CA, 19 Dec 1966, 1 page t.l.s.


Box 1 Martin, Mary To Jerome Moross, [n.p], [n.d.], 1 page a.l.s.


Box 1 Miller, Henry To Jerome Moross, Big Sur, CA, 2 Aug 1944, 1 p.p.c.


Box 1 Jerome Moross To Aaron Copland, Pacific Palisades & Los Angeles, CA, 1942-1944, 2 pages a.l.s., 4 pages t.l.s.

[Xerox copies. Original letters housed in the Copland Collection, Music Division, Library of Congress. Gift of the Library of Congress, 17 July 1992]


Box 1 Robbins, Jerome To Jerome Moross, New York, 6 Nov 1944, 1 telegram


Box 1 Rorem, Ned To Jerome Moross, [n.p.] & New York, [n.d.] & [Oct 1973]-[Feb 1977], 2 a.p.c.s., 1 page a.l.s.


Box 1 Thompson, Randall To Jerome Moross, Princeton, NJ, 18 June 1948, 1 page a.l.s.

[With envelope]


Box 1 Thomson, Virgil To Jerome Moross, New York, 18 Sept [n.y.]; 8 Oct 1979-1 June 1982, 2 pages a.l.s., 1 page t.l.s.

[One with envelope]


Box 1 Vidal, Gore To Jerome and Hazel Moross, Beverly Hills, CA, 26 March 1968, 1 page t.l.s.


Box 1 Wilder, Thornton To Jerome Moross, Edgarton, MA, 28 Sept 1967, 1 page a.l.s.

[With envelope.]

Series II: Arranged Series


Subseries II.1: Correspondence


Box 1 A-J, v.p., 1937-1982, 12 folders


Box 1 Federal Theatre Project Letters, v.p., 1938-1939, 1 folders


Box 1 Fisher, Thomas Hart Letters, telegrams, documents, memos, contracts., v.p., 1939-1953, 1 folders


Box 1 Fitelson and Mayers Letters, receipts, documents., v.p., 1944-1962, 1 folders



Box 2 K-M, v.p., [1937-1982], 8 folders


Box 2 Kroll Agency, Lucy , New York, [1947-1956], 1 folders


Box 2 Kroll Agency, Lucy , New York, [1957-1959], 1 folders


Box 2 Kroll Agency, Lucy , New York, [1960-1962], 1 folders


Box 2 Kroll Agency, Lucy , New York, [1963-1982], 1 folders


Box 2 Latouche, John Treville , [v.p.], 1943-1944, 1 folders



Box 3 M-Z, [v.p.], 1937-1982, 21 folders


Box 3 To Hazel A. Moross , v.p., 1948-1953; 1956-1959, 7 folders


Box 3 Page, Ruth , v.p., [n.d.];1938-1958, 1 folders


Box 3 Palmer, Christopher , v.p., 1973-1978, 1 folders


Box 3 Palmer, Christopher , v.p., 1973-1978, 1 folders


Box 3 Regarding Moross work: "Sorry Wrong Number.", v.p., 1972-1980, 1 folders


Box 3 Olympia Brewing Company Regarding Moross work: "Tumwater Music.", v.p., 1965-1968, 1 folders


Box 3 Unidentified Correspondence., v.p., 1949-1979, 1 folders


Subseries II.2: Financial Papers



Box 4 Miscellaneous items: Receipts, check stubs, money orders, bank statements, dog license, apartment lease, insurance policies, expense reports., 1949-1981, 1 folders


Box 4 Account book, 1949-1981, 1 folders


Box 4 American Society of Composers, Authors, & Publishers (A.S.C.A.P.) Correspondence, check stubs., 1949-1981, 1 folders


Box 4 Payroll statements., 1956-1960, 1 folders


Box 4 Royalty statements: A.S.C.A.P; Tams-Witmark Music Library, Inc.; others, [v.p.], 1954-1976, 1 folders


Box 4 Chappell & Co., Inc. Royalty statements., New York, 1951-1978, 1 folders


Box 4 Taxes., v.p., 1950-1961, 1 folders


Subseries II.3: Interviews and Biographical Notices



Box 5 c.v.; 3 copies of 2 p., October 1958, 6 pages


Box 5 Mike Snell c.v., New York, 2 April 1978, 1 copy


Box 5 Frank Herbert Interview transcript., New York, 2 February 1964, 4 pages, 2 copies


Box 5 Gerald Pratley Canadian Broadcast Corp. Interview transcript., Toronto, Ontario, 01 January 1966, 12 pages


Box 5 Credits and listings from "International Who's Who and Who's Who in Amerian Theatre.", 2 pages, 2 pamphlets


Box 5 Vivian Perlis Oral History Research Office "Charles Ives Remembered" interview: 1) Recorded copy. 2) Transcript. 3) Article., New York, 19 September1969, 1 cassette, 22 pages, 3 pages


Subseries II.4: Music Scores by Others


Box 5 George Antheil Scores inscribed to Moross by composer: 1) "Five Songs 1919-1920" for soprano and piano. COS COB Press, New York, 1934. 2) Second Sonata "The Airplane" for piano. New Music, New York, 1931., New York, 1932 (inscription), 10 pages bd., 12 pages bd.


Box 5 Bucharoff, Simon Inscribed to Moross by composer: "The Four Freedoms," lyrics and music. Pacific Music Sales, Hollywood, CA, 1943., 7 pages bd.


Box 5 Chabrier, Emmanuel Score inscribed by Harold Schonberg: "Trois Valses Romantiques" for 2 pianos. Enoch & Cie., Paris., December 1976 (inscription), 47 pages bd.

[Mold damage]


Box 5 Copland, Aaron Photocopies of scores in nonsequential order. Includes "Our Town.", 1 folders


Box 5 Herrmann, Bernard Score inscribed to Moross by composer: "Moby Dick." Cantata for male chorus, soloists, and orchestra. Novello & Co., LTD., 10 February 1972 (inscription), 69 pages bd.


Box 5 Robinson, Earl Photocopies and ozalid copies of scores., 1 folders


Box 5 Spialek, Hans Score inscribed to Moross by composer: "The Tall City." Suite for Orchestra. Harms, Inc., New York., 1933 (inscription), 122 pages bd.


Subseries II.5: Photographs and Portraits


Box 5 Photographs of Ives Centennial Celebration., University of Miami, 1976, 3 photographs


Box 5 Moross, Jerome Head shots, 1976, 2 photographs (10x8)


Box 5 Mathers, Don and Princess Livingston Signed and inscribed to Jerome and Hazel Moross., 1 photograph (10x8)


Box 5 Moross and unidentified woman with cello., 13 photographs (4x5)


Box 5 Moross, Jerome U.S. Passport with 4 extra passport photographs., 17 September1948, 1 passport


Box 5 Moross, Jerome Publicity photographs and contact sheets., 39 photographs (10x8)


Box 5 Lerman, Leo Inscribed and signed to Moross and Hazel Moross., 30 August 1952, 1 photograph (14x11)



Flat Box 235 Charcol drawing. Moross head shot (adult years) with cigarette. Signed "PAV", 1989, 1 drawing (47 x 40.5 cm.)

[Gift 1999]


Flat Box 235 Tinted photograph. Moross full length (childhood years), domed oval., 1989, 1 photograph (50 x 35 cm.)

[Gift 1999]


Flat Box 235 Oil portrait. Moross full length (childhood years). Note: Artist's rendering of previous photograph., 1 painting (50.5 x 40 cm.)

[Gift 1999]


Subseries II.6: Biographical Mementos



Box 5 Newspaper clippings: includes public school graduation at age 10 and obituaries., 1924-2000, 1 folders


Box 5 Periodicals; clippings regarding Moross., n.d.; 1934-1979, 5 items


Box 5 Newspaper clippings-miscellaneous subjects; geographical list of League of Composers., 1 folders


Box 5 Stern, Eric and Tommy Krasker Songbook Series at Joe's Pub. Flyer: "A Tribute to Jerome Moross"; 2 copies of 1 p., New York, 28 February 2000, 2 pages

[Gift 2000]

Series III: Works by Jerome Moross


Subseries III.1: Adventures of Huckleberry Finn

See also compact disc: "Valley of Gwangi."(Box 47)



Box 6 Orchestral score: photocopy., 1960, 156 pages bd.

[Motion Picture]



Box 43 Orchestral score: manuscript, signed., 1960, 144 pages a.ms.s.


Box 43 Orchestral score, piano reduction: photocopy., 156 pages



Box 40 Microfilm. "Huckleberry Finn.", 1 box/reel


Subseries III.2: American Pattern



Box 6 Programs, newspaper clippings., n.d.; 1934-1938, 3 programs, ?? pages

[ Ballet]


Subseries III.3: American Saga


Box 6 Doris Humphrey, Charles Weidman Dance Group Programs., Guild Theatre, New York, 1936, 3 programs


Subseries III.4: Americo Vaspuccio


Box 6 Typescript texts in Latin and English, 57 pages


Subseries III.5: Awaken My Love, Awaken


Box 6 1) Vocal score for two voices and guitar: ozalid copy. 2) Vocal score: reverse copy on thin sheets. 2) Royalty statements., 1951 copyright, 2 pages, 4 pages, 3 items

[Song]


Subseries III.6: Baby


Box 6 Score for string quartet: manuscript in ink on thin sheets., 1939 copyright, 16 pages

[Song]


Subseries III.7: Ballet



Box 6 [COPIES] 1) Clippings. 2) Programs. The New School for Social Research, NY (3) and The New Chamber Orchestra, NY (5)., 1933, ? pages, 8 items


Subseries III.8: Ballet Ballads



Box 6 Financial records: statements, expense sheets, check stubs for several productions., 1 folders



Box 7 Kurt E. Wolff Financial papers., California, 1950-1951, 1 folders


Box 7 Typewritten notes., 6 pages


Box 7 To Jerome Moross Opening night telegrams., 8 May 1948-17 May 1948, 18 telegrams


Box 7 Production photographs and head shots., 53 photographs (8 x 10), 4 contact sheets


Box 7 To Jerome Moross and Hazel Moross Signed photograph from "Ruthanna and Frank.", 1 photograph (8 x 10)


Box 7 Informal cast photographs/snapshots, 6 photographs (5 x 3.5), 6 negatives


Box 7 Programs and playbills., 40 items



Box 8 Publicity: press releases and production notices., n.d.; 1948-1950, 1 folders



Box 8 [COPIES] Newspaper and periodical clippings., n.d.; entry in process., 1 folders



Box 8 Chappell & Co., Publisher Score: "I've Got Me" (song)., 1948 copyright, 7 pages,


Box 8 Chappell & Co., Publisher Score: "My Yellow Flower" (song)., 1948 copyright, 5 pages,


Box 8 Chappell & Co., Publisher Score: "Ridin' on the Breeze" (song)., 1948 copyright, 5 pages,


Box 8 Stage designs: "Susannah and Elders"; "Willy the Weeper," "Willy Alternative"; "Dave Crockett," "Dave Crockett Alternative.", 5 blueprints,



Box 9 Vocal score "Susannah and the Elders": 1) Manuscript on thin sheets; nonsequential order. 2) Ozalid copy; binding removed., 29 Jan 1940; 1944, 83 pages , 52 pages



Flat Box 236 Vocal score "Susannah and the Elders": ozalid copy; binding removed., 1944 copyright, 52 pages



Box 9 Orchestral score "Susannah and the Elders": manuscript on thin sheets., 85 pages



Flat Box 236 Score for two pianos "Susannah and the Elders": ozalid copy; 2 copies., 27 pages, 27 pages; bd.


Flat Box 236 Harry Aspruer Watercolor stage design "Susannah and the Elders." Inscribed by artist to Moross., 1, painting with mat (15 x 20 in.)



Box 9 Master score (70 parts) "Susannah and the Elders"; manuscript in ink., 1 folder a.ms.s.

[Gift 1995]


Box 9 Scores for two pianos "Susannah and the Elders," "Willie the Weeper," and "The Eccentricities of Davey Crockett": ozalid copy., 145 pages, bd.,


Box 9 Vocal score "Susannah and the Elders" "Willie the Weeper," "The Eccentricities of Davey Crockett": 1) Published version. 2) Negative photostat of pages 68-69., 1949, 210 pages, bd., 2 pages


Box 9 Orchestral score "Willie the Weeper": manuscript on thin sheets., 25 pages a.ms.s.,



Flat Box 236 Orchestral score "Willie the Weeper": manuscript on thin sheets., 220 pages a.ms.s.


Flat Box 236 Orchestral score "Willie the Weeper": reduced transparencies on ozalid., 220 pages



Box 9 Score (22 Parts)"Willie the Weeper": manuscript on transparencies., 340 pages a.ms.s.,


Box 9 Score for two pianos "Willie the Weeper": manuscript in pencil., 52 pages a.ms.s.,



Flat Box 237 Score for two pianos "Willie the Weeper": ozalid copies (2 copies)., 52 pages, 52 pages bd.



Box 9 Vocal score "Willie the Weeper": manuscript on thin sheets., 1945 copyright, 68 pages a.ms.s.,



Flat Box 237 Vocal score "Willie the Weeper": ozalid copy., 68 pages



Box 10 Score for two pianos "The Eccentricities of Davy Crockett": manuscript., 66 pages



Flat Box 237 Vocal score "The Eccentricities of Davy Crockett": ozalid copy; broken binding., 66 pages



Box 10 Vocal score "The Eccentricities of Davy Crockett": manuscript on thin sheets., 1946 copyright, 83 pages


Box 10 Score for two pianos "Riding Hood Revisited": manuscript., 63 pages


Box 10 Score for two pianos "Riding Hood Revisited": ozalid copy; 3 copies of 63 p., 3 vol.


Box 10 "Riding Hood Revisited": manuscript on thin sheets., 79 pages



Flat Box 237 Vocal score "Riding Hood Revisited": ozalid copy; broken binding., 79 pages bd.



Box 10 Vocal score "Riding Hood Revisited": ozalid copy., 79 pages



Box 40 Microfilm: "Willie the Weeper." 1 reel; loose., 1 box



Box 41 Tape recording: "1. Susanna. 2. Willie. 3. Davy Crockett.", Los Angeles, 1950, 1 cassette


Box 41 Tape recording. "Legend Inside.", 20 October 1950, 1 box/reel


Box 41 Tape recording. "Susanna," "Davy Crockett, Part I," "Davy Crockett, Part II," "Three Dances from the Last Judgement.", 1 box/reel


Box 41 Tape recording. "The Last Judgement (piano reduction)," "Willie the Weeper.", 1 box/reel



Box 42 Records: 1) "Davy Crockett, Part I" and "Davy Crockett, Part II." 2) "Susanna" and "Willie the Weeper." 3) "Oh Baby, Gee Baby," "I've Got Me," "Yellow Flower," and "Riding on the Breeze.", 3 discs



Box 48 Score (19 Parts): "The Eccentricities of Davy Crockett.", 509 pages

[Gift 1995]


Subseries III.9: Banjo

Written by Louis Moreau Gottschalk; arranged by Moross



Box 10 Score for two pianos: manuscript with corresponding newspaper clippings., n.d.; 1935, 16 pages, 2 pages


Subseries III.10: Bears


Box 10 Score for two pianos; manuscript sketches in pencil., 19 pages a.ms.s.

[Motion Picture]


Subseries III.11: Big Country


Box 10 Manuscript: reduced ozalid negatives., 1958, 25 pages

[Motion Picture]


Box 10 Score (film sketches): 1) Manuscript. 2) Ozalid copy., 1958, 174 pages, 174 pages


Box 10 Vocal score "Another Day, Another Sunset": published version., 1958 copyright, 5 pages

[Lyrics by Morty Neff and Jack Lewis.]



Flat Box 238 Orchestral score: manuscript in hand of Bernard L. Mayers and others. 1) Reel 1, Part 1: "Main Title"; 22 p. 2) Reel 1, Part 2: "Julie's House"; 18 p. 3) Reel 2, Part 1: "The Welcoming"; 31 p. 4) Reel 2, Part 2: "The Hazing"; 13 p. 5) Reel 2, Part 3: "Courtin' Time"; 15 p. ,, 1958, 6 folios

[Full score: 665 pages in 46 folios]


Flat Box 238 Orchestral score: manuscript in hand of Bernard L. Mayers and others. 6) Reel 3, Part 1: "The Terrill Ranch"; 9 p. 7) Reel 3, Part 2: "Old Thunder"; 16 p. 8) Reel 4, Part 1: "Breakfast Scene"; 13 p. 9) Reel 4, Part 2: "The Raid"; 31 p. 10) Reel 4, Part 2 (revised); 16 p. 11) Reel 4, Part 2A: "The Raid" (continued); 14 p. 12) Reel 5, Part 1: "McKay's Decision"; 10 p. 13) Reel 5, Part 2: "The Capture"; 15 p. ,, 1958, 7 folios

[Full score: 665 pages in 46 folios]



Flat Box 239 Orchestral score: manuscript in hand of Bernard L. Mayers and others. 14) Reel 6, Part 1: "McKay's Triumph"; 11 p. 15) Reel 6, Part 2: "Major Terrill's Party"; 14 p. 16) Reel 6, Part 2A: "Major Terrill's Party" (continued); 9 p. 17) Reel 7, Part 1: "Waltz"; 28 p. 18) Reel 7, Parts 2 and 3: "Polka"; 7 p. and Part 2, "alternate ending"; 1 p. 19) Reel 7, Part 4: "Night in Blanco County"; 4 p. 20) Reel 8, Part 1: "McKay's Ride"; 8 p. 21) Reel 8, Part 1A: "McKay is Missing"; 11 p. 22) Reel 8, Part 1B; 16 p. 23) Reel 9, Part 1: "Waiting"; 2 p. 24) Reel 9, Part 2: "Horror Stories"; 10 p. 25) Reel 9, Part 3: "The Big Muddy"; 14 p. 26) Reel 10, Part 1: "Still Waiting"; 12 p. 27) Reel 10, Part 2: "McKay Alone"; 10 p. 28) Reel 10, Part 3: "Night at Ladder Ranch"; 5 p. ,, 1958, 15 folios

[Full score: 665 pages in 46 folios]


Flat Box 239 Orchestral score: manuscript in hand of Bernard L. Mayers and others. 29) Reel 11, Part 1: "The Fight"; 17 p. 30) Reel 12, Part 1: "The Cattle at the River"; 22 p. 31) Reel 13, Part 1: "Pat's Mistake"; 10 p. 32) Reel 13, Part 2: "Buck Comes for Julia"; 9 p. 33) Reel 14, Part 1: "The Abduction"; 8 p. 34) Reel 15, Part 1: "The Captive"; 8 p. 35) Reel 15, Part 2 (revised): "The Attempted Rape"; 9 p. 36) Reel 15, Part 2 (new): "The Attempted Rape"; 17 p. ,, 1958, 8 folios

[Full score: 665 pages in 46 folios]



Flat Box 240 Orchestral score: manuscript in hand of Bernard L. Mayers and others. 37) Reel 16, Part 1: "The War Party Gathers"; 22 p. 38) Reel 16, Part 1 (new). 25 p. 39) Reel 17, Part 1: "McKay in Blanco Canyon." 27 p. 40) Reel 18, Part 1: "Jim and Julie"; 2 p. 41) Reel 18, Part 2: "The Major Alone"; 14 p. 42) Reel 19, Part 1: "The Duel"; 4 p. 43) Reel 19, Part 2: "The Death of Buck Hennessy"; 11 p. 44) Reel 19, Part 3 and Reel 20, Part 1: "Ambush in Blanco Canyon"; 30 p. 45) Reel 20, Part 2: "The Stalking"; 8 p. 46) Reel 20, Part 3: End Title; 12 p. ,, 1958, 10 folios

[Full score: 665 pages in 46 folios]



Flat Box 241 Orchestral score: manuscript on thin sheets in pencil; signed, 1958, 144 pages a.ms.s.


Flat Box 241 Orchestral score: ozalid copy., 1958, 144 pages bd.



Box 10 Programs: Royal Philharmonic Orchestra with Elmer Bernstein; Long Beach Symphony (CA) with letter from conductor John Green; Mantovani and his Concert Orchestra (Lincoln Center, NY)., v.p., n.d.; 1966-67; 1982, 4 programs



Flat Box 241 Plaque: Academy Award Nomination for Best Music Score., Los Angeles, 1958, 1 folder, 1 framed plaque

[Gift 1998]



Box 40X Microfilm. Copy of 665 p. Orchestral score shelved in Flatbox 238-240., 1958, 1 box/reel (2 copies)

[Gift 1987 and 1990. ]



Box 42 Record: "William Wyler's: The Big Country.", 1958, 1 disc

[See also compact disc (Box 43).]



Box 43 Soundtrack. Commemorative volume with compact disc. 2 copies., 1990, 2 boxes

[Gift 1987 and 1990]



Box 44 Tape recording., 1958, 3 boxes/reels


Box 44 Tape recording. 1987 copy of original., 1958, 3 boxes/reels


Box 44 Magnetic film transfer log., 1958, 2 pages


Subseries III.12: Biguine



Box 11 New Music Orchestra Series Orchestral score: 1) Published score. 2) Program (with notes): Symphony Under the Stars at Hollywood Bowl, 22-27 August 1944; 2 copies., San Fransisco, 1935 copyright; 1944., 32 pages, bd., 2 vol., bd.


Box 11 Orchestral score (6 Parts): manuscript in ink on thin sheets (incomplete)., 12 pages a.ms.


Box 11 Master score (32 Parts): published version., 95 pages

[Gift 1996]


Subseries III.13: Blood Wedding


Box 11 Frederico Garcia Lorca; incidental music by Moross. Vocal score: 1) Manuscript in pencil. 2) Ozalid copy. 3) Ozalid copy (incomplete). 4) Negative ozalid copy. 5) Program: New Stages Theatre, 159 Bleecker St., New York; 4 copies., 1949 (program); ca. 1950, 15 pages a.ms.s., 15 pages bd., 10 pages, 15 pages, 4 vol.


Subseries III.14: Captive City


Box 11 Score (film sketches): manuscript in pencil., 64 pages a.ms.

[Motion Picture]



Box 41 Video tape recording: "Captive City.", 1 cassette

[Gift 1987 and 1990]


Subseries III.15: Cardinal



Flat Box 241 Orchestral score: manuscript in pencil. 1) "Foxtrot"; 10 p. 2) "Foxtrot"; 10 p. 3) "Waltz"; 19 p. 4) "Waltz"; 19 p., 1963, 58 pages a.ms.

[Motion Picture]



Box 11 "An Episode in Vienna": manuscript in pencil., 1963, 65 pages a.ms.


Box 11 Gamma Productions, Inc. Piano score: 1) "Main Theme," published version. 2) "Waltz," published version., 1963, 3 pages bd, 5 pages bd.


Box 11 Publicity items: 1) Article by Bill Batchelor, London. 2) Review. "The American Record Guide." February 1964; page 545. 3) Film production list and program., 1963-1964, 4 pages t.ms., 1 page, 1 booklet


Box 11 Orchestral score: manuscript in pencil on thin sheets with changes., 1963, 123 pages


Box 11 , Orchestral score: ozalid copy., 1963, 127 pages bd.


Box 11 Score: ozalid copies (incomplete)., 1963, 37 pages bd., 118 pages bd.



Box 42 Records: 1) "Otto Preminger presents: The Cardinal." 2) "The Cardinal: Dixieland Tango." 3) "The Cardinal: Theatre Tango." 4) "The Cardinal: U.S.A.", 1963, 4 discs


Subseries III.16: Close Up



Box 12 Score: ozalid copy., 1947(?), 39 pages

[Motion Picture]


Subseries III.17: Cocaine Lil'


Box 12 American Composers Alliance, Inc. Vocal score: blue print., 8 pages

[Song]


Subseries III.18: Concerto for Flute with String Quartet


Box 12 Orchestral score: manuscript on thin sheets., 1978, 61 pages a.ms.


Box 12 Scores for Parts: 1) Ozalid copy (5 parts). 2) Manuscript on thin sheets (6 parts)., 1978, 90 pages, 107 pages a.ms.


Box 12 Sorom Editions Score: solo flute and piano reduction. 1) Printed; 13 p. bd. and 45 p. bd. 2) Manuscript in pencil., 1998 copyright, 58 pages bd., 63 pages a.ms.

[Gift 1998]


Box 12 Publicity items: 1) Contract (Moross and Monday Productions). 2) Collected reviews and notices (as of 24 June 1980). 3) Publicity prints (Moross as a child); 3 copies. 4) "Critic's Choice" listings in "High Fidelity," Vol. 30, No. 3: March 1980; page 82., 1975-1981, 1 page, 12 pages, 3 pages (12.5 x 12.5 in.), 1 page


Subseries III.19: Cow in Trailer


Box 12 Lyrics by Lynn Riggs and Ramon Naya; music by Jerome Moross 1) Playscript: carbon copy. 2) Vocal score: manuscript on thin sheets. Pages 1-58, 58-64, 71-106; 1 unidentified. 3) Vocal score "Scene 1": ozalid copy. 4) Vocal score: ozalid copy, unidentified pages., 90 pages t.ms., 102 pages, 12 pages, 104 pages, bd.

[Musical Play]


Subseries III.20: Creole Dance


Box 12 To John W. Green CBS Correspondence regarding radio performance of Moross' composition., New York City, 1934, 1 page t.l.s., 1 page a.l.s.

[Song]


Subseries III.21: Culture Vultures or Rise and Fall of Picklepop (Musical farce)


Box 12 Scenerio: "First Outline.", 196?, 21 page t.ms.


Subseries III.22: Dance to the People


Box 12 Esther Junger and the Dance Theatre Series of the Y.M.H.A. Program: performance includes Moross work., 1940, 4 pages


Subseries III.23: Devil is an Ass

Original title "The Great Lucifer"


Box 12 John LaTouche and Jerome Moross Synopsis: carbon copy., 6, pages t.ms.

[Musical Play]


Subseries III.24: Etude d'Execution Transcendente sur une Chanson Populaire Americaine Le Voyageur d'Arkansaw


Box 12 Score: manuscript on thin sheets., 2 pages, 1 torn page


Subseries III.25: Five Finger Exercise

See also compact disc: "Valley of Gwangi."(Box 47)



Box 13 Score: manuscript sketches in pencil., 87 pages a.ms.

[Motion Picture]


Box 13 Orchestral score: ozalid copy., 89 pages

[See also compact disc: "Valley of Gwangi." (Box 47)]


Subseries III.26: Flossy


Box 13 1) Lyrics with notes in pencil. 2) Publicity: newspaper clipping from Daily News., n.d.; 4 May 1963, 24 pages t.ms., 1 page

[Musical Play]


Box 13 Score, Parts I-IX: manuscript in pencil., 137 pages a.ms.


Box 13 Synopsis, carbon copies. 1) "Act 1"; 6 p. 2) "The First Lady"; 7 p. 3) "The First Lady" with corrections; 7 p. 4) "Flossie: An Outline for a Musical"; 9 p. 5) "Flossie: An Outline of a Work for the Musical Theatre"; 2 copies of 11 p., 51 pages t.ms.


Box 13 Vocal scores. 1) Manuscript on thin sheets, Acts I-IX. 2) Ozalid copy, Acts I-IX. 3) Ozalid copy., 105 pages, 67 pages, 32 pages bd.


Subseries III.27: For Joshua and Aaron


Box 13 Clarinet part: 1) Manuscript in ink on thin sheet; 1 p. 2) Ozalid copies; 4 p. Score for clarinet and piano: 3) Manuscript in pencil; 2 p. 4) Manuscript in ink on thin sheets; 3 p. 5) Ozalid copy; 3 p., 13 pages

[Duet for clarinet and piano]


Subseries III.28: Forget Me Not


Box 13 Orchestral and vocal score Movements I-V: manuscript in pencil on thin sheets., 43 pages a.ms.s.

[Motion Picture]


Box 13 Scores for Movements I-V: 1) Manuscript for 4 parts (strings) in pen. 2) Ozalid copies of orchestral and vocal score; 4 copies of 43 p., 57 pages a.ms., 172 pages bd.


Box 13 Scenerio: carbon copy., 7 pages t.ms.


Box 13 Vocal score "Some Day" (song): 1) Manuscript on thin sheets in pencil. 2) Ozalid copy., 3 pages a.ms.s., 3 pages



Box 41 Video tape recording: "When I Grow Up.", 1 cassette

[Gift 1987 and 1990]



Box 42 Record: "J. Moross: Music from Forget Me Not.", 1 disc


Subseries III.29: Frankie and Johnny



Box 14 Orchestral score: 1) Ozalid copies; 194 pages each. 2) Notes by Moross., 1938, 2 vol., 2 pages

[Ballet]


Box 14 Orchestral score: reduced negative transparencies; not in sequence., 1938, 194 pages



Flat Box 242 Orchestral score: enlarged photocopy with composer's corrections., 1938, 194 pages

[Gift 1992]


Flat Box 242 Orchestral score: manuscript on thin sheets., 1938, 194 pages a.ms.s.


Flat Box 242 Orchestral score: ozalid copy., 1938, 194 pages bd.



Box 14 Publicity items. 1) Newspaper clippings collected with a personal memo from "Tom." 2) Season flyer from Chicago Ballet (1978). 3) Book: "Les Ballet Americains" by authors including Ruth Page (autographed), Jose Limon, and Bentley Stone with photographs by Serge Lido., 1945-1978, 9 pages a.s., 4 pages bd., 1 vol. s.


Box 14 Newspaper clippings: photocopies., n.d., 1933-1982, 66 pages



Box 14 [COPIES] Periodical clippings: 1) "Saturday Review," page 52. 2) "Time," page 88. 3) "Musical America," page 19. 4) Clipping with signature of Mike Snell., 1945-1965, 1 folders



Box 14 Programs: Dance Theatre of Harlem; Cincinnati Ballet Company; Pittsburgh Ballet Theatre; Ballet Russe de Monte Carlo; Les Ballet des Champs-Elysees., 1945-1982, 23 programs



Box 15 Score (22 parts): manuscript on transparencies., 1938, 256 pages


Box 15 Orchestral score: early version with corrections and additions by Moross., 1938, 168 pages bd.


Box 15 Orchestral score: miniature photocopy of early version., 1938, 168 pages


Box 15 Score for two pianos: 1) Manuscript on thin sheets. 2) Ozalid copy., 1938, 56 pages a.ms. s., 55 pages bd.


Box 15 Vocal score "Women's Trio"(for 2 sopranos and 1 alto): manuscript in pencil., 1938, 12 pages a.ms.


Box 15 Vocal score "Women's trio": 1) Reduced ozalid; 5 copies of 12 p. bd. 2) Negative ozalid. 3) Reduced negative photostat., 1938, 5 vol., 12 pages, 12 pages



Box 42 Record: "Jerome Moross: The Scandalous Life of Frankie and Johnny." Vienna Symphony Orchestra. Walter Hendl, Dean Dixon, conductors., 1 disc



Box 45 Parts (22): new master parts with all corrections. Receipts for writing services (3)., 1938, 256 pages, 3 folders

[Gift 1991]



Box 54 12" Vinyl Disk (damaged)


Subseries III.30: General Armchair



Box 16 1) Playscript. 2) Score: manuscript; signed; 3) Score in copyist's hand., 1943, 20 pages t.ms., 8 pages ms.s., 5 pages

[Radio Play]


Subseries III.31: Gentlemen, Be Seated!


Box 16 New York City Opera Company Cast list; 7 copies., 10 October 1963, 7 pages

[A Musical Entertainment in Two Acts]


Box 16 Opening night telegrams to Jerome and Hazel Moross., 9-11 October 1963, 36 telegrams


Box 16 Playscript: early draft with corrections and changes., 1963, 71 page t.ms.


Box 16 Playscript: drafts with many changes and additions and letters from collaborator Edward Eager., 1963, 184 pages t.ms.


Box 16 Playscript: later copy with changes., 1963, 100 pages t.ms.


Box 16 Playscript: final copy., 1963, 90 pages t.ms.


Box 16 Publicity: 1) Playbill. 2) Press release from The Playwrights' Company., 1963, 1 program, 2 pages


Box 16 Publicity: newspaper clippings., n.d.,15 April 1955-11 October 1963, 12 pages


Box 16 Publicity: periodical clippings. 1) "Saturday Review." 26 Oct 1963. 2) "Show." Jan 1964., 1963, 3 pages, 3 pages



Box 17 Orchestral scores: reduced ozalid copies. 1) "Grand March." 2) "In the Sunny Old South." 3) "The Freedom Train." 4) "Waltzing in the Shadow." 5) "Fare You Well." 6) "The Dome." 7) "Picnic at Manassas." 8) "Mockingbird." 9) [untitled] 10) "The Ballad of Belle Boyd." 11) "'Mancipation." 12) "It Isn't a Gentleman's War." 13) "The Contraband Ball." 14) "Gentlemen, Be Seated." 15) "All Quiet on the Potomac." [no designated 16] 17) "Mr. Brady Takes a Photograph." 18) "I Can't Remember." 19) "From Atlanta to the Sea.", 1963, 988 pages, 18 folders



Flat Box 243 Orchestral scores: manuscripts. Discarded sheets; 8 p. 1) "Grand March"; 51 p. 2) "In the Sunny Old South"; 31 p. 3) "Freedom Train"; 38 p. 4) "Waltzing in the Shadows"; 140 p. 5) "Fare You Well"; 28 p. 6) "The Dome"; 43 p. [no designated 7], 1963, 7 folders



Flat Box 244 Orchestral scores: manuscripts. 8) "Mockingbird"; 14 p. [no designated 9] 10) "The Ballad of Belle Boyd"; 88 p. 11) "'Mancipation"; 24 p. 12) "It Isn't a Gentleman's War"; 55 p. 13) "Contraband Ball"; 115 p. 14) "Gentlemen, Be Seated!"; 26 p., 1963, 6 folders



Flat Box 245 Orchestral scores: manuscripts. 15) "All Quiet on the Potomac"; 40 p. [no designated 16] 17) "Mr. Brady Takes a Photograph"; 88 p. 18) "I Can't Remember"; 26 p., 1963, 3 folders



Flat Box 246 Orchestral scores: manuscripts. 19) "From Atlanta to the Sea"; 132 p. 20) "What Has Become of Beauty?"; 47 p. 21) "Have You Seen Him?"; 29 p. 22) "Grand Finale"; 27 p., 1963, 4 folders



Mapcase 14-N-7 Stage design. 1) Watercolor painting, signed by William Pitkin. 2) Watercolor and ink painting for stage curtain; signed and inscribed to Moross by William Pitkin., 1963, 2 paintings s.



Flat Box 247 Piano/vocal scores, Act 1: 1) Songs 1-13. Ozalid copy with changes and additions. 2) Extra #13 "The Contraband Ball," ozalid copy with changes. 3) "Dialogue IX- page 1" with memo., 1963, 1 vol. bd., 39 pages bd., 2 1 page t.ms.; 1 page a.ms.

[Stamped "New York City Opera."]


Flat Box 247 Piano/vocal score, Act II: 1) Ozalid copy with changes in pencil. 2) #17 "Mr. Brady Takes a Photograph.", 1963, 138 pages bd., 24 pages bd.

[Stamped "New York City Opera Company."]


Flat Box 247 Ozalid copies in 4 folios, duplicates with additions in pencil. 1) Act I: "Grand March"; 17 p. 2) "The Freedom Train"; 17 p. 3) "The Contraband Ball"; 39 p. 4) "What Has Become of Beauty"; 12 p., 1963, 85 pages bd.



Flat Box 248 Vocal score: Act I and Act II. Ozalid copy in 23 folios., 1963, 355 pages bd.



Box 18 Parts for musical numbers 1-12. Manuscripts on transparancies (with changes) and copies in blueprint. 1) "Grand March," manuscript. 2) "Grand March," copies. 3) "In the Sunny Old South," manuscript. 4) "In the Sunny Old South," copies. 5) "The Freedom Train," manuscript. 6) "The Freedom Train," copies. 7) "Waltzing in the Shadows," manuscript. 8) "Waltzing in the Shadows," copies. 9) "Fare You Well," manuscript. 10) "Fare You Well," copies. 11) "The Dome," manuscript. 12) "The Mocking Bird," copies [no manuscript]. 13) "Ballad of Belle Boyd," manuscript. 14) "Ballad of Belle Boyd," copies. 15) "'Mancipation," manuscript [no copy]. 16) "This Isn't a Gentleman's War," manuscript. 17) "[It's Not] a Gentleman's War," copies., 1963, 17 folders



Box 19 Parts for musical numbers 13-22. Manuscripts on transparancies (with changes) and blueprint copies. 1) "The Contraband Ball," manuscript. 2) "The Contraband Ball," copies. 3) "Gentlemen, Be Seated!" manuscript. 4) "All Quiet on the Potomac," manuscript. 5) "All Quiet on the Potomac," copies. 6) "Mr. Brady Takes a Photograph," manuscript. 7) "Mr. Brady Takes a Photograph," copies. 8) "I Can't Remember," manuscript. 9) "I Can't Remember," copy. 10) "From Atlanta to the Sea," manuscript. 11) "From Atlanta to the Sea," copies. 12) "What Has Become of Beauty?" manuscript. 13) "What Has Become of Beauty?" copies.14) "Have You Seen Him?" manuscript. 15) "Have You Seen Him?" copies. 16) "Grand Finale," manuscript. 17) "Grand Finale," copies., 1963, 17 folders



Box 20 Curtain design: 8 photocopies of 1 page., 1963, 8 pages

[See also Mapcase 14-14-7.]


Box 20 Stage design: "The Dome." Watercolor and wash drawing signed by artist William Pitkin., 1963, 1 painting s.


Box 20 Vocal score Act I: manuscript on thin sheets., 1963, 212 pages a.ms.


Box 20 Vocal score, Act II: manuscript on thin sheets., 1963, 140 pages a.ms.


Box 20 Vocal score: manuscript on thin sheets (revised pages)., 1963, 11 pages a.ms.


Box 20 Vocal score: ozalid copies in 15 folios., 1963, 212 pages



Box 42 Records. "Gentlemen Be Seated!": 1) "Act I, Part 1" and "Act I, Part 2"; 2 copies. 2) "Act 1, Part 3" and "Act I, Part 4"; 2 copies. 3) "Act II, Part 1"and "Act II, Part 2"; 2 copies., 1963, 6 discs



Box 47 Score (Parts) "Picnic at Manassas, No. 7": 1) Xerox copy. 2) List of corrections., 1963, 62 pages, 3 pages

[Gift 1995-1999]


Subseries III.32: Golden Apple



Box 21 Director's score: ozalid copy with notes and changes., 1954, 325 pages bd.

[Musical Play]


Box 21 Director's score: ozalid copy with notes and changes., 1954, 157 pages bd., 191 pages bd.


Box 21 Director's score: ozalid copy with notes and changes., 1954, 157 pages bd., 191 pages bd.



Box 22 Orchestral score, Act I: manuscript on thin sheets; p. 3-105., 1954, 102 pages a.ms.


Box 22 Orchestral score, Act II: manuscript on thin sheets., 1954, 65 pages a.ms.


Box 22 Orchestral score: manuscript in ink on thin sheets., 1954, 395 pages a.ms.


Box 22 Orchestral score: manuscript in pencil on thin sheets., 1954, 197 pages a.ms.


Box 22 Orchestral score: ozalid copies with changes and additions on thin manuscript sheets in pencil., 1954, 251 pages a.ms.



Box 23 Orchestral score, Act 1 (1): ozalid copy with changes; p. 4-100., 1954, 96 pages bd.


Box 23 Orchestral score, Act 1 (2): ozalid copy with changes; p. 141-284., 1954, 143 pages bd.


Box 23 Orchestral score, Act 1 (3): ozalid copy with changes; p. 285-391C., 1954, 108 pages bd.


Box 23 Orchestral score, Act 1 (4): ozalid copy with changes; p. 391-480., 1954, 89 pages bd.


Box 23 Orchestral score, Act 1 (5): ozalid copy with changes; p. 481-530., 1954, 51 pages bd.


Box 23 Orchestral score, Act 2 (1): ozalid copy with changes; p. 1-116., 1954, 116 pages bd.


Box 23 Orchestral score, Act 2 (2): ozalid copy with changes; p. 117-197., 1954, 80 pages bd.


Box 23 Orchestral score, Act 2 (3): ozalid copy with changes; p. 198-311., 1954, 113 pages bd.


Box 23 Orchestral score, Act 2 (4): ozalid copy with changes; p. 312-460., 1954, 148 pages bd.


Box 23 Orchestral score, Act 2 (5): ozalid copy with changes; p. 460-533., 1954, 73 pages bd.



Box 24 Orchestral score, Act I (1): ozalid copy with changes; p. 2-100., 1954, 99 pages bd.


Box 24 Orchestral score, Act I (2): ozalid copy with changes; p. 141-284., 1954, 143 pages bd.


Box 24 Orchestral score, Act I (3): ozalid copy with changes; p. 285-390., 1954, 105 pages bd.


Box 24 Orchestral score, Act I (4): ozalid copy with changes; p. 391-506., 1954, 115 pages bd.


Box 24 Orchestral score, Act I (5): ozalid copy with changes; p. 507-595., 1954, 88 pages bd.


Box 24 Orchestral score, Act II (1): ozalid copy with changes; p. 1-106., 1954, 105 pages bd.


Box 24 Orchestral score, Act II (2): ozalid copy with changes; p. 107-223., 1954, 106 pages bd.


Box 24 Orchestral score, Act II (3): ozalid copy with changes; p. 224-353., 1954, 129 pages bd.


Box 24 Orchestral score, Act II (4): ozalid copy with changes; p.354-471., 1954, 117 pages bd.


Box 24 Orchestral score, Act II (5): ozalid copy with changes; p. 472-569., 1954, 97 pages bd.


Box 24 Orchestral score, Act II (6), "New Finale": ozalid copy with changes; p. 533-569., 1954, 36 pages bd.



Box 25 Orchestral Score, Act I: ozalid copy; p. 1-100 (series incomplete)., 1954, 40 pages (double sided)


Box 25 Orchestral score, Act II: ozalid copy with changes and additions; p. 1-116., 1954, 116 pages bd.


Box 25 Orchestral score, Act II: ozalid copy with changes; p. 117-197., 1954, 80 pages bd.


Box 25 Orchestral score, Act II: ozalid copy with changes; p.198-311., 1954, 113 pages bd.


Box 25 Orchestral score, Act II: ozalid copy with changes and additions; p. 312-439., 1954, 127 pages bd.


Box 25 Orchestral score, Act II: ozalid copy with changes and additions; p. 440-509., 1954, 69 pages bd.


Box 25 Orchestral score: miscellaneous pages with changes and additions; previously torn from binding., 1954, 15 pages (double sided)


Box 25 Orchestral score: miscellaneous pages, blueprint and ozalid copies., 1954, 519 pages


Box 25 Orchestral score: ozalid negatives., 1954, 4 pages



Flat Box 249 Orchestral score: discarded manuscript on thin sheets. Identified "55D" and "162-163.", 1954, 2 pages a.ms.


Flat Box 249 Orchestral score, Act I: ozalid copy with changes; p. 1-231., 1954, 230 pages bd.


Flat Box 249 Orchestral score, Act I: ozalid copy with changes; p. 232-431, 1954, 199 pages bd.


Flat Box 249 Orchestral score, Act I: ozalid copy with changes; p. 432-530., 1954, 98 pages bd.


Flat Box 249 Orchestral score, Act I: ozalid copy with changes; p. 531-595., 1954, 64 pages bd.



Flat Box 250 Orchestral score, Act II: ozalid copies with changes. 1) Pages 1-40 and 350; 41 p. bd. 2) Pages 1-143; 143 p. bd. 3) Pages 144-248; 104 p. bd. 4) Pages 249-411; 162 p. bd. 5) Pages 412-499; 87 p. bd. 6) Pages 533-567 - "New Finale"; 34 p. bd., 1954, 6 folios


Flat Box 250 Orchestral score, Act II: reverse blueprint (ink); p. 1-38., 1954, 38 pages


Flat Box 250 Vocal score: 1) Manuscript in pencil on thin sheets; pages identified: 321, 322, 325, 326, 328; 5 p. 2) Handwritten memo: "Photograph, original vocal score, Pages 318-319-320"; 1 p., 1954, 6 pages a.ms.


Flat Box 250 Bill Hargate, visual artist. Stage design: watercolor painting., 1954, 1 painting s.


Flat Box 250 Publicity poster. York Playhouse: 1st Ave. at 64th St., New York City., 1954, 1 folders



Box 26 Playscript: carbon draft with changes and additions., 1954, 97 pages bd.


Box 26 Playscript: mimeograph copy., 1954, 101 pages bd.


Box 26 Playscript: draft with changes and additions., 1954, 92 pages bd.


Box 26 Playscript, Act I: manuscript (early draft) on thin sheets with handwritten corrections., 1954, 85 pages t.ms./a.ms.


Box 26 Playscript, Act II: manuscript (early draft) on thin sheets., 1954, 72 pages t.ms.


Box 26 Playscript: miscellaneous handwritten notes and sketches., 1954, 53 pages a.ms.


Box 26 Playscript: miscellaneous draft., 1954, 46 pages t.ms.


Box 26 Playscript: carbon drafts., 1954, 62 pages


Box 26 Production papers including cast list, contract, correspondence with Lucy Kroll agency, statements, petition to Ford Foundation., 1954, 31 pages


Box 26 Production papers: statements., 1954, 1 folders



Box 26 [COPIES] Publicity clippings: newspapers., 1954, 1 folders



Box 26 Publicity: 11 programs. Cast/production biographies., 1954, 1 folders



Box 27 [COPIES] Publicity: newspaper clippings., 1954, 1 folders


Box 27 [COPIES] Publicity: periodical clippings., 1954, 1 folders



Box 27 Publicity: photographs of Moross and production shots; various sizes., 1954, 30 photographs


Box 27 Publicity: programs., 1954, 56 items


Box 27 Embossed scrapbook: no contents., 1954, 1 folders



Box 28Askpatrick Empty folder: marked "vocal score- ozalid copy bound, 2 vol.", 1954, 1 folders



Box 28 Vocal score: manuscript in pencil; miscellaneous pages., 1954, 38 pages a.ms.


Box 28 Vocal score: manuscript on thin sheets; miscellaneous pages., 1954, 26 pages a.ms.


Box 28 Vocal score, Act I: manuscript in pencil., 1954, 178 pages a.ms.


Box 28 Vocal score, Act II: manuscript in pencil., 1954, 167 pages a.ms.



Box 29 Vocal score, Act I: ozalid copy., 1954, 149 pages


Box 29 Vocal score: ozalid negatives., 1954, 155 pages


Box 29 Vocal score, Act II: ozalid copy., 1954, 45 pages bd.


Box 29 Vocal score: ozalid copy; misecellaneous pages., 1954, 1 folders


Box 29 Vocal score: printed songs; 7 pages each., 1954, 4 volumes, 28 pages bd.



Flat Box 251 Vocal score, Act I: ozalid copy; miscellaneous pages., 1954, 1 folders



Box 40 Microfilm. 1) "Orchestral score: Act I." 2) "Vocal Score.", 2 boxes/reels



Box 42 Record: "The Golden Apple." Original cast album: Phoenix Theatre production., 1 disc



Box 47 Compact disc: "The Golden Apple: A Musical Play." Hugh Ross, musical director., 1997 copyright., 1 disc

[Gift 1998]



Box 48 Piano conductor score: "computerized score.", 1954, 388 pages

[Gift 1996]


Box 48 Piano conductor score., 1954, 393 pages bd.

[Gift 1996]


Box 48 Playscript., 1954, 80 pages bd.

[Gift 1996]


Orchestral Parts:



Box 50 Orchestral Parts, 1st Violins (2 sets), 2nd Violins, Viola, Cello, 1954, 2 sets



Box 51 Orchestral Parts, Bass, Flute, Oboe, French Horns, 1954



Box 52 Orchestral Parts, 1st Clarinet, 2nd Clarinet, Bassoon, Trumpets, Trombone, 1954



Box 53 Orchestral Parts, Percussion, Harp, Piano, Celesta, 1954


Subseries III.33: Guns and Castanets



Box 30 Vocal and piano score: ozalid copy., 1939, 46 pages

[Two songs from the ballet]


Box 30 Two songs from the Ballet. 1) Photostat of miniature orchestral score; p. 101-111. 2) Vocal and piano score: manuscript, signed. 3) Vocal and piano score: ozalid copy., 1939, 10 pages, 5 pages ms.s., 5 pages


Subseries III.34: Gunsmoke



Box 43 Orchestral score: manuscript in pencil. 1) "The Corral." 2) "The Horse Theft." 3) "Kitty." 4) "Jeff." 5) "Riding." 6) "Thataway." 7) "The Shark." 8) "In the Bushes." 9) "The Captive." 10) "Kurch." 11) "Back at the Ranch." 12) "Chief Quick Knife." 13) "Farewell.", 26 pages


Subseries III.35: Have Gun Will Travel



Box 30 Conductor's score: manuscript., 33 pages


Subseries III.36: I Hear America Singing

Text adapted from Walt Whitman


Box 30 Vocal score: 1) Manuscript, signed. 2) Ozalid copy., 1940, 8 pages a.ms.s., 8 pages


Subseries III.37: In Darkness that Surrounds Us


Box 30 1) Piano score: ozalid copy; 3 p. 2) Vocal score: ozalid copy; 3 p., 6 pages

[Hymn]


Subseries III.38: In Memory of a Hero


Box 30 1) Piano score: manuscript draft; signed. 2) Piano score: manuscript in copyist's hand. 3) Playscript: mimeograph copy., 1943, 3 pages a.ms.s., 3 pages ms., 22 pages t.ms.

[Radio Play]


Subseries III.39: Inventions for Flute, Oboe and Bassoon


Box 30 Score: 1) Manuscript, signed. 2) Manuscript on thin sheets, signed., 4 pages a.ms.s., 2 pages a.ms.s.


Subseries III.40: Jabberwocky

Words by Lewis Carroll


Box 30 Vocal score: 1) Manuscript, signed. 2) Ozalid copy., 6 pages a.ms.s., 6 pages

[Song]


Subseries III.41: Jayhawkers


Box 30 Score: ozalid copy. Reel 1, Part A): "Seal and Main Title." 1B) "Kansas." 1C) "Cam Recovers." 1E-2A) "Jeanne Hides Cam." 2B) "Chopping Wood." 2C) "Jeanne's House." 2E) "Cam's Capture." 3B) "A Smashed Guitar." 3Cx) "Cam Saves Jake." 3C) "Cam Saves Jake." 4B) "Cam Shoots Evans." 5A) "The Stronghold." 5B) "Attempted Assault." 6B) "Raid Montage," Part 1." 6B) "Raid Montage," Part II. 6D) "Cam Riding." 7A) "Love and a Doublecross." 7B) "The Posse." 8B) "Brothers." 8C) "A Raid." 8D) "Accusation." 9B) "Darcy Weakens." 9C) "Cam Arrives." 9D) "Darcy Arrives." 10B) "Premonitions." 10B1) "Premonitions" (continued). 10C) "Zero Hour." 10C1) "Zero Hour," continued. 10D) "Danger Trill." 11A) "The Last Act." 12A) "Prelude to Death." 12B) "Death." 12C) "Finale.", 1958, 113 pages

[Motion Picture]


Box 30 Score: Manuscript on thin sheets. (See titles from previous file.), 1958, 113 pages a.ms.s.


Subseries III.42: Jerome Moross Sampler


Box 30 Programs: 2 photocopies., Lyric Theatre, New York, 12 pages, 12 pages

[Concert]


Subseries III.43: Joan of Arc

Orchestral Arrangements by Moross.


Box 30 Clipping: review. "The Hollywood Reporter.", 20 October 1948, 2 pages

[Motion Picture]


Subseries III.44: Judith Anderson Presentation


Box 30 1) Score for Parts (4): manuscript in ink. 2) Orchestral score: manuscript on thin sheets in pencil. 3) Orchestral score: photocopy. 2 copies of 3 pages., 7 pages a.ms.s., 3 pages a.ms., 6 pages


Subseries III.45: Jury of Her Peers


Box 30 1) Score for two pianos: manuscript on thin sheets, signed. 2) Score: manuscript on thin sheets, signed. 3) Manuscript, signed. 4) Text by Susan Glaspell, printed copy., 8 pages a.ms.s., 6 pages a.ms.s., 8 pages a.ms.s., 9 pages

[One act opera]



Flat Box 252 Orchestral score: manuscript in pencil on thin sheets., 24 pages a.ms.


Subseries III.46: King David: The Dance Before the Ark

Adapted from "Le Roi David: Le Danse devant l'Arche" by Arthur Honegger.



Box 30 1) Score for two pianos: manuscript on thin sheets. 2) Score for two pianos: ozalid copy of copyist's version; 2 copies of 26 pages., 1946, 19 pages a.ms.s., 52 pages


Subseries III.47: Last Judgement

See also compact disc: Symphony No. 1 (Box 46)


Box 30 Orchestral score: manuscript on thin sheets., 1975, 200 pages a.ms.

[Ballet]


Box 30 Orchestral score: ozalid copy., 1975, 200 pages bd.



Box 31 Piano score: 1) Manuscript on thin sheets, signed. 2) Ozalid copy., 1975, 40 pages a.ms.s., 40 pages


Box 31 Score: manuscript, signed., 1975, 7 pages a.ms.s.


Box 31 Score for two pianos: 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 51 pages, bd., 1975, 51 pages a.ms.s., 2 vol.



Box 41 Tape recording: "Piano 4 Hands," "3 Dances-Orchestral version," "Repeat of Side 1.", 1 cassette



Box 42 Records (damaged). 1) "The Last Judgement (TLJ): Piano Reduction" and "Three Dances from TLJ." 2) "TLJ: 1" and "TLJ: 3." 3) "TLJ: 2." 4) "Three Dances from TLJ." 5) "TLJ: The Los Angeles Philharmonic." 6) "TLJ: Parts 1, 2, 3" and "TLJ: Parts 8 and 9." 7) "TLJ: Parts 4 and 5" and "TLJ: Parts 6 and 7." 8) "TLJ: Part 10." 9) "TLJ: Excerpts: Three Dances" and "Piano Groove.", 9 discs


Subseries III.48: Life of the Bee

After Maeterlinck



Box 31 Concert programs: Robin Hood Dell., 1935, 2 vol.

[Ballet]


Subseries III.49: Little Mermaid Ballet

Adapted by Moross from Franz Liszt for a Hans Christian Anderson film.


Box 31 Orchestral scores. 1) Part One "Gnomenreigen": manuscript, signed. 2) Part Four "Underwater Ballet": manuscript, signed. 3) Part Six "Valse Oubilee": manuscript., 10 pages a.ms.s., 14 pages a.ms.s., 35 pages a.ms.

[Motion Picture]


Subseries III.50: Love and Kisses


Box 31 Vocal score: 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 2 pages., 2 pages a.ms.s., 4 pages

[Song from film]


Subseries III.51: Love Me


Box 31 Piano score: ozalid copy., 6 pages

[Song]


Subseries III.52: Make Me Care


Box 31 Vocal score "Reel 3, Part 2": ozalid copies; 3 copies of 3 p., 9 pages

[Song from film]


Subseries III.53: Man with a Beard

Script by Talbot Jennings


Box 31 1) Orchestral score: ozalid copy. 2) Playscript: mimeograph copy., 30 May 1943, 4 pages, 22 pages

[Radio play]


Subseries III.54: Mr Fox and Mrs Flye

Adapted from Ben Jonson's "Valpone."


Box 31 Scenario: carbon copy with signed letter of agreement., 11 pages

[A play in music]


Subseries III.55: Mountain Road

See also compact disc: "Valley of Gwangi."(Box 47)


Box 31 Periodical review: "Daily Variety," Hollywood, California., 23 March 1960, 1 page

[Motion Picture]



Box 45 Orchestral score: manuscript, signed., 1960, 164 pages

[Gift 1987 and 1990]


Box 45 Orchestral score: photocopy., 1960, 114 pages

[Gift 1987 and 1990]


Box 45 Score "Can Can": photostat., 1960, 4 pages

[Gift 1987 and 1990]


Box 45 Timing chart: photostat; 2 copies of 3 p., 1960, 3 pages

[Gift 1987 and 1990. ]


Subseries III.56: Music for the Flicks



Box 31 Program with composer note: Oakland Symphony Youth Orchestra., 11 April 1980, 1 item

[A suite of film music for Orchestra]



Flat Box 252 Orchestral score: manuscript in pencil on thin sheets in five parts. 1) Outline and list of parts. 2) I. An Episode in Venice. 3) II. Pastorale. 4) III. Romanza. 5) IV. Habanera and Danzon. 6) V. Nocturnal Procession., 1966, 1 page t.ms., 40 pages a.ms., 27 pages a.ms.s., 31 pages a.ms.s., 40 pages a.ms.s., 17 pages a.ms.s.


Subseries III.57: New Music Revues for Old

Article written by Moross.



Box 31 [COPIES] Article: "New Theatre" magazine; pgs. 12-13, 33., October 1935, 2 vol.


Subseries III.58: Nocturne



Box 31 Programs with inserts: 1) New Chamber Orchestra (NY). 2) Newspaper clipping, no identified source (photocopy)., 25 February 1934, 10 items, 1 page

[Chamber piece]


Subseries III.59: Notes on Program

Written by Moross.


Box 31 Mimeograph copy of Moross' program notes for a concert in which none of his works were played., 3 pages t.ms.


Subseries III.60: One for Me


Box 31 Vocal score: 1) Manuscript on thin sheets, signed. 2) Published version., 1955 c., 2 pages a.ms.s., 5 pages

[Song]


Subseries III.61: Paenans


Box 31 1) Orchestral score: manuscript in pencil, signed. 2) Orchestral score: published version; 3 copies of 16 pages, bd. 3) Programs with announcements: Chamber Symphony Orchestra (NY)., 1931; 13 February 1932, 18 pages a.ms.s., 3 vol., 4 items

[Concert piece]


Subseries III.62: Parade

See also compact disc: "Underworld."(Box 47)


Box 31 1) Orchestral score "Letter to the President": manuscript in pencil, signed. 2) Vocal score "Letter to the President": manuscript in the hand of a copyist with ozalid copy; each 7 p., bd. 3) Vocal score "Life Could be so Beautiful": published version; two copies of 5 p., bd., 1935, 16 pages, a.ms.s., 2 vol., 2 vol.

[Musical revue. See also compact disc: "Underworld." (Box 47)]


Box 31 Publicity: 1) Program: Guild Theatre (NY); 3 copies. 2) Newspaper clippings including the New York Times and The Boston Globe. 3) Periodical clipping: "The New Theatre," June 1935 with photocopy; 2 copies of 5 p., n.d., March-June 1935, 3 items, 27 pages, 10 pages



Box 49 Lyrics. Xerox copy of materials at the Library of Congress., 1935, 16 pages

[Gift 1996]


Box 49 Miscellaneous notes. Xerox copy of materials at the Library of Congress., 1935, 5 pages

[Gift 1996]


Box 49 "Music Notebook." Xerox copy of materials at the Library of Congress., 1935, 15 pages

[Gift 1996]



Flat Box 252 Orchestral score: "Bourgeois Processional." Xerox copy of materials at the Library of Congress., 1935, 52 pages

[Gift 1996]


Flat Box 252 Orchestral score: "Cock-eyed Finale." Xerox copy of materials at the Library of Congress., 1935, 10 pages

[Gift 1996]



Box 49 Orchestral score: "Don't Tell Us You're Going." Xerox copy of materials at the Library of Congress., 1935, 36 pages

[Gift 1996]



Flat Box 252 Orchestral score: "Flight from the Soviets." Xerox copy of materials at the Library of Congress., 1935, 30 pages

[Gift 1996]



Box 49 Orchestral score: "I'm All Washed Up on Love." Xerox copy of materials at the Library of Congress., 1935, 19 pages

[Gift 1996]


Box 49 Orchestral score: "I'm Telling You, Louie"; pages 9-16A. Xerox copy of materials at the Library of Congress., 1935, 9 pages

[Gift 1996]


Box 49 Orchestral score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 9 pages

[Gift 1996]


Box 49 Orchestral score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 24 pages

[Gift 1996]


Box 49 Orchestral score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 35 pages

[Gift 1996]



Flat Box 252 Orchestral score: "Join Our Ranks." Xerox copy of materials at the Library of Congress., 1935, 15 pages

[Gift 1996]



Box 49 Orchestral score: "Life Could Be so Beautiful." Xerox copy of materials at the Library of Congress., 1935, 52 pages

[Gift 1996]


Box 49 Orchestral score: "Marry Me." Xerox copy of materials at the Library of Congress., 1935, 34 pages

[Gift 1996]


Box 49 Orchestral score: "Marry Me: Encore." Xerox copy of materials at the Library of Congress., 1935, 20 pages

[Gift 1996]


Box 49 Orchestral score: "Newsboy-ballet scene." Xerox copy of materials at the Library of Congress., 1935, 6 pages

[Gift 1996]


Box 49 Orchestral score: "Newsboy-opening music." Xerox copy of materials at the Library of Congress., 1935, 6 pages

[Gift 1996]


Box 49 Orchestral score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress., 1935, 19 pages

[Gift 1996]


Box 49 Orchestral score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 2 pages

[Gift 1996]



Flat Box 252 Orchestral score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 26 pages

[Gift 1996]


Flat Box 252 Orchestral score: "Parade No. 2." Xerox copy of materials at the Library of Congress., 1935, 1 page

[Gift 1996]



Box 49 Orchestral score: "The Policeman." Xerox copy of materials at the Library of Congress., 1935, 8 pages

[Gift 1996]


Box 49 Orchestral score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 15 pages

[Gift 1996]


Box 49 Orchestral score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 35 pages

[Gift 1996]


Box 49 Orchestral score: "Selling Sex: Encore." Xerox copy of materials at the Library of Congress., 1935, 20 pages

[Gift 1996]


Box 49 Orchestral score: "Send for the Militia." Xerox copy of materials at the Library of Congress., 1935, 15 pages

[Gift 1996]


Box 49 Orchestral score: "Snow from Heaven." Xerox copy of materials at the Library of Congress., 1935, 36 pages

[Gift 1996]


Box 49 Orchestral score: "Wild Boys on the Road." Xerox copy of materials at the Library of Congress., 1935, 18 pages

[Gift 1996]


Box 49 Orchestral score: "You Ain't So Hot." Xerox copy of materials at the Library of Congress., 1935, 6 pages

[Gift 1996]


Box 49 Orchestral score: "You Ain't So Hot"; pages 5-37. Xerox copy of materials at the Library of Congress., 1935, 33 pages

[Gift 1996]


Box 49 Score for parts: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 31 pages

[Gift 1996]


Box 49 Vocal score: "Dance." Xerox copy of materials at the Library of Congress., 1935, 8 pages

[Gift 1996]


Box 49 Vocal score: "Don't Tell Us You're Going." Xerox copy of materials at the Library of Congress., 1935, 18 pages

[Gift 1996]


Box 49 Vocal score: "Don't Tell Us You're Going." Xerox copy of materials at the Library of Congress., 1935, 20 pages

[Gift 1996]


Box 49 Vocal score: "Fear in My Heart." Xerox copy of materials at the Library of Congress., 1935, 2 pages

[Gift 1996]


Box 49 Vocal score: "I'm All Washed Up on Love." Xerox copy of materials at the Library of Congress., 1935, 6 pages

[Gift 1996]


Box 49 Vocal score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 6 pages

[Gift 1996]


Box 49 Vocal score: "Join Our Ranks." Xerox copy of materials at the Library of Congress., 1935, 5 pages

[Gift 1996]


Box 49 Vocal score: "Letter to the President." Xerox copy of materials at the Library of Congress., 1935, 7 pages

[Gift 1996]


Box 49 Vocal score: "Marry Me." Xerox copy of materials at the Library of Congress., 1935, 5 pages

[Gift 1996]


Box 49 Vocal score: "My Feet are Planted Firmly on the Ground." Xerox copy of materials at the Library of Congress., 1935, 16 pages

[Gift 1996]


Box 49 Vocal score: "My Feet are Planted Firmly on the Ground." Xerox copy of materials at the Library of Congress., 1935, 7 pages

[Gift 1996]


Box 49 Vocal score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress., 1935, 5 pages

[Gift 1996]


Box 49 Vocal score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress., 1935, 6 pages

[Gift 1996]


Box 49 Vocal score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress., 1935, 6 pages

[Gift 1996]


Box 49 Vocal score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 6 pages

[Gift 1996]


Box 49 Vocal score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 7 pages

[Gift 1996]


Box 49 Vocal score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 7 pages

[Gift 1996]


Box 49 Vocal score: "The Policeman." Xerox copy of materials at the Library of Congress., 1935, 3 pages

[Gift 1996]


Box 49 Vocal score: "The Policeman (I Love Boys in Blue)." Xerox copy of materials at the Library of Congress., 1935, 3 pages

[Gift 1996]


Box 49 Vocal score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 6 pages

[Gift 1996]


Box 49 Vocal score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 8 pages

[Gift 1996]


Box 49 Vocal score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 12 pages

[Gift 1996]


Box 49 Vocal score: "Snow From Heaven." Xerox copy of materials at the Library of Congress., 1935, 8 pages

[Gift 1996]


Box 49 Vocal score: "Snow From Heaven." Xerox copy of materials at the Library of Congress., 1935, 9 pages

[Gift 1996]


Box 49 Vocal score: "The Tabloid Reds." Xerox copy of materials at the Library of Congress., 1935, 16 pages

[Gift 1996]


Box 49 Vocal score: "The Tabloid Reds." Xerox copy of materials at the Library of Congress., 1935, 22 pages

[Gift 1996]


Box 49 Vocal score: "Wild Boys of the Road." Xerox copy of materials at the Library of Congress., 1935, 7 pages

[Gift 1996]


Box 49 Vocal score: "Wild Boys of the Road." Xerox copy of materials at the Library of Congress., 1935, 7 pages

[Gift 1996Gift 1996]


Subseries III.63: Peppermint Tree



Box 32 1) Orchestral score: manuscript, signed. 2) Publicity: periodical "Film Music" Vol. XII, Jan.-Feb. 1953; p. 18, 1952, 40 pages a.ms.s., 1 page

[Animated film]


Subseries III.64: Proud Rebel


Box 32 Orchestral score: 1) Manuscript, signed. 2) Ozalid copy. 3) Photostat of miniaturized score. Vocal score: 4) "My Rebel Heart": published version., 1958, 118 pages a.ms.s., 117 pages, 54 pages, 3 pages

[Motion Picture]



Box 40 Microfilm., 1 box/reel


Box 40 Tape recordings: 2 copies of 2 reels., 4 boxes/reels



Box 32 Music cues: xerox copy., 1968, 17 pages

[Gift 1995]



Box 42 Record: "Soundtrack Music from The Proud Rebel.", 1 disc


Box 42 Records: unidentified., 12 discs


Subseries III.65: Rachel, Rachel

Original title: "Jest of God." See also compact disc "Valley of Gwangi."(Box 47)



Box 32 1) Piano score: ozalid copy. 2) Publicity: "Life," Vol. 65, No. 16, 18 Oct 1968, p. 46-53., 1968, 3 pages, 7 pages

[Motion Picture]


Box 32 Orchestral score: xerox copy., 1968, 85 pages

[Gift 1995]



Flat Box 252 Orchestral score: xerox copies. 1) Japonica Street; 2 p. 2) Shadow Pictures; 5 p. 3) Accident Fantasy; 5 p. 4) Hand-Kissing Fantasy; 2 p. 5) Auto-Erotica; 7 p. 6) Hysteria; 7 p. 7) Country Walk; 15 p. 8) The Sci-Fi Flick; 7 p. 9) Fantasy Dance; 2 p. 10) Love Scene; 7 p. 11) Pill Fantasy; 2 p. 12) The Cellar Door; 4 p. 13) Down on the Farm; 6 p. 14) End of the Affair; 2 p. 15) Rachel Pregnant; 5 p. 16) The Basement; 2 p. 17) Suicide Fantasy; 6 p. 18) The Operation; 6 p. 19) End Title; 6 p., 1968, 101 pages

[Gift 1995]


Subseries III.66: Ramble on a Hobo Tune



Box 32 1) Piano score "III- Invention" and "Symphony IIIrd Movement": manuscript in ink, signed. 2) Orchestral score: ozalid copy., 5 pages a.ms.s., 9 pages



Box 42 Records. "Music from Rachel, Rachel.", 4 discs


Subseries III.67: Recitative and Aria



Box 32 Score for violin: purple hectograph; two copies of 5 p., 10 pages


Subseries III.68: Recitative and Aria


Box 32 Score for Violin: 1) Manuscript on thin sheets. 2) Ozalid copy. 3) Purple ozalid; 2 copies of 4 p., 4 pages a.ms., 4 pages, 8 pages

[For Violin]


Box 32 Score for Violin II: 1) Manuscript, signed. 2) Ozalid copy., 8 pages a.ms.s., 8 pages


Box 32 Score for violin and orchestra: manuscript on thin sheets; signed., 10 pages a.ms.s.


Subseries III.69: Recitative and Aria for Violin and Piano


Box 32 Score for violin and piano (drafts): 1) Manuscript, signed. 2) Manuscript on thin sheets. 3) manuscript on thin sheets., 1941, c. 1947, 14 pages a.ms.s., 18 pages a.ms.s., 13 pages a.ms.s.


Box 32 Score for violin and piano: 1) Ozalid copy. 2) Purple ozalid copy; two copies of 13 p. 3) Ozalid copy, signed; 10 p., bd. 4) Photostat., 1941, c. 1947, 13 pages, 26 pages 1 , vol. 18, pages


Subseries III.70: Roundelay


Box 32 Score: manuscript on transparencies., 272 pages ms.

[Orchestral Work]


Subseries III.71: Second Battle of Warsaw



Box 33 l) Playscript: mimeograph copy with pencil corrections. 2) Score: manusript, signed. 3) Ozalid copy of score., 1943, 22 pages t.ms, 4 pages ms.s., 2 pages

[Radio play]


Subseries III.72: Seven Wonders of the World


Box 33 1) Music notes: carbon copy. 2) Published publicity brouchure (Stanley Warner Corp.). Scores: signed manuscripts on thin sheets and ozalid copies. 3) "The Holy Land," manuscript; 15 p. 4) "The Mediterranean," manuscript; 8 p. 5) "Rome," manuscript; 5 p. 6) "The Vatican (Beginning),"manuscript; 5 p. 7) "The Holy Land," copy with pencil additions; 2 copies of 15 p. 8) "The Mediterranean," copy; 8 p. 9) "Rome," copy; 6 p. 10) "The Vatican (Beginning)," copy; 5 p. 11) "The Vatican (Ending)," copy; 3 p., 1953, 18 pages t.ms., 1 item, 85 pages

[Motion Picture]


Subseries III.73: Sharkfighters

See also compact disc "The Valley of Gwangi."(Box 47)


Box 33 Orechestral scores: 1) Manuscript on thin sheets, signed. 2) Rejected manuscript on thin sheets, signed. 3) "Theme from the Sharkfighters": manuscript on thin sheets, signed. 4) Text to "Restless Lover.", 1956, 94 pages a.ms.s., 3 pages a.ms.s., 3 pages a.ms.s., 2 pages

[Motion Picture]


Box 33 Orchestral score: 1) Photostat copy. 2) "Theme from the Sharkfighters," published score. 3) Ozalid copy with additions in pencil., 1956, 57 pages, 2 pages, 94 pages



Box 40 Microfilm. "Orchestral Score.", 1 box/reel



Box 47 Score for 30 parts., 352 pages

[Gift 1994]



Flat Box 255 1) Orchestral score: master score in pencil. 2) List of players., 97 pages a.ms.s., 2 pages

[Gift 1993]


Subseries III.74: Sonata for Piano



Box 33 Program: Pan American Association of Composers Inc.(NY), 1 page


Subseries III.75: Sonata for Piano Duet and String Quartet


Box 33 Scores. 1) Orchestral score: manuscript on thin sheets, signed. 2) Score for 4 Parts: ozalid copies with pencil notations. 3) Score: manuscript, signed., 1975, 85 pages a.ms.s., 54 pages, 61 pages a.ms.s.


Subseries III.76: Sonata for Piano Duet and String Quartet



Box 42 Record: "Test Pressing.", 1975, 1 disc

[With Flute Concerto]


Subseries III.77: Sonatina for Brass Quintet



Box 34 1) Manuscript on thin sheets, signed. 2) Score: manuscript in pencil, signed. 1) Programs: Miami Chamer Ensemble; 3 copies., 1969, 16 pages a.ms.s., 21 pages a.ms.s., 3 pages

[Sonatinas for Divers Instruments No 4]


Subseries III.78: Sonatina for Clarinet Sextet


Box 34 Orchestral score: 1)Manuscript in pencil on thin sheets, signed. 2) Ozalid copy. 3) Manuscript in pencil. 4) Published music review (no source): original and photocopy., 1966, 35 pages a.ms.s., 35 pages bd., 35 pages a.ms.s., 2 pages

[Sonatinas for Divers Instruments No 1]


Subseries III.79: Sonatina for String Bass and Piano


Box 34 Orchestral score: 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 24 p., bd. 3) Score: manuscript in pencil., 1966, 24 pages, 2 vol., 32 pages a.ms.

[Sonatina for Divers Instruments No 2]


Subseries III.80: Sonatina for Woodwind Quintet


Box 34 1) Orchestral score: manuscript on thin sheets, signed. 2) Five parts: manuscript on transparencies. 3) Score: manuscript, signed., 1970, 30 pages a.ms.s., 50 pages a.ms., 39 pages a.ms.s.

[Sonatina for Divers Instruments No 3]


Box 34 Orchestral score: 1) Ozalid copy; 30 p. 2) Ozalid copies; 3 copies of 30 p., bd. 3) Score for 5 parts: 3 copies of 5 vol., 1970, 30 pages, 3 vol., 15 vol.


Subseries III.81: Sonatinas



Box 42 Records: "Sonatinas for Divers Intruments." Pro Musica of London., 1 disc


Subseries III.82: Sorry Wrong Number



Box 35 Vocal score: manuscript on thin sheets, signed., 1977, 83 pages a.ms.s.

[An opera in one act]


Box 35 Vocal score: manuscript, signed., 1977, 116 pages a.ms.


Box 35 Score for 23 parts: manuscript on transparencies., 1977, 354 pages


Box 35 Playscript: mimeograph copy; two copies of 28 p., 1977, 56 pages t.ms.


Box 35 Programs: Lake George Opera Festival (Glen Falls, NY)., 1977, 4 items


Box 35 Periodical clipping: Contemporary American Opera Studio., June-August 1980, 1 page


Box 35 1) Vocal score: ozalid copy of rehearsal score. 2) Score for two pianos and voices: manuscript, signed., 1977, 80 pages, 116 pages a.ms.



Flat Box 253 1) Orchestral score: manuscript in pencil on thin sheets. 2) Correction sheet written in pencil., 1977, 327 pages a.ms., 1 page


Flat Box 253 Orchestral score: reduced ozalid negatives with original postal packaging to Moross., 1978, 327 pages



Box 41 Tape recording: "Orchestral Reading: Lake George Opera.", 1, reel


Box 41 Tape recording: "Orchestral reading: Lake George Opera.", 1 cassette


Subseries III.83: Stevedore



Box 35 Programs: Civic Repertory Theatre (New York City)., 1934, 2 items

[Play]


Subseries III.84: Symphony No 1



Box 36 Orchestral score: ozalid copy with additions in pencil; 2 copies of 106 p., bd., 1943, 2 vol.


Box 36 Orchestral score: reduced ozalid negatives., 1943, 146 pages


Box 36 Orchestral score: manuscript on thin sheets., 1943, 106 pages a.ms.


Box 36 Parts (30): manuscript on transparencies., 1943, 220 pages a.ms.


Box 36 Piano score: manuscript on thin sheets., 1943, 42 pages a.ms.


Box 36 Programs. Philharmonic Orchestra of Los Angeles (6 with 2 inserts); The Philharmonic-Symphony Orchestra, City College of New York (3); Seattle Symphony Orchestra (3); Glendale Philharmonic Orchestra presents the Philharmonic Orchestra of Los Angeles (2)., 1943-1945, 14 items, 2 inserts


Box 36 Season programs: The Southern California Symphony Association presents the Philharmonic Orchestra of Los Angeles., 1944-1955, 3 items


Box 36 Publicity: newspaper clippings., n.d., 19 Oct 1943-19 Nov 1944, 28 pages


Box 36 Publicity: periodicals. 1) "Modern Music," Vol. 22, No. 2. Jan.-Feb. 1945. (p. 111-114.) 2) "Rob Wagner's Script," Vol. 30, No. 693. Dec. 2, 1944. (p. 24). 3) Photocopies of articles., 1944-1945, 1 vol., 1 vol., 4 pages


Box 36 Miscellaneous publicity: 1) Statement. 2) Guggenheim Fellowship application., 1944, n.d., 1 page, 2 pages



Box 37 Score for two pianos "Second Movement Sonata Scherzo": manuscript on thin sheets, signed., 1943, 21 pages a.ms.s.


Box 37 Score for two pianos: 1) Ozalid copy; p. 8-28. 2) "Second Movement": ozalid copy; p. 9-28., 1943, 21 pages, 20 pages


Box 37 Score for two pianos "IV-Fugue": ozalid copy; p. 34-42., 1943, 9 pages



Box 41 Tape recording of radio broadcast: "Symphony No. 1: L.A. Philharmonic-Wallenstein.", 19 Nov 1944, 1 cassette



Box 43 Records: Los Angeles Philharmonic, Alfred Wallenstein, conductor. 1) "Symphony No. 1," 4 copies. 2) "Symphony No. 1, 3rd and 4th Movements" and "1st and End mvts." 3) "Symphony #1, First Movement.", 4 discs, 1 disc, 1 disc



Box 46 Orchestral Score (30 parts): new master parts with all corrections., 1943, 220 pages, 3 folders

[Gift 1991]


Box 46 Piano score: new master part with all corrections., 1943, 15 pages

[Gift 1993]


Box 46 Recording: compact disc. London Symphony Orchestra , JoAnn Falletta conductor., London, 1993, 1 disc

[Gift 1993. With "The Last Judgement" and "Variations on a Waltz."]



Flat Box 254 1) Orchestral score: photocopy with composer's corrections. 2) List of movements and instruments specific to performance the Seattle Symphony Orchestra (WA)., 18 Oct 1943, 146 pages, 1 page

[Gift 1992]


Flat Box 254 1) Orchestral score: manuscript on thin sheets, signed. 2) Composers notes on reduced copy of score., 1943, 146 pages a.ms.s., 2 pages


Flat Box 254 Orchestral score: ozalid copy., 1943, 146 pages bd.


Subseries III.85: Symphony No 2



Box 37 Score: manuscript sketches., 95 pages


Box 37 Score: manuscript sketches, signed., 5 pages a.ms.s.


Subseries III.86: Tall Story for Orchestra


Box 37 1) Programs. 2) Orchestral score: reduced ozalid negatives., 1938, 14 items, 96 pages


Box 37 Parts (27): manuscript on transparencies., 1938, 149 pages



Flat Box 255 1) Orchestral score: manuscript on thin sheets, signed. 2) List of players., 1938, 96 pages a.ms., 1 page t.ms.


Subseries III.87: There's a Moon Tonight



Box 37 Announcement/ticket., 1 item


Subseries III.88: Those Everlasting Blues


Box 37 Orchestral score: manuscript, signed., 1932, 27 pages a.ms.s.


Box 37 1) Program: New School for Social Research (NY). 2) Newspaper clippings including New York Sun, 29 Oct 1932., 1932, 1 item, 2 pages


Subseries III.89: Those Gamblers' Blues


Box 37 Vocal score: ozalid copy., 6 pages

[Song]


Subseries III.90: Tumwater Rhapsody

Olympia Beer Commercial.


Box 37 Orchestral score: ozalid negatives., 1966, 55 pages


Box 37 Piano score "Theme from Tumwater Music": 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 2 p., 1966, 2 pages a.ms.s., 4 pages



Flat Box 255 Score: ozalid copy., 1966, 55 pages bd.


Subseries III.91: Two Songs

"Jabberwocky" and "Those Gamblers Blues."



Box 37 1) Program: The New School Auditorium (NY). 2) Newspaper clipping., 1933, 2 items, 1 page


Subseries III.92: Underworld


Box 37 Playscript: 1) Mimeograph copy. 2) Mimeograph copy., 1960, 111 pages, 110 pages

[Musical Play]


Box 37 Playscript: miscellaneous pages with notes added in pencil., 1960, 43 pages t.ms.


Box 37 Playscript: draft, carbon copy; two copies of 60 pages., 1960, 120 pages


Box 37 Playscript: miscellaneous xerox pages., 1960, 52 pages t.ms.



Box 38 Vocal score "Baby's Gonna Shake It Tonight" (song): 1) Manuscript, signed. 2) Ozalid copy., 1960, 7 pages a.ms., 7 pages


Box 38 "The Bad Old Days" (song). 1) Lyrics. Vocal score: 1) Manuscript, signed. 3) Manuscript, signed. 4) Ozalid copies with changes; two copies of 4 p., 1960, 1 page, 6 pages a.ms.s., 4 pages a.ms.s., 8 pages


Box 38 "Beer and Flowers" (song). Vocal score: manuscript, signed., 1960, 9 pages a.ms.s.


Box 38 Vocal score "The Cream of Society" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil changes. 3) Ozalid copy; 3 copies of 9 p., 1960, 9 pages a.ms.s., 9 pages, 27 pages


Box 38 "Danger" (song): 1) Lyrics with changes in pencil. Vocal score: 2) Manuscript on thin sheets in pencil, signed. 3) Ozalid copy with pencil changes; two copies of 6 p., bd. 4) Manuscript on thin sheets in pencil, signed. 5) Photocopy. "Cicero's Danger Song." Vocal score: 6) Manuscript on thin sheets in pencil with ozalid copy; two copies of 8 p., 1960, 1 page t.ms., 3 pages a.ms.s., 2 vol., 11 pages a.ms.s., 11 pages, 16 pages


Box 38 "The Girls" (song): 1) Lyrics with pencil changes. 2) Vocal score: manuscript on thin sheets., 1960, 5 pages t.ms., 5 pages a.ms.


Box 38 Vocal score "Give Me a Chance" (song): 1) Manuscript on thin sheets with pencil changes; signed. 2) Ozalid copy with pencil changes; three copies of 6 p. 3) Ozalid copy., 1960, 6 pages a.ms.s., 18 pages, 6 pages


Box 38 Vocal score "It's Almost Time Now" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil notes., 1960, 5 pages, 5 pages


Box 38 Vocal score "I've Even Been in Love" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil notes; 2 copies of 11 p. 3) Ozalid copy., 1960, 11 pages a.ms.s., 22 pages, 11 pages


Box 38 "Keep on Saying It" (song). Score: 1) Manuscript on thin sheets, signed. Vocal score: 2) Manuscript on thin sheets, signed. 3) Manuscript on thin sheets, signed., 1960, 6 pages a.ms.s., 6 pages a.ms.s., 4 pages a.ms.s.


Box 38 "Kinda Like" (song). 1) Lyrics. Score: 2) Manuscript on thin sheets, signed;. 3) Manuscript sketch., 1960, 2 pages, 5 pages a.ms.s., 1 page a.ms.


Box 38 Vocal score "Love Me" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil changes. 3) Ozalid copy., 1960, 6 pages a.ms.s., 6 pages, 6 pages


Box 38 Vocal score "Paddy Boy" (song): manuscript on thin sheets, signed., 1960, 9 pages a.ms.s.


Box 38 Score "Pepita's Song" (song): manucript on thin pages., 1960, 7 pages a.ms.


Box 38 "Prologue" (song). 1) Lyrics. 2) Score: manuscript on thin sheets. Vocal score: 3) Manuscript on thin sheets, signed. 4) Ozalid copy., 1960, 3 pages t.ms., 6 pages a.ms., 6 pages a.ms., 6 pages


Box 38 Vocal score "That Extra Bit" (song): 1) Manuscript, signed. 2) Ozalid copy., 1960, 8 pages a.ms.s., 8 pages


Box 38 "You've Got Brains" (song). 1) Score: manuscript, signed. 2) Vocal score: manuscript, signed., 1960, 6 pages a.ms.s., 2 pages a.ms.s.


Box 38 Miscellaneous items. Scores: 1) Manuscript sketches; 2 p. Lyrics, t.ms.: 2) "All I Have Left," carbon copy; 1 p., t.ms. 3) "Chicago Isn't Mine Anymore," with pencil changes; 3 p. 4) "Fighting and Drinking"; 4 p., t.ms. 5) "Make It a Fast One"; 2 p., a.ms. 6) "Mock Wedding" carbon copy; 2 p., t.ms. 7) "Start It Moving"; 4 p., a. and t.ms. 8) "We're Throwing a Party" carbon copy; 1 p., t.ms., 1960, 17 pages ms.



Box 47 Compact disc: "Songs from the Underworld" and "Parade." Broadway soundtrack., 1991, 1 disc

[Gift 1991]



Flat Box 255 Vocal scores: ozalid copies with pencil changes. 1) "Beer and Flowers"; 9 p. 2) "Keep on Saying It"; 4 p. 3) "Paddy Boy"; 9 p. 4) "Prologue and Epilogue"; 6 p. 5) "That Extra Bit"; 8 p. 6) "You Got Brains"; 2 p. 7) "You Got Brains (Tango)"; 2 p., 1960, 7 folios, 40 pages


Subseries III.93: V-Day

Script by Arch Oboler



Box 38 1) Playscript: mimeograph copy with pencil changes. 2) Score: ozalid copy., 27 June 1943, 21 pages, 3 pages

[Radio play]


Subseries III.94: Valley of Gwangi


Box 38 Score: manuscript on thin sheets, signed., 1968, 164 pages a.ms.s.

[Motion Picture]


Box 38 Score: ozalid copy., 1968, 164 pages bd.



Box 47 Compact disc: "The Classic Film Music of Jerome Moross." City of Prague Philharmonic conducted by Paul Bateman. Includes: "The Valley of Gwangi," "The Sharkfighters," "Rachel, Rachel," "The War Lord," "The Mountain Road," "Five Finger Exercise," "Wagon Train," and "The Adventures of Huckleberry Finn.", 1995 copyright, 1 disc

[Gift 1998]


Subseries III.95: Variations



Box 38 Program: The New Chamber Orchestra., Town Hall, 113 West 43rd St., New York City., 3 December 1933, 4 items


Subseries III.96: Variations on a Waltz

See also compact disc: Symphony No. 1.(Box 46)


Box 38 Score (31 Parts): manuscript on transparencies in copyist's hand., 1980, 259 pages ms.

[Orchestral work]



Box 43 Record. "Variations on a Waltz: Two Piano Demo.", 1 disc



Flat Box 255 1) Orchestral score: manuscript on thin sheets; signed. 2) List of players., 1980, 156 pages a.ms.s., 1 page t.ms.


Subseries III.97: Wagons Ho!



Box 39 Theme music: published score in vol.; p. 62-64, 1959, 3 pages bd.

[Television show]


Subseries III.98: Warlord

See also compact disc: "Valley of Gwangi."(Box 47)


Box 39 Conductor parts: 2 ozalid copies of 128 p., 1965, 256 pages

[Motion Picture]


Box 39 Conductor parts: Ozalid copy with recording history., 1965, 128 pages bd.



Box 43 Record. "The War Lord: Original Soundtrack Album.", 1965, 1 disc



Flat Box 256 Conductor score: manuscript; signed. 1) 1A: "Prelude"; 4 p. -- 2) 1C: "Main Title"; 7 p. -- 3) Reel 2, Cue B: "Pagan Shrine"; 3 p. -- 4) Reel II, Part C: "Forsaken Village"; 4 p. -- 5) Reel II, Part D and Reel II Part A: "Obsession Begins"; 8 p. -- 6) Reel III, Part B: "Father's Fate"; 3 p. -- 7) 3C: "The Hunt"; 1 p. -- 8) 3D: "Naked Emotion"; 6 p. -- 9) 4A: "To Ease the Pain"; 9 p. -- 10) 4B: "Agony Shared"; 2 p. -- 11) 4C: "Injured Dignity"; 3 p. -- 12) 4D-5A: "Witch Chase"; 4 p. -- 13) 5B: "Come Lie with Me"; 6 p. -- 14) 5C: "Judge and Jury"; 2 p. -- 15) 5D: "Consent to Wed"; 5 p. -- 15) Reel VI, Part A: "Rustic Wedding"; 5 p. -- 16) 6B: "Marriage Ceremony and Dance"; 6 p. -- 17) 7A: "Virgin Sacrifice"; 6 p. -- 18) 7B: "Bewitched"; 5 p. -- 19) 7C-8A: "Vigil in the Night"; 1 p. -- 20) 8B: "Pledge at Dawn"; 6 p. -- 21) 9B: "What of the Future"; 11 p. -- 22) 13C-14A: "Vengeance and Death"; 10 p. -- 23) 14B: "End Title"; 2 p., 1965, 23 folios, 128 pages


Flat Box 256 Orchestral score: thermofax copy., 1965, 17 pages


Subseries III.99: When I Grow Up



Box 39 1) Score: manuscript, signed. -- 2) Payment receipts., 1951, 82 pages a.ms.s., 2 pages

[Motion Picture]



Box 41 Video tape recording: "When I Grow Up.", 1951, 1 cassette

[Gift 1987 and 1990]


Subseries III.100: World Turned Upside Down

Based upon a Revolutionary War tune played at the surrender of Cornwallis.



Box 39 1) Score: manuscript in pencil, signed. 2) Photocopy from "The Music of George Washington's Time," p. 36-37., 6 pages a.ms.s., 1 page

[Song]


Subseries III.101: Would-Be Gentleman

Music adapted from J.B. Lully


Box 39 1) Contract (Moross/William Morris Agency, Inc.). 2) Program (Booth Theatre, NY). Scores:manuscripts on thin sheets. 3) "Finale Act I"; 2 p. 4) "Final Minuet-Finale Act II"; 2 p. 5) "Madame Jourdains Exit"; 1 p. 6) "Overture"; 3 p. 7) "Pas de Trois"; 5 p. 8) "Serenade"; 2 p. 9) "Stop Thief"; 1 p. 10) "Turkish March"; 1 p. 11) "Werner's Specialty"; 7 p. 12) "Werner's Specialty"; 2 p. 13) "Pas de Trois," score for five parts in copyist's hand; 18 p. 14) "Pas de Trois," ozalid copy; 5 p. 15) Miscellaneous. Ozalid copy; 1 p., 1945, 2 items, 50 pages

[Musical Play]

Series IV: Miscellaneous items


Subseries IV.1: Lyrics


Box 39 "All She Knew How to Do was the Tango.", 1 page


Subseries IV.2: Outline for Operetta


Box 39 "The Marriage of Lorenzo.", 1 page


Subseries IV.3: Score


Box 39 Untitled manuscript sketch: "Page 9.", 1 page

Series V: Additions to the Collection, 2018-2020


2018:

(2018.2019.M066)


Contracts:



Box 55 1940s


Box 55 1950s


Box 55 1960s


Box 55 1970s


Box 55 1980s


Box 55 1990s


Box 55 2000s


Box 55 Dramatist Guild


Box 55 General Artists Corp.


Box 55 Kroll Agency Agreements


Box 55 MCA Artists


Box 55 William Morris Agency


Box 55 Huckleberry Finn


Box 55 "Awaken, My Love, Awaken"


Box 55 Ballet Theatre Foundation


Box 55 Ballet Ballads


Box 55 "The Banjo" Agreement


Box 55 Sonatina-String Bass and Piano


Box 55 "The Big Country"


Box 55 "Big Country" Song


Box 55 "Biguine"


Box 55 "Blood Wedding"


Box 55 "Sonatina for Brass Quintet"


Box 55 "Captive City"


Box 55 "The Cardinal"


Box 55 "Sonatina for Clarinet Choir"


Box 55 "Clarinet Choir"


Box 55 "Close Up"


Box 55 "Five Finger Exercise"


Box 55 "Flute Concerto"


Box 55 "Forget Me Not"


Box 55 "Frankie and Johnny"


Box 55 "Gentlemen, Be Seated"


Box 55 "The Golden Apple"


Box 55 Grayson, Dick


Box 55 "Grizzly"


Box 55 "Gunsmoke"


Box 55 "Hail Hero"


Box 55 "Hans Christian Andersen"


Box 55 1953 Goldwin Letters


Box 55 "I'm a Lawyer"


Box 55 "In Tulsey Town"



Box 56 "The Jayhawkers"


Box 56 "Lancer"


Box 56 "The Lst Judgement"


Box 56 Dranoff Foundation


Box 56 Latouche/Moross


Box 56 "Mountain Road"


Box 56 "Music for the Flicks"


Box 56 "The One for Me"


Box 56 Moross Contracts


Box 56 "Parade"


Box 56 "Playhouse 90"


Box 56 "Rachel, Rachel"


Box 56 "Recitative and Aria"


Box 56 Ruth Page


Box 56 "Seven Wonders of the World"


Box 56 "The Sharkfighters"


Box 56 "Sorry, Wrong Number"


Box 56 "Symphony #1"


Box 56 "Tall Story"


Box 56 Tams-Witmark


Box 56 "Trifles"


Box 56 "Tumwater Theme"


Box 56 "Underworld Songs"


Box 56 "Gwangi"


Box 56 "Walter Mitty"


Box 56 "The Warlord"


Box 56 "The Warlord" re. Silva Recording


Box 56 "Wagon Train"


Box 56 "WFMT"


Box 56 "When I Grow Up"


Box 56 "Woodwind Quintet-Sonatina"


Box 56 Chapell & Co.


Box 56 Emusic.com


Box 56 Moross Music, Inc.


Box 56 New Music Edition (Crowell)


Box 56 "Gentlemen, Be Seated"


Box 56 "Someday"


Box 56 "Sound Exchange"


Box 56 "Subito"


Box 56 Theodore Presser Company


Box 56 "PS Classics"


Box 56 Silva Screen "The Cardinal"


Box 56 "Koch"


Box 56 "Koch" Albany


Box 56 Music Reports


Box 56 "The Golden Apple"


Box 56 Belth, Stephen


2019:

(2019.2020.M061)



Box 57 The Big Country: A Suite of Film Music for Orchestra. Full score.


Box 57 Sorry, Wrong Number: An Opera in One Act. Music by Jerome Moross. Libretto by Lucille Fletcher. Piano-Vocal score.


Box 57 Ballet Ballads: A Musical in 4 Acts. Composed by Jerome Moross. Lyrics by John Latouche

Score features the music and lyrics for all four acts: Susanna and the Elders, Willie the Weeper, The Eccentricities of Davy Crockett and Riding Hood Revisited.


Box 57 Ballet Ballads: A Musical in 4 Acts. Composed by Jerome Moross. Lyrics by John Latouche

Published as the commemoration of the 70th Anniversary of its world premiere, May 17, 2018.


CDs:


Box 57 Jerome Moross: The Big Country and Beyond! Hosted by Michael Feinstein. Produced by JonTolansky, 2013

(Not for commercial use. Use of this CD for any commercial purpose is expressly forbidden)


Box 57 Jerome Moross: American Original (2 copies). Running time: 14 minutes.


Box 57 Selections from Ballet Ballads (2 CDs)

(Not for commercial use or reproduction)

(Recorded in 1950 at the Century Theatre, Los Angeles)


Box 57 "Moross Ballet Ballads" Finale Music files. Final Version, 2011


Box 57 "Moross Sorry, Wrong Number" Finale files, Text files. Final Version, 2011


Box 57 The Jayhawkers. Music from the Motion Picture Composed and Conducted by Jerome Moross., 2012

(Unauthorized duplication is a violation of applicable laws)


Box 57 The Golden Apple. Music by Jerome Moross. Written by John Latouche, 1997


2020:


Box 57 The Golden Apple. Written by John Latouche. Music composed by Jerome Moross, 2015, 2 compact disks

Series VI: Archived Web Site


Jerome Moross Web Site, 2013-present

Archived web site captures of the official web site of Jerome Moross, at http://jeromemoross.com/. Captured semi-annually, 2013-present.

Link to Archived Website