Collections : [C.V. Starr East Asian Library]

C.V. Starr East Asian Library

C.V. Starr East Asian Library

300 Kent Hall
1140 Amsterdam Ave.
New York, NY 10027, USA
starr@library.columbia.edu
The C. V. Starr East Asian Library is one of the major collections for the study of East Asia in the United States, with materials in Chinese, Japanese, Korean, Tibetan, Mongol, Manchu, and western-languages, including books (both print and electronic), periodicals, newspapers, audio-visual material, databases, and more.
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C.V. Starr East Asian Library

Sino-Japanese and Russo-Japanese War Prints Collection, 1864-1904, bulk 1894-1895, 1904

3 Linear Feet
The Sino-Japanese and Russo-Japanese War Prints Collection (Nisshin Nichi-Ro sensō nishikie; 日清・日露戦争錦絵) is a collection of 110 nishikie prints by various late 19th Century Japanese ukiyo-e artists depicting events during the First Sino-Japanese War and the Russo-Japanese War, as well as other events, dating from 1864-1904.
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C.V. Starr East Asian Library

Ta-Chun Hsu papers, circa 1904-2016, bulk 1938-2008

7 Linear Feet
The Ta-Chun Hsu papers (徐大春檔案) document his personal life and provide a glimpse of his career in China and in the United States. The bulk of the papers consist of correspondence related to his family and his personal life as a Chinese-American and an immigrant living in New York. The correspondence also highlights his relation to a prominent Chinese educator and philosopher, Hu Shih (胡適) and his family. There are also materials related to his father, Hsu Singloh (徐新六), who was a major finance and banking leader during the Second Sino-Japanese War. Also included are immigration and travel documents of T.C. Hsu. Other materials also include news clippings, articles, financial records, printed materials, portraits and photographs, maps and postcards.
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C.V. Starr East Asian Library

The Barbara Curtis Adachi Bunraku Collection, 1964-2003

57 linear feet

This collection contains slides, photographs with corresponding contact sheets and negatives, audio and video materials, performance-related printed materials, realia objects and personal papers. Visual, audio, video and printed materials, and realia objects are described at the item level with play titles, production dates, and performer names and other descriptors, if applicable. Personal papers are described at the folder level. 178 plays, 290 productions, and 183 performers of the National Bunraku Troupe are cited in this collection. Visual and printed materials for fifteen Living National Treasures of Japan in Bunraku are also included in this collection.

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C.V. Starr East Asian Library

The Barbara Curtis Adachi Hands of Japan Collection, 1942-2003, bulk 1970-1993

22 Linear Feet

This collection contains correspondence, manuscripts, notes, slides, audio and video cassettes, negatives, transparencies, articles, books, ephemera, postcards and realia objects.

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C.V. Starr East Asian Library

The Makino Mamoru Collection on the History of East Asian Film, 1863-2015, bulk 1920s-1990s

370.11 linear feet
Over the course of fifty years, the former documentary filmmaker Makino Mamoru (1930-) developed an extensive collection on the history of East Asian film, which covers the history of Japanese cinema spanning over a hundred years. The collection as a whole contains approximately 80,000 items, and focuses on print materials. The materials cover various film events and festivals across multiple genres of films: experimental films, educational films, documentary films, news films, amateur films, and animated films, among many others. The collection contains books, correspondences, handbills, magazines, manuscripts, newspapers, notes, photographs, postcards, posters, scripts/scenarios, slides, glass plate negatives, video cassettes, and other printed materials.
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Series I: Director Files, 1878-2011

Series I contains the journal articles, newspaper articles, scrapbooks, storyboards, photographs, programs, fliers, and some scenarios for films pertaining to specific directors all organized by Makino Mamoru under each director's name. Also included are articles written by Makino and other authors about specific directors and their films, interviews, and printed material. Subseries I.17 are files of the above items related to the named directors in alphabetical order by family name.

Series II: Critic Files, 1929-1998

This series contains scrapbooks of photocopied articles, books, and manuscripts, many written by the individual film critics whose materials Makino collected. Some are autographed. There are also materials by critics for which there aren't specific files. Materials written by critic Satō Tadao/佐藤忠男, for example, can be found dispersed throughout the Makino Collection and many of his monographs can be found in the Columbia University Libraries online catalog. See Subseries XI.1: Post-War Magazines: Film Magazines, for publications edited by Satō, including Eigashi kenkyū/映画史研究/The Study of the History of the Cinema.

C.V. Starr East Asian Library

Theodore Richards Conant Collection, 1949-2010, bulk 1953-2000

76 Linear Feet
The Theodore Richards Conant Collection documents the life and film making career of Theodore Richards Conant, dating from 1949 to 2010, with the bulk of the materials dating from 1953 to 2000. The focus of the materials is on the Korean War, Korean culture and society. Materials in the collection consist of his personal papers and a substantial amount of audiovisual materials related to the documentary films created and/or collected by him during his career. The personal papers consist of clippings, ephemera, correspondence, scenarios, notes, catalogs, journals and other unique items. The photographs in the collection document Korea's political and cultural aspect, as well as Conant's work in Korea as a film producer while working in the UN Korean Reconstruction Agency (UNKRA). The audiovisual materials are the documentaries directed and filmed by Conant, related to the Korean War, Korean society and culture.
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C.V. Starr East Asian Library

The Tharchin Collection, 1901-1975, bulk 1923-1963

7.58 linear feet

The Tharchin Collection consists primarily of correspondence, publications and drafts, photographs, daybooks and financial accounts, and autobiographical materials. The geographic coverage of the collection spans both sides of the Himalayas, in particular, the activities of intellectuals, officials, missionaries, and other historical figures in India, Sikkim, and Tibet.

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C.V. Starr East Asian Library

Tibetan video recordings from Amdo

.25 linear feet
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C.V. Starr East Asian Library

Tsuyee Pei papers, 1929-1951, bulk 1943-1948

12.1 linear feet
The Tsuyee Pei papers document Pei's professional and personal life and provide a glimpse of his career in East Asia and North America during the last years of WWII and the years immediately following. The bulk of the papers consists of correspondences, memoranda, cables and telegrams, and other career files from between 1943 and 1949. These materials highlight Pei's role as first, the general manager of the Bank of China, then, the governor of the Central Bank of China, and offers great details on the development of the banking system in China, wartime aid and relief, foreign exchange market, and international business and economic cooperation. Other materials include newspaper clippings, greeting cards, and printed matter.
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C.V. Starr East Asian Library

Wan-go H.C. Weng film collection, circa 1938-1991, bulk 1948-1980

50 Linear Feet

The Wan-go H.C. Weng film collection (翁萬戈影視收藏) consists of motion picture film materials from the collection of Weng Wango (1918-2020), the noted art historian, art collector, and filmmaker. The collection consists of approximately 739 individual film elements, almost all 16mm, dating from circa 1944 to 1980. In addition to the 16mm film, there are three 35mm films and 28 1/4-inch open-reel audiotapes. The materials in the collection primarily relate to films produced by Weng, including series of films on Chinese history, Chinese cities and towns, and Chinese art. The collection also includes materials were collected by Weng but were, presumably, owned by him or his production company. Included in the collection are a wide variety of different types of film elements, including original film, master picture and sound elements, projection prints, work prints, trims, and outs. While some of Weng's films have been made available through various avenues, including the educational film distribution circuit, DVDs, and online, this is almost certainly the most complete collection of Weng's work, containing master and original materials for many of his films.

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