Box 28 Folder 8
Writers Guild of America arbitrations, 1981-1983, 1987-1989
A copy of the Screen Credits Manual, Arbitration Committee reports, notices of tentative writing credits, correspondence, notes, memos.
Box 28 Folder 9
Writers Guild of America current, 1984, 1986-1989
Correspondence, WGA newsletters, copy of the Screen Credits Manual, program for the WGA Awards, directory of chapter members, memos, fliers, directory of credit arbiters, election materials, meeting summaries.
Box 28 Folder 10
Lists (Screen Writers Guild and other), 1947, 1949-circa 1950
A copy of "Flashes from Hollywood" magazine, list of members of the Progressive Party, correspondence, financial documents, list of SWG members employed at Warner Bros., notes, clippings.
Box 34 Folder 1-4
Screen Writers Guild, 1937-1944, 1946-1954, 4 folders
Includes memoranda, policy statements, speeches, planning documents, ballot forms, the "Guild Bulletin," surveys, member research, notes, member, nominee, and committee lists, meeting minutes and agendas, reports, flyers, invitations, bylaws, legal agreements, petitions, credits stipulations, arbitration documents, NLRB forms, membership certificate, and other administrative and organizational documents. Includes some material relating to IATSE.
Box 34 Folder 5
Writers Guild of America, 1954-1957
Includes correspondence, notices (regarding RKO credits and royalties), election documents, list of constitutional amendments.
Box 72 Folder 3-6
Writers Guild of America Journal, 1995-1996, 4 folders
Fourteen issues. Some annotated. West edition.
Box 79 Folder 6
Writers Guild of America (including pension plan), 1957-1960, 1962-1980
Includes correspondence, pension plans, dues notices, contract samples, memoranda, and other union-related material.
Box 79 Folder 7
Writers Guild of America (credit manual), 1988, 1992-1993
1992 and 1993 manuals. Also includes a copy of the "Credits Survival Guide" and a memoranda.
Box 35 Folder 3
Max Youngstein, 1979-1980
Correspondence with and about Max Youngstein, CEO of Taft International Pictures. Includes other production documents relating to their collaborations.
Box 35 Folder 4
Phillip Borsos, 1992-1995
Correspondence with and about film director Phillip Borsos. Also includes clippings, script drafts, and other production documents relating to "Canticle for Leibowitz," "Pair of Kings," "Leonardo." Includes a full script and outline for "Bull Boy" by Marlon Brando. Includes a proposal for a television series "The Grey Fox."
Box 35 Folder 5
Tutoring Stephen Galloway, 1981-1983
Jarrico tutored Stephen Galloway in scriptwriting, providing him feedback on his work. Includes correspondence, notes, and recommendation letters relating to this tuition.
Box 35 Folder 6
Miscellaneous notes for adaptations, 1938, 1943-1945, 1947, 1949
For: Escape to Prison; Sons and Soldiers; Heart of Darkness; A Passage to India; Mating Call; The Sun Also Rises; Our Son Pablo; Rickshaw Boy; Christmas Present; Rhubarb; Cry the Beloved Country; Billion Dollar Baby.
Box 35 Folder 7
Notes for originals, 1944-1949
For: Newsreel; The Brooklyn Dodgers; Liberty Ship (a play); Embraceable You; "Original" (Mr. and Mrs. Ormsby); An Apple for Miss Maguire; No Trespassing (Mother, Father, and Little Boy); The Ballad Hunter; "Original" (Run for Your Life); Happily Ever After; Stream of Consciousness re. Paris; Life of Joe Miller; Ruth.
Box 35 Folder 8
Miscellaneous work on produced films, 1941-1943
For: Saboteur; Pride of the Yankees; Treasure Chest; Heavenly Body
Box 35 Folder 9
Early originals, 1936-1937
Story outlines for: Young Mister Faust; Imperfect Gentleman; Everybody Sing!; Shoot!; Head over Heels; Love is an Art.
Box 35 Folder 10
Miscellaneous originals, 1938-circa 1939
Outlines for: Davy Crockett; Three Girls About Town; Red, White, and Blue; untitled air story.
Box 35 Folder 11
Miscellaneous notes, 1949-1952, 1954
Outlines and notes for: New Mexico; Father Was a Psychologist; Lassie. Includes clippings for research. Folder includes the annotation "Some with Sylvia."
Box 74 Folder 2
Film Studies 188B, Spring 1988, 1988
Relating to a course that Jarrico taught at the University of California Santa Barbara. Includes pamphlets, notes, correspondence, administrative documents.
Box 74 Folder 3
Film Studies 110 and 165, Cine 325.1, 1987-1988, 1990-1991, 1993
Relating to courses that Jarrico taught at the University of California Santa Barbara and a seminar that he gave at San Francisco State University. Includes pamphlets, press releases, notes, clippings, syllabi, administrative documents, photocopies of assigned readings.
Box 74 Folder 4
Film Studies 165, Spring 1988, 1987-1991
Relating to a course that Jarrico taught at the University of California Santa Barbara. Includes notes, administrative documents, clippings, correspondence, course reviews.
Box 78 Folder 1
Dorothy Comingore Project, 1984-1985
Material relating to a proposal to interview Jarrico for the film "Susan Kane: The Story of Dorothy Comingore." Includes a dossier of information about the film, a page of notes, and correspondence.
Box 78 Folder 2
Screenwriting lectures and notes, 1939, 1941-1942, 1944, 1946, 1948-1949
Relating to the courses "Screenwriting II" and "Screenwriting III (institution not named). Clippings (about cinema), notes, brochures (for political causes), student work, and a class register. Includes Jarrico's ballot for the 11th Annual Academy Awards. Folder is annotated.
Box 78 Folder 3
Current promotions, 1970
Includes notes, correspondence, clippings, proposals, research on the Aztecs. Relating to "The Fast Life," "Don't Bang the People, They Explode," "Lies, All Lies," "The Art of Murder," and "Eyeball to Eyeball."
Box 78 Folder 4
George Marton correspondence, 1961-1965, 1968-1969
Marton (of George Marton Plays International Copyright Corporation) was Jarrico's friend and, for some period, his agent. Includes a mix of personal and business correspondence and some administrative documents.
Box 78 Folder 5
Miscellaneous business correspondence (inactive), 1956-1969
Includes a mix of personal and professional correspondence with Jarrico's collaborators, including producers, actors, directors, and executives. Folder arranged alphabetically by correspondent.
Box 78 Folder 6
Miscellaneous contracts, 1938-1940, 1945, 1957, 1959-1964
Contracts (copies and originals) for scripts, revisions, and copyright. Various studios.
Box 79 Folder 1
Weinstein, "Ramati" film and "Hot Line" (contracts and correspondence), 1965-1967
Relating to various productions. Includes copyright and employment contracts (copies and originals). Correspondence with producers Henry T. Weinstein, Alexander Salkind (of the Film Export Group), and others.
Box 79 Folder 2
Hal Chester (contracts and correspondence), 1961, 1967-1968
Chester was a producer at the Albion Film Corporation. Includes copyright and employment contracts (copies and originals). Includes correspondence with other Albion executives.
Box 79 Folder 3
Citel (correspondence, contracts, miscellaneous), 1968-1969, 1971-1973
Material relating to Yvette Jarrico's work with Citel Films. Includes correspondence, financial documents (invoices, payslips, receipts), notes, contracts. Most documents are in French.
Box 79 Folder 4
Pro Artibus (taxes) and Dreyfus correspondence, 1960-1963, 1967-1972, 1974, 1976
Largely relating to Jarrico's finances and foreign tax treaties. Includes notes, memos, contracts, banking documents, tax documents, correspondence (with Lukas Heller, Arpad Rosner, Dr. F. Péteri, the law office of Garry, Dreyfus, and McTernan, and others).
Box 79 Folder 5
Brauner (Israeli showdown), 1964
Material relating to Jarrico's legal dispute with Artur Brauner of Noah Films in Tel Aviv, regarding "Johnny Ringo," "Gold of the Aztecs," and "Hanna Senesch." Includes notes and correspondence.
Box 80 Folder 1
Copyright bulletins and sample contracts, 1979, 1983-1990, 1992-1995
Information sheets about copyright law in the United States (and particularly California). Includes correspondence and annotated copyright forms.
Box 80 Folder 2
Miscellaneous properties (ideas, lists, proposals), 1947, 1957, 1959-1964
Includes "A Guide to Noted and Popular Works and Subjects Regarded as Possible Film Material" by Milton Merlin, notes (for films), correspondence, lists of possible film subjects.
Box 80 Folder 3
Tax Data, 1965-1980
Tax and financial documents, notes, correspondence, expense journals. One notebook was removed for mold treatment.
Box 80 Folder 4
Tax Returns, 1965-1975
Tax returns (as prepared by Jarrico's accountants), notes, correspondence, and other financial documents. Some materials are in Italian.
Box 82 Folder 1
"Stalin" deal and Lichter, 1991-1993
Material relating to WGA and Paul Jarrico vs. HBO Films, Inc - a lawsuit over compensation for Jarrico's work on "Stalin." Correspondence (with lawyer Linda Lichter), legal documents, clippings, notes.
Box 82 Folder 2
Files on parade, 1939, 1948-1949, 1951, 1955-1956, 1965, 1973-1975, 1977, 1979, 1982, 1986
Notes and documents relating to various film projects. Some documents are in Czech.
Box 82 Folder 3
Box labels and empty folders, undated
Labels from Jarrico's filing system and empty folders found in his papers. Compiled into a single folder by the archivist.