This series contains creative and administrative material relating to specific film projects. Creative documents include screenplay drafts (including notes, working copies, shooting scripts, and revisions), stories, treatments, step outlines, and proposals. Also included a number of "file copies" of Jarrico's screenplays, which are generally free of annotation. Administrative documents include personnel lists, shooting schedules, correspondence, studio memoranda, feedback from script readers, contracts, and budgets. Many files contain material used as research for film projects, such as newspaper or magazine clippings and photocopies of books and articles. Some files contain clippings of reviews or publicity for these films. This series includes documents relating to both produced and unproduced film projects. Documents anterior to Jarrico's blacklisting were often written under a pseudonym—notably, "Peter Achilles." Many film projects went through multiple iterations, their titles changing as a result of rewrites or new pitch opportunities. The folder titles in this series reflect the film titles as recorded by Jarrico in his original files; however, I have recorded any alternative titles found in each file. Files relating to the same film may appear under different titles (i.e., Pair of Kings and Man in the Iron Mask. This series also contains other dramatic writing, including television scripts and stage plays (sometimes based on material developed for film projects). Much of Jarrico's work involved collaborating with, revising, adapting, and/or rewriting the work of other writers. Documentation relating to these collaborative and editorial efforts is also included in this series, including films written with fellow blacklistee Michael Wilson, and Jarrico's second wife, Yvette.
Box 1 Folder 1
Beauty for the Asking, 1938-1939
Outline, notes, and review clippings.
Box 1 Folder 2
The Face Behind the Mask, 1940-1941
Step outline, notes, and review clippings.
Box 1 Folder 3
Las Vegas Story, 1951
Outlines, notes, correspondence, administrative documents.
Box 1 Folder 4
The Little Adventuress, 1938
Original story outline. Also known as "If Wishes Were Horses [Thoroughbred]"
Box 1 Folder 5
Men of the Timberland, 1939, 1941
Outline, notes, review clippings, administrative documents.
Box 1 Folder 6
Not Wanted, 1949, 1951
Outline, notes, correspondence, and a copy of the magazine "Mon Film." Also known as "Illegitimate" or "Bad Company"
Box 1 Folder 7
Not Wanted (original continuity), 1948
Box 1 Folder 8
The Search (screenplay), circa 1948
Box 1 Folder 9
The Search, 1947-1948
Notes, drafts, correspondence, magazine clippings, administrative documents. Screenplay by Richard Schweizer
Box 1 Folder 10
Thousands Cheer, 1942-1943
Notes, correspondence, and administrative documents.
Box 2 Folder 1
Song of Russia (notes and correspondence), 1942-1943
Includes photographs of the USSR and a program.
Box 2 Folder 2
Song of Russia (first draft), 1942
Also known as "Scorched Earth."
Box 2 Folder 3
Song of Russia (second draft), 1942-10-30
Also known as "Scorched Earth" and "Russia."
Box 2 Folder 4
Song of Russia (complete script), 1943
Box 2 Folder 5
Song of Russia (partial script), 1943
Box 2 Folder 6
Song of Russia (clippings), 1942, 1944
Box 2 Folder 7
Tom, Dick and Harry (treatments, notes, outlines), 1939-1941
Includes correspondence and research documents. Also known as "Star Light, Star Bright."
Box 2 Folder 8
Tom, Dick and Harry (first draft continuity), 1940
Box 2 Folder 9
Tom, Dick and Harry (estimating script), 1941
Box 2 Folder 10
Tom, Dick and Harry (clippings), 1941
Includes some loose correspondence.
Box 2 Folder 11
Tom, Dick and Harry (production documents), 1941
Includes call sheets, schedule, personnel lists, a script for a closing party sketch.
Box 3 Folder 1
The White Tower (production documents), 1945-1950
Includes correspondence, clippings, notes, outlines, and research.
Box 3 Folder 2
The White Tower (first draft continuity), 1946
Box 3 Folder 3
The White Tower (climbing sequences), 1946
First draft of the script for chapters 10 to 22.
Box 3 Folder 4
The White Tower (French script), 1947
French title: "La tour blanche." Translated and condensed from the English script.
Box 3 Folder 5
The White Tower (final script), 1947-03-07
Box 3 Folder 6
The White Tower (revised final script), 1949
Box 3 Folder 7
A Woman's Place, 1943-1944, 1977
Includes clippings, correspondence, administrative documents, union documents, outline, notes, and script drafts. Also includes a note about the film from 1977.
Box 3 Folder 8
Kingdom Come, 1944, 1949
Notes, outlines, correspondence. Also known as "Out of This World."
Box 4 Folder 1
Murder, Maisie, Murder, 1944
Story and partial draft screenplay.
Box 4 Folder 2
Together, 1944
Also known as "High Time" and "Laff Riot." Notes and correspondence. Some notes are written on a book dustcover.
Box 4 Folder 3
I'll Be Seeing You (reincarnated "Horse"), 1944
Also known as "Horse Story." Notes, correspondence, and outline.
Box 4 Folder 4
For Us the Living, 1943
Box 4 Folder 5
Three Smart Girls Join Up, 1942
Box 4 Folder 6
Marx Brothers documents, 1947, 1954
For "Love Happy" (also known as "Harpo"), "Star Light, Star Bright," "Studio Ghost," "Catinflas." Includes notes, stories, outlines, and drafts. Some material is attributed to Jarrico's moniker "Peter Achilles."
Box 4 Folder 7
Joe Tanaka: American, 1943, 1945, 1947
Story, correspondence, and research materials.
Box 4 Folder 8
April in Paris, 1947
Box 4 Folder 9
Darling, 1944-1950
Includes a budget, notes, outlines, correspondence. Also known as "I Am Thinking of My Darling."
Box 4 Folder 10
Darling (screenplay drafts), circa 1945
Box 4 Folder 11
Sanctury, 1967
Also known as "Promised Land." Includes meeting minutes, notes, outlines, camera script.
Box 5 Folder 1
The Double Man (revisions), 1966
Box 5 Folder 2
The Doctor Speaks, 1966, 1970
Also known as "A Matter of Life and Death" and "Childbirth Film." English version of "Der Artz Stellt Fest." Includes correspondence, notes, outlines, drafts, and administrative documents. Also includes a newspaper clipping about a production of "The Three Sisters" in Cologne.
Box 5 Folder 3-4
All Night Long, 1958-1962, 2 folders
Notes, correspondence, drafts, clippings. With Nel King.
Box 5 Folder 5
All Night Long (New York version), circa 1958-1959
Photocopy of a draft script and set design. With Nel King.
Box 5 Folder 6
All Night Long (scripts), 1958-1961
Water-damaged. Also includes some administrative documents and notes. With Nel King.
Box 5 Folder 7
Phil Silvers Show, 1957-1958
For episodes titled "Big Brain," "The Homesteaders," and "The Speculators." Includes notes, correspondence, outlines.
Box 5 Folder 8
The Iron Horse to Uganda, 1969-1970
Correspondence, story, and clippings. Proposal for a film or television series.
Box 5 Folder 9
Brimstone, 1957
Outlines, correspondence, and notes. Also known as "Have Gun, Will Travel."
Box 6 Folder 1
The Silent Gun, 1958
Notes, drafts, stories, outlines, correspondence, administrative documents. Possibly an earlier version of "La balada de Johnny Ringo." Includes feedback from studio.
Box 6 Folder 2
The Silent Gun (script), 1958
Box 6 Folder 3
The Lord Don't Play Favorites, 1956-1957
Box 6 Folder 4
Bayou, 1956
Notes and correspondence.
Box 6 Folder 5
River of Blood (script), 1958
Box 6 Folder 6
River of Blood (novel draft), 1956
Annotated draft of a novelizaton by Henriette Martin titled "Wisconsin Story" or "Wisconsin." Includes the original story on which the script and novelization are based: "Black Hawk and the Lovers," by Jessica Benson. Also includes a letter from Henriette Martin.
Box 6 Folder 7
River of Blood, 1956-1959
Notes, drafts, outlines, stories, correspondence, research documents, and administrative documents. Also known as "Black Hawk."
Box 6 Folder 8
Robin Hood, 1957
Notes, correspondence, administrative documents, outlines for a proposed television series. Also includes some material for a project called "The Highwayman." Includes copies of sketches of standing sets.
Box 7 Folder 1
Johnny Moccasin, 1955
Notes, outlines, story, and script for a teleplay.
Box 7 Folder 2
It's Always Jan, 1955
For the episodes, "The Playboy," "The Comedian," "The Doctor." Notes, outline, scripts, and stories.
Box 7 Folder 3
Boy Meets Girl, 1955
Prospectus for a television series.
Box 7 Folder 4
The Quick and the Dead, 1955
Box 7 Folder 5
Wonderful Country, 1956
Notes and outlines. With Mike Wilson.
Box 7 Folder 6
The Man Who Watched the Trains Go By (draft scripts), 1949
Two draft scripts: one dated 1949-10-12 and another 1949-11-28 (titled "First Draft").
Box 7 Folder 7
The Man Who Watched the Trains Go By, 1945, 1949-1951
Also known as "Paris Express" and "Escape from Paris." Notes, correspondence, outlines, stories, script drafts.
Box 7 Folder 8
Five Marked Women (first and second drafts), 1959
Under the working titles "Jovanka" and "Five Women." With Mike Wilson.
Box 7 Folder 9
Five Marked Women (final draft), 1959
Under the working title "Jovanka and the Others." With Mike Wilson.
Box 8 Folder 1-2
Five Marked Women, 1958-1960, 1962, 2 folders
Notes, correspondence, drafts, stories, and outlines. With Mike Wilson.
Box 8 Folder 3
The Grand Tour, 1957, 1962
Notes, correspondence, outlines, administrative documents and drafts (including the 1962 revised draft). With Mike Wilson.
Box 8 Folder 4
Greeneyes, 1954-1956
With "Sylvia." Also known as "Flowers of Evil." Includes notes, outlines, treatments, summaries, character profiles. About delinquint schools in California.
Box 8 Folder 5
The Chase, 1958
Notes and outlines. With Mike Wilson.
Box 8 Folder 6
The Stud With the Delicate Air, 1954-1956
With Frank Tarloff. Also known as "Mavourneen." Notes, outlines, proposals, summaries, draft scripts, correspondence.
Box 9 Folder 1
The Loser, 1954
With "Sylvia." Under the moniker "Paul S. Michaels." Produced for television in cooperation with the Department of Corrections and the State of California. Scripts, drafts, outlines, notes, and clippings for research.
Box 9 Folder 2
The Flying Carpet, 1954
With Mike Wilson. Under the names "Hal Stanley" and "Paul Micheals." Notes and stories.
Box 9 Folder 3
The Big Eye, 1950-1951
Notes, outlines, corrrespondence, script drafts, feedback from producers, clippings. About a third world war which threatens to destroy the world.
Box 9 Folder 4
Shadow of a Hero, 1949-1952
With Allan Chase. Administrative documents, correspondence, notes, outlines, treatment, screenplay, press clippings. Includes information about Jarrico's courtcase against the film's producers.
Box 9 Folder 5
The French Way, 1948-1949, 1955, 1957, 1959-1960
Clippings, notes, continuity script, correspondence, budgets, administrative documents, a photograph of an actress, prospectus Also known as "Love in the USA," "Oh Beautiful," "Intimate Journey," and "Mademoiselle from Armentières"
Box 9 Folder 6
Grip of Fear, 1949
Notes, outlines, stories, correspondence. About a Chicago gangster who takes over the French black market.
Box 10 Folder 1
Temptation (first and second drafts), 1948, 1950
Two draft screenplays. Also known as "Temptation in Budapest."
Box 10 Folder 2
Temptation, 1948-1949
Mainly administrative documents. Includes contracts, correspondence, notes, budgets, clippings, prospectus, feedback from the studio. Includes correspondence with the author of the original novel, John Pen. Includes documents in French and Hungarian.
Box 10 Folder 3
Wild Calendar, 1948
Box 10 Folder 4
Busman's Holiday, 1948
Notes, correspondence, outlines, treatments, a map of US Highway 1. About a Bronx bus driver who takes his bus on a joyride to Florida.
Box 10 Folder 5
Boy Wonder, 1941-1942
Musical Comedy (with Richard Collins) . Includes contemporaneous notes for other projects ("Busman's Holiday," "The Man Who Could Read Minds," "The Girl Who Couldn't Tell A Lie," "The Embarrassing Stock Holder," and "The Guy Who Accompanied a Corpse"). Notes, outlines, draft scripts, correspondence.
Box 11 Folder 1
The Atom and Eve (reworkings of "The Last Refuge"), 1948, 1953-1954, 1957, 1959-1962, 1969-1970
Stage play. Notes, script drafts, character profiles, clippings. Also known as "Made for Each Other" and "The Man Who Knew Sin."
Box 11 Folder 2
The Last Refuge, 1947, 1951-1953, 1955
Stage play. Scripts, correspondence, notes. Also known as "A Foreign Agent."
Box 11 Folder 3
The Last Refuge (in development), 1946-1947, 1949, 1951, 1959, 1962
Stage Play. Notes, correspondence, character profiles, outlines, clippings (for research). Also known as "The Man Who Knew How," "The Man Who Played God," and "If This Be Treason." About an atomic bomb scientist: "America will go fascist [...] unless people have the courage to stand up for human values against American Imperialism."
Box 11 Folder 4
All Night Program, 1940-1941
With Lester Koenig. Notes, outlines, correspondence. Production No. 1406.
Box 11 Folder 5
That Was No Lady, 1940
With Richard Collins. Outline and correspondence.
Box 12 Folder 1
Suffragette, 1939
With Richard Collins. Outlines and notes.
Box 12 Folder 2
Probation Nurse, 1938-1939
Clipping, notes, outlines. With Jack O'Donnell. Production No. 879.
Box 12 Folder 3
Comrade Eagle, 1936, 1938, 1941
Stage Play (with Sam Rudd). Notes, script, correspondence. Written for Lionel Stander, about a Soviet aviator who stays in the house of an airplane magnate.
Box 12 Folder 4
Blondie, 1938
With Auriana Rouverol. Outlines, treatments, character notes, screenplay.
Box 12 Folder 5
The Duchess of Broadway, 1932, 1938
Clipping, an astronomy brochure, notes, outline, treatment.
Box 12 Folder 6
I am the Law, 1937
Clipping, notes, treatements. Also known as "Racketeering" and "Dewey Story."
Box 12 Folder 7
No Time to Marry, 1937-1938
Also known as "Christmas" and "'Twas the Night Before Christmas." Includes a clipping of the short story "'Twas the Night Before Christmas," by Paul Gallico for the Saturday Evening Post. Clippings, treatments, screenplay.
Box 12 Folder 8
The Undiminished Fifth, undated
Stage play (with Julie Dassin). Script.
Box 13 Folder 1
Tesla, 1958, 1971, 1974-1975, 1977-1980
Correspondence (to recipients in Zagreb, from Paris and LA), research materials (photocopied and sometimes annotatedd), notes, background, press outline, synopsis.
Box 13 Folder 2
Wurr'n (and "Ponzi" notes), 1978
About Warren G. Harding, based on an idea by Edward Mosk. Presentation, notes, research materials (photocopied and sometimes annotated). Also known as "The President's Illegitimate Daughter and Other Strange Events."
Box 13 Folder 3
Wurr'n, 1978, 1980, 1986, 1991
Film proposal, storyline, contracts and option agreements, notes, correspondence. Folder is annotated.
Box 13 Folder 4
The Secret History of Genghis Kahn (proposal), 1994
Box 13 Folder 5
Genghis Kahn, 1960-1964, 1966-1967, 1969, 1974
Also known as "The Secret Life of Genghis Kahn," "The Truth About Genghis Kahn," and "The Secret History of Genghis Kahn." Completed in Paris. Prospectus, administrative documents, poster sketch, notes, research documents (in Mandarin or Cantonese), screenplay, correspondence (English, German, and French), synopsis (French), library references, revision notes and addendums (French), planning documents.
Box 14 Folder 1
Spy (file copy), 1991
Box 14 Folder 2
Mavourneen, 1954-1956
With Frank Tarloff. Also known as "The Stud With the Delicate Air." Screenplay (annotated) and correspondence about revisions.
Box 14 Folder 3
Rip Van Winkle, American (file copy), 1996
Correspondence, invoices, screenplay. Based on a story by Washington Irving.
Box 14 Folder 4
The Lady and the Panda, 1980-1982
Comedy about Ruth Harkness. Notes, correspondence, memos, budget documents, clippings (for research), revision feedback, photographs of Sam Law, information about Chinese politics (for planning), casting suggestions.
Box 14 Folder 5
Beyond the Mountains, 1966
Rewrite of a screenplay by Alexander Ramati. Screenplay, synopsis (annotated), notes,
Box 14 Folder 6
The Black Box, 1964-1965
Based on a story by P.R. Merkin. With Philip Reisman Jr. Also known as "Don't Bang the People, They Explode." Screenplay (with annotations by John Collier), notes, clippings (for research). Annotations on folder: "And see 'Malthus,' later."
Box 15 Folder 1
Seaway: "Rx for Murder", 1965-1966
Screenplay, notes, correspondence (with a list of standing sets).
Box 15 Folder 2
Seaway: "The Viking", 1966
Rewrite of a screenplay by Ring Lardner, Jr. Notes and drafts.
Box 15 Folder 3
Seaway: "Ghostship", 1965-1966
Screenplay and drafts, notes, outline, clippings (for research).
Box 15 Folder 4
Seaway: "What the Rats Knew", 1964-1965
Screenplay and drafts, notes, treatment.
Box 15 Folder 5
Seaway: "Over the Falls", 1965
Screenplay, correspondence, notes, lists of revisions, synopsis, outline.
Box 15 Folder 6
Seaway: "The Lighthouse", 1965
Outlines, notes, clippings (for research).
Box 15 Folder 7
Seaway: "The Provocative Mademoiselle", 1965
Screenplay, outline, revised outline, notes, clippings (for research).
Box 16 Folder 1
The Gold of the Aztecs, 1964-1965
Under the name "Peter Achilles." Based on the novels by Karl May. Also known as "Die Pyramide des Sonnegottes" ("The Pyramid of the Sun Gold"). Clippings, screenplay, revision notes, outlines (English and German), notes on production problems, correspondence (English and German), contract (German).
Box 16 Folder 2
The Defenders: "No Knock", 1964
Based on an outline by Ian McLellan Hunter. Under the name "Peter Achilles." Screenplays, clippings (for research), correspondence, notes.
Box 16 Folder 3
They Do It With Mirrors, 1963
Based on a novel by Agatha Christie. Treatments, notes, reader's reports.
Box 16 Folder 4
Marco Polo, 1963, 1986
Also known as "The Fabulous Marco Polo." Correspondence (English and French), feedback from Raoul Levy (French), invoice, notes.
Box 16 Folder 5
The ABC Murders, 1963
Based on a novel by Agatha Christie. Under the name "Peter Achilles." Feedback for revisions, notes, screenplay, clippings, outline, correspondence. Annotation on the folder: "e.g., Eyeball, later."
Box 16 Folder 6
The Light of the Day, 1963
With and for Mike Wilson. Notes, drafts, outline. Also known as "Topkapi."
Box 17 Folder 1
Call Me Bwana, 1962
Rewrite of a screenplay by Nate Monaster. Correspondence, proposals, revision feedback, memos, drafts, step outline, notes.
Box 17 Folder 2
The Fast Life (Paris version), 1962
From a story by "Peter Achilles" and Nel King. Screenplay. Also known as "Big Deal."
Box 17 Folder 3
The Fast Life (in development), 1959-1962
With Nel King. Also known as "Big Deal," "The Playboy," and "French Leave." Correspondence, notes, revision feedback, summaries, screenstory. Partially written as "Peter Achilles." Some correspondence between Jarrico and King is of a personal nature.
Box 17 Folder 4
Cleopatra; Promise at Dawn, 1961-1962
Notes and outlines for both films. With and for Sidney Buchanan.
Box 17 Folder 5
The Long Ships, 1960
Notes, suggested revisions, screenplay.
Box 17 Folder 6
The Gallery, 1959, 1962
Based on a book by John Horne Burns. Clippings, notes (English and Italian), correspondence, invoices, receipts, research materials, book summary (English and Italian).
Box 18 Folder 1
Chasing the Dragon (corrections, reactions, notes), 1990-1996
Correspondence, casting lists, invoices, reader's reports, notes, chronology, script drafts, clippings (for research). Unproduced film about the war on drugs and drug legalization.
Box 18 Folder 2
Chasing the Dragon (documentation), 1992-1997
Research documents (clippings and printouts, underlined and annotated), about the war on drugs, global drug trade, politics in Myanmar, addiction treatment.
Box 18 Folder 3
Genghis Kahn Redux, 1983, 1987, 1994-1996
"Genghis Kahn as a megamusical." Notes, clippings (for research), printouts/photocopies (for research), research notes, structure outline, copyright registration, a handwritten summary of the musical "Sunset Boulevard."
Box 18 Folder 4
Pair of Kings, 1976, 1986-1987, 1990-1993, 1995
Based on a novel by Alexandre Dumas. Notes, clippings, casting planning, correspondence, screenplay, contracts, presentation, synopsis. Also known as "The Man in the Iron Mask."
Box 18 Folder 5
Reborn Panda, 1982-1987, 1989
Correspondence, notes, clippings, a brochure for the San Diego Zoo.
Box 18 Folder 6
Panda (research, clippings), 1980-1989
Clippings and photocopies; a contract for the production of the film.
Box 19 Folder 1
Pay Dirt (revised contracts), 1979, 1992
With Mike Wilson. Correspondence, revision suggestions, notes, outline.
Box 19 Folder 2
Big Brother, 1990-1991
Correspondence (English, French, and Czech), clippings, proposal, resume, notes, script drafts. About the Prague Spring. Also known as "Dubeck and Brezhnev."
Box 19 Folder 3
Wurr'n (proposals), 1990-1991, 1994
Correspondence, supplemental note, research packet, contract, story outline.
Box 19 Folder 4
Destiny River (file copy), 1989
Box 19 Folder 5
Destiny River, 1989
Screenplay drafts, correspondence, notes, photocopies of maps.
Box 19 Folder 6
Foreign Affairs, 1961, 1965-1966, 1995
With Michael Wilson. Also known as "Ambassador at Large," "Secret Alliance," "Entangling Alliance," and "Vive la différence." Clippings, correspondence, notes, summaries, outlines, contracts.
Box 19 Folder 7
Pay Dirt (final revision), 1979
Screenplay. With Michael Wilson.
Box 19 Folder 8
The Lady and the Panda (first draft and notes for revision), undated
Box 20 Folder 1
A Touch of Danger (screenplay), undated
Based on a story by James Jones.
Box 20 Folder 2
Dirty Tricks (notes for revision), 1977-1978, 1992-1993
With Jules Dassin. Correspondence (English and French), clippings (for research), photocopies (for research), administritive documents, contracts (French), reader's reports (French), notes, outlines. Also known as "Business is Business."
Box 20 Folder 3
Gilded Age (contracts), 1982-1983, 1985-1987, 1992-1993
Also known as "A Better Mousetrap." Legal and administrative documents and correspondence. Clippings, notes, story.
Box 20 Folder 4
Sorge, 1991
About Richard Sorge. Notes, clippings, correspondence, chronology, budgetary documents, title pages, research notes, outlines. Also known as "Spy."
Box 20 Folder 5
Kidnapped, 1995-1996
Correspondence, notes, outline, memos, clippings and photocopies (for research).
Box 20 Folder 6
Pay Dirt (screenplay), 1979
Box 21 Folder 1
Pay Dirt (Mike Wilson's version), circa 1977
Original screenplay by Michael Wilson.
Box 21 Folder 2
The Baltimore Bullet, 1979
Jarrico's suggested revisions to a screenplay by John F. Brascia and Robert Vincent O'Neil. Includes notes, correspondence, and a screenplay draft.
Box 21 Folder 3
At the Hands of Another, 1976-1979
Formerly known as "Eyeball to Eyeball." Possibly related to "The ABC Murders." Reader's reports, correspondence, synopsis, notes, proposal (photocopied), screenplay.
Box 21 Folder 4
The Plastic Nightmare, 1978
Screenplay by Wolfgang Peterson, based on a novel by Richard Neely. Includes revised first-draft screenplay, synopsis, and reader's reports. Folder is labeled: "Polish job by PJ, script by W. Peterson."
Box 21 Folder 5
Indian script, 1978
Notes, bibliographic materials, correspondence, revision suggestions, incomplete screenplay draft, synopsis, outline, contract, clippings (for research), photocopies (for research), and a flyer for film screening in benefit of The Longest Walk (with Dennis Banks and Bill Wahpeah). Includes notes from Michael Wilson (recovered posthumously from his desk). Also known as "Good Day to Die," "Ghosts of Paha Sapa," and "Crazy Horse and Sitting Bull" (possibly related to "River of Blood"). Includes annotated folders.
Box 22 Folder 1
The Ballad of Johnny Brando, 1977
A revision of "The Silent Gun" (1958). Screenplay.
Box 22 Folder 2
Growing Pains, 1975, 1977
Comedy docuseries for KCET. Notes, production schedule, correspondence, invoiced, proposals, administrative memos, contract, clippings. Also known as "Mid-Life Transitions" and "Human Rites."
Box 22 Folder 3
Porto Carras, 1976
Proposal titled "How to Put Porto Carras on the Map," including a plan to market the Greek town of Porto Carras with a film about Ancient Greek deities. Draft proposals, notes, and clippings. With Oliver A. Unger.
Box 22 Folder 4
Bilitis, 1976
Jarrico's English adaptation of the French film (scenario by Catherine Breillat, treatment by roger Boussinot, technical script by Henri Colpi). Includes a photocopy of the French script annotated with Jarrico's additions, translations, and cuts. Includes a poster for the original film, notes (English and French), correspondence (in English and French), clippings, revision proposals, outline, synopses (English and French).
Box 22 Folder 5
Hands of Death, 1975
Jarrico's rewrite of a screenplay by Sandy Glass and George Arthur Bloom. Folder annotated: "Rewrite of a Kung-Fu Script." Correspondence, notes, screenplay, revision outlines.
Box 22 Folder 6
The Assassins, 1970
Also known as "The Assassins of the Dream," "The Daggers of Paradise," "The Daggers of Alamut," and "The Old Man on the Mountain." Story outlines, bibliographies, notes.
Box 23 Folder 1
Goldrush, 1975
A musical play based on material by Danny Daniels and Annamary Giagni, music assembled by Richard de Benedictis. Also known as "The Great American Goldrush" and "Fever." Photocopy of the first draft of Act I, photocopy of the synopsis of Act II, correspondence, notes, contract, rewrites of Acts II through V.
Box 23 Folder 2
Big Brother (second and third drafts), 1970-1972
With Yvette [Le Floc'h]. Two screenplays.
Box 23 Folder 3
The Last Time I Saw Prague (revisions of script and correspondence), 1966-1969
Jarrico's revisions to a script by Yvette Le Floc'h and Vladimír Valenta. Also known as "Bíly Blues" and "The Black Prince." Adaptation synopsis, screenplay, notes (English and Czech), budgeting documents, biographical material relating to Jiři Krejčík and Vladimír Valenta (English and Czech), correspondence (English and Czech).
Box 23 Folder 4
Eyeball to Eyeball, 1967
Formerly known as "The ABC Murders." Notes, screenplay. Under the name "Peter Achilles."
Box 24 Folder 1
The Day the Hotline Got Hot, 1963, 1966-1967
Also known as "Cross My Heart and Hope to Die," "Eyeball to Eyeball," "Hot Line," "The Spy Story to End All Spy Stories," and "Chinese Puzzle." Based on a story by Dominique Fabre and Guerdon Trueblood. Screenplay, correspondence, notes, map of Barcelona, summaries, clippings.
Box 24 Folder 2
Sarajevo (second and final drafts), 1975
Also known as "Assassination at Sarajevo." Based on a story by Stevan Bulajić, Veljko Bulajić, and Vladimir Bor. Includes shooting script for principal photography and revised draft.
Box 24 Folder 3
Sarajevo (first draft and Bulajić revisions), 1974
Includes "directorially corrected" screenplay and a first draft.
Box 24 Folder 4
Sarajevo (contracts, publicity, and miscellaneous), 1974-1976
Reprints of the New York Times's 1914 article about the assassination of the Archduke Ferdinand, clippings, summaries (English and French), notes, schedules, administrative documents, cast lists, correspondence, publicity documents, photocopy of a letter from the Archduke Ferdinand, invoices, contracts.
Box 24 Folder 5
Sarajevo (notes and correspondence), 1974-1976
Based on a novel by James Jones. Notes, correspondence, clippings, suggested revisions, research documents, synopsis, step outline, personal memos and reminders.
Box 25 Folder 1-2
A Touch of Danger (file copy), 1977-1978, 1980, 1984, 2 folders
Notes, correspondence, two screenplays. Includes an annotated folder loosely dated 1977.
Box 25 Folder 3
A Touch of Danger (contracts, correspondence, notes), 1973-1980, 1984
Notes, correspondence (with James Jones and others), contracts, financial documents, synopses, outlines,
Box 25 Folder 4
Lori, 1973
Feature-length animated cartoon. Revision of a screenplay by Giulio Cingoli (with Yvette Le Floc'h). Also known as "Charming Lori," "Lory Frayle's Long Journey," "Lory Frail's Long Journey," and "Il viaggio di Lori Gracile." Screenplay, summary, notes (English, French, and Italian), sketches (of animated characters), clippings.
Box 25 Folder 5
Lori (Cingoli's revisions), 1992, 1994
Treatment (photocopy and original) and a proposal (English and Italian).
Box 26 Folder 1
The Man in the Iron Mask (production notes, casting, budgets), 1973-1975
Based on the novel by Alexandre Dumas. Budgets, clippings, casting lists, correspondence, press releases, notes, lists of filming locations, a guide to Anglo-French production treaties, schedules, research notes, clippings, brochures, maps, photographs.
Box 26 Folder 2-3
The Man in the Iron Mask (trying to produce it), 1973-1975, 2 folders
Notes, correspondence, financial documents, contracts, casting lists, press releases.
Box 26 Folder 4
The Man in the Iron Mask (writing it), 1971-1973
Correspondence, notes, revision suggestions, outlines.
Box 26 Folder 5
The Man in the Iron Mask (first, second, and third drafts), 1972, 1974
Box 27 Folder 1
The Schellenberg Line, circa 1973, 1985
With Yvette [Le Floc'h]. Screenplay (with annotated folder).
Box 27 Folder 2
China Snow, 1972, 1977-1978
A film about Edgar Snow. Correspondence (with Lois Snow and others), notes, memos, clippings, photographs, chronology, proposal, photocopies (for research), list of other films about Communist China. Also known as "American Friend," and "Red Star Over China." Includes a folder annotated with the dates 1970-1978.
Box 27 Folder 3
Welcome Home, 1972-1973
With Lazar Wechsler. Correspondence, notes, treatment, itinerary, planning documents. Annotated folder carries the date 1970 and the text: "For Wechsler, r.e. Vietnam POW."
Box 27 Folder 4
Rebel Troop, 1966
Revision of a screenplay by John Prebble. Screenplay draft, notes, correspondence, contract, outline.
Box 27 Folder 5
Tightrope, 1968, 1970
Based on the memoirs of Hans Voelkner. With Yvette [Le Floc'h]. Also known as "Corde Raide" and "Gespantes Seil." Treatment, notes (English and French), correspondence (English and French), preface, oultines, drafts, summaries (English and German), clippings (English and French).
Box 27 Folder 6
Film about Israel, 1970-1971
For Lazar Wechsler. Also known as "To Life! To Peace!," "L'Chaim! L'Sholom," "2000 Years," and "Sholom!" Screenplay, notes, outlines, research documents, commentaries (English and French), clippings (English and German), a copy of "The Five Miracles of Israel" by Hans Habe.
Box 28 Folder 1
Rip, 1976, 1981, 1983-1987
Reworking of "Rip Van Winkle" as a play. Notes, correspondence, journal.
Box 28 Folder 2
Eyeball, 1976-1977
For a TV film and spinoff series. Related to "Eyeball to Eyeball." Summaries, notes, proposals.
Box 28 Folder 3
Big Brother (contracts, notes, correspondence), 1970-1972
With Yvette [Le Floc'h]. Stock list, correspondence (English and French), contracts, financial documents, clippings, suggested revisions, script drafts, summaries (French and English).
Box 28 Folder 4
Nerve Center (notes), 1977-1980
Notes, clippings, correspondence, deal proposals, screenplay drafts, research documents.
Box 28 Folder 5
The Eagle Soars (Tatum Productions), 1982-1983
Based on a treatment by Tom Tatum and Nicky Lewis from an original idea by Tom Tatum. Legal documents for Jarrico v. Tatum, notes, treatments.
Box 28 Folder 6
Call to Glory (contracts, statements), 1984-1986
For "The Carl Weathers Show." Also known as "Moving Parts." Financial documents, correspondence, contracts, notes, writing credits notice.
Box 28 Folder 7
Over Here, 1944
Screenplay (prepared by the Hollywood Democratic Committee).
Box 36 Folder 1
Stalin (final draft, part one), 1991
A screenplay by Paul Monash, revised by Paul Jarrico.
Box 36 Folder 2
Stalin (third draft), 1991
A screenplay by Paul Monash.
Box 36 Folder 3
Stalin (revised shoot draft), 1991
A screenplay by Paul Monash.
Box 36 Folder 4
Stalin, 1989-1992
Clippings, correspondence, notes, scene list, bibliographic materials, personnel lists, schedules, interview transcripts (with former Soviets).
Box 37 Folder 1
A Canticle for Leibowitz and Grey Fox, 1986, 1992-1993
Notes, correspondence, research materials, photocopies of other dramatic adaptations of the same novel. Includes other material relating to director Phillip Borsos.
Box 37 Folder 2
This Time and Place, 1988-1989
Notes, clippings, correspondence, outlines, research materials and photocopies. Also known as "Emis."
Box 37 Folder 3
This Time and Place (first draft), 1988
Screenplay by Carol Gottlieb Singer.
Box 37 Folder 4
Emis (first draft), 1988
Screenplay by Carol Gottlieb Singer. Also known as "This Time and Place."
Box 37 Folder 5
Emis (first Jarrico draft), 1988-1989
Jarrico's revisions to a screenplay by Carol Gottlieb Singer.
Box 37 Folder 6
Pair of Kings (screenplay), 1986
Based on a novel by Alexandre Dumas.
Box 38 Folder 1-3
This Time and Place (Jarrico revisions), 1988-1989, 3 folders
Previously known as "Emis." Jarrico's revisions to a screenplay by Carol Gottlieb Singer.
Box 38 Folder 4
Big Deal (revised draft, file copy), 1981
From a story by Paul Jarrico and Nel King.
Box 38 Folder 5
Trust Me (file copy), 1988
Screenplay. A revision of "Big Deal."
Box 38 Folder 6
Trust Me, 1978-1983, 1988
Correspondence, summary, notes, production documents, budgets.
Box 38 Folder 7
Rip Van Winkle (synopses and budget notes), 1990-1991, 1993, 1995-1996
Based on a story by Washington Irving. Also known as "Rip Van Winkle, American." Material relating to the 1990 revised screenplay. Correspondence, notes, revision lists, screenplay, synopses, research materials.
Box 39 Folder 1
Moscow Nights (research), 1994-1996
Clippings about Russian politics, notes.
Box 39 Folder 2
Moscow Nights (correspondence, file copy), 1994-1995
Correspondence, outline, list of proposed changes, notes, copyright registration.
Box 39 Folder 3
Moscow Nights (development, file #2), 1991-1992, 1994
Clippings about Russian politics, notes, research materials, outlines,
Box 39 Folder 4
Robert Burns, 1954, 1957, 1979
Also known as "Auld Lang Syne: The Life and Loves of Robert Burns." Proposals, clippings, notes. Also includes an outline for "Studio Ghost."
Box 39 Folder 5
Tesla (research), 1977, 1982, 1985-1986
Notes, research material (clippings, printouts, photocopies), and a proposal for a four-hour miniseries.
Box 39 Folder 6
Tesla (Nick Basura file), 1968, 1979-1982, 1985, 1987, 1989
Correspondence, research material (clippings, printouts, brochures, photocopies).
Box 39 Folder 7
Film Noir, 1990, 1993
Clippings, notes, proposal. Also known as "Wanton Woman."
Box 40 Folder 1
Gorbachev (research, clippings), 1991, 1993-1997
Correspondence, research material (clippings, photocopies).
Box 40 Folder 2-3
Gorbachev, 1993-1996, 2 folders
Correspondence, notes, contracts, treatments, outlines, financial documents, arbitration materials (for Jarricho v. Reed).
Box 40 Folder 4-5
The Black Box (third draft), circa 1964-1965, 2 folders
Screenplay based on a story by Paul Jarrico and Philip Reisman Jr. Also known as "The Malthus Effect."
Box 40 Folder 6
The Grand Tour (screenplay), circa 1962
From a story by Michael Wilson.
Box 41 Folder 1-4
Indian Lover (screenplay), 1979, 4 folders
Fourth folder has been removed for mold treatment, 2024
Box 41 Folder 5
Big Brother (file copy), 1972
With Yvette Jarrico. Includes a list of proposed changes)
Box 42 Folder 1-5
Big Deal (revised draft), circa 1988, 5 folders
Also known as "Trust Me."
Box 42 Folder 6
Destiny River (version of April 6, 1993), 1993-04-06
Screenplay. Includes maps of Wisconsin.
Box 43 Folder 1-5
Trust Me (screenplay), 1988, 5 folders
Also known as "Big Deal."
Box 43 Folder 6
Panda (file copy), 1980
Also known as "The Lady and the Panda" (first draft and notes for revision).
Box 44 Folder 1-3
Temptation in Budapest (second draft), 1950, 3 folders
Based on the novel "Temptation" by John Pen.
Box 44 Folder 4-6
Rosie the Riveter (screenplay), undated, 3 folders
Box 45 Folder 1
Moscow Nights (outlines), 1994
Box 45 Folder 2
The Schellenberg Line (outlines), circa 1973
With Yvette Jarrico. Three outlines.
Box 45 Folder 3
Banzai! (proposals), undated
Also known as "May the Emperor Live 10,000 Years!" Eight proposals.
Box 45 Folder 4-5
Lori (screenplay), circa 1973, 2 folders
A feature-length animated cartoon in seven episodes. With Giulio Cingoli.
Box 46 Folder 1
At the Hands of Another (file copy), circa 1976-1979
Third draft of the screenplay.
Box 46 Folder 2
Gold Rush (first draft of act one), 1975
A musical play based on a story by Danny Daniels and Annamary Giagni. Also known as "Fever."
Box 46 Folder 3
The Black Box (file copy), 1981, 1983, 1986
Also known as "The Malthus Factor." Includes screenplay, notes, correspondence.
Box 46 Folder 4
Big Deal (file copy), 1986, 1990
Also known as "Trust Me." Includes screenplay, synopsis, correspondence, notes, list of rejections.
Box 46 Folder 5
Dead Right (file copy), 1996
Includes screenplay, correspondence, reviewer feedback.
Box 46 Folder 6
Rags to Riches (file copy), 1996
Also known as "The Gilded Age." Includes screenplay, notes, correspondence.
Box 46 Folder 7
A Pair of Kings (file copy), circa 1986, 1996
Includes screenplay and correspondence.
Box 47 Folder 1
I Am Thinking of My Darling (screenplay), circa 1945
Box 47 Folder 2
Rosie the Riveter (screenplay draft), undated
Box 47 Folder 3
The Big Eye (first draft), 1950
Based on a novel by Max Ehrlich.
Box 47 Folder 4-5
Grand Tour (draft screenplays), circa 1962, 2 folders
From a story by Michael Wilson.
Box 47 Folder 6
The Ballad of Johnny Brando (screenplay), circa 1977
Box 48 Folder 1-2
Temptation in Budapest (screenplay), 1950, 2 folders
Box 48 Folder 3-4
Firestorm (screenplay), circa 1985, 2 folders
Screenplay by Gerald Wilson, revised by Paul Jarrico.
Box 48 Folder 5
Firestorm (old version), circa 1985
Screenplay by Gerald Wilson.
Box 48 Folder 6-7
The Plastic Nightmare (revised first draft), circa 1978, 2 folders
Screenplay by Wolfgang Peterson, based on a novel by Richard Neely. Revised by Paul Jarrico. Includes a synopsis.
Box 49 Folder 1-3
Destiny River (screenplay), circa 1989, 3 folders
Box 49 Folder 4
Indian Lover (draft screenplay), circa 1979
Screenplay. Minor alterations to the inside cover.
Box 49 Folder 5
Eyeball to Eyeball (screenplay), circa 1967
Date obscured by whiteout.
Box 49 Folder 6
Assassination (screenplay), 1975
Based on a story by Stevan Bulajic and Vladimir Bor.
Box 50 Folder 1-2
Mademoiselle from Armentières (continuity), 1949, 2 folders
Box 50 Folder 3-4
Messenger of Death, 1980, 1987-1989, 2 folders
A Charles Bronson film based on a novel by Rex Burns. With Richard Sale. Includes review clippings and photocopies, correspondence, outline, notes, credits notice, revisions, call sheets, personnel lists, credits manual, continuity, screenplay. Also known as "The Avenging Angels."
Box 50 Folder 5
At the Hands of Another (Chen version), 1987
Box 50 Folder 6
The Daggers of Sinan, 1983
Also known as "The Assassins" and "The Daggers of Alamut." Notes and stories.
Box 51 Folder 1
Fortune Dane, 1985-1986
A TV series with Carl Weathers; episodes rewritten by Jarrico. Staff and crew list, clippings, screenplay (Episode 4, "Jailhouse Blues"; Episode 2, "Bay City"; "Diplomatic Immunity"), credits notice, outlines, character profiles, correspondence, studio feedback.
Box 51 Folder 2
Firestorm (file copy), 1985
Screenplay by Gerald Wilson, revised by Paul Jarrico.
Box 51 Folder 3
Firestorm (original and revised script), 1985
Screenplay by Gerald Wilson, revised by Paul Jarrico.
Box 51 Folder 4
Torture, 1963, 1969, 1980-1981, 1985
With Yvette Le Floc'h. Story, notes, episode outlines (for "Quincy" and "Strike Force"), correspondence,
Box 51 Folder 5
Call to Glory, 1984
TV series. Correspondence, notes, poop sheet, meeting minutes, memoranda, outlines, stories, screenplay (Episode 5, "Go/No Go").
Box 51 Folder 6
Call to Glory (miscellaneous), 1983-1984
Notes, schedule, financial documents, research documents, credits notice, writer lists, clippings (of reviews), stories, character profiles.
Box 52 Folder 1
The Gilded Age, 1982
Research documents (mainly photocopies, some clippings), notes, correspondence, photographs (of the late nineteenth-century).
Box 52 Folder 2
The Gilded Age (file copy), 1984
Box 52 Folder 3
Mousetrap (first two hours of the teleplay plus the bible of part two), 1982-1983
Also known as "A Better Mousetrap." Screenplay and treatment ("bible").
Box 52 Folder 4
Mousetrap (notes, bible), 1982-1983
Correspondence, notes, contracts, photocopy of a treatment.
Box 52 Folder 5
Mousetrap (miscellaneous), 1983-1984
Notes, correspondence, story analyst reports, script pages, clippings
Box 52 Folder 6
Mousetrap, 1982-1983
Box 53 Folder 1
Nurse ("Black Friday"), 1981
Episode of a TV series. Notes, screenplays, credits notice, contract, correspondence, clippings. Folder annotated "Fall 1981."
Box 53 Folder 2
The Golden Seal, 1981
Based on a novel by James Vance Marshall. Correspondence, outlines, notes, treatment, character profiles. Folder annotated "Fall 1981."
Box 53 Folder 3
Lobo Show ("How to Rob Tiffany's"), 1980
For the TV series "Misadventures of Sheriff Lobo." Financial documents, contracts, notes, correspondence, outlines, stories, clippings.
Box 53 Folder 4
Indian Lover (formerly "Black Hawk"), 1979
Box 53 Folder 5
Crunch, 1979
Also known as "Big Deal." From a story by Paul Jarrico and Nel King. Screenplay.
Box 54 Folder 1
Shut Out, 1996
Screenplay by Jerry Connelly. Includes notes, correspondence, clippings.
Box 54 Folder 2
Messenger of Death, 1987
Screenplay by Richard Sale; from a novel by Rex Burns.
Box 54 Folder 3
Loris Gracile (French), 1970
French translation (by Jean Rougeul) of a screenplay by Giulio Cingoli. For an animated cartoon.
Box 54 Folder 4
Loris Gracile (storyboard), 1970
By Giulio Cingoli. In Italian (schema di sceneggiatura). Only the text of the storyboard is included.
Box 54 Folder 5
Slender Loris, circa 1970
By Giulio Cingoli. English script outline.
Box 54 Folder 6
The Sarajevo Assassination, circa 1975
Screenplay by Stevan Bulajic and Vladimir Bor; revised English version by Mladin Zarubica.
Box 54 Folder 7
Jovanka and the Others, undated
Also known as "A River of Blood." By Ugo Pirro. carbon manuscript of short story. "Property of Dino de Laurentiis S.p.A." This property was filmed as "Five Branded Women."
Box 55 Folder 1
Firestorm ("A Cruel Time"), circa 1985
Box 55 Folder 2
Firestorm (II), circa 1985
Box 55 Folder 3
The Silent Gun (teleplay), circa 1958
Box 55 Folder 4
The Silent Gun (screenplay), circa 1958
Box 55 Folder 5
The Black Box (second draft), circa 1964-1965
By Philip Reisman Jr., for Victor D. Solow, suggested by the novel "Double Exposure" by Donald MacKenzie.
Box 55 Folder 6
The Gold of the Aztecs (screenplay), circa 1964-1965
Light annotations; "by Fodor" handwritten on first page.
Box 56 Folder 1
Schellenberg Line (story), circa 1973
With Yvette Jarrico. One bound and two unbound carbon copies.
Box 56 Folder 2
Nerve Center (screen treatment), circa 1977-1980
By Yvette Jarrico. Translated from French by Paul Jarrico.
Box 56 Folder 3-4
Big Deal (screenplay), 1990, 2 folders
Box 56 Folder 5
The Lady and the Panda (book), 1938, circa 1980
A lightly annotated carbon copy of the book by Ruth Harkness. Used as source material for Jarrico's screenplay of the same name.
Box 57 Folder 1
Big Brother (English version), circa 1970-1972
Box 57 Folder 2
Big Brother (English version, annotated), circa 1970-1972
Box 57 Folder 3
Big Brother (Czech version), circa 1970-1972
With Yvette Jarrico. Translated by Vladimíra Smočková under the title "Velký Bratr."
Box 57 Folder 4-5
Big Brother (French version), circa 1970-1972, 2 folders
With Yvette Jarrico. Two copies.
Box 58 Folder 1-2
The Malthus Factor (estimating draft), circa 1981-1986, 2 folders
By Paul Jarrico, from a story by Paul Jarrico and Philip Reisman, Jr. Four copies.
Box 58 Folder 3-4
At the Hands of Another (third draft), circa 1976-1979, 2 folders
Box 59 Folder 1-2
Pair of Kings (screenplay draft), circa 1986, 2 folders
By Paul Jarrico; based a novel by Alexandre Dumas. Three copies.
Box 59 Folder 3
Spy (annotated screenplay), 1991
Box 59 Folder 4
Gilded Age (screenplay), circa 1984
Box 59 Folder 5
Pay Dirt (with revisions), 1979
With Mike Wilson. Revised pages in blue.
Box 60 Folder 1-3
Lori (musical version), circa 1970, 3 folders
Screenplay Giulio Cingoli and Paul Jarrico; based on concepts, characters and illustrations created by Giulio Cingoli; lyrics by Paul Jarrico. Three copies.
Box 60 Folder 4
All Night Long (revised shooting script)
By Nel King and "Peter Achilles" (alias Paul Jarrico).
Box 60 Folder 5
The Malthus Factor (draft screenplay), circa 1981-1986
By Paul Jarrico, from a story by Paul Jarrico and Philip Reisman, Jr. Two copies.
Box 60 Folder 6
At the Hands of Another (screenplay), circa 1976-1979
Box 61 Folder 1
Secret Account (envelope from "Rebecca"), 1997
Treatment by Paul Jarrico and Yvette le Floc'h (in a silver envelope). Also known as "Operation Switzerland," "The Swiss Connection," "Nerve Center," and "The Schellenberg Line." Includes a note from "Rebecca" and material relating to "Nerve Center."
Box 61 Folder 2
Secret Account (treatment), circa 1970s
With Yvette le Floc'h. Three copies.
Box 61 Folder 3-5
Big Brother (screenplay), circa 1970-1972, 3 folders
With Yvette Jarrico. Three copies.
Box 61 Folder 6
Ambassador at Large (screenplay), circa 1965
With Mike Wilson. Also known as "Foreign Affairs." Two copies.
Box 62 Folder 1-2
Destiny River (screenplay), circa 1989, 2 folders
Box 62 Folder 3
A Pair of Kings (screenplay), circa 1986
Box 62 Folder 4
Big Deal (screenplay), circa 1981
Box 63 Folder 1-2
All Night Long (screenplay), circa 1961, 2 folders
By Nel King and "Peter Achilles" (alias Paul Jarrico). Two copies.
Box 63 Folder 3
"All Night Long" (sheet music), 1961
Theme tune to the film of the same name. Annotated.
Box 63 Folder 4
Grand Tour (screenplay), circa 1962
From a story by Mike Wilson.
Box 63 Folder 5
Collier's Bizarre (proposal), undated
Proposal for a trilogy based on the works of John Collier. Two copies. Includes photocopied pages from the "John Collier Reader."
Box 63 Folder 6
Wurr'n (proposal), undated
Also known as "The Warren G. Harding Story." Two copies.
Box 63 Folder 7
Ghost Dance (proposal), undated
Box 63 Folder 8
Firestorm (revised), 1985
Screenplay by Gerald Wilson; September 12 [altered to 13], 1985. Heavily annotated working copy, with many holograph pages; also includes another title page with the title "A Cruel Time."
Box 64 Folder 1
Pay Dirt (revised), 1979
Screenplay by Mike Wilson. Bound.
Box 64 Folder 2-3
Pay Dirt (revised and cannibalized), 1979, 2 folders
Screenplay by Mike Wilson. Heavily annotated working copy with many holograph pages. Originally a single folder; split into two by the archivist to aid preservation.
Box 64 Folder 4-5
Le péril jaune (Yvette), 1972-1973, 2 folders
Screenplay in French by Yvette Jarrico, based on an idea by François Bardet. Originally a single folder; split into two by the archivist to aid preservation. Contains: an envelope with photographs; a clipping of a German newspaper foldout; screenplay drafts (French); correspondence (French); notes (French and English); photocopy of an annotated summary of a French court case between Irina Dupuy and François Bardet; suggested revisions (French); character list (French).
Box 65 Folder 1-2
Leonardo (holograph first draft), 1967-1968, 2 folders
Story and screenplay. Heavily annotated holograph copy. Originally a single folder; split into two by the archivist to aid preservation.
Box 65 Folder 3-4
Leonardo (holograph second draft), 1968-1969, 2 folders
Screenplay. Heavily annotated working copy with many holograph pages. Originally a single folder; split into two by the archivist to aid preservation. Alternatively titled "What Machiavelli Knew About Leonardo and Borgia."
Box 65 Folder 5
What Machiavelli Knew About Leonardo and Borgia, 1968-1969
Box 65 Folder 6
Dirty Tricks (screenplay and notes for revision), undated
Screenplay by Julies Dassin with an addendum by Paul Jarrico (notes for revision). Also known as "The Bottom Line."
Box 66 Folder 1-2
Leonardo (screenplay), circa 1967-1969, 2 folders
Box 66 Folder 3-4
Leonardo (play, revised draft), 1981, undated, 2 folders
Script for a play in two acts. Two copies.
Box 66 Folder 5-6
The Man in the Iron Mask (third draft), circa 1971-1975, 2 folders
Based on the novel by Alexandre Dumas. Two carbon copies.
Box 67 Folder 1
Lori (seven-episode version), circa 1970
A feature-length cartoon in seven episodes. Created by Giulio Cingoli. Screenplay by Giulio Cingoli, Yvette Jarrico, and Paul Jarrico. Bound.
Box 67 Folder 2
Indian Lover (screenplay), 1979
Box 67 Folder 3
Big Deal (out), circa 1980s
Screenplay by Paul Jarrico. From a story by Paul Jarrico and Nel King.
Box 67 Folder 4
The Big Eye (screenplay), 1950
Box 67 Folder 5
Rip Van Winkle, 1939, 1943, 1947, 1951, 1955, 1971-1978, 1980-1981
Correspondence, notes, information sheets, clippings, research materials, script pages, financial documents.
Box 68 Folder 1
Ringo (contracts and correspondence), 1956-1958, 1963-1966, 1969
Notes, contracts, correspondence. Also known as "The Ballad of Johnny Ringo." Also includes material relating to "The Silent Gun."
Box 68 Folder 2
All Night Long (contracts and legal, correspondence), 1958-1960
Correspondence, contracts, copyright assignments.
Box 68 Folder 3
Seaway (contracts and correspondence), 1965-1966
Clippings, notes, contracts, correspondence.
Box 68 Folder 4
Black Box (Don't Bang) (contracts and correspondence), 1964-1967, 1969, 1978, 1980-1982, 1984
Notes, correspondence, contracts, memos, script pages, character list (in Czech). Also known as "The Malthus Factor," and "Don't Bang the People, They Explode."
Box 68 Folder 5
This Time and Place, 1988-1989
Screenplay by Carol Gottlieb Singer. Revised by Paul Jarrico. Previously known as "Emis."
Box 68 Folder 6
Leonardo (study by Kaaren Lee Brown), 1983-1983
An independent study written for a drama program at a university. Includes correspondence.
Box 68 Folder 7
The Ballad of Johnny Brando (screenplay), circa 1977
Box 69 Folder 1-6
Big Deal (screenplay), 1990, 6 folders
Box 70 Folder 1-5
Big Deal (screenplay), 1990, 5 folders
Box 71 Folder 1-3
Rip Van Winkle (estimating draft), undated, 3 folders
From a story by Washington Irving.
Box 71 Folder 4
Rip Van Winkle, American (revised draft), 1987
From a story by Washington Irving.
Box 77 Folder 1
Scottsboro Boy, 1950-1951
Notes and plans for a novel and/or screenplay about the Scottsboro Boys. Includes a contract for the rights to the film.