Paul Jarrico papers, 1914-2014

Outline, notes, and review clippings.

Step outline, notes, and review clippings.

Outlines, notes, correspondence, administrative documents.

Original story outline. Also known as "If Wishes Were Horses [Thoroughbred]"

Outline, notes, review clippings, administrative documents.

Outline, notes, correspondence, and a copy of the magazine "Mon Film." Also known as "Illegitimate" or "Bad Company"

Annotated.

Annotated.

Notes, drafts, correspondence, magazine clippings, administrative documents. Screenplay by Richard Schweizer

Notes, correspondence, and administrative documents.

Includes photographs of the USSR and a program.

Also known as "Scorched Earth."

Also known as "Scorched Earth" and "Russia."

Includes revisions.

Includes revisions.

Articles and reviews.

Includes correspondence and research documents. Also known as "Star Light, Star Bright."

Includes revisions.

Includes some loose correspondence.

Includes call sheets, schedule, personnel lists, a script for a closing party sketch.

Includes correspondence, clippings, notes, outlines, and research.

First draft of the script for chapters 10 to 22.

French title: "La tour blanche." Translated and condensed from the English script.

Includes clippings, correspondence, administrative documents, union documents, outline, notes, and script drafts. Also includes a note about the film from 1977.

Notes, outlines, correspondence. Also known as "Out of This World."

Story and partial draft screenplay.

Also known as "High Time" and "Laff Riot." Notes and correspondence. Some notes are written on a book dustcover.

Also known as "Horse Story." Notes, correspondence, and outline.

Notes and drafts.

Story.

For "Love Happy" (also known as "Harpo"), "Star Light, Star Bright," "Studio Ghost," "Catinflas." Includes notes, stories, outlines, and drafts. Some material is attributed to Jarrico's moniker "Peter Achilles."

Story, correspondence, and research materials.

Story draft.

Includes a budget, notes, outlines, correspondence. Also known as "I Am Thinking of My Darling."

Two drafts.

Also known as "Promised Land." Includes meeting minutes, notes, outlines, camera script.

Notes and script.

Also known as "A Matter of Life and Death" and "Childbirth Film." English version of "Der Artz Stellt Fest." Includes correspondence, notes, outlines, drafts, and administrative documents. Also includes a newspaper clipping about a production of "The Three Sisters" in Cologne.

Notes, correspondence, drafts, clippings. With Nel King.

Photocopy of a draft script and set design. With Nel King.

Water-damaged. Also includes some administrative documents and notes. With Nel King.

For episodes titled "Big Brain," "The Homesteaders," and "The Speculators." Includes notes, correspondence, outlines.

Correspondence, story, and clippings. Proposal for a film or television series.

Outlines, correspondence, and notes. Also known as "Have Gun, Will Travel."

Notes, drafts, stories, outlines, correspondence, administrative documents. Possibly an earlier version of "La balada de Johnny Ringo." Includes feedback from studio.

Ouline, drafts, notes.

Notes and correspondence.

Annotated draft of a novelizaton by Henriette Martin titled "Wisconsin Story" or "Wisconsin." Includes the original story on which the script and novelization are based: "Black Hawk and the Lovers," by Jessica Benson. Also includes a letter from Henriette Martin.

Notes, drafts, outlines, stories, correspondence, research documents, and administrative documents. Also known as "Black Hawk."

Notes, correspondence, administrative documents, outlines for a proposed television series. Also includes some material for a project called "The Highwayman." Includes copies of sketches of standing sets.

Notes, outlines, story, and script for a teleplay.

For the episodes, "The Playboy," "The Comedian," "The Doctor." Notes, outline, scripts, and stories.

Prospectus for a television series.

Notes and outline.

Notes and outlines. With Mike Wilson.

Two draft scripts: one dated 1949-10-12 and another 1949-11-28 (titled "First Draft").

Also known as "Paris Express" and "Escape from Paris." Notes, correspondence, outlines, stories, script drafts.

Under the working titles "Jovanka" and "Five Women." With Mike Wilson.

Under the working title "Jovanka and the Others." With Mike Wilson.

Notes, correspondence, drafts, stories, and outlines. With Mike Wilson.

Notes, correspondence, outlines, administrative documents and drafts (including the 1962 revised draft). With Mike Wilson.

With "Sylvia." Also known as "Flowers of Evil." Includes notes, outlines, treatments, summaries, character profiles. About delinquint schools in California.

Notes and outlines. With Mike Wilson.

With Frank Tarloff. Also known as "Mavourneen." Notes, outlines, proposals, summaries, draft scripts, correspondence.

With "Sylvia." Under the moniker "Paul S. Michaels." Produced for television in cooperation with the Department of Corrections and the State of California. Scripts, drafts, outlines, notes, and clippings for research.

With Mike Wilson. Under the names "Hal Stanley" and "Paul Micheals." Notes and stories.

Notes, outlines, corrrespondence, script drafts, feedback from producers, clippings. About a third world war which threatens to destroy the world.

With Allan Chase. Administrative documents, correspondence, notes, outlines, treatment, screenplay, press clippings. Includes information about Jarrico's courtcase against the film's producers.

Clippings, notes, continuity script, correspondence, budgets, administrative documents, a photograph of an actress, prospectus Also known as "Love in the USA," "Oh Beautiful," "Intimate Journey," and "Mademoiselle from Armentières"

Notes, outlines, stories, correspondence. About a Chicago gangster who takes over the French black market.

Two draft screenplays. Also known as "Temptation in Budapest."

Mainly administrative documents. Includes contracts, correspondence, notes, budgets, clippings, prospectus, feedback from the studio. Includes correspondence with the author of the original novel, John Pen. Includes documents in French and Hungarian.

Notes.

Notes, correspondence, outlines, treatments, a map of US Highway 1. About a Bronx bus driver who takes his bus on a joyride to Florida.

Musical Comedy (with Richard Collins) . Includes contemporaneous notes for other projects ("Busman's Holiday," "The Man Who Could Read Minds," "The Girl Who Couldn't Tell A Lie," "The Embarrassing Stock Holder," and "The Guy Who Accompanied a Corpse"). Notes, outlines, draft scripts, correspondence.

Stage play. Notes, script drafts, character profiles, clippings. Also known as "Made for Each Other" and "The Man Who Knew Sin."

Stage play. Scripts, correspondence, notes. Also known as "A Foreign Agent."

Stage Play. Notes, correspondence, character profiles, outlines, clippings (for research). Also known as "The Man Who Knew How," "The Man Who Played God," and "If This Be Treason." About an atomic bomb scientist: "America will go fascist [...] unless people have the courage to stand up for human values against American Imperialism."

With Lester Koenig. Notes, outlines, correspondence. Production No. 1406.

With Richard Collins. Outline and correspondence.

With Richard Collins. Outlines and notes.

Clipping, notes, outlines. With Jack O'Donnell. Production No. 879.

Stage Play (with Sam Rudd). Notes, script, correspondence. Written for Lionel Stander, about a Soviet aviator who stays in the house of an airplane magnate.

With Auriana Rouverol. Outlines, treatments, character notes, screenplay.

Clipping, an astronomy brochure, notes, outline, treatment.

Clipping, notes, treatements. Also known as "Racketeering" and "Dewey Story."

Also known as "Christmas" and "'Twas the Night Before Christmas." Includes a clipping of the short story "'Twas the Night Before Christmas," by Paul Gallico for the Saturday Evening Post. Clippings, treatments, screenplay.

Stage play (with Julie Dassin). Script.

Correspondence (to recipients in Zagreb, from Paris and LA), research materials (photocopied and sometimes annotatedd), notes, background, press outline, synopsis.

About Warren G. Harding, based on an idea by Edward Mosk. Presentation, notes, research materials (photocopied and sometimes annotated). Also known as "The President's Illegitimate Daughter and Other Strange Events."

Film proposal, storyline, contracts and option agreements, notes, correspondence. Folder is annotated.

Two copies.

Also known as "The Secret Life of Genghis Kahn," "The Truth About Genghis Kahn," and "The Secret History of Genghis Kahn." Completed in Paris. Prospectus, administrative documents, poster sketch, notes, research documents (in Mandarin or Cantonese), screenplay, correspondence (English, German, and French), synopsis (French), library references, revision notes and addendums (French), planning documents.

Screenplay.

With Frank Tarloff. Also known as "The Stud With the Delicate Air." Screenplay (annotated) and correspondence about revisions.

Correspondence, invoices, screenplay. Based on a story by Washington Irving.

Comedy about Ruth Harkness. Notes, correspondence, memos, budget documents, clippings (for research), revision feedback, photographs of Sam Law, information about Chinese politics (for planning), casting suggestions.

Rewrite of a screenplay by Alexander Ramati. Screenplay, synopsis (annotated), notes,

Based on a story by P.R. Merkin. With Philip Reisman Jr. Also known as "Don't Bang the People, They Explode." Screenplay (with annotations by John Collier), notes, clippings (for research). Annotations on folder: "And see 'Malthus,' later."

Screenplay, notes, correspondence (with a list of standing sets).

Rewrite of a screenplay by Ring Lardner, Jr. Notes and drafts.

Screenplay and drafts, notes, outline, clippings (for research).

Screenplay and drafts, notes, treatment.

Screenplay, correspondence, notes, lists of revisions, synopsis, outline.

Outlines, notes, clippings (for research).

Screenplay, outline, revised outline, notes, clippings (for research).

Under the name "Peter Achilles." Based on the novels by Karl May. Also known as "Die Pyramide des Sonnegottes" ("The Pyramid of the Sun Gold"). Clippings, screenplay, revision notes, outlines (English and German), notes on production problems, correspondence (English and German), contract (German).

Based on an outline by Ian McLellan Hunter. Under the name "Peter Achilles." Screenplays, clippings (for research), correspondence, notes.

Based on a novel by Agatha Christie. Treatments, notes, reader's reports.

Also known as "The Fabulous Marco Polo." Correspondence (English and French), feedback from Raoul Levy (French), invoice, notes.

Based on a novel by Agatha Christie. Under the name "Peter Achilles." Feedback for revisions, notes, screenplay, clippings, outline, correspondence. Annotation on the folder: "e.g., Eyeball, later."

With and for Mike Wilson. Notes, drafts, outline. Also known as "Topkapi."

Rewrite of a screenplay by Nate Monaster. Correspondence, proposals, revision feedback, memos, drafts, step outline, notes.

From a story by "Peter Achilles" and Nel King. Screenplay. Also known as "Big Deal."

With Nel King. Also known as "Big Deal," "The Playboy," and "French Leave." Correspondence, notes, revision feedback, summaries, screenstory. Partially written as "Peter Achilles." Some correspondence between Jarrico and King is of a personal nature.

Notes and outlines for both films. With and for Sidney Buchanan.

Notes, suggested revisions, screenplay.

Based on a book by John Horne Burns. Clippings, notes (English and Italian), correspondence, invoices, receipts, research materials, book summary (English and Italian).

Correspondence, casting lists, invoices, reader's reports, notes, chronology, script drafts, clippings (for research). Unproduced film about the war on drugs and drug legalization.

Research documents (clippings and printouts, underlined and annotated), about the war on drugs, global drug trade, politics in Myanmar, addiction treatment.

"Genghis Kahn as a megamusical." Notes, clippings (for research), printouts/photocopies (for research), research notes, structure outline, copyright registration, a handwritten summary of the musical "Sunset Boulevard."

Based on a novel by Alexandre Dumas. Notes, clippings, casting planning, correspondence, screenplay, contracts, presentation, synopsis. Also known as "The Man in the Iron Mask."

Correspondence, notes, clippings, a brochure for the San Diego Zoo.

Clippings and photocopies; a contract for the production of the film.

With Mike Wilson. Correspondence, revision suggestions, notes, outline.

Correspondence (English, French, and Czech), clippings, proposal, resume, notes, script drafts. About the Prague Spring. Also known as "Dubeck and Brezhnev."

Correspondence, supplemental note, research packet, contract, story outline.

Screenplay.

Screenplay drafts, correspondence, notes, photocopies of maps.

With Michael Wilson. Also known as "Ambassador at Large," "Secret Alliance," "Entangling Alliance," and "Vive la différence." Clippings, correspondence, notes, summaries, outlines, contracts.

Screenplay. With Michael Wilson.

Screenplay.

Based on a story by James Jones.

With Jules Dassin. Correspondence (English and French), clippings (for research), photocopies (for research), administritive documents, contracts (French), reader's reports (French), notes, outlines. Also known as "Business is Business."

Also known as "A Better Mousetrap." Legal and administrative documents and correspondence. Clippings, notes, story.

About Richard Sorge. Notes, clippings, correspondence, chronology, budgetary documents, title pages, research notes, outlines. Also known as "Spy."

Correspondence, notes, outline, memos, clippings and photocopies (for research).

With Michael Wilson.

Original screenplay by Michael Wilson.

Jarrico's suggested revisions to a screenplay by John F. Brascia and Robert Vincent O'Neil. Includes notes, correspondence, and a screenplay draft.

Formerly known as "Eyeball to Eyeball." Possibly related to "The ABC Murders." Reader's reports, correspondence, synopsis, notes, proposal (photocopied), screenplay.

Screenplay by Wolfgang Peterson, based on a novel by Richard Neely. Includes revised first-draft screenplay, synopsis, and reader's reports. Folder is labeled: "Polish job by PJ, script by W. Peterson."

Notes, bibliographic materials, correspondence, revision suggestions, incomplete screenplay draft, synopsis, outline, contract, clippings (for research), photocopies (for research), and a flyer for film screening in benefit of The Longest Walk (with Dennis Banks and Bill Wahpeah). Includes notes from Michael Wilson (recovered posthumously from his desk). Also known as "Good Day to Die," "Ghosts of Paha Sapa," and "Crazy Horse and Sitting Bull" (possibly related to "River of Blood"). Includes annotated folders.

A revision of "The Silent Gun" (1958). Screenplay.

Comedy docuseries for KCET. Notes, production schedule, correspondence, invoiced, proposals, administrative memos, contract, clippings. Also known as "Mid-Life Transitions" and "Human Rites."

Proposal titled "How to Put Porto Carras on the Map," including a plan to market the Greek town of Porto Carras with a film about Ancient Greek deities. Draft proposals, notes, and clippings. With Oliver A. Unger.

Jarrico's English adaptation of the French film (scenario by Catherine Breillat, treatment by roger Boussinot, technical script by Henri Colpi). Includes a photocopy of the French script annotated with Jarrico's additions, translations, and cuts. Includes a poster for the original film, notes (English and French), correspondence (in English and French), clippings, revision proposals, outline, synopses (English and French).

Jarrico's rewrite of a screenplay by Sandy Glass and George Arthur Bloom. Folder annotated: "Rewrite of a Kung-Fu Script." Correspondence, notes, screenplay, revision outlines.

Also known as "The Assassins of the Dream," "The Daggers of Paradise," "The Daggers of Alamut," and "The Old Man on the Mountain." Story outlines, bibliographies, notes.

A musical play based on material by Danny Daniels and Annamary Giagni, music assembled by Richard de Benedictis. Also known as "The Great American Goldrush" and "Fever." Photocopy of the first draft of Act I, photocopy of the synopsis of Act II, correspondence, notes, contract, rewrites of Acts II through V.

With Yvette [Le Floc'h]. Two screenplays.

Jarrico's revisions to a script by Yvette Le Floc'h and Vladimír Valenta. Also known as "Bíly Blues" and "The Black Prince." Adaptation synopsis, screenplay, notes (English and Czech), budgeting documents, biographical material relating to Jiři Krejčík and Vladimír Valenta (English and Czech), correspondence (English and Czech).

Formerly known as "The ABC Murders." Notes, screenplay. Under the name "Peter Achilles."

Also known as "Cross My Heart and Hope to Die," "Eyeball to Eyeball," "Hot Line," "The Spy Story to End All Spy Stories," and "Chinese Puzzle." Based on a story by Dominique Fabre and Guerdon Trueblood. Screenplay, correspondence, notes, map of Barcelona, summaries, clippings.

Also known as "Assassination at Sarajevo." Based on a story by Stevan Bulajić, Veljko Bulajić, and Vladimir Bor. Includes shooting script for principal photography and revised draft.

Includes "directorially corrected" screenplay and a first draft.

Reprints of the New York Times's 1914 article about the assassination of the Archduke Ferdinand, clippings, summaries (English and French), notes, schedules, administrative documents, cast lists, correspondence, publicity documents, photocopy of a letter from the Archduke Ferdinand, invoices, contracts.

Based on a novel by James Jones. Notes, correspondence, clippings, suggested revisions, research documents, synopsis, step outline, personal memos and reminders.

Notes, correspondence, two screenplays. Includes an annotated folder loosely dated 1977.

Notes, correspondence (with James Jones and others), contracts, financial documents, synopses, outlines,

Feature-length animated cartoon. Revision of a screenplay by Giulio Cingoli (with Yvette Le Floc'h). Also known as "Charming Lori," "Lory Frayle's Long Journey," "Lory Frail's Long Journey," and "Il viaggio di Lori Gracile." Screenplay, summary, notes (English, French, and Italian), sketches (of animated characters), clippings.

Treatment (photocopy and original) and a proposal (English and Italian).

Based on the novel by Alexandre Dumas. Budgets, clippings, casting lists, correspondence, press releases, notes, lists of filming locations, a guide to Anglo-French production treaties, schedules, research notes, clippings, brochures, maps, photographs.

Notes, correspondence, financial documents, contracts, casting lists, press releases.

Correspondence, notes, revision suggestions, outlines.

Screenplay drafts.

With Yvette [Le Floc'h]. Screenplay (with annotated folder).

A film about Edgar Snow. Correspondence (with Lois Snow and others), notes, memos, clippings, photographs, chronology, proposal, photocopies (for research), list of other films about Communist China. Also known as "American Friend," and "Red Star Over China." Includes a folder annotated with the dates 1970-1978.

With Lazar Wechsler. Correspondence, notes, treatment, itinerary, planning documents. Annotated folder carries the date 1970 and the text: "For Wechsler, r.e. Vietnam POW."

Revision of a screenplay by John Prebble. Screenplay draft, notes, correspondence, contract, outline.

Based on the memoirs of Hans Voelkner. With Yvette [Le Floc'h]. Also known as "Corde Raide" and "Gespantes Seil." Treatment, notes (English and French), correspondence (English and French), preface, oultines, drafts, summaries (English and German), clippings (English and French).

For Lazar Wechsler. Also known as "To Life! To Peace!," "L'Chaim! L'Sholom," "2000 Years," and "Sholom!" Screenplay, notes, outlines, research documents, commentaries (English and French), clippings (English and German), a copy of "The Five Miracles of Israel" by Hans Habe.

Reworking of "Rip Van Winkle" as a play. Notes, correspondence, journal.

For a TV film and spinoff series. Related to "Eyeball to Eyeball." Summaries, notes, proposals.

With Yvette [Le Floc'h]. Stock list, correspondence (English and French), contracts, financial documents, clippings, suggested revisions, script drafts, summaries (French and English).

Notes, clippings, correspondence, deal proposals, screenplay drafts, research documents.

Based on a treatment by Tom Tatum and Nicky Lewis from an original idea by Tom Tatum. Legal documents for Jarrico v. Tatum, notes, treatments.

For "The Carl Weathers Show." Also known as "Moving Parts." Financial documents, correspondence, contracts, notes, writing credits notice.

Screenplay (prepared by the Hollywood Democratic Committee).

A screenplay by Paul Monash, revised by Paul Jarrico.

A screenplay by Paul Monash.

A screenplay by Paul Monash.

Clippings, correspondence, notes, scene list, bibliographic materials, personnel lists, schedules, interview transcripts (with former Soviets).

Notes, correspondence, research materials, photocopies of other dramatic adaptations of the same novel. Includes other material relating to director Phillip Borsos.

Notes, clippings, correspondence, outlines, research materials and photocopies. Also known as "Emis."

Screenplay by Carol Gottlieb Singer.

Screenplay by Carol Gottlieb Singer. Also known as "This Time and Place."

Jarrico's revisions to a screenplay by Carol Gottlieb Singer.

Based on a novel by Alexandre Dumas.

Previously known as "Emis." Jarrico's revisions to a screenplay by Carol Gottlieb Singer.

From a story by Paul Jarrico and Nel King.

Screenplay. A revision of "Big Deal."

Correspondence, summary, notes, production documents, budgets.

Based on a story by Washington Irving. Also known as "Rip Van Winkle, American." Material relating to the 1990 revised screenplay. Correspondence, notes, revision lists, screenplay, synopses, research materials.

Clippings about Russian politics, notes.

Correspondence, outline, list of proposed changes, notes, copyright registration.

Clippings about Russian politics, notes, research materials, outlines,

Also known as "Auld Lang Syne: The Life and Loves of Robert Burns." Proposals, clippings, notes. Also includes an outline for "Studio Ghost."

Notes, research material (clippings, printouts, photocopies), and a proposal for a four-hour miniseries.

Correspondence, research material (clippings, printouts, brochures, photocopies).

Clippings, notes, proposal. Also known as "Wanton Woman."

Correspondence, research material (clippings, photocopies).

Correspondence, notes, contracts, treatments, outlines, financial documents, arbitration materials (for Jarricho v. Reed).

Screenplay based on a story by Paul Jarrico and Philip Reisman Jr. Also known as "The Malthus Effect."

From a story by Michael Wilson.

Fourth folder has been removed for mold treatment, 2024

With Yvette Jarrico. Includes a list of proposed changes)

Also known as "Trust Me."

Screenplay. Includes maps of Wisconsin.

Also known as "Big Deal."

Also known as "The Lady and the Panda" (first draft and notes for revision).

Based on the novel "Temptation" by John Pen.

Two outlines.

With Yvette Jarrico. Three outlines.

Also known as "May the Emperor Live 10,000 Years!" Eight proposals.

A feature-length animated cartoon in seven episodes. With Giulio Cingoli.

Third draft of the screenplay.

A musical play based on a story by Danny Daniels and Annamary Giagni. Also known as "Fever."

Also known as "The Malthus Factor." Includes screenplay, notes, correspondence.

Also known as "Trust Me." Includes screenplay, synopsis, correspondence, notes, list of rejections.

Includes screenplay, correspondence, reviewer feedback.

Also known as "The Gilded Age." Includes screenplay, notes, correspondence.

Includes screenplay and correspondence.

Based on a novel by Max Ehrlich.

From a story by Michael Wilson.

Second draft.

Screenplay by Gerald Wilson, revised by Paul Jarrico.

Screenplay by Gerald Wilson.

Screenplay by Wolfgang Peterson, based on a novel by Richard Neely. Revised by Paul Jarrico. Includes a synopsis.

Screenplay. Minor alterations to the inside cover.

Date obscured by whiteout.

Based on a story by Stevan Bulajic and Vladimir Bor.

With Mike Wilson.

A Charles Bronson film based on a novel by Rex Burns. With Richard Sale. Includes review clippings and photocopies, correspondence, outline, notes, credits notice, revisions, call sheets, personnel lists, credits manual, continuity, screenplay. Also known as "The Avenging Angels."

Notes and screenplay.

Also known as "The Assassins" and "The Daggers of Alamut." Notes and stories.

A TV series with Carl Weathers; episodes rewritten by Jarrico. Staff and crew list, clippings, screenplay (Episode 4, "Jailhouse Blues"; Episode 2, "Bay City"; "Diplomatic Immunity"), credits notice, outlines, character profiles, correspondence, studio feedback.

Screenplay by Gerald Wilson, revised by Paul Jarrico.

Screenplay by Gerald Wilson, revised by Paul Jarrico.

With Yvette Le Floc'h. Story, notes, episode outlines (for "Quincy" and "Strike Force"), correspondence,

TV series. Correspondence, notes, poop sheet, meeting minutes, memoranda, outlines, stories, screenplay (Episode 5, "Go/No Go").

Notes, schedule, financial documents, research documents, credits notice, writer lists, clippings (of reviews), stories, character profiles.

Research documents (mainly photocopies, some clippings), notes, correspondence, photographs (of the late nineteenth-century).

Screenplay.

Also known as "A Better Mousetrap." Screenplay and treatment ("bible").

Correspondence, notes, contracts, photocopy of a treatment.

Notes, correspondence, story analyst reports, script pages, clippings

Notes and clippings.

Episode of a TV series. Notes, screenplays, credits notice, contract, correspondence, clippings. Folder annotated "Fall 1981."

Based on a novel by James Vance Marshall. Correspondence, outlines, notes, treatment, character profiles. Folder annotated "Fall 1981."

For the TV series "Misadventures of Sheriff Lobo." Financial documents, contracts, notes, correspondence, outlines, stories, clippings.

Notes and screenplay.

Also known as "Big Deal." From a story by Paul Jarrico and Nel King. Screenplay.

Screenplay by Jerry Connelly. Includes notes, correspondence, clippings.

Screenplay by Richard Sale; from a novel by Rex Burns.

French translation (by Jean Rougeul) of a screenplay by Giulio Cingoli. For an animated cartoon.

By Giulio Cingoli. In Italian (schema di sceneggiatura). Only the text of the storyboard is included.

By Giulio Cingoli. English script outline.

Screenplay by Stevan Bulajic and Vladimir Bor; revised English version by Mladin Zarubica.

Also known as "A River of Blood." By Ugo Pirro. carbon manuscript of short story. "Property of Dino de Laurentiis S.p.A." This property was filmed as "Five Branded Women."

By Gerald Wilson.

By Gerald Wilson.

By Carson A. Wiley.

By Carson A. Wiley.

By Philip Reisman Jr., for Victor D. Solow, suggested by the novel "Double Exposure" by Donald MacKenzie.

Light annotations; "by Fodor" handwritten on first page.

With Yvette Jarrico. One bound and two unbound carbon copies.

By Yvette Jarrico. Translated from French by Paul Jarrico.

A lightly annotated carbon copy of the book by Ruth Harkness. Used as source material for Jarrico's screenplay of the same name.

With Yvette Jarrico.

With Yvette Jarrico.

With Yvette Jarrico. Translated by Vladimíra Smočková under the title "Velký Bratr."

With Yvette Jarrico. Two copies.

By Paul Jarrico, from a story by Paul Jarrico and Philip Reisman, Jr. Four copies.

Screenplay. Four copies.

By Paul Jarrico; based a novel by Alexandre Dumas. Three copies.

With Mike Wilson. Revised pages in blue.

Screenplay Giulio Cingoli and Paul Jarrico; based on concepts, characters and illustrations created by Giulio Cingoli; lyrics by Paul Jarrico. Three copies.

By Nel King and "Peter Achilles" (alias Paul Jarrico).

By Paul Jarrico, from a story by Paul Jarrico and Philip Reisman, Jr. Two copies.

Treatment by Paul Jarrico and Yvette le Floc'h (in a silver envelope). Also known as "Operation Switzerland," "The Swiss Connection," "Nerve Center," and "The Schellenberg Line." Includes a note from "Rebecca" and material relating to "Nerve Center."

With Yvette le Floc'h. Three copies.

With Yvette Jarrico. Three copies.

With Mike Wilson. Also known as "Foreign Affairs." Two copies.

Three copies.

Two copies.

Two copies.

By Nel King and "Peter Achilles" (alias Paul Jarrico). Two copies.

Theme tune to the film of the same name. Annotated.

From a story by Mike Wilson.

Proposal for a trilogy based on the works of John Collier. Two copies. Includes photocopied pages from the "John Collier Reader."

Also known as "The Warren G. Harding Story." Two copies.

Two copies.

Screenplay by Gerald Wilson; September 12 [altered to 13], 1985. Heavily annotated working copy, with many holograph pages; also includes another title page with the title "A Cruel Time."

Screenplay by Mike Wilson. Bound.

Screenplay by Mike Wilson. Heavily annotated working copy with many holograph pages. Originally a single folder; split into two by the archivist to aid preservation.

Screenplay in French by Yvette Jarrico, based on an idea by François Bardet. Originally a single folder; split into two by the archivist to aid preservation. Contains: an envelope with photographs; a clipping of a German newspaper foldout; screenplay drafts (French); correspondence (French); notes (French and English); photocopy of an annotated summary of a French court case between Irina Dupuy and François Bardet; suggested revisions (French); character list (French).

Story and screenplay. Heavily annotated holograph copy. Originally a single folder; split into two by the archivist to aid preservation.

Screenplay. Heavily annotated working copy with many holograph pages. Originally a single folder; split into two by the archivist to aid preservation. Alternatively titled "What Machiavelli Knew About Leonardo and Borgia."

Screenplay.

Screenplay by Julies Dassin with an addendum by Paul Jarrico (notes for revision). Also known as "The Bottom Line."

Two copies.

Script for a play in two acts. Two copies.

Based on the novel by Alexandre Dumas. Two carbon copies.

A feature-length cartoon in seven episodes. Created by Giulio Cingoli. Screenplay by Giulio Cingoli, Yvette Jarrico, and Paul Jarrico. Bound.

Screenplay by Paul Jarrico. From a story by Paul Jarrico and Nel King.

Carbon copy.

Correspondence, notes, information sheets, clippings, research materials, script pages, financial documents.

Notes, contracts, correspondence. Also known as "The Ballad of Johnny Ringo." Also includes material relating to "The Silent Gun."

Correspondence, contracts, copyright assignments.

Clippings, notes, contracts, correspondence.

Notes, correspondence, contracts, memos, script pages, character list (in Czech). Also known as "The Malthus Factor," and "Don't Bang the People, They Explode."

Screenplay by Carol Gottlieb Singer. Revised by Paul Jarrico. Previously known as "Emis."

An independent study written for a drama program at a university. Includes correspondence.

From a story by Washington Irving.

From a story by Washington Irving.

Notes and plans for a novel and/or screenplay about the Scottsboro Boys. Includes a contract for the rights to the film.

The District Court of Appeal, Second Appellate District, State of California, case 19953 (appellant's opening and closing briefs, respondent's brief, petition for rehearing); Supreme Court of the State of California, case 19953 (petition for hearing); Supreme Court of the United States, case 678 (answer to petition for writ of certiorari). By Jarrico's lawyer Edward Mosk.

The Superior Court of the State of California in and for the County of Los Angeles, case 597.008. In two volumes.

Clippings about the trial (mostly Variety and Rolling Stone).

Notes, correspondence, Screen Writers' Guild reports and bulletin, draft legal documents.

Supreme Court of the United States (petition for writ of certeriori); Supreme Court of the State of California (petition for hearing), case 19953; District Court of Appeal, Second Appellate District, State of California (appellant's closing brief). By Jarrico's lawyer Edward Mosk.

Folder annotated: "Also SWG role and Thurman Arnold Brief." Clippings, excerpts from briefs, SWG notices, draft of a speech, letters to Guild members, notes, draft statements.

Includes clippings about the case, its outcomes, and its appeals. Clippings are glued to individual pieces of paper; however, the glue has deteriorated and many clippings are coming loose.

By the Special Committee on Un-American Activities. Appendix, Part IX, Volumes 1-3.

Clippings from US and international newspapers (German, French), and notes (including lists of supposed communists implicated in the hearings). Also includes correspondence and administrative documents for the planning of protests.

Administrative documents relating to reimbursements for Jarrico's subpoena. Includes the original subpoena. Includes material relating to political activism around the subpoena, including notes, correspondence, speeches, and publicity documents. Includes material relating to the National Council of Arts, Sciences, and Professions and its political activism agains the Committee. Folder is annotated.

Newspaper clippings related to the supboena and Jarrico's testimony.

Copies of speeches about the Committee from Jarrico and others.

Material about Jonestown. A photocopy of an article "Politics Under the Palms" in Esquire Magazine; Freed's curriculum vitae; correspondence (including a letter to Jarrico from Jim Jones); transcript of an interview with Joseph A. Mazor, Donald Freed, Pat Richartz, and Mark Lane; notes.

Notes and annotated clippings from the aftermath of the deaths in Jonestown.

Correspondence, memos, notes, notices, brochures, advertisements, speeches, clippings, gala programs, writer's committee directory. Includes Jarrico and Frank Tarloff's writings for benefit events.

Clippings, church service program, correspondence, statements (about the Hollywood blacklist, Socialist Worker's Party).

Material relating to a written tribute to screenwriter John Howard Lawson, published in the wake of his blackslisting. Also includes material relating to testimonial dinner honoring his career. Documents include a list of "VIPs," master of ceremonies scripts, notes, correspondence, biographies and research on Lawson, a photograph of Lawson, and a copy of a brochure of tributes. Also includes draft tributes from Charlie Chaplin, David Alfaro Siqueiros, Witter Bynner, Walter Prichard Eaton, Lloyd L. Brown, Paul Robeson, Howard Fast, W.E.B. Dubois, Earl Robinson, Shirley Graham Du Bois, Xavier Guerrero, Luis Cardoza y Aragón, Jack Lindsay, other members of the "Hollywood Ten" and other writers, intellectuals, actors, and artists. Also includes letters from international officials in China, Bulgaria, Japan, USSR, Hungary, Poland, Germany, Australia, England, Italy, and Mexico.

Master of ceremonies script for a testimonial dinner honoring screenwriter John Howard Lawson. Includes schedule and notes.

Retrospective articles and media about the Blacklist. Clippings and photocopies related to Mordecai Richler, Dorothy Healey, the Hollywood Ten, Gordon Kahn, Elia Kazan, Walter Bernstein, Arthur Miller, Jean Muir, Pete Seeger, Carl Marzani, William L. Shirer, Beatrice Braude, and others. Includes photocopies of the Annual Report of the Committee on Un-American Activies and an autobiographical treatment by Joan Scott. Also includes correspondence about research on and coverage of the Blacklist. Includes reviews of films, books, and television about the Blacklist.

Correspondence and galleys relating to Jarrico's interview with Patrick McGilligan in the volume Tender Comrades: A Backstory of the Hollywood Blacklist. Material relating to the Virginia Festival of American Film (invoices, correspondence, promotional material), in which Salt of the Earth was featured.

Includes a press release and artist profiles. Multiple copies.

Includes memos, pamphlets, the newsletter for the film division, correspondence, notes, clippings, and other materials relating to the organization and its activities.

Correspondence regarding political and religious organizations that Jarrico was involved with. Includes letters from the Los Angeles B'nai B'rith, California Action Conference for Civil Rights, American Rescue Ship Mission, National Federation for Constitutional Liberties, Hollywood Anti-Nazi League, Committee to Aid Agricultural Workers, American Russian Institute, United Jewish Welfare Fund, United American Spanish Aid Committee, Free World Association of Hollywood, Hollywood Writers' Mobilization, United Citizens for Victory, Committee for a Jewish Army, Joint Anti-Fascist Refugee Committee, Hollywood Democratic Committee, National Foundation for Infantile Paralysis, Musician's Congress Committee, Peoples Educational Association, American Committee of Jewish Artists, Writers, and Scientists, Veterans of the Abraham Lincoln Brigade, Harry Bridges Victory Committee, California Labor School, Hollywood Independent Citizens Committee of the Arts, Sciences, and Professions, Southern Califorina Committee to Win the Peace, Progressive Citizens of America, Friends of Widows and Orphans of the French Resistance, Palestine Histadrut Campaign, American Committee for Yugoslav Relief, David Ignatoff Literary Foundation, Screen Writers' Guild, Blacklistees Meetings, Hollywood Writers' Mobilization, Also includes trial transcripts, typed manuscripts, clippings, Jarrico's notes, checks, brochures, invitations, programs. Includes information about Jarrico's political donations. Includes correspondence from the United States Office of War Information and other professional correspondence. Includes some material relating to "Salt of the Earth."

Typed manuscript and carbon copy of an article by Paul Jarrico, "The Truth About Korea," published by the Arts, Sciences and Professions Council of Southern California. Folder is annotated.

Material (notes, publicity, programs, correspondence) relating to the "Conference on Equal Rights for the Negroes in the Arts, Sciences, and Professions," organized by the National Council of the Arts, Sciences, and Professions, Southern Chapter. Folder is annotated.

Largely relating to the House Committee on Un-American Activities and largely comprises statements from artists and writers denouncing the Committee's actions. Includes brochures and communications from Pickets for Freedom, Facts for Freedom, Champions of the Bill of Rights, and other organizations opposing the Committee. Also includes song lyrics, event invitations, Jarrico's notes, transcripts (of hearings), and other material relating to the Committee's activities. Folder is annotated.

Materials relating to the Blacklist, the Campaign Against Abuses of Psychiatry for Political Purposes, Veterans of the Abraham Lincoln Brigade, the New American Movement, the NAACP, the San Francisco Mime Troupe. Includes material relating to human rights abuses in Czechoslovakia, China, Thailand, Rhodesia, and South Africa. Includes notes, correspondence, clippings, and pamphlets.

Material relating to Hollywood's role in promoting the Allied efforts through cinema. Includes clippings, administrative documents, notes, correspondence, a list of Axis propoganda points, memoranda (from studios), promotional material, and other printed material. Includes material relating to the Hollywood Writers Mobilzation for Defense, Screen Writers' Guild, and Cinema for Victory.

Largely relating to the Second World War and Democratic Party Politics. Includes material relating to the election campaign of Henry A. Wallace. Includes speeches by Robert W. Kennedy, Gloria Stuart, and Helen Graham Douglas. Includes radio scripts for "Salt of the Earth" and a dramatization about absenteeism. Includes dramatizations for political rallies.

Material relating to the California State Bar's proposal to disbar lawyers who used the fifth amendment when defending themselves against accusations of "subversive" activities. Includes correspondence, clippings, notes, hearing transcripts, and an information sheet (about the proposal). Relating to an article Jarrico published in "The Nation" about the hearings titled "In re. Freedom."

Includes clippings, brochures, speeches, publicity material, and correspondence. Relating to presidential politics, the House Committee on Un-American Activities, politics in cinema, and atomic warfare. Organizations include the Unitarian Fellowship for Social Justice, Motion Picture Alliance, Committee to End Sedition Laws, Motion Picture Industry Council, and the Screen Writers' Guild.

Relating to the legal difficulties of labor activist Clint Jencks, who worked with Jarrico on "Salt of the Earth" and had been arrested for providing false information on a non-communist affidavit. Largely includes letters and brochures for mailing campaigns about the case and raising money for his defense. Also includes correspondence with the Mine, Mill, and Swelter Workers Union, who were funding part of Jencks's legal fees.

Material relating to Jarrico's interactions with the Chinese Communist Party regarding the distribution of American films (notably "Salt of the Earth") in China. Incudes correspondence, clippings, photographs,

Clippings about Havel, his politics, and his writings.

Clippings about investigations into Kennedy's assassination.

Clippings about the war (including photocopies), correspondence, notes.

Copies of the "Quayle Quarterly," a magazine opposing Vice President Dan Quayle which Jarrico contributed to. Includes other clippings about Quayle.

A poster opposing the House Committee on Un-American Activities.

This subseries contains material relating to Jarrico's membership in the Screen Writers Guild and the Writers Guild of America. It comprises correspondence, official communications (journals, newsletters, and memoranda), informational materials (such as credits manuals), pension plans, and other administrative documents. This subseries documents a number of credits disputes that the union interceded in on Jarrico's behalf and also covers the Screen Writers Guild's response to Jarrico's firing from RKO. Other material relating to credits disputes can be found in Series I, Series II, and Subseries IV.2.

This subseries contains professional correspondence (with agents and collaborators), financial documents (including tax returns), copyright documentation, and studio contracts. It also includes assorted drafts and notes—largely corresponding to unproduced projects. Jarrico's teaching materials from the University of California Santa Barbara and San Francisco State University are also included in this subseries.

Bound yearbook.

For Theodore Roosevelt High School, University of Southern California, and UCLA. Includes report cards, disciplinary documents, transcripts, correspondence, registration documents, commencement brochure, diplomas, other administrative documents. Under the name Israel Paul Shapiro.

Boy Scouts card, notes, copy of National Boys Week Los Angeles, scrapbook page, correspondence, yearbook.

Notes, draft speeches, programs, clippings (Hebrew and English),

High school magazine (with Jarrico's contributions). Includes notes and printed issues.

Annotated syllabus, blue books, notes, essays, textbooks. On Chinese history, culture, and language.

Textbooks, essays, notes, annotated syllabus, blue books.

Notes, blue books, essays.

Notes, blue books, essays.

Notes, unfinished novel manuscript, short stories, poetry, play script, published copies of Jarrico's early writings, drafts of early writings.

"The Dilletant" was a column in the California Daily Bruin to which Jarrico appears to have contributed. Includes scrapbook pages with published columns (and other writings for the Bruin), correspondence (with readers, editors), notes. Mostly about campus politics.

Clippings and documents relating to Jarrico's left-wing and pacifist organizing. Relating to the National Student League, the U.S. Congress Against War and Fascism, the Students' Rights Association, and the Young Communist League. Includes flyers, meeting agendas, memoranda, and some political writings by Jarrico. Includes information about student strikes and about William Randolph Hearst's coverage of student organizing.

Plans for a stage play. Includes character profiles, plot outline, and notes.

Material relating to Jarrico's friendships with Beatrice Buchman (wife of Sidney Buchman), Erwin and Steffani Ellmann, Robert Paul Wilson, and George Carnahan. Primarily contains correspondence, but also includes other memorabilia (obituaries, clippings, etc.). Much of this folder is devoted to the legal issues of Robert Paul Wilson, who was tried and convicted of murder in the early 1988. Sentenced to the death penalty, his conviction was overturned in 1992 after a writ of habeas corpus was submitted to the California Supreme Court. Jarrico was the co-chair of the "Free Robert Wilson" committee and correspondend with Wilson while he was imprisoned.

Material relating to Jarrico's friendship with Canadian actress Shirley Douglas. Includes photographs (inscribed), correspondence, clippings, and Douglas's CV.

Spring 1983 and Spring 1988 issues. Includes an interview with Jarrico and an analysis of "Salt of the Earth." Multiple copies. Some annotated. Correspondence interweaved.

"Resisting Amnesia" by the Southern California Library for Social Studies & Research, 16 February 1991; Josef Smrkovsky (an unfinished conversation); Festival International du Film d'Amiens, 1989; San Antonio CineFestival, 1983; Program guide from Finlands Filmarkiv, January-April 1995; Program for 1991 Emil Freed Award Dinner, February 3, 1991, at the Southern California Library for Social Studies and Research; "Developmental Dyslexia: A Diagnostic Screening Procedure Based on Three Characteristic Patterns of Reading and Spelling" (1968).

Coastlines, issue no. 6, Winter 1956-1957; The California Quarterly, Autumn 1953; The California Quarterly, Vol. 3, No. 2, 1954; The Occident, Vol. 1, No. 3, November 1934; The Occident, Vol. 1, No. 6, May 1935; Agro Premiere, 1985; Cineaste, Vol. XVII, No. 2, 1989; WGA/west Newsletter, September 1987; American Dialog, Spring 1968; Connexions: The Santa Barbara Literary Arts Quarterly, #11 (1988); The New York Review of Books, October 11, 1984; Los Angeles's Free Weekly, July 11, 1986; The Hollywood Reporter, March 18, 1988; Ojai Valley Times, May 16, 1996

Cineaste, Vol. XX, No. 4, 1994 (includes article about the denial of credit to Michael Wilson for "Lawrence of Arabia"); Cineaste, Vol. XXI, No. 4, 1995 (includes section on the Blacklist); Cineaste, Vol. XXII, No. 2, 1996 (includes article "Amending the Hollywood Blacklist"). Also includes photocopies of articles from the periodical.

This series comprises personal material retained in Jarrico's files. It includes Jarrico's high-school and university records, early political writings, and personal correspondence. It also contains clippings, programs, photocopies, and other print materials (annotated and unannotated) documenting Jarrico's academic interests—including material written about Jarrico and his work.

Book manuscript by Thom Andersen.

Includes Garcia's business card, indicating that he is a professor of history and chicano studies at University of California Santa Barbara.

Photocopies of books and articles. Some are annotated.

May Day issue celebrating Sam and Sylvia Rosenwein.

Jarrico's correspondence with filmmaker Jo Shaftel. Includes material relating to Shaftel's charity work. Includes a typed manuscript of Shaftel's autobiograph "Action... And Cut!" (annotated).

Jarrico's correspondence with the academic Bruce Kawin. Includes copies of Kawin's teaching materials and academic work.

Mostly about politics.

Newspaper clippings about science and outer space.

Lightly annotated typed manuscript.

Clippings and magazines about cinema and a manuscript of an academic article mailed to Jarrico.

Jarrico's letters to the editor. Mainly to the Los Angeles Times and the New York Times. Includes faxes and clippings. Largely regarding politics.

Personal and professional correspondence. Some letters in the file are grouped together by correspondent. Includes faxes and postcards. Includes other ephemera such as clippings, photographs, and notes. Includes other print documents received with correspondence. Many letters relate to screenings of Jarrico's films.

Mainly clippings. Primarily about the Cold War, the labor movement, global politics, antisemitism, cinema. Many clippings are annotated. Includes other ephemera such as notes, brochures, programs, and a signed photograph of a NASA pilot.

Comprises clippings (mainly about politics, but also includes obituaries, magazine profiles, and articles about Jarrico and his films), programs, professional notes, correspondence, brochures, photographs, and personal ephemera.

Letters and postcards. Includes photocopies of writings by Edgar Snow.

Material (including correspondence) relating to John Collier's script for the film "Youth from Vienna" (also known as "Fountain of Youth"). Also includes a proposal for a TV show called "La La Land," along with other ephemera.

Correspondence with Rosemary Wilton, a producer at the British Broadcasting Corporation, about a four-part series on the history of RKO. Includes photocopies of newspaper clippings on assorted subjects.

Professional and personal correspondence. Includes correspondence with Jarrico's agents, Robinson-Weintraub and Associates. Includes annotated clippings about cinema and global politics. Also includes notes, postcards, brochures, and other ephemera sent in correspondence.

Professional, personal, and political correspondence. Includes material regarding Robert Egan's employment at UCLA. Includes annotated clippings about cinema and politics. Also includes notes, postcards, brochures, and other ephemera sent in correspondence.

Professional and personal correspondence. Includes annotated clippings about cinema, Jarrico's works, the Clinton administration, and global politics. Also includes notes, postcards, birthday cards, brochures, and other ephemera sent in correspondence.

For a variety of political, cinematic, scientific, and artistic figures (including other blacklisted filmmakers). Includes Jarrico's notes and some funeral programs. Some obituaries were penned by Jarrico himself.

Letters, postcards, and greeting cards from various friends and colleagues.

Primarily letters sent to Jarrico but also includes copies of Jarrico's own letters. Includes Jarrico's notes. Includes other print materials sent to Jarrico in correspondence.

Includes clippings (about science, US politics, etc.; also, book reviews and cartoons) Jarrico's notes, correspondence, postcards, print material sent in correspondence.

Materials relating to blacklisted filmmaker Ring Lardner, Jr. Includes clippings about Lardner, writings by Lardner, photographs of Lardner and his family, copies of Jarrico's correspondence with Lardner, a copy of Jarrico's tribute to Lardner, and a copy of the finding aid to Lardner's papers at the Academy Foundation.

Postcards, greeting cards, notes, clippings, correspondence (personal and professional), legal documents.

Personal and professional correspondence. Also includes Jarrico's notes and drafts. Includes other print material (clippings, photocopies, etc.) sent in correspondence.

Personal and professional correspondence, organized by correspondent in roughly alphabetical order. Correspondents include actors, producers, friends, and colleagues.

Greeting cards, postcards, and correspondence (personal and professional). Includes Jarrico's notes and other print material sent in correspondence.

Greeting cards, postcards, and correspondence (personal and professional). Includes letters from Shirley Strick to various producers. Includes clippings, brochures, and print material sent in correspondence.

Personal and professional correspondence arranged by author then by date. Includes some postcards. Includes several photographs, along with some notes by Jarrico. Correspondents include John Berry, Sanora Babb, Dore Scharry, and Jiří Weiss, among many others.

Correspondence (handwritten love letters) between Sylvia Gussin and Jarrico (Israel Shapiro). Includes other print material sent in correspondence.

Jarrico's handwritten correspondence with Esther Shaeffer and "Yonney." Includes postcards.

Typed and handwritten correspondence.

Typed and handwritten correspondence with Diana Bricks. Early letters have been transcribed on the typewriter by Jarrico. Includes postcards.

Handwritten correspondence and postcards. Arranged by author.

Jarrico's typed and handwritten correspondence with his mother, Jennie Shapiro, and his father, Aaron Shapiro. Includes Jennie Shapiro's certificate of naturalization. Some letters are in Yiddish. Includes postcards, print materials sent in correspondence, and Jarrico's early writings (including a biography of his father).

Typed and handwritten correspondence.

Personal and political correspondence. Includes job applications. Includes print material sent in correspondence and postcards.

Handwritten and typewritten correspondence to Cyril Endfield. Includes drafts of Jarrico's early writings, print material and photographs sent in correspondence.

Handwritten and typewritten correspondence to colleagues Abraham Polonsky, Michael Wilson, Clinton Jencks, Maurice Rapf, Cyril Endfield, Julian Hicks, Mason Roberson, Henri Aisner. Organized by author. Includes postcards.

Xerox copies of Michael Wilson's typewritten story outlines for the film. Multiple copies.

Xerox copy of the story outline by Michael Wilson.

Original screenplay by Michael Wilson.

Typewritten copy of Michael Wilson's script marked "Final." A handwritten post-it note on the cover is marked "Not Correct Version."

Two copies (one inscribed) of Michael Wilson's script, as published in the California Quarterly (Summer, 1953).

Three copies of Michael Wilson's script, as published in the California Quarterly (Summer, 1953). One is heavily annotated in ink, inscribed (with a name, the date May 13, 1957, and the words "Corrected Copy") and stamped "Plaintiff's Exhibit, U.S. District Court, S.D. of New York, September 28, 1964." One is lightly annotated in pencil.

Lightly annotated typewritten copy of Michael Wilson's script.

A Spanish-language typewritten copy of Michael Wilson's script (annotated) titled La Sal de la Tierra.

Lightly annotated typewritten copy of Michael Wilson's script (with word-processed cover page).

Assorted loose xeroxs of annotated script and/or story outline pages and a typewritten copy of Michael Wilson's script (with word-processed cover page).

Published German-language copy of Michael Wilson's script, titled Salz der Erde (Berlin: Verlag für Kultur und Politik).

Published Danish-language novelization of the film by Wolfgang Hug, titled Jordens Salt (Frederiksberg: Tiderne Skifter).

Notes (financial, including distribution of income), correspondence (about financials), accounting memoranda. Materials filed in chronological order.

Clippings and distribution flyers advertising the film (often featuring reproductions of press reviews).

Xeroxed material relating to director Herbert Biberman. In three groupings: "Letters re. making of the film and union conflicts," "Biberman's journal re. exhibition of Salt," "Letter to Auteur des Filmes '56 summarizing experience."

Herbert Biberman's book about the making of the film, translated into German as Salz der Erde by Peter Moses-Kraus. A piece of correspondence is interleaved. Also includes two typewritten press releases (in English) for the film.

Correspondence from Professor Carroll Parrott Blue regarding permission to reproduce material from the film in her book "Dawn at My Back: Memoir of a Black Texas Upbringing."

Correspondence and contract regarding distribution.

Two copies of the California Quarterly (Winter and Summer 1953), the latter of which includes Michael Wilson's script. Also includes a xerox of the publication's distribution processes.

Correspondence regarding credits for the film's redistribution.

Materials documenting the creation of the film, including photocopies of articles, timelines (typewritten and wordprocessed, some annotated). Many materials are by Jarrico.

Mostly photocopies of press coverage and reviews of the film. Includes some typewritten summaries of press accounts and some original clippings.

Clippings of press coverage about the film; photocopies of book chapters and articles about the film.

Largely photocopies of clippings from Mexico, France, and Spain. Includes clippings relating to 1970s revivals of the film in Paris and Catalonia. Also includes Jarrico's notes about press coverage and some original clippings.

Material relating to a conference at the University of Santa Fe honoring the film's 50th anniversary. Includes correspondence (letters, emails, faxes) to and from Lia Benedetti, exhibition loan contract, photocopies of exhibition materials, promotional material about the conference.

Correspondence about the reception and distribution of the film (in French and English). Includes correspondence about screenings at labor unions in France and the United States. Includes copies of articles about the film sent in correspondence.

Handwritten, typewritten, and wordprocessed lists of cast and crew (as accreddited).

Material from Sonja Dahl Biberman regarding the redistribution of the film in the late 1970s. Includes correspondence, administrative and financial documents, promotional materials.

Correspondence (in French and English) relating to distribution in Albania.

Correspondence about screening at the Perth Film Festival, Australian distribution, and deposit in the National Library of Australia.

Correspondence, contracts, financial documents, and other materials (in English and German).

Correspondence, financial documents, screening statistics, and other materials (in English and French).

Correspondence, notes, and clippings (in English and Portuguese).

Correspondence and financial documents (French and English), including correspondence with Canadian mining unions.

Posters, contract, and financial documents relating to screenings by Castle Hill Productions.

Notes and correspondence relating to distribution deals.

Correspondence.

Correspondence, contracts, and financial documents, including material relating to the deposit of the film in the Danish Film Museum.

Correspondence (in English and German).

Correspondence and financial documents.

Correspondence, contracts, notes, and financial documents.

Correspondence, contracts, and financial documents regarding redistribution by First Run Features.

Correspondence, contracts, notes, and financial documents (in English and French). Also includes material relating to film screenings in Quebec.

Correspondence, contracts, and notes.

Correspondence, financial documents, and notes; including material relating to the Rotterdam Film Festival.

Correspondence.

Correspondence.

A photocopy of a memo regarding international sales.

Correspondence and a contract.

Correspondence, contracts, notes (in English and Italian).

Correspondence, notes, contracts, promotional material, and financial documents regarding distribution in various countries (including film festivals).

Correspondence and promotional materials.

Correspondence.

Correspondence regarding distribution in various countries, including Hong Kong, Bulgaria, and wider Asia.

Correspondence.

Notes and correspondence.

Notes, correspondence, and financial documents regarding proposed distribution in Canada and the United States.

Correspondence, contracts, and financial documents.

Correspondence, contracts, and financial documents.

Correspondence, contracts, and financial documents.

Correspondence.

Correspondence, notes, contracts, and financial documents (in Spanish and in English).

Correspondence and financial documents.

Correspondence, financial documents, and clippings (particularly relating to Spanish-language television in the United States).

Correspondence.

Correspondence, contracts, notes, and financial documents (in English, German, and French).

Correspondence, contracts, notes, and financial documents (in English and German).

Correspondence. This law firm briefly served as an intermediary in the international distribution of the film.

Correspondence.

Notes and memoranda with suggestions and criticisms regarding rough cuts of the film. Attributed to Paul Jarrico, Michael Wilson, and John Howard Lawson.

Correspoendence with Harvey Quintel and financial documents (regarding distribution).

Includes budgets, expenditure reports, draft report to the board, notes, correspondence (with Sonja Dahl and others), and revenue reports.

Mostly Jarrico's accounting notes, but also includes some official documentation of revenue disbursement.

Notes, correspondence, contracts, and promotional materials regarding a distribution deal with Harmony Gold USA (especially regarding a Spanish-language dub of the film).

Notes, correspondence, and contracts relating to a press of the film by Humphries Film Laboratories in England.

Correspondence, clippings, and promotional materials relating to the distribution of the film.

Press releases and other documents regarding IPC's lawsuit against IATSE, who asked its projectionists to refuse to screen the film.

Correspondence with the International Union of Mine, Mill, and Smelter Workers.

Includes clippings, a copy of "A Preliminary Information Report on Mexican Agricultural Labor in the U.S," and other research materials.

Copies of the International Union of Mine, Mill, and Smelter Workers' newspaper "The Union Worker (Mine and Mill)."

Press releases, correspondence, union resolutions, and other documents relating to the IUMMSW strike against Empire Zinc.

Photocopies of congressional records, and a draft of Jarrico's letter to Rep. Jackson.

Also includes a contract.

Press releases, union publications, and other documents regarding the false imprisonment of Clinton Jencks.

Postcards and letters. Many are delicate and should be handled with care. Also includes Jarrico's 1990 tribute to Virginia Jencks.

Research materials sent to Emily Kaufman from the University of Colorado at Boulder.

Legal documents relating to Independent Productions Corporation vs. Leows International Corporation.

Correspondence and legal documents relating to Independent Productions Corporation vs. Leows International Corporation.

Correspondence and notes regarding domestic and international licensing.

A letter and clipping regarding the firing of Juan Chacon from the United Steel Workers, Local 830.

Contracts and correspondence regarding distribution.

Correspondence regarding distribution in Eastern Europe.

Correspondence with Jarrico's lawer, Michael F. Mayer regarding distribution. Includes Herbert Biberman's distribution report.

Correspondence, notes, and financial documents regarding distribution.

Correspondence, notes, and financial documents regarding distribution.

Includes a union pamphlet on projectionist wage scales, chronologies, biographical materials about contributors, notes for a "Salt of the Earth" reader, and other printed material.

Print material relating to David Bishop's opera Esperanza, based on Salt of the Earth: correspondence, a program, promotional materials, contracts, clippings, and other ephemera.

Correspondence and clippings relating to Peary's entry on Salt of the Earth in Cult Movies 2.

L'avant scène du cinéma, no. 115 (June, 1971); Internationales Forum des Jungen Films (1972-1973); Cinéaste, vol. 8, no. 3 (1984)

Administrative and technical documents relating to release prints. Includes notes, correspondence, memoranda, technical specifications, order forms, and other documents.

Mostly handwritten notes and checklists, but also includes some typewritten production documents.

Mostly undated brochures and flyers about the movie (in English, Danish, and Portuguese). Also includes an invitation for a meet-and-greet with Rosaura Revueltas.

Clippings and photocopies of reviews and retrospectives.

Clippings and photocopies of reviews and retrospectives, from France and the United Kingdom. Also includes Jarrico's notes.

One piece of correspondence and clippings (in Spanish and German) sent in correspondence.

Correspondence and publicity material (including photocopies). Mostly relating to screenings in the United States, but also includes some material relating to screenings in Germany, France, and Canada. Includes material relating to screenings at labor unions and political events.

A photocopy of Senate Bill S.1599, put forward by (Hubert?) Humphrey and (James E.?) Murray.

Photocopies of book chapters written about the strike. Includes: Jack Cargill, "Empire and Opposition: The 'Salt of the Earth' Strike," in Labor in New Mexico, edited by Robert Kern; and D. Rosenfelt, "We the Women."

Contracts and correspondence (in English and German).

Contracts and correspondence between Wilson and others.

Additional folder subtitle: "Chronology, backers, Brussels, my letter re. trial strategy, French award." A wide range of documents, including: correspondence, financial documents, legal documents, notes, and other print material.

Possibly removed from numbered Salt of the Earth file #94; however, these documents were found seperately in the accessioned collection. Includes correspondence, distribution reports, financial documents.

Prepared by Paul Jarrico. Typewritten.

Includes correspondence, administrative documents, contracts, Independent Production Company board reports, and financial documents.

Primarily correspondence about distribution (including at film festivals and conferences). Also includes materials sent in correspondence (promotional materials, a transcript of an interview with Rosaura Revueltas, financial documents, distribution reports, clippings). Some materials are addressed to Lia Benedetti.

Handwritten list of Salt of the Earth audiovisual media.

Photographs and negatives: production stills, portraits of the filmmakers, and images from reunion events. Many are annotated on the back with names and historical details. Includes one piece of correspondence about photograph permissions. Also includes annotated postcards of various filming sites in New Mexico.

Includes one empty, annotated envelope.

Mainly negatives of stills. Includes annotated envelopes. Includes two slides of posters for the film (in Scotland and Denmark).

Negatives and photographs of a portrait of Rosaura Revueltas. Includes annotated envelopes.

Negatives and photographs of a film still. Includes annotated envelopes.

Negatives and photographs of a portrait of Juan Chacón. Includes annotated envelopes.

Negatives and photographs of a film still. Includes annotated envelopes.

Negatives and photographs of a film still. Includes annotated envelopes.

Negatives and photographs of a film still. Includes annotated envelopes.

Negatives and a photograph of a film still. Includes annotated envelopes.

Negatives and a photograph of a film still. Includes annotated envelopes.

A negative and a photograph of a film still. Includes annotated envelopes.

A negative and a photograph of a film still. Includes annotated envelopes.

Photographs of film stills and portraits. Includes clippings of photographs from Herbert Biberman's book. Many photographs are annotated.

Authored by Jarrico. Includes typewritten drafts and handwritten drafts and notes.

Print material relating to the Eighth Annual Virginia Festival of American Film.

A dossier of photocopies of press reviews of the film. Includes a handwritten note from Kate Rubin.

Folder included additional annotations: "Taos... Opera... Red H'wood... Library of Congress... photo waiver... ORF... WTN contract/Canada." Correspondence, contracts, administrative documents, financial documents, and promotional materials relating to distribution.

Photocopies of articles and book chapters about the making and reception of the film. Also includes promotional fliers for the distribution of the film.

Clippings and photocopies of reviews, articles, press releases, publicity materials, and correspondence relating to the release and reception of the film. Includes reviews from Mexico City, publicity for showings at feminist film festivals, and material relating to the 1976 rerelease.

Emails, faxes, and letters; largely posthumous and addressed to Lia Benedetti.

A second draft of the film's anti-trust lawsuit (and a letter relating to it); fliers for the film; an open letter from Albert Maltz to Dalton Trumbo outlining complaints about the latter's actions.

By Michael Wilson; photocopy; light annotations.