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The majority of the collection's interviews were taken by Gail Mary Killian and document her life in the 1970s-1980s as a woman living with Down syndrome in Eastern Massachusetts. Killian recorded her birthday starting in 1970, and many recordings capture the conversations that took place at these celebrations, which were attended by family members and neighbors. Topics discussed at these parties include music-related gifts received by Killian; rock music and Polish folk music; television shows and movies; employment opportunities for people with disabilities in the region; work at the United States Postal Service (her father's employer); and happenings in their local community. The family also sings together, both in English and Polish. Also included are recordings made by Killian during her daily life. Killian was an avid music fan, and she records thoughts on rock bands such as the Beatles, Journey, and Van Halen. Portions of the local New Bedford, MA radio program "Polish Happy Hour" are captured on tape.

Correspondence and teaching materials.

The collection consists of 97 audio recordings from music concerts performanced at Taliesin West and Taliesin, Spring Green. The majority of the recordings are from the period after Wrights death, however, there are 12 recordings dated from 1950 to 1955. There are a few recordings of discussion groups sessions; these are likely recordings from the Movement participant's weekly philosophy group meetings held in tandem with Saturday Evening concerts.

The Cuban Voices oral history collection is comprised of interviews conducted for the project of the same name. The project resulted in the publication of Elizabeth Dore's book How Things Fall Apart. The interviews are intended to engage in conversations with Cubans who lived through the transition to communist rule after the Cuban Revolution and experienced events of the following decades. The goal of the project, led by Dore, was not to interview people who have established themselves as public or political figures after the Revolution, but rather to generate a dialogue with ordinary citizens whose narratives do not appear in conventional narratives. Most of the interviewees, then, are not prominent personalities. They are professionals, campesinxs, teachers, sex workers, state employees, cooks, messengers, and people working illegally, among others.

Research materials, including notes, audio tapes, and original items, related to his multiple projects on Columbia and Barnard history.