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Rare Book & Manuscript Library |
Summary InformationAt a Glance
Arrangement
DescriptionScope and ContentThe collection consists of correspondence, manuscripts, and an enormous number of notecards (that were collected over a twenty-year period for a proposed "Slovar' russkikh khudozhnikov") and several dozen notebooks containing entries to which the cards refer. Among the correspondents is Eugène Fabergé, whose letters contain information about the Fabergé dynasty of jewelers. Sakharov's manuscripts include essays on Ivan Bilibin, M. V. Rudaltsov, Mariia Bashkirtseva, Nikolai Globa and V. E. Borisov-Musatov. The cards containing information on artists are arranged alphabetically by artist and contain references to specific notebook entries. There are also bibliographic cards containing citations of articles on art in Russian and other languages. These are arranged by author. The notebooks are largely devoted to a particular artist or genre; others are designated by color and number, letter, number or not titled at all. There are also two sets of large notebooks which seem to belong to another series. There are a few photographs of artists (notably a 1939 photograph of Globa) and photographic reproductions of works by Bakst and Lukin among others. The collection contains approximately 11 exhibition catalogues dating from 1915 to 1940 and primarily relating to the exhibitions of Russian emigre artists in Paris. There are also 4 issues of "Illiustrirovannaia Rossiia" and some clippings dealing with Russian emigre artists.
Using the CollectionRare Book and Manuscript Library Restrictions on AccessYou will need to make an appointment in advance to use this collection material in the Rare Book and Manuscript Library reading room. You can schedule an appointment once you've submitted your request through your Special Collections Research Account. This collection is located on-site. This collection has no restrictions. Terms Governing Use and ReproductionSingle photocopies may be made for research purposes. The RBML maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron. Preferred CitationIdentification of specific item; Date (if known); Vladimir Vladimirovich Sakharov Papers; Box and Folder; Bakhmeteff Archive, Rare Book and Manuscript Library, Columbia University Library. AccrualsMaterials may have been added to the collection since this finding aid was prepared. Contact rbml@columbia.edu for more information. Immediate Source of AcquisitionPapers: Method of acquisition--Purchase; Date of acquisition--1954. Papers: Method of acquisition--Purchase; Date of acquisition--1961. About the Finding Aid / Processing InformationColumbia University Libraries, Rare Book and Manuscript Library Processing InformationPapers Accessioned 1954. Papers Accessioned 1961. Papers Processed 04/--/81. Revision Description2009-06-26 File created. 2019-05-20 EAD was imported spring 2019 as part of the ArchivesSpace Phase II migration. 2020-10-05 Authorities and notes reviewed and updated, finding aid updated, ksd Subject HeadingsThe subject headings listed below are found in this collection. Links below allow searches at Columbia University through the Archival Collections Portal and through CLIO, the catalog for Columbia University Libraries, as well as ArchiveGRID, a catalog that allows users to search the holdings of multiple research libraries and archives. All links open new windows. Genre/Form
Subject
History / Biographical NoteBiographical sketchVladimir Vladimirovich Sakharov (1874-1960), Russian émigré painter, was born into a family of a famous Russian general, Vladimir Viktorovich Sakharov. He graduated from a privileged gymnasium in St. Petersburg and later became a student of the Academy of Arts. His family connections led him to meet a well-known Russian artist Mikhail Vrubel who became his mentor for many years and predicted a brilliant career for a young artist. In 1914, as many other Russians, Sakharov was drafted into the army and served under his father's command in Romania. After the Bolshevik takeover, he immigrated to France. He had never became famous, as Vrubel predicted, but he dedicated all his life to compiling a dictionary of Russian artists from the eleventh century until our days. He died in Paris in 1960 and his widow sold his papers to the Bakhmeteff archive at Columbia University. |