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Bomb Magazine records, 1978-2017

129 linear feet
Abstract Or Scope
This collection contains the administrative records of the interview-based arts journal, BOMB Magazine.
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Center for Book Arts (New York N.Y.) records, 1970-2010

92.5 linear feet
Abstract Or Scope

The archive includes their analog artist files (now these are digital and we are not collecting those), which document the work of most of the important book artists in the United States, their educations and exhibition programs, other publicity materials, their contracts with artists and teachers, and relevant corporate records.

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Columbia University Office of Art Properties Records, 1960-2012

7.9 linear feet
Abstract Or Scope
The records in the collection reflect the Department's mission and its daily operations. The materials contained within it include exhibition proposals, catalogs and posters, photographs, general correspondence, and other administrative files.
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Frank Lloyd Wright Miscellanea, 1905-1995, bulk 1940s-1960s

2 manuscript boxes
Abstract Or Scope
The collection of Frank Lloyd Wright Miscellanea is composed of transcripts of speeches, interviews, magazine and newspaper clippings by and about the world-famous architect.
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Joseph Urban papers, 1893-1998

135 linear feet
Abstract Or Scope

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

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Michèle C. Cone collection of Artists under Vichy, 1920s-1990s

14 linear feet
Abstract Or Scope

Correspondence, manuscripts, documents, photographs, article, essays, exhibition catalogs, printed material, and 9 floppy disks of her research on artsits and art in Vichy France, as well as Max Jacob, the French poet, painter, writer, and critic.

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Mikhail Evgen'evich Frid'ev Papers, 1905-1970

13 items
Abstract Or Scope

Collection includes manuscripts and printed materials. Manuscripts consist of Fridév's memoirs, in six notebooks, about the volunteer White army in Southern Russia and the Crimea. There is a handwritten catalogue of the materials of the Russian Chamber of Commerce in the collection of the University of Paris, as well as a catalogue of the contents of the "Vestnik finansov, promyshlennosti i torgovli" for 1912. Printed materials include four pamphlets on various historical topics, and a copy of Lenin's "O proletarskom gosudarstve" (1924).

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Philip Grushkin Papers, 1937-2001, bulk 1940s-1960s

9.16 linear feet
Abstract Or Scope
Philip Grushkin (1921-1998) was a book designer, educator, and art director. He is best known for his book design work for publishers such as Alfred A. Knopf, Random House, Abbeville, and Harry N. Abrams, where he also worked as Art Director and Vice President. The collection includes material related to his design work and a collection of book jackets by George Salter.
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Rockwell Kent papers, 1885-1970

59 linear feet
Abstract Or Scope
A significant collection of Rockwell Kent's correspondence; drawings and sketches; watercolors; lithographs; proofs; manuscripts; and architectural drawings. There are also lithographs and woodblock prints by Kent's students and admirers.
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The Makino Mamoru Collection on the History of East Asian Film, 1863-2015, bulk 1920s-1990s

370.11 linear feet
Abstract Or Scope
Over the course of fifty years, the former documentary filmmaker Makino Mamoru (1930-) developed an extensive collection on the history of East Asian film, which covers the history of Japanese cinema spanning over a hundred years. The collection as a whole contains approximately 80,000 items, and focuses on print materials. The materials cover various film events and festivals across multiple genres of films: experimental films, educational films, documentary films, news films, amateur films, and animated films, among many others. The collection contains books, correspondences, handbills, magazines, manuscripts, newspapers, notes, photographs, postcards, posters, scripts/scenarios, slides, glass plate negatives, video cassettes, and other printed materials.
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