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These papers consist of correspondence, manuscripts, documents, art works, printed materials, and a photograph, and relate chiefly to Russian artists and ballet personalities active in France in the 1920s and 1930s. Records of the Parisian World of Art (Mir Iskusstva) group, of which Shervashidze was the president, includes correspondence, documents, an exhibit program, clippings and a photograph of the artists involved. There is correspondence from Lev Bakst, Ivan Bilibin, Sergei Diagilev, Mikhail Larionov, Georgii Lukomskii, and Joan Mirʹo, and one letter each from Nikolai Roerich, and Nataliia Goncharova. There are also many letters from Shervashidze's family in the Soviet Union from the 1920s and 1930s. Illustrative materials by Shervashidze include programs, prints and water colors.

The papers of Il'ia Grigor'evich Savchenko (1889-1961). The collection consists of correspondence, manuscripts, photographs, caricatures, and materials relating to a number of Russian émigré organizations. The materials relating to émigré organizations include correspondence, financial records, and mimeographed textbooks prepared by the professors of the Russkii iuridicheskii fakul'tet v Prage (Russian Juridical Institute in Prague), and correspondence and printed materials of the Soiuz ob"edinenii russkikh okonchivshikh vysshie uchebnye asvedeniia (OROVUZ; Union of Societies of Russians Who Have Graduated from Institutes of Higher Education), which Savchenko headed. In addition, there are materials relating to other émigré groups in Europe and the United States with which Savchenko was associated.

The papers consist of correspondence, manuscripts, subject files, financial records, photographs, and printed materials. Among the correspondents are Ivan Bilibin, David Burli︠u︡k, Franz Theodor Csokor, Vasiliĭ Kamenskiĭ, and Percival Wilde; there is one item each from Jean Anouilh, Collete, Mikhail Fokine, Vasiliĭ Kandinskiĭ, Vladislav Khodasevich, Pavel Mili︠u︡kov, and Dmitriĭ Merezhovskiĭ. Most of the manuscripts are by Evangulov and Nadezhda Teffi, and memoirs by Evreĭnov's wife, Anna Aleksandrovna, on such topics as her career in the emigration from 1925. There are photographs of Evreĭnov, Nikolaĭ Rimskiĭ-Korsakov, and Vasiliĭ Kamenskiĭ. This collection is almost entirely concerned with the emigration.

A collection of 268 Russian and early Soviet music scores published from 1904 to 1938. Numerous composers and lyricists (primarily Russian but also European and American) are represented. Most scores were published in Moscow or Leningrad. Other imprints include Rostov-na-Donu, Kiev, Kharʹkov, and Tiflis. Most scores are popular music, jazz or dance music. The covers were designed by many different artists. The collection includes musical settings of poems by Esenin, Lebedev-Kumach and Mayakovsky among others.

Most of the collection concerns the Russian emigration in interwar Europe; a sizeable part deals with the Kadet (Constitutional Democrat) Party in the Russian Civil War. There is correspondence, manuscripts, subject files, photographs, and printed materials. There are many letters by liberal figures, such as Astrov, Viktor Chelishchev, Petr I︠U︡renev, Aleksandr Kizevetter, Pavel Mili︠u︡kov, Vladimir D. Nabokov, Vladimir Obolenskiĭ, Panina, and Ivan Petrunkevich. There are also letters from Ivan Bilibin, Alice Masaryk, and Thomas Masaryk. Manuscripts are chiefly by Astrov, and include memoirs, poems, and lectures. There are also memoirs by Panina, and eulogies by various people on Astrov. Subject files from 1917-1920 have materials on Panina's arrest and trial by the Bolsheviks, Kadet conferences, protocols of meetings of the Kadet Party central committee, and other items. Files on the emigration deal with the Russkiĭ Ochag (Russian Hearth) and other bodies, especially in Czechoslovakia. There are photographs of Astrov, Kizevetter, Nikodim Kondakov, Alice Masaryk, Panina, and others. Printed materials include books, clippings, and offprints by Astrov and others.

The collection consists of correspondence, manuscripts, and an enormous number of notecards (that were collected over a twenty-year period for a proposed "Slovar' russkikh khudozhnikov") and several dozen notebooks containing entries to which the cards refer. Among the correspondents is Eugène Fabergé, whose letters contain information about the Fabergé dynasty of jewelers. Sakharov's manuscripts include essays on Ivan Bilibin, M. V. Rudaltsov, Mariia Bashkirtseva, Nikolai Globa and V. E. Borisov-Musatov. The cards containing information on artists are arranged alphabetically by artist and contain references to specific notebook entries. There are also bibliographic cards containing citations of articles on art in Russian and other languages. These are arranged by author. The notebooks are largely devoted to a particular artist or genre; others are designated by color and number, letter, number or not titled at all. There are also two sets of large notebooks which seem to belong to another series. There are a few photographs of artists (notably a 1939 photograph of Globa) and photographic reproductions of works by Bakst and Lukin among others. The collection contains approximately 11 exhibition catalogues dating from 1915 to 1940 and primarily relating to the exhibitions of Russian emigre artists in Paris. There are also 4 issues of "Illiustrirovannaia Rossiia" and some clippings dealing with Russian emigre artists.