Box 12 Folder 17
Alfred A. Knopf, Inc., 1957-1964
Includes correspondence to Moore on reactions to the novel Young Assassins; correspondence on Prophets without Honor
Box 12 Folder 18
Fernando Arrabal, 1960-1961, 2011
Includes a 2011 email to Kevin Kanarek with Arrabal's recollections of Moore.
Box 12 Folder 19
Odette Arnaud, 1957-1964
Box 12 Folder 20
Arnoldo Mondadori Editore, 1957-1964, 1987, 2004
Box 13 Folder 1
Atheneum Publishers, 1961
Box 13 Folder 2
Bantam Books, 1960-1963
Correspondence on the reissue and screenplay for Chocolates for Breakfast.
Box 13 Folder 3
Peter Basch, 1958, undated
Photograph. Includes copy of Peter Basch Photographs: Beauties of the World, Fawcett, 1958. Includes negative for a partially nude image of Moore (unpublished); contact sheets for this photo shoot and other Basch photographs of Moore are filed in Series IV: Photographs..
Box 13 Folder 4
Bernice Block, 1961-1962
Includes correspondence on the screenplay for Chocolates for Breakfast.
Box 13 Folder 5
British Publishers and Agents, 1956-1963
Includes correspondence with Ursula Winant agent) and Longmans (publisher).
Box 13 Folder 6
Leroy Breunig, 1950s, 2005
Breunig was a professor of French Literature at Barnard College. The 2005 correspondence is between Breunig's nephew and Kevin Kanarek.
Box 13 Folder 7
Sidney Burrell, 1960
Burrell was a professor in the History Department at Barnard College.
Box 13 Folder 8
Al Capp, 1963, undated
Box 13 Folder 9
Condolences, 1964
This file contains several condolenece letters to Adam Kanarek following Moore's death in 1964. There are others in the individual correspondence files. The file also contains a bill for Moore's funeral and related expenses from Campbell Funeral Home.
Box 13 Folder 10
Kurt Desch / German Publishers, 1956-1961
Box 13 Folder 11
E. P. Dutton, 1961
Includes correspondence pertaining to Exile of Suzy-Q.
Box 13 Folder 12
Fan Mail, 1956-1958
Correspondence relates to Chocolates for Breakfast.
Box 13 Folder 13
Fawcett Publications, Inc., 1961-1964
Includes correspondence pertaining to East Side Story.
Box 13 Folder 14
Robert Gottlieb (Simon and Schuster), 1963-1964, 2002
Includes some correspondence between Gottlieb and Adam Kanarek.
Box 13 Folder 15
Juan Goyanarte, 1961-1962
Box 13 Folder 16
Grove Press, 1961
Box 13 Folder 17
Rust Hills (Esquire Magazine), 1961
Box 13 Folder 18
Franz Horch, 1957-1958
Box 13 Folder 19
Israel, 1961
Box 13 Folder 20
J.B. Lippincott Company, 1962
Box 13 Folder 21
James Brown Associates, Inc., 1961
Correspondence pertains to the submission and rejection of Exile of Suzy-Q.
Box 13 Folder 22
Japan, 1961-1962
Correspondence pertains to a payment dispute over Chocolates for Breakfast.
Box 13 Folder 23
Jack Jolles, 1960-1961, 1964
Includes a condolence letter.
Box 13 Folder 24
Julliard, 1957-1963
Box 13 Folder 25
Jacques Lanzmann, 1961
Box 13 Folder 26
Raymond Las Vergnas, 1961
Box 19 Folder 11-12
Last, 1964-1967, 2 folders
This file contains financial material, particularly related to Mondadori, royalty reports, a few publisher letters, and material relating to Contemporary Authors appearance.
Box 13 Folder 27
John Leggett (Harper & Brothers), 1961
Correspondence pertains to the rejection of Exile of Suzy-Q.
Box 13 Folder 28
Carolyn Ruth Swift Lenz (Lyn Lenz), 1964, 2003, undated
Lenz was Moore's teacher and friend at Rosemary Hall. The character of Ms. Rosen in Chocolates for Breakfast is based on Lenz. Correspondence includes her reaction to the novel, a letter of condolence, and a later letter to Adam Kanarek regarding his wish to put a stone marker on Moore's grave.
Box 13 Folder 29
Little, Brown and Company, 1961
Correspondence regarding the submission and rejection of Exile of Suzy-Q. Includes comments from readers at the company.
Box 13 Folder 30
Sterling Lord, 1957-1961
Literary agent. Includes agreement and correspondence.
Box 13 Folder 31
Sylvie Marion, 1962
Box 13 Folder 32
Ann Martin--Correspondence to Robert Nedelkoff, 2008
Martin had written an early article about Pamela Moore; Nedelkoff contacted her about his own writings about Pamela Moore.
Box 13 Folder 33
Jean Jacques Mayoux, 1960
Box 13 Folder 34
Monica McCall, 1956-1957
Literary agent. Includes correspondence pertaining to Chocolates for Breakfast, including reader's comments from Ladies Home Journal and Women's Home Companion.
Box 13 Folder 35
New York Times Sunday Book Review, 1961
Contains typescript of a review of Gombrowicz's Ferryduke and a carbon of Moore's letter to the editor of the Sunday Book Review. Includes a clipping of the published letter to the editor.
Box 13 Folder 36
Playboy, 1961
Box 14 Folder 1
Reader Correspondence, 1956-1962
Reader correspondence; includes some drafts of replies from Moore.
Box 14 Folder 2
Rinehart and Company, Inc., 1956
One item, an invitation to discuss the manuscript for Chocolates for Breakfast.
Box 14 Folder 3
Simon and Schuster, 1962-1964
Includes letter from Moore on her time in Paris after the publication of Chocolates for Breakfast. Other correspondence pertains to The Horsy Set.
Box 14 Folder 4
Milburn David Smith, Jr., 1964 September-December
Copies of Jaguar magazine from December 1964 which includes an article on Moore. Also includes correspondence from Smith to Adam Kanarek with a litter from Don Fine (editor at Dell) to Smith with his recollections of Moore.
Box 14 Folder 5
Constantin Tacou, 1958
Box 14 Folder 6
Jozef Wittlin, 1961-1964
Box 14 Folder 9
Clippings, 1950
Clipping on the junior riders at the National Horse Show; includes photograph of Moore.
Box 14 Folder 10
Chocolates for Breakfast--Clippings, 1956-1957
Box 14 Folder 11
Chocolates for Breakfast--Clippings, 1956-1957
Primarily in French. Includes some clippings in German, Italian, and other languages.
Box 14 Folder 12
Chocolates for Breakfast--Clippings on Paperback Release; Screenplay, 1960
Includes short clipping on the book's release in paperback edition. Includes several clippings on the development of the screenplay for the novel.
Box 14 Folder 13
Cosmopolitan, 1958, 1959
Two issues of the magazine; include mentions of Moore in articles about current writing.
Box 14 Folder 14
East Side Story / The Pigeons of St. Marks--Goyanarte Catalog, 1961
Box 14 Folder 15
East Side Story / The Pigeons of St. Marks--Clippings, 1960-1961
In English, French, Polish, and Italian. Includes a few typescript translations from French publications.
Box 14 Folder 16
East Side Story / The Pigeons of St. Marks--Manuscripts/Typescripts of Related Items, 1961
These items were originally together in one plastic enclosure, filed in the clippings files. This folder includes typescripts of interview questions and answers, quotations, carbons of a few rejection letters from publishers, and a handwritten copy of an article published in Brazil.
Box 14 Folder 17
The Exile of Suzy Q--Clippings, 1962
Box 15 Folder 1
The Exile of Suzy Q--Clippings, 1962
Box 22 Folder 8
Paris Match Magazine, 1962
In French. Includes a short article on Moore.
Box 15 Folder 2-3
The Horsy Set--Clippings, 1962-1964, 2 folders
Box 15 Folder 4
Obituaries, 1964
In English and in French.
Box 15 Folder 5
Robert Nedelkoff, "The Remainder Table" The Baffler #10, 1997
Box 15 Folder 6
"Great Girl Trash", 2000
Includes Chocolates for Breakfast.
Box 15 Folder 7
Le Parisien Magazine, 2014
Magazine includes article on the reissue of Chocolates for Breakfast. In French.
Box 23
Chocolates for Breakfast--Matchbook, 1956
Matchbooks featuring the book's cover and a picture of Moore.
Box Temporary Box C
Set of Dishes, 1956
French publisher René Julliard gave items to Moore to celebrate release of Chocolates for Breakfast in France, including this set of plates. The plates include signatures of authors and artists related to the publishing house. Moore's set has 11 8" plates. There should be 12 plates; #5 is missing from this set.
Box 23
Scarf, 1956
Silkscreen scarf designed by Bernard Buffet, depicting book case of titles published by Julliard in 1956, including Chocolates for Breakfast.
Box 20
En Souvenir de René Julliard. Paris: Julliard, 1963
Book. René Julliard, founder of Julliard, died in 1962.
Box 23
Paperweight and Card, 1964
Lucite paperweight with green feather pen and René Julliard's signature. It includes handwritten card in French, indicating that the paperweight was created in memory of Julliard, who died in 1962.