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Correspondence, manuscripts, lectures, notes, diaries, notebooks, reports, financial records, blueprints, photographs, and printed materials of Y.C. James Yen and the IIRR concerned with the development, sharing, and financing innovative methods of teaching, improving agriculture, health and family planning, and education in impoverished villages. Among the cataloged correspondents are: Pearl Buck, William O. Douglas, Nelson Rockefeller, and DeWitt Clinton.

This collection documents the life and career of Edgar Allen Tafel: New York architect, Frank Lloyd Wright historian, and one of the original apprentices of the Taliesin Fellowship from 1932. The collection primarily documents Tafel's professional activities and his later independent architectural career which was most prominent from 1965-1985. The collection is made up of nine series: Personal Papers, Correspondence, Writings, Professional Papers, Office Records, Project Records, Photographs and Slides, Audio-Visual Material, and Printed Material.

Also, McKim, Mead & White; Pearsall and Mills; Boring and Tilton; Peabody, Wilson and Brown; Holabird and Root; John B. Peterkin; York and Sawyer; Jackson, Robinson and Adams; George Vernon Russell; John H. Barry; Pliny Rogers; Allen and De Young; Augustus N. Allen; Henry Ives Cobb, Jr.; Bottomley, Wagner and White; Andrew J. Thomas; Harvey Stevenson; R.A. Tissington; John C. Dodd; Walker and Gillette; Grosvenor Atterbury, John Tompkins Assoc.; Donn Barber; Wakefield Worcester; Farrar and Watmough; Henry Wright II; Ralph Thomas Walker; Schultze and Weaver; Henry B. Marsh; Hunter McDonnell; and a few unidentified architects

Price's renderings, circa 1930s until his death in 1962, of designs by Warren and Wetmore, Benjamin Wistar Morris, III, and others; for the Hartford National Bank, Hartford, Conn. and the General Motors Building, New York City, designed by Shreve & Lamb; and other buildings. Also, eight photographs, undated, circa 1930s-1940s, showing the interior and exterior of Union Square Station, Toronto, Ontario (Price's relation to these is unclear).

This collection contains approximately 5100 drawings, including preliminary design drawings and unbuilt studies, presentation drawings, and working drawings, for more than 100 individual projects designed by Philip Johnson, some in collaboration with John Burgee. Locations include the United States, Canada, France, Germany, Israel, and Venezuela. Major commissions included in this collection are the Glass House in New Canaan, CT; the New York State Pavilion for the 1964 World's Fair, Queens, NY; the New York State Theater at Lincoln Center, NYC; Asia House, NYC; the H.L. Moses Building at Montefiore Hospital, Bronx, NY; the master plan for Welfare Island, NYC; the Munson-Williams Proctor Institute, Utica, NY; the Amon Carter Museum, Fort Worth, TX; and buildings for Sarah Lawrence College, Seton Hill College, the University of St. Thomas, and Yale University. Also of note in this collection are many presentation renderings by Helmut Jacoby and other architectural renderers. A subset of this collection includes drawings created for the 1996 monograph on Philip Johnson by Peter Blake.

This collections contains the professional research, writing, publications, and correspondence produced and collected by Rattner through her study of the architect James Renwick, Jr. The bulk of Rattner's research addresses the life and works of Renwick, but other research topics represented in her papers range from the Renwick family genealogy to the institutional architecture of New York City. Types of research material include personal research notes (in notecard format, both typed and holograph), correspondence (1963-2001), newspaper and magazine clippings, Xerox copies of archival material and secondary sources, transcribed articles and correspondence, brochures from historic sites, photographs and slides of buildings and sites, sketches, historic structure inventory forms, landmark nomination forms, landmark designation reports, and postcards.

This collection primarily contains materials related to Percy and Harold Uris and their real estate businesses. Correspondence, financial records, and estate papers document the professional and personal lives of the brothers and their wives. The bulk of the business records are from their properties at 380 Madison Avenue and 300 Park Avenue. There is limited information about the other Uris properties and Uris Building Corporation. Finally, the collection contains records from the Uris Brothers Foundation, Inc about the family's philanthropic endeavors.

The drawings are of the construction of an airplane hanger, as part of WWII war effots.

This collection primarily contains architectural renderings executed by Long in 1906 for a memorial issue of BUILDINGS magazine dedicated to New York architect Stanford White. These drawings represent White's most famous structures designed while he was a partner with McKim, Mead & White. Buildings depicted include Madison Square Garden, the New York Herald Building, and the Washington Memorial Arch, all in New York City, among others. Also included in this collection are miscellaneous architectural drawings by Long, Chester B. Price, and others, circa 1920s-1930s; and printed material.

This small collection includes correspondence and photographs relating to Atterbury's residence in Southampton, N.Y., designed by New York architect Stanford White; also a clipping and photograph of Atterbury.

New York City architectural renderer, artist, and printmaker. Born 1884 in Newark, New Jersey, Flanagan graduated from the School of Architecture at Columbia University in 1910. Flanagan taught drawing at Columbia from 1911 to 1912 and returned as an associate professor of design from 1920 to 1925. Flanagan also worked for several architectural firms, often as a renderer, including Trowbridge & Livingston, McKim, Mead & White, and Harvey Corbett. In 1927, Flanagan left Corbett's office and began full time work as a fine artist. From January 1928 until August 1929, Flanagan travelled in Europe, studying with painter Edouard Léon Cortès in Paris from the fall of 1928 through the spring of 1929. Flanagan was also one of the original members of the Society of American Etchers. Flanagan eventually returned to practicing architecture, associating with various firms until he retired in the mid-1960s. He died in New York City in 1969.

This collection includes one drawing, ink and wash on paper, of the Soldiers' and Sailors' Memorial; a drawing in ink and wash on paper of the Trenton War Memorial; and 17 drawings, graphite on tracing paper, of the Kemble Building, located at 15-25 Whitehall Street in Manhattan. Eight boxes of office records that include correspondence concerning buildings for the Goelet Estate, Cadillac Hotel, and Grant's Tomb, and a postcard to architectural renderer Hughson Hawley. Also included is a diary and an album of family photographs and architectural projects.

Architectural drawings for projects in the United States, largely in the Chicago area, done before 1912; in Australia (where they lived, 1912-1937), including the Federal Capitol of Australia in Canberra, 1912, and Castlecrag, a planned suburb of Sydney, undated; and India, 1936. These projects were designed by Walter Burley Griffin and most of them were rendered by Marion Mahony Griffin. The extent to which some of these projects were also designed by Mahony Griffin is not certain.