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The bulk of the collection relates to awards, honorary degrees, and other honors bestowed on I. I. Rabi during the latter half of his career. It contains correspondence, manuscript drafts, pamphlets, lectures, articles, interviews, reports, panel discussions, transcripts, books, and conference materials about Rabi's work. Includes photographs, VHS recordings, audiocassettes, scrapbooks, and press clippings related to his career. Subjects include science, atomic energy and weapons, peace, education, NATO, history, government, world affairs, and honors. Also includes awards, honorary degrees, certificates, medals, and other memorabilia. In addition, correspondence regarding his estate, the awards established in his honor, and related memorials. These were the materials that I.I. Rabi's widow, Helen Newmark Rabi, did not donate to the Library of Congress but kept as her own mementos.

The Edith Schloss Burckhardt Papers offer an extraordinary opportunity for research into multiple areas of scholarship, especially unique insight into the lives and experiences of women in the art world, an American artist's expat life in Rome from the 1960s-2010s, the New York School of painters and poets, and a particularly rich and far-reaching, vein of the avant-garde and experimental music world, to name a few.

Correspondence, manuscripts, and documents of mathematicians and other scientists, often dealing with politics and fields other than mathematics. Many of these concern the French Revolution.

This collection is composed primarily of correspondence, course material, writings, notes, photographs, slides, and audio tapes. Much of the material pertains to Collins' career as a professor at Columbia University. There is also a bulk of material regarding to the 1962, 1964, and 1966 Modern Architecture Symposiums held at Columbia University, as well as the publication of N.A. Miliutin's Sotsgorod: The Problem of building Socialist Cities, which was translated from Russian to English by Arthur Sprague. The basis for the series and subseries order was developed from Collins' own groupings. For the majority of the collection, Collins' folder titles have been maintained and the material has been arranged chronologically.