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The Collection of China's spring 1989 democracy movement (六四前后中国民主运动资料汇集) documents the legacy of the democracy movement in China during 1989 as well as events leading up to the Tiananmen Square Incident and its aftermath, dating from 1988 to 1997, and with the bulk of the materials dating from 1989 to 1990. The collection holds the originals and the photocopies of over 300 ephemeral posters, leaflet/handbills, newsletters, open letters, and petitions created and distributed in 1989, including those issued by the Peking Workers Autonomous Association (北京工人自治联合会), student groups from various universities, the "Hunger Strike Newsletter" and other unofficial news bulletins, intellectuals' petitions to the government, cartoons, and poetry. The collection also comprises over 200 photographs depicting demonstration banners, big character posters, petitions and letters to the leaders. The collection also contains 15 eye-witness reports by Asians and Westerners, reports of human rights organizations, as well as books, miscellaneous news magazine articles and newspaper clippings. Related materials in the collection also include Spring 1989 issues of the banned intellectuals' journal "Eastern Record"; 147 slides of work shown at the Peking National Gallery's avant-garde exhibition; and a video tape of interviews with artists and performance art at the February 5, 1989 opening of that exhibition. Other items are several VHS, audiocassettes, floppy disks, fragments of wall posters, a T-shirt, and commemorative envelopes. A large fabric banner prepared by Chinese students at the University of Michigan which was sent to Peking where it was displayed at Tiananmen Square in May 1989 and later returned to the U.S., is also included in the collection.

Recordings of interviews/radio broadcasts with notable persons (some are interviews by Charles Ruas), while others appear to be discussions about people or recordings of performances. 95 large reel-to-reel tape boxes; 34 small reel-to-reel tape boxes; 16 audiocassette tapes. Also includes 8 folders of papers relating to Ruas's 1984 book "Conversations with American Writers."

Correspondence, manuscripts, and miscellany relating to the presentation of poems at a Shakespeare's Birthday Concert on 23 April 1972, by a number of British poets including W.H. Auden, C. Day Lewis, Robert Graves, and Stephen Spender. The collection consists primarily of correspondence with the poets involved; several manuscripts of poems both presented at and eliminated from the program; some business correspondence of the Globe Playhouse Trust and Calder and Boyars, Ltd., Publishers; and Hampton's notes.

The collection consists of secondary source material related to the life and activities of Dietrich Bonhoeffer, a Lutheran theologian, professor, and participant in the German resistance movement. Mostly comprised of papers written for conferences of the American Academy of Religion and the International Bonhoeffer Society, along with conference brochures, correspondence, and attendee lists. Also includes: journal articles; seminar papers; dissertations; newspaper clippings; a videotape of conference presentations; and a variety of texts and/or recorded performances constituting artistic tributes to Bonhoeffer, including an opera, concerts, plays, and poetry.

The papers include correspondence, manuscripts, documents, printed materials and photographs -- most of which principally concern Fedor Shali︠a︡pin. There are twelve letters and postcards from Shali︠a︡pin, and one or two items each from Aleksandr Grechaninov, Olǵa Knipper-Chekhova, and Sergeĭ Rakhmaninov. There are manuscripts by Strakhova-Ermans, entitled "Vospominanii︠a︡ starogo professora penii︠a︡" and "Penie: Ego tekhnika i iskusstvo." There are photographs of Shali︠a︡pin in his operatic roles and with his family; and photographs of Olǵa Knipper-Chekhova, Aleksandr Glazunov, and of Sergeĭ Rakhmaninov and Aleksandr Grechaninov (with the faculty of the Russian Conservatory in Paris). Printed materials include programs of concerts by Shali︠a︡pin and others, and a copy of Strakhova-Ermans' book, "Le chant"(1946).

The collection consists of musical arrangements, correspondence, flyers, schedules, membership lists, budget information, newsletters as well as two CDs of recorded music.