Collections : [Avery Drawings & Archives]

This collection includes over 300 film reels which have been digitized. By format, the collection contains 179 16mm film, 109 8mm film, and 17 35mm film. While the inclusive dates of the collection range from 1922 to 1984, the bulk of the films are from the 1930s into the 1960s. Footage includes home movies of Wright and family, life and events of the Taliesin Fellowship, and informal site and building visits. The collection also includes documentaries on Wright's career and projects, as well as professional produced interviews and talks by Wright and promotional coverage of his built works.

The Oral Histories collection is made up of audio recordings, videotapes, and transcripts of interviews conducted by Foundation members. The oral histories document the life and activities of Frank Lloyd Wright and the Taliesin Fellowship. Interviewees include apprentices, clients, family, friends and acquaintances, scholars, associates, and other architects.

There are over 10,700 photographic items in the Frank Lloyd Wright Foundation Archives related to Frank Lloyd Wright's personal life and the Taliesin Fellowship. This collection also includes portraits of Wright and his family members. Contact the department for further information.

The collection consists of 97 audio recordings from music concerts performanced at Taliesin West and Taliesin, Spring Green. The majority of the recordings are from the period after Wrights death, however, there are 12 recordings dated from 1950 to 1955. There are a few recordings of discussion groups sessions; these are likely recordings from the Movement participant's weekly philosophy group meetings held in tandem with Saturday Evening concerts.

This collection of approx. 7 linear feet of papers documents the output of the independent printing press established at Taliesin in the 1930s. The collection consists of brochures, pamphlets, newsletters, Taliesin magazines, festival programs, invitations, and miscellaneous ephemera such as Christmas cards and stationery. The collection also includes every issue of the Taliesin Square Papers series dating from 1941 to 1953. All of the printed material in the collection features the distinctive graphic design associated with Frank Lloyd Wright. Much of the graphic design work can be attributed to Eugene Masselink (1910-1962).

Included are 19 original architectural drawings and photographs and prints of drawings by Withers. Among these are designs for the Van Schaick Free Reading Room (now the Huntington Free Library and Reading Room), Bronx, N.Y.; reredos proposed for the Church of the Transfiguration, New York City; Chapel of the Good Shepherd on Blackwells Island (now Roosevelt Island), N.Y.; a competition design for the Cathedral of St. John the Divine, New York City; St. Thomas Episcopal Church in Hanover, N.H.); and drawings by others, including Sullivan Jones and Rowland Plumbe. This collection also includes manuscript copies of three letters from Withers to his mother written at sea in 1852 and describing his trip to America.

The collection consists of a report created by Knubel documenting the demolition of Radio Row, a warehouse district on Manhattan's lower west side in the Financial District, to make space for the construction of the World Trade Center. The report, entitled "Spring On Radio Row: The World Trade Center Advances" was written as an assignment for an Urban Design Theory class Knubel was enrolled in as a special student in the Spring 1966. The report includes original photographs by Knubel of Radio Row before demolition, as well as collected images of the preliminary design and site plan for the World Trade Center from The Port of New York Authority. Also included in the collection are newspaper clippings from 1966 regarding the World Trade Center plan and correspondence with Look Magazine's Editorial Board regarding a possible submission.

This collections includes architectural drawings, files and photographs of projects designed by Woodbridge and his various firms, circa 1928-1960s. These include buildings at Presbyterian Church, Savoonga, St. Lawrence Island, Ala.; Cole Memorial Chapel, Wheaton College, Wheaton, IL; Amherst College, Mass.; Smith College, Mass.; St. Mary the Virgin Church, Chappaqua, N.Y.; St. John's Chapel and Library, Hobart College, Geneva, N.Y.; the Keene Valley Congregational Church, Keene Valley, N.Y.; and the Brick Presbyterian Church and the Episcopal Church Center, both in New York City; as well as other churches, residences, and miscellaneous projects. Also, included are drawings done by Woodbridge while a student at the Columbia School of Architecture, early 1920s; photographs of some of Woodbridge's buildings taken mostly by the architectural photographer Samuel H. Gottscho; a small sample of Woodbridge's correspondence, 1941-1942, documenting his role as chairman of the American Institute of Architects Committee on Architectural Services, relating to the role architects could play in the war effort; sketchbooks of various international locations; and photographs and documents relating to archaeological excavations at Antioch in Pisidia, Turkey.

This collection contains primarily original drawings, stencils, and color studies for decorative design work--primarily mosaic tile designs--done by Frederick Krieg for R. C. Fisher & Co., other unidentified companies, and likely for himself, in New York City. Although only a very few of the drawings can be attributed to specific buildings, a small group of designs were created by Krieg for the ceiling of the main floor of Surrogate's Court / Hall of Records in Manhattan. Additionally, a small number of window shade design templates, project photographs, and design reference files complement Krieg's drawings. Also included in the collection are three photograph albums and ephemeral materials documenting projects and social events associated with Krieg's son, Charles R. Krieg, a structural engineer working for the Foundation Company. Lastly, the collection contains a small group of papers regarding stone maintenance from Krieg's youngest son, architect Theodore Krieg.