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The Bob Fass Recordings and Papers contains materials created by Bob Fass, host of the late-night program Radio Unnameable on New York City's WBAI radio station. The collection primarily consists of audio recordings of Radio Unnameable and other radio programs hosted by Bob Fass between 1963 and 2011. A small number of video recordings, photographs, correspondence, printed ephemera, and motion picture films are also included in the collection.

The collection consists of the directors' records of the Casa Italiana and later the Italian Academy for Advanced Studies in America. It includes administrative files, correspondence, event files, press clippings, conference and awards materials, and a selection of campus architectural drawings and studies.

Papers include correspondence, manuscripts, documents, photographs, subject files, and printed materials. The extensive correspondence relates to Mogilat's personal and professional activities and includes letters from many of her students and colleagues. Correspondents include Gleb Struve, Alexandra Tolstoy and Boris Unbegaun. Of special interest are letters by her first husband Baron von Taube, written from the front during World War I, and correspondence with various Russian acqaintances about the Soviet Union in the 1920s and 1930s in which they describe life in a communal apartment, and plans to rescue friends who have been arrested. Subject files concern Columbia's Russkiĭ Kruzhok and the Avtonomoff method of teaching Russian to Americans. There are letters, photographs, concert programs and music of Russian emigre composer and pianist Ariadna Mikeshina. Manuscripts are by various persons; most are by John Paul Mihaly, who had been Mogilat's student. There is also a manuscript of translations by Clarence Manning, "Four Poems by Blok." Documents and photographs concern Mogilat and her family, both before and after emigration. Printed materials consist mostly of off-prints of articles by Clarence Manning and others, primarily on literary topics. There are also books, mimeographed materials, periodicals, and clippings.

Correspondence, manuscripts, documents, financial records, photographs, memorabilia, and printed materials. The Foundation's correspondence files consist of letters from different organizations and foundations, including the Martin Luther King, Jr. Center for Social Change, The NAACP, the United Negro College Fund, the Studio Museum in Harlem, and the YWCA. Also included in this collection are community dialogues on race relations (1974-1975); proposed dialogues (1979) on such subjects as the Boy Scouts of America, Columbia University, and the National Council of Christians and Jews; and files on the Whitney M. Young Fellows Retreat Conferences (1980-1984). The collection contains many files on Ed Wilson's bust of Young (1991), including contracts and agreements, records of payments to Wilson, documents concerning the bust's placement in various locations, correspondence with Wilson (1983-1991), and miscellaneous photographs and pictures. The contributions files contain annual listings of contributions and records of contributions from the National Urban League, assorted organizations, corporations, individuals, foundations, and Philip Morris.

Correspondence and teaching materials.

This collection is photograph archive of the works of architectural photographer George Cserna. Images include interior and exterior shots of prominent New York buildings primarily during the 1960s. The collection has been arranged alphabetically by the client or architect of the building. Some of George Cserna's most notable work in this collection includes photographs of Ulrich Franzen's Agronomy Building, Emerson Hall, and Goddard Library at Cornell University; Haines, Lundberg, and Waehler's U.S. Trust Building and Schering-Plough Headquarters; Victor Lundy's I. Miller Store and IBM Headquarters; and I. M. Pei's John Hancock Tower, Mount Royal Bank and Ville Marie Complex, and MIT Chemistry Building. The collection also contains photographs of exhibitions and openings at the Museum of Modern Art in the 1960s and 1970s, such as The Responsive Eye and Toward a Rational Automobile. Finally, the collection has photographic portraits of notable persons including John dos Passos, W.H. Auden, and William Faulkner.