Search

Correspondence, reports, memoranda, case records, photographs and printed material. The archive include central and district administrative records; cammittee correspondence and minutes; and files on the various programs--such as sheltered workshops, tuberculosis sanitariums and health centers, public baths and employment bureaus--run by the two organizations. The archive also contains hundreds of photographs, including works by Lewis Hine and Jessie Tarbox Beals; extensive casework files from the beginning of social work (originally referred to as "friendly visiting among the poor"); and copies of masters and doctoral theses from the New York School of Sociel Work and other schools. Much of the research for these theses was based on the CSS files

The Cuban Voices oral history collection is comprised of interviews conducted for the project of the same name. The project resulted in the publication of Elizabeth Dore's book How Things Fall Apart. The interviews are intended to engage in conversations with Cubans who lived through the transition to communist rule after the Cuban Revolution and experienced events of the following decades. The goal of the project, led by Dore, was not to interview people who have established themselves as public or political figures after the Revolution, but rather to generate a dialogue with ordinary citizens whose narratives do not appear in conventional narratives. Most of the interviewees, then, are not prominent personalities. They are professionals, campesinxs, teachers, sex workers, state employees, cooks, messengers, and people working illegally, among others.

Typescript drafts of the association's constitution, ballots for various elections as well as for the ratification of the constitution, memoranda, reports, correspondence, and minutes of the association meetings and the executive board's meetings.

Cyril Trevor Pinch (1888-1954) was a prominent British journalist. He lived through the era of the end of the British Empire, punctuated by two World Wars, the 1930s boom and depression, and post-war austerity. He had a wide and varied career serving as a soldier in the Mechanized Division during World War I, working his way in Fleet Street as a sub-editor for the Daily Mail, and editing provincial newspapers. He was also the editor in India of the main newspaper of the old Raj, The Military and Civilian Gazette (a paper also edited at one time by Rudyard Kipling). He wrote daily columns specializing on "foreign affairs" and was the lead writer for the short-lived broadsheet the Favourite Weekly in 1938. He published some of his early contributions under the name Cyril Trevor Pinch but most of his career he used the name Trevor Pinch. He wrote an important book about social conditions in India (particularly the exploitation of women and the failures of Indian health care) (Stark India, 1930).

The first acquisition is from Emily Flake (1977-), and consists of the original art and process sketches for her "'Parent' as a verb" series for THE NEW YORKER.