|Rare Book & Manuscript Library|
At a Glance
This collection is arranged in two series. Series I: Correspondence, 1901-1934; Series II: Printed Material, 1901-1920
Scope and Content
The collection consists primarily of letters from Bauer to Isabel Pelham Shaw Lowell (Mrs. Frederick) and Mrs. George R. Shaw. There is also a small amount of printed material.
Using the Collection
Rare Book and Manuscript Library
Restrictions on Access
This collection is located on-site.
This collection has no restrictions.
Terms Governing Use and Reproduction
Single photocopies may be made for research purposes. The RBML approves permission to publish that which it physically owns; the responsibility to secure copyright permission rests with the patron.
Identification of specific item; Date (if known); Harold Bauer papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.
About the Finding Aid / Processing Information
Columbia University Libraries, Rare Book and Manuscript Library
Papers Processed BRC 03/72.
Papers reprocessed Bruce Shenitz 2010 June.
Papers cataloged Lea Osborne 2010 July.
2009-06-26 File created.
2010-07-19 xml document instance created by Lea Osborne.
2019-05-20 EAD was imported spring 2019 as part of the ArchivesSpace Phase II migration.
History / Biographical Note
Harold Bauer (1873-1951) was born in London in 1873. He began his musical studies on the violin, and gave his first public performance at the age of nine. In 1893 he went to Paris and began studying with pianist Ignace Jan Paderewski, and eventually shifted his focus to the piano. After his Paris debut the following year, he toured extensively in Europe. He made his American debut in 1900 and settled in the United States in the early part of the twentieth century. In addition to his performing career, he edited many editions of piano music for music publisher G. Schirmer, including the complete piano works of Schumann, and taught at the Manhattan School of Music and at the University of Miami. He also wrote extensively about music for both professional and general audiences. He died in Miami in 1951.