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Thomas Whiteside papers, 1839-1995, bulk 1952-1992

29 linear feet
Abstract Or Scope
Thomas Whiteside was an American journalist born in 1918. Whiteside wrote for The New Yorker for over 45 years. He covered such topics in his articles and books as cable television, the cigarette industry, the channel tunnel, chemical weapons (notably 2, 4, 5-T, a component of Agent Orange), Ralph Nader, Stig Wennerstrom, and yellow rain. It has been said that Whiteside's work on Agent Orange led directly to the congressional hearings which discussed the dangers of the substance. By the end of the hearings, the Surgeon General of the United States had announced restrictions on the use of the herbicide. The collection contains material related to the articles that Whiteside contributed to The New Yorker. The files include audiocassettes, book reviews, correspondence, drafts, galleys, notebooks and notes, research files, and typescripts. There is a small section of the collection that contains personal papers not tied directly to specific articles or books. The material ranges in date from the 1950s to the 1990s, spanning the time Whiteside worked at The New Yorker.

Columbia College papers, 1703-1964, bulk 1754-1920

67.08 linear feet
Abstract Or Scope
The surviving files of official correspondence, reports, documents, and printed materials of King's College from 1750 to 1784 and Columbia College from 1785 to 1890, as well as Columbia University up to 1964. The King's College era materials include grants, deeds, indentures, lists of governors, leases, accounts, etc. The Columbia College era papers commence with documentation regarding the attempts to revive the college at the end of the American Revolution. In the later period these papers primarily supplement and document the minutes of the meetings of the Board of Governors and the Board of Trustees. Much material was destroyed and scattered in the late 19th century leaving this collection quite incomplete.
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Columbia Medals collection, 1770s-2015

13.13 linear feet
Abstract Or Scope

This is an artificial collection of medals and pins presented to Columbia University students, faculty, staff, and alumni over the years.

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Joseph Urban papers, 1893-1998

135 linear feet
Abstract Or Scope

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

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Seymour B. Durst Old York Library collection of theatre programs, 1880s-1980s, bulk 1880-1994

5 linear feet
Abstract Or Scope

Arranged alphabetically by Theatre name, the collection is made up of over 700 theatre programs and Playbills; included are some of the most prominent productions in the New York area during the 20th century. Often included in the programs are seating charts for specific theatres.

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Residence Hall records, 1905-1938

6.58 linear feet
Abstract Or Scope
This collection consists of the front desk registers and other ledgers and volumes used in managing Columbia's first residence halls in the Morningside campus.
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Series II. Administrative Ledgers, 1908-1934

Gordon Bunshaft architectural drawings and papers, 1909-1990, bulk 1950-1979

20 linear feet
Abstract Or Scope
Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.
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New York Projects in Process, February 1970 Volume 4

Barnard Magazine, 1912-2023

14 Linear Feet
Abstract Or Scope
This collection consists of magazines compiled into bound volumes from 1912-2010. Duplicate issues, from 1935-1994, and issues from 2011-2023, are loose and boxed. There are are also two bound volumes of indexes for the magazines dating from 1912 to 1959.
No additional results

Thomas McGoey papers, 1930s-1970s

10 linear feet
Abstract Or Scope

This collection consists of Thomas A. McGoey's records, from the various administrative positions he held and some personal records he collected during his over-30-year career at Columbia. The office files include subject files, reading files (outgoing correspondence), and meeting minutes. The personal files contain mostly articles, newspaper clippings, and press releases, but also some memorabilia and correspondence.

No additional results

Charles A. Platt architectural records and papers, 1879-1981, bulk 1882-1933

3,989 architectural drawings
Abstract Or Scope
Charles Adam Platt (1861-1933) was an American architect and landscape designer. Although best remembered today for his landscape and country house designs, he was also nationally known for his etchings, landscape paintings, commercial architecture, and institutional projects. He was largely self-taught in each of these disciplines, building his success on his ability to reconceive the classical tradition in architecture for the needs and desires of his wealthy, powerful clients. This collection contains materials related to Platt's personal and professional lives, the bulk originating from Platt's office in the form of project drawings, photographs, and records documenting architectural projects from 1901-1933.
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