General
Box 11 Folder 2
Articles on set design, 1934, 1966
Box 11 Folder 3
Trees & borders
Box 11 Folder 4
Undated scripts
Twelfth Night, November 23, 1914 :
Play by William Shakespeare, revived by Liebler and Co. (George C. Tyler) at the Liberty Theater with Eben Plympton, Walter Creighton, Henry E. Dixey, Edith Campbell Walker, Jessie Busley and Phyllis Neilson-Terry. 8 performances.
Garden of Paradise, November 28, 1914 :
Play in nine scenes by Edward Sheldon based on The Little Mermaid by Hans Christian Andersen, directed by O. P. Heggie, produced by Liebler and Co. (George C. Tyler) at the Park Theater. 17 performances.
Box 11 Folder 6 & 7
Script, part 1 & 2
Box 11 Folder 8
Booklet, set notes in German
Box 11 Folder 8
German article on sea dragon
Box 11 Folder 8
Lefler print for Der Graf von Cilli
Box 11 Folder 8
2 reference photos
Box 11 Folder 8
Costume sketch, pencil
7 drawings, watercolor and pencil :
Box 11 Folder 8
--costume drawings, Act I,II, 16x20 cm.
Box 11 Folder 8
--costume drawing, Act III, 16x10 cm.
Box 11 Folder 8
--props-chests, 16x24 cm.
Box 11 Folder 8
--Act I: Under the Sea, 13x22 cm.
Box 11 Folder 8
--Act I: Under the Sea, 20x30 cm.
Box B5 Folder 5
--Under the Sea, Octopus, 25x30 cm.
Box B5 Folder 6
--Glade Scene, 23x36 (21x33) cm., sig.
Box 11 Folder 8
Set sketch, pencil
Box D2 Folder 5
9 technical drawings
Box 11 Folder 9
71 photographs of sets & costumes
Behold Thy Wife,1915 :
The show opened and closed in Washington DC
Yesterday or Tomorrow, October 8, 1915 :
Fashion extravaganza in 4 acts, written by Pierre de Lanux, directed by Julian Mitchell, sponsored by the International Fashion Show Association and the New York Globe at Carnegie Hall to aid the Actors' Fund of America.
Around the Map (Here Comes Tootsie), November 1, 1915 :
Musical revue in 3 acts, book and lyrics by C. M. S. McLellan, music by Herman Finck, musical numbers staged by Julian Mitchell, directed by Herbert Gresham, produced by Klaw and Erlanger at the New Amsterdam Theater with Hazel Cox, Else Adler, William Norris and Robert Pitkin. 104 performances.
Box 12 Folder 2
Set notes in German and English
1 drawing-watercolor, sig.
Box 12 Folder 2
---Act III.2: Sitting Room, 22x33 cm.
Box 12 Folder 2
3 technical drawings
Box D2 Folder 8
2 technical drawings
Box 12 Folder 2
22 photographs of set drawings
Box 12 Folder 2
Program, Dec. 6, 1915
Pavlowa Ballet, 1915-1917 :
Urban designed sets for Giselle, Orpheo, and "Snowflakes" from Act I of Tchaikovsky's Nutcracker.
Macbeth, February 7, 1916 :
Tragedy by William Shakespeare, directed by James K. Hackett at the Criterion Theater with Mr. Hackett as Macbeth and Viola Allen as Lady Macbeth. 40 performances.
The Greatest Nation, February 28, 1916 :
Play in 3 acts by Marion Creighton and William Elliott, directed by Cyril Scot, produced by William Elliott at the Booth theater. 16 performances.
Pom-Pom, February 28, 1916 :
Comic opera in 2 acts, book and lyrics by Anne Caldwell, music by Hugo Felix, directed by George Marion, produced by Henry W. Savage at the Cohan Theater. 128 performances.
Merry Wives of Windsor, March 20, 1916 :
Comedy by William Shakespeare, produced by James K. Hackett at the Criterion Theater for the Shakespeare tercentenary, directed by Richard Ordynski with Thomas A.Wise, Orrin Johnson, Viola Allen and Henrietta Crosman.
Box 12 Folder 7
Opera libretto with notes, German
Box 12 Folder 7
Playbook, English
2 drawings, watercolor and pencil :
Box 12 Folder 7
--Street Scene, 11x21 cm.
Box 12 Folder 7
--Street Scene, 15x23 (10x18) cm.
Box D2 Folder 12
5 technical drawings
Box 12 Folder 7
16 photographs of set drawings
Set model
Caliban of the Yellow Sands, May 24, 1916 :
Masque based on works of Shakespeare by Percy MacKaye, produced by Joseph Urban and Richard Ordynski, inner settings designed by Robert Edmond Jones, with John Drew and Margaret Wycherly at the Lewisohn Stadium of City College of New York.
Box 12 Folder 8
Letter from Percy MacKaye, March 6, 1916
Box 12 Folder 8
Masque Structure, ts., 2 p.
Box 12 Folder 8
Article, Caliban-1916, ts., 2 p.
Box B5 Folder 12
Tower detail for stage in pencil, 25x38 cm.
Box B5 Folder 13
Sight lines, 25x38 cm.
6 drawings, watercolor, sig. :
Box D3 Folder 1
--ground plan, 42x37 (36x40) cm
Box D3 Folder 2
--tower detail, 50x38 (41x28) cm
Box 14-F-7 Folder 2
--stage, 38x76 (34x76) cm.
Box 14-F-7 Folder 4
--ground plan, 82x59 (74x58) cm
Box B5 Folder 14
--Worship god Osiris, 22x36 (18x30) cm.
Box D2 Folder 1A
--Setebos, 35x43 cm.
Box 12 Folder 8
5 watercolor drawings of interval sets
Box 12 Folder 8
2 programs
Box 12 Folder 9-13
72 photographs
Box 13 Folder 1
1 photo scrapbook
Flora Bella, September 11, 1916 :
Operetta in 3 acts, book by Felix Doermann, revised and adapted by Cosmo Hamilton, music by Charles Cuvillier and Milton Schwarzwald, produced by John Cort, dances by Carl Randall, directed by Richard Ordynski at the Casino Theater. Moved to the 44th Street Theater on November 27, 1916. 112 performances.
Box 13 Folder 2
2 photographs of set drawings
Miss Springtime, September 25, 1916. :
Musical comedy in 3 acts, book by Guy Bolton, music by Emmerich Kalman, ensembles by Julian Mitchell, directed by Herbert Gresham, produced by Klaw and Erlanger at the New Amsterdam Theater. 224 performances.
Othello, 1916 :
3 drawings, watercolor and pencil, sig. :
Box 13 Folder 4
--Act II: Dining Hall, 18x25 (14x22) cm.
Box 13 Folder 4
--Act V: Entrance to garden, 18x25 (14x22) cm.
Box 13 Folder 4
--Act V: Desdemona's room, 18x25 (14x22) cm.
Box 13 Folder 4
Script with tip-in letter from James K. Hackett
Interstate Opera Company, 1916 :
Urban was contracted to do 8 sets for this company which was made up of interests from Cleveland, Pittsburgh, Detroit and Cincinnati, joined together as a corporation to bring opera to the interior. The corporation collapsed after the United States entry into the First World War.
Lakmé :
Tristan Und Isolde :
Box 13 Folder 5
Set notes, 5 p.
3 drawings, watercolor and pencil, sig. :
Box B6 Folder 1
--Act I: Boat, preliminary sketch, 20x26 (15x23) cm.
Box B6 Folder 2
--Act I: boat, 1917, 24x33 (21x31) cm.
Box B6 Folder 3
--Act II: King Mark's Castle, 20x26 (15x23) cm.
1 photograph, retouched with watercolor, sig. :
Box 13 Folder 5
--Act III: Tristan's Courtyard, 16x24 (10x17) cm.
Box 13 Folder 5
3 ground plans
Box 13 Folder 5
5 photographs of set drawings
Box 13 Folder 5
Clipping
Studio Accounts, 1916-1919, 38 p. :
Box 13 Folder 6
Studio Accounts
Nju, March 22, 1917 :
Written by Ossip Dymow, translated by Rosallind Ivin, produced by Joseph Urban and Richard Ordynski at the Bandbox Theater with Ann Andrews, Henry Stanford and Thomas Mitchell. 44 performances.
Box 13
Clippings, 2 p.
Box 13 Folder 7
Script in German
Box 13 Folder 7
Script notes, 4 p.
2 drawings, watercolor and pencil :
Box B31 Folder 1
--bedroom, dining room, 23x37 (18x24) cm.
Box B31 Folder 2
--2 rooms, 30x24 (25x18) cm., sig.
Box 13 Folder 7
Invitation Detail 7
Box 13 Folder 7
3 invitations
Box 13 Folder 7
Billing and Accounts, 35 p.
Box 13 Folder 7
4 photographs of production
Riviera Girl, September 24, 1917 :
Musical comedy in 3 acts, music by Emmerich Kalman based on his Czardasfürstin, book and lyrics by Guy Bolton and P. G. Wodehouse, with songs by Jerome Kern, produced by Klaw and Erlanger at the New Amsterdam with Louis Cassavant and Wilda Bennett. 78 performances.
Jack O'Lantern, October 16, 1917 :
Musical extravaganza in 2 acts by Anne Caldwell and R. H. Burnside, music by Ivan Caryll, directed by R. H. Burnside, produced by Charles Dillingham at the Globe Theater with Fred Stone. Included sets by Homer Ewens and Ernest Albert. 265 performances.
Glorianna, October 28, 1918 :
Play with music in 3 acts, book and lyrics by Catherine Chisholm Cushing, music by Rudolf Friml, directed by Clifford Brooke, produced by John Cort at the Liberty Theater. 96 performances.
Box 13 Folder 10
1 script
Box 13 Folder 10
2 photographs of sets
The Invisible Foe, December 30, 1918. :
Play in 3 acts by Walter Hackett, produced and directed by Thomas Dixon at the Harris Theater with Daisy Vivian and Frank Andrews. 112 performances.
London Revue, 1918-1920 :
Albert DeCourville commissioned Urban to make sets for a Follies-style revue in London.
Box 13 Folder 12
1 agreement and 3 letters regarding set drawings
Belle Hélène,1919, unrealized :
Operetta in 3 acts, music by Jacques Offenbach, director-Richard Ordynski
Box 13 Folder 13
Libretto
3 drawings, watercolor and pencil :
Box B6 Folder 4
--Act I: Temple, not used, 25x36 cm.
Box B6 Folder 5
--Act II: Boudoir, not used, 24x34 cm.
Box B6 Folder 6
--Act III: Nauplia, 31x40 cm.
Box 13 Folder 13
5 photographs of set drawings
Detroit Symphony Orchestra Hall, Detroit symphony, 1919 :
Hitchy Koo, October 6, 1919. :
A revue in 2 parts, book by George V. Hobart, music and lyrics by Cole Porter, produced by Raymond Hitchcock at the Liberty Theater with Raymond Hitchcock, Florence O'Denishawn and Princess White Deer.
Box 13 Folder 15
4 photographs of sets
Apple Blossoms, (Marriage Knot), October 7, 1919. :
Operetta in prologue and 2 acts, music by Fritz Kreisler and Victor Jacobi, book and lyrics by William Le Baron, produced by Charles Dillingham at the Globe with Adele and Fred Astaire in supporting roles. 236 performances.
A Young Man's Fancy, October 15, 1919 :
A comedy in 3 acts by John T. McIntyre, produced by George C. Tyler at The Playhouse with Philip Merivale and Jeanne Eagels.
Rose of China, November 25, 1919 :
Musical comedy by Guy Bolton, lyrics by P. G. Wodehouse, music by Armand Vecsey, produced by F. Ray Comstock and Morris Gest at the Lyric Theater with Oscar Shaw, Jane Richardson and Edna May Oliver. 6 weeks.
Smilin' Through, December 30, 1919 :
Play in prolog and 3 acts by Allan Langdon Martin, directed by Priestly Morrison, produced by the Selwyns at the Broadhurst Theater with Jane Cowl, Henry Stephenson and Orme Caldara.
Singer Midgets, 1920-1923 :
5 drawings, watercolor and pencil :
Box 14 Folder 5
--Chapel of Wedding Bells, 23x19 (16x15) cm., sig.
Box 14 Folder 5
--Chapel, 23x18.5 (16x15) cm.
Box 14 Folder 5
--Gingerbread House, 15x26 (14x26) cm., sig.
Box 14 Folder 5
--Ice Cream Pavilion, 19x23 (11x18) cm., sig.
Box 14 Folder 5
--Post Office, signed, 19x23 (14x14) cm., sig.
Box 14 Folder 5
1 photograph of Village set
Merry Widow, September 5, 1921 :
Operetta in 3 acts, music by Franz Lehar, lyrics by Adrian Ross, produced by Henry W. Savage, directed by George Marion at the Knickerbocker Theater with Lydia Lipkowska, Reginald Pasch and Jefferson De Angelis. 56 performances. Urban designed the sets but asked to have his name removed from the production due to a disagreement with Savage over the design of the 3rd act.
The Love Letter, October 4, 1921 :
Musical comedy in 3 acts adapted from The Phantom Rival by Ferenc Molnar, book and lyrics by William Le Baron, music by Victor Jacobi, directed by Edward Royce, produced by Charles Dillingham at the Globe Theater with John Charles Thomas, and Fred and Adele Astaire. 31 performances.
Blaue Mazur, 1921 :
Urban had agreed to design the Lehar operetta for Henry W. Savage. The project was canceled after Urban and Savage had a disagreement regarding the sets for The Merry Widow.
Box 14 Folder 8
Director's playbook
Yankee Princess, October 2, 1922 :
Musical comedy adapted from the Viennese operetta Die Bajadere by Julius Brammer and Alfred Grünwald, with book by William Le Baron, lyrics by B. G. De Sylva, music by Emmerich Kalman, choreographed by Julian Mitchell, directed by Fred G. Latham, produced by A. L. Erlanger at the Knickerbocker Theater with Vivienne Segal and Thorpe Bates. 80 performances.
3 set renderings, watercolor and pencil :
Box 14 Folder 9
--Act I: Theater Lobby, 21x31 (16x25) cm.
Box 14 Folder 9
--Act II: Princess Room, 20x30 (16x25) cm.
Box 14 Folder 9
--Act III: Club room, 21x31 (16x25) cm.
Box 14-E-12 Folder 10
4 technical drawings
Dream Girl, August 20, 1924 :
The premiere of this musical, produced by Lee and J. J. Shubert at the Ambassador Theater and starring Fay Bainter was designed by Watson Barratt.
Orpheum Circuit, 1925 :
Box D3 Folder 9
3 blueprints
14 drawings, watercolor and pencil :
Box B7 Folder 2
--Garden, 26x32 (15x23) cm.
Box B7 Folder 3
--Mountain panorama, 25x33 (13x21) cm.
Box B7 Folder 4
--Pavilion, 25x33 (13x21) cm.
Box B7 Folder 5
--Club room, 25x32 (16x25) cm.
Box B7 Folder 6
--Terrace, 26x36 (13x21) cm.
Box B7 Folder 7
--Library, 23x35 (13x21) cm.
Box B7 Folder 8
--White interior, 26x33 (13x21) cm.
Box B7 Folder 9
--Drawing room drop, 26x31 (13x21) cm.
Box B7 Folder 10
--Street Scene, 24x35 (18x29) cm.
Box B7 Folder 11
--Oriental city, 25x33 (19x29) cm.
Box B7 Folder 12
--Park drop, 26x31 (14x22) cm.
Box B7 Folder 13
--Drawing room, 26x31 (13x21) cm.
Box B7 Folder 14
--Portal, not used, 23x31 (16x27) cm.
Box B7 Folder 15
--Conservatory, 26x31 (13x21) cm.
Box 14 Folder 11
1 scaled drawing of eagle
Mayflower Hotel Stage Setting, 1925 :
2 drawings, watercolor and pencil :
Box 14 Folder 12
--Woman fg., street scene
Box 14 Folder 12
--Champs Elysees, 21x26 (11x16) cm.
Box 14 Folder 12
--stage setting, 22x25 cm
Box 14 Folder 12
9 technical drawings
Box 14-E-12 Folder 11
11 technical drawings
Box 14-E-12 Folder 11
1 drawing of slouching panther
Box 14 Folder 12
1 photograph of stage setting
Human Nature (Gun Powder), September 24, 1925 :
Comedy in 3 acts by J. C. and Elliott Nugent, produced by Gene Buck, directed by J. C. Nugent and Frederick Stanhope with Mary Duncan, Brandon Tynan, John Marston and Frank Conroy at the Liberty Theater. 4 performances
Box 14 Folder 13
3 technical drawings
Box 14 Folder 13
1 job order
Box 14-E-12 Folder 12
7 technical drawings
Set model
Tale of the Wolf, October 7, 1925 :
Comedy in 3 acts by Ferenc Molnar, produced by Charles Frohman Inc., directed by Frank Reicher at the Empire Theater with Phyllis Povah, Roland Young and Wallace Eddinger. 13 performances.
Antonia, October 20, 1925 :
Written by Melchior Lengyel, adapted by Arthur Richman, directed by George Cukor, produced by Charles Frohman, Inc. with Marjorie Rambeau at the Empire Theater. 55 performances.
Box 14-E-12 Folder 14
12 technical drawings
Box 14 Folder 15
2 sketches of details
Box 14 Folder 15
2 photographs of set drawings
Box 14 Folder 15
Program
Song of the Flame, December 30, 1925 :
Romantic opera in prologue, two acts and epilogue, book and lyrics by Otto Harbach and Oscar Hammerstein II, music by Herbert Stothart and George Gershwin, costumes by Mark Mooring, choreographed by Jack Haskell, produced by Arthur Hammerstein, directed by Frank Reicher at the Forty-fourth Street Theater with Tessa Kosta as Aniuta and Guy Robertson as Volodya. 224 performances.
Duchess of Elba, 1925-1926 :
Written by Rudolph Lothar.
3 watercolor drawings by Gretl Urban, sig.:
Box 14 Folder 17
--Act I: Store scene, 19x29 (10x20) cm.
Box 14 Folder 17
--Act II: Sitting Room, 18x29 (10x18) cm.
Box 14 Folder 17
--Act III: Bedroom, 19x29 (12x25) cm.
Box 14-E-12 Folder 16
6 technical drawings
Box 14 Folder 17
2 set sketches
Box 14 Folder 17
1 sketch of Napoleon
Box 14 Folder 17
1 wallpaper sample
Set model
Wild Rose (Hawthorne of the USA), October 20, 1926 :
Musical comedy in 2 acts, book and lyrics by Otto Harbach and Oscar Hammerstein II, music by Rudolf Friml, choreographed by Busby Berkeley, costumes by Mark Mooring, directed by William J. Wilson, produced by Arthur Hammerstein at the Martin Beck Theater with Joseph Santley, Desiree Ellinger and William Collier. 61 performances.
8 drawings, watercolor and pencil :
Box B8 Folder 3
--ActI.1: Casino, not used, 27x33 (12x18) cm.
Box B8 Folder 4
--Act I.2:Inn Front, 25x31 (12x19) cm.
Box B8 Folder 5
--Act I.3: Tavern, 26x31 (12x18) cm.
Box B8 Folder 6
--Act I.4: Garden Wall, 26x31 (13x18) cm.
Box B8 Folder 7
--Act II.1:King's Dressing Room, 26x31 (12x20) cm.
Box B8 Folder 8
--Act II.2: Castle yard, 26x31 (12x18) cm.
Box B8 Folder 9
--Act II.3: Tower, 26x31 (12x18) cm.
Box B8 Folder 10
--Act II.4: Border drop, 26x31 (13x18) cm., signed by Gretl
Box 14 Folder 18
Sketches and notes, 6 p.
Box 14-E-12 Folder 17
28 technical drawings
Box 14 Folder 18
4 detail sketches of throne room
Box 14 Folder 18
Letter from construction co.
Set models
Yours Truly (Lotus Flower), January 25, 1927 :
Musical play in 2 acts, book and lyrics by Clyde North and Anne Caldwell, music by Raymond Hubbell, choreographed by Ralph Reader, produced by Gene Buck, directed by Paul Dickey at the Shubert Theater with Leon Errol, Marion Harris, Ina Williams and Irene Dunne. 129 performances. Restaged at the Century Theater for 16 performances March 12, 1928.
Golden Dawn, November 30, 1927. :
Musical drama in 2 acts by Otto Harbach and Oscar Hammerstein, II, music by Emmerich Kalman and Herbert Stothart, choreographed by Dave Bennett, costumes by Mark Mooring, directed by Reginald Hammerstein, produced by Arthur Hammerstein at Hammerstein Theater with Louise Hunter, Robert Chisholm, Paul Gregory and Archie Leach (Cary Grant). 184 performances.
Big Parade, MGM, 1925 :
Art direction by James Basevi and Cedric Gibbons. In 1928 plans were made to make a musical for which Urban was to design the set.
Treasure Girl, November 8, 1928 :
Musical comedy in 2 acts, book by Fred Thompson and Vincent Lawrence, lyrics by Ira Gershwin, music by George Gershwin, directed by Bertram Harrison, choreographed by Bobby Connolly, produced by Alex A. Aarons and Vinton Freedley at the Alvin Theater with Gertrude Lawrence, Walter Catlett, Clifton Webb and Mary Hay. 68 performances.
Polly, January 8, 1929 :
Musical in 2 acts by Guy Bolton and George Middleton of the 1917 comedy Polly with a Past, music and lyrics by Herbert Stothart, Philip Charig and Irving Caesar, directed by John Harwood, choreographed by Jack Haskell, produced by Arthur Hammerstein at the Lyric Theater with June, Charles Esdale and Fred Allen. 15 performances.
1 drawing, watercolor and pencil :
Box 15 Folder 3
--Western Union Office
Box 14-E-13 Folder 5
7 technical drawings
Set model
Sons O' Guns (Tin Hats), November 26, 1929 :
Musical comedy by Fred Thompson and Jack Donahue, music and lyrics by Arthur Swanstrom, Benny Davis and J. Fred Coots, choreographed by Bobby Connolly and Albertina Rasch, costumes by Charles Le Maire, directed by Bobby Connolly, produced by Connolly and Swanstrom at the Imperial Theater with Jack Donahue, William Frawley and Lily Damita. 295 performances
Ripples, February 11, 1930 :
Musical comedy in 2 acts by William Anthony McGuire, music by Oscar Levant and Albert Sirmay, lyrics by Irving Caesar and Graham John, costumes by Charles LeMaire choreographed by William Holbrook, directed by William Anthony McGuire, produced by Charles Dillingham at the New Amsterdam with Fred Stone, Dorothy Stone, Paula Stone, Charles Collins, and Eddie Foy, Jr. 55 performances.
Flying High, March 3, 1930 :
Musical comedy in 2 acts, book and lyrics by B. G. DeSylva, Lew Brown and John McGowan, music by DeSylva, Brown and Ray Henderson, costumes by Charles LeMaire, choreographed by Bobby Connolly, directed by Edward Clark Lilley, produced by George White at the Apollo Theater with Bert Lahr, Kate Smith, Grace Brinkley and Oscar Shaw. 357 performances.
Box 15 Folder 6
1 set list
Box 15 Folder 6
2 drawings-pencil
Box 14-E-13 Folder 8
47 technical drawings
Box 15 Folder 6
13 photographs of sets
Box 15 Folder 6
1 program
Box 15 Folder 6
3 exhibit notes
Set models
Princess Charming, October 13, 1930 :
Romantic opera in 2 acts adapted by Jack Donahue from the original by Franz Martos, Arthur Wimperis and Laurie Wylie, music by Albert Sirmay and Arthur Swartz, lyrics by Arthur Swanstrom, choreographed by Albertina Rasch and Bobby Connolly, costumes by Charles LeMaire, directed by Edward Clark, produced by Bobby Connolly and Arthur Swanstrom at the Imperial Theater with Victor Moore, Evelyn Herbert, George Grossmith and Robert Halliday. 56 performances
George White's Scandals, September 14, 1931 :
Revue in 2 acts, sketches by George White, Lew Brown and Irving Caesar; music by Lew Brown and Ray Henderson, costumes by Charles LeMaire, produced and directed by George White at the Apollo Theater with Edward Everett Marshall, Rudy Vallee, Ray Bolger, Ethel Merman, Alice Faye and Ethel Barrymore Colt. 202 performances.
Box 15 Folder 8
Set notes, 6 p.
Box 15 Folder 8
Watercolor drawing of clouds, 16x21 (9x13) cm.
Box 15 Folder 8
11 technical drawings
Box 14-E-13 Folder 10 & 11
68 technical drawings
Set models
The Good Fairy, November 24, 1931 :
Comedy in 3 acts by Ferenc Molnar, English text by Jane Hinton, music by Alexander Haas, staged and produced by Gilbert Miller at the Henry Miller Theater with Helen Hayes, Paul McGrath and Walter Connolly. 151 performances. Revived with a different cast November 17, 1932 for 72 performances.
Mad Hopes, May, 1932 :
Pre-Broadway tryout of Romney Brent play produced by Curran and Belasco at the Belasco Theater in Los Angeles with Billie Burke, Peg Entwhistle and Humphrey Bogart.
Music in the Air, November 8, 1932 :
Musical comedy in 2 acts, book and lyrics by Oscar Hammerstein II, music by Jerome Kern, costumes by John Harkrider, directed by Hammerstein and Kern, produced by Peggy Fears at the Alvin Theater with Al Shean, Walter Slezak and Katherine Carrington. 144 performances, return performance at the Forty Fourth Street Theater, 196 performances.
The Light, 1932-1933. :
Ottis Lucas had written this pageant to be produced at the Chicago World's Fair in 1933. It was never produced but Urban won a prize for his set model at the 48th Annual Exhibition of the Architectural League of New York.
Musician's Emergency Fund, February 14, 1933 :
Urban designed the setting for a concert of Beethoven's Ninth Symphony conducted by Walter Damrosch in Madison Square Garden for the benefit of unemployed musicians in New York.
Box 15 Folder 13
4 photographs
Melody, February 14, 1933 :
Operetta composed by Sigmund Romberg, book by Edward Childs Carpenter, lyrics by Irving Caesar, choreographed by Bobby Connolly, costumes by Charles LeMaire, produced and directed by George White at the Casino Theater with Jeanne Aubert and Everett Marshall, Walter Woolf, Evelyn Herbert and Hal Skelly. 80 performances.
Box 15 Folder 14
Set sketches, 3 p.
New Amsterdam Roof Garden, 1915, 1917, 1921 :
Midnight Frolic, 1917 :
Nine O'clock Frolic, February 8, 1921 :
Midnight Frolic, November 17, 1921 :
Ziegfeld Follies, June 21, 1915 :
Revue in 2 acts, lines and lyrics by Channing Pollock, Rennold Wolf and Gene Buck, music by Louis Hirsch and David Stamper, costumes by Lucile, choreographed by Julian Mitchell, staged by Mitchell and Leon Errol at the New Amsterdam Theater with Ed Wynn, Ann Pennington, Justine Johnstone, Kay Laurell, Olive Thomas, Mae Murray, W. C. Fields, Bert Williams, Bernard Granville, George White, Ina Claire, Lucille Cavanaugh and Leon Errol. 104 performances.
Box 16 Folder 2
Notes and letters, San Francisco Expo, 8 p.
Box 16 Folder 2
6 photographs, San Francisco Expo. 8 p.
Box 14-E-14 Folder 2
2 photographs, San Francisco Expo
Box 16 Folder 2
Research on submarines, 6 p.
Box B9 Folder 13
3 technical drawings
4 drawings, watercolor and pencil, sig. :
Box B9 Folder 14
--House entrance, not used, 24x35 (20x33) cm
Box B9 Folder 15
--Flower curtain, 24x35 (20x33) cm.
Box B10 Folder 1
--Zeppelin, 20x33 cm.
Box B10 Folder 2
--Map for Frisco, 24x34 (20x32) cm.
Box 16 Folder 2
8 technical drawings
Box 16 Folder 2
24 photographs of set drawings
Ziegfeld Follies, June 16, 1916 :
Revue in 2 acts, book and lyrics by George V. Hobart and Gene Buck, music by Louis Hirsch, Jerome Kern and Dave Stamper, costumes by Lucile et al., staged and choreographed by Ned Wayburn at the New Amsterdam Theater with Bernard Granville, Ina Claire, Justine Johnstone, Bert Williams, Allyn King, Marion Davies, Ann Pennington, Lilyan Tashman, W. C. Fields, Fannie Brice and Will Rogers. 112 performances.
Century Girl, November 6, 1916 :
Music by Victor Herbert and Irving Berlin, produced by Charles Dillingham at the Century Theater with Marie Dressler, Hazel Lewis, Hazel Dawn, Irving Fisher, Leon Errol, Elsie Janis, Gus Van, Joe Schenk, Vera Maxwell, Frank Tinney and Lilyan Tashman. 200 performances.
Century Roof Garden, January 18, 1917 :
The producers, Ziegfeld and Dillingham, named the roof garden the Cocoanut Grove and staged a Midnight Revue entitled Dance and Grow Thin, with music and lyrics by Irving Berlin and Blanche Merrill, staging by Leon Errol and Gertrude Hoffman, with Will Richie, Rita Boland, Hattie Burks, Leon Errol, Irving Fisher, Dolly Hackett, and Van and Schenck.
Box 16 Folder 5
Silhouette, unused sketch
Box 16 Folder 5
17 p. sketches and notes
Box 14-E-14 Folder 4
14 technical drawings
Ziegfeld Follies 1917, June 12, 1917 :
Revue in 2 acts, book and lyrics by Gene Buck and George V. Hobart, music by Raymond Hubbell, Dave Stamper and Victor Herbert, costumes by Lucile et al., staged and choreographed by Ned Wayburn at the New Amsterdam Theater, with Walter Catlett, Lilyan Tashman, W. C. Fields, Bert Williams, the Fairbanks Twins, Eddie Cantor, Fannie Brice, Will Rogers, Allyn King, Delores and Peggy Hopkins. 111 performances.
Miss 1917, November 5, 1917 :
Revue in 2 acts, book and lyrics by Guy Bolton and P. G. Wodehouse, music by Victor Herbert, staged by Ned Wayburn, produced by Charles Dillingham and Florenz Ziegfeld at the Century Theater with Lew Fields, Andrew Tombs, Elizabeth Brice, Marion Davies, Charles King, Bessie McCoy Davis, Vivienne Segal, Vera Maxwell, Van & Schenk, Irene Castle, Bert Savoy, Joe Brennan, Lilyan Tashman, Dolores, George White and Ann Pennington and others. 48 performances.
Ziegfeld Follies 1918, June 18, 1918 :
Revue in two acts, lines and lyrics by Rennold Wolf and Gene Buck, music by Louis A. Hirsch and Dave Stamper, interpolations by Irving Berlin and Victor Jacobi, costumes by Lucile et al., staged by Ned Wayburn at the New Amsterdam Theater with Eddie Cantor, Frank Carter, Gus Minton, Marilyn Miller, Will Rogers, Allyn King, Dolores, Ann Pennington, Kay Laurell, the Fairbanks Twins, W. C. Fields, and Lillian Lorraine. 151 performances.
By Pigeon Post, November 25, 1918 :
Play in three acts by Austin Page at the Cohan Theater with Jerome Patrick, Frank Kemble Cooper, John Sainpolis, Phoebe Foster and Peggy O'Neil. 24 performances.
Box 16 Folder 9
4 p. of program
Ziegfeld Follies of 1919, June 16, 1919 :
Written by Irving Berlin, Gene Buck, Rennold Wolf and Dave Stamper, ballet by Victor Herbert, costumes by Lucile et al., directed by Ned Wayburn at the New Amsterdam Theater with Eddie Cantor, Johnny and Ray Dooley, Eddie Dowling, Phil Dwyer, the Fairbanks Twins, Mary Hay, George LeMaire, Marilyn Miller, John Steele, Van and Schenck, Hazel Washburn and Bert Williams. 171 performances
Caesar's Wife, November 24, 1919 :
Drama in 3 acts by W. Somerset Maugham, directed by B. Iden Payne, starring Billie Burke, Norman Trevor, and Ernest Glendenning at the Liberty Theater. 81 performances.
Ziegfeld Follies of 1920, June 22, 1920 :
Music and lyrics by Irving Berlin, Dave Stamper, Gene Buck, Joseph McCarthy, Harry Tierney and Victor Herbert, costumes by Lucile et al., directed by Edward Royce at the New Amsterdam Theater with Ray Dooley, Fannie Brice, W. C. Fields, Charles Winninger, Bernard Granville, John Steel, Mary Eaton, Jack Donahue, Van and Schenck and Moran and Mack. 123 performances.
James Theater, Columbus, Ohio, 1920-1921 :
Sally, December 21, 1920 :
Musical comedy in three acts, book by Guy Bolton, lyrics by Clifford Grey, music by Jerome Kern and Victor Herbert, directed and choreographed by Edward Royce at the New Amsterdam Theater with Marilyn Miller, Leon Errol, Mary Hay, Walter Catlett, and Dolores. 570 performances.
Ziegfeld Follies of 1921, June 21, 1921 :
Lines and lyrics by Channing Pollock, Gene Buck, Willard Mack, Ralph Spence and Bud De Silva, music by Victor Herbert, Rudolf Friml and Dave Stamper, costumes by James Reynolds, directed by Edward Royce at the Globe Theater with Raymond Hitchcock, Fannie Brice, Van and Schenk, Ray Dooley, Florence O'Denishawn, Charles O'Donnell, W. C. Fields, Mary Eaton and Mitti and Tillio. 119 performances.
5 drawings, watercolor and pencil :
Box B11 Folder 2
--Venetian, 26x31 (18x21) cm., sig.
Box B11 Folder 3
--Paris-Bridge over Seine, 26x28 (18x21) cm.
Box B11 Folder 4
--Temple of Colors, 26x31 (20x23) cm., sig.
Box B11 Folder 5
--Princess, Queen of the Night, 21x31 (10x22) cm., sig.
Box B11 Folder 5A
--Rose Bower, 25x31 (11x12) cm.
Box D4 Folder 5
38 technical drawings
Box 17 Folder 2
2 p. notes and plan
Box 17 Folder 2
21 photographs of set drawings
Ziegfeld Follies of 1922, June 5, 1922 :
Music by Victor Herbert, Louis A. Hirsch and Dave Stamper, book and lyrics by Ring Lardner, Gene Buck and Ralph Spence, sets by Urban, James Reynolds and Herman Rosse, costumes by James Reynolds, Charles LeMaire, et al., directed and choreographed by Ned Wayburn at the New Amsterdam Theater, with Will Rogers, Michael Fokine, Gallagher and Shean, Lulu McConnell, Andrew Tombes, Evelyn Law, Gilda Gray, Mary Eaton and Jessie Reed. 541 performances.
Rose Briar, December 25, 1922 :
Comedy in 3 acts by Booth Tarkington with Billie Burke, Frank Conroy, Allan Dinehart, Julia Hoyt and Florence O'Denishawn at the Empire Theater. 89 performances. 17
Ziegfeld Follies of 1923, October 20 :
Musical revue in 2 acts, lyrics by Gene Buck, music by Victor Herbert, Rudolph Friml and Dave Stamper, costumes by Ben-Ali Haggin, Tappé, Alice O'Neill, Erté, and James Reynolds, et al., directed and choreographed by Ned Wayburn with Fanny Brice, Eddie Cantor, Bert and Betty Wheeler, Lina Basquette, Ann Pennington, Paul Whiteman Orchestra and Dave Stamper at the New Amsterdam Theater. 333 performances
Kid Boots, December 31, 1923 :
Musical comedy in 2 acts by William Anthony McGuire and Otto Harbach, music by Harry Tierney, lyrics by Joseph McCarthy, directed by Edward Royce at the Earl Carroll Theater with Eddie Cantor, Mary Eaton and Jobyna Howland. 479 performances.
Ziegfeld Follies of 1924, June 24, 1924 :
Musical revue with lyrics by Gene Buck and Joseph J. McCarthy, music by Victor Herbert, Raymond Hubbell, Dave Stamper, Harry Tierney and Dr. Albert Szirmai, dialog by William Anthony McGuire and Will Rogers, costumes by James Reynolds, Charles LeMaire, et al., sets by Joseph Urban and Ludwig Kainer, staged by Julian Mitchell at the New Amsterdam Theater with Will Rogers, Vivienne Segal, Ann Pennington, Lina Basquette, Evelyn Law, Mae Daw and the Tiller Girls. c. 401 performances.
Annie Dear, November 4, 1924 :
Musical comedy in 3 acts from the original Good Gracious, Annabelle (1916), book, music and lyrics by Clare Kummer, interpolations by Sigmund Romberg and Harry Tierney, staged by Edward Royce at the Times Square Theater, with Billie Burke, Marion Green and Ernest Truex. 103 performances.
Box 17 Folder 9
Rough sketch of hotel scene, watercolor
8 drawings, watercolor and pencil :
Box B11 Folder 8
--Curtain A, 26x31 cm.
Box B11 Folder 9
--Curtain B, not used, 27x34 cm.
Box B11 Folder 10
--Curtain, bouquet, not used, 26x31 cm.
Box 17 Folder 9
--Hotel Lobby, rough drawing, 15x19 cm.
Box B12 Folder 1
--Hotel lobby, 27x35 cm.
Box B12 Folder 2
--Hotel lobby drop, 26x31 cm.
Box B12 Folder 3
--Kitchen scene, 27x35 cm.
Box B12 Folder 4
--Kitchen Garden, 27x35 cm.
Box B12 Folder 5
--Park scene, garden, night, 26x31 cm.
Box 17 Folder 9
Detail for Rainbow Garden and curtain
Box 14-E-14 Folder 13
12 technical drawings
Set model
Louie the 14th, March 3, 1925 :
Musical play from the German, adaptation and lyrics by Arthur Wimperis, music by Sigmund Romberg, sets in collaboration with Gretl Urban and Karl Koeck, directed by Edward Royce with Leon Errol, Ethel Shutta, Doris Patson, and Henry Fender at the Cosmopolitan Theater. 79 performances.
6 drawings-watercolor and pencil :
Box B31 Folder 5
--Act I: Market place, 27x32 (14x23) cm.
Box B12 Folder 6
--Road to Inn, not used, 27x31 (14x23) cm.
Box B12 Folder 7
--Mountain Inn, sig. Karl Koeck, 24x31 (17x23) cm.
Box B31 Folder 6
--Mountain Inn (not used), 27x32 (17x24) cm.
Box 17 Folder 10
--Act II.1: Ballroom detail, 18x36 (14x33) cm.
Box B12 Folder 8
--Act II.2: Garden Scene, sig. Gretl Urban, 27x32 (14x23) cm.
Box 17 Folder 10
Sketches and notes, 11 p.
Box B12 Folder 9
3 technical drawings
Box 14-E-14 Folder 14
28 technical drawings
Palm Beach Girl, January 14, 1926 :
Opened as Ziegfeld's Palm Beach Nights, book by Gene Buck and Irving Caesar, music by Rudolph Friml, staged by Ned Wayburn at the Club de Montmartre in Palm Beach with Harry Fender, Mort Downey, Ray Dooley, Claire Luce, Polly Walker, and Paulette Goddard.
No Foolin', June 24, 1926 :
Revue in two acts, a revised version of Ziegfeld's Palm Beach Girl, music by Rudolf Friml, written by Gene Buck, Irving Caesar, Ballard MacDonald, J. P. McEvoy and James Hanley, tableaux by Ben Ali Haggin, costumes by John Harkrider, sets by Urban and John Wenger, dances by John Boyle, staged by Walter Wilson and Ed Royce at the Globe Theater with James Barton, Ray Dooley, Polly Walker, Peggy Fears, Paulette Goddard, and Claire Luce. This was essentially the Follies for 1926 but went by several titles including Ziegfeld's American Revue due to a legal dispute with the Erlanger estate over the use of the name. 108 performances.
7 drawings, watercolor and pencil:
Box B13 Folder 1
--Portal & Opening, 32x26 cm.
Box B13 Folder 2
--Curtain, 26x31 cm.
Box B13 Folder 3
--Curtain, not used, 26x32 cm.
Box B13 Folder 4
--Cabaret, 26x31 cm.
Box B13 Folder 5
--Oriental, 25x31 cm.
Box B13 Folder 6
--Skyscraper, 26x31 cm.
Box B13 Folder 7
--Pink Gauze, 23x28 cm.
See also Palm Beach Girl.
Betsy, December 28, 1926. :
Musical comedy in 2 acts, music by Richard Rodgers, lyrics by Lorenz Hart, book by Irving Caesar & David Freedman, choreographed by Sammy Lee, directed by William Anthony McGuire at the New Amsterdam Theater, with Belle Baker. 39 performances.
Rio Rita, February 2, 1927 :
Musical comedy in two acts, book by Guy Bolton and Fred Thompson, music and lyrics by Harry Tierney and Joseph McCarthy, choreographed by Albertina Rasch and Sammy Lee, costumes by John Harkrider, directed by John Harwood at the Ziegfeld Theatre with J. Harold Murray, Ethelind Terry, Bert Wheeler, Robert Woolsey and the Albertina Rasch Girls. 494 performances.
Box 17 Folder 14
10 work sketches
Box A7 Folder A
Sketch of ship deck
9 drawings, watercolor and pencil :
Box B13 Folder 8
--Curtain B, not used, 26x32 (18x20) cm.
Box B13 Folder 9
--Cactus curtain C, not used, 32x42 (23x33) cm.
Box B13 Folder 10
--Curtain D, not used, 26x31 (19x20) cm.
Box B14 Folder 1
--Spanish Shawl , 26x32 (19x19) cm.
Box B14 Folder 2
--I.1: Inn A, 25x31 (18x20) cm.
Box B14 Folder 3
--Cellar, 26x31 (17x17) cm.
Box B14 Folder 4
--Patio, 32x34 (21x24) cm.
Box B14 Folder 5
--Boat scene, 26x31 (18x21) cm.
Box B14 Folder 6
--Colonial House, 26x31 (18x21) cm.
Box 14-E-14 Folder 16
21 technical drawings
Box 17 Folder 14
12 photographs of sets
Set model
Ziegfeld Follies of 1927, August 16, 1927 :
Musical revue in 2 acts, music and lyrics by Irving Berlin, sketches by Harold Atteridge and Eddie Cantor, costumes by John Harkrider, choreographed by Sammy Lee and Albertina Rasch, produced by Abe Erlanger and Florenz Ziegfeld, directed by Ziegfeld and Zeke Colvan at the New Amsterdam Theater with Eddie Cantor, Andrew Tombes, Claire Luce, Ruth Etting and the Albertina Rasch Girls. 167 performances.
Show Boat, December 27, 1927 :
Musical adapted from Edna Ferber's novel, book and lyrics by Oscar Hammerstein II, music by Jerome Kern, costumes by John Harkrider, choreographed by Sammy Lee, directed by Zeke Cohan at the Ziegfeld Theatre with Charles Winninger, Edna May Oliver, Howard Marsh, Norma Terriss, Helen Morgan, Aunt Jemima (Tess Gardell) and Jules Bledsoe. 572 performances.
Box D4 Folder 8
18 prints of Chicago World's Fair of 1893.
15 drawings, watercolor and pencil :
Box C4 Folder A
--Curtain, 29x46 cm.
Box B14 Folder 7
--Curtain, not used, 26x32 (18x27) cm.
Box B14 Folder 8
--Curtain, 22x35 (15x24) cm.
Box B14 Folder 9
--I.1,8: Levee B 26x32 (11x20) cm.
Box B14 Folder 10
--I.2: Pantry A, 26x32 (11x20) cm.
Box B15 Folder 1
----I.2: Pantry B, 26x32 (12x19) cm.
Box B15 Folder 2
--I.3: Outside cabaret, 26x32 (12x19) cm.
Box B15 Folder 3
--I.4: Empty Stage, 26x32 (13x19) cm.
Box B15 Folder 4
--I.5: Box Office, 26x32 (13x20) cm.
Box B15 Folder 5
--I.7: Upper Deck, 26x32 (12x19) cm.
Box B15 Folder 6
--II.2: Kitchen Pantry, 26x32 (14x19) cm.
Box B15 Folder 7
--II.5,6: Music hall, 26x32 (12x21) cm.
Box B15 Folder 8
--II.6: Music hall, 26x32 (12x19) cm.
Box B15 Folder 9
--II.5,6: Cabaret C, 27x32 (13x19) cm.
Box B15 Folder 10
--Doorway, 26x32 (14x20) cm.
Box 17 Folder 16
2 detail drawings
Box 17 Folder 16
15 photos of drawings & models
Box 17 Folder 16
1 clipping, NY News 1966
Set Models
[See also Show Boat 1932]
Rosalie, January 10, 1928 :
Musical comedy in 2 acts, book by William Anthony McGuire and Guy Bolton, lyrics by P. G. Wodehouse and Ira Gershwin, music by George Gershwin and Sigmund Romberg, costumes by John Harkrider, choreographed by Seymour Felix, directed by McGuire and Florenz Ziegfeld at the New Amsterdam Theater with Frank Morgan, Marilyn Miller, Oliver McLennan, Jack Donahue, Gladys Glad and Helen Forbes. 335 performances.
The Three Musketeers, March 13, 1928 :
Musical version in 2 acts of novel by Alexandre Dumas, adapted by William Anthony McGuire, music by Rudolph Friml, lyrics by P. G. Wodehouse and Clifford Grey, choreographed by Albertina Rasch, costumes by John Harkrider, directed by McGuire and Richard Boleslavsky at the Lyric Theater with Vivienne Segal and Dennis King. 318 performances.
Whoopee, December 4, 1928 :
Musical comedy in 2 acts and 12 scenes by William Anthony McGuire, based on The Nervous Wreck by Owen Davis, music by Walter Donaldson, lyrics by Gus Kahn, choreographed by Seymour Felix and Tamara Geva, costumes by John Harkrider, directed by McGuire at the New Amsterdam Theater with Eddie Cantor, Ruth Etting, Gladys Glad, Ethel Shutta, Jack Rutherford and Frances Upton. 379 performances.
Show Girl, July 2, 1929 :
Musical comedy revue by William Anthony McGuire based on the novel by J. P. McEvoy, music by George Gershwin, lyrics by Ira Gershwin and Gus Kahn, costumes by John Harkrider, choreographed by Bobby Connolly and Albertina Rasch, directed by Zeke Colvan at the Ziegfeld Theater with Ruby Keeler, Jimmie Durante, Lou Clayton, Eddie Jackson, Eddie Foy, Jr. and Duke Ellington and his Cotton Club Orchestra. 111 performances.
Box 18 Folder 3
Drawing of horse, classical style, 20x25 cm.
Box 18 Folder 3
29 sketches & notes
Box 14-E-15 Folder 4 & 5
81 technical drawings
Box 18 Folder 3
6 photos of set drawings
Box 18 Folder 3
1 clipping
Box 18 Folder 3
1 program
Set models
Simple Simon, February 18, 1930 :
Musical comedy by Ed Wynn and Guy Bolton, music by Richard Rodgers, lyrics by Lorenz Hart, dances by Seymour Felix, directed by Zeke Colvan at the Ziegfeld Theatre with Ed Wynn, Ruth Etting and Harriet Hoctor. 101 performances.
Smiles, November 18, 1930 :
A musical comedy in 2 acts by William Anthony McGuire, music by Vincent Youmans, lyrics by Clifford Grey, Harold Adamson and Ring Lardner, choreographed by Ned Wayburn, directed by William Anthony McGuire at the Ziegfeld Theater with Paul Gregory, Fred and Adele Astaire, Larry Adler, Marilyn Miller, and Eddie Foy, Jr. 63 performances.
Ziegfeld Follies of 1931, July 1, 1931 :
Music by Harry Revel, Ben Oakland, Dave Stamper, Dimitri Tiomkin, Noel Coward, Nora Bayes, Jimmy Monaco, Chick Endor, Walter Donaldson, and Jay Gorney, sketches by Gene Buck, Mark Hellinger, and J. P. Murray, lyrics by Gene Buck, Joseph McCarthy, Charles Farrell, Mack Gordon, J. P. Murray, Barry Trivers, E. Y. Harburg, Jack Norworth, and Noel Coward, costumes by John Harkrider, dances by Bobby Connolly and Albertina Rasch, directed by Edward C. Lilley at the Ziegfeld Theater with Buck and Bubbles, Ruth Etting, Gladys Glad, Grace Moore, Helen Morgan, Jack Pearl, Albertina Rasch Dancers, Albert Carroll, Hal Leroy, Mitzi Mayfair, and Harry Richman. 164 performances
Hot-Cha! (Laid in Mexico), March 8, 1932 :
Musical comedy in 2 acts by Lew Brown, Ray Henderson, Mark Hellinger and H. S. Kraft, music by Brown and Henderson, staged by Edgar McGregor, dances by Bobby Connolly, directed by Edward Lilley at the Ziegfeld Theater with Bert Lahr, Lupe Velez, Marjorie White, and Buddy Rogers. 119 performances
2 drawings, watercolor and pencil :
Box 18 Folder 7
--Train
Box 18 Folder 7
--Mexican Square, 18.5x27 (17x25) cm.
Box 18 Folder 7
15 technical drawings
Box 14-E-15 Folder 10 & 11
59 technical drawings
Box 18 Folder 7
3 photographs of Lahr and Velez
Set models
Show Boat, May 23 1932 :
See Show Boat, December 27, 1927. Revival at the Casino Theater with Charles Winninger, Edna May Oliver, Dennis King, Norma Terriss, Helen Morgan, Tess Gardell (Aunt Jemima) and Paul Robeson. 36 performances
Box 18 Folder 8
1 program
Faust, November 17, 1917 (1951) :
Opera in 4 acts and 6 scenes based on the dramatic poem by Goethe, music by Charles Gounod, book by Jules Barbier and Michel Carré, costumes by Joseph Urban, conducted by Pierre Monteux with Giovanni Martinelli as Faust, Geraldine Farrar as Marguerite and Leon Rothier as Mephistopheles.
Saint Elizabeth (Die Legende von der Heiligen Elisabeth), January 3, 1918 :
First American performance of oratorio in a prologue and 4 tableaux, sung in English, music by Franz Liszt, book by Otto Roquette, translated by Constance Bache, costumes by Joseph Urban, directed by Richard Ordynski, conducted by Artur Bodanzky with Florence Easton as St. Elizabeth, Clarence Whitehill as Ludwig and Margarete Matzenauer as Sophie.
Le Prophète, February 7, 1918 (1928) :
Opera in 4 acts and 9 scenes, book by Eugene Scribe, music by Giacomo Meyerbeer, costumes by Joseph Urban, directed by Richard Ordynski, conducted by Artur Bodanzky with Enrico Caruso as Jean of Leyden, Margarete Matzenauer as Fidès, Claudia Muzio as Bertha and Adamo Didur as Count Oberthal.
Box 19 Folder 2
2 librettos
7 drawings, watercolor and pencil :
Box 19 Folder 2
--I.1: suburb of Dordrecht, 16x21 (14x20) cm.
Box 19 Folder 2
--I: City Wall in Winter, 15x25 cm.
Box 19 Folder 2
--snow, Detail 9
Box B17 Folder 1
--I.2: John of Leyden's inn, 22x36 (19x32) cm.
Box B17 Folder 2
--II.2: View of the City, 23x30 (17x21) cm., sig.
Box 19 Folder 2
--Banquet, 19x27 (14x24) cm.
Box 19 Folder 2
--Dungeon, 21x33 (19x31) cm.
Box 14-F-1 Folder 2
14 technical drawings
Box 19 Folder 2
9 photographs of costumes
Box 19 Folder 2
18 photographs of sets
Box 19 Folder 2
1 program, 1918-1919
Set model
Oberon, December 18, 1918 (1921) :
First Metropolitan Opera performance in English of opera in 3 acts and 9 tableaux, music by Carl Maria von Weber, book by J. R. Planché, costumes by Joseph Urban, directed by Richard Ordynski, revised and conducted by Artur Bodanzky with Rosa Ponselle as Rezia, Giovanni Martinelli as Huon and Paul Althouse as Oberon.
La Juive (The Jewess), November 22, 1919 (1936) :
Opera in 5 acts by Jacques Halévy, libretto by Eugene Scribe, conducted by Artur Bodanzky with Rosa Ponselle as Rachel, Enrico Caruso as Eleazar and Leon Rothier as Cardinal Brogni.
Box 19 Folder 4
2 librettos in German
4 drawings, watercolor and pencil :
Box B17 Folder 6
--II.2: Passover, 22x33 (17x28) cm.
Box B17 Folder 7
--III: Kaiser's garden, 24x35 (19x30) cm.
Box B17 Folder 8
--IV: Cardinal's room, 24x36 (18x19) cm.
Box B17 Folder 9
--V: Burning Scene, 24x35 (17x30) cm.
Box 14-F-1 Folder 4
12 technical drawings
Box 19 Folder 4
10 photographs of sets
Set model
Barbiere di Siviglia (Barber of Seville), November 27, 1919 (1951) :
Opera in 3 acts, music by Gioachino Rossini, book by Cesare Sterbini, conducted by Gennaro Papi with Giuseppe DeLuca as Figaro, Mabel Garrison as Rosina, Charles Hackett as Almaviva, Jose Mardones as Don Basilio and Pompilio Malatesta as Dr. Bartolo.
Box 19 Folder 5
1 libretto
3 Drawings, watercolor and pencil :
Box B17 Folder 10
--Act I: Square in Seville, 21x35 cm.
Box B17 Folder 11
--Act II & III: Drawing Room, not used, 22x33 cm.
Box B17 Folder 12
--Act II & III: Drawing Room, 23x37 cm.
Box 19 Folder 5
1 photograph of set drawing
Box 19 Folder 5
3 programs, 1945 - 1948
[See also Boston Opera 1913]
Parsifal, February 19, 1920 (1955) :
Opera in 3 acts and 6 scenes by Richard Wagner, English version by Henry Edward Krehbiel, costumes by Urban, conducted by Artur Bodanzky with Orville Harrold as Parsifal and Margarete Matzenauer as Kundry.
Eugene Onegin, March 24, 1920 (1921) :
The first New York performance, sung in Italian, of lyric opera in 3 acts adapted from the poem by Alexander Pushkin, music by Peter Ilich Tchaikovsky, directed by Richard Ordynski, conducted by Artur Bodanzky with Giuseppe DeLuca as Onegin, Claudia Muzio as Tatiana and Giovanni Martinelli as Lenski.
Tristan und Isolde, November 20, 1920 (1958) :
Performed in English, by Richard Wagner, conducted by Artur Bodanzky, with Johannes Sembach as Tristan, Margarete Matzenauer as Isolde, and Clarence Whitehill as Kurvenal.
Don Carlos, December 23, 1920 (1923) :
First Metropolitan performance of opera based on tragedy by Schiller, music by Giuseppe Verdi, libretto by Mery and Camille du Locle, costumes by Gretl Urban, conducted by Gennaro Papi with Giovanni Martinelli as Don Carlos, Giuseppe DeLuca as Rodrigo, Adamo Didur as Phillip, and Rosa Ponselle as Elizabeth.
7 drawings, watercolor and pencil :
Box B18 Folder 10
--I: Wood scene, 23x31 cm.
Box B18 Folder 11
--II: Church, 26x38 cm.
Box B18 Folder 12
--III.1: Ballet scene, 26x38 cm.
Box B18 Folder 13
--Grotto scene, 22x31 cm.
Box B19 Folder 1
--III.2: City Square, 26x38 cm.
Box B19 Folder 2
--IV.1: King's cabinet, Phillip's room, 23x31 cm.
Box B19 Folder 3
--IV.2: Prison scene, 23x30 cm.
Box 14-F-1 Folder 8
8 technical drawings
Box 20 Folder 1
17 photographs of set drawings
Set model, Convent exterior
Lohengrin, February 2, 1921 (1950) :
Opera in 3 acts and 4 scenes by Richard Wagner, performed in English, costumes by Joseph and Gretl Urban, conducted by Artur Bodanzky with Johannes Sembach as Lohengrin and Florence Easton as Elsa.
Box 20 Folder 2
1 libretto, German
4 drawings, watercolor and pencil :
Box 20 Folder 2
--Act I: River bank, 17x28 (13x23) cm., sig.
Box 20 Folder 2
--Act II: Courtyard, 18x28 (13x23) cm., sig.
Box 20 Folder 2
--2 of Act III.1: Bedroom
Box 14-F-1 Folder 9
6 technical drawings
Box 20 Folder 2
8 photographs of sets
Box 20 Folder 2
5 programs, 1937-1950
Set models
[See also Vienna 1909-11]
La Traviata, November 14, 1921 (1935) :
Opera in 4 acts, music by Giuseppe Verdi, book by F. M. Piave, conducted by Roberto Moranzoni with Amelita Galli-Curci as Violetta, Beniamino Gigli as Alfredo, and Giuseppe De Luca as Germont.
Ernani, December 8, 1921 (1929) :
Opera in 4 acts and 5 scenes, music by Giuseppe Verdi, book by F. M. Piave based on Hernani by Victor Hugo, costumes by Gretl Urban, conducted by Gennaro Papi with Giovanni Martinelli as Ernani, Giuseppe Danise as Don Carlos and Rosa Ponselle as Elvira.
Box 20 Folder 4
2 librettos
7 drawings-watercolor and pencil, 16x26 (10x16) cm. :
Box 20 Folder 4
--Act I.1: first idea, sig.
Box 20 Folder 4
--Act I.1: Sea, stone bridge
Box 20 Folder 4
--Act II: Elvira's Room, sig.
Box 20 Folder 4
--Act III.1: Throne Room A
Box 20 Folder 4
--Act III.1: Throne Room B, sig.
Box 20 Folder 4
--Act III.2: Tomb Scene A, sig.
Box 20 Folder 4
--Act III.2: Tomb Scene B
Box 14-F-1 Folder 11
9 technical drawings
Box 20 Folder 4
6 photographs
Box 20 Folder 4
1 program, 1922-1923
Salzburg Festival Playhouse Fund, 1921-1922 :
Richard Strauss, while on a US tour in the fall of 1921, enlisted the aid of Mrs. Samuel(Minnie) Untermeyer to raise money for the Salzburg Festival. Strauss, with Max Reinhardt and Hugo von Hofmannstal, had formed the Salzburg Festspielhaus Committee whose purpose was to build a theater dedicated to Mozart in war-devastated Austria.
Box 20 Folder 5
5 letters, 10 p.
Box 20 Folder 5
1 flyer
Le Roi d'Ys, January 5, 1922 :
First New York performance of opera in 3 acts and 5 scenes, music by Edouard Lalo, book by Edouard Blau, costumes by Gretl Urban, directed by Samuel Thewman, conducted by Albert Wolff with Beniamino Gigli as Mylio, Giuseppe Danise as Karnac, Leon Rothier as the King, Rosa Ponselle as Margared and Frances Alda as Rozenn.
8 drawings, watercolor and pencil on board :
Box 20 Folder 6
--Act I & II, 26x16 (10x15) cm.
Box 20 Folder 6
--Act II, 2:Grotto and set notes, 16x26 (10x14)
Box 20 Folder 6
--Act III: Courtyard, Flood, 26x16 (10x15) cm.
Box 20 Folder 6
--Act I: Castle, 15.5x26 (10x16) cm.
Box 20 Folder 6
--Act II.1: Interior, 16x26 (10x16) cm
Box 20 Folder 6
--Act II.2: Grotto, 16x26 (10x16) cm.
Box 20 Folder 6
--III.1: Courtyard, 16x26 (10x16) cm.
Box 20 Folder 6
--III.2: Flood, 16x26 (10x16) cm.
Box 14-F-1 Folder 12
5 technical drawings
Box 20 Folder 6
11 photographs of set drawings
Box 20 Folder 6
2 programs, 1921-22
Cosi Fan Tutte, March 24, 1922 (1928) :
First New York performance of the opera buffa in 2 acts, music by Wolfgang Amadeus Mozart, book by Lorenzo da Ponte, costumes by Gretl Urban, directed by Samuel Thewman, conducted by Artur Bodanzky with Florence Easton as Fiordiligi, Frances Peralta as Dorabella, George Meader as Ferrando, Giuseppe DeLuca as Guglielmo, Adamo Didur as Don Alfonso and Lucrezia Bori as Despina.
5 drawings, watercolor and pencil :
Box B19 Folder 5
--Act I.1: Inn, 36x43 (20x29) cm.
Box B19 Folder 6
--Act I.2,4; II.2: Garden, 27x35 (19x26) cm.
Box B19 Folder 7
--Act I.3: Green Room, 27x35 (19x26) cm.
Box B19 Folder 8
--Act II.1: White Room, 27x35 (19x27) cm.
Box B19 Folder 9
--Act II.3: Tapestry Room, 27x35 (19x27) cm.
Box 14-F-1 Folder 13
5 technical drawings
Box 20 Folder 7
Set list
Box 20 Folder 7
6 photographs of set drawings
Box 20 Folder 7
2 programs, 1921-22
Set model-Portal
Madama Butterfly, November 24, 1922 :
Tragic opera in 3 acts, music by Giacomo Puccini, lyrics by L. Illica & G. Giacosa from the book by John L. Long and play by David Belasco, conducted by Roberto Moranzoni with Florence Easton as Cio-Cio-San, Giovanni Martinelli as Pinkerton and Antonio Scotti as Sharpless.
Roméo et Juliette, November 25, 1922 (1947) :
Opera in 5 acts and 7 scenes, music by Charles Gounod, book by Jules Barbier and Michel Carré, costumes by Gretl Urban, conducted by Louis Hasselmans with Lucrezia Bori as Juliette, Beniamino Gigli as Roméo, Giuseppe DeLuca as Mercutio and Leon Rothier as Friar Laurence.
Box 21 Folder 2
1 libretto
6 drawings, watercolor and pencil :
Box B19 Folder 10
--Prologue, 21x31 (15x24) cm.
Box B19 Folder 11
--Ballroom, 21x31 (15x24) cm.
Box B19 Folder 12
--Garden scene, not used, 21x31 (16x24) cm.
Box B19 Folder 13
--Square, 21x31 (15x24) cm.
Box B20 Folder 1
--Bedroom, 21x31 (15x24) cm.
Box B20 Folder 2
--Tomb 21x31 (15x24) cm.
Box 21 Folder 2
Ground plans, 1 p.
Box 14-F-1 Folder 15
8 technical drawings
Box 21 Folder 2
2 photographs of set drawing
Box 21 Folder 2
2 programs, 1922-23, 1926-27
Set model
Thaïs, December 14, 1922 (1939) :
Opera by Jules Massenet, libretto by Louis Gallet, costumes by Gretl Urban, conducted by Louis Hasselmans with Maria Jeritza as Thaïs, Orville Harrold as Nicias and Clarence Whitehill as Athanael.
Box 21 Folder 3
3 sketches & notes
Box 14-F-1 Folder 16
8 technical drawings
Set model
[See also Boston Opera, December 7, 1912]
Concert Sets, 1922, 1929:
L'Africaine, March 21, 1923 (1934) :
Opera in four acts and 5 scenes, music by Giacomo Meyerbeer, book by Eugene Scribe, costumes by Gretl Urban, directed by Samuel Thewman, conducted by Artur Bodanzky with Beniamino Gigli as Vasco Da Gama, Rosa Ponselle as Selika and Giuseppe Danise as Nelusko, Adamo Didur as Don Pedro and Leon Rothier as the Grand Inquisitor.
L'Amico Fritz, November 15, 1923 (1924) :
Comedy in 3 acts by Pietro Mascagni, conducted by Roberto Moranzoni with Lucrezia Bori as Suzel and Miguel Fleta as Fritz, and Giuseppe Danise as Rabbi David.
Box 21 Folder 6
Libretto
4 Drawings, watercolor and pencil :
Box B20 Folder 3
--Dining Room (not used), 26x44 (19x36) cm.
Box B20 Folder 4
--Dining Room B, 28x36 (16x23) cm.
Box B20 Folder 5
--Terrace A, 28x46 (36x19) cm.
Box B20 Folder 6
--Terrace, used, 24x31 (15x23) cm.
Box 14-F-2 Folder 2
4 ground plans
Carmen, November 22, 1923 (1950) :
Opera in 4 acts with music by Georges Bizet, lyrics by H. Meilhac & L. Halévy based on the novel by Prosper Merimée, costumes by Gretl Urban, conducted by Louis Hasselmans with Florence Easton as Carmen and Giovanni Martinelli as Jose.
Box 21 Folder 7
2 librettos
4 drawings, watercolor and pencil :
Box B20 Folder 7
--Act I: Square in Seville, 23x30 (16x23) cm., sig.
Box B20 Folder 8
--Act II: Tavern, 23x30 (16x23) cm.
Box B20 Folder 9
--Act III: Smuggler scene, 23x30 (16x23) cm., sig.
Box B20 Folder 10
--Act IV: Arma scene, 23x30 (12x20) cm.
Box 14-F-2 Folder 3
4 technical drawings
Box 21 Folder 7
5 photographs of set drawings
Box 21 Folder 7
4 programs, 1937-1950
[See also Boston Opera, January 15, 1913]
Faust, November 30, 1923 (1951) :
A new design for the prolog was added to the 1917 production. Conducted by Louis Hasselmans with Giovanni Martinelli as Faust, Lawrence Tibbett as Valentin, Fiodr Chaliapin as Mephistopheles and Frances Alda as Margarette.
Fedora, December 8, 1923 (1926) :
A lyric drama in 3 acts, music by Umberto Giordano, book by V. Sardou, directed by Wilhelm von Wymetal, conducted by Gennaro Papi, with Maria Jeritza as Fedora, Giovanni Martinelli as Loris Ipanov and Antonio Scotti as De Siriex.
Martha, December 14, 1923 (1929) :
Opera by Friedrich von Flotow, conducted by Gennaro Papi with Frances Alda as Harriet, Kathleen Howard as Nancy, Beniamino Gigli as Lionel and Giuseppe DeLuca as Plunkett.
Freischütz, Der, March 22, 1924 (1929) :
Opera in 3 acts, music by Carl Maria von Weber, libretto by Friedrich Kind, conducted by Artur Bodanzky with Elizabeth Rethberg as Agathe, Curt Taucher as Max, Michael Bohnen as Caspar and Leon Rothier as the hermit.
Contes d'Hoffman, (Tales of Hoffman), November 13, 1924 (1946) :
Comic opera in 4 acts, music by Jacques Offenbach, book by Jules Barbier, conducted by Louis Hasselmans with Nina Morgana as Olympia, Lucrezia Bori as Giulietta and Antonia, Giuseppe DeLuca as Coppelius, Miguel Fleta as Hoffman and Lawrence Tibbett as Schlemil.
Box 21 Folder 12
Libretto
5 drawings, watercolor and pencil, sig. :
Box B21 Folder 2
--I: Prologue-Tavern, 27x35 (16x24) cm.
Box B21 Folder 3
--II: a. Olympia-Physician's room, 27x34 (16x24) cm.
Box B21 Folder 4
--II: b. Olympia-ballroom, 27x34 (16x24) cm.
Box B21 Folder 5
--III: Giulietta, 27x34 (16x24) cm.
Box B21 Folder 6
--IV: Antonia, 27x34 (16x24) cm.
Box 21 Folder 12
1 p. set notes
Box 21 Folder 12
3 detail drawings
Box 14-F-2 Folder 8
8 technical drawings
Box 21 Folder 12
7 photographs of set drawings
[See also Boston Opera, November 25, 1912]
Falstaff, January 2, 1925 (1949) :
Opera based on The Merry Wives of Windsor by Shakespeare, music by Giuseppe Verdi, libretto by Arrigo Boito, costumes by Gretl Urban, directed by Wilhelm von Wymetal, conducted by Tullio Serafin with Antonio Scotti as Falstaff, Frances Alda as Anne, Lawrence Tibbett as Ford, Lucrezia Bori as Mistress Ford and Adamo Didur as Pistol.
Box 21 Folder 13
Libretto
Box 21 Folder 13
3 photographs of sets
Box 21 Folder 13
2 p. script notes
Box 21 Folder 13
1 set sketch and notes
2 drawings, watercolor and pencil :
Box 21 Folder 13
--Portal detail
Box B21 Folder 7
--Ford's room, 27x34.5 (16x24) cm.
Box 14-F-2 Folder 9
5 technical drawings
Box 21 Folder 13
2 photographs of set drawings
Pelléas et Mélisande, March 21, 1925 (1949) :
First Metropolitan performance of opera in 5 acts by Claude Debussy, adapted from the play by Maurice Maeterlinck, costumes by Gretl Urban, conducted by Louis Hasselmans with Clarence Whitehill as Golaud, Leon Rothier as Arkel, Lucrezia Bori as Mélisande and Edward Johnson as Pelléas.
Der Barbier von Bagdad (Barber of Bagdad), November 7, 1925 (1926) :
Opera in 2 acts, book and music by Peter Cornelius, directed by Samuel Thewman, conducted by Artur Bodanzky with George Meader as Kadi Baba Mustapha and Elisabeth Rethberg as Margiana.
La Vestale, November 12, 1925 (1927) :
First Metropolitan performance of opera in 3 acts by Gaspare Spontini, book by De Jouy, costumes by Gretl Urban, directed by Wilhelm Von Wymetal, conducted by Tullio Serafin with Rosa Ponselle as Giulia, Edward Johnson as Licinio, Giuseppe De Luca as Cinna and Margarete Matzenauer as the High Priestess.
Cena delle Beffe, January 2, 1926 (1927) :
First Metropolitan performance of opera by Umberto Giordano based on the play The Jest by Sem Benelli, conducted by Tullio Serafin with Beniamino Gigli as Gianetto Malaspini, Frances Alda as Ginevra, Titta Ruffo as Neri and Adamo Didur as the Doctor.
3 drawings, watercolor and pencil, sig.:
Box 22 Folder 4
--Act 1: Banquet Hall, 19x19 (10x15) cm.
Box 22 Folder 4
--Act II, IV, bedroom, 19x19 (9x14) cm.
Box 22 Folder 4
--Act III: Prison, 19x19 (19x15) cm.
Box D5 Folder 3
4 technical drawings
Box 22 Folder 4
6 sketches on tracing paper
Box 22 Folder 4
4 photographs of set drawings
La Vida Breve, March 6, 1926. :
First American performance of opera by Manuel de Falla, costumes by Gretl Urban, conducted by Tullio Serafin with Lucrezia Bori as Salud.
Don Quichotte (Don Quixote), April 3, 1926 (1927) :
First Metropolitan performance of comic opera in 5 acts, music by Jules Massenet, book by Henri Cain, costumes by Gretl Urban, directed by Samuel Thewman, conducted by Louis Hasselmans with Florence Easton as Dulcinea, Feodor Chaliapin as Don Quichotte and Giuseppe DeLuca as Sancho.
Box 22 Folder 6
1 libretto
5 drawings, watercolor and pencil :
Box B22 Folder 7
--I: open square, 27x35 (18x24) cm., sig.
Box B22 Folder 8
--II: The Windmill Scene, 27x35 (18x24) cm., sig.
Box B22 Folder 9
--III: Bandits Scene A, 27x35 (16x24) cm., sig.
Box B22 Folder 10
--III: Bandits Scene, 28x38 (17x24) cm.
Box B22 Folder 11
--V: Road in the Woods, 27x34 (16x24) cm., sig.
Box 14-F-2 Folder 12
7 technical drawings
Box 22 Folder 6
6 photographs of set drawings
Turandot, November 16, 1926 (1930) :
First American performance of lyric opera in 3 acts and 5 scenes, music by Giacomo Puccini, book by Giuseppe Adami and Renato Simoni, costumes by Gretl Urban and B. Brunelleschi, directed by Wilhelm Von Wymetal, conducted by Tullio Serafin with Maria Jeritza as Princess Turandot, Giacomo Lauri-Volpi as Calaf, and Giuseppe DeLuca as Ping.
Box 22 Folder 7
Director's notes, von Wymetal, 20 p.
Box 22 Folder 7
3 postcards, costumes Austrian production
Box 22 Folder 7
3 photostats of Buddha figures
Box 22 Folder 7
7 sketches and plans
Box 22 Folder 7
4 property detail drawings
Box 14-F-2 Folder 13
17 technical drawings
Box 22 Folder 7
12 photographs of set models
Box 22 Folder 7
Program, 3/16/29
Box 22 Folder 7
Article, NY Times Magazine, 11/14/26
Set models
Fidelio, January 22, 1927 (1951) :
Opera in 2 acts, music by Ludwig von Beethoven, libretto by J. Sonnleithner and F. Treitschke from the French by J. N. Bouilly, conducted for the Beethoven Centenary revival by Artur Bodanzky with Nanny Larsen-Todsen as Leonore, Rudolf Laubenthal as Florestan, George Meader as Jacquino and Michael Bohnen as Rocco.
Box 22 Folder 8
3 librettos
Box 22 Folder 8
Script notes & sketches, 4 p.
4 drawings-watercolor and pencil :
Box 22 Folder 8
--Act I.2: prison yard,17x24 (10x13) cm.
Box 22 Folder 8
--Act II.1: prison, 18x24 (10x16) cm.
Box B23 Folder 1
--Act II.2: castle terrace, 23x30 (17x24) cm., sig.
Box 14-F-2 Folder 14
8 technical drawings
Box 22 Folder 8
5 photographs of set drawings.
Box 22 Folder 8
2 programs, 1945-46;1950-51
Set model
The King's Henchman, February 17, 1927 (1929) :
World premiere of opera in 3 acts, music by Deems Taylor, libretto by Edna St. Vincent Millay, conducted by Tullio Serafin with Lawrence Tibbett as Eadger, Edward Johnson as Aethelwold and Florence Easton as Aelfrida.
Violanta, November 5, 1927 (1928) :
First American performance of opera with music by E.W. Korngold, written by Hans Müller, conducted by Artur Bodanzky with Maria Jeritza as Violanta, Clarence Whitehill as Simone and Walter Kirchhoff as Alfonso.
Hänsel und Gretel, November 5, 1927 (1948) :
Fairy opera in 3 acts, music by Engelbert Humperdinck, book by Adelheid Wette, costumes by Gretl Urban, conducted by Artur Bodanzky with Editha Fleischer as Hänsel and Queena Mario as Gretel.
Box 23 Folder 3
Libretto
Box 23 Folder 3
Set notes by Von Wymetal, 6 p.
Box 23 Folder 3
Sketches and notes, 7 items
Drawing, watercolor and pencil :
Box B23 Folder 5
--Peasant's room, 26x31 (10x17) cm., sig.
Box 14-F-2 Folder 17
10 technical drawings
Box 23 Folder 3
6 photographs of sets
Set model
[See also Boston January 27, 1912]
Norma, November 16, 1927 (1945) :
Opera in 4 acts and 5 scenes, music by Vincenzo Bellini, book by Felice Romani, costumes by Joseph Urban, directed by Samuel Thewman, conducted by Tullio Serafin with Rosa Ponselle as Norma, and Ezio Pinza as Oroveso.
La Rondine, March 10, 1928 (1936) :
First American performance of opera in 3 acts, music by Giacomo Puccini, costumes by Joseph Urban, conducted by Vicenzo Bellezza with Lucrezia Bori as Magda and Beniamino Gigli as Ruggero.
Die Ägyptische Helena (Egyptian Helen), November 6, 1928 (1929) :
First American performance of opera by Richard Strauss, libretto by Hugo von Hofmannsthal, conducted by Artur Bodanzky with Maria Jeritza as Helen and Rudolph Laubenthal as Menelas.
La Campana Sommersa, November 24, 1928 (1930) :
First American performance of opera by Ottorino Respighi based on Gerhart Hauptmann's Die Versunkene Glocke, conducted by Tullio Serafin with Elizabeth Rethberg as Rautendelein, Giovanni Martinelli as Heinrich, Giuseppe DeLuca as Nickelmann and Ezio Pinza as Pastor.
Manon, December 22, 1928 (1952) :
Opera in 5 acts with music by Jules Massenet, words by Henri Meilhac and Philippe Gille, costumes by Joseph Urban, conducted by Louis Hasselmans with Lucrezia Bori as Manon, Beniamino Gigli as Des Grieux, Leon Rothier as Comte Des Grieux and Giuseppe DeLuca as Lescaut.
Box 23 Folder 8
2 librettos
Box 23 Folder 8
Set notes, Von Wymetal, 5 p.
Box 23 Folder 8
2 research photographs, 18c. interiors
4 drawings, watercolor and pencil, 27x34 (15x19) cm., sig. :
Box B24 Folder 6
--I: Inn at Amiens
Box B24 Folder 7
--II: Apartment in Paris
Box B24 Folder 8
--IV: Hotel gambling room
Box B24 Folder 9
--V: Road to Havre
Box 23 Folder 8
8 technical drawings
Box 14-F-2 Folder 22
15 technical drawings
Box 23 Folder 8
5 photographs of set drawings
Set model
[See also Boston Opera, March 18, 1914]
Jonny Spielt Auf, January 19, 1929 :
Opera in two parts by Ernst Krenek, conducted by Artur Bodanzky with Michael Bohnen as Jonny and Florence Easton as Anita.
Box 23 Folder 9
1 libretto
Box 23 Folder 9
2 reference photographs
Box 23 Folder 9
2 clippings
Box 23 Folder 9
14 sketches
Mapcase 14-F-3 Folder 1
33 technical drawings
Box 23 Folder 9
14 photographs of sets and scenes
Set model
Louise, March 1, 1929 (1949) :
Opera in 4 acts and 5 scenes by Gustave Charpentier, costumes by Joseph Urban, directed by Wilhelm Von Wymetal, conducted by Louis Hasselmans with Lucrezia Bori as Louise, Antonin Trantoul as Julien, and Leon Rothier as the father.
Box 23 Folder 10
1 libretto, German
Box 23 Folder 10
1 sketch of Act I & IV
Box 14-F-3 Folder 2
9 technical drawings
Box 23 Folder 10
6 photographs of sets
Box 23 Folder 10
2 programs, 1947-1949
Set model
[See also Boston Opera, December 18, 1912]
Fra Gherardo, March 21, 1929 :
First American performance of opera by Ildebrando Pizzetti, conducted by Tullio Serafin, with Edward Johnson as Gherardo, Maria Mueller as Mariola and Ezio Pinza as the Old Man and Podesta.
Don Giovanni, November 29, 1929 (1953) :
Opera in 2 acts, music by Wolfgang Amadeus Mozart, book by Lorenzo Da Ponte, costumes by Joseph Urban, directed by Wilhelm Von Wymetal, conducted by Tullio Serafin with Ezio Pinza as Don Giovanni, Pavel Ludikar as Leporello, Leonora Corona (for Rosa Ponselle) as Donna Anna, Elisabeth Rethberg as Donna Elvira, Beniamino Gigli as Don Ottavio and Leon Rothier as the Commandante.
Luisa Miller, December 21, 1929 (1931) :
First Metropolitan performance of opera in 3 acts, music by Giuseppe Verdi, book by Salvatore Cammarano based on Schiller's Kabale und Liebe, costumes by Joseph Urban, directed by Ernst Lernt, conducted by Tullio Serafin with Giacomo Lauri-Volpi as Rodolfo, Giuseppe DeLuca as Miller and Rosa Ponselle as Luisa.
Boccaccio January 2, 1931. :
First Metropolitan performance of opera in 3 acts by Franz von Suppe, directed by Wilhelm Von Wymetal, conducted by Artur Bodanzky with Maria Jeritza as Boccaccio and George Meader as Scalza.
Schwanda, der Dudelsakpfeifer (Schwanda the Bagpiper), November 7, 1931 (1932) :
First American performance of Czech opera Svanda Dudák with music by Jaromir Weinberger, book by Miles Kares translated into German by Max Brod, choreographed by August Berger, directed by Hanns Niedecken-Gebhard, conducted by Artur Bodanzky with Friedrich Schorr as Schwanda.
Donna Juanita, January 2, 1932 :
Fist Metropolitan performance of opera in 3 acts, music by Franz von Suppe, book by F. Zell and Richard Genee, costumes by Lillian Gaertner Palmedo, directed by Hans Niedecken-Gebhard, conducted by Artur Bodanzky with Maria Jeritza as Donna Juanita.
Peter Ibbetson, February 7, 1932 (1935) :
World premiere of opera in 3 acts and 8 scenes based on novel by George Du Maurier, music by Deems Taylor, libretto by Constance Collier and Deems Taylor, directed by Wilhelm von Wymetal, conducted by Tullio Serafin with Edward Johnson as Peter Ibbetson, Lucrezia Bori as Mary and Lawrence Tibbett as Colonel Ibbetson. Urban also designed the costumes for the 1933-1935 performances.
La Sonnambula, March 16, 1932 (1935) :
Opera in 3 acts, 4 scenes with music by Vincenzo Bellini, book by Felice Romani, conducted by Tullio Serafin with Lily Pons as Amina, Beniamino Gigli as Elvino and Ezio Penza as Count Rudolfo.
Electra, December 3, 1932 (1962) :
First Metropolitan performance of opera in one act, music by Richard Strauss, libretto by Hugo von Hofmannsthal, costumes by Lillian Gaertner Palmedo, conducted in the first Metropolitan performance by Artur Bodanzky with Gertrude Kappel as Electra, Karin Branzell as Clytemnestra, Rudolf Laubenthal as Aigisthus and Friedrich Schorr as Orestes.
Undated or Unproduced :
Librettos :
Cosmopolitan Productions, 1920-23 :
Box 25 Folder 9
Contract, Feb. 19, 1920, 2 p.
Box 25 Folder 9
7 letters, 1920-1921, 10 p.
Box 25 Folder 9
Articles, 1920-1923, 6 p.
Box 25 Folder 9
4 photographs of color key
Box C5 Folder 3
Article and letter from Gurschner, 1923
Strand Theater Stage Set, 1915 :
Rivoli Theater Stage Setting, 1919 :
The Golem, UFA/Paramount, 1920 (US 1921) :
German film written by Paul Wegener and Henrik Galeen, set designed by Hans Polzig, directed by Paul Wegener and Carl Boese, with Paul Wegener, Albert Steinruck and Ernst Deutsch.
Humoresque, Cosmopolitan/Paramount, #5, 1920 :
Written by Frances Marion based on the stories by Fannie Hurst, directed by Frank Borzage with Alma Rubens, Gaston Glass and Vera Gordon.
The Restless Sex, Cosmopolitan/Paramount, #6, September 12, 1920 :
Romantic comedy-drama based on the Robert W. Chambers story, by Leo d'Usseau, costumes by Erté, directed by Robert Z. Leonard with Marion Davies, Carlyle Blackwell and Ralph Kellard. Norma Shearer played a bit part. Premiered at the Criterion Theater where the manager Hugo Riesenfeld composed music around the Marion Davies Waltz for the live Prologue, The Garden of Eden designed by Urban.
The World and His Wife, Cosmopolitan/Paramount, #7, 1920 :
Adapted from the play by Charles Frederic Nirdlinger which was based on the Spanish poem El Gran Galeoto by Jose Echegaray, screenplay by Frances Marion, directed by Robert G. Vignola with Alma Rubens, Montagu Love, Pedro de Córdoba and Gaston Glass.
Heliotrope, Cosmopolitan/Paramount, #8, 1920. :
Based onWhiff of the Heliotropeby Richard Washburn Child, directed by George D. Baker with Frederick Burton.
Inside of the Cup, Cosmopolitan/Paramount, #10, 1921 :
Written by George Dubois Proctor based on a novel by Winston Churchill, directed by Albert Capellani with William Carleton and David Torrence.
Passionate Pilgrim, Cosmopolitan/Paramount, #11, 1921 :
Directed by Robert G. Vignola with Matt Moore and Mary Newcombe
Buried Treasure, Cosmopolitan/Paramount, #12, 1921 :
Written by F. Britten Austin, directed by George D. Baker, starring Marion Davies and Norman Kerry.
Straight Is the Way, Cosmopolitan/Paramount, #15, 1921 :
Directed by Robert G. Vignola with Matt Moore.
Proxies, Cosmopolitan/Paramount, #16, 1921 :
Story by Frank R. Adams, directed by George D. Baker with Norman Kerry and Zena Keefe.
Bride's Play, Cosmopolitan/Paramount, #18, 1921 :
Story by Donn Byrne, directed by George Terwilliger, with Marion Davies and Wyndham Standing.
The Wild Goose, Cosmopolitan/Paramount, #19, 1921 :
Story by Gouveneur Morris, directed by Albert Capellani with Norman Kerry and Mary MacLaren. New York premiere at the Rialto May 1921.
The Woman God Changed, Cosmopolitan/Paramount, #20, 1921 :
Directed by Robert G. Vignola with Seena Owen.
Get-Rich-Quick, Wallingford, Cosmopolitan/Paramount, #21, 1921 :
Written by Luther Reed from a play by George M. Cohan based on George Randolph Chester's Wallingford stories, directed by Frank Borzage with Sam Hardy, Doris Kenyon, Norman Kerry and Billie Dove.
Just Around the Corner, Cosmopolitan/Paramount, #22, 1921 :
Story by Fannie Hurst, directed by Frances Marion with Fred Thomson and Sigrid Holmquist.
Enchantment, Cosmopolitan/Paramount, #23, 1921 :
Written by Frank R. Adams, directed by Robert G. Vignola with Marion Davies and Forrest Stanley
Back Pay, Cosmopolitan/Paramount, #24, 1922 :
Story by Fannie Hurst, written by Frances Marion, directed by Frank Borzage, with Seena Owen and Matt Moore.
Boomerang Bill, Paramount/Cosmopolitan, #26, 1922 :
Written by Jack Boyle and Doty Hobart, directed by Tom Terriss with Lionel Barrymore
Find the Woman, Cosmopolitan/Paramount, #A1, 1922 :
Story by Arthur Somers Roche, directed by Tom Terriss with Alma Rubens, Norman Kerry and Harrison Ford.
The Young Diana, Cosmopolitan/Paramount, #27, 1922 :
Written by Marie Corelli and Luther Reed, directed by Robert G. Vignola and Albert Capellani, with Marion Davies, Clara Kimball Young, Pedro de Córdoba and Forrest Stanley.
Beauty Shop, Cosmopolitan/Paramount, #30, 1922 :
Based on the play by Channing Pollock, directed by Edward Dillon with Raymond Hitchcock. Not designed by Joseph Urban (as noted in scrapbook)
Beauty's Worth, Cosmopolitan/Paramount, #31, 1922. :
Story by Sophie Kerr, screenplay by Luther Reed, directed by Robert G. Vignola, starring Marion Davies, released March 26, 1922.
Sisters, Cosmopolitan #32 :
The Good Provider, Cosmopolitan/Paramount, #34, 1922 :
Story by Fannie Hurst, written by John Lynch, directed by Frank Borzage with Vera Gordon, Dore Davidson and Vivienne Osborne.
When Knighthood Was In Flower, Cosmopolitan/Paramount. #35, 1922 :
Novel by Charles Major, screenplay by Luther Reed, directed by Robert G. Vignola with Marion Davies, Forrest Stanley, Lyn Harding, Pedro de Córdoba and William Powell.
Valley of Silent Men, Cosmopolitan/Paramount, #36, 1922 :
Story by James Oliver Curwood, directed by Frank Borzage with Lew Cody and Alma Rubens.
Face in the Fog, Cosmopolitan/Paramount, #37, 1922 :
Boston Blackie mystery drama, directed by Alan Crosland with Lionel Barrymore and Seena Owen.
Adam and Eva, Cosmopolitan/Paramount, #39, 1923 :
Adapted by Luther Reed from the stage comedy by Guy Bolton and George Middleton, directed by Robert G. Vignola with Marion Davies, T. Roy Barnes and Edward Douglas.
Enemies of Women, Cosmopolitan /Goldwyn, #40, 1923 :
Based on book by Vicente Blasco Ibanez, script by John Lynch, choreographed by Mary Urban, costumes by Gretl Urban, directed by Alan Crosland with Lionel Barrymore, Pedro de Córdoba, and Alma Rubens.
The Go-Getter, Cosmopolitan/Goldwyn, #42, 1923 :
Story by Peter B. Kyne, directed by Edward H. Griffith with T. Roy Barnes and Seena Owen.
Little Old New York, Cosmopolitan/Goldwyn, #43, 1923 :
Written by Luther Reed based upon the play by Rida Johnson Young, special music by Victor Herbert, costumes by Gretl Urban, directed by Sidney Olcott with Marion Davies and Harrison Ford. Urban renovated the Park Theater, renamed the Cosmopolitan Theater, for the August 1 premiere.
Unseeing Eyes, (Snowblind) Cosmopolitan/Goldwyn, #45, 1923 :
Adapted from Snowblind by Arthur Stringer, screenplay by Bayard Veiller, directed by E. H. Griffith with Lionel Barrymore and Seena Owen. Original music composed by Erno Rapee.
Under the Red Robe, Cosmopolitan/Goldwyn, #46,1923 :
From story by Simon Weyman, adapted by Bayard Veiller, driected by Alan Crosland with Alma Rubens, John Charles Thomas, Robert B. Mantell and William Powell. Opened at the Cosmopolitan Theater where Victor Herbert conducted his overture and Frederick Stahlberg conducted the picture score by William Frederick Peters.
Yolanda, Cosmopolitan/Metro-Goldwyn, #48, February 19, 1924 :
Story by Charles Major adapted by Luther Reed, directed by Robert G. Vignola, cameramen Ira H. Morgan and George Barnes, special musical score by William Frederick Peters, overture composed by Victor Herbert, costumes by Gretl Urban, with Marion Davies, Lyn Harding, Holbrook Blinn, Maclyn Arbuckle, and Johnny Dooley.
The Great White Way, (Cain and Mabel), Cosmopolitan/Metro-Goldwyn, #49, 1924 :
Story by H. C. Witwer, written by Larry Doyle and Luther Reed, directed by E. Mason Hopper with Anita Stewart, T. Roy Barnes, and Oscar Shaw.
Janice Meredith, Cosmopolitan/Metro-Goldwyn, #51, 1924 :
Written by Lillie Hayward based on Paul Leicester Ford novel, music by Deems Taylor, costumes by Gretl Urban, directed by E. Mason Hopper with Marion Davies, Harrison Ford, Tyrone Power, Sr., Olin Howlin and W. C. Fields.
Zander the Great, Cosmopolitan/Metro-Goldwyn, 1925 :
Adapted by Frances Marion and Lillie Hayward from the play by Salisbury Field, costumes by Gretl Urban, musical score by Victor Schertzinger, directed by George Hill with Marion Davies, Holbrook Blinn, Harrison Ford, Olin Howlin, John Huff and Hedda Hopper.
Fox Movietone City Studio, 1930 :
Big Trail, Fox,1930 :
Box 28 Folder 2
4 photographs of publicity
East Lynne, Fox, 1931 :
Written by Bradley King and Tom Barry from the novel by Mrs. Henry Wood, directed by Frank Lloyd, starring Ann Harding and Clive Brook.
United Shoe Machinery Company, 1914 :
Urban designed 50 panels on the history of the shoe for a San Francisco Exposition display.
Box 28 Folder 5
List of sketches & plates
Box 28 Folder 5
3 sketches
Box 28 Folder 5
20 photos of costumes
Conry's House, 1915 :
Box 28 Folder 6
2 pencil sketches
Box 28 Folder 6
5 wall decorations
Box 28 Folder 6
3 photographs of hallway
[See also Liberty Theater 1917]
Century Theater Roof, 1916 :
Liberty Theater, 1917 :
Buck House, Gene, 1919 :
Urban decorated Gene Buck's house in Great Neck shortly after the Ziegfeld writer's marriage.
War Memorial, 1919 :
Studies for G. S. Mandell, editor of the Boston Transcript and the New York Tribune
8 drawings, watercolor and pencil :
Box 28 Folder 10
--Ground plan, 22x22 cm.
Box 28 Folder 10
--Detail A, 26x19 (19x15) cm.
Box 28 Folder 10
--Detail B, 22x22 (15x16) cm., sig.
Box B25 Folder 8
--Sanctuary, 41x28 (29x17) cm., sig.
Box B25 Folder 9
--Conception, 33x25 (23.5x14) cm., sig.
Box 28 Folder 10
--Portal of Honor, 22x22 (18x15) cm., sig.
Box 28 Folder 10
--Peace Memorial on Palisade, 22x20 (19x16) cm., sig.
Box 28 Folder 10
--Perception on Terrace, 26x20 (20x14) cm., sig.
Box 28 Folder 10
12 photographs of renderings
Sherman Hotel Tiger Room, Chicago, 1920 :
Box 28 Folder 11
34 photographs of wall decorations
Dodge Brothers Banquet, February, 1921. :
Urban designed the grand ballroom in the Waldorf Astoria for the Dodge Brothers' 6th Annual Dealers' luncheon.
Box 28 Folder 12
3 photographs of decorative detail
Box 28 Folder 12
2 photographs of the banquet room
Wiener Werkstätte, June 1922 :
Rialto Theater Stage, June, 1922 :
Fulton Theater, Fall, 1922 :
Lyon and Healey Store Window, Chicago, November, 1922 :
Cosmopolitan Theater, August 1, 1923. :
The Park Theater was renovated and renamed for the film premiere of Little Old New York.
Daily Mirror Float, September 5, 1924 :
Designed for the National Beauty Pageant at Atlantic City. The float carried the 8 New York contestants in a Boardwalk parade and won first prize.
Box 29 Folder 5
1 photograph
Camp House, Dallas, Texas, 1925-1926 :
Box 29 Folder 6
Specifications booklet, August 1926
Mar-A-Lago, Palm Beach, Florida, 1925-1926 :
This house was designed for Mrs. E. F. Hutton, the former Marjorie Merriweather Post
Demarest Little Castle, Palm Beach, Florida, Oct.1925-Apr. 1926 :
House planned for the Hypoluxo Island estate belonging to John M. Demarest of Roslyn, Long Island. According to Mary Urban, the plans were abandoned after Mrs. Demarest fell seriously ill.
Paramount Theater, Sunrise Building, Palm Beach, Florida, 1926 :
Biddle House, Palm Beach,1926 :
Bath and Tennis Club, Palm Beach, Florida, July 1926 :
Oasis Club, Summer 1926 :
Metropolitan Opera House, Proposed, 1926-1927 :
Box 14-F-7 Folder 3
Preliminary sketch 57th St., 75x50 cm.
Scheme I :
Box 30 Folder 7
--5 plans, photostats
Mapcase 14-E-11 Folder 11
--32 plans, photostats
Box E6-E12
--7 photographs and plans on board
Scheme II :
Box 30 Folder 7
--Specs, 13 p.
Mapcase 14-E-11 Folder 12
--15 plans, photostats
Box E13-E29
--17 plans on board
Scheme III :
Box 30 Folder 7
--Specs, 11 p.
Box E30-E40
--11 plans on board
Scheme IV :
Box 30 Folder 7
--Specs, 10 p.
Box 30 Folder 7
--10 plans, photostats
Box E41-E50
--10 plans on board
Scheme V :
Box 14-E-11 Folder 13
--13 plans, blueprints and photostats
Scheme VI :
Box 30.7 Folder 7
--38 plans, photostats
Box C18 Folder 1
--2 plans, photostats
Box E51-E63
--13 Scheme VI plans on board
Box C18 Folder 2
--Ground floor plan, undated, ink & pencil
Scheme VII :
Box 30 Folder 7
--10 sketches and plans
Box D8 Folder 5
--21 sketches and plans
Scheme VIII :
Box 30 Folder 7
--81 plans
Box 14-E-11 Folder 14
--36 plans
Scheme IX :
Box 30 Folder 8
--Material, 58 specs, plans, photos
Box B26 Folder 4-6
--Material, 36 etchings, plans, photos
Box 14-E-11 Folder 15
--Material, 36 plans
Box 14-F-4 Folder 10
--Ground plan, 82x126 cm.
Box E64-E77
--14 mounted photographs of models
Box 30 Folder 8
Start of Sch. 9 file, 5/10/27, 23 p.
Box 30 Folder 8
Start of Sch. 9 file, 5/21/27, 8 p.
Box 30 Folder 8
7 negatives of Scheme IX June 1927
Box B26 Folder 7
96 plans, photostats
Box 30 Folder 8
Specs, 4 p.
Box 30 Folder 8
62 negative photostats, June 1927
Box 30 Folder 8
14 photographs of plans
Box E78-E114
36 plans on board
Box C18 Folder 3
2 positive photostats, Jan. 1928
Ziegfeld Theatre, 1926-27 :
See also mural section "Ziegfeld Theatre Mural Section" in Series V.4 (Other Donations)
Box 30 Folder 9
3 wall patterns
Box 30 Folder 9
2 wall mural drawings
6 drawings, watercolor and pencil :
Box B27 Folder 1
--lobby, Flower detail, not used A, 27x35 (20x25) cm.
Box B27 Folder 2
--lobby, Flower detail, not used B, 26x31 (24x29) cm.
Box B27 Folder 3
--lobby, Flower detail, not used C, 23x36 (19x32) cm.
Box B27 Folder 4
--lobby, Flower detail, not used D, 26x31 (24x29) cm.
Box B27 Folder 5
--lobby, Flower detail, not used, 20x29 (9x29) cm.
Box B27 Folder 6
--balcony ceiling, 32X36 (29X34) cm.
Box 14-F-4 Folder 11
25 technical drawings
Box 30 Folder 9
Secretary's journal and budget, 2 p.
Box 30 Folder 9
37 photographs, interior & exterior
Box B27 Folder 7
13 photographs
Box 30 Folder 9
2 etchings of front exterior, Douglass
Box B27 Folder 8
5 etchings of front exterior, Douglass
Box 30 Folder 9
Ground plan, balcony
2 drawings :
Mapcase 14-F-6 Folder B.4
--Street front, watercolor, 49x57 cm.
--Street front, charcoal on paper, Hugh Ferriss, 100x92 (84x73) cm.
Box 30 Folder 9
4 articles, 1927-1930, 17 p.
Box 30 Folder 9
2 congratulations notes
Box 30 Folder 9
2 articles, 1967
[See also Architectural Detail scrapbook, p. 12-14, 19 in C17]
St. Regis Hotel, 1927-1928 :
Temple Israel, Lawrence, Long Island, Fall 1927-1929 (not built) :
Reinhardt Theater, proposed, 1928 :
Music Center, 1928 :
The pencil rendering of the Greek Theater Garden and the print of the Greek Theater Concert stage were exhibited in the 1930 annual exhibit of the Architectural League of New York.
Hotel Gibson Roof Garden, Cincinnati, Ohio, 1928 :
Unidentified Drawings, 1928 :
Box 31 Folder 5A
Unidentified Drawings
6 drawings, watercolor and pencil on board, sig. :
Box D9 Folder 5
--5th Ave side, night street scene, 43x35 (29x21) cm.
Box D9 Folder 6
--5th Ave elevation, 49x38 (36x28) cm.
Box D10 Folder 1
--lobby, 43x50 cm.
Box D10 Folder 2
--Armchair, 41x31 (33x24) cm.
Box B28 Folder 2
--Front elevation, 2nd scheme, 44x35 (34x26) cm.
Box D10 Folder 3
--Building in daytime street scene, 44x35 (30x23) cm.
Box 31 Folder 6
4 photostats of arm chair
Box 31 Folder 6
2 photographs of Night street scene drawing
Kaufmann Department Store, Proposed, Pittsburgh, Pa., July 23, 1928 :
11 drawings, watercolor and/or pencil, sig.:
Box D10 Folder 4
--Front elevations, 47x49 (42x40) cm.
Box D10 Folder 5
--Entrance, 47x49 (21x23) cm.
Box D10 Folder 6
--Counter area, 47x49 (21x23) cm.
Box D10 Folder 7
--View towards Mezzanine, 47x49 (21x31) cm.
Box D10 Folder 8
--First Floor Plan, 47x49 (38x41) cm.
Box D10 Folder 9
--Mezzanine Floor Plan, 47x49 (38x41) cm.
Box D10 Folder 10
--Special Counters, 47x49 (31x32) cm.
Box D10 Folder 11
--Counters, grill detail, 47x49 (25x28) cm.
Box D11 Folder 1
--First Floor detail, 29x30 (25x27) cm.
Box D11 Folder 2
--First Floor Ceiling Plan, 29x30 (25x27) cm.
Box D11 Folder 3
--Ground plan of beauty Salon, Scott and Teegen
Bossert Hotel, Grill Room, Brooklyn, 1928 :
Bedell Department Store, New York City, August 6, 1928 :
2 drawings, pencil, sig. :
Box D11 Folder 5
--34th Street elevation, 48x48 (26x26) cm.
Box D12 Folder 1
--Section, Rotunda, Exhibition Hall, 48x48 (21x21) cm.
5 drawings, watercolor, August 6, 1928, sig. :
Box D12 Folder 2
--perspective of 34th St. elevation, 48x49 (20x20) cm.
Box D12 Folder 3
--show window, 48x49 (20x20) cm.
Box D12 Folder 4
--Show room, 48x49 (20x20) cm.
Box D12 Folder 5
--Millinery Department, 48x48 (20x20) cm.
Box B28 Folder 3
--elevator, 28x31 (23x20) cm.
Box 31 Folder 8
1 watercolor sketch of Millinery Department
Box 31 Folder 8
5 photographs of design
Box A10 Folder 13
9 photographs of store
Box C19 Folder 9
7 photographs of Store
Box 31 Folder 8
Architectural Forum, 2 p.
William Penn Hotel, Pittsburgh, August 1928, 1932 :
The opening for the renovated hotel was held in May of 1929. The Chatterbox Room was commissioned in 1932.
6 drawings, watercolor and pencil :
Box D13 Folder 1
--Tea Room detail and plan, 51x43 cm., sig.
Box D13 Folder 2
--Exhibition Room, 51x43 (33x34) cm., sig.
Box D13 Folder 3
--Men's Lounge, 51x43 cm., sig.
Box D13 Folder 4
--Ballroom, 34x51 (25x45) cm., sig.
Box D13 Folder 5
--Ballroom Ceiling Decoration, 37x50 (30x41) cm.
Box C19 Folder 10
--Wall Panel, 46x19 (18x12) cm.
Box E120
--2 Wall panels, Chatterbox Room, 20x68 cm.
Box 31 Folder 9
Hotel magazine cover, 5/29
Box 31 Folder 9
3 photos of Chatterbox Room
New Amsterdam Roof, 1928 :
Urban redesigned the New Amsterdam roof garden for Ziegfeld's final Midnight Frolic which opened December 29, 1928.
International Magazine Building, 1928-1929 :
Encyclopaedia Britannica article, 1928-1929
Hutton Ball, 1928
American Designers' Gallery, 1928-1929 :
Urban joined with other artists to establish a cooperative art gallery at 145 W. 57th St. Their first exhibit was shown in October of 1928 for which Urban designed a young lady's room entitled "Repose."
Central Park Casino, 1929 :
Metropolitan Museum of Art 11th annual exhibition of American Industrial Art, February and March 1929 :
Box 31 Folder 16
16 photographs of sun porch and man's den
Box 31 Folder 16
American Architect reprint, 9 p.
Box 31 Folder 16
Mosaic Messenger cover
Box 31 Folder 16
Woman's Journal, 3 p.
Emerich Residence, Chicago, Il., interior design, 1929 :
Remodeling of the home of Banker Melvin L. Emerich of Chicago.
Box 31 Folder 17
2 photographs of interiors
Hartman Trunks, 1929
Box 31 Folder 18
2 drawings and 1 photostat of patterns
Jewish Art Theater, proposed, 1929 :
Cadillac magazine advertisement, 1929 :
Box 31 Folder 20
6 ad sketches
Box 31 Folder 20
1 letter, McManus Inc, ts
Box B28 Folder 6
7 sketches and ads
Gingerbread House, 1929 :
F. H. Bennett of Wheatsworth, Inc. asked Urban to make the Gingerbread House after seeing the Urban-designed Metropolitan production of Hänsel and Gretel.
Box 32 Folder 1
18 photographs of building
Box 32 Folder 1
1 tearsheet, Fortune, p 89
Box 32 Folder 1
Postcard, letter and ceramics catalog
Theatres, 1929 :
New School for Social Research, 1929-1931 :
19 drawings, watercolor and/or pencil :
Box B28 Folder 8
--Talk over corner perspective, 32x41(15x22) cm.
Box B28 Folder 9
--Talk-over niches, 36x30 (22x19) cm.
Box B28 Folder 10
--Classroom, 30x45 (13x28) cm.
Box C20 Folder 3
--12th Street Front, 1929, 46x32 (33x19) cm.
Box C20 Folder 4
--Main Lobby Color Treatment, 37x37 (26x26) cm.
Box C21 Folder 1
--Classroom perspective, 32x41 (19x31) cm.
Box C21 Folder 2
--Auditorium perspective, 32x41 (20x31) cm.
Box D14 Folder 7
--Street elevation, 38x52 (25x34) cm.
Box D14 Folder 8
--Basement Lobby Color Treatment, 37x50 (24x40) cm.
Box D15 Folder 1
--Reception Room Color Treatment, 37x50 (19x42) cm.
Box D15 Folder 2
--Faculty Dining Room Color Treatment, 37x52 (19x40) cm.
Box D15 Folder 3
--Faculty Dining Room Color Treatment, Green, 37x50 (19x40) cm.
Box D15 Folder 4
--Director's offices, 36x50 (20x41) cm.
Box D15 Folder 5
--Assistant Director's offices, 37x53 (19x41) cm.
Box D16 Folder 1
--Ground plan, classrooms, 37x51 (25x33) cm.
Box 14-F-6 Folder A.1
--Dance Studio Color Treatment, 37x67 (19x56) cm.
Box E128-E129
--2 Street elevation Color Treatment, 47x67 cm.
Box B29-B30
13 ground plans
Box 32 Folder 4
Main floor ground plan
Box 32 Folder 4
Letters and notes, 6 p.
Box A10 Folder 14
Book of Color Control Patches
Box 32 Folder 4
Ordynski correspondence, 11 p.
Box 32 Folder 4
10 photographs
Box A10 Folder 15-44
30 photographs, interior & exterior
Box C21 Folder 3
4 photographs, interiors
Box 32 Folder 4
5 flyers, pamphlets, forms
Box 32 Folder 4
2 articles, Architectural Digest, 14 p.
Box 32 Folder 4
Architectural Record, 13 p.
Box 32 Folder 4
2 booklets
Box 32 Folder 4
1 chapter from Johnson's autobiography, 18 p.
Atlantic Beach Club, Long Island, NY, 1930-1931 :
Urban also designed Café de Paris for Night on the Riviera fete held August 3, 1930.
13 drawings, watercolor, pencil and ink :
Box B30 Folder 6
--Main entrance Terrace Apartments, 33x34 (17x19) cm., sig.
Box D16 Folder 2
--Isometric view of Terraced Apts., 47x51 (40x44) cm., sig.
Box E130
--Beach front view, blue background, 57x74 (40x44) cm.
Box E131
--Beach front, green, 51x76 (42x72) cm.
Box E132
--Room, color isometric drawing, 56x76 (43x36) cm.
Box E133
--Apartment perspective and floor plan, 76x51 (60x39) cm., sig.
Box E134
--Detail of End bays, 51x76 (38x55) cm.
Box E135
--Alternate floor plan, 51x76 (35x60) cm.
Box E136
--Typical floor plan, 51x76 (42x72) cm., sig.
Box E137
--Basement ground plan, 51x76 (43x72) cm., sig.
Box E138
--First floor ground plan, 51x76 (43x72) cm., sig.
Box E139
--5th and 6th floor plan, 51x76 (43x72) cm., sig.
Box E140
--Penthouse floor plan, 51x76 (43x72) cm., sig.
Box 32 Folder 5
11 photographs
Box 32 Folder 5
Photograph of Café de Paris, August 1930
Box A15 Folder 1
18 photographs
Box C21, C22
10 photographs
Suburban Movie Theater, 1931 :
Park Avenue Restaurant, 1931 :
Palace of the Soviets, 1931 :
The Russian Government held an open competition to find an architect for their assembly hall. Urban was one of six prominent architects chosen to present a design for the building for $10,000.
Box 32 Folder 8
130 p. reports, specs
Box 32 Folder 9
79 p. correspondence
Box 32 Folder 9
2 booklets, Russian
Box A15 Folder 2
Map of Moscow
7 drawings, watercolor, pencil and ink :
Box D17 Folder 1
--Assembly Hall, 36x46 (33x41) cm.
Box D17 Folder 2
--Colonnade, 34x55 (27x41) cm.
Box D17 Folder 3
--Perspective Central Plaza, 34x46 cm.
Box 14-F-7 Folder 5
--Interior, Large Hall with demonstration, 74x64 (70x61) cm.
Box 14-F-6 Folder B.1
--Ground plan, 47x60 (39x54) cm.
Box 14-F-6 Folder B.2
--Ground plan with landscaping, 43x57 cm.
Box 14-F-6 Folder B.7
--Perspective of large hall, 46x63 cm.
Box D18 Folder 1-10
10 plans
Box 32 Folder 9
31 photographs
Box A15 Folder 2
5 photographs
Lerner, Max Suburban House, 1932 :
Architectural League One-Man Show, February 1932 :
Joseph Urban donated proceeds for the benefit of New York's unemployed draftsmen.
Fairy Tale book illustration reprints, April 22, 1932 :
The Yonkers Statesman reported on April 22, 1932 that an exhibit of prints from 24 fairy tale illustrations was held at a Yonkers book shop on 155 North Broadway.
Congress Hotel, Joseph Urban Room, Chicago, Illinois, 1932 :
Urban, Harrison and Hood Houses Co-design, 1932 :
Raymond Hood, Joseph Urban, and Wallace K. Harrison jointly proposed a plan for houses constructed largely of steel for mass production.
Two drawings watercolor:
Box D17 Folder 5
--Neighborhood, 43x52 (22x40) cm.
Box D17 Folder 6
--Houses, front elevations
Box D17 Folder 6
Ground plan for house
Book-Cadillac Hotel, Mayfair Room, Detroit, Michigan, 1932 :
Architectural League Exhibition, 1932-1933 :
Urban arranged the 48th Annual Exhibition of the Architectural League of New York, held from February 18 to March 12, 1933, at the Galleries of the American Fine Arts Society. Urban received the President's Medal for "the unique architectural treatment of the galleries and the effective installation of the exhibits" and a Medal of Honor for his set model for the unproduced religious pageant Light
Chicago World's Fair: Century of Progress, opened May 7, 1933 :
Urban was the director of Light for the fair and designed panels for the New York exhibit. He also proposed a stage design for a religious pageant The Light which was never produced.
Box 33 Folder 6
1 letter from Raymond Hood, ms.
Box 14-F-5 Folder 8
1 blueprint of New York State Exhibit
Box A15 Folder 8
Reference picture for NY State Exhibit
17 drawings, watercolor and pencil :
Box E142-E146
--11 panels of buildings, 33x84 cm.
Box E147
--Agricultural Building, 63x41 cm.
Box 14-F-6 Folder A.2
--Fountain of metal, 34x61 cm.
Box 14-F-6 Folder A.3
--Esplanade of flags, 42x58 cm.
Box 14-F-6 Folder B.3
--Buildings in blue, yellow, 44x70 (41x67) cm.
Box 14-E-11 Folder B.9
--Orange building with radiator center, 34x59 (26x46) cm.
Box 14-E-11 Folder B9
--Green building with gray circle, 48x64 (45x58) cm.
Box 33 Folder 6
1 booklet, Light Recommendations
Box B30 Folder 9
2 newspaper magazine pullout sections
Box 33 Folder 7
7 programs
Katherine Brush Apartment, 1933 :
Undated :
Hearst House :
Huron Building, Detroit :
Knickerbocker Hotel :
Mallin Furniture Company :