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This collection is photograph archive of the works of architectural photographer George Cserna. Images include interior and exterior shots of prominent New York buildings primarily during the 1960s. The collection has been arranged alphabetically by the client or architect of the building. Some of George Cserna's most notable work in this collection includes photographs of Ulrich Franzen's Agronomy Building, Emerson Hall, and Goddard Library at Cornell University; Haines, Lundberg, and Waehler's U.S. Trust Building and Schering-Plough Headquarters; Victor Lundy's I. Miller Store and IBM Headquarters; and I. M. Pei's John Hancock Tower, Mount Royal Bank and Ville Marie Complex, and MIT Chemistry Building. The collection also contains photographs of exhibitions and openings at the Museum of Modern Art in the 1960s and 1970s, such as The Responsive Eye and Toward a Rational Automobile. Finally, the collection has photographic portraits of notable persons including John dos Passos, W.H. Auden, and William Faulkner.

The papers contain 273 drafts, manuscripts, and typescripts representing every genre in which Ms. Sophie Kerr worked along with correspondence, book artwork, and photographs. In addition, it includes 12 book-length manuscripts, the earliest being Love at Large, a novel published in 1916. The collection also holds books written by Sophie Kerr and volumes inscribed to her from her personal library.

Professional and personal files including Armstrong's correspondence with professional associations, other engineers, and friends, his research notes, circuit diagrams, lectures, articles, legal papers, and other related materials. Of his many inventions and developments, the most important are: 1) the regenerative or feedback circuit, 1912, the first amplified radio reception, 2) the superheterodyne circuit, 1918, the basis of modern radio and radar, 3) superregeneration, 1922, a very simple, high-power receiver now used in emergency mobile service, and 4) frequency modulation - FM, 1933, static-free radio reception of high fidelity. More than half the files concern his many lawsuits, primarily with Radio Corporation of America, over infringement of the Armstrong patents. Litigation continued until 1967. Other files deal with his work in the Marcellus Hartley Research Laboratory at Columbia University, 1913-1935, and with the American Expeditionary Forces in France during World War I, his Air Force contracts for communications development, Army research during World War II, the Radio Club of America, the Institute of Radio Engineers, FM development at his radio station at Alpine, N.J., the use of FM in television, his involvement in Federal Communications Commission hearings and legislation, and his work with the Zenith Radio Corporation. Also, letters to H.J. Round

This small collection includes four of Stanley's hard-to-find thumbnail scripts as well as the original Tripp art for a dozen Little Lulu stories. Tracings reveal sketches for covers as well as Disney characters. There is also a small amount of correspondence, a photograph of a very young Tripp at his drawing table, sketches of Hanna-Barbera and Terrytoons characters, and much more, all of which reveal the range of Tripp's career.

Correspondence including twenty letters from Helen Keller and her companion Polly Thomson, letters from Pauline Hemingway and her son Patrick M. Hemingway, from Patricia Nixon, Nancy Reagan, and from Harry Emerson Fosdick. These are all of a personal nature. There are also several books by and about Helen Keller and by Ernest Hemingway, some of which are first editions and some inscribed by the author.