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Manuscripts of three books by Agatha Young. The Town And Dr. Moore, 1965, includes the original manuscript in Mrs. Young's hand, the typescript copy which was used by the printer, a carbon copy of the final typescript bearing the editorial comments of Henry W. Simon of Simon and Schuster, and a large number of preliminary drafts and other material which Mrs. Young did not use in the final book. There are also two different editions of the published book. The Women And The Crisis: Women Of The North In The Civil War, 1960 include the final typescript which was used by the printer, and the complete set of marked galley proofs. I Sward By Apollo, undated, includes a photocopy of corrected typescript, and an original illustration. There are also a few miscellaneous letters which concern her writing.

A collection of letters and manuscripts of English and American authors, including one item from each of the following: Pearl S. Buck, Samuel Taylor Coleridge, Thomas De Quincey, Thomas Frognall Dibden, Charles Dickens, William Ewart Gladstone, Edmund Gosse, Hester Thackeray Ritchie Fuller, Rockwell Kent, Charles Kingsley, Edward George Bulwer Lytton, John Masefield, Clinton Scollard, William Wordsworth and Walt Whitman. In addition, there are 8 letters from Samuel Rogers (1763-1855) to Mr. and Mrs. Horace Twiss (Annie Sterky Greenwood Twiss), photographs of Alan and Margaret Kempner and miscellaneous Kempner items.

Approximately 12,000 letters to Allan Nevins from various correspondents including James Truslow Adams, Franklin Delano Roosevelt, Harry S. Truman, Willa Cather, Frances Folsom Cleveland, Van Wyck Brooks, Robert Frost, Newton D. Baker, Archibald MacLeish, John D. Rockefeller, Jr., Carl Sandburg, and Henry Wallace; notes and typescripts for Nevins' books including Emergence of Lincoln, The Ordeal of Democracy, Rockefeller, and History and Historians, with notes by editor Ray A. Billington; miscellaneous transcripts, clippings, newspapers, and photographs. Also, autograph letters and manuscripts by presidents, Civil War figures, financiers, politicians, and authors. There are also the Brand Whitlock World War I Diaries and letters to him by such people as Herbert Hoover, Gen. John J. Pershing, and others.

Correspondence, contracts, reviews, brochures, fliers, and photographs of various theatrical productions involving Ann Greyson.

Correspondence, manuscripts, and books of Kielty. Of special interest are the long and rich files of letters from Dorothy Canfield Fisher and W. Somerset Maugham, as well as letters from other contemporary authors, among them, Bernard Berenson, Isak Dinesen, Rumer Godden, Franz Werfel, and Kathleen Winsor.

Personal and professional papers of Stedman, including correspondence, letter books, diaries, poetry manuscripts, scrapbooks, photographs, and genealogical materials for the Stedman and Dodge families. Correspondence and manuscripts of his mother, Elizabeth Clementine Dodge Stedman Kinney (1810-1889), poet and diarist, and of his granddaughter, Laura Stedman Gould (1881-1941), author and editor. Also, editions of Stedman's LIBRARY OF AMERICAN LITERATURE including printed materials relating to the marketing; and an album of Civil War photographs by Mathew Brady, inscribed by the photographer to Laura H.W. Stedman as well as additional loose photographs by Brady.

Literary papers and some related correspondence of Moers, including typescript drafts, notes, photocopies of Theodore Dreiser letters and manuscripts, and correspondence related to writing, editing, and publishing TWO DREISERS. Revisions of this manuscript contain extensive editorial notes, instructions, and annotations by Moers' editor Malcolm Cowley. The photocopies of printed materials consist chiefly of articles written by Dreiser for newspapers and magazines, especially EV'RY MONTH. For Moers' book LITERARY WOMEN, there are typescript drafts, notes, the setting copy, and proofs. Also, letters, notes, drafts, and printed material for her article in the NEW YORK PUBLIC REVIEW OF BOOKS; correspondence, manuscripts, notes, drafts, photographs, clippings, and other printed material for her books, book reviews, articles, and lectures; and books inscribed to Moers and books on women authors and feminism with her notes.

Letters to Elsa Dorfman from "beat" poets including Allen Ginsberg, Philip Whalen, Frank O'Hara, Edward Field, and Robert Creeley. Included are 14 poems by Elsa Dorfman with critical comments by Allen Ginsberg.

Correspondence of Emma Lazarus. While the letters are primarily of a personal nature, they also reflect both her literary career and, after the traumatic effect on her of the perssecution of Russian Jews, 1879-1883, her role as American champion of Jews. There are original autograph letters from John Burroughs, Ralph W. Emerson, Henry James, William Morris, Tommaso Salvini, and Ivan Turgenev, and twenty other prominent figures. Also, one letter from Lazarus to William Wetmore Story and the letter of her sister, Annie Johnstone, presenting this collection to Columbia University.

Correspondence, manuscripts, notes, photographs, reviews, clippings, and other printed materials about Hanff, as well as books by and about her.

Manuscripts of Hull's novels, short stories, and essays. Also, notes and outlines for stories, correspondence, clippings, and printed material.

Correspondence and publishing agreements for many of their authors in the pre-World War I period.

Autographed and typed letters from Riding to newspaper and magazine editors, primarily concerning published material by and about her. Throughout the collection there are references to Robert Graves. There is also a group of letters to Anthony Dickins, English poet and editor of the LONDON MAGAZINE.

Correspondence, manuscripts, documents, memorabilia and printed materials. The correspondence deals with literary and political topics, from such people as Hayden Carruth, Irwin Edman, Lola Ridge and Norman Thomas; numerous manuscripts of Mrs. Marshall's writings, including the notes, drafts, manuscripts and proofs of her last novel THE HILL IS LEVEL and various manuscripts of the stories published in THE CONFRONTATION AND OTHER STORIES, and numerous manuscripts of poetry and short stories. Also included is material on the World War II draft of 19-year-olds, economic aid for Western Europe, the Vietnam War, the origin of SANE, the Committee for Nuclear Responsibility, the Amchitka Islands nuclear tests, the Task Force against Nuclear Pollution, and personal correspondence from her own and her husband's families

Mitchell's corrected manuscripts and correspondence and notes pertaining to them. Personal correspondence, including some with her husband, Wesley Clair Mitchell, forms only a small part of the collection. Also, notes and letters related to various projects in which she was involved and two boxes of photographs and drawings.

Correspondence and manuscripts including the typescripts and drafts of BITTER FORFEIT, THE DEEPENING YEAR, ISLAND NOON, RUNNER OF THE MOUNTAIN TOP, SKIPPER RILEY, and STRONG WINGS. The correspondence relates mainly to the publication of her novels and short stories. Also, lecture notes, clippings and reprints, photographs, business papers, and memorabilia.

Correspondence, manuscripts, and notes of Sanders. The correspondence is primarily with her publisher, Houghton Mifflin, and concerns her DOROTHY THOMPSON: A LEGEND IN HER TIME and an unpublished work on Mary Wollstonecraft. Also, notes, drafts, and an outline of the work on Wollstonecraft.

Correspondence, manuscripts, and records relating to the career of Mary E. Richmond. The papers cover Miss Richmond's social work career in Baltimore, Philadelphia, and New York where whe served as Director of the Charity Organization Dept. of the Russell Sage Foundation. Her efforts were directed toward the reorganization and introduction of new methods, including the case method. Also contains childhood memorabilia and an 1821 genealogy.

The collection includes incoming and outgoing correspondence and the holograph manuscript for the novel, The Serious Wooing, published in 1901.

Correspondence, manuscripts, notes, documents, photographs, audio tapes, and printed materials of Rochelle Owens. Included are: correspondence with other writers, publishers, and friends; scripts and production files of her plays; and, manuscripts and drafts of her books and other poems, along with other related materials. Boxes 1-3: Cataloged correspondence; Boxes 4-12: Owens' writings by title (Manuscripts, notes, photographs& printed materials); Box 13-14: General file (Audio tape cassettes, Biographical materials, Misc., Photographs& Misc. printed materials); Oversize folder: Record album & Photographs.

Correspondence and manuscripts including drafts, typescripts, and proofs of Franken's short stories, novels, plays, and radio, film, and television scripts beginning with her first novel, PATTERN, published in 1925, through her latest volume, YOU'RE WELL OUT OF A HOSPITAL, published in 1966. Many of the manuscripts relate to her most famous characters, Claudia and David, who have become part of the contemporary cultural fabric. The collection also contains 18 volumes of clippings, approximately 200 recordings, and 501 mimeographed scripts relating to the "Claudia" series. Among the major correspondents are Faith Baldwin, Paul U. Kellogg, and Eleanor Roosevelt. Also includes an audio tape interview of Rose Franken (with typescript transcripts) conducted by her grandnephew, David Korr, in October 1977.

The papers contain 273 drafts, manuscripts, and typescripts representing every genre in which Ms. Sophie Kerr worked along with correspondence, book artwork, and photographs. In addition, it includes 12 book-length manuscripts, the earliest being Love at Large, a novel published in 1916. The collection also holds books written by Sophie Kerr and volumes inscribed to her from her personal library.

Notes, manuscripts, and printed materials of Lawrence. The collection is comprised mostly of typescripts of her books.