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The collection of D.H. Lawrence material contains two book-length manuscripts, the typescripts of Sea and Sardinia and The Boy in the Bush, both with manuscript corrections in Lawrence's hand. The typescript for The Boy In The Bush is probably the manuscript from which the book was printed. Other Lawrence manuscripts include "The Future of the Novel," and Chapter 13 of Aaron's Rod. Correspondents include Thomas Seltzer, Johathan Cape, Mrs. Nancy Henry, and Lady Ottoline Morrell. The collection also contains three watercolor drawings made by Lawrence for the jacket of the English edition of The Plumed Serpent. Related printed material is also included. The John Steinbeck material is comprised of one letter, and proofs for thirteen of Steinbeck's works, including East Of Eden and Of Mice and Men. Also included are a printed biography and photographs, and printed ephemera relating to many of Steinbeck's works. There are books inscribed to Alfred and Clarisse Hellman. This collection also contains some correspondence of Alfred Hellman and some letters collected by Dr. Morton Pepper.

Correspondence of Blanche Gregory containing letters from some of her clientele. Included are 269 letters to Gregory and her assistant, Gertrude Bregman from Joyce Carol Oates, 1963-1982; ten letters from Tom Savage, 1971-1980; and 76 letters from Paul Theroux, 1966-1980. Also, one folder of miscellaneous uncataloged letters at the end of the collection.

The files of Curtis Brown, Ltd. literary agency include correspondence with authors, publishers, and other agents and deal with the editing and publishing of trade and textbooks, serial rights, reprints, dramatic rights, translations and foreign rights, promotion and copyright registration. For each author there are contracts, royalty statements, tax statements, and other financial materials. There is also a contract file, including cancellations and related correspondence, from 1914 to 1988. Among the cataloged correspondents are: Louis S. Auchincloss, W.H. Auden, Erle Stanley Gardner, Robert Graves, Ogden Nash, Ayn Rand, and Sloan Wilson.

Correspondence, manuscripts, and printed materials of Curtis Hidden Page. This collection contains a correspondence of 51 letters between Page and his grandmother, Mrs. Mary E. Hidden, as well as other family correspondence. Much of his incoming correspondence relates to social and academic pursuits, and his publishing activities, including letters from William Stome Booth of Houghton Mifflin concerning Page's anthology entitled "Chief American Poets." There are many holograph and typescripts of his poetry and poetical translations. Most of the poems are in several stages of progress. Present also are notebooks containing lecture notes from his student days.

Papers documenting Longwell's influential career in publishing and journalism. There are files of correspondence with such notables as Sir Winston Churchill, Ernest Hemingway, Thomas Hart Benton, the Duke and Duchess of Windsor, Christopher Morley, and H.L. Mencken as well as artists such as Tom Lea and Peter Hurd. Also, correspondence and memoranda dealing with the Time-Life organization, among them an extensive series of letters from Henry R. Luce and various editors of the magazines.

Correspondence, manuscripts, memoranda, contracts, and miscellaneous material from the files of Don Congdon Associates, Inc., literary agency, dealing with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright restrictions. Select files pre-date the firm's establishment because some clients of Harold Matson Company, Inc. became clients of Don Congdon Associates, Inc. The cataloged correspondence include: Ray Bradbury, Lillian Hellman, William Manchester, William Shirer, William Styron, and Francois Truffaut.

Letters to Kenton from outstanding literary figures such as Theodore Dreiser, Carl Van Vechten, Charles Hanson Towne, George Cram Cook, Henry L. Mencken, Richard Watson Gilder, Witter Bynner. The correspondence is partly personal, and part relates to the Provincetown Players, but chiefly the letters are from editors of various magazines including DELINEATOR and SMART SET, to which Kenton contributed stories.

Letters of Lucas to Arnold Bennett, discussing details of publishing, and containing many personal references; and twenty carbon copies and one draft original of Bennett's replies. Also, 34 letters from Lucas to miscellaneous authors and friends, mostly concerned with publishing; 25 miscellaneous manuscript by Lucas, including poems, speeches, and books; and 95 letters to Grant Richards, his publisher, 1898-1902, with four miscellaneous letters.

This collection includes nine letters of Ralph Waldo Emerson as well as letters of Louis Agassiz, Amos Bronson Alcott, Oliver Wendell Holmes, Sr., Henry Wadsworth Longfellow, James Russell Lowell, John Lothrop Motley, Charles Sumner, and John Greenleaf Whittier. In addition, there are two incomplete manuscripts by Emerson and one document from the Liverpool Custom-house signed by Nathaniel Hawthorne as Consul for the United States. The collection also includes the corrected typescript, index, and page and galley proofs for Thomas Franklin Currier, A BIBLIOGRAPHY OF OLIVER WENDELL HOLMES (New York, 1953) which was edited by Professor Tilton. Also, some early correspondence and photographs of the Tilton family and friends. There are letters from the actors Annie Louise Ames, Richard J. Dillon, and Hans L. Meery to Tilton's grandfather, Bernard Paul Verne, as well as photographs, tintypes, and daguerreotypes of the Verne family and friends.

Literary papers and some related correspondence of Moers, including typescript drafts, notes, photocopies of Theodore Dreiser letters and manuscripts, and correspondence related to writing, editing, and publishing TWO DREISERS. Revisions of this manuscript contain extensive editorial notes, instructions, and annotations by Moers' editor Malcolm Cowley. The photocopies of printed materials consist chiefly of articles written by Dreiser for newspapers and magazines, especially EV'RY MONTH. For Moers' book LITERARY WOMEN, there are typescript drafts, notes, the setting copy, and proofs. Also, letters, notes, drafts, and printed material for her article in the NEW YORK PUBLIC REVIEW OF BOOKS; correspondence, manuscripts, notes, drafts, photographs, clippings, and other printed material for her books, book reviews, articles, and lectures; and books inscribed to Moers and books on women authors and feminism with her notes.

Letters, documents, and printed materials documenting Macy's publishing career, including that relating to the Nonesuch Press, dating from 1941 to 1960. Included also are photographs, awards, and financial papers. The correspondents include many of Macy's close friends including Peter Beilenson, William Rose Benét, Clifton Fadiman, Christopher Fry, Lillian Gish, Alec Guinness, Fritz Kredel, Frederic and Florence March, Francis Meynell, Bruce Rogers, Louis Untermeyer, Carl Van Doren, and Lynd Ward. Also, miscellaneous engravings, lithographs, and drawings. The collection also includes 3 series of books: Macy-Masius Readers Club, Readers Club and Heritage Press. Macy Memorial Limited Addition Club books were cataloged individually as MACYMEM

Letters written to the publisher George T. Delacorte, Jr. from various literary figures, relating to the publication of their work in FAMOUS STORY MAGAZINE. Included are letters from Gertrude Atherton, Irwin S. Cobb, Theodore Dreiser, Ellen Glasgow, Fannie Hurst, Selma Lagerlöf, Edgar Lee Masters, Maxfield Parrish, and Wilbur Daniel Steele.

Correspondence and production files of The Goliard Press, relating to the publication of contemporary English and American poetry. Most of the letters are addressed to Barry Hall or Tom Raworth. Among the poets represented are Basil Bunting, Robert Creeley, Allen Ginsberg, Anselm Hollo, Ted Hughes, Christopher Logue, Michael McClure, Charles Olson, and Louis Zukofsky.

This archive consists of manuscripts, business files, production materials, and correspondence from 1966 -2012. The journal Hanging Loose was first published in 1966 was preceded by the journal Things, begun by two Columbia College students Emmet Jarrett and Ron Schreiber, Hanging Loose Press founders. The most recent issue #101 was published in 2013. The press has also published books, mostly poetry. The selection process is collective and inclusive. Hanging Loose publishes high school students and has dedicated issues to literature written by prison inmates. HL published Hettie Jones, long-time Columbia-affiliated poet Paul Violi, Jack Agueros, Sherman Alexie, and Charles North, as well as many of the collective members. Denise Levertov is a former board member.

Letters, manuscript, photographs, art work, and printed materials concerning Frederic. There are two letters, 1892-1896, from Frederic while he was in London as correspondent for the New York Times, to W. Sheaming of the National Liberal Club and to a London book publisher. A manuscript genealogy of early English families, primarily of the 13th century, probably deals with his ancestors. There is also a photograph of his common-law wife, Kate Lyon Forman, and biographical material on their daughter, Helen Forman.

Correspondence, manuscripts, memoranda, contracts and other legal papers, advertising, and printed materials. The files, 1958-1978, of the Harold Matson Company, Inc. include correspondence with authors, publishers, and other agents and deal with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright registration. The contract file of McIntosh, McKee & Dodds, Inc. Literary Representatives is also included.

The collection contains correspondence with the authors, including contracts signed with authors as well as negotiations with the authors over various aspects of publishing their works; financial records documenting many aspects of the operation of Harper & Brothers, including royalties paid to authors, records of stock offerings and company reorganizations, and general ledgers which contain daily notes on all aspects of the operation of the business; book catalogues and trade lists; research materials collected by Eugene Exman for his history of Harper & Brothers; visual materials, from drawings and photographs of Harper's authors to colophon designs and an oil painting of the original Harper's building.

Correspondence, manuscripts, contracts, memos., and photographs. The correspondence pertains to the publications of numerous important fiction and non-fiction authors. The files are particularly strong for authors included in two important historical series"The New American Nation" Richard B. Morris and Henry S. Commager, editors; and "The Rise of Modern Europe" William L. Langer, editor. The files of Cass Canfield Sr. contain substantial material on Planned Parenthood and International Planned Parenthood.

Large groups of correspondence with members of the editorial board including Henry Seidel Canby, Dorothy Canfield Fisher, John Marquand, Christopher Morley, and William Allen White, which contain insights into the Club's activities, organization, and literary policies. Also, material relating to Scherman's careers as writer, economist, and philanthropist. Mr. Scherman's economic activities are represented by files of correspondence and papers of the National Bureau of Economic Research, the Federal Union, and the Committee on Economic Development. Among the personal items in the collection are manuscripts of his publications, reviews of his writings, numerous awards he has received, photographs, and documents relating to his long and rich career. There are two particularly warm letters from Winston Churchill and Albert Einstein. Also, additional personal and professional correspondence files of Scherman with publishers, agents, authors, Book of the Month Club judges, and organizations with which he was affiliated.

Manuscripts, correspondence, notebooks, contracts, and other legal documents, photographs, book jackets, clippings, and other printed materials of Keeler. This collection includes many of his later book-manuscripts which remain unpublished, his writings on plot construction, and biographical and bibliographical articles about Keeler. Among his manuscripts are THE AMAZING WEB, THE CHINESE TICKET MURDER, THE SCARLET MUMMY (in progress), and SING SING NIGHTS. Also, one letter from Edgar Wallace.

Papers dealing with Robinson's activities as a student and instructor in English at Columbia University, editor of CONTEMPORARY VERSE, senior editor at THE READER'S DIGEST, poet and author of many books including THE CARDINAL. Among the correspondents are Melville Cane, Paul de Kruif, John Erskine, Merrill Moore, and Christopher Morley.

Correspondence, by-laws, memoranda, contracts, permission forms, reports, bank statements and other legal papers, advertising, and printed materials.

Annotated proofs and a letter, including proof copies, extensively revised for publication, of Cabell's GALLANTRY (short stories) and THE JEWEL MERCHANTS (a play) and a letter to a Mr. Hagerup about his works. Also, a signed typescript of Louis Untermeyer's introduction to GALLANTRY; and two letters from Cabell to Henry Blake Fuller.

The files of the literary agency include correspondence with authors, publishers, and other agents and deal with editing and publishing, serial rights, reprints, dramatic rights, translations and foreign rights, promotion, copyright registration, contracts, royalty statements, tax statements, and other financial materials, and the personal affairs of many clients. Among the cataloged correspondents are: Louis S. Auchincloss, Erskine Caldwell, Herbert Gold, Alberto Moravia, Eleanor Roosevelt, and Rebecca West.

The files of John Cushman Associates, Inc. include correspondence with authors, publishers, and other agents and deal with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright registration.

Correspondence and manuscripts including drafts, typescript, notes, photographs, mimeographed scripts and printed materials, re. Hall's plays, radio and television scripts, short stories, and novels. Among the cataloged correspondents are: Alan Ayckbourn, Robert Bolt, Christopher Fry, Sir John Gielgud, and Harold Pinter.

Archives of Schaffner's literary agency, including correspondence and financial records, 1948-1975. The material is divided into four sections, cataloged material; general correspondence; specific files with authors who were clients of the agency; and correspondence with other literary agents and editors, appointment books, and financial papers.

Correspondence of Ferlinghetti with Jack Hirschman about the editing, publishing, and reprinting of his ARTAUD ANTHOLOGY by City Lights Books; and correspondence with the poet Claude Pelieu and with Mary Beach.

Papers of Leah Goldstein Javne Salisbury, consisting of correspondence, contracts, scripts, and financial records. Among the correspondents are Christopher Fry, William Gibson, Eugène Ionesco, Dorothy Parker, S.J. Perelman, and Stark Young.

Manuscripts of Price, including the notes, manuscripts, typescripts, and galley proofs for HELLAS REGAINED, OCTOBER RHAPSODY, and THE SACRED LEGION, which are parts of his "All Souls" sequence of novels.

Correspondence and manuscripts including the typescripts and drafts of BITTER FORFEIT, THE DEEPENING YEAR, ISLAND NOON, RUNNER OF THE MOUNTAIN TOP, SKIPPER RILEY, and STRONG WINGS. The correspondence relates mainly to the publication of her novels and short stories. Also, lecture notes, clippings and reprints, photographs, business papers, and memorabilia.

Letters of Freeman, addressed to various personalities at Harper Brothers and the Century Magazine, relating chiefly to the publication in serial and book form of her various novels and short stories. Included are letters to Richard Watson Gilder, Robert Underwood Johnson, Colonel George B. Harvey, and Henry Mills Alden. Also, photocopies of the typescript of Brent L. Kendrick's Ph.D. thesis (University of South Carolina, 1981) THE INFANT SPHINX: COLLECTED LETTERS OF MARY E. WILKINS FREEMAN. 2 vols. (Published version in the General Library: PS1713/.A44/1985).

Letters from McClure to David Meltzer discussing McClure's writings, especially during a visit to New York in 1961. Also, three poems sent to Meltzer; one letter, dated 1965, and addressed to Joe Pinelli; letters from McClure to his agent, Max Gartenberg, 1965-1967, concerning his negotiations with Grove Press; and 43 drafts of his MEAT SCIENCE ESSAYS, published by City Lights Books in 1963 and 1966.

Schuster's correspondence including letters from authors Bernard Berenson, Will and Ariel Durant, Max Eastman, Nikos Kazantzakis, Max Lerner, Henry Miller, Bertrand Russell, and Louis Untermeyer; advertisements and other material relating to Pocket Books, Inc. which was owned by Simon & Schuster; and an author and title file containing correspondence, comments, and reviews of Simon & Schuster publications, and miscellaneous notes, clippings, photographs, manuscripts, and printed material.

This collection is a random group of papers of three generations of the Mott family. Papers of Jordan Lawrence Mott include 51 deeds, letters, and leases showing Mott's subdivision, improvement, and letting of this property. Correspondence of J.L. Mott II is mostly from well-known people in English society in the early 20th century. Mott's wife, Katherine Jerome Purdy Mott, was a cousin of the Jerome sisters (Lady Randolph Churchill, Lady Leslie, and Mrs. Moreton Frewen). Papers of J.L. Mott III include correspondence with publishers about his works, miscellaneous manuscripts, and financial documents. Correspondents include the Duchess of Abercorn, Prince Arthur (Duke of Connaught) and his family, L.B.R. Briggs, Ednah Dow Cheney, Joseph B. Gilder, H.A. Harvey, Lady Constance Leslie, Frank E. Schoonover, Christian Schussele, and Caspar Whitney.

The editorial and production files of Pantheon Books from 1944 through 1968. The correspondence from authors, agents, and publishers is written to Kurt and Helen Wolff, Jacques Schiffrin, André Schiffrin, and the editors of the firm. The files document the publication of works by A. Alvarez, Georges Bernanos, Hermann Broch, Jacob Burckhardt, Albert Camus, William Demby, Eugene Ionesco, Karl Jaspers, Winifred Bryher, Jacques Maritain, Isamu Noguchi, José Ortega y Gasset, Pier Paolo Pasolini, Sir Herbert Read, Ben Shahn, and others.

Records of literary agents Paul Revere Reynolds, founder of Paul R. Reynolds agency, and his son, Paul Revere Reynolds, Jr. The records consist of correspondence, contracts, scripts, and financial records. The files are rich in correspondence between authors and agents and provide important information about some of the most significant works published in the last seventy years.

Correspondence, manuscripts, proofs, and publicity materials for POETRY LONDON-NEW YORK, which appeared in four issues from 1956 to 1960. There is correspondence to and from M.J. Thurairajah Tambimuttu (1915-1983), the editor, Anthony S.M. Dickins, the "editor in Britain" from the contributors, manuscripts submitted for publication, and letters about the launching party for the magazine on 31 July 1956.

Thompson's correspondence with John Mason Brown, Henry S. Canby, Basil Davenport, Clifton Fadiman, Dorothy Canfield Fisher, Gilbert Highet, Paul Horgan, John K. Hutchens, Amy Loveman, John Marquand, and Christopher Morley and their reports dealing with the selection of books to be offered by the Book-of-the-Month Club.

Correspondence and manuscripts including drafts, typescripts, and proofs of Franken's short stories, novels, plays, and radio, film, and television scripts beginning with her first novel, PATTERN, published in 1925, through her latest volume, YOU'RE WELL OUT OF A HOSPITAL, published in 1966. Many of the manuscripts relate to her most famous characters, Claudia and David, who have become part of the contemporary cultural fabric. The collection also contains 18 volumes of clippings, approximately 200 recordings, and 501 mimeographed scripts relating to the "Claudia" series. Among the major correspondents are Faith Baldwin, Paul U. Kellogg, and Eleanor Roosevelt. Also includes an audio tape interview of Rose Franken (with typescript transcripts) conducted by her grandnephew, David Korr, in October 1977.

Thomas's correspondence with critics and magazine editors concerning her work; and the correspondence of her literary executors with Mark Van Doren about the publication of a posthumous volume of her poetry. Manuscripts and typescripts of her poems; the typescript of the posthumous edition of her poetry, poems rejected by the editors of this book, and their notes; and her prose manuscripts, including her M.A. thesis on the literary and psychological sources of Lawrence Durrell's "The Sonnet of Hamlet;" and the typescript of her anthology of poetry for use in secondary schools.

Correspondence, memoranda, photoreproductions of manuscript excerpts by Kafka, publicity files, production records, and printed materials for the works of the Austrian author, Franz Kafka, in German and English translations, 1940-1977. These extant files were set aside by David Rome, the former president of Schocken Books, after the firm was purchased by Pantheon Books, a division of Random House, several years ago. The files consist mainly of production files for the first American editions of THE GREAT WALL OF CHINA (1946), LETTERS TO MILENA (1948), ERZAHLUNGEN UND KLEINE PROSA (1957), and FRANZ KAFKA: BRIEFE (l958). Also included is a publicity file aimed at American Jewish organizations and college and university German departments promoting SAMLICHE WERKE edited by Max Brod as well as his biography of Kafka, and a marked master galley proof for PARABLES AND PARADOXES (1958). Also included are photocopies and mimeograph copies of playscripts based on Kafka's DIARY and METAMORPHOSES and a script by Michael McClure, JOSEPHINE, based on a character of the same name in Kafka's story, THE MOUSE FOLK. There is correspondence with Professor Heinz Pollitzer concerning the promotion of publishing Kafka's writings in the early 1960s. The printed materials are chiefly book reviews of Kafka's publications and some scholarly articles on Kafka.

Correspondence, by-laws, memoranda, contracts, permission forms, reports, bank statements and other legal papers, advertising, and printed materials.

The collection includes seven manuscripts by W. A. Dwiggins as well as correspondence between Dwiggins and Melbert B. Cary, Jr. of The Press of the Woolly Whale, regarding publication of Dwiggins' A TECHNIQUE FOR DEALING WITH ARTISTS. The manuscripts are "Prelude to Eden" (a play), 1939; A TECHNIQUE FOR DEALING WITH ARTISTS, 1941; "Typophiles Salutem Vobis Dico" 1937; Script No. 1, Made to write the score of a marionette ballet by Foster Trainer, ca. 1951?; Script No. 1"Elijah" n.d.; Script No. 2"Shapes of the 1/4 note heads" n.d.; and Script No. 3"A and B" n.d.

Correspondence, manuscripts, memoranda, contracts, and other legal documents, account books, royalty statements and other financial records, photographs, printed materials, and card files of the Watkins Loomis, Inc. literary agency. The papers deal with editorial, financial, and legal aspects of publishing, magazine, theatrical and film rights, and all other personal and professional activities of their American and English clients. Among these clients have been Michael Arlen, Frances Hodgson Burnett, Theodore Dreiser, Ernest Hemingway, Sinclair Lewis, Carson McCullers, Ezra Pound, Ayn Rand, Dorothy Sayers, Gertrude Stein, and Dylan Thomas.

Letters, manuscripts, galley proofs, page proofs, art works, and printed materials of Auden, including three postcards to Geoffrey Grigson, one of which relates to galley proofs for Auden's poems included in THE YEAR'S POETRY, 1937. There are manuscripts, galley proofs, and page proofs of COLLECTED SHORTER POEMS 1927-1957 (Faber and Faber, 1966) all of which contain his corrections in ink. The manuscript of the book is comprised of typewritten and printed pages, which taken together are a mock-up of the entire book. Also, a pencil sketch of Auden by Terry Durham, a silkscreen portrait by Meyer F. Lieberman, and a portrait head cast by Olaf de Wett. There is also the manuscript and proofs of MARKINGS by Dag Hammarskjöld, translated from the Swedish by Leif Sjöberg and W.H. Auden; the libretto and score of PAUL BUNYAN by Auden and Britten; five letters from Auden to Norman Loftis criticizing Loftis' poetry; two letters from Auden to Patrick Anthony Lawlor; and four letters from Auden to Olive Mangeot.

Manuscripts, galley proofs, and page proofs of W.H. Auden's COLLECTED SHORTER POEMS 1927-1957 (Faber and Faber, 1966) all of which contain his corrections in ink. The manuscript of the book is comprised of typewritten and printed pages, which taken together are a mock-up of the entire book. There are also galley proofs and page proofs.

Correspondence of Knickerbocker. Correspondents are Kenneth Burke, Oscar Cargill, Irwin Edman, Ben Ray Redman, Austin Warren, Morrie Ryskind, Bonamy Dobrée, Helen Keller, Compton Mackenzie, Merrill Moore, and Allen Tate.

Four letters to Story from Leigh Hunt, and one from Ralph Waldo Emerson; and one letter to Emelyn Story from Margaret Fuller. The Hunt letters are friendly notes touching on a variety of subjects including his health and Mrs. Hunt's, publication of selections of his work, etc. The Emmerson letter, 1851, is in connection with Browning's reminiscences of Margaret Fuller which had been sent to Story. He speaks also of Carlyle and Tennyson. Margaret Fuller's letter to Mrs. Story is a friendly one in which she writes chiefly of her love for Rome and her life there.

Records of publisher W.W. Norton & Co, as well as the records of Boni and Liveright, Inc. and Horace Liveright, Inc.