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The Archives of THE QUIET IN THE LAND includes materials documenting The Quiet in the Land (1996-2013), an art and education project founded and directed by the curator and art historian France Morin. The projects include The Quiet in the Land: Everyday Life, Contemporary Art, and the Shakers; The Quiet in the Land: Everyday Life, Contemporary Art, and Projeto Axé; and The Quiet in the Land: Art, Spirituality, and Everyday Life, Luang Prabang, Laos. This work goes beyond the making of art to human rights and the meeting of cultures project that has great resonance in today's world.

The archive includes their analog artist files (now these are digital and we are not collecting those), which document the work of most of the important book artists in the United States, their educations and exhibition programs, other publicity materials, their contracts with artists and teachers, and relevant corporate records.

Correspondence, manuscripts, documents, photographs, article, essays, exhibition catalogs, printed material, and 9 floppy disks of her research on artsits and art in Vichy France, as well as Max Jacob, the French poet, painter, writer, and critic.

The collection consists of correspondence, manuscripts, and an enormous number of notecards (that were collected over a twenty-year period for a proposed "Slovar' russkikh khudozhnikov") and several dozen notebooks containing entries to which the cards refer. Among the correspondents is Eugène Fabergé, whose letters contain information about the Fabergé dynasty of jewelers. Sakharov's manuscripts include essays on Ivan Bilibin, M. V. Rudaltsov, Mariia Bashkirtseva, Nikolai Globa and V. E. Borisov-Musatov. The cards containing information on artists are arranged alphabetically by artist and contain references to specific notebook entries. There are also bibliographic cards containing citations of articles on art in Russian and other languages. These are arranged by author. The notebooks are largely devoted to a particular artist or genre; others are designated by color and number, letter, number or not titled at all. There are also two sets of large notebooks which seem to belong to another series. There are a few photographs of artists (notably a 1939 photograph of Globa) and photographic reproductions of works by Bakst and Lukin among others. The collection contains approximately 11 exhibition catalogues dating from 1915 to 1940 and primarily relating to the exhibitions of Russian emigre artists in Paris. There are also 4 issues of "Illiustrirovannaia Rossiia" and some clippings dealing with Russian emigre artists.

Collection includes manuscripts and printed materials. Manuscripts consist of Fridév's memoirs, in six notebooks, about the volunteer White army in Southern Russia and the Crimea. There is a handwritten catalogue of the materials of the Russian Chamber of Commerce in the collection of the University of Paris, as well as a catalogue of the contents of the "Vestnik finansov, promyshlennosti i torgovli" for 1912. Printed materials include four pamphlets on various historical topics, and a copy of Lenin's "O proletarskom gosudarstve" (1924).