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The collection consists of correspondence, manuscripts, and an enormous number of notecards (that were collected over a twenty-year period for a proposed "Slovar' russkikh khudozhnikov") and several dozen notebooks containing entries to which the cards refer. Among the correspondents is Eugène Fabergé, whose letters contain information about the Fabergé dynasty of jewelers. Sakharov's manuscripts include essays on Ivan Bilibin, M. V. Rudaltsov, Mariia Bashkirtseva, Nikolai Globa and V. E. Borisov-Musatov. The cards containing information on artists are arranged alphabetically by artist and contain references to specific notebook entries. There are also bibliographic cards containing citations of articles on art in Russian and other languages. These are arranged by author. The notebooks are largely devoted to a particular artist or genre; others are designated by color and number, letter, number or not titled at all. There are also two sets of large notebooks which seem to belong to another series. There are a few photographs of artists (notably a 1939 photograph of Globa) and photographic reproductions of works by Bakst and Lukin among others. The collection contains approximately 11 exhibition catalogues dating from 1915 to 1940 and primarily relating to the exhibitions of Russian emigre artists in Paris. There are also 4 issues of "Illiustrirovannaia Rossiia" and some clippings dealing with Russian emigre artists.

Correspondence, manuscripts, documents, photographs and printed materials of Unkovskiĭ. The correspondence includes letters from such individuals as Emile Baës, Vladimir Burt︠s︡ev, Nikolaĭ Evreĭnov, Galina Kuznet︠s︡ova, Boris Lazarevskiĭ, Alekseĭ Remizov, Ivan Shmelov, Boris Zaĭt︠s︡ev, and Leonid Zurov. Nearly all the manuscripts are by Unkovskiĭ, and include essays, stories, and excerpts from his memoirs, many of which were published in emigre journals. There are a number of scrapbooks containing clippings of his articles. In addition, the collection contains galleys of books by Unkovskiĭ, and copies of some of his full-length works, including "Ikary" (1942) and "Andreĭ Klinskiĭ" (1940).

Most of the collection consists of manuscripts by Lebedev and others on Russian and East European literary and political topics from about 1914 to the 1930s. There are three microfilm reels of materials on Gavrilo Princip and the asassination of Archduke Ferdinand in Sarajevo, 1914. Correspondents include Hamilton Fish Armstrong and George F. Kennan. There are several drafts of articles by Mark Slonim and materials on the Socialist Revolutionaries in the emigration from about 1930. Lebedev's personal documents cover from his army service (the Russo-Japanese War), through the 1917 Revolution and Civil War, and his later life in Europe and the United States. There are photographs from interwar Albania and Bulgaria, including ones of Aleksandŭr Stamboliski. Printed materials include a copy of Lebedev's book "Novym putem" and issues of "Voli︠a︡ Rossii.".

Correspondence, manuscripts, photographs, a document, a subject file, printed materials and scrapbooks of Tarydina. The correspondence includes letters from Rodion Berezov, Georgiĭ Grebenshchikov, Olǵa Spesivt︠s︡eva, Aleksandra Tolstai︠a︡ and I︠A︡kov T︠S︡vibak. While most of the manuscripts are Tarydina's own, there is an essay by Natalii︠a︡ Logunova, and a copy of one by Maksimilian Voloshin about Tarydina's father, General Nikandr Marks. There are several dozen photographs that chronicle emigre theatrical events she produced during the 1940's in New York in collaboration with her husband, I︠A︡kov Shigorin. There is a 1917 contract with the Bolśhoĭ Letniĭ Teatr and a subject file concerning Tarydina's father. The clippings and scrapbooks relate to Tarydina's theatrical career at the Moscow Malyĭ Theater, in Odessa and in New York as well as to her essays published in the emigre press.

The correspondence includes a copy of a 1913 letter to Smirnova-Maksheeva and a 1973 letter from her. The manuscripts are primarily by Smirnova-Maksheeva and include essays on the St. Petersburg Ekaterinskiĭ Institut; the Smirnov vodka dynasty (to which Smirnova-Maksheeva's first husband belonged); the author Petr A. Zhili︠́a︡r(Pierre Gilliard); the painter Konstantin E. Makovskiĭ (whom Smirnova-Maksheeva knew) and her husband and father-in-law. In addition, there is a manuscript of a talk about Smirnova-Maksheeva's poetry given by Georgiĭ Ivit︠s︡kiĭ in Paris, 1975. The published books are "Rasskazy i povesti" (Paris, 1975)"Skazka o russkom soldate, krylatom bese i t︠s︡arevne Elene" (Paris, 1974)"Dushoĭ i serdt︠s︡em" (Souvain, 1970) and "Tain̆a kazbeka-Gruzinskai︠a︡ legenda v stikhakh 16-17 veka" (Paris, 1947).

Correspondence, manuscripts, documents, photographs, subject files and printed materials of Simon Lissim. Among the correspondents are Aleksandr Benois, Mikhail Larionov, Georgiĭ Lukomskiĭ and Saveliĭ Sorin. There are many manuscripts by Lissim himself including the tests for a number of lectures and speeches, sections of his memoirs and essays on aesthectics. The documents include passports documenting his emigration from Russia to France and the United States, and several awards and certificates. There are many photographs of Lissim as well as dozens of photographic reproductions of his work, uncluding Lenox and Sèvres porcelain, textile designs, silver work and graphic arts. There are subjecxt files relating to two books for which he did the illustrations, and there are many folders of clippings documenting his career.

The collection contains Simonovich's correspondence, manuscripts, doucments, subject files, and printed materials. There are letters to Simonovich from a friend who had settled in Yugoslavia, A. S. Poplavskiĭ, and Belgian postcards from before World War I. Manuscripts deal with Simonovich's experiences in the Imperial army on the Caucasian front and in the White army under general Slashchev. There are also essays devoted to the Russian emigre colonies in Belgium and in France. The subject files concern the Belgian section of the Gallipolian Society (Obʺshchestvo Gallipolit︠s︡ev) and Russian emigre events in Belgium. The printed materials include chiefly miscellaneous journals and clippings, some with articles by Simonovich.

Correspondence, manuscripts, photographs and subject files of Witte. The correspondents include Ivan S. Aksakov, Tsar Aleksander III, Tsar Nicholas II, Konstantin P. Pobedonost︠s︡ev, I︠U︡riĭ Samarin, Lev N. Tolstoĭ and Kaiser Wilhelm II. The manuscripts, which constitute over half of the collection, consist of Witte's memoirs and of his work on the Russo-Japanese War, and include a signed typescript essay by Lev N. Tolstoĭ. The photographs depict the signing of the Portsmouth Treaty ending the Russo-Japanese War (Portsmouth, N.H.). The subject files, which are primarily typescript copies of documents, refer to such topics as the various assassination attempts on the tsars, questions of agrarian reform, relations with Germany, and the siege of Port Arthur. There is also a framed pen and ink drawing depicting an event in Witte's public career.

Correspondence, manuscripts, photographs, and printed materials of Toporkov. Much of the collection consists of materials Toporkov collected and used for a three-volume history of the Fifth Hussar Regiment (Pi︠a︡tĭ gusarskiĭ aleksandri ĭskiĭ polk), of which he had been a member. There are also materials concerning members of the regiment who emigrated after the 1917 Revolution. The correspondence (1919-1952) includes letters to and from members of several emigre military organizations. the manuscripts include essays and memoirs about the regiment during World War I and the Civil War (including several by Toporkov himself) as well as Toporkov's three-volume history of his regiment from the eighteenth century through 1929, the regiment museum, individual members of the regiment, regiment celebrations (1926-1935), the Court of Honor, and regiment financial affairs (1925-1948). Among the printed materials are clippings and materials relating to a number of emigre organizations.