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The collection consists of correspondence, manuscripts, and an enormous number of notecards (that were collected over a twenty-year period for a proposed "Slovar' russkikh khudozhnikov") and several dozen notebooks containing entries to which the cards refer. Among the correspondents is Eugène Fabergé, whose letters contain information about the Fabergé dynasty of jewelers. Sakharov's manuscripts include essays on Ivan Bilibin, M. V. Rudaltsov, Mariia Bashkirtseva, Nikolai Globa and V. E. Borisov-Musatov. The cards containing information on artists are arranged alphabetically by artist and contain references to specific notebook entries. There are also bibliographic cards containing citations of articles on art in Russian and other languages. These are arranged by author. The notebooks are largely devoted to a particular artist or genre; others are designated by color and number, letter, number or not titled at all. There are also two sets of large notebooks which seem to belong to another series. There are a few photographs of artists (notably a 1939 photograph of Globa) and photographic reproductions of works by Bakst and Lukin among others. The collection contains approximately 11 exhibition catalogues dating from 1915 to 1940 and primarily relating to the exhibitions of Russian emigre artists in Paris. There are also 4 issues of "Illiustrirovannaia Rossiia" and some clippings dealing with Russian emigre artists.

Correspondence, manuscript, and printed materials of Kees. There are fourteen letters from Kees to Herbert Cahoon, twelve letters from James T. Farrell to Kees, the manuscript of Kees' THE LAST MAN, and announcements and clippings by and about Kees.

Personal, professional, and family papers of the journalist and writer Wilbertine Teters Worden (1866-1949). Some of the files concern her father, Colonel Wilbert Barton Teters (1836-1923) a Civil War veteran, his military reunions, and his gold mining interests in Colorado. Wilbertine Teters Worden's own manuscripts include both fiction (short stories and poetry) and non-fiction (she often wrote love stories from early American history). The collection also includes her diaries dating from 1885 through 1948. There does not appear to be much in the collection related to Worden's novel, The Snows of Yester-year" (Boston, Arena Publishing Company, 1895).

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials

Correspondence, manuscripts, typescripts, contracts, legal briefs, patents, and other documents, music scores, cartoons, technical drawings, account books, blueprints, photographs, clippings, printed legal briefs & transcripts, proofs, scrapbooks, and other printed materials of William M. Speer.

Files dealing with publishers, the editing of manuscripts, serial rights, copyright, translation rights, financial accounts, and the like. Among the correspondents are A.P. Graves, Thomas Hardy, Frederick T. Jane, W.E. Norris, Alfred Ollivant, John Pendleton, William H. Rideing, Hall Caine, Prince Peter Kropotkin, Marie Adelaide Belloc Lowndes, Douglas Sladden, and Mary Augusta Ward (Mrs. Humphry Ward).

This collection documents the life and career of African-American social worker and educator William Neal Brown. Personal material includes his military records, family photos, material from his undergraduate years at the Hampton Institute, and various tributes from later in his life. The professional material is primarily typescripts of speeches and papers that Brown presented in the late 1960s and early 1970s to various academic and community groups. The audiovisual material includes audio of his debate with Malcolm X, titled "Integration or Separation," that took place on Ovember 3, 1961, at Rutgers University.