Karyn J. Taylor Dance Theatre of Harlem collection, 1969-2022

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Series I: The Dance Theatre of Harlem Story

Series 1 reveals the complete Dance Theatre of Harlem "story" from its inception in 1969 under the direction of Founder and Director, Arthur Mitchell, through the announcement of the retirement of Virginia Johnson (Mr. Mitchell's successor as Artistic Director) in 2022. Included are company and school photos, press releases, Playbill and other performance programs, press reviews, feature stories, marketing collateral (including The Dance Theatre of Harlem's Quarterly Newsletter), various awards and honors bestowed on Arthur Mitchell, and the obituaries of both Arthur Mitchell and Co-Founder and Associate Director, Karel Shook.


Subseries I.1: The Dance Theatre of Harlem Company



Box 1 Folder 1 Photograph (8"x10" B&W) : The Dance Theatre of Harlem company poses outside the Church of the Master in Harlem (circa 1969-70), its first "home."

Photo credit: unknown


Box 1 Folder 2 "The Dance Theatre of Harlem, Inc." - a description of Dance Theatre of Harlem's operating principles and methods


Box 1 Folder 3 Photograph (8"x10" B&W) : Dance Theatre of Harlem Founder and Director, Arthur Mitchell

Photo credit: Martha Swope


Box 1 Folder 4 Biography of Arthur Mitchell (2 pages).


Box 1 Folder 5 Arthur Mitchell - List of Awards and Tributes


Box 1 Folder 6 Photograph (8"x10" B&W) : Karel Shook (The Dance Theatre of Harlem Co-Founder and Associate Director)

Photo credit: Marbeth


Box 1 Folder 7 Biography of Dance Theatre of Harlem Co-Founder and Associate Director, Karel Shook.


Box 1 Folder 8 Photograph (8"x10" B&W) : Arthur Mitchell

(Photo credit: Martha Swope)


Box 1 Folder 9 Playbill reprint: "Birth of a Black Ballet Company— Dance Theatre of Harlem," byline by Colette Dowling (4 pages), May 1971


Box 1 Folder 10 Photograph (8"x10" B&W): Lydia Abarca and Derek Williams perform the pas de deux from George Balanchine's "Agon," Spoleto, Italy, 1971

Photo credit: none listed, but possibly Martha Swope


Box 1 Folder 11 Photograph (8"x10" B&W): Lydia Abarca, Virginia Johnson, and the Dance Theatre of Harlem Company perform the First Movement of "Agon"

Photo credit: Martha Swope


Box 1 Folder 12 News clipping: The Washington Post: "Lydia Abarca: On the Brink of Stardom," byline by Lynn Darling (2 pages), 4 October 1979


Box 1 Folder 13 Photograph (8"x10" B&W): Paul Russell performs in "Forces of Rhythm."

Photo credit: Martha Swope


Box 1 Folder 14 Photograph (8"x10" B&W): Virginia Johnson performs in "Laurentia"

Photo credit: Martha Swope


Box 1 Folder 15 Photograph (8"x10" B&W): Derek Williams, Virginia Johnson, and Homer Bryant perform the "Holberg Suite" pas de trois

Photo credit: Martha Swope


Box 1 Folder 16 Photograph (8"x10" B&W): The Dance Theatre of Harlem Company men perform Arthur Mitchell's "Rythmetron"

Photo credit: Martha Swope


Box 1 Folder 17 Photograph (8"x10" B&W): The Dance Theatre of Harlem Company performs "Rythmetron" in Spoleto, Italy, 1971

Photo credit: none listed, but probably Martha Swope


Box 1 Folder 18 Photograph (8"x10" B&W): Arthur Mitchell addresses the audience at a Dance Theatre of Harlem Lecture-Demonstration in New York

Photo credit: Martha Swope


Box 1 Folder 19 Photograph (8"x10" B&W): Virginia Johnson and the Company women at the barre during a Lecture-Demonstration at New York's Guggenheim Museum

Not for Reproduction per request of the photographer.

Photo credit: Suzanne A. Vlamis


Box 1 Folder 20 Photograph (8"x10" B&W): The Dance Theatre of Harlem Company men perform Louis Johnson's "Forces of Rhythm"

Photo credit: Martha Swope


Box 1 Folder 21 Photograph (8"x10" B&W): The Dance Theatre of Harlem Company at the barre during a Lecture-Demonstration at a New York City Public School

Photo credit: Alexander Fluker


Box 1 Folder 22 Photograph (8"x10" B&W): Arthur Mitchell instructs the Dance Theatre of Harlem women at the barre during a Lecture-Demonstration at a New York City Public School

Photo credit: Alexander Fluker


Box 1 Folder 23 Photograph (8"x10" B&W): Melva Murray-White

Photo credit: none listed, but probably Martha Swope


Box 1 Folder 24 Photograph (8"x10" B&W): Samuel Smalls

Photo credit: Martha Swope


Box 1 Folder 25 Photograph (8"x10" B&W): Laura Brown

Photo credit: none listed, but probably Martha Swope


Box 1 Folder 26 Photograph (8"x10" B&W): Walter Raines

Photo credit: none listed, but probably Martha Swope


Box 1 Folder 27 Photograph (8"x10" B&W): Sheila Rohan

Photo credit: Martha Swope


Box 1 Folder 28 Photograph (8"x10" B&W): Gerald Banks

Photo credit: Martha Swope


Box 1 Folder 29 Photograph (8"x10" B&W): Roslyn Sampson

Photo credit: Martha Swope


Box 1 Folder 30 Photograph (8"x10" B&W): Yvonne Hall

Photo credit: none listed, but probably Martha Swope


Subseries I.2: The Dance Theatre of Harlem Open Houses, 1973


Box 1 Folder 31 Photograph (8"x10" B&W): Arthur Mitchell and an enthusiastic audience at a Dance Theatre of Harlem monthly Open House

Photo credit: Martha Swope


Box 1 Folder 32 Photograph (8"x10" B&W): Arthur Mitchell

Congratulates Dance Theatre of Harlem scholarship students, Frances Waite and Donald Williams, (two of the scholarship students from Chicago) at a Dance Theatre of Harlem monthly Open House

Photo credit: Martha Swope


Box 1 Folder 33 Photograph (8"x10" B&W): Dance Theatre of Harlem Junior Company Member, Yvette Brooks, dancing "Belé" at a Dance Theatre of Harlem monthly Open House


Subseries I.3: The Dance Theatre of Harlem "Harlem Homecomings", 1972-1973


Box 1 Folder 34 Proclamation signed by John V. Lindsay, Mayor of New York

Proclaiming November 13, 1972 "Salute to Dance Theatre of Harlem Day"


Box 1 Folder 35 Marketing collateral: Clippings from a flyer

Proclaiming that "Lena Horne and Leontyne Price invite you to 'Come on Back in Ermine, Pearls, or Jeans' [to] Loew's Victoria Theatre, November 13, 1972, at 8:30 PM, "for the benefit of Dance Theatre of Harlem." Clipping includes a photo of Ms. Horne and Ms. Price together on stage. (Original source of clipping unknown)


Box 1 Folder 36 Marketing collateral: Four-page Publicity Fold-Out, 13 November 1972

Containing reprints of reviews and photos from Dance Theatre of Harlem's first "Harlem Homecoming". Reviews and photos shown are reprints from the New York Times, the New York Post, The Village Voice, Women's Wear Daily, The Daily News, the N.Y. Amsterdam News, and more


Box 1 Folder 37 Photo Spread entitled, "Coming Home"

Features photos of Hollywood celebrities, fashion designers, and New York City VIPS attending the first Dance Theatre of Harlem "Harlem Homecoming" (1972). Pictured: Diahann Carroll, Leontyne Price, Willi Smith, Jean Vanderbilt, Rod Steiger, Ramond St. Jacques, Mayor and Mrs. John V. Lindsay, Roscoe Lee Brown, Sidney Poitier, Brock Peters, Audrey Zauderer, Scott Barrie, Ruby Dee, Naomi Sims, Didi (Mrs. Brock) Peters, Mary Lasker, and Cannonball Adderley. Photo credits for all: Peter Simmins. (News outlet and pub date missing, but probably The Amsterdam News)


Box 1 Folder 38 News clipping: The Village Voice: "Going to Harlem in ermine & pearls," byline by Arthur Bell, 16 November 1972


Box 1 Folder 39 News clipping of an article entitled, "The Odd Couple," by "Billy Rowe, World's Renown (sic) Columnist"

Rowe was a syndicated columnist for The Pittsburg Courier, The Amsterdam News, and other Black news outlets, but since the Dance Theatre of Harlem "Homecoming" was held in New York, The Amsterdam News is the most likely source. Photos of Manhattan Borough President, Percy Sutton, and former NYC Mayor, Robert Wagner, are included. No photo credit is visible


Box 1 Folder 40 Poster (4-color ): "Miss Marian Anderson and Mr. Brock Peters invite you to...Harlem Homecoming II, An evening of Ballet, Blues & Gospel, for the benefit of Dance Theatre of Harlem, Loew's Victoria Theatre", 13 November 1973

Split over two pages


Box 1 Folder 41 News clipping: The Amsterdam News: "Harlem Homecoming II and the Talent. Meet The 1973 Chairmen and Host" (2 pages), 3 November 1973

Photos of Ms. Marion Anderson, Roscoe Lee Browne, Brock Peters, Duke Ellington, Dizzy Gillespie, Ella Fitzgerald, and James Brown precede a second headline, "How It Was. And How It Will Be." (No photo credits shown)


Box 1 Folder 42 Dance Theatre of Harlem "Save-the-Date" Postcard announcing the "Harlem Homecoming II", 13 November 1973


Box 1 Folder 43 News clipping: The New York Post: "Dance Theatre of Harlem Holds Gala Homecoming," byline by Edmund Newton, Wednesday, 14 November 1973

Report on the second "Harlem Homecoming" (held exactly a year after the first), attended by James Brown, Ella Fitzgerald, Dizzy Gillespie, and Tony Bennett


Subseries I.4: The Dance Theatre of Harlem School


Box 1 Folder 44 Marketing collateral: Multi-page folding flyer: "The Dance Theatre of Harlem"

Includes biographical information on Arthur Mitchel and Karel Shook, a history of the school, an overview of the school's dance, music, fashion, and scholarship programs, a list of classes and fees, and a list of administrative staff


Box 1 Folder 45 News clipping: Mainliner: "The 'Ambassadors of 152nd Street,'" byline by Gay Nagle (2 pages), March 1974


Box 1 Folder 46 Photograph (8"x10" B&W): Dance Theatre of Harlem Founder, Arthur Mitchell, conducts a children's ballet class

No photo credit listed, but probably Marbeth


Box 1 Folder 47 Marketing collateral: "The Dance Theatre of Harlem Children's Program" written by Karel Shook

The Dance Theatre of Harlem's Co-Founder and Associate Director


Box 1 Folder 48 Photograph (8"x10" B&W): Intermediate Children's Class

Photo credit: Marbeth


Box 1 Folder 49 Photograph (8"x10" B&W): Children's Sewing Class

Photo credit: Marbeth


Box 1 Folder 50 Photograph (8"x10" B&W): Marie-Francoise Brooks' Children's Ethnic Class

Photo credit: Marbeth


Box 1 Folder 51 Photograph (8"x10" B&W): Kathy Stanford-Grant's Special Exercise Class

Photo credit: Marbeth


Box 1 Folder 52 Photograph (8"x10" B&W): A Percussion Class in the Dance Theatre of Harlem Music Department

Photo credit: Marbeth


Box 1 Folder 53 Dance Theatre of Harlem's schedule of dance classes, Fall 1969


Box 1 Folder 54 Marketing collateral: "The Dance Theatre of Harlem, Jr, "

A background piece on the establishment and progress of a "junior" performing company of Dance Theatre of Harlem students


Box 1 Folder 55 Photograph (8"x10" B&W): The Junior Company in performance

Photo credit: Marbeth


Subseries I.5: The Dance Theatre of Harlem Quarterly Newsletter


Box 1 Folder 56 Volume II, Number 4 (4 pages), October 1973

Includes articles announcing the upcoming Harlem Homecoming II, the arrival of new students from St. Thomas, V.I., and Australia, and a report from The Dance Theatre of Harlem's Associate Director, Karel Shook, on the four weeks of classes he and Company Ballet Master, William ("Bill") Scott, taught at the St. Thomas School of Dance in the Virgin Islands


Box 1 Folder 57 Volume III, Number 2 (5 pages), April 1974

Includes a feature story on "The Chicago Benefit;" a second feature on how Dance Theatre of Harlem's technical professionals taught lighting design, stage management, and electrical production to students at the Brooklyn College of the Performing Arts, and a publicity piece promoting the upcoming Dance Theatre of Harlem Street Fair


Box 1 Folder 58 Volume III, Number 3 (6 pages), July 1974

Special issue, "Dance Theatre of Harlem In The News," includes a feature story on Princess Margaret's visit to Dance Theatre of Harlem ("Royalty Visits the 'Miracle' on 152nd Street"), reprints of reviews from Dance Theatre of Harlem's first New York Season by Robert Jacobson (Cue) and Clive Barnes (The New York Times), a feature story on Dance Theatre of Harlem's "Chicago Benefit" complete with press coverage of the gala, its scholarship recipients, and the Company's performance at Chicago's Auditorium Theatre, and concludes with a report on the Dance Theatre of Harlem Boat Ride up the Hudson River


Box 1 Folder 59 Volume III, Number 4 (6 pages), October 1974

Includes reports on Dance Theatre of Harlem's sojourn at the Sadler's Wells Theatre in London (complete with reprints of reviews from the Guardian and The Evening Standard), a report on Dance Theatre of Harlem's trips to Norway, Belgium, Finland, and Mexico, a report on plans for Dance Theatre of Harlem's Second New York Season, and an update on the 1974 Summer School Session that welcomed scholarship students from Dayton, OH, Philadelphia, PA, and Chicago, IL


Box 1 Folder 60 Volume IV, Number 1 (4 pages), January 1975

Includes excerpts from reviews of the Dance Theatre of Harlem Company's command performance for Queen Elizabeth, the Queen Mother, at the London Palladium and a photo of the Company women posing with the legendary Josephine Baker. Also includes a profile on Dance Theatre of Harlem faculty member, Mette Spaniardi, a report on the extension of Dance Theatre of Harlem's "Arts Exposure Week" from one week to two, and updates on several new works added to the Dance Theatre of Harlem repertoire: ballets by George Balanchine ("Bugaku"), Walter Raines ("After Corinth"), and William Scott ("Every Now and Then")


Box 1 Folder 61 Volume IV, Number 2 (8 pages), April 1975

Encapsulates the totality of Dance Theatre of Harlem's Second Broadway Season, starting with its "Arts Exposure" program for children and senior citizens, its performance of everything from classical ballet ("Holberg Suite" and "Concerto Barocco") to ethnic ("Dougla") to modern ("Caravansarai") covered in review clips and photos, and its Gala Opening Night Benefit for Dance Theatre of Harlem's Scholarship Fund. And when all that "work" was done, Dance Theatre of Harlem partied on the Dance Theatre of Harlem Boat Ride up the Hudson River and danced in the street at Dance Theatre of Harlem's Street Fair—flyers for which made this issue Dance Theatre of Harlem's most visual Newsletter yet (8 pages)


Box 1 Folder 62 Volume IV, Number 3 (8 pages), July 1975

Starting with a graphic cover offering sincere "Thanks!" to the Dance Theatre of Harlem friends and supporters who helped the school and company have one of its best years yet, this Newsletter ran a feature story on Dance Theatre of Harlem costume mistress, the incomparable Zelda Wynn, reported on a school and company "field trip" to the Lincoln Center Dance Library to screen films of Arthur Mitchell, Tanaquil LeClerq, and Maria Tallchief (organized by scholarship student, Karyn Taylor), and touted the addition of Bob Curtis, Mary Barnett, and other faculty members to the Dance Theatre of Harlem dance and music departments (8 pages)


Subseries I.6: The Dance Theatre of Harlem Chronology, 1969 - 2022


Box 1 Folder 63 News clipping: The Evening Bulletin: "Mitchell and Dancers Stage a Surprise," byline by James Felton (Philadelphia), 3 November 1969


Box 1 Folder 64 News clipping: The Philadelphia Inquirer: "Ballet's 'Greatest Moments' Presented," byline by Samuel L. Singer, 3 November 1969


Box 1 Folder 65 Program: The Twentieth Annual Capezio Dance Award honoring Arthur Mitchell, 1971


Box 1 Folder 66 The Feet, The Monthly Dance and Arts Magazine , November 1972

Fold-out with a feature story: "Arthur Mitchell: The Dance Theatre of Harlem" by Alicia Adams, a centerfold spread of Dance Theatre of Harlem photos ("Dance Theatre of Harlem Soars in Europe" by Alicia Adams), and another article on Dance Theatre of Harlem instructor, Mary Hinkson, also written by Alicia Adams


Box 1 Folder 67 Program from the Dance Theatre of Harlem, 29 April 1972

Performance in Whitman Hall, Brooklyn College Center for the Performing Arts


Box 1 Folder 68 Marketing Collateral: "Harlem! Harlem!" a 2-page, 4-color Advertorial produced by Philip Morris Companies, Inc.,

The ad features four-color photos of Dance Theatre of Harlem in performance and notes that Dance Theatre of Harlem will be performing at the Kennedy Center in Washington, D.C., March 15-20, and at New York's City Center from July 28-July 3rd. No year was printed in the ad, but it was probably 1972 or 1973


Box 1 Folder 69 Blackstage magazine, August 1973

Featuring an article on the Dance Theatre of Harlem: "B.S. Conversation with Arthur Mitchell." (We'll assume "B.S." stands for Blackstage.... KJT)


Box 1 Folder 70 Marketing Collateral: Mini Poster

Announcing Dance Theatre of Harlem's "First New York Season, Opening Night Benefit, Tuesday, April 16th, at the ANTA Theatre, 52nd Street, West of Broadway."


Box 1 Folder 71 Playbill (with golden cover) from Dance Theatre of Harlem's Gala Premiere at the Anta Theatre, 16 April 1974


Box 1 Folder 72 Playbill from Dance Theatre of Harlem's First New York Season at the Anta Theatre, 16-21 April 1974


Box 1 Folder 73 News clipping: The New York Times: "Dance Theatre of Harlem at Home on Broadway," byline by Clive Barnes, 18 April 1974

Page 50


Box 1 Folder 74 Playbill from Dance Theatre of Harlem's Second New York Season at the Uris Theatre, 6-11 May 1975


Box 1 Folder 75 News clipping: The New York Times: "Dance: Harlem Classicists Are Something Special," byline by Clive Barnes, 27 April 1975

Page 52


Box 1 Folder 76 News clipping: The New York Times: "They Told Us Our Bodies Were Wrong for Ballet," byline by Jack Slater (an editor of The Times Sunday Magazine), 27 April 1975

Front page


Box 1 Folder 77 Program from Dance Theatre of Harlem's appearance at the American Dance Festival, Palmer Auditorium, Connecticut College, New London, CT., 26 June-2 August 1975


Box 1 Folder 78 Solicitation Letter written by Didi (Mrs. Brock) Peters to Mrs. Gerald Ford, First Lady of the United States, 11 April 1975

Photocopy, 2 pages. Note: Mrs. Peters wrote this letter herself


Box 1 Folder 79 Western Union telegram From First Lady Betty (Mrs. Gerald) Ford to Arthur Mitchell, 21 April 1975

Congratulating the Dance Theatre of Harlem on the opening of its Second New York Season (Phtotcopy)


Box 1 Folder 80 Personal letter (photocopy) from First Lady Betty Ford on White House stationery to Arthur Mitchell

In honor of the beginning of the Second New York Season


Box 1 Folder 81 Playbill from Dance Theatre of Harlem's 3rd New York Season at the Uris Theatre, 9-14 March 1976


Box 1 Folder 82 News clipping: CUE magazine: "Ballet in a Box," byline by Anne Levin, 19 February - 4 March 4, 1977


Box 1 Folder 83 News clipping: The New York Times: "Harlem Company at a Crossroad," byline by Anna Kisselgoff, Sunday, 19 March 1978

Page 10


Box 1 Folder 84 News clipping: The Village Voice: "Dance Theatre of Harlem Bounces Back" (photocopy), byline by Mary A. Fischer, 22 January 1979


Box 1 Folder 85 Playbill from Dance Theatre of Harlem's engagement at New York's City Center, 20-21, 24-25 February; 2 March; 4 March 1979


Box 1 Folder 86 Playbill from Dance Theatre of Harlem's engagement at New York's City Center, 3-25 January 1981


Box 1 Folder 87 News clipping: The New York Times: "Harlem Dancers to Revive 'Scheherazade,'" byline by Jennifer Dunning, 4 January 1981

2 pages


Box 1 Folder 88 News clipping: The New York Times: "Dance: Harlem's One-Act 'Swan Lake,'" byline by Anna Kisselgoff, 15 January 1981

Page C22


Box 1 Folder 89 News clipping: The New York Times: "The Current Staging of 'Scheherezade,'" byline by Anna Kisselgoff, 18 January 1981


Box 1 Folder 90 News clipping: The New York Times: "The Appealing Harlem Troupe," byline by Anna Kisselgoff, 25 January 1981

2 pages; pages. 12 and 22


Box 1 Folder 91 News clipping: Newsweek: "Growing Pains in Harlem," byline by Hubert Saal, 16 February 1981

Page 84


Box 1 Folder 92 News clipping: Ballet News: "Barnes On...the position of the black classic dancer in American ballet," byline by Clive Barnes, March 1982


Box 1 Folder 93 Television news script: CBS News' 60 Minutes segment: "Dance Theatre of Harlem" with correspondent Ed Bradley, 1984

4 pages, photocopy


Box 1 Folder 94 Program from the Regional Arts Foundation Dance event, January - March 1984

Featuring the Dance Theatre of Harlem, Canada's Royal Winnipeg Ballet, the Houston Ballet, and the Hartford Ballet, West Palm Beach Auditorium, West Palm Beach, FL


Box 1 Folder 95 Program from the Memorial Celebration honoring the life of Karel Shook at The Cathedral Church of St. John the Divine, New York City , 29 August 1985

Booklet with inserted page


Box 1 Folder 96 Program from Dance Theatre of Harlem's 2001 New York Season at City Center, 25 September-7 October 2001


Box 1 Folder 97 Brochure: Auditorium Theatre: "Original dancer now Dance Theatre Harlem director," byline by Rashod Ollison, 3 October-29 November 2014-2015

Reprinted from The Virginian-Pilot © May 12, 2014, 2 pages


Box 1 Folder 98 Program from Dance Theatre of Harlem's 2014-15 Season at the Auditorium Theatre of Roosevelt University, Chicago, IL, 21-23 November 2014


Box 1 Folder 99 News clipping: The New York Times: "Arthur Mitchell Is Dead at 84; Showed the Way for Black Dancers," Obituaries, byline of Jennifer Dunning, 19 September 2018, 4 pages


Box 1 Folder 100 News clipping: Dance Teacher magazine: "Lydia Abarca Mitchell, Arthur Mitchell's First Ballerina, Builds On Her Mentor's Legacy in Atlanta," byline by Cynthia Bond Perry, 13 January 2021, 2 pages


Box 1 Folder 101 Internet Article (printout): "Artistic Director Virginia Johnson To Step Down at Dance Theatre of Harlem," byline by A.A. Cristi, 15 September 2022, 2 pages

Series II: The "Chicago Benefit" and "An Afternoon with The Hon. Edward W. Brooke (R-MA)"

Series II focuses on "The Chicago Benefit" and the "Afternoon with The Honorable Edward W. Brooke"— two fundraising events conceived and launched on the Dance Theatre of Harlem's behalf in 1974 by Karyn J. Taylor. It contains Chicago Benefit-related marketing collateral, press releases, press coverage, dance reviews, photos, and memos between Ms. Taylor, the Dance Theatre of Harlem staff, and the Chicago Benefit Committee. These items provide insight into the conception, launch, and management of a successful fundraising campaign and highlight a bit of Chicago history as well: The Chicago Benefit marked the first time that two of Chicago's most prominent African-American business tycoons—John H. Johnson, publisher of Ebony and Jet magazines, and George Johnson, inventor of the popular black haircare line, Afrosheen—put aside their long-standing rivalry to join forces in support of a Black arts organization. That might not seem all that newsworthy now, but in 1974 that was big news in Chicago, and it made the headlines.


Subseries II.1 "The Chicago Benefit"



Box 2 Folder 1 The Chicago Benefit "Save the Date" Card


Box 2 Folder 2 The Chicago Benefit Statement of Purpose (Photocopy), 2 pages


Box 2 Folder 3 Letter from Karyn J. Taylor to her parents (Photocopy), 12 December 1973, 2 pages

Confirming that they have agreed to serve as the Co-Chairs of the Chicago Friends of the Dance Theatre of Harlem Benefit Committee


Box 2 Folder 4 List of suggested organizations the Benefit Committee can approach for donations


Box 2 Folder 5 Letter from Karyn Taylor to the Chicago Friends Benefit Committee (Photocopy; multiple pages), 11 January 1974

Outlining her initial plans for how the fundraising effort will be set up and run


Box 2 Folder 6 Letter from Karyn Taylor to the Chicago Friends Benefit Committee (Photocopy; multiple pages), 4 February 1974

Outlining the purpose of their upcoming February 9, 1974, meeting


Box 2 Folder 7 Letter from Karyn Taylor to the Chicago Friends of the Dance Theatre of Harlem Benefit Committee (Photocopy; multiple pages), 20 February 1974

Informing them that well-known Chicago business tycoons, George Johnson, and John Johnson (no relation), have teamed up to underwrite the upcoming May 18, 1974, Fête Noire Champagne Reception to benefit the Dance Theatre of Harlem scholarship students


Box 2 Folder 8 Memorandum from Karyn Taylor to Arthur Mitchell (Photocopy), 11 March 1974, 2 pages

Regarding the upcoming Chicago Benefit Press Conference


Box 2 Folder 9 Memorandum Assignment (Press Release)

Announcing the March 18, 1974, Chicago Benefit press conference at the Mid-America Club in Chicago's landmark Prudential Building


Box 2 Folder 10 Announcement by Johnson Products Company (Makers of AfroSheen®) and Johnson Publishing Company (publisher of Ebony and Jet magazines)

Announcing that they are joining forces to present Fête Noire, an Opening Night Gala to benefit the Scholarship Fund of Dance Theatre of Harlem (Photocopy)


Box 2 Folder 11 Newspaper clipping: The Chicago Defender: "Chicago Friends of Harlem Ballet Theatre organize," byline by Earl Calloway, 18 May 1974


Box 2 Folder 12 Newspaper clipping: Chicago Daily News: "Chicago Boosts Harlem Dance," byline by Richard Christiansen, critic at large, 19 March 1974


Box 2 Folder 13 Newspaper clipping: Citizen Newspapers, Week of 28 March 28, 1974

Group Photo of George Johnson, John Johnson, Maria Tallchief, Arthur Mitchell, and Dr. & Mrs. Welton I. Taylor—the sponsors, supporters, and organizers of the Chicago Benefit fundraising effort


Box 2 Folder 14 Newsmagazine clipping: Jet magazine: "Harlem Dance Theater Starts Fund Raising (sic) Drive in Chicago," The Arts section, 4 April 1974


Box 2 Folder 15 Clipping: The Dance Theatre of Harlem Quarterly Newsletter. Newsletter Highlight: "The Chicago Benefit," Vol. III, Number 2, April 1974


Box 2 Folder 16 Solicitation Letter sent from Jayne and Welton Taylor, Chairpersons of The Chicago Friends of the Dance Theatre of Harlem, to local social and civic groups in Chicago, 4 April 1974


Box 2 Folder 17 Chicago Friends of the Dance Theatre of Harlem solicitation (Brochure)


Box 2 Folder 18 Invitation to purchase tickets to Fête Noire

With ticket ordering envelope


Box 2 Folder 19 Letter of Acceptance sent to dance students who were selected to attend the Chicago audition for the Dance Theatre of Harlem school, 7 May 1974

Thirty Chicago-area dance studios were given advanced notice of the audition and were invited to send their best students (Photocopy)


Box 2 Folder 20 Press Rlease announcing the celebrities and VIPs scheduled to attend Fête Noire, the champagne reception planned to follow the Dance Theatre of Harlem's May 18, 1974, performance at The Auditorium Theatre (Photocopy), 8 May 1974


Box 2 Folder 21 Press Release announcing the May 20th Dance Theatre of Harlem audition (Photocopy), 15 May 1974


Box 2 Folder 22 Newspaper clipping: The Chicago Daily News: "Arthur Mitchell's Dream Comes True," byline by Byron Belt, Newhouse News Service, 16 May 1974


Box 2 Folder 23 Program from Dance Theatre of Harlem's engagement at The Auditorium Theatre, 18-19 May 1974


Box 2 Folder 24 Program from The Chicago Friends of the Dance Theatre of Harlem's Fête Noire gala benefit, 18 May 1974


Box 2 Folder 25 Newspaper clipping: The Chicago Tribune: "Ballet black: Beautiful, but scarce"(photocopy), byline by Linda Winer, 18 May 1974


Box 2 Folder 26 Newspaper clipping: The Chicago Sun-Times: "Dance Theater of Harlem is no flash in the pan," byline by Glenna Syse, 19 May 1974


Box 2 Folder 27 Newspaper clipping: Chicago Today: "Harlem Dance Theater exciting," byline by Ann Barzel, 20 May 1974


Box 2 Folder 28 Newspaper clipping: The Chicago Defender, Flair section, 25 May 1974

Full page spread featuring (a) photos of the star-studded May 18th Fête Noire gala ("Champagne reception for Harlem Ballet") and (b) a feature story on Karyn J. Taylor ("Ballet benefit—a student's determined effort"). (Full page news clipping and Xerox of article)


Box 2 Folder 29 Newspaper clipping: Jet magazine: "Dance Theatre of Harlem Launches Benefit Tour", May 1974


Box 2 Folder 30 Press Release announcing the awarding of eight (8) scholarships to Chicago-area dance students (Photocopy), 28 June 1974


Box 2 Folder 31 Dance Theatre of Harlem Quarterly Newsletter, Vol. III, Number 3, July 1974

Article, "Dance Theatre of Harlem Takes Chicago by Storm," with photos of the Fête Noire VIPs, The Chicago Friends of the Dance Theatre of Harlem's Benefit Committee, and five of the eight young dancers awarded Dance Theatre of Harlem dance scholarships (2 pages)


Box 2 Folder 32 "Thank You" letter from the Chicago Friends of the Dance Theatre of Harlem to Mr. George E. Johnson, Founder & CEO, Johnson Products Company (carbon copy), 7 July 1974

Expressing their gratitude for his support of Fête Noire


Box 2 Folder 33 "Thank You" letter from the Chicago Friends of the Dance Theatre of Harlem to Mr. John H. Johnson, Publisher, Johnson Publishing Company (carbon copy), 7 July 1974

Expressing their gratitude for his support of Fête Noire


Box 2 Folder 34 "Thank You" note card, signed, sent to attendees of the Fête Noire gala by The Chicago Friends of the Dance Theatre of Harlem

Mr. Mitchell's "signature" was made by a Dance Theatre of Harlem staffer (with envelope)


Subseries II.2: "An Afternoon with The Honorable Edward W. Brooke"


Box 2 Folder 35 Karyn J. Taylor letter to The Honorable Edward W. Brooke, (carbon copy), 26 September 1974

Asking for his help in launching the Chicago Friends of the Dance Theatre of Harlem's 1975 fundraising kick-off


Box 2 Folder 36 Flyer sent to attendees of the 1974 Fête Noire gala

Inviting them to attend the upcoming "Afternoon with the Honorable Edward W. Brooke" and announcing the second "Chicago Benefit" planned for Spring, 1975


Box 2 Folder 37 Invitation, envelope, and ticket to the "Afternoon" with Senator Brooke scheduled for November 3, 1974, at the Chicago Hyatt Regency Hotel


Box 2 Folder 38 Photograph (8" x 10" B&W) of Dr. and Mrs. Welton I. Taylor, Chairpersons, The Chicago Friends of the Dance Theatre of Harlem, with Senator Edward W. Brooke at the November 3rd, 1974, reception

Photo credit: unknown


Box 2 Folder 39 Photograph (8" x 10" B&W) of Mr. Peter Bensinger shaking hands with Dr. Welton I. Taylor while Senator Charles H. Percy (R-IL) speaks with Mrs. Jayne K. Taylor

Photo credit: unknown


Box 2 Folder 40 Photograph (8" x 10" B&W) of Senator Charles Percy greeting several young attendees at the Edward W. Brooke reception, 3 November 1974

Photo credit: unknown


Box 2 Folder 41 Photograph (8" x 10" B&W) of Senator Percy talking with longtime Dance Theatre of Harlem supporter, Chicagoan Moselle Mintz, during the Senator Brooke reception

Photo credit: unknown


Box 2 Folder 42 Photograph (8" x 10" B&W) of Dr. and Mrs. Welton I. Taylor and Senator Edward Brooke greeting well-wishers at the November 1974 reception

Photo credit: unknown


Box 2 Folder 43 Photograph (8" x 10" B&W) of Senator Edward Brooke with two well-wishers at the November 1974 reception

Photo credit: unknown


Box 2 Folder 44 Photograph (8" x 10" B&W) of Mrs. Jayne K. Taylor, Chicago Friends of the Dance Theatre of Harlem Co-Chair, and Chicago Friends

Benefit Committee member, Mrs. Gwendolyn Ritchie, speaking with Dance Theatre of Harlem supporter, Mrs. Moselle Mintz, at the Brooke reception. Photo credit: unknown


Box 2 Folder 45 Photograph (8" x 10" B&W) of Mrs. Moselle Mintz speaking with reception guests

Photo credit: unknown


Box 2 Folder 46 Photograph (8" x 10" B&W) of Mrs. Jayne K. Taylor, 18 May 1974

Introducing four of the eight scholarship recipients whose study at the Dance Theatre of Harlem was financed by the proceeds from the Chicago Benefit gala

Pictured from left to right: Sabrina Parker, Tracey Hodgkins, Annette Jackson, and (possibly) Karyn Collins. Photo credit: unknown


Box 2 Folder 47 Photograph (8" x 10" B&W) of Senator Brooke with Chicago Benefit Committee member, John Lindsay.

Photo credit: unknown


Box 2 Folder 48 Photograph (8" x 10" B&W) of Senator Edward Brooke with members of The Chicago Friends of the Dance Theatre of Harlem Benefit Committee. Pictured are:

Photo credit: Phyllis Doering, The Chicago Defender


a. Front Row: Patricia Langhart, Carlene Thomas, Dr. Welton I. Taylor (Co-Chair), Mrs. Jayne K. Taylor (Co-Chair), The Honorable Edward W. Brooke, Wilhelmina Blanks, Elizabeth Moutoussamy*, Darlene Paris, Marion Roberts, and Milton Stinson.

(*Mrs. Moutoussamy later became the mother-in-law of famed tennis player, Arthur Ashe. Arthur married Mrs. Moutoussamy's daughter, Jeannie.)


b. Back Row: John Lindsay, Connie Williams, Gwendolyn Ritchie, Eunice Roberts, Dee Crutchfield, Moselle Mintz


Box 2 Folder 49 Newspaper clipping: The Chicago Defender: "Brooke and the angels..."

Photo credit: Phyllis Doering, The Chicago Defender


Box 2 Folder 50 Newspaper clipping: The Observer, Week Ending , 9 November 1974

Showing photo captioned: "WCDC President Leon Finney and Sen. Edward Brooke, first Black U.S. Senator since Reconstruction."

Mrs. Jayne K. Taylor and Dr. Welton I. Taylor (partial view) are also captured in the shot. Photo credit: unknown.


Box 2 Folder 51 Newspaper clipping: The Chicago Tribune, 5 November 1974

Maggie Daly gossip column mentions the Chicago Friends of the Dance Theatre of Harlem reception for Senator Brooke and notes that Sen. Charles Percy "subbed" for Brooke when Brooke's plane was late. Daly also quotes Senator Brooke as admitting that he "copied" the notes of Howard University classmate, Jayne K. Taylor, because "she was the smartest girl in the class." (Photocopy)


Box 2 Folder 52 Karyn J. Taylor's personal "Thank You" letter to Senator Edward Brooke

Post-reception (Photocopy)


Box 2 Folder 53 Newspaper clipping: The Chicago Daily News: "They went off to Harlem to join the ballet," byline by Mary Kerner, Saturday-Sunday 17 May 1975

Feature piece on Donald Williams and Francis Waite, two of the eight scholarship students whose scholarships were funded, in part, by the efforts of The Chicago Friends of Dance Theatre of Harlem. Donald Williams went on to starring roles in the Dance Theatre of Harlem company.

Series III: Feature Stories and Marketing Collateral

Series III contains oversized souvenir programs, fold-out posters, the Dance Theatre of Harlem - and sponsor-produced large-format marketing collateral, and dance world periodicals containing both cover and/or feature stories on the Dance Theatre of Harlem company and its principal dancers.



Box 3 Folder 1 Poster featuring photos and reviews of Dance Theatre of Harlem's 1971 performances from newspapers around the U.S. and the Caribbean


Box 3 Folder 2 Program from Dance Theatre of Harlem's first gala benefit, the "Harlem Homecoming", 13 Novermber 1972


Box 3 Folder 3 Dance Magazine , January 1973

Feature story on the Dance Theatre of Harlem Co-Founder and Associate Director, Karel Shook, byline by Tobi Tobias: "Talking with Karel Shook" (pp. 65 A-71).


Box 3 Folder 4 Program from Dance Theatre of Harlem's second gala benefit, the "Harlem Homecoming II", 22 April 1973


Box 3 Folder 5 A large fold-out poster entitled, "Lifestream of the Dance Theatre of Harlem"

Featuring the names of recent donors and on the reverse side, a list of performances planned for Dance Theatre of Harlem's "Harlem Homecoming II." (I believe this poster was a companion piece inserted into the Harlem Homecoming II program (Item #4, above).


Box 3 Folder 6 Black Creation: A Quarterly Review of Black Arts & Letters Vol. 4, No. 3, Summer 1973

Containing a feature story, byline by Bernette Golden: "Dance Theatre of Harlem" (pp. 12-15).


Box 3 Folder 7 Dance Magazine , May 1975

Featuring a photo of Dance Theatre of Harlem's Lydia Abarca in "Bugaku" on the cover and a companion story, byline by Olga Maynard: "Dance Theatre of Harlem—Arthur Mitchell's 'Dark and Brilliant Splendor'" (pp. 51-66)


Box 3 Folder 8 Oversized New York Magazine, 1975

Fold-out poster entitled, "New Stars and Styles of New York Dance," featuring photos of choreographers and dancers from various dance companies including Ronald Perry of Dance Theatre of Harlem


Box 3 Folder 9 Full-page color Advertisement for "Noir" perfume

Featuring Dance Theatre of Harlem's company members Rhonda Sampson and Ronald Perry. ("Noir" was sold by Fashion Fair Cosmetics, a division of Johnson Publishing Company, the publisher of Ebony and Jet magazines as well as the sponsor of the celebrated Fashion Fair haute couture runway show that toured the country in the 1970s)


Box 3 Folder 10 Dance Magazine , January 1981

Featuring the cover photo, "Scheherazade Scandals: Dance Theatre of Harlem's Virginia Johnson and Eddie Shellman" (photo credit: Kenn Duncan), and Suzanne Shelton's companion story, "Significant Revivals: Michel Fokine's Scheherazade") (pp. 74-78)


Box 3 Folder 11 Ballet News Vol 2, No. 8, February 1981

Containing Mark Steinbrink's article on the Dance Theatre of Harlem, "Dream Factory" (pp. 14-16)

Unfortunately, the last two pages of the article appear to be missing. This appears to be a misprint by the magazine but perhaps the RBML's researchers can track downanother copy of the magazine and verify whether the mistake is the magazine's or mine. KJT


Box 3 Folder 12 Ballet News Vol. 4, No. 7, January 1983

Featuring a cover photo of "Virginia Johnson, the Dance Theatre of Harlem's Prima Ballerina" and Anita Frankel's companion story, "Dream Dancer: the Dance Theater of Harlem prima ballerina, Virginia Johnson" (pp. 10-13)


Box 3 Folder 13 Dance Magazine , September 1984

Containing the feature story, "The Bayou Lady: the Dance Theatre of Harlem's Creole Giselle," by Peter J. Rosenwald, with photos by Jack Mitchell (pp. 58-65)


Box 3 Folder 14 Ballet News Vol. 6, No. 3, September 1984

Featuring a cover photo of the Dance Theatre of Harlem company in rehearsal ("Dance Theatre of Harlem's Creole Giselle"), photo credit: Steven Mark Needham, and Sheryl Flatow's companion story, "True to the Spirit" with color photos by Marbeth and black & white photos by Steven Mark Needham (pp. 10-14)


Box 3 Folder 15 Ballet News Vol. 7, No. 4, October 1985

Featuring the Obituary of the Dance Theatre of Harlem Co-Founder and Associate Director, Karel Shook (p. 40)


Box 3 Folder 16 Ballet News Vol. 7, No. 8, February 1986

Containing an ad announcing the Dance Theatre of Harlem's performance of "A Streetcar Named Desire" to be aired on PBS' Dance in America on February 21, 1986


Box 3 Folder 17 Dance Magazine , June 1989

Featuring a cover photo by Jack Mitchell of the Dance Theatre of Harlem's Ronald Perry and Stephanie Dabney in Bronislava Nijinska's Rondo Capriccioso, with a companion story by Elizabeth Kendall: "Company as Community: the Dance Theatre of Harlem at 20" (pp. 40-42).


Box 3 Folder 18 The Dance Theatre of Harlem Souvenir Book

A glossy collection of black and white shots of the Dance Theatre of Harlem's Arthur Mitchell, dancers, and students at home in their Harlem studios and on stage in London and elsewhere. All photo credits: Marbeth. Souvenir book produced by: TwentyTen Advertisingfor sponsor, Revlon® cosmetics

Series IV: Photograph Enlargements


Box 3 Folder 19 Photograph (4" x 6" B&W) mounted on 11" x 14" board: Virginia Johnson and Paul Russell* in "Firebird", 18 May 1974

This photo shows Virginia Johnson being lifted above her partner's head, but it's impossible to tell who her male partner is as his back is to the camera. Based on my memory, I think Paul Russell performed "Firebird" with Virginia Photo credit: "RJD" (Not sure who this is. S/he provided his initials only)


Box 3 Folder 20 Photograph (8" x 10" B+W) mounted on 11" x 14" board: Laura Brown and Paul Russell in the "Le Corsaire" pas de deux

Based on Virginia Johnson's costume, I'm pretty sure this is a sequence from "Firebird," but it would be prudent to double-check that—and identify the photographer—with the Dance Theatre of Harlem's help

Unfortunately, whoever labeled the photo didn't provide much information) (Photo credit: None visible. Possibly Martha Swope