This collection is located off-site. You will need to request this material at least three business days in advance to use the collection in the Rare Book and Manuscript Library reading room.
This collection has no restrictions.
The collection contains manuscript scores, sketches, and printed scores of works by Schickele composed under his name as well as under the fictional P.D.Q. Bach. Works composed under Schickele's name are arranged in Series I: Works Composed under Peter Schickele, 1955-2013. Pieces by P.D.Q. Bach are presented in Series II: Works Composed under P.D.Q. Bach., 1966-2012. Newspaper clippings, correspondence, photographs, and other materials are found in Series III: Memorabilia, 1874-1999.
This collection is arranged in 3 series.
You will need to make an appointment in advance to use this collection material in the Rare Book and Manuscript Library reading room. You can schedule an appointment once you've submitted your request through your Special Collections Research Account.
This collection is located off-site. You will need to request this material at least three business days in advance to use the collection in the Rare Book and Manuscript Library reading room.
This collection has no restrictions.
Reproductions may be made for research purposes. The RBML maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron.
Identification of specific item; Date (if known); Peter Schickele Papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.
Additional material is expected
RBML holds an extensive unprocessed addition to this collection. Contact rbml@columbia.edu for more information.
2015.2016.M119: Method of acquisition--Gift
Columbia University Libraries, Rare Book and Manuscript Library
Papers processed by Orit Hilewicz (GSAS 2017), 2016.
Finding aid written by Orit Hilewicz (GSAS 2017), 2016.
2016-10-12 File created.
2016-10-12 xml document instance created by Catherine C. Ricciardi.
2019-05-20 EAD was imported spring 2019 as part of the ArchivesSpace Phase II migration.
Peter Schickele was born in Ames, Iowa in 1935. In 1945, the family relocated to Washington, D.C., after Schickele's father took a teaching position at George Washington University. In 1946 the family relocated to Fargo, North Dakota, where Peter Schickele attended Fargo Central High School, graduating in 1952, and studied composition with Sigvald Thompson. Following his high-school graduation, Schickele enrolled in Swarthmore College, where he graduated in 1957. He was the first student in the history of the university, and the only student in his class, with a degree in music. Schickele then enrolled in the M.S. of composition program at the Juilliard School.
While at Juilliard, Schickele teamed up with conductor Jorge Mester to perform a humorous concert, which introduced the fictitious character of P.D.Q. Bach, the unknown son of composer Johann Sebastian Bach, as well as the fictitious Professor Schickele of the University of Southern North Dakota at Hoople, who discovered P.D.Q. Bach's works and arranged them for performance. The success of the first concert led to an annual event, and in 1965 Schickele moved the concert to New York City Town Hall and opened it to the public. The event became so popular by 1972 that it was moved to Avery Fischer Hall in Lincoln Center. Schickele's P.D.Q. Bach recordings earned him four consecutive wins of the Grammy Award for Best Comedy in 1990-1993.
Schickele composed music by commission under his own name as well as P.D.Q. Bach for the National Symphony, the Saint Louis Symphony, the Minnesota Opera, The Chamber Music Society of Lincoln Center, The Audubon and Lark String Quartets, the Minnesota Orchestral Association, and other organizations. He also hosted an educational radio program called Schickele Mix, which was broadcast on many public radio stations in the United States. While the show lasted until the late 1990s, rebroadcasts continued until 2007. He died in January 2024.
Series I: Works Composed under Peter Schickele consists of material related to compositions created by Peter Schickele under his name. It includes manuscript scores, arrangements, annotated, revised, and rearranged versions, engraved parts, sketches (identified and unidentified), and notes. The series also includes correspondence on revisions with Schikele's collaborators in the production of the musical drama The Rivals.
The series is arranged chronologically, with different compositions from the same year arranged in alphabetical order.
Box 1 Folder 1
(manuscript score and parts)
Box 4 Folder 7
(later addition toFour Sketches for String Quartet)
Box 6 Folder 1
(copyist score)
Box 1 Folder 2
(manuscript score)
Box 6 Folder 2
(manuscript score, revised)
Box 6 Folder 3
(copyist score and parts)
Box 1 Folder 3
(fair copy in Schickele's hand)
Box 6 Folder 4
(manuscript score)
Box 1 Folder 4
(manuscript score)
Box 1 Folder 5
(engraved score and parts)
Box 1 Folder 6
(engraved parts)
Box 21 Folder 2
(engraved score)
Box 1 Folder 7
(engraved score and parts)
Box 1 Folder 8
(manuscript score and parts)
Box 1 Folder 9
(manuscript score; copyist parts)
Box 6 Folder 5
(manuscript score copy; copyist parts)
Box 6 Folder 6
(copyist score and parts)
Box 6 Folder 7
(manuscript score and part copies)
Box 6 Folder 8
(rhythm charts; including "Blue Window," "Love has to Change," "Homin' Pigeon," "You're Gonna Need Me," "One-Way Window," "Mama," "You Should See Her," "She's Gone," "Somebody's Changed Her Mind," "There's Gonna be Trouble," "Laugh if you Want to," "Highways of your Time," "Turn and Go," "Hush Little Baby," "Don't Look Back," "If it's Gone, Let it Go")
Box 7 Folder 4
(engraved lead sheets; "There's Gonna be Trouble," "You Should See Her," "She's Gone," "Somebody's Changed Her Mind")
Box 6 Folder 9
(manuscripts and photocopies; including "Different People," "Fat Cats are Few and Far," "Feel Free," "Flyin' Home to You," "Going on a Moonwalk," "Pretty Lady," "3 Glances Over the Shoulder," "A Likely Story")
Box 1 Folder 10
(manuscript rhythm charts and lead sheets; "Smaze," "Go Down Garbage," "Her Hair is the Color of Wheat," "Standing Room Only," "My Time of Day," "By the Dead Sea," "Don't Put X-Marks on my Windows" "Is There Life on Earth?")
Box 8 Folder 1
(typeset parts and lead sheets; manuscript copies; "Smaze," "Go Down Garbage," "Sweet Innocence," "Her Hair is the Color of Wheat," "Standing Room Only," "My Time of Day," "Big Back Yard," "By the Dead Sea," "Don't Put X-Marks on my Windows" "Is There Life on Earth?," "Come On Out")
Box 6 Folder 10
(manuscript score)
Box 1 Folder 11
(fair copy)
Box 6 Folder 11
(manuscript score copy)
Box 6 Folder 12
(manuscript score copy)
Box 1 Folder 12
(fair copy)
Box 1 Folder 13
(manuscript score)
Box 1 Folder 14
(fair copy)
Box 1 Folder 15
(sketch)
Box 20 Folder 1
(manuscript score copy)
Box 20 Folder 2
(transparencies)
Box 7 Folder 8
(engraved parts)
Box 7 Folder 9
(part transparencies)
Box 6 Folder 13
(manuscript score)
Box 1 Folder 16
(fair copy)
Box 1 Folder 17
(manuscript scores)
Box 8 Folder 2
(photocopies printed and manuscript scores with annotations; by Schickele and other composers; were kept inside Langlais, Jean.Organ Book; Johnson, David, "Trumpet Tune in B flat Major"; Bull, John, "Variations"; Homilius, Gottfried August, "Durch Adams Fall"; untitled scores)
Box 6 Folder 14
(manuscript score)
Box 1 Folder 18
(fair copy)
Box 6 Folder 15
(script)
Box 1 Folder 19
(manuscript score)
Box 1 Folder 20
(manuscript score, copyist parts)
Box 1 Folder 21
(manuscript score, engraved part)
Box 6 Folder 16
(manuscript score)
Box 1 Folder 22
(manuscript score)
Box 1 Folder 23
(manuscript score, notes, annotated score photocopy)
Box 1 Folder 24
(manuscript score)
Box 1 Folder 25
(engraved scores and lead sheets)
Box 6 Folder 17
(lead sheet; manuscript score and copies)
Box 1 Folder 26
(manuscript score)
Box 6 Folder 18
(manuscript scores; "The Day-after-Valentine's-Day-Wish-I-were-There Blues," "Lullaby for Laada")
Box 6 Folder 19
(manuscript scores; "The Brothers Joad," "Johann Sebastian Bach")
Box 6 Folder 20
(manuscript score)
Box 1 Folder 27
(manuscript score, copyist parts)
Box 6 Folder 21
(manuscript scores; "Ask me No Questions," "Dear Madeleine")
Box 6 Folder 22
(manuscript score; revised photocopied score)
Box 8 Folder 3
(revised photocopied score)
Box 2 Folder 1
(manuscript score)
Box 6 Folder 23
(manuscript score; engraved parts; 1st version score copy)
Box 2 Folder 2
(manuscript score)
Box 2 Folder 3
(manuscript score)
Box 2 Folder 4
(manuscript score)
Box 8 Folder 4
(script)
Box 2 Folder 5
(manuscript score)
Box 6 Folder 24
(manuscript score)
Box 6 Folder 25
(manuscript lead sheet)
Box 2 Folder 6
(manuscript score, performance notes)
Box 8 Folder 5
(script)
Box 6 Folder 26
(manuscript score)
Box 2 Folder 7
(pencil deshon, last 2 pages)
Box 8 Folder 6
(lyrics)
Box 2 Folder 8
(manuscript score)
Box 2 Folder 9
(manuscript parts)
Box 2 Folder 10
(manuscript score, list of corrections)
Box 2 Folder 11
(printed score and part copies with annotations)
Box 2 Folder 12
(manuscript part)
Box 8 Folder 7
(manuscript score copy)
Box 2 Folder 13
(manuscript score)
Box 16 Folder 6
(manuscript score)
Box 21 Folder 1
(manuscript score)
Box 2 Folder 14
(Schuetz, arranged by Schickele; manuscript score)
Box 2 Folder 15
(J.S. Bach, arranged by Schickele; manuscript score)
Box 6 Folder 27
(manuscript score)
Box 8 Folder 8
(manuscript photocopy)
Box 2 Folder 16
(manuscript score)
Box 19 Folder 3
(manuscript score and proof with revisions)
Box 6 Folder 28
(manuscript score)
Box 2 Folder 17
(manuscript score)
Box 6 Folder 29
(manuscript score)
Box 2 Folder 18
(manuscript score)
Box 2 Folder 19
(corrected printed score)
Box 3 Folder 1
(manuscript score)
Box 3 Folder 2
(manuscript score)
Box 3 Folder 3
(obsolete string parts used at the premiere)
Box 16 Folder 7
(manuscript score)
Box 3 Folder 4
(printed parts)
Box 3 Folder 5
(manuscript score)
Box 5 Folder 4
(sketches)
Box 5 Folder 5
(early manuscript)
Box 10 Folder 1
(open rehearsal program)
Box 10 Folder 2
(correspondence and list of changes)
Box 10 Folder 3
(printed piano arrangements)
Box 10 Folder 4
(printed score with revisions)
Box 10 Folder 5
(manuscript score copy)
Box 16 Folder 1
(manuscript score copy)
Box 10 Folder 6
(manuscript copy with annotations)
Box 16 Folder 3
(curtain call manuscript score and copy)
Box 10 Folder 7
(printed script)
Box 10 Folder 8
(printed parts with revisions)
Box 10 Folder 9
(list of corrections)
Box 11 Folder 2
(correspondence)
Box 11 Folder 3
(script with annotations)
Box 11 Folder 4
(script, revised script, performance notes, and correspondence)
Box 11 Folder 5
(printed parts with revisions)
Box 11 Folder 6
(printed parts with annotations)
Box 11 Folder 7
(printed parts with annotations)
Box 11 Folder 8
(printed piano and vocal arrangement)
Box 12 Folder 1
(parts)
Box 12 Folder 2
(parts (stage) )
Box 12 Folder 3
(correspondence, stage plan)
Box 7 Folder 15
(correspondence, stage plan)
Box 3 Folder 6
(manuscript score)
Box 8 Folder 9
(original unrevised typeset parts)
Box 3 Folder 7
(manuscript score)
Box 6 Folder 30
(manuscript score)
Box 6 Folder 31
(manuscript score; second movement)
Box 8 Folder 10
(composition notes)
Box 8 Folder 11
(manuscript score)
Box 6 Folder 32
(manuscript score)
Box 6 Folder 33
(manuscript score)
Box 3 Folder 9
(manuscript score original and revised)
Box 4 Folder 1
(sketches)
Box 4 Folder 2
(printed parts with annotations)
Box 8 Folder 12
(old printed score and parts)
Box 8 Folder 13
(old parts with annotations)
Box 6 Folder 34
(manuscript score)
Box 4 Folder 3
(manuscript score)
Box 8 Folder 14
(composition plan)
Box 17 Folder 1
(incomplete manuscript score)
Box 17 Folder 2
(sketches)
Box 17 Folder 3
(manuscript score)
Box 17 Folder 4
(obsolete manuscript score copy)
Box 17 Folder 5
(incomplete manuscript copy)
Box 17 Folder 6
(manuscript score, 3 incomplete copies)
Box 4 Folder 4
(manuscript score)
Box 8 Folder 15
(printed, unproofed parts)
Box 6 Folder 35
(manuscript score)
Box 4 Folder 5
(manuscript score copy)
Box 8 Folder 16
(sketches)
Box 18 Folder 2
(first printed score, 2 copies)
Box 6 Folder 36
(manuscript score)
Box 6 Folder 37
(manuscript parts)
Box 8 Folder 17
(manuscript score)
Box 18 Folder 1
(manuscript score and copy; viola part copy)
Box 19 Folder 1
(unrevised manuscript score)
Box 19 Folder 2
(manuscript score with revisions)
Box 4 Folder 6
(manuscript score)
Box 8 Folder 18
(sketch)
Box 4 Folder 8
(manuscript score)
Box 18 Folder 5
(first version score)
Box 4 Folder 9
(manuscript score and copy)
Box 4 Folder 10
(manuscript score, revised)
Box 4 Folder 11
(sketches)
Box 7 Folder 10
(manuscript score)
Box 4 Folder 12
(manuscript score)
Box 6 Folder 38
(manuscript score)
Box 4 Folder 13
(manuscript score)
Box 4 Folder 14
(manuscript score)
Box 8 Folder 19
(manuscript score copy)
Box 4 Folder 15
(manuscript score)
Box 4 Folder 16
(manuscript score)
Box 4 Folder 17
(manuscript score)
Box 4 Folder 18
(fromThe Civilian Barber;Chaconne A;Son Gout;Beautiful Dreamer;Gaudeamus)
Box 4 Folder 19
(manuscript score)
Box 4 Folder 20
(manuscript solo parts)
Box 7 Folder 1
(copyist parts)
Box 7 Folder 2
(manuscript score)
Box 4 Folder 21
(sketches; P.D.Q. BachDiverse Ayressketch on verso)
Box 4 Folder 22
(manuscript score, copyist parts)
Box 4 Folder 23
(fair copy)
Box 4 Folder 24
(sketch)
Box 8 Folder 20
Box 4 Folder 25
(sketch)
Box 20 Folder 3
(manuscript score)
Box 7 Folder 3
(rhythm charts; "For You but You," "Get Yourself another Doormat," "If It Ain't One Damn Thing," "In My Mind," "Never Thought I'd Meet You," "There's Just One Road to Heaven," "Yes I Heard You")
Box 4 Folder 26
(sketch)
Box 7 Folder 5
(manuscript score)
Box 4 Folder 27
(rhythm chart)
Box 7 Folder 6
(manuscript score)
Box 7 Folder 7
(manuscript score)
Box 4 Folder 28
(manuscript score; manuscript parts; various unrevised parts)
Box 8 Folder 21
(list of corrections; various unrevised parts)
Box 5 Folder 1
(sketches)
Box 18 Folder 3
(sketches)
Box 18 Folder 4
(manuscript score)
Box 5 Folder 2
(sketch)
Box 5 Folder 3
Box 16 Folder 5
(manuscript score)
Series II: Works Composed under P.D.Q. Bach consists of material related to compositions created by Peter Schickele and presented as the excavated work of the fictional composer P.D.Q. Bach. The series includes manuscript scores, annotated and revised versions, engraved parts, and sketches.
The series is arranged chronologically, with different compositions from the same year arranged in alphabetical order.
Box 15 Folder 1
(manuscript fair copy; corrected copy)
Box 15 Folder 2
(manuscript score)
Box 15 Folder 3
(manuscript score copy)
Box 15 Folder 4
(manuscript copy; engraved parts masters)
Box 15 Folder 5
(manuscript score copy)
Box 15 Folder 6
(manuscript copy)
Box 15 Folder 7
(manuscript score copy)
Box 15 Folder 8
(original and revised manuscripts)
Box 14 Folder 1
(cello part mock-up)
Box 13 Folder 1
(published manuscript copy)
Box 13 Folder 2
(manuscript score and copy)
Box 13 Folder 3
(manuscript score)
Box 15 Folder 9
(manuscript score; corrected copy)
Box 13 Folder 4
(manuscript score copy)
Box 13 Folder 5
(manuscript score)
Box 15 Folder 10
(manuscript score)
Box 13 Folder 28
(manuscript score copy; recording schedule)
Box 14 Folder 2
(manuscript copy)
Box 13 Folder 6
(manuscript score)
Box 13 Folder 7
(manuscript score)
Box 15 Folder 11
(manuscript score and copies)
Box 13 Folder 8
(manuscript score)
Box 14 Folder 3
(engraved parts masters)
Box 13 Folder 9
(manuscript score)
Box 15 Folder 12
(manuscript score)
Box 13 Folder 10
(manuscript score)
Box 13 Folder 11
(pages from original parts and notes)
Box 14 Folder 4
(partial script with annotations)
Box 13 Folder 12
(bound score)
Box 13 Folder 13
(sketches)
Box 15 Folder 13
(manuscript score)
Box 15 Folder 14
(manuscript score)
Box 13 Folder 14
(manuscript score copy)
Box 13 Folder 15
(manuscript score)
Box 13 Folder 16
(manuscript score; engraved parts)
Box 15 Folder 15
(manuscript score)
Box 13 Folder 17
(manuscript score)
Box 13 Folder 18
(manuscript score)
Box 15 Folder 16
(manuscript score)
Box 15 Folder 17
(manuscript score)
Box 14 Folder 5
(original version manuscript score)
Box 15 Folder 18
(final version manuscript score)
Box 13 Folder 19
(manuscript score)
Box 19 Folder 4
(original manuscript score and corrected manuscript score)
Box 13 Folder 20
(manuscript score; printed score with corrections; engraved score)
Box 13 Folder 21
(manuscript score)
Box 14 Folder 6
(manuscript score)
Box 13 Folder 22
(manuscript score)
Box 13 Folder 23
(manuscript score)
Box 14 Folder 7
(engraved score and parts)
Box 15 Folder 19
(manuscript score)
Box 15 Folder 20
(incomplete manuscript score)
Box 15 Folder 21
(engraved parts masters)
Box 13 Folder 24
(manuscript score; deleted trio)
Box 15 Folder 22
(manuscript score)
Box 13 Folder 25
(manuscript score; first version)
Box 13 Folder 26
(manuscript score)
Box 15 Folder 23
(manuscript piano arrangement)
Box 13 Folder 27
(manuscript score and copy)
Box 15 Folder 24
(engraved parts masters)
Series III: Memorabilia contains items not related to specific compositions by Schickele. It includes personal correspondence, photographs and printed images (such as book covers, images printed on loose calendar pages, and blank postcards), concert programs, pamphlets, newsletters and brochures, newspaper clippings and copies, tape cassettes (containing music sent to Schickele by other composers and recordings of works by W.A. Mozart and possibly C.P.E. Bach), and scores sent to Schickele by other composers. The series includes two sets of stereograph images dated 1874 and 1903.
Box 9 Folder 1
Box 7 Folder 11
(including printed PR photos of films and The Beatles, undated newspaper clippings including an article in Russian fromPravdaon Joan Baez, and a concert program of violinist Phillip Aaron)
Box 7 Folder 12
Box 5 Folder 6
(humoristic "wanted" sign featuring Schickele; a page from a musical score "Op. 19 (1958)" containing part of a Japanese poem)
Box 9 Folder 2
(including correspondence, brochures, photos, concert programs, book covers and other printed images, newspaper clippings, and stamps)
Box 7 Folder 13
(advertisement supplement toRolling Stone)
Box 9 Folder 3
(includingThe Hays Daily News,Allegro,Asahi Evening News, andThe Niho Kogyo Shimbun)
Box 8 Folder 22
(including add flyers, concert announcement, P.D.Q. Bach concert program addendum note, vitae of music faculty candidates and and headshots of actors, and an undated, unsigned letter)
Box 7 Folder 14
(lead sheet copies; "With You or Without You," "Separate Ways," "See You Around"; including a dated handwritten note; appended tape cassette filed separately--see folder "tape cassettes")
Box 9 Folder 4
(including music by Campbell, Mark)
Box 9 Folder 5
(including a newsletter from Saint Anne's School and a flyer titled "Musical Terms You Should Know")
Box 9 Folder 6
Box 11 Folder 1
(press release and reviews)
Box 3 Folder 8
Box 16 Folder 2
(newspaper clippings)
Box 9 Folder 7
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Box 50
Box 50
Box 50
Box 50
Box 50
Box 50
Box 50
Box 50
Box 50
Box 50
Box 50
Box 50
Box 50
Box 50
Box 50
Box 50
Box 50
Box 51
Box 51
Box 51
Box 51
Box 51
Box 51
Box 51
Box 51
Box 51
Box 52
Box 52
Box 52
Box 52
Box 52
Box 52
Box 53
Box 53
Box 53
Box 54
Box 54
Box 55
Box 68
Box 72
Box 72
Box 72
Box 72
Box 72
Box 72
Box 72
Box 72
Box 72
Box 72
Box 72
Box 72
Box 72
Box 72
Box 72
Box 72
Box 73
Box 73
(With audio cassette)
Box 73
Box 73
Box 73
Box 73
Box 73
Box 73
Box 73
Box 73
Box 73
Tube Box 56
Tube Box 57
Tube Box 58
Tube Box 59
Tube Box 60
Tube Box 61
Tube Box 62
Tube Box 63
Tube Box 64
Tube Box 65
Tube Box 66
Tube Box 67