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Anita Browne literary and musical collection, 1934-1940

1 box
Abstract Or Scope

Five volumes of typescript poems by contemporary poets including four volumes of poems by Donald Bain of Buffalo, N.Y., and one volume of miscellaneous poems in typescript which were submitted for sale or for use on radio programs. Also, seven music manuscripts, songs by Bernice Ward Stockland of St. Albans, N.Y.

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Anton Seidl collection of musical papers, 1870-1943

30 Linear Feet
Abstract Or Scope

Papers, letters, memoranda, memorabilia, and manuscript music scores assembled by and related to the life and musical activities of Anton Seidl. The collection includes many letters from Cosima Wagner and her children addressed to Anton Seidl and his wife, the opera singer Auguste Kraus Seidl. There are also letters from Lilli Lehman, Edvard Grieg, Antonin Dvorak, Bronislaw Hubermann, Carl Goldmark, Maud Powell, Marianne Brandt, Felix Weingartner, Lyman Abbott, and many others. The letters are chiefly concerned with musical performances, composition, and related affairs. There are journals, diaries, and memoranda in Seidl's hand, as well as photographs and clippings relating to his conducting career. Also, twenty-seven manuscript scores of Seidl's orchestrations of various works.

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Arthur Billings Hunt papers, 1750-1947

13 boxes
Abstract Or Scope

Music manuscripts, letters, and related items collected by Hunt. Most of the items are of American origin, and reflect Hunt's wide-ranging interests in sacred and secular music. The music manuscripts include sheet music for vocal and instrumental scores, part-books, bound orchestral scores, and miscellaneous music volumes. The collection is particularly strong in hymn scores, verses, and studies. Also, a box of material relating to Stephen Foster.

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Association of Hispanic Priests in the Archdiocese of New York records, 1972-1984

1.5 linear feet
Abstract Or Scope

Correspondence, manuscripts, documents, musical scores, audio tape, cassettes, and related printed materials concerning Hispanic culture, immigration problems, parish conflicts, intercultural confrontation, and linguistic discrimination. Included are correspondence with the members, by-laws, minutes of meetings, membership lists, and records of all the organizations activities. Of particular interest are the files of the Cultura Popular Hispana-Gala de la Hispanidad, October 20, 1984, which included a competition for original manuscripts and musical scores for both religious and secular poetry.

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Béla Bartók manuscripts, 1940-1943

1.5 linear feet
Abstract Or Scope

The collection consists of three manuscripts by Bela Bartok, 1940-1943. These manuscripts totalling approximately 2,170 pages are as follows: 1) Romanian Folk Music - Vol. 1 Instrumental Melodies, Vol. 2 Vocal Melodies, Vol. 3 Texts; 2) Turkish Folk Music; and 3) Serbo-Croatian Table of Materials. Also, a small group of letters by Bartók and other concerning his association with Columbia University.

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Center for US-China Arts Exchange records, 1956-2019, bulk 1977-2003

102 Linear Feet
Abstract Or Scope
This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that helps to tell the recent history of cultural communications among individuals and organizations across the Pacific.
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Columbia Theater Associates records, 1893-1958

8.59 linear feet
Abstract Or Scope

Correspondence, scripts, scores, set designs, prompt books, scrapbooks, costume designs, programs, playbills, broadsides, clippings, fliers, photographs, announcements of forthcoming productions, clippings, and related materials. Columbia University theatrical groups include The Columbia Laboratory Players, The Columbia College Dramatic Group, The Wigs and Cues, The Summer Session Classes in Play Production, The Morningside Players, and the Columbia Theatre Associates which superseded all the preceding groups. There is an extensive file on the Columbia Laboratory Players; including production files that document the various stages involved in putting together a dramatic production. In addition there are typewritten scripts representing the spectrum of plays that were produced over the Lab's active years. There are photographs of only a few specific plays. Non Lab materials relate to Rehersal Course productions, a Columbia English Department course that was closely affiliated with the Lab players

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Columbia University Libraries Music Library Zarzuela Collection, 9999

82 boxes
Abstract Or Scope

The Zarzuela Collection at Columbia University consists of almost five hundred different zarzuelas. Both nineteenth and twentieth century works are represented by libretti, scores, and separate instrumental parts. Formats include printed, typewritten, and handwritten items. Many of the libretti contain role assignments and other handwritten notes which indicate they were used by a traveling zarzuela company. Among the authors of the libretti are Javer de Bergos y Sarragoiti, Jose Estremero y Cuenca, Jacinto Benavente, and the Quintero brothers.

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Daniel Gregory Mason papers, 1894-1953

35 linear feet
Abstract Or Scope

Manuscript materials which include correspondence, business papers, composition scrapbooks and musical scores; books; clippings; records; and photographs.

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David W. Miller collection of Musical Scores, 9999

9 linear feet
Abstract Or Scope

Boxes 6 and 7 are oversized boxes. 1-4 contain unpublished scores, 5 contain misc. paper and copies of unidentified music. 6 and 7 contain published scores with Miller's own markings. 5 rsc and 2 flat boxes.

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