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Materials consist of biographical, faculty, historical, subject and chornological files maintained by this office, speeches of University Presidents, Columbia in the News publications, and materials generated by Fred Knuble, Director of Public Information from 1969 to his death in 1998.

This collection contains materials related to Chermayeff's personal, professional, and academic lives, the bulk originating during his residency in the United States, beginning in the late 1930s. Project records document the full range of his work, including many records from his British period. The collection also contains extensive correspondence with personal friends, clients, and professional and academic colleagues.

More than 120 architects from the United States and abroad contributed original drawings to this collection. Most are hand-drawn; some are printed through traditional etching or lithography techniques; a few others are computer-generated prints. Images are primarily related to the architects' projects, although some drawings are travel sketches of other structures. Drawings in this archive were exhibited at the Miriam & Ira D. Wallach Art Gallery and the Arthur Ross Gallery at Columbia University, Apr. 3-May 4, 1991. At least one drawing from each contributor was published in the accompanying exhibition catalog, CONTEMPORARY ARCHITECTURAL DRAWINGS (San Francisco: Pomegranate Artbooks, 1991).

This collection includes original and reprographic architectural drawings, photographs, office files, and professional papers related to the work of New York architect Frederick G. Frost, his son Frederick G., Jr., and his grandson, A. Corwin Frost. Examples of the work of Trowbridge & Livingston are also included.

This collection documents the life and career of Edgar Allen Tafel: New York architect, Frank Lloyd Wright historian, and one of the original apprentices of the Taliesin Fellowship from 1932. The collection primarily documents Tafel's professional activities and his later independent architectural career which was most prominent from 1965-1985. The collection is made up of nine series: Personal Papers, Correspondence, Writings, Professional Papers, Office Records, Project Records, Photographs and Slides, Audio-Visual Material, and Printed Material.

The William Muschenheim collection spans from 1929 to 1957, with bulk dates from 1931-1950. The collection documents approximately 130 separate jobs and is made up of architectural drawings, correspondence, accounts, estimates, specifications, invoices, contracts, samples, invoices, and other material related to Muschenheim's professional projects. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY), Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

Correspondence, manuscripts, photographs, memorabilia, and printed materials primarily concerning biochemistry. Correspondents include 24 Nobel Prize winners, including Otto Loewi, Otto Meyerhof, Archibald Vivian Hill, Feodor Lynes, Severo Ochoa, and Otto Warburg. Other correspondents include Sir Hans Krebs, John Farquhar Fulton, Jean Pierre Changeux, and others in Europe, Israel, Japan, and the USSR as well as the USA. Nachmansohn's concern with the place of Jews in science appears throughout the collection, especially in material concerning the Weismann Institute and other academic institutions to which he belonged. There are photographs of colleagues, many signed and inscribed during his many trips. The printed materials consist chiefly of Nachmanson's published works beginning with his 1927 doctoral dissertation (University of Berlin) and continuing throughout his professional life at the Kaiser Wilhelm Institute (1926-1930), the Sorbonne (1933-1939), Yale University (1939-1942), and Columbia University (1942-1982).