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The Gale A. Yee papers contain draft manuscripts of her book Poor Banished Children of Eve : Women as Evil in the Hebrew Bible and comments from readers, drafts of other professional writings (published and unpublished), her lecture notes for Old Testament classes, her student papers and exams from Loyola University and the University of St. Michael's College (in Toronto), drafts of her doctoral thesis, large numbers of articles and papers relating to travel to Rome and Jerusalem. The bulk of the material in this collection spans Yee's university education in the early 1970s and her writings from the 1960s to 2014.

Letters, Jerusalem, April 19, 1835 (in English), two in Arabic.

The Columbia Armenian Oral History Archive is an important collection of audio and video recordings of first-person accounts of the early and recent experiences of Armenians, recorded after they had immigrated to the United States. The collection consists of 138 interviews in Armenian, English, and Turkish languages with immigrants conducted by Vazken L. Parsegian during the 1950s and 1960s, focusing largely on the survivors' memories of their personal experiences of the abduction, deportation, imporisonment and massacre of Armenians and the destruction of Armenian communities under the Ottoman Empire in the first decades of the Twentieth century. The testimonies also recount the early formation of Armenian communities in various cities of United States and socio-economic conditions. The collection is comprised of 210 hours of sound recordings in the following formats: magnetic tape reels, compact cassettes, and WAV files and compact disks representing the content of the original tapes.

Correspondence, manuscripts, diaries of a well-known émigré art historian Grigorii Ostrovskii.

The collection contains copies of articles and photocopies of archival material used for research, drafts of speeches and manuscripts, handwritten and typed research notes, correspondence, clippings, photographs, and teaching and course material such as syllabi, readings, notes, and bibliographies. These materials were gathered by Goren between approximately 1960 and 2005, as he conducted research in, wrote about, and taught American Jewish history at universities in the United States and Israel.

The collection includes the original manuscript of "Surrender on Demand", Mr. Fry's account of his wartime experiences, which was later rewritten for young readers as "Assignment Rescue" (New York, Four Winds Press, 1968). Among the correspondents represented in the collection are Marc Chagall, Jacques Lipchitz, Roger Baldwin, Norman Thomas, J. Edgar Hoover, and Herman Wouk. In addition to the material relating to the Emergency Relief Committee (later known as the International Rescue Committee), the collection includes correspondence and papers concerning Fry's work as a writer on foreign affairs as well as copies of his books.

Collection of letters and ephemera relating to the Judaica book trade, most from 1926-1955. The collection includes correspondence from all over the world, including Vienna, Lisbon, Italy, the United States, and Palestine/Israel. It is notable as a rare glimpse into the world of pre-Holocaust collecting, as well as the early history of Jewish settlement in Palestine. Notable bookdealers and collectors include Biegeleisen (New York), David Frankel (Vienna and New York), Yochanan and Abraham Rubenstein (Haifa), Efraim Keizer (Pressburg) Yehuda Idil Bialistotsky (Slonim), Rubin Mass (Jerusalem), etc. The majority of the collection is in Hebrew, but other languages include English, German, and French.

New York City architectural renderer, artist, and printmaker. Born 1884 in Newark, New Jersey, Flanagan graduated from the School of Architecture at Columbia University in 1910. Flanagan taught drawing at Columbia from 1911 to 1912 and returned as an associate professor of design from 1920 to 1925. Flanagan also worked for several architectural firms, often as a renderer, including Trowbridge & Livingston, McKim, Mead & White, and Harvey Corbett. In 1927, Flanagan left Corbett's office and began full time work as a fine artist. From January 1928 until August 1929, Flanagan travelled in Europe, studying with painter Edouard Léon Cortès in Paris from the fall of 1928 through the spring of 1929. Flanagan was also one of the original members of the Society of American Etchers. Flanagan eventually returned to practicing architecture, associating with various firms until he retired in the mid-1960s. He died in New York City in 1969.