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The Clark Hoyt collection is organized around the columns he wrote as public editor, with each being accompanied by related materials including notes, Q and A emails with Times staffers; emails from readers, which often served as the trigger for the column in question; emails with expert sources, and printed copies of Times articles that prompted the public editor's inquiries.

Correspondence, telephone logs, lecture/administrative files, manuscripts, research files, personal papers, reviews, press clippings, tearsheets, and memorabilia relating to the many projects Toffler and his wife worked on from 1950 to 1985. The collection is divided into closed and open series. Closed files include all correspondence; telephone logs; administrative files pertaining to lectures, contracts, and business memos; and personal papers. Open files consist of clippings, notes, manuscripts, publishers' "dead matter," tearsheets of articles and books, press clippings, interviews, and galleys. The correspondence includes letters from a great variety of people, such as Betty Friedan, Jonas Salk, Newt Gingrich, Ed Koch, and many other politicians and celebrities. There are research files for virtually every project that Toffler was involved with, including his books "Future Shock" and "The Third Wave." The press clippings files are extensive and range from research topics to reviews, and cover countries from Australia to Switzerland. Lecture files also from Toffler's television/video production compnay, Triwave Productions, Inc., which include scripts, contracts, and materials relating to all stages of production. The many manuscripts, proofs, and galleys are in various stages of revision and include Toffler's extensive corrections and notes.

Correspondence, outlines and drafts, manuscripts, letters of agreement, contracts, photographs, artwork, and memorabilia. The collection is divided into two parts: the Frederic Dannay papers and the files of ELLERY QUEEN'S MYSTERY MAGAZINE (EQMM). The Dannay papers consist of extensive correspondence with most of the notable mystery writers of this century, as well as well-known authors who sometimes wrote in that genre: Isaac Asimov; Lawrence Block; Ray Bradbury; Pearl S Buck; Edgar Rice Burroughs; James M. Cain; Raymond Chandler; Agatha Christie, etc. Most of the novels and short stories written by Dannay and Lee are represented in manuscript form: "The Roman Hat Mystery;" "Ten Day's Wonder;" "Cat of Many Tails;" "The Scarlet Letters;" "The Glass Village;" "The Player on the Other Side;" "And on the Eighth Day" etc. In addition, there are the manuscripts of books edited by Ellery Queen; manuscripts by Ellery Queen Jr.; scripts by Ellery Queen; poetry by Dannay; contracts between Dannay and Lee, as well as between them both as Ellery Queen and numerous parties. There are also manuscripts by such notables as Jorge Luis Borges; Erskine Caldwell; Raymond Chandler; Agatha Christie; Stanley Ellin; William Faulkner; Dashiell Hammett; O Henry; Nigel Morland; Georges Simenon; Muriel Spark; Julian Symons; Roy Vickers; and Cornell Woolrich.

This collection contains materials related to a full range of Blake's personal, professional, and academic lives. The bulk of the collection dates from the 1980s through the early 2000s. His professional and faculty papers document many of his interests, and primarily include published and unpublished lectures and articles. Although Blake delivered his lectures at various architectural schools in the United States and abroad, the specific locations of the lectures are not usually recorded on the documents. In addition, many articles he wrote for publication appear as annotated typescripts. There are also significant papers related to publication of his memoir No Place Like Utopia (Knopf, 1993), including correspondence and some production records. Throughout the professional and faculty papers are also found a large number of reference files relating to modern architecture, art, design, urbanism, technology, and current events, compiled over many decades. The collection also contains correspondence with personal friends, clients, and professional and academic colleagues. There is an especially significant amount of correspondence and clippings related to Patwant Singh, a Sikh writer, commentator, journalist, editor, and publisher, with whom Blake was a close friend. There are also many materials including correspondence, typescripts, and book production records related to Philip Johnson and Paul Rudolph, with whom Blake was also close. Architectural project records include original and reprographic drawings and photographs for 40 residential and institutional designs, located primarily in New York City and the surrounding region. Of particular note are drawings and papers related to Blake's important Pin Wheel House (1954) in Water Mill, New York. In addition, there are drawings related to the American National Exhibition in Moscow (1959). Finally, there is a significant number of drawings, photographs, and correspondence related to the Benjamin Gerson Residence (1999-2003) in Johnsonburg, New Jersey, one of Blake's last architectural projects.

The collection consists of 32 letters written by Samuel L. Clemens to Mary Benjamin Rogers (Mrs. H.H.), his niece by marriage, and four letters written to Clemens and forwarded by him to Mrs. Rogers with comments. The letters are very personal in tone, full of Clemens' well-known wit, and revealing of his personal characteristics. There are a few clippings, cartoons, and one photograph. Also, a collection of 18 letters written by Clemens to Dorothy Sturgis, 1908-1909, relating to the "Angel-Fish Aquarium." There is also one typescript of the Constitution of the Club"The Aquarium, Issued by the Admiral;" and a photograph album of the Mark Twain Dinner, 1905.

The dead columns of Marvin Kitman, mostly from Newsday. The file folders contain clippings, notes, background research, correspondence, publicity materials, photographs, etc. for the columns. Kitman writes about a variety of topics as he criticizes practically every television program and genre from the 1960s through 2003. There are also a few files of letters, as well as his various "polls".

Correspondence, manuscripts, documents, photographs, notes, inteviews, articles, newspapers, clippings, and press releases of Harrison Evans Salisbury, a prominent journalist and editor.