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Albert Goldman papers, 1953-1994

225 linear feet
Abstract Or Scope

The papers consist of correspondence, diaries, journals, interviews, manuscripts, transcripts, and printed material.

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Peter Schickele Papers, 1874-2013, bulk 1955-2013

56.5 linear feet
Abstract Or Scope
Peter Schickele (1935-2024) was an American composer, music educator, and satirist. He was best known for his comedy pieces composed by the fictional character P.D.Q. Bach. The collection contains manuscript and engraved scores and parts, sketches, revised and annotated copies of Schickele's work. In addition, the collection contains scripts of dramatic pieces or spoken introductions, correspondence, and memorabilia.
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Memorabilia, 1941-1966, undated, 1941-1966, undated Box 7, Folder 11

Herbert Gans papers, 1944-2004

28 linear feet
Abstract Or Scope
This collection contains the papers of Herbert Gans, a sociologist, urban planner, critic, and Columbia University professor. The collection includes research files, field notes, book manuscripts, published and unpublished articles and studies, correspondence, teaching materials, student writings, speaking notes, and news clippings.
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Albert and David Maysles papers, 1948-2018

185 linear feet
Abstract Or Scope

Correspondence, memoranada, agreements, notes, contracts, posters, clippings, financial files covering the entire career of the Maysles brothers.

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Barry Miles papers, 1958-1990, bulk 1965-1997

16 linear feet
Abstract Or Scope
The Barry Miles Papers contains correspondence, manuscripts, photographs, and printed materials concerned with Miles' literary activities in the London counterculture. Included are letters and manuscripts from William S. Burroughs and Allen Ginsberg, among numerous others. This collection also includes material used by Miles in the research and writing of his work Ginsberg: A Biography as well as from his editorship of the annotated edition of Ginsberg's Howl.
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Thomas Whiteside papers, 1839-1995, bulk 1952-1992

29 linear feet
Abstract Or Scope
Thomas Whiteside was an American journalist born in 1918. Whiteside wrote for The New Yorker for over 45 years. He covered such topics in his articles and books as cable television, the cigarette industry, the channel tunnel, chemical weapons (notably 2, 4, 5-T, a component of Agent Orange), Ralph Nader, Stig Wennerstrom, and yellow rain. It has been said that Whiteside's work on Agent Orange led directly to the congressional hearings which discussed the dangers of the substance. By the end of the hearings, the Surgeon General of the United States had announced restrictions on the use of the herbicide. The collection contains material related to the articles that Whiteside contributed to The New Yorker. The files include audiocassettes, book reviews, correspondence, drafts, galleys, notebooks and notes, research files, and typescripts. There is a small section of the collection that contains personal papers not tied directly to specific articles or books. The material ranges in date from the 1950s to the 1990s, spanning the time Whiteside worked at The New Yorker.
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Subseries I.2: Unpublished Articles, 1962-1995

Random House records, 1925-1999

702 linear feet
Abstract Or Scope

The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

Daniel Talbot Papers, 1923-2010, bulk 1960-2008

495 linear feet
Abstract Or Scope
The Dan Talbot Papers document the business operation of the New Yorker Films, an independent film acquisition and distribution company, dating from 1960s to 2008, as well as movie theaters in the Upper West Side Manhattan which he operated, dating from 1960 to 2007. It is of particular relevance to New Yorkers as the Talbots operated the New Yorker Theater, Cinema Studio, Metro, and Lincoln Plaza Cinemas, on the Upper West Side, as popular venues to view independent and foreign films.

Gail Mary Killian and Stephen Desroches sound recordings, 1970-2003

23 audiocassettes
Abstract Or Scope

The majority of the collection's interviews were taken by Gail Mary Killian and document her life in the 1970s-1980s as a woman living with Down syndrome in Eastern Massachusetts. Killian recorded her birthday starting in 1970, and many recordings capture the conversations that took place at these celebrations, which were attended by family members and neighbors. Topics discussed at these parties include music-related gifts received by Killian; rock music and Polish folk music; television shows and movies; employment opportunities for people with disabilities in the region; work at the United States Postal Service (her father's employer); and happenings in their local community. The family also sings together, both in English and Polish. Also included are recordings made by Killian during her daily life. Killian was an avid music fan, and she records thoughts on rock bands such as the Beatles, Journey, and Van Halen. Portions of the local New Bedford, MA radio program "Polish Happy Hour" are captured on tape.

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Bob Fass Recordings and Papers, 1935-2011, bulk 1963-1991

200 linear feet
Abstract Or Scope

The Bob Fass Recordings and Papers contains materials created by Bob Fass, host of the late-night program Radio Unnameable on New York City's WBAI radio station. The collection primarily consists of audio recordings of Radio Unnameable and other radio programs hosted by Bob Fass between 1963 and 2011. A small number of video recordings, photographs, correspondence, printed ephemera, and motion picture films are also included in the collection.

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