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Correspondence, programs, clippings, and other theatrical memorabilia relating the the careers of Alice and Rita Lawrence.

Scripts of plays that were presented during Smith's tenure as Director of the Brander Matthews Theater. Also, ca. 400 loose scrapbook leaves of mounted clippings, programs, and other memorabilia relating to the various theatrical productions with which Smith was associated. Many of these productions were produced by Columbia Theatre Associates.

Collection contains typed manuscripts of Louis DeFoe's DAYBOOK OF A CRITIC and THE THEATRE THROUGH A CRITIC'S EYES. Included is a scrapbook of Mr. DeFoe's columns for the CHICAGO TRIBUNE. Also included are 56 scrapbooks of theatre clippings.

Letters of Hoffman to his family. There are seventeen letters to his niece, Matilda Nicholas Whitman, and one letter to his half-sister, Ann Hoffman Nicholas. The correspondence deals with the literary and social life in New York and with the Hoffman family. Two of the letters have notes added by his father, Josiah Ogden Hoffman. Also, an engraved portrait of Charles Fenno Hoffman.

Three groups of drawings, two in notebooks and the third torn from a notebook. 1). A 38 page spiral bound notebook containing 29 drawings, 9 pages of notes, and a concrete poem by Nancy Holt. Most of the drawings were done in preparation for his show at L'Attico Gallery in Rome, October 15 to November 7, 1969. The last two drawings refer to his travels in the Yucatan. 2). Three loose drawings torn from a larger spiral bound notebook. They are studies for L'Attico Gallery Exhibition. 3). A 12 page typewriter paper tablet containing 10 drawings (four are loose) and two pages of notes. The drawings were done from late 1969 through 1970 in Vancouver, the Anaconda Mines in British Columbia, and elsewhere.

Letters written to James Ripley Wellman Hitchcock, to Mrs. Hitchcock, and to Richard Henry Stoddard from various people in literary artistic and dramatic circles, mainly of New York. There are letters and documents relating to Hitchcock's early life, photographs, a group of materials relating to the American Art Alliance in which Mrs. Hitchcock was interested, and a group of miscellaneous papers and letters relating to the publication, dramatization, filming, and radio rights of Edward N. Westcott's DAVID HARUM which Mr. Hitchcock was instrumental in having published. Also, manuscripts and printed versions of Charles Chapin Sargent, Jr.'s (brother of Hitchcock's second wife, Helen Sargent Hitchcock) writings including short stories and a libretto for an operetta "Cleopatra" written for the Columbia College Musical Society in 1897, two scrapbooks containing mementos of his college years, two pictures, and a Columbia College diploma.

Arranged alphabetically by Theatre name, the collection is made up of over 700 theatre programs and Playbills; included are some of the most prominent productions in the New York area during the 20th century. Often included in the programs are seating charts for specific theatres.

Correspondence, manuscript, and printed materials of Kees. There are fourteen letters from Kees to Herbert Cahoon, twelve letters from James T. Farrell to Kees, the manuscript of Kees' THE LAST MAN, and announcements and clippings by and about Kees.

Correspondence, scripts, slides, scores, set designs, prompt books, scrapbooks, costume designs, programs, playbills, broadsides, clippings, fliers, photographs, announcements of forthcoming productions, clippings, and related materials. Columbia University theatrical groups include The Columbia Laboratory Players, The Columbia College Dramatic Group, The Wigs and Cues, The Summer Session Classes in Play Production, The Morningside Players, and the Columbia Theatre Associates which superseded all the preceding groups. There is an extensive file on the Columbia Laboratory Players; including production files that document the various stages involved in putting together a dramatic production. In addition there are typewritten scripts representing the spectrum of plays that were produced over the Lab's active years. There are photographs of only a few specific plays. Non Lab materials relate to Rehersal Course productions, a Columbia English Department course that was closely affiliated with the Lab players

This collection consists of ten volumes of business records connected with the operation of Daly's Theatre between 1872 and 1899. Included are cash account books recording income and expenditures, rosters of personnel, attendance books for members of the company, salary accounts, receipt books, and one volume having to do with directions for the settings for various plays.