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Correspondence, manuscript review, and printed materials of Henri-René Lenormand. The collection includes letters from Lenormand to Eugene Jay Scheffer, an analysis by Lenormand of his own work , and numerous handwritten copies (in unknown hands) of review of Lenormand's plays "L'homme et ses fantômes" "La dent Rouge" "A l'ombre du mal" and Le Simoun.".

Playscripts, correspondence about his scripts, poems, notebooks and other manuscripts including drafts, typescripts, notes, photographs, mimeographed scripts and printed materials, re. Cooper's plays, radio and television scripts, short stories, and novels.

At head of title: The Original Theatre of the City of New York From the Mid-'60s to the Mid-'70s. Book 4. A xerox copy of the book typescript of Book 4 in a projected series of nine volumes"The original theatre of the City of New York from the mid-sixties to the mid-seventies" which examines the culturally revolutionary growth of the American theater from 1963 to 1973 as a reflection of that decade's libertarian spirit. The typescript is divided into ten cardboard binders.

Correspondence and manuscripts including drafts, typescript, notes, photographs, mimeographed scripts and printed materials, re. Hall's plays, radio and television scripts, short stories, and novels. Among the cataloged correspondents are: Alan Ayckbourn, Robert Bolt, Christopher Fry, Sir John Gielgud, and Harold Pinter.

Correspondence; biographical forms; typescript biographical entries, often corrected and amended by the subjects; documents; proofs; memoranda; notecards; photographs; clippings of reviews; and other printed materials for the project with the working title "Who's Who in the American Theatre." The materials were assembled by Walter Rigdon, editor, and James H. Heineman, publisher, from 1963, when the first biographical forms were sent out, until 1969, when plans for a second edition were abandoned. The 1101 page volume which was published under the title "The Biographical Encyclopaedia & Who's Who of the American Theater" includes 3350 biographical entries for theater people and a necrology of 9000 names, playbills from 1959-1964, histories of theater buildings and theater groups, production records of Plays staged in New York since 1900, a theater bibliography of 600 entries, lists of awards, and lists of foreign productions. Among those for whom original materials were included are Truman Capote, John Dos Passos, Richard Eberhart, T.S. Eliot, Arthur Miller, Elmer RIce, and Virgil Thomson.

Papers pertaining to Heuser's studies of Gerhart J.R. Hauptmann (1862-1946), the German dramatist of social protest and early exponent of realism. There is correspondence both with Hauptmann and with others prominent in literary and academic fields, giving their views on Hauptmann. The correspondence is roughly in two groups; letters written to Heuser during his trip to Germany in 1923; and letters concerning Hauptmann's visit to the United States to deliver the oration at the exercises held at Columbia University in commemoration of the 100th anniversary of the death of Goethe, 1932. There are twenty letters from Hauptmann and 59 letters from his wife Margarete. The correspondence with the Hauptmann family continues up to 1957. There are twelve boxes of manuscripts and notes on Hauptmann; and five boxes of mounted clippings and printed extracts. Among the miscellaneous correspondence are letters from H.L. Mencken, Auguste Forel, Albert Schweitzer, Tristram Coffin, and Nicholas Murray Butler. Also, photographs relating to Hauptmann.

Correspondence, diaries, documents, manuscripts, and printed materials. The collection consists chiefly of diaries, research materials, and his writings. Among the correspondents are: Mikhail Chekhov, Olga Chekhov, Roman Gul, Vladimir Ilin, Artur Luther, Sergei Melgunov, Bishop Serafim, Fedor Stepun, Ilia Surguchev, Alexandra Tolstoy, and Vladimir Zenzinov.

Correspondence, documents, manuscripts and typescripts of writings, paintings, photographs, audio tapes, and printed materials. The collection chiefly consists on the Group's writings and research materials.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.