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The Edith Schloss Burckhardt Papers offer an extraordinary opportunity for research into multiple areas of scholarship, especially unique insight into the lives and experiences of women in the art world, an American artist's expat life in Rome from the 1960s-2010s, the New York School of painters and poets, and a particularly rich and far-reaching, vein of the avant-garde and experimental music world, to name a few.

These book manuscripts include the corrected typescripts of: "Analytical philosophy of action" (Cambridge University Press, 1973); "Analytical philosophy of knowledge" (Cambridge University Press, 1968); "Jean-Paul Sartre" (New York, Viking, 1974) with a.ms. & galley proofs; and "Nietzsche and morality" (New York, Macmillan, 1965).

Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.

This collection contains materials related to Chermayeff's personal, professional, and academic lives, the bulk originating during his residency in the United States, beginning in the late 1930s. Project records document the full range of his work, including many records from his British period. The collection also contains extensive correspondence with personal friends, clients, and professional and academic colleagues.

Correspondence, a woodblock print, a typescript about Robert Indiana, photographs, and printed materials. There are 35 letters, post cards, and other correspondence from Indiana to Carr; his woodblock print on a Christmas card; 20 photographs of his paintings, and printed announcements and articles about Indiana. There is also some miscellaneous correspondence about the artist Ernest T. Trova

A collection of notes and manuscript drafts of studies made by Rood, concerned with the theory and practice of painting, art criticism, esthetics, and related subjects. Some of the results of these studies were published in 1941 under the title, COLOR AND LIGHT IN PAINTING.

Fifty-eight letters, including three fragments of letters, from Berenson to Prince Paul of Yugoslavia (1893-1976), 1935-1949. The letters deal with art and esthetics, travel, international affairs, and the personal lives of Berenson and Prince Paul. All are autograph and signed with initials. Included are a postcard photograph of Berenson at ages twenty-one and seventy-one, and an autograph letter from Arthur Bliss Lane to Prince Paul.

Letters from John Ruskin to his friend and publisher, George Allen. A note in front of volume I states that "Ruskin wrote in all over 1,300 letters to George Allen" of which these are a part. The men were close friends and the correspondence contains both personal matter and that relating to artistic and business matters.

Letters written to James Ripley Wellman Hitchcock, to Mrs. Hitchcock, and to Richard Henry Stoddard from various people in literary artistic and dramatic circles, mainly of New York. There are letters and documents relating to Hitchcock's early life, photographs, a group of materials relating to the American Art Alliance in which Mrs. Hitchcock was interested, and a group of miscellaneous papers and letters relating to the publication, dramatization, filming, and radio rights of Edward N. Westcott's DAVID HARUM which Mr. Hitchcock was instrumental in having published. Also, manuscripts and printed versions of Charles Chapin Sargent, Jr.'s (brother of Hitchcock's second wife, Helen Sargent Hitchcock) writings including short stories and a libretto for an operetta "Cleopatra" written for the Columbia College Musical Society in 1897, two scrapbooks containing mementos of his college years, two pictures, and a Columbia College diploma.

Strachan's correspondence with his primary publisher, Peter Owen of London relates chiefly to the nuts and bolts of translation and publication. The translations that are the subject matter of the letters are of Hermann Hesse, Caesar Pavese, Marc Chagall, Jean Cocteau, and Julien Gracq. The majority of the letters are accompanied by retained copies of the replies of Peter Owen. Included is Owen's correspondence with the American publisher George Wittenborn.

Correspondence, manuscripts, documents, photographs, and printed materials by and about John Howard Griffin. The correspondence is extensive and includes letter from Jacques Maritain; Thomas Merton; Maxwell Geismar; Eldridge Cleaver; Robert Casadeus; Abraham Rattner; P.D. East; Joseph Noonan; Sarah Patton Boyle; Lillian Smith; Father August Thompson; Nell Dorr; and Brother Patrick Hart. All of his major works are represented in manuscript form (usually typescript, carbon). In addition there are many original photographs by Griffin, which he pasted throughout his extensive journal, 1950-1980. This journal is a remarkable account of his life and thoughts, extending to over 3,000 pages.

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.