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Series II : Correspondence, 1920s-2001

Meyer Schapiro papers, 1919-2006

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Series I: Personal papers, 1919-2001

Materials in this series comprise records from Schapiro's personal and educational life and also include documentation from notable milestones in his career.

Subseries: I.1: Awards, degrees, and prizes, 1959-1995

Records in this subseries reflect achievements that Schapiro was recognized for in the form of awards, degrees, and prizes. This includes awards such as Commandeur de l'Order des Arts et des Lettres from the French government, honorary doctorates from various universities and colleges, and prizes such as the CAA Special Award for Lifetime Achievement given by the College Art Association of America. Materials include actual degrees and certificates, correspondence relating to these achievements, and associated publicity material. The subseries is divided further into sub-subseries by the following title designations: Sub-Subseries: I.1.1: Awards, 1959-1995, Sub-Subseries: I.1.2: Degrees, 1966-1988, Sub-Subseries: I.1.3: Prizes, 1979-1985

Sub-Subseries: I.1.1: Awards, 1959-1995

Distinguished contribution to humanistic learning -- American Council of Learned Societies


Box 98 Folder 1 Correspondence and clippings, 1959-1960

Brandeis commission award for notable achievement -- Brandeis University

Box 98 Folder 2 Program, invitation, clippings, and photographs, 1966


Box 633 Folder 1 Certificate, 1966

Graduate Faculties Alumni (GFA)98 Awards for Excellence -- Columbia University


Box 98 Folder 3 Newsletter, 1972

Outstanding achievement in art history -- Art Dealers Association of America

Box 98 Folder 4 Acceptance speech (typescript), articles, clippings, invitations, and correspondence,, 1972-1973

Alumni Award -- Hebrew Educational Society

Box 98 Folder 5 Correspondence and invitations, 1974

Alexander Hamilton Medal -- Columbia College Alumni Association

Box 98 Folder 6 Program, invitations, and seating list, 1975

Box 98 Folder 7 Press release and correspondence, 1975

Box 98 Folder 8 Press release and clippings, 1975

Box 98 Folder 9 Correspondence, 1975

Distinguished work in the arts -- National Institute of Arts and Letters

Box 98 Folder 10 Certificate and program, 1976

Commendeur, Ordre des Arts et des Lettres -- France

Box 98 Folder 11 Correspondence, 1976-1977

The mayor's award of honor for arts and culture -- Commission for Cultural Affairs of the City of New York, Mayor Edward I. Koch

Box 98 Folder 12 Program and correspondence, 1978


Box 633 Folder 2 Certificate, 1978

Distinguished teaching of art history -- The College Art Association of America


Box 98 Folder 13 Correspondence, press release, and article, 1981

Governor's award for excellence in the arts -- Vermont Council on the Arts

Box 98 Folder 14 Correspondence, 1982

Box 98 Folder 15 Programs and invitations, 1982

Box 98 Folder 16 Articles and clippings, 1982

The Fellows award -- John D. and Catherine T. Macarthur Foundation

Box 98 Folder 17 Correspondence, 1987-1995

Box 98 Folder 18 Press releases and clippings, 1987

The Golden Rectangle: The annual IAD award to art educators for publications of extraordinary merit -- The Institute for Aesthetic Development

Box 98 Folder 19 Correspondence and certificate, 1990

CAA special award for lifetime achievement -- The College Art Association of America

Box 98 Folder 20 Certificate, 1995

Box 98 Folder 21 Correspondence and program, 1995

Box 98 Folder 22 Articles and clippings, 1995

Sub-Subseries: I.1.2: Degrees, 1966-1988

Doctor of Humane Letters, honoris causa -- The Jewish Theological Seminary of America

Box 98 Folder 23 Program, correspondence, and badge, 1966

Doctor of Letters (Honorary) -- Columbia University

Box 98 Folder 24 Program and seating lists, 1975

Box 98 Folder 25 Press release and clippings, 1975


Box 633 Folder 3 Degree, 1975

Doctor of Humane Letters (Honorary) -- Yale University


Box 98 Folder 26 Program and correspondence, 1978

Box 98 Folder 27 Photographs, 1978

Box 98 Folder 28 Articles, 1978


Box 633 Folder 4 Degree, 1978

Doctor of Fine Arts (Honorary) -- University of Hartford


Box 99 Folder 1 Acceptance speech (notes), 1983

Box 99 Folder 2 Commencement program, 1983

Box 99 Folder 3 Articles, 1983

Honorary degree -- Harvard University

Box 99 Folder 4 Dinner guest list and correspondence, 1983

Box 99 Folder 5 Photograph album, 1983

Box 99 Folder 6 Articles and clippings, 1983

Honorary degree -- The New School for Social Research

Box 99 Folder 7 Programs and invitations, 1984

Box 99 Folder 8 Clippings, 1984

Doctor of Humane Letters (Honorary) -- Bard College

Box 99 Folder 9 Correspondence, programs, and photographs, 1988

Doctor of Humane Letters (Honorary) -- Brandeis University

Box 99 Folder 10 Correspondence, 1995

Sub-Subseries: I.1.3: Prizes, 1979-1985

Untitled award for publication Modern art: 19th and 20th Centuries--The Mitchell Prize for the History of Art

Box 99 Folder 11 Acceptance speech (typescript), 1979

Box 99 Folder 12 Invitations and correspondence, 1979

Box 99 Folder 13 Clippings, 1979

National Book Critics Circle prize in the field of criticism -- The National Book Critics Circle, Inc.

Box 99 Folder 14 Correspondence and press releases, 1979

Box 99 Folder 15 Articles and clippings, 1979

Jerusalem Prize of Arts and Letters -- Friends of the Bezalel Academy of Jerusalem

Box 99 Folder 16 Programs and invitations, 1983

Box 99 Folder 17 Correspondence and clippings, 1983

Aby M. Warburg Prize -- City of Hamburg (Germany)

Box 99 Folder 18 Acceptance speech (notes and transcript), 1985

Box 99 Folder 19 Correspondence and notes, 1985

Box 99 Folder 20 Press releases and clippings, 1985

Subseries: I.2: Biography Files, 1927-2001

The bulk of this subseries includes Schapiro's collected articles and clippings that referenced him. Schapiro continually collected such material beginning in the late 1920s. Additionally, there are several of Schapiro's own auto-biographical writings relating to key events in his life. Also included are his daily diaries and biographies written by other scholars.


Box 100 Folder 1 Articles and clippings, 1927-1955

Box 100 Folder 2 Articles and clippings, 1955-1959

Box 100 Folder 3 to 4 Articles and clippings, 1970-1977, (2 Folders)

Box 100 Folder 5 to 7 Articles and clippings, 1978-1979, (3 Folders)

Box 100 Folder 8 to 9 Articles and clippings, 1979-1981, (2 Folders)


Box 101 Folder 1 to 3 Articles and clippings, 1982-1983, (3 Folders)

Article -- Epstein, Helen. 1983. Meyer Schapiro: a passion to know and make known. ArtNews, May.

Box 101 Folder 4 Correspondence, notes, and proofs, 1983

Box 101 Folder 5 Correspondence and slides, 1983

Box 101 Folder 6 to 7 Articles and clippings, 1984-1986, (2 Folders)

Box 101 Folder 8 Articles and clippings, 1987-1989


Box 102 Folder 1 Articles and clippings, 1987-1989

Box 102 Folder 2 to 3 Articles and clippings, 1990-1993, (2 Folders)

Box 102 Folder 4 to 5 Articles and clippings, 1994-1996, (2 Folders)

Box 102 Folder 6 Unpublished articles and clippings on or about Meyer Schapiro, 1980s-1990s


Box 653 Folder 1 Diaries, 1940s-1960s

Box 653 Folder 2 Autobiographical account of World War II -- Annotated typescript, 1941 December 7

Box 653 Folder 3 Who's who in America -- Applications, notes, and correspondence, 1955-1995

Box 653 Folder 4 Autobiographical questionnaire -- Annotated typescript, 1983

Box 653 Folder 5 Autobiographical notes on the class of 1929 -- Annotated typescript and notes, 1984, 1929, 1984

Box 653 Folder 6 Autobiographical notes on writings -- Annotated typescripts and notes,, 1993

Box 653 Folder 7 Interview with Ralph Hyams -- Annotated typescript, 1974 February

Box 653 Folder 8 Interview with Diana Loercher -- Annotated typescript and notes, 1978-1979

Box 653 Folder 9 Biography of Meyer Schapiro / Miriam Schild Bunim ; corrected by Meyer Schapiro -- Annotated typescript,, 1980s

Box 653 Folder 10 Notes on Meyer Schapiro's biography / Lillian Milgram Schapiro -- Annotated typescripts and notes,, 1990s-2000

Box 653 Folder 11 Biography of Meyer Schapiro / David Rosand, 1996

Box 653 Folder 12 Biography of Meyer Schapiro / David Craven, 2001

Subseries: I.3: Dedications and eulogies, 1980-1996

This subseries contains material pertaining to official recognitions bestowed to Schapiro and eulogies either delivered by him to fellow friends and those given during Schapiro's funeral. This subseries is divided into the following categories to facilitate the retrieval of records: Sub-Subseries: I.3.1: Dedications, 1980-1996, Sub-Subseries: I.3.2: Eulogies, 1996.

Sub-Subseries: I.3.1: Dedications, 1980-1996

Articles and published works dedicated to Meyer Schapiro


Box 103 Folder 1 Clippings, 1980-1990

25th anniversary honor -- New York Studio School of Drawing, Painting and Sculpture

Box 103 Folder 2 Correspondence, invitations, and clippings, 1990

Box 103 Folder 3 Oral history (annotated transcript and notes), 1990

Morris A. and Meyer Schapiro Wing -- The Brooklyn Museum

Box 103 Folder 4 Correspondence, 1992-1994

Box 103 Folder 5 Press release and brochures, 1994

Box 103 Folder 6 Notes, 1994

Box 103 Folder 7 Articles and clippings, 1994

The significance of Meyer Schapiro : a symposium in honor of his 90th birthday. -- Metropolitan Museum of Art, New York,, 1994 September 24

Box 103 Folder 8 Programs and poster, 1994

Annual benefit honoring Meyer Schapiro -- Yaddo (artist's colony)

Box 103 Folder 9 Correspondence, 1995

Untitled honor -- Coalition for the Homeless, New York

Box 103 Folder 10 Correspondence and acceptance speech (typescript), 1996

(Acceptance speech given by Benjamin Grosof)

Sub-Subseries: I.3.2: Eulogies, 1996

Box 103 Folder 11 Eulogies given by Meyer Schapiro -- Annotated typescripts and clippings,, 1960s-1990s

Meyer Schapiro : eulogy / Wolf Kahn -- American Academy of Arts and Letters

Box 103 Folder 12 Transcript, correspondence, and publication, 1996

Meyer Schapiro memorial service

Box 103 Folder 13 Eulogies (transcripts), 1996

(includes those given by Marshal Berman, George Braziller, David Grosof, and Benjamin Grosof)

Box 103 Folder 14 Visitors' book, 1996

Meyer Schapiro memorial tribute

Box 103 Folder 15 Eulogies (transcripts), program, and invitations, 1996

Box 103 Folder 16 to 18 Obituaries -- Articles and clippings, 1996, (3 Folders)

Subseries: I.4: Exhibitions, 1950, 1960-1989

While Schapiro is well known for his art historical scholarship, he also curated art exhibitions and exhibited art works he himself created. This subseries includes materials from an exhibit he co-curated alongside Clement Greenberg in 1950 at the Kootz Gallery titled "Talent 1950: 23 artists receive a showing under the sponsorship of Meyer Schapiro and Clement Greenberg." There is also substantial material relating to the exhibition "Meyer Schapiro: works of art, 1919-1970" held at Columbia University's Wallach Art Gallery which showcased Schapiro's own art work. Consult Series VIII: Works of art, 1920s-1980s, for a full listing of works of art held in this collection. Additionally, this subseries includes materials relating to exhibits were portraits of Schapiro were included, where works of art dedicated to him were exhibited, or where exhibitions in his honor were curated.


Box 104 Folder 1 "Talent 1950 23 artists receive a showing under the sponsorship of Meyer Schapiro and Clement Greenberg" -- Kootz Gallery (New York, N.Y.) -- Announcements and flyers, 1950 April 25, 1950, 1950 April 25

Box 104 Folder 2 "Critic's choice" -- The American Federation of Arts -- Correspondence,, 1960 February 29

(Letter soliciting Schapiro to curate an exhibition)

Box 104 Folder 3 "For Meyer Schapiro:a portfolio of twelve graphic works" -- Hebrew Union College Skirball Museum-- Correspondence and brochures,, 1978

Box 104 Folder 4 Exhibitions dedicated to Meyer Schapiro -- Articles, clippings, and exhibition catalogs,, 1984-2000

Box 104 Folder 5 "Romanesque sculpture of Moissac" -- Curatorial notes and clippings, 1985

(Exhibition held at Columbia University's Low Rotunda featuring drawings from Schapiro's travel notebooks and photographs by David Finn. Published by George Braziller, Inc. in 1985)

Box 104 Folder 6 "Exhibition of the founding faculty" -- New York Studio School of Drawing, Painting and Sculpture -- Invitations and notes,, 1986

Box 104 Folder 7 "Malarei: Annalisse Hermes" -- Exhibition announcement, correspondence and transparency, 1986 --, 1986

(Exhibition includes a portrait of Schapiro)

"Meyer Schapiro: works of art, 1919-1970" -- Wallach Art Gallery Exhibition

Box 104 Folder 8 Invitations and exhibition catalogs, 1987

Box 104 Folder 9 Correspondence, 1987

Box 104 Folder 10 Visitors' book, 1987

Box 104 Folder 11 Articles and clippings, 1987

Box 104 Folder 12 to 13 Condition reports, 1987, (2 Folders)

Box 104 Folder 14 Slides, 1987

Box 104 Folder 15 "Field and frame: Meyer Schapiro's semiotics of painting" -- New York Studio School of Drawing, Painting and Sculpture -- Brochures and correspondence,, 1989

Subseries: I.5: Photographs, 1928-1990s

This subseries documents portrait photographs of Meyer Schapiro or those taken by him. This subseries is divided into two sub-subseries which reflects this arrangement. For photographs that were ordered, purchased, or collected for research purposes by Schapiro, consult Series V: Research files, Subseries: V.6: Reproductions. Photographs used or considered for use in publications are housed with their respective titles in Series IV: Writings, Subseries: IV.5: Publications.

Sub-Subseries: I.5.1: Portraits, 1928-1990s

The majority of this sub-subseries are photographs of Schapiro used for various publications and also includes photographs of his wife, Lillian Milgram Schapiro.


Box 105 Folder 1 Graduation portrait of Lillian Milgram Schapiro, 1928

Box 105 Folder 2 Photograph of Meyer Schapiro, 1949

(Image was used in an article for the publicationLife

Box 105 Folder 3 Photographs of Meyer and Lillian Milgram Schapiro, 1950s

Box 105 Folder 4 Photographs of Meyer Schapiro, 1960s

Box 105 Folder 5 Group portrait of fellows and staff of the Center for Advanced Study in the Behavioral Sciences,, 1962 September 25

Box 105 Folder 6 Photographs of Meyer Schapiro, 1980s

(Accompanied by a drawing of Schapiro by James Rosen)

Box 105 Folder 7 Photographs of Meyer and Lillian Milgram Schapiro, 1990s

Sub-Subseries: I.5.2: Travel photographs, 1927-1957

This sub-subseries contains photographs and negatives that document Schapiro's travels to Europe and the Near East from two trips taken in 1926 through 1927 and 1957. The 1926 trip was funded by the Carnegie Corporation to complete research on his doctoral dissertation relating to Romanesque sculpture. These photographs add a visual layer to the writings contained in his travel notebooks that are contained in Subseries: I.8. The images are chiefly composed of architecture and architectural details that Schapiro went overseas to study. While the positive prints are organized by country and city traveled, the negatives, with over 1,500 individual negatives, are unsorted due to the volume.

Egypt


Box 641 Folder 1 General, 1927

4 photographs : gelatin silver prints; black and white ; 4 x 6 inches

Box 641 Folder 2 Aswan, 1927

18 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 641 Folder 3 Cairo, 1927

42 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (35) and 5 ½ x 3 ¾ inches (7)

Box 641 Folder 4 Dayr al-Bahri, 1927

7 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (2) and 3 ½ x 5 ½ inches (2)

Box 641 Folder 5 Karnak, 1927

17 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (11) and 5 ½ x 3 ¾ inches (6)

Box 641 Folder 6 Luxor, 1927

18 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (11) and 5 ½ x 3 ¾ inches (7)

Box 641 Folder 7 Mit Rahina, 1927

4 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 641 Folder 8 Philae, 1927

3 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 641 Folder 9 Saqqâra, 1927

2 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 641 Folder 10 Thebes, 1927

29 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (27) and 3 ¼ x 5 3/8 inches (2)

England

Box 641 Folder 11 General, 1957

3 photographs : gelatin silver prints ; black and white ; 7 ¼ x 4 ½ inches

Box 641 Folder 12 Burford, 1957

11 photographs : gelatin silver prints ; black and white ; 5 ¾ x 3 ¾ inches

Box 641 Folder 13 Canterbury, 1957

3 photographs : gelatin silver prints ; black and white ; 7 ¼ x 4 ½ inches

Box 641 Folder 14 Lincoln, 1957

5 photographs : gelatin silver prints ; black and white ; 7 ¼ x 4 ½ inches

France

Box 641 Folder 15 General, 1927

4 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 641 Folder 16 General, 1957

16 photographs : gelatin silver prints ; black and white ; 5 ¾ x 3 ½ inches

France


Box 642 Folder 1 Abbeville, 1957

1 photograph : gelatin silver print ; black and white ; 5 ¾ x 3 ½ inches

Box 642 Folder 2 Aix-en-Provence, 1957

15 photographs : gelatin silver prints ; black and white ; 5 ½ x 3 ¼ inches

Box 642 Folder 3 Baux-de-Provence, Les, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches

Box 642 Folder 4 Beauvais, 1957

5 photographs : gelatin silver prints ; black and white ; 5 ¾ x 3 ½ inches

Box 642 Folder 5 Chartres, 1957

44 photographs : gelatin silver prints ; black and white ; 5 ¾ x 3 ½ inches (Bulk) (Accompanied by notes and a postcard)

Box 642 Folder 6 Cluny, 1927

3 photographs : gelatin silver prints ; black and white ; 5 ½ x 3 ½ inches

Box 642 Folder 7 Codalet, 1927

5 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 642 Folder 8 Dijon, 1957

8 photographs : gelatin silver prints ; black and white ; 5 ¼ x 3 ½ inches

Box 642 Folder 9 Léon, 1927

4 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (3) and 5 ½ x 3 ½ inches (1)

Box 642 Folder 10 Le Puy, 1957

2 photographs : gelatin silver prints ; black and white ;6 7/8 x 4 ½ inches

Box 642 Folder 11 Le Thoronet, 1957

1 photograph : gelatin silver print ; black and white ;6 7/8 x 4 ½ inches

Box 642 Folder 12 Moissac and region, 1927

59 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (bulk) (Accompanied by hand drawn map of France)

Box 642 Folder 13 Moissac and region, 1957

17 photographs : gelatin silver prints ; black and white ; 5 ½ x 3 ½ inches

Box 642 Folder 14 Narbonne, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches

Box 642 Folder 15 Pommevic, 1927

6 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (4) and 5 ¾ x 3 ¾ inches (2)

Box 642 Folder 16 Moustiers-Sainte Marie, 1957

2 photographs : gelatin silver prints ; black and white ; 7 x 4 ½ inches

Box 642 Folder 17 Nevers, 1957

1 photograph : gelatin silver print ; black and white ; 7 x 4 ½ inches

Box 642 Folder 18 Nîmes, 1957

25 photographs : gelatin silver prints ; black and white ; 3 ½ x 5 ½ inches

France


Box 643 Folder 1 Poitiers, 1957

7 photographs : gelatin silver prints ; black and white ; 5 ½ x 3 ½ inches

Box 643 Folder 2 Prades, 1927

1 photograph : gelatin silver print ; black and white ; 2 ½ x 3 ½ inches

Box 643 Folder 3 Riez, 1957

9 photographs : gelatin silver prints ; black and white ; 4 ½ x 7 ½ inches

Box 643 Folder 4 Sens, 1957

20 photographs : gelatin silver prints ; black and white ; 5 ½ x 3 ½ inches

Box 643 Folder 5 Souillac, 1957

1 photograph : gelatin silver print ; black and white ; 4 ½ x 7 inches

Box 643 Folder 6 Toulouse, 1927

33 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (bulk)

Greece

Box 643 Folder 7 General, 1927

10 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 643 Folder 8 Athens, 1927

20 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 643 Folder 9 Corinth, 1927

2 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 643 Folder 10 Dhafní, 1927

10 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 643 Folder 11 Elevsís, 1927

14 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 643 Folder 12 Epídhavros, 1927

5 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 643 Folder 13 Olympia, 1927

8 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 643 Folder 14 Tírins, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches

Italy

Box 643 Folder 15 Assisi, 1927

6 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 643 Folder 16 Bari, 1927

6 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 643 Folder 17 Bologna, 1927

8 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 643 Folder 18 Civate, 1930

4 photographs : gelatin silver prints ; black and white ; 4 x 2 ½ inches

Box 643 Folder 19 Florence, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches

Italy


Box 644 Folder 1 Milan, 1927

7 photographs : gelatin silver prints ; black and white ; 4 x 2 ½ inches

Box 644 Folder 2 Naples, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches

Box 644 Folder 3 Orvieto, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches

Box 644 Folder 4 Ostia Antica, 1927

9 photographs : gelatin silver prints ; black and white ; 3 x 2 ½ inches

Box 644 Folder 5 Parma, 1927

3 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 644 Folder 6 Perugia, 1927

3 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 644 Folder 7 Pisa, 1927

3 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 644 Folder 8 Pompeii, 1927

12 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 644 Folder 9 Ravenna, 1927

11 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 644 Folder 10 Rome, 1927

38 photographs : gelatin silver prints ; black and white ; 3 1/2 x 2 ½ inches

Box 644 Folder 11 Siena, 1927

2 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 644 Folder 12 Turin, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches

Box 644 Folder 13 Verona, 1927

5 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Jordan

Box 644 Folder 14 Amman, 1927

77 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (bulk)

Box 644 Folder 15 As-Salt, 1927

3 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Lebanon


Box 645 Folder 1 Ba'labakk, 1927

15 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 645 Folder 2 Beirut, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches

Box 645 Folder 3 Ra's Ba'labakk, 1927

2 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Palestine

Box 645 Folder 4 Bethlehem, 1927

4 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 645 Folder 5 Jerusalem, 1927

82 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 645 Folder 6 Kefar Nahum

7 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Spain

Box 645 Folder 7 Burgos, 1927 [?], 1927

12 photographs : gelatin silver prints, black and white ; 5 x 6 ½ inches (bulk) (Photographs are assembled in a handmade card)

Box 645 Folder 8 Gerona, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches

Box 645 Folder 9 Huesca, 1927

19 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (bulk)

Box 645 Folder 10 Santo Domingo de Silos, 1927

5 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Syria

Box 645 Folder 11 Damascus, 1927

34 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Box 645 Folder 12 Salahiyeh, 1927

4 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches

Turkey

Box 645 Folder 13 to 14 Istanbul, 1927

105 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (bulk)

Box 645 Folder 15 Izmir, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches

Negatives


Box 646 Folder 1 General-- Unsorted, 1926-1927

261 photographs : gelatin silver negatives ; 3 ½ x 2 ½ inches

Box 646 Folder 2 General-- Unsorted, 1926-1927

250 photographs : gelatin silver negatives ; 3 ½ x 2 ½ inches


Box 672 Folder 1 General-- Unsorted, 1926-1927

250 photographs : gelatin silver negatives ; 3 ½ x 2 ½ inches

Box 672 Folder 2 General--Unsorted, 1926-1927

262 photographs : gelatin silver negatives ; 3 ½ x 2 ½ inches

Europe


Box 647 Folder 1 Architecture, circa, 1926-1947

3 gelatin silver negative strips

Box 647 Folder 2 Architecture and sculpture, Gothic, circa, 1926-1947

5 gelatin silver negative strips

France

Box 647 Folder 3 Aix-en-Provence, circa, 1926-1947

6 gelatin silver negative strips

Box 647 Folder 4 Albi, circa, 1926-1947

3 gelatin silver negative strips

Box 647 Folder 5 Beauvais, circa, 1926-1947

5 gelatin silver negative strips

Box 647 Folder 6 Chartres, circa, 1926-1947

8 gelatin silver negative strips

Box 647 Folder 7 Moissac and region, circa, 1926-1947

3 gelatin silver negative strips

Box 647 Folder 8 Nîmes, circa, 1926-1947

4 gelatin silver negative strips

Box 647 Folder 9 Périgny, 1947 April-June

13 gelatin silver negative strips

Box 647 Folder 10 Poitiers, circa, 1926-1947

1 gelatin silver negative strip

Box 647 Folder 11 Sens, circa, 1926-1947

3 gelatin silver negative strips

Subseries: I.6: Private Collection, 1961-1998

Files in Subseries: I.6 document the management and administration of Meyer and Lillian Milgram Schapiro's private art collection, including lists, notes, appraisals, condition reports, exhibition loan agreements, and gifts given to assorted art and cultural institutions.


Box 106 Folder 1 to 2 Works of art in private collection. -- Notes and lists, 1960s, (2 Folders)

Box 106 Folder 3 Loan forms, 1961-1999

Box 106 Folder 4 Inventory of furnishings at Rawsonville home -- Sketchbook, 1972-1988

Box 106 Folder 5 Inventory of works of art at Vermont home. -- Lists, 1994-1996

Box 106 Folder 6 Gifts relating to correspondence -- Lists and notes, 1994

Box 106 Folder 7 Gifts to assorted institutions. -- Correspondence, 1963-1967

Box 106 Folder 8 Gifts to the Museum of Modern Art (New York, N.Y.) -- Correspondence and receipts,, 1968-1983

Box 106 Folder 9 Gifts to the Rudolf Wittkower Fellowship Fund -- Correspondence, catalogs, and receipts,, 1973

Box 106 Folder 10 Gifts to the New York Studio School of Drawing, Painting and Sculpture -- Correspondence and clippings,, 1973-1979

Box 106 Folder 11 Gifs to the Metropolitan Museum of Art (New York, N.Y.) -- Correspondence, appraisals, and forms,, 1976-1998


Box 654 Folder 1 Gifts to Columbia University, Avery Library-- Lists, notes, and correspondence,, 1980s

Box 654 Folder 2 Gifts to Columbia University, Rare Book & Manuscript Library-- Correspondence, appraisals, and lists,, 1979-2002

Box 654 Folder 3 Gifts to the Jewish Museum (New York, N.Y.) -- Correspondence, lists, and receipts,, 1979-1996

Box 654 Folder 4 Bequests -- Lists and notes, 1980s-1990s

Box 654 Folder 5 Gifts to Columbia University -- Articles, 1981-1989

Box 654 Folder 6 Gifts to the Archives of American Art -- Correspondence, 1984

(Accompanied by photocopies of Forest Clemenger Bess letters)

Subseries: I.7: School Records, 1919-1929

Material in subseries I.7 includes Schapiro's earliest records in the collection, a 1919 student newsletter he edited for the Latin club at Boys High school Brooklyn. The bulk of this subseries, however, is focused on Schapiro's college days at Columbia University. This includes his student notes of college courses, notes and typescripts for his 1926 master's thesis ("The sculptures of Moissac"), and, finally, material focused on his doctoral dissertation which was completed in 1929 ("The Romanesque sculpture of Moissac"). Schapiro was one of the three first recipients to be awarded a masters degree in fine arts at Columbia University and his doctoral dissertation was the first in fine arts and archeology at the university. For further materials relating to Schapiro's doctoral dissertation, also consult Series V: Research files, Subseries: V.5 under the subject term Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France).


Box 107 Folder 1 "Forum latinum : Boys High school Brooklyn" -- Student newsletter, 1919 December 24

(Schapiro served as editor)

Box 107 Folder 2 Fine Arts 182: Spanish Art, Professor Professor Ernest T. DeWald -- Lecture Notes, Spring, 1925

Box 107 Folder 3 Lecture notes from university classes attended-- 1 notebook, 1924-1926

(Includes notes from the following classes followed by instructor: Medieval Art, Ernest T. DeWald ; Medieval Architecture, Alfred Dwight Foster Hamlin ; Renaissance Architecture, William Bell Dinsmoor, Sr. ; and Roman and Early Christian Art, Steuben Butler Murray, Jr.)

Box 107 Folder 4 Course notes -- Holograph papers, 1924-1926

Box 107 Folder 5 Reproduction requests, 1924-1926

Box 107 Folder 6 Notes from Paul Pelliot lecture at the Metropolitan Museum of Art, 1928 November 10

Box 107 Folder 7 Examinations, 1928

(Examinations from university classes relating to art and architecture)

Box 107 Folder 8 Library cards, 1930-1931

Box 107 Folder 9 Class of 1924 Columbia College 40th anniversary reunion -- Pamphlet, 1964, 1924, 1964

Box 107 Folder 10 Class of 1924 Columbia College: 65th reunion -- Directory, 1989, 1924, 1989

"The sculptures of Moissac" -- Masters thesis


Box 655 Folder 1 Annotated typescript, 1926 March

Box 655 Folder 2 Research notes, 1926

Box 655 Folder 3 Research file, 1926

"The sculptures of Moissac" -- Masters thesis


Box 639 Folder 1 Reproductions -- Moissac, 1926

133 photographs : gelatin silver prints ; black and white ; 5 x 7 inches (bulk)

Box 639 Folder 2 Reproductions -- Moissac, 1926

158 photographs : gelatin silver prints; black and white ; 5 x 7 inches (bulk)

"The sculptures of Moissac" -- Masters thesis


Box 640 Folder 1 Reproductions -- Toulouse, 1926

120 photographs : gelatin silver prints ; black and white ; 5 x 7 inches (bulk)

"The Romanesque sculpture of Moissac" -- Doctoral Dissertation


Box 108 Folder 1 Annotated typescript, 1929

(Part I of dissertation. Accompanied by editorial notes from 1986)

Box 108 Folder 2 Annotated typescript, 1929

(Part II and chronology of dissertation. Accompanied by editorial notes from 1986)

Box 108 Folder 3 Drafts and notes, 1929

(Includes pages 43-122 relating to capitals)

Box 108 Folder 4 Drafts and notes, 1929

(Carbon copy of pages 62-71)

Box 108 Folder 5 Drafts and notes, 1929

(Excerpts from Part I, pages 125-177, relating to tympanum)

Box 108 Folder 6 Drafts and notes, 1929

(Pages 172-202)

Box 108 Folder 7 Drafts and notes, 1929

(Pages 192-193, 203-221)

Box 108 Folder 8 Drafts and notes, 1929

(Pages257-271)

Box 108 Folder 9 Drafts and notes, 1929

(Pages 322-376)

Box 108 Folder 10 to 11 Drafts and notes, 1929, (2 Folders)

Box 108 Folder 12 Correspondence, 1935 December 20

Subseries: I.8: Travel notebooks, 1926-1990s

In 1926, Schapiro received a grant from the Carnegie Corporation to research his doctoral dissertation on Romanesque sculpture. That trip, which lasted 15 months, provided Schapiro with first hand visual experience with architectural works he had only known through reproductions and texts. This subseries includes his complete travel notebooks and is organized by country and/or city.

Since these travel notebooks were compiled by Schapiro by region traveled, they are occasionally not individual, discrete notebooks and are therefore described by leave count and dimensions. In the event where an actual notebook is intact, it will be described as such. Consult Series V: Research files, Subseries: V.5: Research notes under the appropriate subject heading for other drawings and notes created during Schapiro's travels. Also consult Subseries: I.5: Photographs, Sub-Subseries: I.5.2: Travel photographs for photographs taken during his 1926 trip and that complement the notebooks in this subseries.

The 2007 publicationMeyer Schapiro abroad: letters to Lillian and travel notebooksreproduced several sheets of Schapiro's travel notebooks from the years 1926 through 1927. Items in that publication reproduced material in this subseries and also items from Series V: Research files, Subseries: V.5: Research notes, especially for notes relating to illuminated manuscripts.

In the 1980s and 1990s, several leaves were detached and placed on mats, these are also arranged by country and/or city.

This subseries is arranged as follows: Sub-Subseries I.8.1: Notebooks, 1926-1974, Sub-Subseries I.8.2: Detached leaves and tourist maps, 1927-1947.

Sub-Subseries I.8.1: Notebooks, 1926-1974


Box 634 Folder 1 Toulouse (France) and region, 1926-1927

165 leaves, 8 x 5 ½ inches (bulk) (Includes material from 1930-1931 and material relating to the Saint Pierre Abbey in Moissac, France)

Box 634 Folder 2 Poitiers (France), 1926 November and Dijon (France), 1927 January 22-29, 1926 November, 1927 January 22-29

17 leaves, 7 ½ x 5 ½ inches (bulk)(Includes material from the following locations: Dijon ; Beaune ; Lyons ; Vienne ; Orange ; Avignon ; Arles ; and Genova)

Box 634 Folder 3 Moissac (France) and Toulouse (France), 1926-1931

150 card files, 4 x 6 inches ; 40 leaves, 7 ½ x 5 ½ inches (bulk)(An inscription indicates that the small pages (index cards) date from 1931 and the large pages (leaves) date from 1926)

Box 634 Folder 4 France, Southwest, 1926

60 leaves, 8 x 5 ¼ inches (bulk)

Box 634 Folder 5 France, Romanesque architecture and sculpture, 1926-1931

47 leaves, 8 x 5 inches (bulk) (Includes material from Italy, Belgium, and England)

Box 634 Folder 6 Greece, Paris (France), Ghent (Belgium), and Berlin (Germany), 1926-1931

36 leaves, 7 x 5 inches (bulk)


Box 635 Folder 1 France, Southern, 1926

41 leaves, 7 ¾ x 5 inches (bulk) (Notes are chiefly relating to architectural illustrations attached to an A.K. (Arthur Kingsley) Porter publication. Notes also contain a draft letter to Jules Momméja)

Box 635 Folder 2 Normandy (France): Amiens, Caen, and Bayeux, 1926

1 notebook, 8 ¼ x 5 1/8 inches (Includes notes reflections on A.K (Arthur Kingsley) Porter )

Box 635 Folder 3 Moissac (France), 1926-1930

202 leaves, 8 3/16 x 5 ½ inches (bulk) (Schapiro referred to this notebook as "Moissac and Comparisons." For individual leaves placed in mats, refer to Box)

Box 635 Folder 4 Catalonia (Spain), 1927

39 leaves, 7 5/8 x 4 7/8 inches (bulk)

Box 635 Folder 5 Santiago de Compostela (Spain), Toledo (Spain), Madrid (Spain), and Burgos (Spain),, 1927 August

1 notebook, 8 x 5 ¾ inches ; 64 leaves, 7 ½ x 5 inches (bulk)

Box 635 Folder 6 Aragon (Spain), Navarra (Spain), Segovia (Spain), Ávila (Spain), Castile (Spain), and Galicia (Spain),, 1927

71 leaves, 7 ½ x 5 7/8 inches (bulk)


Box 636 Folder 1 Rome (Italy) and Bari (Italy), 1927 May

2 notebooks, 7 ½ x 4 inches

Box 636 Folder 2 Florence (Italy) and Ravenna (Italy), circa, 1927

1 notebook, 7 ½ x 5 3/8 inches

Box 636 Folder 3 Venice (Italy), Verona (Italy), Bologna (Italy), Padua (Italy), Ravenna (Italy), Milan (Italy),, 1927

1 notebook, 7 ½ x 5 ¼ inches

Box 636 Folder 4 Vienna (Austria), 1927

1 notebook, 6 3/8 x 3 7/8 (inches)

Box 636 Folder 5 Greece and Egypt, 1926-1927

19 leaves, 7 x 5 ¼ (bulk)(Accompanied by correspondence)

Box 636 Folder 6 Damascus (Syria), Ba'labakk (Lebanon), and Beirut (Lebanon), 1927 -, 1927

35 leaves, 5 ½ x 4 ¼ inches (bulk)

Box 636 Folder 7 Egypt, Jordan, Lebanon, Palestine, Syria, and Turkey, 1927

100 leaves, 7 ½ x 4 7/8 inches (bulk)


Box 637 Folder 1 Bibliothèque nationale de France, 1931

1 notebook, 8 ¼ x 5 1/8 inches

Box 637 Folder 2 France, 1926

318 leaves, 7 5/8 x 5 inches (bulk); board covers: 8 ¾ x 5 ¼ x 1 ¾ (Leaves are housed in a book stripped of pages)

Box 637 Folder 3 England, 1957 ; France, 1957 ; Brasília (Brazil), 1960s ; Japan, 1966-1967 ; Holland, 1957 ; Israel, 1961 ; Paris (France), 1974 May, 1957, 1957, 1960s, 1966-1967, 1957, 1961, 1974 May

1 notebook, 5 ¾ x 4 inches ; 185 leaves, 5 x 4 inches (bulk)

Box 637 Folder 4 Europe, 1954

1 notebook, 6 x 4 inches

Box 637 Folder 4 Istanbul (Turkey), Greece, Italy, Switzerland, and France, 1961

1 notebook, 5 ¼ x 3 ½ inches

Box 637 Folder 4 Jerusalem (Israel) and Paris (France), 1974

1 notebook, 4 ½ x 2 7/8 inches

Box 637 Folder 5 Administrative records, 1980s-1990s

Sub-Subseries I.8.2: Detached leaves and tourist maps, 1927-1947


Box 638 Folder 1 France, 1927

20 leaves, 7 ½ x 5 ¼ inches (bulk)

Box 638 Folder 2 Bibliothèque nationale de France, circa, 1927

12 leaves, 8 ¼ x 5 5/16 inches (bulk)

Box 638 Folder 3 Cahors (France), 1927

6 leaves, 8 ¼ x 5 ¼ inches (bulk)

Box 638 Folder 4 Autun (France) and Charleville (France), 1926-1927

7 leaves, 7 5/8 x 4 7/8 inches (bulk)

Box 638 Folder 5 Europe, 1926 -1957, 1926

23 leaves, variable dimensions (Chiefly landscapes and church interiors)

Box 638 Folder 6 Lescure-d'Albigeois (France), 1927

7 leaves, 7 5/8 x 5 7/16 inches (bulk)

Box 638 Folder 7 Le Mans (France), 1927

1 leaf, 7 ¾ x 5 inches

Box 638 Folder 8 Lyon (France), 1927

1 leaf, 7 5/8 x 4 7/8 inches

Box 638 Folder 9 to 10 Moissac (France), 1927

leaves, 8 ¼ x 5 ¼ inches (leaf); 11 ½ x 9 inches (mat)(In 1985 Iinvidual leaves from the travel notebook in Box 635, enclosure 3 were placed in mats for the Columbia University exhibition "Romanesque sculpture of Moissac." See Box 104, Folder 3 for materials relating to this exhibition. Material relates chiefly to Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France), see below for further detached leaves on this structure)

Box 638 Folder 11 Nantes (France), 1927

2 leaves, 7 ¾ x 5 inches

Box 638 Folder 12 Palestine, 1926

1 sheet, 8 1/8 x 5 ¼ inches (Accompanied by a note from 1980)

Box 638 Folder 13 Pommevic (France), 1927

7 leaves, 8 ¼ x 5 ¼ inches (bulk)

Box 638 Folder 14 Rodez (France), 1927

2 leaves, 7 5/8 x 4 7/8 inches

Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France)

Box 638 Folder 15 General, 1927

11 leaves, 8 ¼ x 6 inches (bulk)

Box 638 Folder 16 Tower, narthex, and porch, 1927

39 leaves, 8 ¼ x 6 inches (bulk)

Box 638 Folder 17 East gallery capitals, 1927

26 leaves, 8 ¼ x 6 inches (bulk)

Box 638 Folder 18 West gallery capitals, 1927

12 leaves, 8 ¼ x 6 inches (bulk)

Box 638 Folder 19 North and south gallery capitals, 1927

17 leaves, 8 ¼ x 6 inches (bulk)

Box 638 Folder 20 Pier reliefs, 1927

14 leaves, 8 ¼ x 6 inches (bulk)

Box 638 Folder 21 Porch, 1927

9 leaves, 8 ¼ x 6 3/8 inches (bulk)

Box 638 Folder 22 Trumeaux, 1927

leaves, 8 ¼ x 5 ¼ inches (bulk)

Box 638 Folder 23 Santiago de Compostela (Spain), 1927

34 leaves, 7 5/8 x 5 inches (bulk)

Box 638 Folder 24 Spain, 1927

32 leaves, 7 5/8 x 5 inches (bulk)

Box 638 Folder 25 Tourist maps, 1927-1947

Series II : Correspondence, 1920s-2001

Schapiro was a central figure in many important circles that range from art history, philosophy, architecture, sociology, science, and pedagogy. His reach is evident with those he kept in correspondence with throughout his life. Series II contains a substantial list of figures that are famous or well known in their field and illustrates how active Schapiro was in his professional and personal life.

Schapiro did not differentiate his correspondence files between the personal and the professional. While he maintained and organized correspondence alphabetically by an individual's last name, he did not organize to the individual level. For example, files designated as "B" included material in several folders that span seven decades. Each folder housed a variety of individuals with a last name beginning with "B" or an institutional name that began with that letter.

To clarify and bring entities and constituents to the foreground, all correspondence was systematically organized by individual or institution if they were either noteworthy or if they maintained a high volume of correspondence with Schapiro. For individuals and institutions not listed by name, consult the "general" correspondence files alphabetically.

For Schapiro, materials in his correspondence files also served as subject files for individuals. Schapiro would collect clippings, articles, and other printed material relating to specific individual and file them with correspondence. These items have remained intact and kept as Schapiro filed them with the individual's last name in designated folders.

Individuals working for specific entities such as universities, museums, and other institutions were also filed alphabetically according to either their last name or by their affiliation depending on Schapiro's choosing. If an individual is not listed in this series by last name, also consult institutions by name.

Correspondence that post-dates Schapiro's death were generated by his wife Lillian Milgram Schapiro and maintained in this series.

Correspondence found in other series of this collection was retained in their original files to preserve the context of the records they are associated with. When present, "correspondence" is indicated as a represented record type at the file level to facilitate their retrieval.

A


Box 109 Folder 1 to 9 A--General, 1927-2000, (9 Folders)

Box 109 Folder 10 Aaron, Daniel, 1950

Box 109 Folder 11 Aarsleff, Hans, 1971-1987

Box 109 Folder 12 Abel, Lionel, 1936-1994

Box 109 Folder 13 Abel, Sherry, 1936-1966

Box 109 Folder 14 Abelson, Raziel, 1946-1973

Box 109 Folder 15 Abt, Lawrence Edwin, 1962-1974

Box 109 Folder 16 Ackerman, James S., 1966-1995

Box 109 Folder 17 Adler, Mortimer Jerome, 1938

Box 109 Folder 18 Adler, Stella, 1940s-1988

Box 109 Folder 19 Adorno, Gretel, 1939

Box 109 Folder 20 Adorno, Theodor W., 1938-1969

Box 109 Folder 21 Aiken, Henry, 1952

Box 109 Folder 22 Albano, Joseph F., 1938-1946


Box 110 Folder 1 Albers, Anni, 1956

Box 110 Folder 2 Albers, Josef, 1941-1944

Box 110 Folder 3 Albright-Knox Art Gallery, 1936-1983

Box 110 Folder 4 Aldrich, Virgil, 1948-1983

Box 110 Folder 6 Allais, Maurice, 1947-1948

Box 110 Folder 7 Alexander, J.J.G. (Jonathan James Graham), 1969-1998

Box 110 Folder 8 Alexander, Sidney, 1975-1979

Box 110 Folder 9 Alfred A. Knopf, Inc., 1953-1961

Box 110 Folder 10 Al-Hamdani, Betty, 1950s

Box 110 Folder 11 Alsop, Joseph, 1973-1983

Box 110 Folder 12 Alverny, Marie-Thérèse d', 1952-1998

Box 110 Folder 13 Amat, Frédéric, 1982-1984

Box 110 Folder 14 Ameisenowa, Zofia, 1950

Box 110 Folder 15 American Academy and Institute of Arts and Letters, 1980-1996

Box 110 Folder 16 American Academy of Arts and Sciences, 1969-1986

Box 110 Folder 17 American Artists' Congress, 1936-1974

(File includes correspondence with other members of the Congress. Accompanied by typescripts of articles and manifestos created by the Congress,)

Box 110 Folder 18 American Committee for Cultural Freedom, 1952-1955

Box 110 Folder 19 American Council of Learned Societies, 1966-1983

Box 110 Folder 20 American Journal of Semiotics, 1981-1983

Box 110 Folder 21 American Memorial to Six Million Jews of Europe, Inc., 1948-1966

Box 110 Folder 22 American Philosophical Society, 1969-1990

Box 110 Folder 23 Ames, Van Meter, 1944-1965

Box 110 Folder 24 Ames, Winslow, 1936-1974


Box 111 Folder 1 Amherst College, 1984

Box 111 Folder 2 Analytical Psychology Club of New York, 1943

Box 111 Folder 3 Andersen, Wayne V., 1964-1973

Box 111 Folder 4 Anshen, Ruth Nanda, 1941-1980

Box 111 Folder 5 Anson, M.L. (Mortimer Louis), 1936-1941

Box 111 Folder 6 Antoniou, Sylvia, 1990

Box 111 Folder 7 Aperture, Inc., 1965

(Accompanied by Schapiro's typescript on Edward Weston for a potential publication)

Box 111 Folder 8 Archives of American Art, 1978-1988

Box 111 Folder 9 Armi, C. Edson, 1976-1985

Box 111 Folder 10 Aronson, Jan, 1981-1994

Box 111 Folder 11 Arnheim, Rudolf, 1940-1966

Box 111 Folder 12 Art Bulletin, 1934-1959

Box 111 Folder 13 Art Institute of Chicago, 1951-1959

Box 111 Folder 14 Art News, 1952-1987

Box 111 Folder 15 Art Students League (New York, N.Y.), 1935-1947

Box 111 Folder 16 Artists' Union, 1936-1941

Box 111 Folder 17 Arvin, Newton, 1948

Box 111 Folder 18 Ascoli, Max, 1934-1975

Box 111 Folder 19 Asekoff, Louis, 1982-1987

Box 111 Folder 20 Ashton, Dore, 1960s-1982

Box 111 Folder 21 Askonas, Charles, 1938-1950

Box 111 Folder 22 Aspen Institute for Humanistic Studies, 1974-1979

Box 111 Folder 23 Atlas, James, 1974-1991

Box 111 Folder 24 Aubert, Marcel, 1936-1941

Box 111 Folder 25 Aubery, Pierre, 1954-1965

Box 111 Folder 26 Auden, W.H. (Wystan Hugh), 1957

Box 111 Folder 27 Auerbach, Erich, 1953

Box 111 Folder 28 Austerlitz, Robert, 1977-1982

Box 111 Folder 29 Ayer, A.J. (Alfred Jules), 1956-1989

B


Box 112 Folder 1 to 11 B--General, 1927-1985, (11 Folders)


Box 113 Folder 1 to 2 B--General, 1986-2002, (2 Folders)

Box 113 Folder 3 Baldwin, Charles Sears, 1931

Box 113 Folder 4 Balet, Leo, 1936-1942

Box 113 Folder 5 Barasch, Moshe, 1961-1983

Box 113 Folder 6 Barnes Foundation, 1932-1988

(Includes correspondence from Alfred Barnes)

Box 113 Folder 7 Barnouw, Erik, 1943

Box 113 Folder 8 Barr, Alfred, 1934-1982

Box 113 Folder 9 Barry, Iris, 1939

Box 113 Folder 10 Barthes, Roland, 1971

Box 113 Folder 11 Barzun, Jacques, 1936

Box 113 Folder 12 Beckmann, Max, 1938

(Correspondence is a typescript of Beckmann's letter to Curt Valentin regarding his art work. In German)

Box 113 Folder 13 Bellow, Saul, 1952-1990

Box 113 Folder 14 Ben-Yehuda, Yehuda, 1964

Box 113 Folder 15 Ben-Zion, 1938-1987

Box 113 Folder 16 Berenson, Bernard, 1929-1953

(Accompanied by photocopies of Berenson's diary pages and letters that reference Schapiro)

Box 113 Folder 17 Berger, Klaus, 1942-1945

Box 113 Folder 18 Bergman, Robert and Laurie, 1981-1998


Box 114 Folder 1 Berlin, Isaiah, 1941-1989

Box 114 Folder 2 Berman, Levi, 1945-1985

Box 114 Folder 3 Bernheimer, Richard, 1934-1950

Box 114 Folder 4 Bessaignet, Pierre, 1946-1948

Box 114 Folder 5 Bessie, Alvah, 1933-1935

Box 114 Folder 6 Bettelheim, Bruno, 1940-1950

Box 114 Folder 7 Bialostocki, Jan, 1955-1983

Box 114 Folder 8 Bider, Djemma, 1977-1986

Box 114 Folder 9 Bing, Gertrud, 1941-1959

Box 114 Folder 10 Birthday cards and letters, 1994

(Correspondence is in honor of Schapiro's 90th birthday)

Box 114 Folder 11 Blanchard, Carol, 1970-1982

Box 114 Folder 12 Bloch, Ernst, 1939-1948

Box 114 Folder 13 Bloch, Suzanne, 1970-1991

Box 114 Folder 14 Boas, Belle, 1935-1937

Box 114 Folder 15 Boas, George, 1938-1967

Box 114 Folder 16 Bober, Harry, 1955-1974

Box 114 Folder 17 Boeckler, Albert, 1936

Box 114 Folder 18 Boime, Albert, 1964-1995

Box 114 Folder 19 Bois, Yve-Alain, 1976-1991

Box 114 Folder 20 Bonne, Jean-Claude, 1979-1981

Box 114 Folder 21 Borghi, Lamberto, 1940-1958

Box 114 Folder 22 Born, Wolfgang, 1942-1948

Box 114 Folder 23 Bouchard, Thomas, 1958-1991

Box 114 Folder 24 Bourgeois, Louise, 1960s-1980s


Box 115 Folder 1 Bovie, Palmer, 1957-1999

Box 115 Folder 2 Brandeis University, 1951-1986

Box 115 Folder 3 Braude, William G. (William Gordon), 1968-1980

Box 115 Folder 4 Breines, Simon, 1933-1937

Box 115 Folder 5 Brendel, Otto, 1939

Box 115 Folder 6 Brenson, Theodore, 1941-1949

Box 115 Folder 7 Breton, André, 1957

Box 115 Folder 8 British Broadcasting Company, 1954-1995

Box 115 Folder 9 Broch, Hermann, 1941

Box 115 Folder 10 to 11 Brodie, Jocelyn, 1953-2003, (2 Folders)

Box 115 Folder 12 Bronowski, Jacob, 1967

Box 115 Folder 13 Bronstein, Léo, 1934-1990


Box 116 Folder 1 Brooklyn Institute of Arts and Sciences, 1934-1938

Box 116 Folder 2 to 5 Brower, Carol, 1976-1990, (4 Folders)

Box 116 Folder 6 Brown, Milton, 1934-1939

Box 116 Folder 7 Broyard, Anatole, 1946-1949

Box 116 Folder 8 Brussel, Cabell, 1952-1990

Box 116 Folder 9 Bry, Doris, 1975-1982

Box 116 Folder 10 Brynes, Oscar, 1930s

Box 116 Folder 11 Buchman, Carl, 1931-1941

Box 116 Folder 12 Buchthal, Hugo, 1944-1964

Box 116 Folder 13 Buck, Robert T., 1990s


Box 687 Buckley, William Frank, Jr., 1925- To Meyer Schapiro, Switzerland, 1967 February 24, 1 page t.l.s. Signed by Secretary; with copy of related letters

Cataloged.


Box 116 Folder 14 Buckman, Eduard, 1954-1955

Box 116 Folder 15 Bui, Phong, 1989-2001

Box 116 Folder 16 Bunim, Miriam Schild, 1939-1987

Box 116 Folder 17 Bunnell, Peter C., 1987

Box 116 Folder 18 Bunzel, Joseph H., 1940-1944

Box 116 Folder 19 Burck, Jacob, 1933-1982

Box 116 Folder 20 Byron, Robert, 1935

C


Box 117 Folder 1 to 11 C--General, 1927-2000, (11 Folders)


Box 118 Folder 1 Caglioti, Victor, 1968

Box 118 Folder 2 Cairns, Dorian, 1931-1942

Box 118 Folder 3 Calas, Nicolas, 1944-1961

Box 118 Folder 4 Caplan, Harry, 1934-1977

Box 118 Folder 5 Cargill, Oscar, 1937

Box 118 Folder 6 Carlton, Carl and Florence, 1975-1994

Box 118 Folder 7 Carmichael, Carr and Joel, 1948-1949

Box 118 Folder 8 Carré, Louis, 1935-1975

Box 118 Folder 9 Cartier-Bresson, Henri, circa, 1960s

Box 118 Folder 10 Centre Georges Pompidou, 1979-2005

Box 118 Folder 11 Chagall, Ida, 1954-1984

Box 118 Folder 12 Chagall, Marc, 1942-1976


Box 687 Chambers, Whittaker, 1901-1961 To Meyer Schapiro, [v.p.], 1924-1953, 44 a.l.s., 1 a.l., 9 t.l.s., 18 t.l., 2 a.p.c.s., 1 p.l. Reading copies.

Cataloged.

Box 687 Chambers, Whittaker To the Politburo of the Communist Party USA, [n.p.], early 1937, 1 ms.l. Reading Copies; "Dictated by WC," in the hand of Meyer Schapiro(?); 2 photocopies and 1 typewritten transcript.

Cataloged.


Box 118 Folder 13 Charlet, Blanche, 1948-1978

Box 118 Folder 14 Chastel, André, 1947-1983

Box 118 Folder 15 Chenet, Jean, 1948-1950

Box 118 Folder 16 Chermayeff, Serge, 1947-1948

Box 118 Folder 17 Chernowitz, Maurice, 1942-1945

Box 118 Folder 18 Chiang, Yee, 1956-1973

Box 118 Folder 19 Chiaromonte, Nicola and Miriam, 1942-1979


Box 688 Chiaromonte, Nicola To Meyer Schapiro, [New York?], 1944 summer, 1944 August 2, 1 a.l.s., 1 t.l.s.

Cataloged.


Box 119 Folder 1 Chipp, Herschel B. (Herschel Browning), 1950-1987

Box 119 Folder 2 Chirik, Marck, 1947

Box 119 Folder 3 Chomsky, Noam, 1963-1965

Box 119 Folder 4 Choron, Rose, 1966-1988

Box 119 Folder 5 Chudnovsky, David and Gregory, 1982-1983

Box 119 Folder 6 Covell, Jon Etta Hastings Carter, 1934-1937

Box 119 Folder 7 Cecchi, Emilio, 1934-1940

Box 119 Folder 8 Clement, Travers, 1954-1955

Box 119 Folder 9 Cohen, Bernard I., 1945-1956

Box 119 Folder 10 Coldstream, William, 1957-1961

Box 119 Folder 11 College Art Association of America, 1936-1944

Box 119 Folder 12 to 15 Columbia University, 1934-1994, (4 Folders)


Box 120 Folder 1 Conant, Kenneth J., 1930-1967

Box 120 Folder 2 Condon, Rudolph, 1957-1961

(File includes drawings)

Box 120 Folder 3 Copley, Alfred, 1971-1975

Box 120 Folder 4 Cook, Walter W.S., 1934-1954

Box 120 Folder 5 Coolidge, John, 1951-1954

Box 120 Folder 6 Coomaraswamy, Ananda Kentish, 1932-1946

Box 120 Folder 7 Cooper, Douglas, 1939-1954

Box 120 Folder 8 Cooper Union Museum for the Arts of Decoration, 1963

(Accompanied by clippings and bound portfolio of correspondence compiled by the Committee to Save the Cooper Union Museum)


Box 688 Corman, Cid To Meyer Schapiro, Kyoto, 1983 July 25, 2 t.l.s.

Cataloged.


Box 120 Folder 9 Cosmos, 1976-1979

Box 120 Folder 10 Council, Jim, 1962-1969

Box 120 Folder 11 Cournand, André, 1938-1956

Box 120 Folder 12 Courthion, Pierre, 1965-1974

Box 120 Folder 13 Craven, David, 1978-2001

Box 120 Folder 14 Creative Film Foundation, 1955-1959

(Chiefly from the executive secretary of the foundation and filmmaker Maya Deren)

Box 120 Folder 15 Crow, Thomas, 2002-2003

Box 120 Folder 16 Cruz, Emilio, 1963-1990

D


Box 121 Folder 1 to 8 D--General, 1927-2001, (8 Folders)

Box 121 Folder 9 Dalí, Salvador, 1935

Box 121 Folder 10 Dalma, Juan, 1956-1976

Box 121 Folder 11 to 12 Damisch, Hubert, 1970-2004, (2 Folders)

Box 121 Folder 13 Danto, Arthur, 1961

Box 121 Folder 14 Datz, A. Mark, 1965

Box 121 Folder 15 Davis, Stuart, 1935-1990

Box 121 Folder 16 Davenport, William W., 1974-1996


Box 122 Folder 1 Davezac, Bertrand, 1957-1979

Box 122 Folder 2 D'Harnoncourt, Rene, 1952

Box 122 Folder 3 Decter, Moshe, 1963-1975

Box 122 Folder 4 De Kooning, Elaine, 1950s-1963

Box 122 Folder 5 De Ménil, Dominique and John, 1950-1989

Box 122 Folder 6 De Niro, Robert, 1948-1970

Box 122 Folder 7 De Santillana, Giorgio, 1936-1948

Box 122 Folder 8 De Tolnay, Charles, 1939-1965

Box 122 Folder 9 Diamond, Sigmund, 1977-1990

Box 122 Folder 10 Didisheim, Frank and Helena, 1966-1989

Box 122 Folder 11 to 12 Dissent (New York), 1952-1995, (2 Folders)

(Includes correspondence with Irving Howe and Stanley Plastrik and material relating to a 1963 exhibition organized by Schapiro for the magazine)

Box 122 Folder 13 Doron, Daniel, 1961-979

Box 122 Folder 14 Dorsky, Morris, 1941-1956

Box 122 Folder 15 Dupee, F.W. (Frederick Wilcox), 1937-1977

Box 122 Folder 16 Dunayevskaya, Raya, 1946-1959

Box 122 Folder 17 Durus, Alfred, 1936

Box 122 Folder 18 Duthuit, Georges, 1940-1960

E


Box 123 Folder 1 to 4 E--General, 1934-2001, (4 Folders)

Box 123 Folder 5 Eco, Umberto, 1973-1974

Box 123 Folder 6 Ede, H.S. (Herold Stanley), 1939-1940

Box 123 Folder 7 Edman, Irwin, 1929-1944

Box 123 Folder 8 Egbert, Donald Drew, 1946-1962

Box 123 Folder 9 Ehrenstein, Albert, 1941

Box 123 Folder 10 Ehrenzweig, Anton, 1954-1958

Box 123 Folder 11 Eissler, K.R. (Kurt Robert), 1947-1983

Box 123 Folder 12 Elkana, Yehuda, 1978-1980

Box 123 Folder 13 Elkin, Henry, 1947-1966

Box 123 Folder 14 Elsen, Albert, 1952-1995

Box 123 Folder 15 Erffa, Helmut von, 1945-1950

Box 123 Folder 16 Eriksen, Svend, 1953

Box 123 Folder 17 Erskine, Peggy, 1947-1953


Box 124 Folder 1 to 2 Esterman, Benjamin, 1968-1980, (2 Folders)

Box 124 Folder 3 Esterman, Daniel, 2000-2003

Box 124 Folder 4 Ettinghausen, Richard, 1941-1980

Box 124 Folder 5 Evans, Ernestine, 1936-1947

Box 124 Folder 6 Evans, Joan, 1939-1945

F


Box 125 Folder 1 to 6 F--General, 1927-2000, (6 Folders)

Box 125 Folder 7 Fadiman, Clifton, 1923-1996

Box 125 Folder 8 Faison, S. Lane (Samson Lane), 1933-1958

Box 125 Folder 9 Fan mail, 1960s-1990s


Box 688 Farrell, Hortense Alden (Mrs. James T.) To Meyer Schapiro, v.p., 1938-1944, 5 t.l.s.

Cataloged.

Box 688 Farrell, Hortense Alden (Mrs. James T.) To Mr. and Mrs. Meyer and Lillian Milgram Schapiro, Rheims & Chartres, 1938 July 1-8, 2 a.p.c.s. Signed by "Hortense and Jim."; 2 a.p.c.s.

Cataloged.

Box 688 Farrell, James T. To Meyer Schapiro, [v.p.], 1937 December 11-1944 May 29, 389 t.l.s., 69 t.l., 3 a.p.c.s., 25 a.l.s., 1 t.pc.

Cataloged.


Box 689 Farrell, James T. To Meyer Schapiro, [v.p.], 1944 June 2- 1974 August 24, 257 t.l.s., 24 t.l., 2 a.p.c.s., 174 a.l.s.

Cataloged.


Box 690 Farrell, James T. To Meyer Schapiro, [v.p.], 1976 February 5-1979 June 1, 86 t.l.s., 3 t.l., 3 t.p.c.s., 6 a.l.s.

Cataloged.


Box 125 Folder 10 Farrell, James T. (James Thomas), 1978


Box 691 Farrell, James T. Miscellaneous correspondence

Box 691 Farrell, James T. Miscellaneous letters about


Box 126 Folder 1 Feldman, Morton, 1970

Box 126 Folder 2 to 4 Fessenden, Anne, 1962-2000, (3 Folders)


Box 127 Folder 1 Finch, Henry, 1951-1952

Box 127 Folder 2 Finkelstein, Louis, 1937-1979

Box 127 Folder 3 Focillon, Henri and Marguerite, 1934-1945

Box 127 Folder 4 Fondazione Schlesinger, 1980

Box 127 Folder 5 Ford, Charles Henri, 1938-1995

Box 127 Folder 6 Förster, Max, 1934-1936

Box 127 Folder 7 Francastel, Pierre, 1953-1961

Box 127 Folder 8 Frank, Mary, 1966-1980s

Box 127 Folder 9 Frank, Robert, 1954-1958

Box 127 Folder 10 Frankenberg, Loren and Lloyd, 1958-1971

Box 127 Folder 11 Frankenthaler, Helen, 1977

Box 127 Folder 12 Frankfort, Henri, 1944-1954

Box 127 Folder 13 Frankl, Paul, 1938-1960

Box 127 Folder 14 French, John, 1955

Box 127 Folder 15 Frick, Helen, 1951

Box 127 Folder 16 Friedlander, Walter, 1938-1943

Box 127 Folder 17 Friends of the James T. Farrell Collection, 1979-1986

Box 127 Folder 18 Friess, Horace, 1945-1953

Box 127 Folder 19 Fröbe-Kapteyn, Olga, 1930s-1955

Box 127 Folder 20 Fromm, Erich, 1953-1963

Box 127 Folder 21 Fry, Varian, 1941-1965

Box 127 Folder 22 Fryde, E.B., 1961-1968

Box 127 Folder 23 Fryde, Matthew, 1960

Box 127 Folder 24 Fürst, Bruno, 1934-1941

Box 127 Folder 25 Fussiner, Howard A., 1953-1993

G


Box 128 Folder 1 to 7 G--General, 1927-2000, (7 Folders)


Box 129 Folder 1 Gamzu, Haim, 1946-1947

Box 129 Folder 2 Garbáty, Maurice and Ella, 1946-1975

Box 129 Folder 3 Gardin, Jean-Claude, 1956-1968

Box 129 Folder 4 Gauthier, Marie-Madeleine, 1954-1967

Box 129 Folder 5 Gazette des Beaux Arts, 1942-1953

Box 129 Folder 6 Gee, Helen, 1965-1977

Box 129 Folder 7 Gelder, J.G. van (Jan Gerrit), 1954-1970

Box 129 Folder 8 Geltman, Emanuel, 1981-1983

Box 129 Folder 9 Gendel, Milton, 1941-1988

Box 129 Folder 10 Geismar, Maxwell, 1952-1953

Box 129 Folder 11 Gerassi, Fernando, 1941-1973

Box 129 Folder 12 Gilbert, Creighton, 1944-1981

Box 129 Folder 13 Ginsberg, Allen, 1949-1986

(Includes an early mimeograph of Ginsberg's "Howl" from 1956)

Box 129 Folder 14 Glaser, Curt, 1933-1942

Box 129 Folder 15 Godeau, Pierre, 1952-1954

Box 129 Folder 16 Gogh, V.W. van (Vincent Willem), 1949-1972

Box 129 Folder 17 Golden, William T., 1975-1994

Box 129 Folder 18 Goldfinger, Harold, 1938-1942

Box 129 Folder 19 Goldin, Judah, 1966-1972

Box 129 Folder 20 Goldschmidt, Adolph, 1929-1935

Box 129 Folder 21 Goldstein, Kurt, 1950-1965

(Accompanied by a transcript of Schapiro's eulogy at Goldstein's memorial service)

Box 129 Folder 22 Goldwater, Robert John, 1934-1965

Box 129 Folder 23 Golub, Leon Albert, 1949-, 1954

Box 129 Folder 24 Gombrich, E.H. (Ernst Hans), 1947-1972

Box 129 Folder 25 Goodman, Nelson, 1948-1979

Box 129 Folder 26 Goodman, Paul, 1943-1956

Box 129 Folder 27 Goodman, Percival, 1944-1968


Box 130 Folder 1 to 2 Gordon, Edwin Frederick Robert, 1994-1995, (2 Folders)

Box 130 Folder 3 Gordon, Irene, 1951-1983

Box 130 Folder 4 Gottlieb, Carla, 1953-1996

Box 130 Folder 5 Gourevitch, Adolphe, 1945-1946

Box 130 Folder 6 Gowing, Lawrence, 1957-1977

Box 130 Folder 7 Grabar, Oleg, 1963

Box 130 Folder 8 Gray, Cleve, 1977-1979

Box 130 Folder 9 Greenberg, Clement, 1948-1950

Box 130 Folder 10 Greene, Belle da Costa, 1935-1946

Box 130 Folder 11 Grégoire, Henri, 1941-1944

Box 130 Folder 12 Greimas, Algirdas Julien, 1970-1974

Box 130 Folder 13 Gross, Ernest, 1926

Box 130 Folder 14 Guérin, Daniel, 1950

Box 130 Folder 15 Guerlac, Henry, 1976-1980

Box 130 Folder 16 Guilmain, Jacques, 1950-1989

Box 130 Folder 17 Guston, Philip, 1963-1980

Box 130 Folder 18 Gutman, Judith Mara, 1976-1990

H


Box 131 Folder 1 to 7 H--General, 1923-1985, (7 Folders)


Box 132 Folder 1 to 2 H--General, 1986-2001, (2 Folders)

Box 132 Folder 3 Haggin, B.H. (Bernard H.), 1930-1967

Box 132 Folder 4 Hamann, Richard, 1929-1978

Box 132 Folder 5 Hampshire, Stuart, 1936-1974

Box 132 Folder 6 Harris, Zellig, 1946-1985

Box 132 Folder 7 Harrow, Gustave, 1976

Box 132 Folder 8 Harry N. Abrams, Inc., 1950-1992

Box 132 Folder 9 Hartley, Marsden, 1942

Box 132 Folder 10 Hartt, Frederick, 1936-1991

Box 132 Folder 11 Hartung, Hans, 1966-1975

Box 132 Folder 12 Harvard University, 1946-1985

Box 132 Folder 13 Haskell, Francis, 1967-1986

Box 132 Folder 14 Hauser, Arnold, 1954-1958

Box 132 Folder 15 Haussherr, Reiner, 1966-1972

Box 132 Folder 16 Havas, Péter, 1946-1980


Box 133 Folder 1 Heidegger, Martin

Box 133 Folder 2 Heimann, Adelheid, 1939-1964

Box 133 Folder 3 Held, Julius S. (Julius Samuel), 1935-1994

Box 133 Folder 4 Held, Richard, 1945-1964

Box 133 Folder 5 Hélion, Jean, 1937-1976

Box 133 Folder 6 to 7 Hemley, Elaine Gottlieb, 1939-1977, (2 Folders)

Box 133 Folder 8 Hempel, Peter, 1941-1960s

Box 133 Folder 9 Hendel, Meta C., 1938-1948

Box 133 Folder 10 Herbert, Robert L., 1953

Box 133 Folder 11 Herford-Goldstein, Julius, 1942-1945

Box 133 Folder 12 Herron, Davis, 1939-1950


Box 134 Folder 1 Hess, Thomas, 1962-1978

Box 134 Folder 2 Heydenreich, Ludwig H. (Ludwig Heinrich), 1949-1968

Box 134 Folder 3 Hibbard, Howard, 1937-1972

Box 134 Folder 4 Hicks, Granville, 1933-1934

Box 134 Folder 5 Hirsch, Stefan, 1943-1953

Box 134 Folder 6 Hitchcock, Henry-Russell, 1937-1961

Box 134 Folder 7 Hoffmann, Konrad, 1962-1994

Box 134 Folder 8 Hofstadter, Albert, 1941-1977

Box 134 Folder 9 Hook, Ann and Sidney, 1934-1988

Box 134 Folder 10 Horn, Walter, 1934-1963

Box 134 Folder 11 Howe, Irving, 1950-1990

Box 134 Folder 12 Howes, Barbara, 1944-1945

Box 134 Folder 13 Hyams, Martha and Ralph, 1939-1996

Box 134 Folder 14 Hyams, Martha and Ralph, 1970-1984

(With leter from Wolf Kahn to the Haymses re. Schapiro and 2 drawings by Schapiro, which he sent to Kris Hyams)

Gift of Gina Hyams, 24 April 2019.

I


Box 135 Folder 1 to 2 I--General, 1933-1985, (2 Folders)

Box 135 Folder 3 Indiana University, 1952-1956

Box 135 Folder 4 Institute of Semito-African Studies, 1946-1948

Box 135 Folder 5 International Association of Art Critics, 1949-1978

Box 135 Folder 6 International Congress of the History of Art (20th : 1961 : New York City), 1960-1962, 1961, 1960-1962

Box 135 Folder 7 International Rescue Committee, 1948-1961

Box 135 Folder 8 International Society for the History of Ideas, 1959-1960

Box 135 Folder 9 Isaacs, Julius, 1976-1985

Box 135 Folder 10 Ives, Barbara and Mabill, 1936-1949

Box 135 Folder 11 Ivins, William Mills, 1941-1942

Box 135 Folder 12 Ivry, Benjamin, 1978-1984

J


Box 136 Folder 1 to 4 J--General, 1929-1990, (4 Folders)

Box 136 Folder 5 Jackson, Anthony and Sarah, 1956-1964

Box 136 Folder 6 Jaffe, Irma B., 1972-1995

Box 136 Folder 7 Jaffin, George M., 1965-1989

Box 136 Folder 8 Jakobson, Roman, 1948-1984


Box 137 Folder 1 James, C.L.R. (Cyril Lionel Robert), 1948-1970

Box 137 Folder 2 James, Martin, 1988-1990

Box 137 Folder 3 Janis, Sidney, 1942-1944

Box 137 Folder 4 Janowitz, Adeline Tintner, 1948-1998

Box 137 Folder 5 Janson, H.W. (Horst Woldemar), 1936-1982

Box 137 Folder 6 Japan Society (New York, N.Y.), 1979-1981

Box 137 Folder 7 Jay, Martin, 1972-1973

Box 137 Folder 8 Jenks, Anne L., 1951-1961

Box 137 Folder 9 Johns, Jasper, 1964

Box 137 Folder 10 Johnson, Philip, 1965

Box 137 Folder 11 Jones, Leslie Webber, 1934-1940

Box 137 Folder 12 Jónsdóttir, Selma, 1945-1976

Box 137 Folder 13 Josephson, Matthew, 1973-1976

Box 137 Folder 14 Journal for the History of Ideas, 1938-1990

Box 137 Folder 15 Jewish Museum (New York, N.Y.), 1944-1979


Box 138 Folder 1 to 4 Jewish Museum (New York, N.Y.), 1964-1998

Box 138 Folder 5 John D. and Catherine T. MacArthur Foundation, 1987

Box 138 Folder 6 John Simon Guggenheim Memorial Foundation, 1938-1979

Box 138 Folder 7 Jules, Mervin, 1936-1937

Box 138 Folder 8 Justema, William, 1975-1980

K


Box 139 Folder 1 to 6 K--General, 1929-2000

Box 139 Folder 7 Kahlo, Frida, 1940

(Accompanied by correspondence from 1980 relating to Kahlo)

Box 139 Folder 8 Kahn, Wolf, 1959-1989

Box 139 Folder 9 Kahnweiler, Daniel-Henry and Gustave, 1950-1964

Box 139 Folder 10 Kalinowski, Lech, 1956-1965

Box 139 Folder 11 Kallen, Horace Meyer, 1936-1943

Box 139 Folder 12 Kantorowicz, Ernst Hartwig, 1953-1962


Box 140 Folder 1 Kaprow, Allan, 1950-1970

(Oversize Box 633, Folder 12 houses the following publicationDays off : a calendar of happenings by Allan Kaprow;commissioned by the Junior Council of the Museum of Modern Art, New York)

Box 140 Folder 2 Kasnowski, Chester, 1970-1997

Box 140 Folder 3 Katz, Karl, 1952-1983

Box 140 Folder 4 Katzenellenbogen, Adolf, 1944-1945

Box 140 Folder 5 Kaufmann, Emil, 1934-1948

Box 140 Folder 6 Kayser, Stephen S., 1944-1957

Box 140 Folder 7 Kazin, Alfred, 1950-1975

Box 140 Folder 8 Kennedy, Robert F., 1966

Box 140 Folder 9 Kerouac, Jack, 1949

Box 140 Folder 10 Kimball, Fiske, 1934-1950

Box 140 Folder 11 Kirstein, Lincoln, 1948-1979

Box 140 Folder 12 Kitaj, R.B., 1978

Box 140 Folder 13 Kitzinger, Ernst, 1942-1986

Box 140 Folder 14 Klein, Jerome, 1934-1980

Box 140 Folder 15 Klein, Michael, 1977-1982

Box 140 Folder 16 Klein, Peter K., 1976-1978

Box 140 Folder 17 Klüver, Billy, 1971

(Material soliciting Schapiro to participate in an Experiments in Art and Technology project)


Box 141 Folder 1 Koehler, Wilhelm Reinhold Walter, 1935-1957

Box 141 Folder 2 Kollek, Teddy, 1969-1995

Box 141 Folder 3 Konvitz, Milton R. (Milton Ridvas), 1977-1994

Box 141 Folder 4 Korn, Elizabeth, 1967-1973

(Accompanied by photocopied letters between Albert Einstein and Arthur Korn)

Box 141 Folder 5 Koyré, Alexandre, 1948-1963

Box 141 Folder 6 Kracauer, Siegfried, 1938-1961

(Accompanied by material relating to a Kracauer symposium held in 1990)

Box 141 Folder 7 Krader, Lawrence, 1950-1960

Box 141 Folder 8 Kraus, Henry, 1965-1983

Box 141 Folder 9 Krautheimer, Richard and Trude, 1935-1977

Box 141 Folder 10 Krenek, Ernst, 1939

Box 141 Folder 11 Kriesberg, Irving, 1961-1981

Box 141 Folder 12 Kristeller, Paul Oskar, 1943-1985

Box 141 Folder 13 Kristeva, Julia, 1973-1976

Box 141 Folder 14 Kroeber, A.L. (Alfred Louis), 1949-1959

Box 141 Folder 15 Krupnick, Mark, 1976-1985

Box 141 Folder 16 Kubler, George, 1944-1972

Box 141 Folder 17 Kultermann, Udo, 1981-1991

Box 141 Folder 18 Kurz, Otto, 1952-1974

L


Box 142 Folder 1 to 6 L--General, 1930-2000, (6 Folders)

Box 142 Folder 7 Labourdette, Régis, 1978-1992

Box 142 Folder 8 Lacan, Jacques, 1947-1948

(Accompanied by Schapiro's notes on psychoanalytic themes and a signed copy of Lacan'Fonction et champ de la parole et du langage en psychanalyse)

Box 142 Folder 9 Ladner, Gerhart B. (Gerhart Burian), 1951-1977

Box 142 Folder 10 Lahm, Renée D., 1940-1951

Box 142 Folder 11 Lamont, Corliss, 1937-1938

Box 142 Folder 12 Landman, Doris Heyer, 1939-1981

Box 142 Folder 13 Landsberger, Franz, 1948

Box 142 Folder 14 Landshoff, Fritz Helmut, 1957-1988


Box 143 Folder 1 Laporte, Paul M., 1929-1974

Box 143 Folder 2 Lasky, Melvin J., 1945-1966

Box 143 Folder 3 Laufman, Sidney, 1978-1985

Box 143 Folder 4 Lavin, Irving, 1974-1992

Box 143 Folder 5 Lebensztejn, Jean-Claude, 1968-1995

Box 143 Folder 6 Le Clair, Charles, 1941-1949

Box 143 Folder 7 Lee, Rensselaer W. (Rensselaer Wright), 1944-1955

Box 143 Folder 8 Léger, Fernand, 1942-1944

Box 143 Folder 9 Lehmann-Haupt, Hellmut, 1927-1962

Box 143 Folder 10 Lehmann, James H., 1973-1983

Box 143 Folder 11 Leibovici, Marcel, 1959

Box 143 Folder 12 Leibowitz, René, 1950-1952

Box 143 Folder 13 Leites, Nathan, 1949

Box 143 Folder 14 Lejwa, Madeleine Chalette, 1973

Box 143 Folder 15 Lennon, John and Yoko Ono, circa, 1970s

Box 143 Folder 16 Leroy, Paul and Anne Elizabeth, 1952-1953

Box 143 Folder 17 Lethem, Richard, 1979-1992

Box 143 Folder 18 Levaillant, Françoise, 1973-1978

Box 143 Folder 19 Lévi-Strauss, Claude, 1944-1963

Box 143 Folder 20 Levi, Doro, 1940

Box 143 Folder 21 Levin, David, 1963-1965

(Accompanied by annotated typescripts of Levin's poetry)

Box 143 Folder 22 Levine, Jocelyn, 1949-1955

Box 143 Folder 23 Levy, Beryl Harold, 1934-1994

Box 143 Folder 24 Lewine, Carol F., 1961-1973

Box 143 Folder 25 Leymarie, Jean, 1951-1985

Box 143 Folder 26 Libow, Lauren, 1983-1986


Box 144 Folder 1 Lipchitz, Jacques, 1947-1961

Box 144 Folder 2 Lipchitz Rehabilitation Committee, 1952

Box 144 Folder 3 Lipman, Matthew, 1950-1981

Box 144 Folder 4 Lipsey, Roger, 1971-1980

Box 144 Folder 5 Littlefield, William Horace, 1952-1965

Box 144 Folder 6 Lockspeiser, Edward, 1927-1968

Box 144 Folder 7 Lockspeiser, Eleanore, 1952-1953

Box 144 Folder 8 Longman, Lester Duncan, 1940-1949

Box 144 Folder 9 Longview Foundation, 1958-1975

Box 144 Folder 10 Lopez, Robert S. (Robert Sabatino), 1945-1965

Box 144 Folder 11 to 12 Louis E. Stein Foundation, 1962-1964, (2 Folders)

Box 144 Folder 13 Lowe, E.A. (Elias Avery), 1931-1968

Box 144 Folder 14 Lowell, Robert, 1961-1977

Box 144 Folder 15 Lowenthal, Leo, 1937-1955

Box 144 Folder 16 Lowinsky, Edward E. (Edward Elias), 1954-1973

Box 144 Folder 17 Lozowick, Louis, 1935-1936

Box 144 Folder 18 Lurçat, Jean, 1934-1941

Box 144 Folder 19 Lurie, Boris, 1953-1956

M


Box 145 Folder 1 to 9 M--General, 1926-2000, (9 Folders)


Box 146 Folder 1 Macdonald, Dwight, 1938-1982

Box 146 Folder 2 Machotka, Pavel, 1965-1981

Box 146 Folder 3 MacIver, Loren and Lloyd, 1956-1989

Box 146 Folder 4 Mahr, August C., 1941-1945

Box 146 Folder 5 Mailer, Norman, 1953-1977

Box 146 Folder 6 Malaquais, Galy and Jean, 1946-1973

Box 146 Folder 7 Manasse, Ernst Moritz, 1946-1977

Box 146 Folder 8 Marcus, Ralph, 1928-1952

Box 146 Folder 9 Marcuse, Herbert, 1955

Box 146 Folder 10 Mares, Vaclav E., 1975-1990

Box 146 Folder 11 Margolis, Joseph, 1968-1984

Box 146 Folder 12 Margolis, Lawrence, 1951-1952

Box 146 Folder 13 Mark Rothko Foundation, 1976-1979

Box 146 Folder 14 Marshak, Robert Eugene, 1946-1989

Box 146 Folder 15 Masai, François, 1952

Box 146 Folder 16 Masheck, Joseph, 1976-1999


Box 147 Folder 1 Massey, Irving, 1945

Box 147 Folder 2 Masson, André, 1942-1946

Box 147 Folder 3 Mather, Frank Jewett, 1949

Box 147 Folder 4 Matta, Roberto, 1940

Box 147 Folder 5 Matter, Mercedes, 1961-1979

Box 147 Folder 6 Mattick, Ilse and Paul, 1943-1994

Box 147 Folder 7 Mauner, George L., 1961-1989

Box 147 Folder 8 May, Morton D. (Morton David), 1952

Box 147 Folder 9 Mayer, Albert, 1935-1974

Box 147 Folder 10 McDonald, John, 1934-1937

Box 147 Folder 11 McElhatton, Mark, 1975

Box 147 Folder 12 McNulty, J. Bard (John Bard), 1978-1985

Box 147 Folder 13 Mediaeval Academy of America, 1936-1980

Box 147 Folder 14 Meiss, Millard, 1930s-1975

Box 147 Folder 15 Meloy, Caroline, 1952

Box 147 Folder 16 Meltzoff, Stanley, 1942-1974


Box 148 Folder 1 to 7 Menashe, Samuel, 1950s-1990, (7 Folders)

(Accompanied by annotated typescripts and holograph papers of Menashe's poetry)


Box 149 Folder 1 Merkel, Bernard, 1936-1948

Box 149 Folder 2 Merleau-Ponty, Maurice, 1949-1954

Box 149 Folder 3 Merton, Robert King, 1949-1971

Box 149 Folder 4 Métraux, Alexandre, 1974-1984

Box 149 Folder 5 Metropolitan Museum of Art (New York, N.Y.), 1937-1996

Box 149 Folder 6 Metzger, Mendel, 1965-1985

Box 149 Folder 7 Meyer, Bella Chagall and Piet, 1976-1983

Box 149 Folder 8 Mezoughi, Noureddine, 1983-1984

Box 149 Folder 9 Michelson, Annette, circa, 1940s

Box 149 Folder 10 Miller, Margaret and William, 1937-1953

Box 149 Folder 11 Miner, Dorothy Eugenia, 1933-1954


Box 690 Mitchell, Frances To Meyer Schapiro, New York, circa 1950, 2 t.l.s.

Cataloged.


Box 149 Folder 12 Mocsanyi, Paul, 1951-1986

Box 149 Folder 13 Moholy-Nagy, László, 1944

Box 149 Folder 14 Mondolfo, Rodolfo, 1973

Box 149 Folder 15 Mondrian, Piet, 1944

Box 149 Folder 16 Monteiro, I. (Isaac), 1961-1980

Box 149 Folder 17 Morey, Charles Rufus, 1929-1942

Box 149 Folder 18 Morris, Charles W. (Charles William), 1939-1953

Box 149 Folder 19 Morris, Ivan I., 1970

Box 149 Folder 20 Morrow, Felix, 1933-1981

Box 149 Folder 21 Motherwell, Robert, 1940-1989

(Includes an annotated typescript of Motherwell's essay "The form of Cezanne's 'The Balcony.'" )

Box 149 Folder 20 Morrow, Felix, 1933-1981

Box 149 Folder 22 Mumford, Lewis, 1934-1940

Box 149 Folder 23 Munis, Grandizo, 1949

Box 149 Folder 24 Münsterberg, Hugo, 1941-1942

Box 149 Folder 25 Münz, Ludwig, 1938-1957

Box 149 Folder 26 Murray, Butler, 1927

Box 149 Folder 27 Museum of Modern Art (New York, N.Y.), 1936-1995

N


Box 150 Folder 1 to 4 N--General, 1930-2000, (4 Folders)

Box 150 Folder 5 Nabokov, Nicolas, 1959-1968

Box 150 Folder 6 Nachumi, Emma, 1947-1954

Box 150 Folder 7 Nadejena, Lydia, 1939-1956

Box 150 Folder 8 Nagel, Ernest, 1934-1978

Box 150 Folder 9 Nagatomo, Kinue, 1961-1983

Box 150 Folder 10 Naitove, Connie, 1960-1988

Box 150 Folder 11 Nanavutty, Piloo, 1945-1948


Box 151 Folder 1 Narkiss, Bezalel, 1961-1985

Box 151 Folder 2 Nathan, Hans, 1953-1978

Box 151 Folder 3 Nathan, Henry, 1956-1967

Box 151 Folder 4 National Endowment for the Humanities, 1968-1991

Box 151 Folder 5 National Gallery of Art (U.S.), 1946-1986

Box 151 Folder 6 Neel, Alice, 1944-1983

Box 151 Folder 7 Nelligan, Emily, 1967-2001

Box 151 Folder 8 Nelson, Benjamin N., 1941-1973

Box 151 Folder 9 Nesjar, Carl, 1946-1996

Box 151 Folder 10 Newman, Annalee, 1970-1980

Box 151 Folder 11 Newman, Barnett, 1960-1968

Box 151 Folder 12 New School for Social Research (New York, N.Y.), 1935-1984

Box 151 Folder 13 New York Review of Books, 1967-1985

Box 151 Folder 14 New York Studio School of Drawing, Painting and Sculpture, 1964-1991


Box 152 Folder 1 New York times, 1930s-1965

(Chiefly letters to the editor)

Box 152 Folder 2 New York University, 1934-1980

Box 152 Folder 3 Neufeld, Gunther and Rose, 1950-1982

Box 152 Folder 4 Neumeyer, Alfred, 1961

Box 152 Folder 5 Neurath, Marie and Otto, 1937-1948

Box 152 Folder 6 Neurath, Thomas and Walter, 1955-1975

Box 152 Folder 7 Neuss, Wilhelm, 1948

Box 152 Folder 8 Nicolson, Benedict, 1949-1966

Box 152 Folder 9 Niver, Charles, 1927-1950

Box 152 Folder 10 Nivola, Constantino, 1959-1964

Box 152 Folder 11 Nochlin, Linda, 1964

Box 152 Folder 12 Noda, Hideo, 1934-1936

Box 152 Folder 13 Nonprofit organizations -- Israel, 1970s-1980s

Box 152 Folder 14 to 15 Nordenfalk, Carl Adam Johan, 1930-1987, (2 Folders)


Box 153 Folder 1 Norman, Dorothy, 1937-1980

Box 153 Folder 2 to 3 Novotny, Fritz, 1932-1979

(File 3 includes German and English typescripts of Novotny's "Reaction against impressionism as seen from the artistic point of view" delivered at the Twentieth International Congress of the History of Art in 1961)

Box 153 Folder 4 Nuclear disarmament, 1946-1947

(Chiefly manifestoes, brochures, and pamphlets. Includes correspondence from Zellig Harris)


Box 154 Folder 1 to 2 O--General, 1924-2003, (2 Folders)

Box 154 Folder 3 Oberlin College, 1952-1960

Box 154 Folder 4 O'Brady, Gertrude, 1947-1979

Box 154 Folder 5 O'Brien, Justin, 1940-1942

Box 154 Folder 6 Offner, Richard, 1952-1965

Box 154 Folder 7 Ogden, R.M. (Robert Morris), 1938-1943

Box 154 Folder 8 O'keeffe, Georgia, 1952

Box 154 Folder 9 Olschki, Leonardo, 1943-1955

Box 154 Folder 10 O'Meara, John Joseph, 1953-1959

Box 154 Folder 11 Onslow-Ford, Gordon, 1941-1984

Box 154 Folder 12 Orent, Joel, 1960-1987

Box 154 Folder 13 Orienter, Anita R., 1950-1975

Box 154 Folder 14 Oxford University Press, 1937-1975

P


Box 155 Folder 1 to 6 P--General, 1930-2000, (6 Folders)

Box 155 Folder 7 Pachter, Henry Maximilian, 1940s-1982

Box 155 Folder 8 Pächt, Otto, 1933-1972

Box 155 Folder 9 Palmer, Erwin Walter, 1947-1982

Box 155 Folder 10 Panofsky, Erwin, 1933-1968

Box 155 Folder 11 Pardee, Hearne, 1978-1994


Box 156 Folder 1 Paresce, Ella, 1940s-1964

Box 156 Folder 2 Partisan Review, 1937-1983

Box 156 Folder 3 Paturis, Cleo Mitchell, 19982-1993

Box 156 Folder 4 Paul, Lois, 1963-1971

Box 156 Folder 5 Paulhan, Jean, 1947

(Written on behalf of the members of the Comité nationale des écrivains (C.N.E))

Box 156 Folder 6 Pauw-De Veen, Lydia de, 1954

Box 156 Folder 7 Pelles, Gerry, 1951-1963

Box 156 Folder 8 Pekeris, C.L., 1974-1976

Box 156 Folder 9 Penrose, Roland, Sir, 1956

Box 156 Folder 10 Péret, Benjamin, 1935-1948

Box 156 Folder 11 Perry, Geraldine, 1954

Box 156 Folder 12 Philipps-Universität Marburg. Kunstgeschichtliches Seminar, 1927-1978

Box 156 Folder 13 Phillips, Mike, 1974

Box 156 Folder 14 Pickens, Alton, 1946-1950

Box 156 Folder 15 Pierpont Morgan Library, 1930-1986

Box 156 Folder 16 Pijoán, José, 1939-1945

Box 156 Folder 17 Pirenne, M.H. (Maurice Henri), 1940-1972

Box 156 Folder 18 Pírková-Jakobsonová, Svatava, 1947-1979

Box 156 Folder 19 Plastrik, Stanley, 1950-1981

Box 156 Folder 20 Plummer, John H., 1945-1978

Box 156 Folder 21 Polanyi, Michael L., 1946-1966


Box 157 Folder 1 to 4 Political participation, 1930-1988, (4 Folders)

Box 157 Folder 5 Pollack, Robert E., 1969-1989

Box 157 Folder 6 Pool, Phoebe, 1959-1967

Box 157 Folder 7 Pope, Arthur Upham, 1932-1939

Box 157 Folder 8 Pope-Hennessy, John Wyndham, Sir, 1956-1979

Box 157 Folder 9 Porada, Edith, 1963-1983

Box 157 Folder 10 Porter, Arthur Kingsley, 1927-1933

Box 157 Folder 11 Porter, James A. (James Amos), 1938

Box 157 Folder 12 Porter, Lucy Kingsley, 1936-1950


Box 158 Folder 1 Poznanski, Edward, 1961-1967

Box 158 Folder 2 Preziosi, Donald, 1972-1985

Box 158 Folder 3 Priest, Alan, 1937

Box 158 Folder 4 Princeton University, 1924-1980

Box 158 Folder 5 Prinzhorn, Hans, 1931

Box 158 Folder 6 to 8 Publishers and publishing, 1936-2001, (3 Folders)

Box 158 Folder 9 Pulitzer, Joseph, 1939

Q

Box 158 Folder 10 Queens College (New York, N.Y.), 1937-1985

R


Box 159 Folder 1 to 8 R--General, 1930-2000, (8 Folders)

Box 159 Folder 9 Racz, André, 1951-1975

Box 159 Folder 10 Rahv, Philip, 1937-1943

Box 159 Folder 11 Raja Singam, S. Durai, 1971-1978

Box 159 Folder 12 Ramnoux, Clémence, 1955

Box 159 Folder 13 Rand, Edward Kennard, 1927-1942


Box 160 Folder 1 Rand School of Social Science, 1944-1949

Box 160 Folder 2 Randall, Mercedes M. (Mercedes Moritz), 1941-1944

Box 160 Folder 3 Rannit, Aleksis, 1957-1986

Box 160 Folder 4 Ransom, John Crowe, 1940-1947

Box 160 Folder 5 Raphael, Max, 1933-1954

Box 160 Folder 6 Read, Duncan H., 1940-1967

Box 160 Folder 7 Read, Herbert Edward, Sir, 1946-1964

Box 160 Folder 8 Reff, Theodore, 1961-1977

Box 160 Folder 9 Reinhardt, Ad, 1962

(Photocopy. Acccompanied by correspondence and clippings relating to Reinhardt)

Box 160 Folder 10 Reis, Bernard, 1942

Box 160 Folder 11 Reis, Lincoln, 1929-1937

Box 160 Folder 12 Rewald, John, 1941-1988

Box 160 Folder 13 Reynal, Jeanne, 1949

Box 160 Folder 14 Reynolds, Stephanie, 1934-1955

Box 160 Folder 15 Rice, Norman N., 1933-1934

Box 160 Folder 16 Rice, Philip Blair, 1944-1955

Box 160 Folder 17 Richter, Horace, 1959-1981

Box 160 Folder 18 Riefstahl, Elizabeth and Rudolf Meyer, 1933-1937

Box 160 Folder 19 Riesman, David, 1943-1969

Box 160 Folder 20 Rigal, Louis, 1978

Box 160 Folder 21 Rivers, Larry, 1954


Box 161 Folder 1 Roazen, Paul, 1971-1995

Box 161 Folder 2 Rockefeller, Mary C., 1935

Box 161 Folder 3 Rohde, Gilbert, 1936

Box 161 Folder 4 Roosval, Johnny, 1935-1948

Box 161 Folder 5 Rorty, James, 1933-1967

Box 161 Folder 6 to 7 Rosand, David, 1970-2002, (2 Folders)

Box 161 Folder 8 Rose, Barbara, 1970s-1990s

Box 161 Folder 9 Rosen, Hyman, 1934

Box 161 Folder 10 to 11 Rosen, James, 1980-1985, (2 Folders)


Box 162 Folder 1 to 3 Rosen, James, 1986-2000, (3 Folders)

Box 162 Folder 4 Rosenberg, James N. (James Naumberg), 1949-1970

(Includes material relating to Rosenberg's appeals to the Metropolitan Museum of Art from 1949)

Box 162 Folder 5 Rosenthal, Erwin, 1943-1969

Box 162 Folder 6 Rosenthal, Henry M., 1931-1945

Box 162 Folder 7 Rosenthal, M.L. (Macha Louis), 1973-1987

Box 162 Folder 8 Rosmer, Alfred and Margarite, 1940s-1960s

Box 162 Folder 9 Ross, Lillian, 1962-1964

Box 162 Folder 10 Ross, Nathanial, 1937-1960

Box 162 Folder 11 Roszak, Theodore, 1940

Box 162 Folder 12 Rothschild, Edward (Edward Francis), 1930-1938

Box 162 Folder 13 Rous, Bernard, 1928-1942

Box 162 Folder 14 Rowley, George, 1956

Box 162 Folder 15 Rozdolski, Roman, 1949-1950

Box 162 Folder 16 Rubin, James Henry, 1978-1979

Box 162 Folder 17 Rudy, Stephen, 1973

Box 162 Folder 18 Russell, Alfred, 1945-1973

S


Box 163 Folder 1 to 8 S--General, 1927-1980, (8 Folders)


Box 164 Folder 1 to 4 S--General, 1981-2001, (4 Folders)

Box 164 Folder 5 Saarinen, Aline B. (Aline Bernstein), 1936-1948

Box 164 Folder 6 Sachs, Paul J. (Paul Joseph), 1931-1952

Box 164 Folder 7 Salomon, Albert, 1946-1965

Box 164 Folder 8 Sand, Robin, 1985-1989

Box 164 Folder 9 Sandmel, Samuel, 1965-1973

Box 164 Folder 10 Sarah Lawrence College, 1936-1979

Box 164 Folder 11 Savage, Henry L. (Henry Lyttleton), 1939


Box 165 Folder 1 to 2 Sawin, David, 1940s-1994, (2 Folders)

Box 165 Folder 3 Sawin, Martica, 1951-1994

Box 165 Folder 4 Saxl, Fritz, 1940-1946

Box 165 Folder 5 Schaefer, Claude, 1947-1949

Box 165 Folder 6 Schapire, Rosa, 1947

Box 165 Folder 7 to 9 Schapiro, Meyer, 1923-1927

(Photocopies of letters to Lillian Milgram Schapiro and Jacob Schapiro)


Box 690 Schapiro, Meyer To James T. Farrell, [New York], circa 1938 June-July, 1 t.l. With 3-page draft in the author's hand.

Cataloged.


Box 165 Folder 10 Schiff, Gert, 1960-1986

Box 165 Folder 11 Schiffrin, Jacques and André, 1946-1971

Box 165 Folder 12 Schimmel, Harold, 1960s

Box 165 Folder 13 Schipper, Merle, 1973-1975


Box 166 Folder 1 Schlunk, Helmut, 1933-1982

Box 166 Folder 2 Schmalenbach, Fritz, 1938-1956

Box 166 Folder 3 Schmidt-Waehner, Trude, 1940

Box 166 Folder 4 Schocken Books, 1944-1950

(Includes letters from Salman Schocken, Theodore Schocken, and Hannah Arendt. Accompanied by Schapiro's notes and treatments of potential Schocken publications)

Box 166 Folder 5 Scholem, Gershom Gerhard, 1961-1980

Box 166 Folder 6 Schor, Ilya, 1954-1960

Box 166 Folder 7 Schroeder, Eric, 1943-1950

Box 166 Folder 8 Schwabacher, Ethel, 1949-1957

Box 166 Folder 9 to 10 Schwartz, Delmore, 1937-1994, (2 Folders)

(File 9 includes annotated typescripts of Schwartz's "Dostoevsky and the Bell Telephone Company" and "Swift." File 10 comprises correspondence with individuals other than Schwartz relating to the author's legacy)

Box 166 Folder 11 Sebeok, Thomas A. (Thomas Albert), 1969-1980

Box 166 Folder 12 Secrest, Meryle Beveridge, 1978-1984

Box 166 Folder 13 Sedlmayr, Hans, 1930s

Box 166 Folder 14 Sedova, Natalia, 1948-1949

Box 166 Folder 15 Segal, George, 1962-1996

Box 166 Folder 16 Segall, Berton, 1951

Box 166 Folder 17 Segre, Cesare, 1974-1987

Box 166 Folder 18 Seidel, Linda, 1975-2002

Box 166 Folder 19 Selig, Karl-Ludwig, 1975-1983

Box 166 Folder 20 Seligman, Germain, 1943-1975


Box 633 Folder 6 Seligman, Germain, 1972


Box 167 Folder 1 Seligmann, Kurt, 1940-1966

(Accompanied by typescripts of Schpairo's reminisces on Seligmann)

Box 167 Folder 2 Semiotics, 1960s -1970s, 1960s

(Chiefly correspondence from journals relating to semiotics)

Box 167 Folder 3 Serge, Victor, 1940s

Box 167 Folder 4 Serra, Richard, 1985

Box 167 Folder 5 Seyrig, Henri, 1944-1965

Box 167 Folder 6 Seznec, Jean, 1941-1943

Box 167 Folder 7 Sgalitzer, Elizabeth, 1943-1945

Box 167 Folder 8 Shapiro, David, 1971-1996

(Accompanied by typescripts of Shapiro's poetry dedicated to Meyer Schapiro)

Box 167 Folder 9 Shapiro, Romie, 1982-1984

Box 167 Folder 10 Shapley, John, 1930-1937

Box 167 Folder 11 Sharon, Hermon, 1951-1966

Box 167 Folder 12 Shattuck, Roger, 1967-1986

Box 167 Folder 13 Shaw, Howard, 1970s

Box 167 Folder 14 Sherman, Claire Richter, 1976-1981

Box 167 Folder 15 Shorr, Dorothy C., 1939-1944

Box 167 Folder 16 Siegel, George, 1945-1993

Box 167 Folder 17 Sihare, Laxmi P., 1967

Box 167 Folder 18 Silbert, Bailey Saiger, 1976-1977


Box 168 Folder 1 Silone, Darina, 1954-1980

Box 168 Folder 2 Silvers, Robert B., 1964-1986

Box 168 Folder 3 Šimá, Josef, 1957-1971

Box 168 Folder 4 Simkhovitch, Vladimir (Vladimir Gregorievitch), 1936-1958

(Accompanied by photographs and signed books)

Box 168 Folder 5 Simson, Otto Georg von, 1939-1975

Box 168 Folder 6 Skira, Albert, 1958-1977

Box 168 Folder 7 Slive, Seymour, 1949-1987

Box 168 Folder 8 Sloane, Joseph C., 1940-1954

Box 168 Folder 9 Slonimsky, Henry, 1931-1958

Box 168 Folder 10 Slochower, Harry, 1962-1964

Box 168 Folder 11 Smith, Bernard, 1932-1937

Box 168 Folder 12 Smith College. Museum of Art, 1936-1945

Box 168 Folder 13 Smith, Norris Kelly, 1940-1995

Box 168 Folder 14 Snow, Edward A., 1981-1985

Box 168 Folder 15 Soby, James Thrall, 1945-1969

Box 168 Folder 16 Society for the Arts, Religion, and Contemporary Culture,, 1965-1969

(Accompanied by transcripts of lectures and talks given at the Society by Schapiro and Alfred Barr)

Box 168 Folder 17 Soldati, Mario, 1930-1984

Box 168 Folder 18 Solomon, Hyde, 1949-1979

Box 168 Folder 19 Solomon R. Guggenheim Museum, 1971-1989


Box 169 Folder 1 Solow, Herbert, 1934-1962

Box 169 Folder 2 Sonnabend, Michael, 1945-1950

Box 169 Folder 3 Souvarine, Boris, 1941-1983

Box 169 Folder 4 Spector, Jack J., 1960-1985

Box 169 Folder 5 Stacy, Don L., 1974-1994

Box 169 Folder 6 Stanton, Frank, 1959-1963

Box 169 Folder 7 Stechow, Wolfgang, 1943-1950

Box 169 Folder 8 Steegmuller, Francis, 1941-1988

Box 169 Folder 9 Steinberg, Leo, 1985-1991

Box 169 Folder 10 Steinberg, Milton, 1941-1942

Box 169 Folder 11 Steinitz, Kate Traumann, 1942-1975

Box 169 Folder 12 Sterling, Charles, 1942-1944

Box 169 Folder 13 Stern, Henri, 1954-1960

Box 169 Folder 14 Stern, Laurent, 1962-1983

Box 169 Folder 15 Stern, Louis E., 1952-1960

Box 169 Folder 16 Sternberg, Schlomo, 1983

Box 169 Folder 17 Stibitz, George R. (George Robert), 1970

Box 169 Folder 18 Strzygowski, Josef, 1931

Box 169 Folder 19 Stix, Hugh, 1952-1958

Box 169 Folder 20 Stoddard, Whitney S., 1941-1953

Box 169 Folder 21 Stokes, May, 1938-1961

Box 169 Folder 22 Stonborough, Thomas H.W., 1962

Box 169 Folder 23 Storr, Robert, 1984-2003


Box 170 Folder 1 Strauss, Bert and Frances, 1982-1986

Box 170 Folder 2 Strauss, Ernst, 1944-1952

Box 170 Folder 3 Strayer, Joseph R. (Joseph Reese), 1940

Box 170 Folder 4 Sund, Judy, 1982-1983

Box 170 Folder 5 Swarzenski, Hanns, 1936-1963

Box 170 Folder 6 Sweeney, James Johnson, 1935-1968

Box 170 Folder 7 Swoboda, Karl M. (Karl Maria), 1954

Box 170 Folder 8 Sylvester, David, 1961-1982

Box 170 Folder 9 Syrop, Teresa, 1979-1994

Box 170 Folder 10 Szathmary, Arthur, 1949-2004

Box 170 Folder 11 Szegho, Anne, 1949-1961

T


Box 171 Folder 1 to 4 T--General, 1928-1996, (4 Folders)

Box 171 Folder 5 Tabachnick, Anne, 1962-1986

Box 171 Folder 6 Tagliabue, John, 1967-1984

Box 171 Folder 7 Tagliacozzo, Giorgio, 1974-1984

Box 171 Folder 8 Tannhauser, Siegfried, 1938

Box 171 Folder 9 Tatarkiewicz, Władysław, 1959

Box 171 Folder 10 Taylor, Francis Henry, 1933-1942

Box 171 Folder 11 Temko, Allan, 1955-1958

Box 171 Folder 12 Tennenbaum, Silvia, 1956-1991

Box 171 Folder 13 Thomas, Norman, 1948-1958

Box 171 Folder 14 to 15 Thompson, James P.W. (Perry Williams), 1974-2003


Box 172 Folder 1 Thompson, Jim, 1951-1956

Box 172 Folder 2 Thurman, Sue M., 1966-1976

Box 172 Folder 3 Tieger, Arthur, 1965-1990

Box 172 Folder 4 Tietze, Hans and Erika Tietze-Corant, 1935-1955

Box 172 Folder 5 Tintner, Adeline R., 1935-1995

Box 172 Folder 6 Tomory, Peter, 1974-1978

Box 172 Folder 7 Traunstein, Elsie, 1931-1932

Box 172 Folder 8 Trell, Bluma, 1981-1995

Box 172 Folder 9 Trilling, Diana, 1930s-1976

Box 172 Folder 10 Trilling, Lionel, 1931-1960

Box 172 Folder 11 Trotsky, Leon, 1938

Box 172 Folder 12 Tschacbasov, Nahum, 1937

Box 172 Folder 13 Tselos, Dimitris, 1937-1950

Box 172 Folder 14 Tuchman, Maurice, 1962-1988

Box 172 Folder 15 Tyler, Parker, 1945-1966

Box 172 Folder 16 Tyler, William, 1930-1940

U


Box 173 Folder 1 U--General, 1933-1980

Box 173 Folder 2 Unesco, 1950-1976

Box 173 Folder 3 United States--Politics and Government, 1942-1984

Box 173 Folder 4 United States. Works Progress Administration, 1935

Box 173 Folder 5 University of California, Los Angeles, 1961-1984

Box 173 Folder 6 University of London, 1946-1968

Box 173 Folder 7 University of Oxford, 1965-1970

Box 173 Folder 8 University of Pennsylvania, 1952-1961

Box 173 Folder 9 Uspensky, Boris, 1974-1976

V

Box 173 Folder 10 to 13 V--General, 1935-2001, (4 Folders)

Box 173 Folder 14 Valentin, Curt, 1938-1944

Box 173 Folder 15 Vanderbeek, Stan, 1962-1965

Box 173 Folder 16 Van der Marck, Jan, 1955-1978

Box 173 Folder 17 Van Doren, Mark, 1930s-1952

Box 173 Folder 18 Van Heijenoort, Jean, 1948-1965

Box 173 Folder 19 Varnedoe, Kirk, 1975

Box 173 Folder 20 Velikovsky, Immanuel, 1942-1960

Box 173 Folder 21 Venturi, Lionello, 1936-1956

Box 173 Folder 22 Veres, Peter, 1977

Box 173 Folder 23 Vézelay, Paule, 1956

Box 173 Folder 24 Vicente, Harriet, 1964-1995

Box 173 Folder 25 Vivas, Eliseo, 1937-1938

Box 173 Folder 26 Vogel, Albert, 1973-1974

Box 173 Folder 27 Vogel, Amos, 1950-1987

W


Box 174 Folder 1 to 5 W--General, 1932-2001, (5 Folders)

Box 174 Folder 6 Wahl, Jean, 1945-1978

Box 174 Folder 7 Wagner, Charles A., 1966-1975

Box 174 Folder 8 Wald, Alan M., 1974-1986

Box 174 Folder 9 Wald, George, 1952-1975


Box 175 Folder 1 Warren, Larissa, 1962-1978

Box 175 Folder 2 Warren, Norman, 1920s-1972

Box 175 Folder 3 Wasson, R. Gordon (Robert Gordon), 1951

Box 175 Folder 4 Weber, Alfred, 1947

Box 175 Folder 5 Weber, Jack, 1946-1948

Box 175 Folder 6 Weber, Max, 1940-1941

Box 175 Folder 7 Wechsler, Herman J. (Herman Joel), 1928-1938

Box 175 Folder 8 Wechsler, Judith, 1966-1990

Box 175 Folder 9 Weeren-Griek, Hans van, 1964-1991

Box 175 Folder 10 Weigel, Henrietta, 1945-1975

Box 175 Folder 11 Weinberg, Wilhelm, 1956

Box 175 Folder 12 Weinstein, Allen, 1974-1976

Box 175 Folder 13 to 14 Weiss, Eva Gelfman, 1963-1988, (2 Folders)


Box 176 Folder 1 Weiss, Eva Gelfman, 1989-2002

Box 176 Folder 2 Weitzmann, Kurt, 1936-1979

Box 176 Folder 3 Werckmeister, O.K. (Otto Karl), 1972-1977

Box 176 Folder 4 Wescher, Paul, 1936-1938

Box 176 Folder 5 Wheeler, Monroe, 1945

Box 176 Folder 6 White, Barbara Ehrlich, 1966-1994

Box 176 Folder 7 White, Lynn, 1940-1975

Box 176 Folder 8 White, Minor, 1946-1969

Box 176 Folder 9 White, Morton Gabriel, 1939-1978

Box 176 Folder 10 Whitehill, Walter Muir, 1932-1940

Box 176 Folder 11 Whitney Museum of American Art, 1934-1984

Box 176 Folder 12 Wieseltier, Leon, 1974-1989

Box 176 Folder 13 Williams, John, 1974-1987

Box 176 Folder 14 Willingham, Calder, 1948-1950

Box 176 Folder 15 Wilson, Edmund, 1941-1961

Box 176 Folder 16 Wind, Edgar, 1937-1949


Box 177 Folder 1 Wischnitzer, Rachel, 1942-1985

Box 177 Folder 2 Wittkower, Rudolf, 1942-1966

Box 177 Folder 3 Wlach, Oskar, 1939-1941

Box 177 Folder 4 Wohlstetter, Albert, 1937-1963

Box 177 Folder 5 Wolff, Kurt, 1942-1959

Box 177 Folder 6 Wolfe, Bertram David, 1937-1939

Box 177 Folder 7 Wollheim, Richard, 1959-1980

Box 177 Folder 8 Wolpe, Hilda Morley, 1952

Box 177 Folder 9 to 10 World War, 1939-1945 -- Refugees, 1939-1949, 1939-1945, 1939-1949, (2 Folders)

Box 177 Folder 11 Wormald, Francis, 1931-1972

Box 177 Folder 12 Worms, Jean-Pierre and Miriam, 1968-1989

Box 177 Folder 13 Worringer, Wilhelm, 1929

Box 177 Folder 14 Wright, David, 1960-1981

Box 177 Folder 15 Wyler, Eva, 1940s-1971

Y


Box 178 Folder 1 Y--General, 1969-1978

Box 178 Folder 2 Yaddo (Artist's Colony), 1957-1982

Box 178 Folder 3 Yale University, 1947-1988

Box 178 Folder 4 Yamada, Chisaburō, 1963-1970

Box 178 Folder 5 Yeshiva University, 1971-1973

Box 178 Folder 6 Yivo Institute for Jewish Research, 1981-1983

Box 178 Folder 7 Young Men's Hebrew Association (New York, N.Y.), 1937-1984

Z

Box 178 Folder 8 Z--General, 1937-1960

Box 178 Folder 9 Zerner, Henri, 1946-1996

Box 178 Folder 10 Zhivov, V.M., 1978

Box 178 Folder 11 Zierer, Ernest, 1945-1964

Box 178 Folder 12 Zilsel, Edgar, 1939-1943

Box 178 Folder 13 Zucker, Nina, 1972-1993

Box 178 Folder 14 Zucker, Paul, 1931-1941

Series III: Professional Papers, 1929-1990

Series III encompasses all records affiliated with Schapiro's academic and professional life, this includes materials relating to lectures that were delivered outside his formal academic appointments.

Subseries: III.1: Administrative Records, 1950s-1990s

Files in this subseries are representative of the daily administrative functions of Schapiro's role as a professor, scholar, and academic. They include requests for letters of recommendation, requests for interviews, and other assorted office files that pertain to his academic position. This includes materials for general courses, fellowship applications, and other files directly related to his standing as a university professor.

Letters of recommendation requests


Box 179 Folder 1 1940s

Box 179 Folder 2 to 4 1950s, (3 Folders)

Box 179 Folder 5 1960s

Box 179 Folder 6 1970s

Box 179 Folder 7 1980-1982

Box 179 Folder 8 1983-1985

Box 179 Folder 9 1986-1989

Box 179 Folder 10 1990s


Box 656 Folder 1 John Simon Guggenheim Memorial Foundation fellowship -- Application, correspondence, and notes,, 1939

(Schapiro's project was the "preparation of a corpus of the paintings, drawings and ornament in manuscripts of southern France from 10th to the end of the 12th century with an analysis and interpretation of these works.")

Box 656 Folder 2 Lectures, symposiums, and moderated panels Schapiro participated in -- Programs, invitations, and broadsides,, 1939-1979

Box 656 Folder 3 Financial records, 1930s-1980s

Box 656 Folder 4 Lists of journals held in faculty office, 1960s

Box 656 Folder 5 Meyer Schapiro appointed University Professor -- Press release and clippings,, 1965 October 31

Box 656 Folder 6 Lists of photographers, artists, and scholars who have worked or studied with Meyer Schapiro,, 1980s

Box 656 Folder 7 Lists relating to correspondence, 1980s

Box 656 Folder 8 Interview and research requests -- Correspondence, 1980s-1990s


Box 180 Folder 1 Reproductions -- Slides used in various professional lectures

Box 180 Folder 2 Lists of reproductions used in courses and lectures, organized by artist,, 1960s-1980s

Box 180 Folder 3 to 5 Lists of reproductions used in courses and lectures, 1960s-1981, (3 Folders)

Subseries: III.2: Courses, 1929-1977

While predominantly known as a professor at Columbia University, Schapiro also taught courses at the New School for Social Research, New York University, and other institutions. This subseries groups these course materials and is further arranged by institution.

Sub-Subseries: III.2.1: Columbia University, 1929-1977

Schapiro's role as a faculty member at Columbia University went uninterrupted from 1928 until 1978, a full 50 years of academic service. Schapiro began his formal teaching at Columbia beginning in 1928, when he became a "Lecturer" in the Fine Arts department, where art history courses were taught in the same department as those focused on the practice of fine arts. An independent art history department would not be established until 1961.Four years later, in 1965, Schapiro was appointed University Professor, the second such honor bestowed to a faculty member at Columbia at the time. In 1973, Schapiro become University Professor Emeritus at Columbia and would continue to teach until 1978.

The records in this sub-subseries contain material to classes Schapiro taught at Columbia throughout his career at the university. They include typescripts, notes, slide lists, and transcripts of his lectures.

The sub-subseries is organized chronologically beginning in 1929, the year in which records first appear in the collection. Schapiro titled his classes differently then they appear in official class bulletins. To maintain consistency, all class titles conform to official titles retrieved from department class bulletins published by Columbia University and housed at the University Archives at the Rare Book & Manuscript Library.

Several of these courses have been recorded and are housed in Series VII: Sound and video recording, Subseries: VII.2: Audiocassettes and audiotapes. Those courses that have been recorded will be indicated as such after the course title in this sub-subseries. Additionally, these courses are also cross-referenced in Series VII, Subseries: VII.2.


Box 181 Folder 1 Course proposals and professional notes, 1929-1940s

Box 181 Folder 2 The illumination of early Christian and Medieval manuscripts (Fine Arts 273-274) -- Lecture outlines and notes,, 1929

Box 181 Folder 3 Modern painting (Fine Arts s136) -- Lecture outlines and notes, 1930s

Box 181 Folder 4 Modern painting (Fine Arts s136) -- Bibliographies and assignments,, 1930s

Box 181 Folder 5 Romanesque sculpture (Fine Arts 153) -- Lecture outlines and notes,, 1930s

Box 181 Folder 6 Medieval and early Christian art -- Lecture outlines and notes, 1930s-1940s

Box 181 Folder 7 Early Christian and late classic art -- Examinations, notes, and clippings,, 1930s-1960s

Box 181 Folder 8 Romanesque sculpture -- Lecture outlines, notes, and slide lists, 1930s-1960s

Box 181 Folder 9 The illumination of early Christian and Medieval manuscripts (Fine Arts 273-274) -- Syllabi and notes,, 1931

Box 181 Folder 10 Romanesque architecture (Fine Arts154) -- Typescripts and notes, 1932-1940

Box 181 Folder 11 Modern painting (Fine Arts s136) -- Lecture outlines and notes, 1933

(Chiefly relating to Impressionism)

Box 181 Folder 12 Early Christian and Medieval painting (Fine Arts 275-276) --Lecture outlines, bibliographies, and slide lists,, 1933

Box 181 Folder 13 Romanesque sculpture in France (Fine Arts 371) -- Lecture outlines and notes, 1933 Winter, 1933

Box 181 Folder 14 European painting since 1860 (Fine Arts 176) -- Lecture outlines and student notes, 1936-1940, 1860, 1936-1940

Box 181 Folder 15 Romanesque architecture (Fine Arts154) -- Typescripts and notes, 1937-1938

(Accompanied by class outlines from other professors)

Box 181 Folder 16 European painting since 1860 (Fine Arts 176) -- Lecture outline and notes, 1938, 1860, 1938

Box 181 Folder 17 Introduction to art --Lecture outlines, notes, and slide lists, 1938-1941

Box 181 Folder 18 European painting since 1860 (Fine Arts 176)-- Lecture notes, 1940s, 1860, 1940s

Box 181 Folder 19 Modern painting from 1848 to 1900 (Fine Arts 175) -- Lecture outlines and notes, 1940s, 1848, 1900, 1940s

Box 181 Folder 20 Romanesque architecture (Fine Arts154) -- Student notes, 1940 Spring, 1940

Box 181 Folder 21 Romanesque architecture (Fine Arts154) -- Student notes, 1940 May


Box 182 Folder 1 Romanesque sculpture (Fine Arts 155) -- Student notes, 1940 Winter, 1940

Box 182 Folder 2 European painting since 1860 (Fine Arts 176) -- Lecture outlines, 1941, 1860, 1941

Box 182 Folder 3 Early Christian and Medieval painting and manuscripts (Fine Arts 253-254) -- Notes,, 1944

Box 182 Folder 4 Islamic art (Fine Arts 188) -- Student notes, 1948-1949

Box 182 Folder 5 Modern painting from 1848 to 1900 (Fine Arts 175)-- Lecture outlines, 1948, 1848, 1900, 1948

Box 182 Folder 6 Modern painting from 1848 to 1900 (Fine Arts 175) and Modern painting since 1900 (Fine Arts 176) -- Transcripts, 1948-1949, 1848, 1900, 1900, 1948-1949

(Transcripts are of student Norris Smith's notes. Arranged by artist and paginated. Includes table of contents)

Box 182 Folder 7 Modern painting since 1900 (Fine Arts 176) -- Student notes, 1949, 1900, 1949

Box 182 Folder 8 to 19 Literature, theories and methods of art history (Fine Arts 200) -- Outlines, notes, bibliographies, and assignments,, 1950s, (12 Folders)


Box 183 Folder 1 Twentieth century art -- Lecture outlines, 1950s

Box 183 Folder 2 Early Christian painting (Fine Arts 253) -- Student reports, 1950 Winter, 1950

Box 183 Folder 3 Modern painting from 1848 to 1900 (Fine Arts 175) -- Reproductions and slide lists, 1950, 1848, 1900, 1950

(Reproductions of art works shown in classes. Accompanied by notes)

Box 183 Folder 4 Modern painting since 1900 (Fine Arts R176) -- Student notes, 1958 September, 1900, 1958 September

Box 183 Folder 5 Romanesque painting (Fine Arts 154b) -- Lecture outlines, 1959

Box 183 Folder 6 Examinations for graduate degrees, 1960s

Romanesque sculpture (Fine Arts 154a)

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 183 Folder 7 Annotated transcript, 1960 February

(Lecture on the revival of monumental sculpture. Accompanied by class outlines)

Box 183 Folder 8 Annotated transcript, 1960 February

(Lecture titled "Iconography I" relating to iconography as a system)

Box 183 Folder 9 Annotated transcript, 1960 February

(Lecture titled "Iconography II" relating to the secular content in religious themes)

Box 183 Folder 10 Annotated transcript, 1960 March

(Lecture on iconography and marginal imagery)

Box 183 Folder 11 Annotated transcript, 1960 May

(Lecture on the Romanesque figure)

Box 183 Folder 12 Annotated transcript, 1960 May

(Lecture on Romanesque drapery)

Box 183 Folder 13 Transcript, 1960 Spring, 1960

(Lecture on Romanesque portal composition. Transcript created in 1984 for the manuscript relating to The Charles Eliot Norton lecture)

Box 183 Folder 14 Early Medieval painting (Art History G4330x) -- Annotated transcripts,, 1963 October

(Transcripts of three class lectures. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Theories and methods of art history (Art History G6001x)


Box 184 Folder 1 Course outlines and notes, 1963-1964

Box 184 Folder 2 Lecture outlines and notes, 1963-1964

(Lectures primarily on style and classification)

Box 184 Folder 3 Lecture outlines and notes, 1964-1964

Box 184 Folder 4 Lecture III -- Annotated transcripts, 1963-1964

(Lecture on style as a concept in classification)

Box 184 Folder 5 Lecture IV -- Annotated transcripts, 1963-1964

(Lecture on style as criterion in classification and concept of period and place)

Box 184 Folder 6 Lecture V -- Annotated transcripts, 1963-1964

(Lecture on the gradients of style)

Box 184 Folder 7 Lecture VI -- Annotated transcripts, 1963-1964

(Lecture on the concept of style in philosophy of history, interpretation, and semiotics)

Box 184 Folder 8 Lecture VII -- Annotated transcripts, 1963-1964

(Lecture on interpretation)

Box 184 Folder 9 Lecture VIII -- Annotated transcripts, 1963-1964

(Lecture on interpretation)

Box 184 Folder 10 Lecture IX -- Annotated transcripts, 1963-1964

(Lecture on expression)

Box 184 Folder 11 Lecture X -- Annotated transcripts, 1963-1964

(Lecture on the world view of art)

Box 184 Folder 12 Lecture XI -- Annotated transcripts, 1963-1964

(Lecture on philosophy in painting, world views, and explanation of styles)

Box 184 Folder 13 Lecture XII -- Annotated transcripts, 1963-1964

(Lecture on the development of styles)

Box 184 Folder 14 Lecture XIII -- Annotated transcripts, 1963-1964

(Lecture on universal practices in the history of art and Heinrich Wölfflin on value)

Box 184 Folder 15 Early Medieval art -- Lecture outline, 1964

Impressionism (Art History G4630)

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 184 Folder 16 Lecture I -- Annotated transcripts, 1964 May 18

(Accompanied by notes)

Box 184 Folder 17 Lecture II -- Annotated transcripts, 1964 May 20

Box 184 Folder 18 Lecture III -- Annotated transcripts, 1964 May 25

(Accompanied by slide list)

Modern painting since 1900 (Art History G4640y), 1900

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 185 Folder 1 Annotated transcripts and notes, 1965 February

Box 185 Folder 2 Annotated transcripts and notes, 1965 March

(Lecture is chiefly focused on Henri Matisse. Accompanied by notes)

Box 185 Folder 3 Annotated transcripts, 1965 April

(Lecture is chiefly focused on Pablo Picasso)

Abstract painting (Art History G4641x)

(Lecture titles are derived from sound recordings found in Series VII, Subseries VII.2)

Box 185 Folder 4 Outlines and notes, 1967

Box 185 Folder 5 Lecture I: introduction -- Annotated typescript, 1967 October 4

Box 185 Folder 6 Lecture II: meaning of "abstract" preconditions for Abstract painting -- Annotated typescript,, 1967 October 11

Box 185 Folder 7 Lecture III: Preconditions for Abstract painting continued and art preceding abstraction -- Annotated typescript and outlines,, 1967 October 18

Box 185 Folder 8 Lecture IV: themes in art preceding abstraction (1870-1910) -- Annotated typescript,, 1967 October 25

Box 185 Folder 9 Lecture V: role of photography and introduction to Cubism-- Annotated typescript,, 1967 November 1

Box 185 Folder 10 Lecture VI: Picasso before Cubism, the Fauves -- Annotated typescript,, 1967 November 8

Box 185 Folder 11 Lecture VII: Cubism, Picasso and Braque -- Outlines and notes, 1967 November 15

Box 185 Folder 12 Lecture VIII: Cubism -- Annotated typescript, 1967 November 22

Box 185 Folder 13 Lecture IX: developments from Cubism, simultaneity, and the concept of time in painting-- Annotated typescript,, 1967 November 29


Box 186 Folder 1 Lecture X: development of Cubism: France and Italy -- Annotated typescript,, 1967 December 6

Box 186 Folder 2 Lecture XI: Futurism, Russia, and Suprematism -- Annotated typescript,, 1967 December 13

Box 186 Folder 3 Lecture XII: Suprematism and German Expressionism -- Annotated typescript,, 1967 December 20

Box 186 Folder 4 Lecture XIII: Kandinsky and Mondrian -- Annotated typescript, 1968 January 10

Box 186 Folder 5 Lecture XIV: developments from Cubism in America -- Annotated typescript,, 1968 January 17

Box 186 Folder 6 Lecture XV: American Abstract art -- Annotated typescript, 1968 January 24

Box 186 Folder 7 Outlines and notes, 1968

Box 186 Folder 8 Annotated outlines and notes, 1967-1968

Box 186 Folder 9 Slide lists and lecture table of contents, 1967-1968

Box 186 Folder 10 Research files, 1967-1968

(File contains photocopies and notes relating to reconstructing elements of Lecture III with other lectures Schapiro conducted at Cornell University)

Box 186 Folder 11 Research files, 1967-1968

(File contains photocopies and notes relating to reconstructing elements of Lecture VII with other lectures Schapiro conducted at Cornell and Oxford Universities)

Theory and methods of art history (Art History G6001x)

(Sound recordings of these lectures can be found in Series VII, Subseries VII.2)


Box 187 Folder 1 Course outline, 1969

Box 187 Folder 2 Outlines and notes, 1969

(Chiefly on style and classification)

Box 187 Folder 3 Lecture I -- Annotated typescript, 1969 October 1

Box 187 Folder 4 Lecture II -- Annotated typescript, 1969 October 8

(Introduction to course and lecture on classification)

Box 187 Folder 5 Lecture III -- Annotated typescript, 1969 October 22, 1969 October

(Lecture chiefly on classification)

Box 187 Folder 6 Lecture IV -- Annotated typescript, 1969 October 29

(Lecture chiefly on classification)

Box 187 Folder 7 Lecture V -- Annotated typescript, 1969 November 5

(Lecture chiefly on classification)

Box 187 Folder 8 Lecture VI -- Annotated typescript, 1969 November 12

(Lecture chiefly on periodization)

Box 187 Folder 9 Lecture VII -- Annotated typescript, 1969 November 19

(Lecture chiefly on periodization and style)

Box 187 Folder 10 Lecture VIII -- Annotated and corrected typescripts, 1969 November 26

(Lecture chiefly on style. Corrected typescript dated 1975 November)

Box 187 Folder 11 Lecture IX -- Corrected typescript, 1969 December 3

(Corrected typescript dated 1975 November)


Box 188 Folder 1 Lecture X -- Annotated typescript, 1969 December 10

(Lecture chiefly on interpretation)

Box 188 Folder 2 Lecture XI -- Annotated typescript, 1969 December 17

(Lecture chiefly on interpretation)

Box 188 Folder 3 Lecture XII -- Annotated typescript, 1970 January 7

(Lecture chiefly on interpretation, expression, and color)

Box 188 Folder 4 Lecture XIII -- Annotated typescript, 1970 January

(Accompanied by notes)

Early Christian painting (Art History G4320x)

(Sound recordings of these lectures can be found in Series VII, Subseries VII.2)

Box 188 Folder 5 Lecture I -- Transcript, 1970 September 30

(Accompanied by notes)

Box 188 Folder 6 Lecture II -- Transcript, 1970 October 7

Box 188 Folder 7 Lecture III -- Transcript, 1970 October 14

Box 188 Folder 8 Lecture IV -- Transcript, 1970 October 21

Box 188 Folder 9 Lecture V -- Transcript, 1970 October 28

Box 188 Folder 10 Lecture VI -- Transcript, 1970 November 4

Box 188 Folder 11 Lecture VII -- Transcript, 1970 November 11


Box 189 Folder 1 Lecture VIII -- Transcript, 1970 November 18

Box 189 Folder 2 Lecture IX -- Transcript, 1970 November 25

Box 189 Folder 3 Lecture X -- Transcript, 1970 December 2

Box 189 Folder 4 Lecture XI -- Transcript, 1970 December 9

Box 189 Folder 5 Lecture XII -- Transcript, 1970 December 16

Box 189 Folder 6 Lecture XIII -- Transcript, 1971 January 6

Box 189 Folder 7 to 13 Reproductions, 1970 November, (7 Folders)

Representation and meaning (Art History G8002x)


Box 190 Folder 1 Outlines and notes, 1971-1972

(Lecture chiefly on semiotics and representation)

Box 190 Folder 2 Outlines and notes, 1971-1972

(Lectures chiefly on representation and knowing)

Box 190 Folder 3 Notes and student rosters, 1971-1972

Box 190 Folder 4 to 5 The sociology of art (Art History-Sociology G9001x) -- Outlines, notes, correspondence, applications, and student rosters 1973 (2 Folders), 1973

(Course chiefly on social context of intellectual and artistic innovation. Team taught with Sigmund Diamond)

Theories and methods of investigation of art (Art History G6001)

Box 190 Folder 6 Outlines and notes, 1973

(Lectures chiefly on expression and interpretation)

Box 190 Folder 7 Outlines and notes, 1973

(Lectures chiefly on explanation and styles)

Box 190 Folder 8 Romanesque sculpture (Art History G8335x) -- Student reports, 1973-1976

(Accompanied by notes)

Theories and methods of investigation of art (Art History G6001x)

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 190 Folder 9 Outlines and notes, 1974 October - December, 1974 October

Box 190 Folder 10 Notes, 1974 October - December, 1974 October

(Notes chiefly on interpretation)

Box 190 Folder 11 Lecture III -- Corrected transcript, 1974 October 2

Box 190 Folder 12 Lecture IV -- Annotated typescript, 1974 October 9

(Lecture on representation, perspective, and illusion)


Box 191 Folder 1 Lecture V -- Annotated typescript, 1974 October 16

(Lecture on representation, field and vehicle, and the frame)

Box 191 Folder 2 Lecture VI -- Annotated typescript, 1974 October 23

Box 191 Folder 3 Lecture VII -- Annotated typescript, 1974 October 30

Box 191 Folder 4 Lecture VIII -- Annotated typescript, 1974 November 6

Box 191 Folder 5 Lecture IX -- Annotated typescript, 1974 November 13

(Lecture is chiefly on text and representation)

Box 191 Folder 6 Lecture X -- Corrected typescript, 1974 November 20

(Lecture is chiefly on interpretation)

Box 191 Folder 7 Lecture XI -- Annotated typescript, 1974 November 27

(Lecture is chiefly on interpretation and representation)

Box 191 Folder 8 Lecture XII -- Corrected typescript, 1974 December 4

(Lecture is chiefly on the interpretation of non-representational elements and abstract devices)

Box 191 Folder 9 Lecture XIII -- Corrected typescript, 1974 December 11

(Lecture is chiefly on the interpretation of abstract art)


Box 192 Folder 1 Lecture XIV -- Corrected typescript, 1974 December 12

Box 192 Folder 2 Reproductions, 1974 November --, 1974 November

(Accompanied by slides lists and notes. Images chiefly relating to graphic analysis)

Box 192 Folder 3 Reproductions, 1974 November --, 1974 November

(Images chiefly relating to graphic analysis)

Box 192 Folder 4 Correspondence and editorial notes, 1998

(Correspondence between Paolo Berdini and Lillian Milgram Schapiro regarding edits to lecture transcripts for use in the publicationPhilosophy and Worldview in Art)

Theory and methods of investigation of art (Art History G6021x)

(Sound recordings of these lectures can be found in Series VII, Subseries VII.2)

Box 192 Folder 5 Course outlines and notes, 1975 September

(Course chiefly on judgment, valuation, style, and expression)

Box 192 Folder 6 Course outlines and notes, 1975 September

Box 192 Folder 7 Lecture I -- Outlines and notes, 1975 September 10

Box 192 Folder 8 Lecture II -- Annotated typescript, 1975 September 17

Box 192 Folder 9 Lecture III -- Annotated typescript and slide list, 1975 September 24

Box 192 Folder 10 Course outlines and notes, 1975 October-November

Box 192 Folder 11 Lecture IV -- Annotated typescript, 1975 October 1

Box 192 Folder 12 Lecture V -- Annotated typescript, 1975 October 8

Box 192 Folder 13 Lecture VI -- Annotated typescript and slide list, 1975 October 15


Box 193 Folder 1 Lecture VII -- Annotated typescript and slide list, 1975 October 22

Box 193 Folder 2 Lecture VIII -- Annotated typescript, 1975 October 29

Box 193 Folder 3 Lectures IX-XIII -- Notes, 1975 November-December

Box 193 Folder 4 Lecture IX -- Annotated typescript and slide list, 1975 November 5

Box 193 Folder 5 Lecture X -- Annotated typescript, 1975 November 12

Box 193 Folder 6 Lecture XII -- Outlines and notes, 1975 November

Box 193 Folder 7 Lecture XIII -- Annotated typescript, 1975 December 3

Box 193 Folder 8 Lecture XIV -- Annotated typescript, 1975 December 10

Box 193 Folder 9 Reproductions, 1975 October

(Images chiefly on the topic of expression)

Box 193 Folder 10 Reproductions, 1975 October

(Images chiefly on the topic of style and expression)

Box 193 Folder 11 Examinations, 1975 December

Box 193 Folder 12 Romanesque sculpture (Art History G8335x) -- Notes and student notes,, 1976

Romanesque sculpture (Art History G8335x)

Box 193 Folder 13 Notes, 1977

Box 193 Folder 14 Student reports, 1977

Sub-Subseries: III.2.2: New School for Social Research (New York, N.Y.), 1930s-1954

Schapiro taught at the New School for Social Research on a formal basis early in the 1930s and again in the 1950s. Course material includes lecture outlines, slide lists, and annotated typescripts.


Box 194 Folder 1 Modern painting from Impressionism to Surrealism -- Bibliographies, outlines, and examinations,, 1930s-1950s

Box 194 Folder 2 Content of modern art -- Lecture outlines, slide lists, and notes,, 1935 October

European painters

Box 194 Folder 3 Outlines and bibliographies, 1938-1946

Box 194 Folder 4 Bruegel, Pieter, I -- Lecture outlines, notes, and slide list, 1938-1946

Box 194 Folder 5 Caravaggio, Michelangelo Merisi da -- Lecture outline, 1938-1946

Box 194 Folder 6 Cézanne, Paul -- Annotated typescript, 1938-1946

(Accompanied by student reports)

Box 194 Folder 7 David, Jacques-Louis -- Lecture outline and slide list, 1938-1946

Box 194 Folder 8 Gogh, Vincent van -- Annotated typescript, 1938-1946

Box 194 Folder 9 Goya, Francisco de -- Annotated typescript, 1938-1946

Box 194 Folder 10 Greco, El -- Lecture outline and slide list, 1938-1946

Box 194 Folder 11 Hogarth, William -- Slide list, 1938-1946

Box 194 Folder 12 Poussin, Nicolas -- Annotated typescript, 1938-1946

Box 194 Folder 13 Rembrandt van Rijn --Lecture outlines, typescripts, and slides lists,, 1938-1946

Box 194 Folder 14 Rubens, Peter Paul -- Slide lists, 1938-1946

Box 194 Folder 15 Velazques, Diego -- Annotated typescript, lecture outlines, notes, and slide lists,, 1938-1946

Box 194 Folder 16 Watteau, Jean-Antoine -- Lecture outline and slide list, 1938-1946

Box 194 Folder 17 Introduction to art -- Outlines, notes, and slide lists, 1941 October

Box 194 Folder 18 Painting, graphic arts, architecture, and sculpture -- Course descriptions,, 1941-1942

Box 194 Folder 19 Modern art -- Examinations, 1951 Fall, 1951

Box 194 Folder 20 Early Christian painting : from pagan to Christian art -- Slide lists,, 1954

Sub-Subseries: III.2.3: New York University, 1930s

While not known for his affiliation with New York University, Schapiro taught there in the early 1930s. His classes included Islamic art, the culture of Spain, and Medieval architecture among others. Course materials include lecture outlines, research notes, and slide lists.


Box 195 Folder 1 French illuminated manuscripts -- Bibliography and notes, 1930s

French Romanesque art

Box 195 Folder 2 Syllabus and notes, 1930s

Box 195 Folder 3 Student drawings, 1930s

Box 195 Folder 4 Islamic art -- Bibliography, 1930s

The culture of Spain

Box 195 Folder 5 Syllabai, notes, and bibliographies, 1930s

Box 195 Folder 6 Reading lists and research notes, 1930s

Medieval architecture

Box 195 Folder 7 Lecture I -- Transcripts and notes, 1932

Box 195 Folder 8 Lecture II -- Transcripts and notes, 1932

Box 195 Folder 9 Lecture IIIa : Carolingian and Romanesque -- Typescript and notes,, 1932

Box 195 Folder 10 Lecture IIIb : French Romanesque -- Typescript and notes, 1932

Box 195 Folder 11 French Romanesque art -- Student reports, circa, 1934

Box 195 Folder 12 Modern painting -- Bibliographies, 1935

French and English illuminated manuscripts

(This class was taught at the Pierpont Morgan Library)

Box 195 Folder 13 Student notes, 1936 Spring, 1936

Box 195 Folder 14 Student notes, 1936 Spring, 1936

Box 195 Folder 15 Course outlines, notes, and examinations, 1937

Sub-Subseries: III.2.4: Other or unknown institutions, 1930s-1965

Affiliated institutions where Schapiro taught and that are represented in this sub-subseries include the Pierpont Morgan Library and the New York Studio School of Drawing, Painting and Sculpture.


Box 196 Folder 1 Early Christian art --Unknown institution -- Annotated typescripts,, 1930s

Box 196 Folder 2 The culture of France : Romanesque architecture -- Unknown institution -- Transcripts and notes,, 1930s

Box 196 Folder 3 Medieval art --Unknown institution -- Outlines and notes, 1930s

Box 196 Folder 4 European painting since 1860 -- Unknown institution --Examinations and seminar subjects, 1930s-1950s, 1860, 1930s-1950s

Box 196 Folder 5 Illuminated manuscripts -- Pierpont Morgan Library -- Bibliography and notes,, 1934

Box 196 Folder 6 Abstract painting -- Unknown institution -- Student reports, 1939

(Course potentially given at New School for Social Research (New York, N.Y.) or New York University)

Box 196 Folder 7 Modern painting from 1848 to 1900 -- Unknown institution -- Student reports, circa 1940s, 1848, 1900, 1940s

Box 196 Folder 8 Early Christian and Medieval painting : from pagan to Christian art -- Unknown institution -- Lecture typescript and notes,, 1940

Box 196 Folder 9 Early Christian art : San Vitale (Basilica : Rome, Italy) -- Unknown institution -- Lecture outlines and notes,, 1940

Box 196 Folder 10 Modern painting --Unknown institution --Student notes, 1946

(Notes relate chiefly to Paul Cézanne)

Box 196 Folder 11 Modern painting : theoretical problems of art -- Unknown institution -- Examinations and notes,, 1949

(Accompanied by student letters for admission into course)

Box 196 Folder 12 Literature, themes, and methods of art history -- Course outlines, notes, and correspondence,, 1950s

Box 196 Folder 13 Giotto -- New York Studio School of Drawing, Painting and Sculpture -- Annotated typescripts,, 1965 March

Subseries: III.3: Lectures, 1930s-1980s

Outside of his formal academic teaching, Schapiro was a prominent international lecturer in art history and other related disciplines. Materials in this subseries reflect his formal participation in a variety of academic and non-academic settings as a professional lecturer, visiting scholar, or visiting fellow. This includes material from Schapiro's 1967 Charles Eliot Norton lectures at Harvard University and his 1968 lecture on Abstract art from the Slade Lectures in the Fine Arts at Oxford University. Other prominent lectures include "The unity of Picasso's art" delivered at the Albright-Knox Art Gallery in 1973 and the lecture "An experiment in the coherence of forms" given at the Solomon R. Guggenheim Museum in the 1970s.

Several of these lectures have been recorded and are housed in Series VII: Sound and video recording, Subseries: VII.2: Audiocassettes and audiotapes. Those lectures that have been recorded will be indicated as such after the lecture title in this sub-subseries. Additionally, these lectures are also cross-referenced in Series VII, Subseries: VII.2.

To facilitate discovery and retrieval, this subseries is divided chronologically by decade as follows: Sub-Subseries: III.3.1: 1930s, Sub-Subseries: III.3.2: 1940s, Sub-Subseries: III.3.3: 1950s, Sub-Subseries: III.3.4: 1960s, Sub-Subseries: III.3.5: 1970s, Sub-Subseries: III.3.6: 1980s.

Sub-Subseries: III.3.1, 1930s


Box 197 Folder 1 Introduction to art -- Unknown location -- Lecture outline and notes,, 1930s

(Includes topics on attribution, preserving monuments, cinema and Fernand Léger)

Box 197 Folder 2 Architecture -- Unknown locations -- Lecture outlines and notes, 1930s

Box 197 Folder 3 Design and machine -- Federal Design Laboratory -- Annotated outline,, 1930s

Box 197 Folder 4 The classic and the Medieval book : roll and codex -- Unknown location -- Outlines, notes, and annotated typescript,, 1930s

Box 197 Folder 5 Marxism and art -- Unknown location -- Outline, circa, 1930s

Box 197 Folder 6 On Picasso -- Museum of Modern Art (New York, N.Y.) -- Annotated typescript,, 1930 May

(Photocopies of lecture notes taken by William Rubin and Albert Elsen)

Box 197 Folder 7 Two principles of Medieval art -- Harvard University -- Outlines, typescripts, and notes,, 1932 April

Box 197 Folder 8 Twentieth century painting : modern art -- New York University -- Lecture outline and slide list,, 1933 January

Box 197 Folder 9 Romanesque sculpture -- Metropolitan Museum of Art (New York, N.Y.) -- Outlines and notes,, 1933 February

Box 197 Folder 10 Painting -- League of Professional Schools -- Outline, 1933 March

Box 197 Folder 11 Modern architecture -- Unknown location -- Outlines and notes, 1935 January

Box 197 Folder 12 Philosophy of art in the Middle Ages -- Philadelphia Museum of Art -- Typescript, notes, and slide list,, 1935 January

Box 197 Folder 13 Content of modern art -- Art Students League (New York, N.Y.) -- Lecture outline and notes,, 1935 February

Box 197 Folder 14 Content of Cézanne -- Princeton University -- Lecture outline and notes,, 1935 November

Box 197 Folder 15 Content of modern architecture -- Art Institute of Chicago -- Lecture outline and notes,, 1936 January

Box 197 Folder 16 Artist portrayed by himself -- Brooklyn Institute of Arts and Sciences -- Typescript and slide list,, 1937 January

Box 197 Folder 17 Barbarian art : western Asia and Europe -- Worcester, Massachusetts -- Typescript and notes,, 1937 February

Box 197 Folder 18 Technology and modern art -- Williams College -- Outline and notes,, 1937 May

Box 197 Folder 19 Medieval art : social aspects -- Metropolitan Museum of Art (New York, N.Y.) -- Transcripts, notes, and slide list,, 1938 February

Box 197 Folder 20 Economics and art -- New York, New York -- Outline and notes, 1938 April

(Lecture given for the publicationPartisan Review)

Box 197 Folder 21 Old testament in Medieval art -- Jewish Theological Seminary of America -- Typescripts and notes,, 1938 May

Box 197 Folder 22 Technical examination of works of art -- Philadelphia, Pennsylvania -- Outlines and notes,, 1938 May

(Accompanied by reproductions, drafts, and reprints of an article by David Rosen)

Box 197 Folder 23 Art and society -- Brooklyn, New York -- Typescript and notes, 1939 February

Box 197 Folder 24 The art of Pablo Picasso -- Museum of Modern Art (New York, N.Y.) -- Annotated transcripts,, 1939 November

(Lecture chiefly concerned with the work of artGuernica.Accompanied by notes and slide list)

Sub-Subseries: III.3.2, 1940s

Box 197 Folder 25 On the place of Jews in modern art. -- Jewish Theological Seminary of America -- Outline,, 1940s

Box 197 Folder 26 The arrest of Christ -- Unknown location -- Outlines and notes, circa, 1940s

Box 197 Folder 27 Gothic architecture -- Columbia University Medieval Club -- Outlines and notes, circa, 1940s

(Lecture chiefly on vaulting, functionalism, and rationality)

Box 197 Folder 28 Early Medieval German art : from folk-wondering to the end of the Romanesque -- Unknown location -- Outline and notes, circa, 1940s

(Accompanied by a slide list from 1934)

Box 197 Folder 29 Romanesque, Gothic, and Medieval art and architecture -- New School for Social Research (New York, N.Y.) -- Notes and slide lists,, 1940-1941


Box 198 Folder 1 Medieval art -- Barnard College and New School for Social Research (New York, N.Y.) - Typescripts, notes, and slide lists,, 1940-1965

Box 198 Folder 2 Giotto -- Pierpont Morgan Library -- Outline and slide list, 1941 January

Box 198 Folder 3 Jewish artists -- 50 East 87th Synagogue (New York, N.Y) -- Annotated typescript and slide lists,, 1942 January

Box 198 Folder 4 Social character of modern art -- Rand School of Social Science -- Annotated typescripts, outlines, and notes,, 1944

Box 198 Folder 5 Science and art in the nineteenth century -- Vassar College -- Notes and slide lists,, 1944 February

Gothic Architecture -- Mathews Lecture -- Metropolitan Museum of Art (New York, N.Y.)

Box 198 Folder 6 Annotated typescripts, notes, and correspondence, 1945

Box 198 Folder 7 Typescripts and notes, 1946

Box 198 Folder 8 Typescripts, notes, and outlines, 1946

Box 198 Folder 9 Bruegel, Pieter, I -- New School for Social Research (New York, N.Y.) -- Lecture outline and slide list,, 1946 February

Box 198 Folder 10 Corot, Jean-Baptiste-Camille -- New School for Social Research (New York, N.Y.) -- Slide list,, 1946

Box 198 Folder 11 Legends of the invention of flying -- University of London -- Synopsis,, 1947 March

Box 198 Folder 12 Daumier, Honoré -- Columbia University -- Annotated typescript, 1948

Box 198 Folder 13 The value of modern art -- Columbia University -- Typescript and outline,, 1948 March

(Lecture given at the forum "The arts and the artist in our society today" held at the Browsing Room in Butler Hall. Accompanied by correspondence and transcripts to Mark van Doren's lecture "The modern conception of the poet" given at the same forum)

Box 198 Folder 14 Henri Matisse -- Museum of Modern Art (New York, N.Y.) -- Lecture outline,, 1949

(Lecture was given at a symposium dedicated to Matisse. Accompanied by clippings)

Box 198 Folder 15 Art and state -- Rand School of Social Science -- Outlines, abstract, and reviews,, 1949 March

(Lecture given as part of a forum dedicated to labor action)

Box 198 Folder 16 Modern art -- Bard College -- Lecture outlines and notes, 1949 May

Sub-Subseries: III.3.3, 1950s

Box 198 Folder 17 Recent American painting -- London, United Kingdom -- Outline and notes,, 1950s

Box 198 Folder 18 Some problems in the content of modern art -- Slade School of Fine Art -- Outline,, 1950s

Box 198 Folder 19 On Dewey -- New York University -- Outline and notes, 1590s

(Lecture given at the symposium "Art as experience")

Box 198 Folder 20 Modern art and spectator -- Buffalo, New York -- Outline and notes, circa, 1950s

Religion and modern art -- Jewish Theological Seminary of America --

Box 198 Folder 21 Annotated transcript, 1950 January

Box 198 Folder 22 Outlines, notes, and correspondence, 1950 January

(Accompanied by editorial notes from 1994)

Box 198 Folder 23 Meaning and content -- New School for Social Research (New York, N.Y.) -- Lecture outlines, notes, and broadsides,, 1950 April 30

The value of modern art -- Dartmouth College

Box 198 Folder 24 Annotated transcript and notes, 1950 May

Box 198 Folder 25 Outlines, notes, and invitation, 1950 May

Box 198 Folder 26 Counter-modernism -- Harvard University -- Annotated outlines, notes, slides lists, and correspondence,, 1951

Box 198 Folder 27 Children's art -- Bank Street College of Education -- Annotated outline,, 1951 November

Leonardo: the scientist and artist -- Cooper Union for the Advancement of Science and Art

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 199 Folder 1 Annotated typescript, 1952 August

Box 199 Folder 2 Annotated and corrected typescripts, 1952 August

Box 199 Folder 3 Symbolism in the visual arts -- Sarah Lawrence College -- Outline and notes,, 1952 December

(Outline and notes relating to a session on symbolism at the annual meeting of the American Society for Aesthetics. Rudolf Arnheim and Arthur Szathmary were panelists and Schapiro was the discussant for this session. Accompanied by meeting agenda and speakers' papers delivered at the session.)

Box 199 Folder 4 Style and form -- New York University -- Outline and notes, 1953 February

Box 199 Folder 5 Social freedom and the artists freedom -- Teachers College (New York, N.Y.) -- Outlines, notes, and correspondence,, 1952-1953

Box 199 Folder 6 Impressionism -- New York University -- Outline, 1954 September

Box 199 Folder 7 Criteria of periodization in the history of European art -- American Historical Association (New York, N.Y.) -- Outlines, notes, and correspondence,, 1954 December

(Accompanied by a reprint of the lecture published in 1970)

Box 199 Folder 8 Theory of expression - Warburg Institute -- Annotated transcript, slide list, and notes,, 1954

Box 199 Folder 9 Machines and art -- New School for Social Research (New York, N.Y.) -- Lecture outline,, 1955

Box 199 Folder 10 Young American painters -- British Broadcasting Corporation -- Notes and correspondence,, 1955

Box 199 Folder 11 Leonardo da Vinci : on Leonardo and Freud -- William Alanson White Institute -- Annotated transcript and outline,, 1955 January

(This lecture forms the basis of the article "Leonardo and Freud: an art historical study" published in 1956. Accompanied by program and research notes)

Box 199 Folder 12 Science and art -- Carleton College (Northfield, Minn.) -- Outlines, notes, and correspondence,, 1955 December

Box 199 Folder 13 The plastic arts and film -- Creative Film Foundation (New York, N.Y.) -- Transcript,, 1956 April

(Transcript of lecture given at a forum sponsored by Maya Deren's foundation. Transcript published in the 1984 publication "The Legend of Maya Deren." Accompanied by correspondence regarding the publication)

Box 199 Folder 14 Address to the opening of the exhibition "The New York School, Second Generation" -- Jewish Museum (New York, N.Y.) -- Transcript,, 1957 March

(Accompanied by notes and correspondence from Horace Richter and invitation)

Box 199 Folder 15 A newly discovered English Psalter of the 13th century -- Warburg Institute -- Invitation,, 1957 June 21

Box 199 Folder 16 On art schools and education of the artist -- Minneapolis School of Art-- Transcript,, 1957 November

Monet and Impressionism -- Minneapolis School of Art

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 199 Folder 17 Lecture I -- Annotated typescript, 1957 November

Box 199 Folder 18 Lecture II -- Annotated typescripts, 1957 November

Box 199 Folder 19 Lecture III -- Annotated typescripts, 1957 November

Box 199 Folder 20 Research notes and outlines, 1957 November

From pagan to Early Christian art -- Metropolitan Museum of Art (New York, N.Y.)

(All corrected typescripts were created 1984 April. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 200 Folder 1 Lecture I: symbols: Annotated transcript, 1958 January

Box 200 Folder 2 Lecture I : symbols -- Annotated outlines and notes, 1958 January

Box 200 Folder 3 Lecture I: symbols: Corrected typescript, 1958 January

Box 200 Folder 4 Lecture II: figure/image of man -- Annotated transcript, 1958 January

Box 200 Folder 5 Lecture II: figure -- Annotated outlines and notes, 1958 January

Box 200 Folder 6 Lecture II: figure -- Corrected typescript, 1958 January

Box 200 Folder 7 Lecture III: light and color -- Annotated transcript, 1958 January

Box 200 Folder 8 Lecture III: light and color -- Corrected typescript, 1958 January

Box 200 Folder 9 Lecture IV: word -- Annotated outlines, 1958 January

Box 200 Folder 10 to 11 Lecture IV: word -- Corrected typescripts, 1958 January, (2 Folders)

Box 200 Folder 11 Lecture IV: word -- Corrected typescript, 1958 January

Box 200 Folder 12 Slide list, 1958 January

Box 200 Folder 13 Reproductions, 1958 January

Box 200 Folder 14 On the painting of a medical subject in the catacomb of the Via Latina -- New York Academy of Medicine -- Annotated typescript, correspondence, and notes,, 1958 January

Box 200 Folder 15 Abstract art : abstraction -- Southern Illinois University Carbondale -- Transcript, outlines, and notes,, 1958 February

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 200 Folder 16 Philosophy in painting -- Baltimore, Maryland -- Annotated typescript and slide list,, 1958 April

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 200 Folder 17 Migration of religious symbols as witnessed by Jewish usage in the ancient world -- Columbia University -- Annotated outline,, 1958 November

(Lecture was a response to Erwin R. Goodenough's talk "Jewish symbols in the Greco-Roman period" held at Columbia University's seminar for the study of religion and culture)

Box 200 Folder 18 Dura Synagogue -- Stern College for Women -- Transcripts, notes, clippings, and reproductions,1959-1960

Box 200 Folder 19 Art education -- Columbia College (Columbia University) -- Outlines and notes,, 1959 December

Sub-Subseries: III.3.4, 1960s

Abstract art -- Cornell University

(Lecture titles are derived from sound recordings found in Series VII, Subseries VII.2)


Box 201 Folder 1 Lecture I, part 1: Concept of abstraction in art -- Annotated typescript and notes,, 1960 April

(Accompanied by 1986 editorial notes reconstructing missing areas of typescript)

Box 201 Folder 2 Lecture I, part 2: Concept of abstraction in art -- Annotated typescript and notes,, 1960 April

Box 201 Folder 3 Lecture III: Cubist painting and its development (Picasso, Braque, Gris) -- Annotated typescript and notes,, 1960 April

Box 201 Folder 4 Lecture IV: Expressionist art in France and Germany (1905-1920) -- Annotated typescript and notes,, 1960 April

Box 201 Folder 5 Lecture V: Art and contemporary science -- Annotated typescript and notes,, 1960 April

Box 201 Folder 6 Lecture VI: Social roots of abstract art -- Annotated typescript and notes,, 1960 April

Box 201 Folder 7 Research notes and correspondence, 1960 April

Box 201 Folder 8 Student notes, 1960 April

Box 201 Folder 9 Slide lists, invitations, and programs, 1960 April

Box 201 Folder 10 Study of art in the university -- Inaugural lecture in Jack Cotton Chair of Architecture and Fine Arts -- Columbia University -- Transcript, notes, and invitation,, 1961 April 16

Impressionism -- Patten lectures -- Indiana University

(Material from these lectures were used as source material for the posthumous publicationImpressionism: Reflections and Perceptions.New York George Braziller, 1997. Lecture titles are derived from sound recordings found in Series VII, Subseries VII.2)

Box 201 Folder 11 Lecture I: the Impressionist eye -- Annotated transcripts, 1961 February

(Lecture titled "The Impressionist Eye." Accompanied by lists of all Patten lectures)

Box 201 Folder 12 Lecture II: the concept of Impressionism -- Annotated and corrected transcript,, 1961 March

(Lecture titled "The concept of the impression")

Box 201 Folder 13 Lecture III: the Impressionist aesthetic and method -- Annotated and corrected transcripts,, 1961 March

(Lecture titled "The Impressionist aesthetic and method")

Box 201 Folder 14 Lecture IV: Impressionism and science -- Annotated and corrected transcripts,, 1961 March

(Lecture titled "Impressionism and science")

Box 201 Folder 15 Lecture V: Monet's development -- Annotated and corrected transcripts,, 1961 March

(Lecture titled "Monet's development")


Box 202 Folder 1 Lecture VI: Impressionism in history -- Annotated and corrected transcripts,, 1961 March

(Lecture titled "Impressionism as a period style: its place in the world art)

Box 202 Folder 2 Lectures III, IV, and V -- Research notes, 1961 February-March

Box 202 Folder 3 Lecture VI -- Research notes and correspondence, 1961 February-March

Box 202 Folder 4 Slide lists, lecture titles and outlines, correspondence, and programs,, 1958-1961

Box 202 Folder 5 [Jewish identity in America] -- Menorah Society (New York, N.Y.) -- Annotated typescripts,, 1961 October

Box 202 Folder 6 Abstract art -- University of Pennsylvania -- Outlines and notes, 1961 November

The mark and image of the individual in modern art -- Rutgers University

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 202 Folder 7 Annotated transcripts, 1962 March

(Accompanied by editorial notes from the 1990s)

Box 202 Folder 8 Annotated outlines, notes, and correspondence, 1962 March

Box 202 Folder 9 Slide list, 1962 March

Box 202 Folder 10 Abstract art -- Jewish Theological Seminary of America -- Annotated outlines and notes,, 1962 April

(Accompanied by other lectures given at the same institution titled "On significance of certain features of modern art")

Box 202 Folder 11 The judgment of modern art as a social and psychological phenomenon -- Jewish Theological Seminary of America. Institute for Religious and Social Studies -- Corrected transcript,, 1962 April

Box 202 Folder 12 Status of Soviet Jews -- Conference on the Status of Soviet Jews -- Transcript,, 1963

(Accompanied by correspondence from Moshe Decter)

Box 202 Folder 13 Is kindness killing the arts ? -- MacDowell Colony (Peterborough, N.H.) -- Annotated typescript and notes,, 1963 August

Box 202 Folder 14 Socialist ideas -- Students Socialist Club, Columbia University -- Annotated outline and notes,, 1964 March

Box 202 Folder 15 Philosophy and worldview in painting -- Various institutions -- Annotated outlines and notes,, 1964-1969

(Institutions include Harvard University, Oxford University, Brooklyn College, and City University of New York)

From Pagan to Christian art -- Hebrew Union College -- Frank L. Weil Institute, Weil Lectures of, 1965

(All corrected typescripts were created in 1978 October. Lecture titles are derived from sound recordings found in Series VII, Subseries VII.2)

Box 202 Folder 16 Lecture I: symbol, the meanings of early Christian imagery-- Annotated typescript,, 1965 January

Box 202 Folder 17 Lecture I: symbol, the meanings of early Christian imagery -- Corrected typescript,, 1965 January

(Accompanied by editorial notes from the 1990s)


Box 203 Folder 1 Lecture II: figure, the image of the sacred person -- Annotated typescript,, 1965 January

Box 203 Folder 2 Lecture II: figure, the image of the sacred person -- Corrected typescript,, 1965 January

(Accompanied by editorial notes from the 1990s)

Box 203 Folder 3 Lecture III: order, structure of the image -- Annotated typescript,, 1965 January

Box 203 Folder 4 Lecture III: order, structure of the image -- Corrected typescript, notes, and slide list,, 1965 January

(Accompanied by editorial notes from the 1990s)

Box 203 Folder 5 to 6 Lecture IV: light, light and color in late classic and early Christian art -- Annotated typescript,, 1965 January, (2 Folders)

Box 203 Folder 7 Lecture IV: light, light and color in late classic and early Christian art -- Corrected typescript,, 1965 January

(Accompanied by editorial notes from the 1990s)

Box 203 Folder 8 Lecture V: word, the sacred text as ground of representation-- Annotated typescript,, 1965 January

Box 203 Folder 9 Lecture V: word, the sacred text as ground of representation --Corrected and annotated typescripts,, 1965 January

(Versions are interfiled according to pagination)

Box 203 Folder 10 to 11 Lecture VI: book, the illustrated manuscript and its ornament-- Annotated typescript,, 1965 January, (2 Folders)

Box 203 Folder 12 Lecture VI: book, the illustrated manuscript and its ornament -- Corrected typescript,, 1965 January

(Accompanied by editorial notes from the 1990s used to reconstruct gaps in typescript)

Box 203 Folder 13 Slide list, 1965 January

Box 203 Folder 14 Lists of reproductions, notes, and invitations, 1965 January


Box 204 Folder 1 Research file, 1965 January

Box 204 Folder 2 Synagogue art -- Hebrew Union College -- Annotated typescripts, 1965 February

Box 204 Folder 3 Romanesque sculpture -- New York Studio School of Drawing, Painting and Sculpture -- Annotated typescript and slide list,, 1965 February

Box 204 Folder 4 Philosophy in painting -- The Matchette Foundation Lectures in Philosophy -- Brooklyn College --Program,, 1965 April

Box 204 Folder 4 Art history -- College Art Association of America --Annotated outline,, 1966 January

Box 204 Folder 5 Carolingian manuscripts -- Columbia University --Transcripts and slide lists, 1966 January --, 1966 January

(Documents created in 1984. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 204 Folder 6 On the role of art in contemporary society -- Nihon Yunesuko Kokunai Iinkai, Tokyo, Japan -- Transcript and press release,, 1966 March

(Lecture given at the "International symposium on fine arts in the east and the west" sponsored by the Japanese National Commission for UNESCO)

Guernica -- Harvard University, Carpenter Design Center

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 204 Folder 7 Annotated typescripts, 1966 December

(Includes original and corrected typescript of 1978 May)

Box 204 Folder 8 Corrected typescripts, 1966 December

(Corrected typescript dated 1980 February. Accompanied by editorial notes by Lillian Milgram Schapiro)

Box 204 Folder 9 Slide lists and research notes, 1966 December

Box 204 Folder 10 Matisse -- New Orleans, Louisiana -- Annotated transcripts and outline, 1966 Spring, 1966

(Accompanied by correspondence and research notes)

The unity of Picasso's art -- Brandeis University

(Portions of this lecture were used as source material for the posthumous publicationThe Unity of Picasso's Art.New York: George Braziller, 2000. Lectures of the same title given at the Albright-Knox Art Gallery and Columbia University were also used as source material for this publication. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 204 Folder 11 Uncorrected typescript, 1967 April

Box 204 Folder 12 Annotated typescripts, 1967 April

Box 204 Folder 13 Research notes, outlines, and slide lists, 1967 April

Box 204 Folder 14 to 15 Research files, 1967-1980s, (2 Folders)

(Research files associated with this lecture may have also been used for the lectures given at the Albright-Knox Art Gallery and Columbia University)


Box 205 Folder 1 to 3 Research files, 1967-1980, (3 Folders)

Box 205 Folder 4 On drawing from the figure -- New York Studio School of Drawing, Painting and Sculpture -- Transcript,, 1967 May

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 205 Folder 5 Liberal anti-Communism revisited -- Commentary symposium -- Typescript and correspondence, 1967 May 4

Box 205 Folder 6 The study of art history -- Fogg Art Museum -- Annotated typescript,, 1967 May

(Accompanied by student notes of lecture)

Box 205 Folder 7 Baudelaire between the imaginary and the real -- Poetry Society of America -- Annotated outline, typescripts, notes, correspondence, and invitations,, 1967 November 30

Box 205 Folder 8 Philosophy and worldview in painting -- Lecture I and Lecture II-- Wolfson College (University of Oxford) -- Annotated typescript and broadside, 1968 May 27, 1968 May

(Potions of this lecture were used as primary source material for the posthumous publicationWorldview in Painting--Art and Society: Selected Papers, Vol. 5.New York: George Braziller, 1999. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Romanesque architectural sculpture -- Charles Eliot Norton lectures -- Harvard University

(For consistency, lecture titles correspond to those in the posthumous publicationRomanesque architectural sculpture: The Charles Eliot Norton lectures.Chicago: University of Chicago Press, 2006. Typescripts were created in the 1970s through the 1980s)

Box 205 Folder 9 Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth -- Annotated transcript,, 1967 February

Box 205 Folder 10 to 12 Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth -- Annotated typescripts,, 1967 February, (3 Folders)

Box 205 Folder 13 Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth -- Outlines and notes,, 1967 February

Box 205 Folder 14 Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth -- Outlines and slide lists,, 1967 February

Box 205 Folder 15 Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth -- Slide lists and notes,, 1967 February


Box 206 Folder 1 Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth -- Reproductions,, 1967 February

Box 206 Folder 2 Lecture II: field, figure, and frame (i) -- Uncorrected transcript,, 1967 February

Box 206 Folder 3 Lecture II: field, figure, and frame (i) -- Annotated transcript,, 1967 February

Box 206 Folder 4 Lecture II: field, figure, and frame (i) -- Corrected typescript,, 1967 February

Box 206 Folder 5 Lecture II: field, figure, and frame (i) -- Outlines and slide lists,, 1967 February

Box 206 Folder 6 to 7 Lecture II: field, figure, and frame (i) -- Reproductions, 1967 February, (2 Folders)

Box 206 Folder 8 Lecture II and II: field, figure, and frame (i) and (ii)-- Research notes and outlines,, 1967 February

Box 206 Folder 9 Lecture III: field, figure, and frame (ii) -- Uncorrected transcript,, 1967 February

Box 206 Folder 10 to 11 Lecture III: field, figure, and frame (ii) -- Annotated typescripts,, 1967 February, (2 Folders)

Box 206 Folder 12 Lecture III: field, figure, and frame (ii) -- Corrected typescripts,, 1967 February

Box 206 Folder 13 Lecture III: field, figure, and frame (ii) -- Annotated outline,, 1967 February

Box 206 Folder 14 to 15 Lecture III: field, figure, and frame (ii) -- Reproductions, 1967 February, (2 Folders)

Box 206 Folder 16 Lecture IV: programs of imagery (i) -- Annotated transcript, 1967 March

Box 206 Folder 17 Lecture IV: programs of imagery (i) -- Corrected transcript, 1967 March


Box 207 Folder 1 Lecture IV: programs of imagery (i) -- Annotated outlines and notes,, 1967 March

Box 207 Folder 2 to 3 Lecture IV: programs of imagery (i) -- Reproductions, 1967 March, (2 Folders)

Box 207 Folder 4 Lecture IV and V:: programs of imagery (i) and (ii) -- Annotated outlines and notes,, 1967 March

Box 207 Folder 5 Lecture V: programs of imagery (ii) -- Annotated transcript, 1967 March

Box 207 Folder 6 Lecture V: programs of imagery (ii) -- Corrected typescript, 1967 March

Box 207 Folder 7 Lecture V: programs of imagery (ii) -- Research notes, 1967 March

Box 207 Folder 8 to 9 Lecture V: programs of imagery (ii) -- Reproductions, 1967 March, (2 Folders)

Box 207 Folder 10 Lecture VI: the human figure -- Annotated transcript, 1967 March

Box 207 Folder 11 Lecture VI: the human figure -- Corrected typescript and notes,, 1967 March

Box 207 Folder 12 Lecture VI: the human figure -- Annotated outlines, research notes, and editorial notes,, 1967 March

Box 207 Folder 13 to 14 Lecture VI: the human figure -- Reproductions, 1967 March, (2 Folders)


Box 208 Folder 1 Lecture VII: animal imagery in Romanesque sculpture -- Annotated transcript,, 1967 March

Box 208 Folder 2 Lecture VII: animal imagery in Romanesque sculpture -- Corrected and annotated typescripts,, 1967 March

Box 208 Folder 3 Lecture VII: animal imagery in Romanesque sculpture -- Outlines and research notes,, 1967 March

Box 208 Folder 5 to 6 Lecture VII: animal imagery in Romanesque sculpture -- Reproductions,, 1967 March, (2 Folders)

Box 208 Folder 7 Research notes, 1967 February-March

Box 208 Folder 8 Outlines and research notes, 1967 February-March

(Outlines on "the concept of Romanesque")

Box 208 Folder 9 Outlines and research notes, 1967 February-March

(Outlines and notes on the comparison between Romanesque and American sculpture)

Box 208 Folder 10 Outlines, research notes, and reproductions, 1967 February-March

(Material chiefly on the altar at Saint-Genis des Fontaines)

Box 208 Folder 11 Research notes, reproductions, invitations, and press release, 1967 February-March

Box 208 Folder 12 Slide list, 1967 February-March

(Organized by geographic location)

Box 208 Folder 13 to 15 Slide lists, 1967 February-March, (3 Folders)


Box 633 Folder 11 Master slide list, 1967 February - March, 1967 February


Box 208 Folder 16 Correspondence, 1966-1967

Hiberno-Saxon [art]: experiment with forms -- New York Studio School of Drawing, Painting and Sculpture


Box 209 Folder 1 Typescript and notes, 1968 February

Box 209 Folder 2 Annotated outlines, research notes, and slide lists, 1968 February-March

Insular manuscript art -- Franklin Jasper Walls lectures -- Pierpont Morgan library

(Materials from these lectures were used as source material for the posthumous publicationLanguage of Forms: Lectures on Insular Manuscript Art.New York: Pierpont Morgan Library, 2005. Schapiro referred to these lectures as "Hiberno-Saxon manuscripts," the transcripts and typescripts, however, reflect the changed title used in the publication. All transcripts and typescripts were created in the 1970s through the 1990s. Lecture titles are derived from sound recordings found in Series VII, Subseries VII.2)

Box 209 Folder 3 Lecture I: frame, field, and figure -- Annotated transcripts and corrected typescripts,, 1968 March 4

(Accompanied by correspondence)

Box 209 Folder 4 Lecture II: the carpet page and the giant initial -- Annotated transcript and corrected typescripts,, 1968 March 11

(Accompanied by reproductions)

Box 209 Folder 5 Lecture II: the carpet page and the giant initial -- Corrected typescript and research notes,, 1968 March 11

Box 209 Folder 6 Lecture III: image and ornament -- Annotated transcript and research notes, 1968 March 18, 1968 March

(Accompanied by reproductions)

Box 209 Folder 7 Lecture III: image and ornament -- Annotated typescripts and research notes,, 1968 March 18

Box 209 Folder 8 Lecture III: image and ornament -- Corrected typescript and research notes,, 1968 March 18


Box 210 Folder 1 Lecture IV: the models and their transformation (i) -- Annotated transcripts and research notes,, 1968 March 20

(Accompanied by reproductions)

Box 210 Folder 2 Lecture IV: the models and their transformation (i)-- Annotated and corrected typescripts,, 1968 March 20

Box 210 Folder 3 Lecture IV: the models and their transformation (i) -- Corrected typescripts and research notes,, 1968 March 20

Box 210 Folder 4 Lecture V: the models and their transformation (ii) -- Annotated transcripts and research notes,, 1968 March 25

Box 210 Folder 5 Lecture V: the models and their transformation (ii) -- Annotated typescripts and research notes,, 1968 March 25

(Accompanied by reproductions)

Box 210 Folder 6 Lecture VI: the religious and secular grounds of Hiberno-Saxon art -- Annotated transcripts and research notes,, 1968 March 27


Box 211 Folder 1 Lecture VI: the religious and secular grounds of Hiberno-Saxon art -- Corrected typescripts and research notes,, 1968 March 27

Box 211 Folder 2 to 3 Annotated outlines and notes, 1968 February-March, (2 Folders)

Box 211 Folder 4 to 7 Slide lists, notes, and programs, 1968 February-March, (4 Folders)

Abstract art -- Slade Lectures in the Fine Arts -- Oxford University

(Lecture titles are derived from sound recordings found in Series VII, Subseries VII.2)

Box 211 Folder 8 Lecture I: modern Abstract art: its continuity with preceding realistic art -- Annotated transcripts,, 1968 May 3

Box 211 Folder 9 Lecture II: Cubism (i) -- Annotated transcripts, 1968 May 8

Box 211 Folder 10 Lecture III: Cubism (ii) -- Annotated transcripts, 1968 May 15

Box 211 Folder 11 Lecture IV: Cubism and science -- Annotated transcripts, 1968 May 22

(Accompanied by correspondence)

Box 211 Folder 12 Lecture V: Cubism and technology -- Annotated transcripts, 1968 May 22

Box 211 Folder 13 Lecture VI: Abstract painting: Malevich and Mondrian, annotated transcripts,, 1968 May 24

(Accompanied by editorial notes seeking to reconstruct portions of the text)

Box 211 Folder 14 Lecture VII: Abstract painting: Kandinsky -- Annotated transcripts,, 1968 May


Box 212 Folder 1 Lecture VIII: Abstract painting in America: Pollock, Rothko, and others -- Annotated transcripts,, 1968 May 29

Box 212 Folder 2 to 3 Lecture notes, 1968 Spring, 1968, (2 Folders)

Box 212 Folder 4 to 5 Research notes, 1968 Spring, 1968, (2 Folders)

Box 212 Folder 6 to 7 Slide lists and notes, 1968 Spring, 1968, (2 Folders)

Box 212 Folder 8 to 16 Reproductions, 1968 Spring, 1968, (9 Folders)

Box 212 Folder 17 Correspondence, announcements, and brochures, 1968


Box 213 Folder 1 to 4 Reproductions, 1968 Spring, 1968, (4 Folders)

Box 213 Folder 5 to 6 Editorial notes, 1979, (2 Folders)

(Notes relating to the collection of reproduction for potential publication of lecture series in 1979)

Box 213 Folder 7 to 8 Beatus manuscripts of the apocalypse -- New York Studio School of Drawing, Painting and Sculpture -- Annotated transcripts,, 1969 May 2

(Accompanied by editorial notes by Lillian Milgram Schapiro. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Baudelaire between the imaginary and the real -- Queens College (New York, N.Y.)

Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 213 Folder 9 Annotated transcript, 1969 April 22

Box 213 Folder 10 Annotated typescript, 1969 April 22

Box 213 Folder 11 Annotated outlines and notes, 1969 April 22

Box 213 Folder 12 The present state of art history -- Queens College (New York, N.Y.) -- Annotated outlines, transcript, and notes,, 1969 June 5

(Lecture title is derived from the sound recording found in Series VII, Subseries VII.2)

E.A. (Elias Avery) Lowe memorial -- Institute for Advanced Study (Princeton, N.J.)

(Material relates to Schapiro's eulogy at the memorial. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 213 Folder 13 Annotated outline, typescripts, notes, and invitations, 1969 October 15

Box 213 Folder 14 Annotated transcript, 1969 October 15

Sub-Subseries: III.3.5, 1970s

Box 213 Folder 15 An experiment in the coherence of forms -- Solomon R. Guggenheim Museum -- Annotated transcript, correspondence, and slides, circa, 1970s

Men with ideas: Alexander, Daedalus, Icarus: legends of the invention of flying -- Carnegie Institute of Technology

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 213 Folder 16 Annotated and corrected transcripts, 1971 January 27

(Accompanied by Schapiro's 1992 editorial notes for potential publication)

Box 213 Folder 17 Drafts and notes, 1971 January 27

(Early drafts of lecture notes from other lectures pertaining to flight)


Box 214 Folder 1 Research file, 1971 January

Box 214 Folder 2 Research file, 1971 January

(Includes annotated outline and research notes on "legends of flight")

Box 214 Folder 3 Reproductions, 1971 January

Ornament and painting -- New York Studio School of Drawing, Painting and Sculpture

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 214 Folder 4 Annotated transcript, 1971 April 23

(Accompanied by research notes, alternate drafts, and editorial notes regarding reconstruction of text for potential publication by Lillian Milgram Schapiro)

Box 214 Folder 5 Annotated transcript, 1978 April 23

(Photocopy of transcript with editorial notes created by Miriam Bunim in 1986)

Box 214 Folder 6 Typescript, 1971 April 23

(Typescript created in 1998 following the 1971 annotated transcript. Accompanied by editorial notes by Lillian Milgram Schapiro)

Box 214 Folder 7 Slide list and notes, 1971

Box 214 Folder 8 to 10 Reproductions, 1971, (3 Folders)

Box 214 Folder 11 to 13 Editorial files, 1980s-1990s

(Files contain notes, correspondence, and drafts by Lillian Milgram Schapiro and Robin Sands relating to editing lecture content)

Mondrian's forms and their relation to preceding styles of representation -- Solomon R. Guggenheim Museum

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 215 Folder 1 Transcripts, 1971 October 9

Box 215 Folder 2 Annotated transcripts, 1971 October 9

Box 215 Folder 3 to 7 Research notes, 1971 October 9, (5 Folders)

Box 215 Folder 8 Institutions for a post-technological society : the Universitas Project -- Museum of Modern Art (New York, N.Y.) -- Notes, correspondence, and press release, 1972 January 8-9, 1972 January

(Schapiro was a participant in the second working session. Notes are chiefly on Jean Baudrillard who participated in the same session)

Graphic analysis of structure -- University of Virginia

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 215 Folder 9 Annotated transcript, 1972 April 11

(Accompanied by editorial notes)

Box 215 Folder 10 Annotated outline, 1972 April 11

Box 215 Folder 11 Slide lists, notes, and correspondence, 1971-1972

Box 215 Folder 12 Alfred Barr eulogy -- Unidentified event -- Annotated outlines and notes,, 1972 April

(Lecture given at an awards ceremony honoring Barr)

Box 215 Folder 13 Columbia speaks out on war! -- Typescript and broadside, 1972 May 18

Box 215 Folder 14 Romanesque architectural sculpture -- New College (Sarasota, Fla.) -- Annotated outlines and notes,, 1973 January

(Accompanied by correspondence)

Box 215 Folder 15 Science and art -- Yeshiva University -- Annotated outline, 1973 March

Box 215 Folder 16 An experiment with forms in art -- Columbia University -- Annotated transcript,, 1973 April 2

(Lecture chiefly on Insular art. Accompanied by original outline, research files, clippings, press releases, and correspondence with faculty and students. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 215 Folder 17 The use of the Old Testament in the art of the middle ages -- Jewish Museum (New York, N.Y.) -- Transcript, notes, and slide list,, 1973 October 22

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

The south tower of the cathedral of Chartres -- Columbia University. School of Architecture

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 216 Folder 1 Annotated transcript, 1973 October 3

Box 216 Folder 2 Annotated pages, 1973 October 3

Box 216 Folder 3 Drafts, research notes, and slide lists, 1973 October 3

Box 216 Folder 4 The unity of Picasso's art -- Albright-Knox Art Gallery -- Annotated transcript,, 1973 December 5

(Accompanied by list of illustrations to be used in a film of the lecture produced by Gittelman Film Associates for the Metropolitan Museum of Art Video Collection. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 216 Folder 5 Romanesque sculpture -- Collège de France -- Typescripts, broadsides, and invitations,, 1974 May

(In French. Lecture was originally given in English. Accompanied by research notes, slide lists, correspondence, and invitations)

Box 216 Folder 6 Museums -- American Assembly -- Arden House (Harriman, N.Y.) -- Annotated outlines, notes, programs, and correspondence,, 1974 November

(Lecture was given at the forty-sixth annual American Assembly dedicated to art museums in America)

Box 216 Folder 7 The study of art in the university -- Columbia University -- Annotated outlines, notes, and invitations,, 1975 April 7

(Lecture given for the School of General Studies alumni)

Box 216 Folder 8 Structuralism and art -- Columbia University -- Annotated outline, notes, and correspondence,, 1976 December

(Guest lecture at an anthropology colloquium taught by Paula G. Rubel)

Cézanne and the philosophers -- Museum of Modern Art (New York, N.Y.)

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 216 Folder 9 to 10 Annotated transcripts, 1977 October 11, (2 Folders)

Box 216 Folder 11 Research notes, 1977 October

(Notes are chiefly from the 1950s and includes a summary and critique of Fritz Novotny)

Box 216 Folder 12 Research notes, 1977 October

Box 216 Folder 13 to 14 Research files, 1977 October, (2 Folders)

Box 216 Folder 15 Editorial notes, 1990s

(Notes created by Lillian Milgram Schapiro)


Box 217 Folder 1 An experiment with the coherence of forms -- Wellesley College -- Slide lists and outlines,, 1979 April

Box 217 Folder 2 Hiberno-Saxon art: experiment with forms -- Solomon R. Guggenheim Museum -- Transcript, 1979 June --, 1979 June

(Accompanied by correspondence with Barbara Rose regarding images to use for the lecture)

Box 217 Folder 3 On logic and method in art history: from classification to explanation -- New School for Social Research (New York, N.Y.) -- Transcript, 1979 November 17 --, 1979 November 17

(Lecture given at the "Conference on methods in philosophy and the sciences." Accompanied by essay and reprints of Wayne Dynes' writings on Meyer Schapiro and programs. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Sub-Subseries: III.3.6, 1980s

Box 217 Folder 4 Art studies as an inherently interdisciplinary field -- Barnard College-- Annotated outlines and notes,, 1980s

The unity of Picasso's art -- Columbia University

(Sound recordings of these lectures can be found in Series VII, Subseries VII.2)

Box 217 Folder 5 Lecture I -- Uncorrected transcript, 1980 April

(Accompanied by research notes)

Box 217 Folder 6 Lecture II -- Annotated transcript, 1980 April

Box 217 Folder 7 Editorial notes, 1980s

(Accompanied by clippings and research notes chiefly on Picasso'sGuernica)

Box 217 Folder 8 Editorial notes and programs, 1980s

(Notes created by Lillian Milgram Schapiro attempting to reconstruct portions of similar lectures given at Brandeis University and the Albright-Knox Art Gallery for potential publication)

On the life and work of Arthur Kingsley Porter -- Harvard University

(Lecture given at the "Arthur Kingsley Porter centenary symposium on the theme of abstract and rationality in Romanesque art." Sound recordings of this lecture can be found in Series VII, Subseries VII.2)

Box 217 Folder 9 Transcripts, 1983 April 10

(Accompanied by notes and programs)

Box 217 Folder 10 Outlines and correspondence, 1982-1983

Subseries: III.4: Committees, memberships, and professional affiliations, 1972-1990

Subseries: III.4 documents Schapiro's professional role as a member in committees and professional affiliations. The subseries is further arranged by area of professional affiliation as follows: Sub-Subseries: III.4.1: Committees, 1972-1978, Sub-Subseries: III.4.2: Memberships, 1969-1989, Sub-Subseries: III.4.3: Professional affiliations, 1989-1990.

Sub-Subseries: III.4.1: Committees, 1972-1978

The committee to endow a chair in honor of Meyer Schapiro at Columbia University


Box 218 Folder 1 Correspondence, 1972-1978

Box 218 Folder 2 For Meyer Schapiro : pamphlet, 1974

(Pamphlet to promote the limited edition portfolio of prints by twelve artists used to raise funds for the endowment)

Box 218 Folder 3 Reception program and guest list, 1978

Box 218 Folder 4 Press releases and FAQs, 1972-1978

Box 218 Folder 5 Articles and clippings, 1972-1978

Sub-Subseries: III.4.2: Memberships, 1969-1989

Box 218 Folder 6 American Artists' Congress -- Membership card, 1939-1940

Box 218 Folder 7 Board of trustees -- New York Studio School of Drawing, Painting and Sculpture -- Agenda,, 1969

Box 218 Folder 8 American Philosophical Society -- Correspondence and certificate,, 1969

Box 218 Folder 9 National Institute of Arts and Letters (U.S.) -- Programs and clippings,, 1976

Box 218 Folder 10 Fundació Antoni Tàpies -- Correspondence, 1989

(Meyer Schapiro served as an Honorary Member of the organization)

Sub-Subseries: III.4.3: Professional affiliations, 1989-1990


Box 633 Folder 5 American Academy of Arts and Sciences -- Certificate, 1952

(Meyer Schapiro served as a fellow for the organization)


Box 218 Folder 11 Mediaeval Academy of America -- Correspondence and bylaws, 1970

Box 218 Folder 12 Fondazione Schlesinger -- Correspondence and brochure, 1989

(Meyer Schapiro served as an Honorary President for the organization)

Box 218 Folder 13 British Academy -- Correspondence, certificate, and directory,, 1990

(Meyer Schapiro served a Corresponding Fellow for the organization)

Series IV: Writings

This series houses all of Schapiro's writings, from published articles, books, and reviews, to unpublished manuscripts, essays, and translations. For writings that were published during Schapiro's lifetime, the 1995 publication Meyer Schapiro: the bibliography compiled by Lillian Milgram Schapiro was used throughout this series for consistency and to source where articles and reviews first appeared. Information relating to all material published posthumously and that post-dates the 1995 bibliography were retrieved from the archival material itself.

Subseries: IV.1: Administrative records, 1960s-2003

Files in this subseries contain records that aided in the administrative management of Schapiro's writings. The bulk of this material comprises lists of published and unpublished writings.


Box 219 Folder 1 Bibliographies, 1960s

Box 219 Folder 2 Unpublished writings -- Lists, 1970s

Box 219 Folder 3 Published writings -- Lists and notes, 1970s-1980s

Box 219 Folder 4 Published writings -- Correspondence and notes, 1979

Box 219 Folder 5 Bibliographies, 1980s

Box 219 Folder 6 Literary executorships -- Notes, 1983-1990s

Box 219 Folder 7 Published books -- List, 1985

Box 219 Folder 8 Unpublished books --List, 1985

Box 219 Folder 9 Literary executorships -- Drafts, notes, and correspondence, 1980s

Box 219 Folder 10 Unpublished writings -- Notes, 1980s-1990s


Box 657 Folder 1 to 2 Unpublished writings -- List, 1990, (2 Folders)

Box 657 Folder 3 to 4 Unpublished writings-- Lists, 1990s, (2 Folders)

(Compiled by Lillian Milgram Schapiro)

Box 657 Folder 5 Works released after published bibliography -- List, circa, 2003

Subseries: IV.2: Articles, 1929-1994

Schapiro began publishing articles focused on art and architecture as early as 1929, the year he completed his doctoral dissertation. By 1931, the journal Art Bulletin published parts of his dissertation "The Romanesque Sculpture of Moissac." Since those early years, Schapiro continually published articles in newspapers, journals, and other serials throughout his life. This subseries contains only those articles that have been published, for unpublished works, consult Subseries: IV.3: Essays, Subseries: IV.4: Manuscripts, and Subseries: IV.8: Translations and Poetry in this series. For publications, consult Subseries: IV.5: Publications.

All bibliographic information in this subseries was retrieved from Lillian Milgram Schapiro's 1995 publicationMeyer Schapiro: the bibliographypublished by George Braziller Inc. Bibliographic information is provided for an article's original publication, consult the published bibliography for information on reprinted versions.

To facilitate the discovery of records, this subseries is arranged chronologically by decade as follows: Sub-Subseries: IV.2.1: 1929-1930s, Sub-Subseries: IV.2.2: 1940s, Sub-Subseries: IV.2.3: 1950s, Sub-Subseries: IV.2.4: 1960s, Sub-Subseries: IV.2.5: 1970s, Sub-Subseries: IV.2.6: 1980s.

Sub-Subseries: IV.2.1, 1929-1930s


Box 220 Folder 1 "The south transept portal of Saint-Sernin in Toulouse" -- Draft typescript and notes, 1929 --, 1929

(InParnassus1, no. 3 (1929): 22-23)

Box 220 Folder 2 "Art" -- Typescript and notes, circa 1930s --, 1930s

(InEncyclopedia of the Social Sciences.New York: Macmillan)

"The Romanesque sculpture of Moissac" --

(Revisions of doctoral dissertation. InArt Bulletin13, no. 3 (September 1931): 249-352, and no. 4 (December 1931): 464-531)

Box 220 Folder 3 Typescripts and notes, 1931

Box 220 Folder 4 Typescripts, 1931

(Typescripts chiefly on Moissac porch reliefs. Correspond to pages 178-222 of dissertation)

Box 220 Folder 5 Illustration lists, 1931

Box 220 Folder 6 Annotated typescript, 1931

(Typescript paginated 1-109)

Box 220 Folder 7 Annotated typescript, 1931

(Typescript paginated 110-221)

Box 220 Folder 8 "Engels on Goethe" -- Annotated typescript, 1932

(InNew Masses, September 1932 13-14)

Box 220 Folder 9 "Matisse and Impressionism -- Annotated typescript, 1932 --, 1932

(InAndrocles(Columbia College, New York) 1, no. 1 (February 1932): 21-36. Accompanied by annotated photocopy of article. Typescript was created in 1992)

Box 220 Folder 10 "Architects and the crisis: an open letter to the architects, draughtsman, and technicians of America" -- Editorial notes and clippings,, 1932

(Published in a pamphlet created by the Architects' Committee of League of Professional Groups for Foster and Ford)

Box 220 Folder 11 "Pottery" -- Annotated typescript, correspondence, and research notes,, 1934

(InEncyclopedia of the Social Science12: 280-283. New York: Macmillan: 1934)

Box 220 Folder 12 to 13 "Taste" -- Annotated typescript, correspondence, and research notes,, 1934, (2 Folders)

(InEncyclopedia of the Social Sciences,14: 523-525. New York: Macmillan, 1934)

Box 220 Folder 14 "New documents on St.-Gilles" -- Annotated typescript, correspondence, research notes, and annotated reprints, 1935

(InArt Bulletin17, no. 4 (December 1935): 414-431)

"Race, nationality and art"

(InArt Front2 (March 1936): 10-12)


Box 658 Folder 1 Typescript and notes, 1936

Box 658 Folder 2 Typescript and clipping, 1936

(Photocopy of typescript prepared in 1998)

Box 658 Folder 3 to 5 Research notes, 1936, (3 Folders)

Box 658 Folder 6 Correspondence, 1936

Box 658 Folder 7 Publication, 1936

"Social bases of art"

(In American Artists Congress, New York,Proceedings,no. 1 (1936): 31-37)

Box 658 Folder 8 Typescript and research notes, 1936

Box 658 Folder 9 Proof and clipping, 1936


Box 221 Folder 1 "The public use of art" -- Annotated clipping and editorial note, 1936

(InArt Front2 (November 1936): 4-6)

Box 221 Folder 2 "Further documents on St.-Gilles" -- Typescript, annotated reprint, research notes, and correspondence,, 1937

(InArt Bulletin19, no. 1 (March 1937): 111-112)

"From Mozarabic to Romanesque in Silos "

(InArt Bulletin21 no. 4 (December 1939): 313-374)

Box 221 Folder 3 Annotated typescript, 1939

Box 221 Folder 4 Footnotes and corrections, 1939

Box 221 Folder 5 Proofs and annotated reprints, 1939

Box 221 Folder 6 Correspondence, 1939-1940

(Correspondence chiefly with the Toledo Museum of Art)

Box 221 Folder 7 "The sculpture of Souillac" -- Annotated typescript, correspondence, and research notes, 1939

(InMediaeval Studies in Memory of A. Kingsley Porter,ed. W. R. W. Koehler, 359-387. Cambridge: Harvard University Press, 1939)

Sub-Subseries: IV.2.2, 1940s

"The Carolingian copy of the calendar of 354" --

(InArt Bulletin22, no. 4 (December 1940): 270-272

Box 221 Folder 8 Annotated typescript, correspondence, and annotated reprint, 1940

Box 221 Folder 9 Annotated proof and research notes, 1940

"Courbet and popular imagery: an essay on realism and naiveté" --

(InJournal of the Warburg and Courtauld Institutes4, no. 3-4 (1940-1941): 164-191)

Box 221 Folder 10 Annotated typescript, 1940

Box 221 Folder 11 Annotated outlines and notes, 1940

Box 221 Folder 12 "A note on the inscription of the cathedral of Santiago de Compostela" -- Annotated typescript and research notes,, 1942

(InSpeculum17, no. 2 (April 1942): 261-264


Box 222 Folder 1 "Cain's jaw-bone that did the first murder" -- Annotated typescript, correspondence, research notes, and annotated reprint,, 1942

(InArt Bulletin24, no. 3 (September 1942): 205-212)

Box 222 Folder 2 "The image of the disappearing Christ, the ascension in English art around the year 1000" -- Typescript, correspondence, research notes, and annotated reprint,, 1943

(InGazette des Beaux-Arts23 (March 1943): 135-152)

"The angel with the ram in Abraham's Sacrifice: a parallel in Western and Islamic art"

(InArs Islamica10, no. 1-2 (1943): 134-147)


Box 659 Folder 1 Annotated typescript, research notes, correspondence and reprints,, 1943

Box 659 Folder 2 Correspondence and reprints, 1943

"The religious meaning of the Ruthwell Cross"

(InArt Bulletin24, no. 4 (December 1944): 242-245)

Box 659 Folder 3 Annotated typescripts, research notes, revisions, and annotated reprint,, 1944-1963

Box 659 Folder 4 to 6 Research notes, 1940s-1960s, (3 Folders)

Box 659 Folder 7 Correspondence, 1944-1963


Box 222 Folder 3 "The myth of Oedipus" -- Annotated typescripts, 1944

(InThe Myth of Oedipus with Six Original Etchings by Kurt Seligmann,9-18. New York: Durlacher Bros.-R. Kirk Askew, Jr., 1944)

Box 222 Folder 4 "A note on Max Weber's politics" -- Annotated typescript and research notes,, 1945

(InPolitics2, no. 2 (February 1945): 44-48)

"'Muscipula Diaboli,' the symbolism of the Mérode altarpiece"

(InArt Bulletin27, no. 3 (September 1945): 182-187)

Box 222 Folder 5 Annotated typescript, correspondence, proofs, research notes, and annotated clippings,, 1945

Box 222 Folder 6 Annotated typescript, 1945

Box 222 Folder 7 Research notes and correspondence, 1945

Box 222 Folder 8 "On a painting of Van Gogh: crows in the wheat field" -- Annotated typescript, correspondence, and annotated reprints,, 1946

(InView,Fall 1946 8-14)

Box 222 Folder 9 "A note on 'The Open City': some comments on Farrel's review" -- Annotated typescript, correspondence, research notes, and clippings,, 1946

(InNew International12 no. 10 (December 1946): 311-313)

Box 222 Folder 10 "On the aesthetic attitude in Romanesque art" -- Annotated typescript, correspondence, and research notes,, 1947-1948

(InArt and Thought: Essays in Honour of A.K. Coomaraswamy,130-150. London: Luzac and Co., 1947)


Box 223 Folder 1 "A Life Roundtable on modern art" -- Transcripts, correspondence, and research notes,, 1948

(InLife, October 11, 1948 58-59)

Box 223 Folder 2 "Fromentin as a critic" -- Research notes and corrections, 1949-1963

(InPartisan Review16, no. 1 (January 1949): 25-51)

Box 223 Folder 3 "The place of the Joshua Roll in Byzantine history" -- Annotated reprint, research notes, and correspondence,, 1946-1949

(InGazette des Beaux-Arts35 (March 1949): 161-176). Originally a paper presented at the Premier Congrès International Byzantino-Slave et Oriental, New York, April 28, 1946)

Sub-Subseries: IV.2.3, 1950s

Box 223 Folder 4 "Essay in Symposium, Religion and the Intellectuals" -- Typescript, proof, clipping,, 1950

(InPartisan Review17, no. 4 (April 1950): 331-339)

Box 223 Folder 5 "The Joseph scenes on the Maximianus Throne in Ravenna" -- Annotated typescript, correspondence, research notes, and annotated clipping,, 1950-1952

(InGazeete de Beaux-Arts40 (July 1952): 27-38)

"Rebellion in art: [The Armory Show]"

(InAmerica in Crisis,ed. Daniel Aaron, 202-242. New York: Alfred A. Knopf, 1952)

Box 223 Folder 6 Typescript, 1952

Box 223 Folder 7 Research notes and correspondence, 1951-1952

Box 223 Folder 8 Illuminated Manuscripts (11th century through the 16th Century) from the Bibliothèque of Their Highnesses the Dukes d'Arenberg -- Research notes and correspondence, 1952-1959

(Published by Jacques Seligmann and Co. Schapiro provided research for this publication but was never cited as an author)

Box 223 Folder 9 "Style" -- Reprints, correspondence, and research notes, 1946-1953

(InAnthropology Today, ed. Alfred Kroeber, 287-312. Chicago: University of Chicago Press, 1953. Originally a paper presented at the Wenner-Gren Foundation, International Symposium in Anthropology, New York, June 9-20, 1952)

Box 223 Folder 10 "Two Romanesque drawings in Auxerre and some iconographic problems -- Annotated typescript, research notes, reproductions list, and annotated clipping,, 1954

(InStudies in Art and Literature for Belle da Costa Greene,ed. Dorothy Miner, 331-349. Princeton, NJ: Princeton University Press, 1954)

Box 223 Folder 11 "The younger American painters of today" -- Proof, 1955

(InThe Listener, January 26, 1956 146-147. Accompanied by reminiscences and clippings from 1999 by Lillian Milgram Schapiro about Meyer Schapiro's visit to the United Kingdom in 1956`)

"Leonardo and Freud: an art-historical study"

(InJournal of the History of Ideas17, no. 2 (April 1956): 147-178)


Box 224 Folder 1 Annotated typescript, 1956

Box 224 Folder 2 Correspondence, 1955-1975

Box 224 Folder 3 Correspondence, 1956-1986

Box 224 Folder 4 Research notes, 1956

Box 224 Folder 5 Proofs, drafts, and research notes, 1956

Box 224 Folder 6 Offprints, corrections, and reprints, 1956-1968

Box 224 Folder 7 Research file, 1950s

Box 224 Folder 8 Commentaries, 1973-1986

Introduction to Illustrations for the Bible by March Chagall. New York: Harcourt, Brace and Co., 1956

Box 224 Folder 9 Annotated typescripts, 1956

Box 224 Folder 10 Research notes and correspondence, 1956

"On an Italian painting of the flagellation of Christ in the Frick Collection"

(In Scritti di Storia dell'Arte in Onore di Lionello Venturi ed. M. Salmi, 1: 29-53. Rome: De Luca, 1956)

Box 224 Folder 11 Annotated typescript, correspondence, corrections, and annotated reprint,, 1956

Box 224 Folder 12 Research notes, correspondence, and reproductions, 1956-1959


Box 225 Folder 1 "The liberating quality of avant-garde art" -- Annotated typescript, correspondence, and program,, 1956-1957

(InArt News56, no. 4 (Summer 1957): 36-42. Originally presented at the American Federation of Arts Convention, Houston, April 1957)

Box 225 Folder 2 Introduction to Arshile Gorky-- Research notes,, 1957

(InArshile Gorky, by Ethel Schwahacher. New York: Macmillan for the Whitney Museum of American Art, 1957)

"Notes on Castelseprio"

(InArt Bulletin39, no. 4 (December 1957): 295-239

Box 225 Folder 3 Annotated typescripts, galleys, correspondence, research notes, and annoyed reprints,, 1957

Box 225 Folder 4 to 5 Research notes, 1957, (2 Folders)

Box 225 Folder 6 Research file, 1957

Box 225 Folder 7 Reproductions, 1957

Box 225 Folder 8 "Simultaneous contract in painting" -- Annotated clipping, 1957

(InProblèmes de la couleur,ed. Ignaee Meyerson, 248-253. Paris: Sevpen, 1957. In French)

"New light on Seurat"

(InArt News57, no. 2 (April 1958): 22-24, 44-45, 52)

Box 225 Folder 9 Galley proofs and research notes, 1958

Box 225 Folder 10 Typescript, correspondence, and clippings, 1958-1974

(Typescript in French)

Box 225 Folder 11 Clippings, 1958

"The decoration of the Leningrad Manuscript of Bede"

(InScriptorium12, no. 2 (1958): 191-207)

Box 225 Folder 12 Annotated typescript and annotated reprints, 1958

Box 225 Folder 13 Research notes, correspondence, and proofs, 1958-1959

Box 225 Folder 14 Proceedings of the Congrès International Extraordinaire des Critiques d'art--Typescripts, drafts, research notes, correspondence, and pamphlets,, 1959

Box 225 Folder 16 "A note on the Mérode Altarpiece" -- Annotated clipping, 1959

(InArt Bulletin41, no. 4 (December 1959): 327-328)

"A note on the wall strips of Saxon churches"

(InJournal of the Society of Architectural Historians18, no. 4 (December 1959): 123-125)

Box 225 Folder 17 Proof, research notes, and correspondence, 1959


Box 633 Folder 7 Reproductions, 1959


Box 226 Folder 1 to 11 Published articles -- Periodicals, journals, and clippings, 1950s, (11 Folders)


Box 227 Folder 1 to 9 Published articles -- Periodicals, journals, and clippings, 1950s, (9 Folders)

Sub-Subseries: IV.2.4, 1960s

"An illuminated English Psalter of the early thirteenth century"

(InJournal of the Warburg and CourtauldInstitutes 23, no. 3-4 (1960): 179-189)


Box 228 Folder 1 Annotated typescripts, annotated reprint, and research notes, 1960

Box 228 Folder 2 Proofs, research notes, correspondence, and reproductions, 1957-1960

Box 228 Folder 3 "On the humanity of abstract painting" -- Typescript, 1960

(InProceedings of the American Academy of Arts and Letters,no. 10 (1960): 316-323)

Box 228 Folder 4 "Preface" -- Annotated typescript, correspondence, and research notes,, 1959-1960

(InIsrael, Ancient Mosaics.New York: New York Graphic Society, 1960 5-13)

"Mr. Berenson's Values"

(InEncounter16, no. 1 (January 1961): 57-65)

Box 228 Folder 5 Annotated typescripts, proofs, and corrections, 1961

Box 228 Folder 6 Research notes, proofs, and correspondence, 1960-1961

Box 228 Folder 7 Research notes and correspondence, 1961

Box 228 Folder 8 Forward to Forrest Bess -- Annotated typescript, research notes, catalogs, correspondence, and clippings,, 1962-1988

(Published in an exhibition catalog for the Betty Parsons Gallery, New York, January 8-27, 1962)

Box 228 Folder 9 "Jan Müller, XXXI Biennale, Venezia, 1962" -- Annotated typescripts,, 1962

(In2 Pittor, 2 Scultori, Stati Uniti d'America,exhibition catalog for the Venice Biennale published by the International Council of the Museum of Modern Art, New York)

Box 228 Folder 10 "Cézanne as watercolorist" -- Annotated typescript, 1963 -- Published as an introduction to the M. Knoedler and Co., New York, exhibition catalog Cézanne's Watercolors., 1963

Box 228 Folder 11 "On Alexander Calder" -- Annotated typescript, 1963 --, 1963

(InMacDowell Colony Report for 1963,11-12. Peterborough, NH, and New York, 1964. Accompanied by French translation)

Box 228 Folder 12 "The bowman and the bird on the Ruthwell Cross and other works: the interpretation of secular themes in early Mediaeval religious art" -- Annotated reprints,, 1963

(InArt Bulletin45, no. 4 (December 1963): 351-355)

"A relief in Rodez and the beginnings of Romanesque sculpture in southern France"

(InStudies in Western art: acts of the Twentieth International Congress of the History of Art,ed. Millard Meiss et al., 1: 40-66. Princeton, NJ: Princeton University Press, 1963. Originally a paper presented at the Twentieth International Congress of the History of Art, September 1961)

Box 228 Folder 13 Outlines and research notes, 1961-1963

Box 228 Folder 14 Research notes, 1961-1963

Box 228 Folder 15 to 16 Drafts and research notes, 1961-1963, (2 Folders)

Box 228 Folder 17 "Kurt Seligmann-the early years" -- Annotated typescript, research notes, gallery invitations, and exhibition calendar,, 1964

(Foreword to a D'Arcy Galleries, New York, exhibition catalog, January 27-February 15, 1964)

Box 228 Folder 18 "On the relation of patron and artist: comments on a proposed model for the scienties" -- Annotated typescript, research notes, and reprints,, 1964

(InAmerican Journal of Sociology70, no. 3 (November 1964): 363-369)


Box 229 Folder 1 "Diderot on the artist and society" -- Typescript, research notes, and corrections,, 1964

(Preface toSociety and the Freedom of the Creative Man in Diderot's Thought,by Joseph I. Waldauer, 5-11. Geneva and Paris: Droz, 1964)

Box 229 Folder 2 "Jews in Russia" Draft, research notes, and clippings, 1965

(Letter to theNew york timeseditor signed with Saul Bellow, Richard Hofstadter, and Eugene Rabinovitch)

Box 229 Folder 3 "On the role of art in contemporary society" -- Typescript and research notes,, 1966

(InProceedings of the International Symposium on Fine Arts in the East and West,80-87. Tokyo: Compiled by the Japanese National Commission for UNESCO, 1966. Originally a paper presented at the International Symposium on Fine Arts in the East and West, Tokyo, 1966 April 4)

"On perfection, coherence, and unity of form and content"

(InArt and Philosophy: a symposiumed. Sidney Hook, 3-15. New York: New York University Press, 1966. Originally a paper presented at the Philosophy of Art Symposium of the Institute of Philosophy, New York, 1964)

Box 229 Folder 4 Typescripts and research notes, 1964-1966

Box 229 Folder 5 Drafts and research notes, 1964-1966

Box 229 Folder 6 "An Irish-Latin text on the angel with the ram in Abraham's sacrifice" -- Annotated typescripts, correspondence, research notes, reproductions, and annotated offprints,, 1967

(InEssays in the History of Art Presented to Rudolf Wittkower7-19. New York: Phaidon, 1967)

Box 229 Folder 7 "Sima" -- Annotated clipping, 1968

(Preface to the Musée National d'Art Moderne, Paris exhibition catalog, November 7-December 23, 1968)

"The apples of Cézanne: an essay on the meaning of still-life"

(InArt News Annual34 (1968): 35-53

Box 229 Folder 8 Annotated typescript, correspondence, corrections, and research notes, ,, 1968

Box 229 Folder 9 Annotated typescript, correspondence, and research notes, 1968

Box 229 Folder 10 Annotated typescript, 1968

(In French)

"The still life as a personal object - a note on Heidegger and Van Gogh"

(InThe Reach of Mind: Essays in Memory of Kurt Goldstein,ed. Marianne L. Simmel, 203-209. New York: Springer, 1968)

Box 229 Folder 11 Annotated typescripts and research notes, 1968

Box 229 Folder 12 Annotated proofs and lists, 1968

Box 229 Folder 13 Reviews, 1968

Box 229 Folder 14 "On some problems in the semiotics of visual art: field and vehicle in image-signs" -- Annotated typescripts, correspondence, and corrected offprints,, 1966-1969

(InSemiotica1, no. 3 (1969): 223-242. Originally presented as a per at the Second International Colloquium on Semiotics, Kazimierz, Poland, September 1966)

Box 229 Folder 15 "Religious imagination and the artist" -- Annotated clipping and corrections,, 1965-1969

(InARC Directions,no. 7 (Fall 1969): 1-4. Original paper presented at the annual meeting of the Society for Arts, Religion and Contemporary Culture, Museum of Modern Art, New York, February 5, 1965)

Box 229 Folder 16 "Minor White" Annotated typescript and notes, 1969

(Postface toMirrors, Messages, Manifestations,by Minor White. New York: An Aperture Monograph, 1969)


Box 230 Folder 1 to 9 Published articles-- Periodicals, journals, and clippings, 1960s, (9 Folders)


Box 231 Folder 1 to 10 Published articles -- Periodicals, journals and clippings, 1960s, (10 Folders)

Sub-Subseries: IV.2.5, 1970s

"The miniatures of the Florence Diatessaron (Laurentian Ms. Or. 81): their place in late Medieval art and supposed connection with early Christian and Insular art"

(InArt Bulletin50, no. 4 (December 1973): 494-531. Article included results from a Columbia University seminar held Spring 1969)


Box 232 Folder 1 Annotated typescripts, 1969-1973

Box 232 Folder 2 Footnotes, 1969-1973

Box 232 Folder 3 Proofs and research notes, 1969-1973

Box 232 Folder 4 Research notes, 1969-1973

Box 232 Folder 5 Research notes, 1969-1973

Box 232 Folder 6 Student reports, 1969

Box 232 Folder 7 Reproductions, 1973

Box 232 Folder 8 "Picasso's woman with a fan: on the transformation and self-transformation" -- Annotated typescript, correspondence, proofs, and research notes,, 1976

(InEssays in Archaeology and the Humanities: in Memoriam Otto J. Brendel,249-254. Mainz: Verlag Phillipp von Zabern, 1976)


Box 691 Schapiro, Meyer [Comments on James T. Farrell's achievements], [S. Londonderry, Vermont], 1978 August 9, 1 t.ms.

Commendation on James T. Farrell in reply to the request of the University of Chicago Alumni Association in considering him for their Professional Achievement Award.

Cataloged.


Box 233 Folder 1 to 5 Published articles -- Periodicals, journals and clippings, 1970s, (5 Folders)

Sub-Subseries: IV.2.6, 1980s


Box 234 Folder 1 to 4 Published articles -- Periodicals, journals and clippings, 1980s, (4 Folders)

Subseries: IV.3: Essays, 1930s-1990s

Writings in this subseries constitute work that has never been published. These individual essays were originally housed with material found in Series V: Research files, Subseries: V.5: Research notes. What differentiated these texts from Schapiro's unorganized research notes is that he provided these essays with a clear title heading, allowing them to be well defined individual texts. Given their subject and title specificity, they have been organized chronologically in this subseries to facilitate their discovery. These essays are either in the format of prose or are prepared as outlines. Consult Series V: Research files, Subseries: V.5: Research notes for related material and on the arrangement of those records.


Box 235 Folder 1 "What is an artist? -- Typescript, circa, 1930s

Box 235 Folder 2 "di Chirico and Futurism" -- Annotated typescript, circa, 1930s

Box 235 Folder 3 "The function of art" -- Typescript, circa, 1930s

Box 235 Folder 4 "Essay for Hook's journal" -- Typescript, circa, 1930s

Box 235 Folder 5 "Historicism and taste" -- Annotated typescript, circa, 1930s

Box 235 Folder 6 "Art and social change" -- Typescript, circa, 1930s

Box 235 Folder 7 "Is romantic movement an expression of bourgeois society vs. feudal classes?" -- Typescript, circa, 1930s

Box 235 Folder 8 "Kallen paper : on completeness, perfection and unity: an operational analysis" -- Typescript, circa, 1930s

Box 235 Folder 9 "American conception of aristocracy" -- Annotated typescript, circa, 1930s

Box 235 Folder 10 "Propaganda and truth" -- Annotated typescript and research notes, circa, 1930s

Box 235 Folder 11 "Balzac, Colonel Chabert" -- Annotated typescript and research notes, circa, 1930s

Box 235 Folder 12 "The extrapolation of unity in aesthetics" -- Typescript, circa, 1930s

Box 235 Folder 13 "What is the new and revolutionary element in the work of these three artists?" -- Annotated typescript and research notes,, 1930s

(The three artists referred to are: Courbet, Manet, and Matisse)

Box 235 Folder 14 "Naturalism" -- Annotated typescript and research notes, circa, 1930s

Box 235 Folder 15 "On liberal bourgeois art criticism" -- Typescript, circa, 1930s

Box 235 Folder 16 "Modern artist's relation to real world" -- Typescript, circa, 1930s

Box 235 Folder 17 "Impressionistic conception of architecture"-- Typescript, circa, 1930s

(Title supplied by Lillian Milgram Schapiro)

Box 235 Folder 18 "Style or character of the modern building" -- Typescript, circa, 1930s

(Title supplied by Lillian Milgram Schapiro)

Box 235 Folder 19 "Cubism as geometric impressionism" -- Typescript, circa, 1930s

(Title supplied by Lillian Milgram Schapiro)

Box 235 Folder 20 "The artist in industrial society" -- Typescript, circa, 1930s

(Title supplied by Lillian Milgram Schapiro)

Box 235 Folder 21 "Judgment of value in works of art" -- Typescript, circa, 1930s

Box 235 Folder 22 "On the causes of provincial archaism" -- Typescript, circa, 1930s

Box 235 Folder 23 "On the subject matter of abstract arts" -- Typescript, circa, 1930s

Box 235 Folder 24 "The musical subject in modern painting" -- Typescript and research notes, circa, 1930s

Box 235 Folder 25 "The taste for wit in civilized societies" -- Annotated typescript, circa, 1930s

Box 235 Folder 26 "Is true art revolutionary?" -- Typescript, circa, 1930s

Box 235 Folder 27 "What is a 'late period'?" -- Typescript, circa, 1930s

Box 235 Folder 28 "Perspective as an expressive form" -- Typescript, circa, 1930s

Box 235 Folder 29 "On elementary art education" -- Typescript, circa, 1930s

Box 235 Folder 30 "The role of class in art" -- Typescript and research notes, circa, 1930s

Box 235 Folder 31 "Philosophy of art in the middle ages" -- Typescript, circa, 1930s

Box 235 Folder 32 "On indirectness and disproportion in development of art" -- Typescript, circa, 1930s

Box 235 Folder 33 "Individualism in art and society" -- Typescript, circa, 1930s

Box 235 Folder 34 "On the changes in costume" -- Typescript and research notes, circa, 1930s

Box 235 Folder 35 "The prize picture" -- Typescript and research notes, circa, 1930s

Box 235 Folder 36 "Art history and social history" -- Typescript and research notes, circa, 1930s

Box 235 Folder 37 "On a permanent federal art project" -- Annotated typescript, circa, 1930s

Box 235 Folder 38 "The sources of pragmatism" -- Typescript, circa, 1930s

Box 235 Folder 39 "On the modern 'rivalry' of poetry and science" -- Typescript and research notes, circa, 1930s

Box 235 Folder 40 "Notes on the aesthetics of architecture" -- Typescript, circa, 1930s

Box 235 Folder 41 "Lewis, time and western man" -- Typescript and research notes, circa, 1930s

Box 235 Folder 42 "Prinzhorn, Bildnerei der Gefangenen" -- Annotated typescript and research notes, circa, 1930s

Box 235 Folder 43 "Aesthetics of perception" -- Typescript, circa, 1930s

Box 235 Folder 44 "Buchanan, poetry and mathematics" -- Typescripts and research notes, circa, 1930s

Box 235 Folder 45 "Jews and modern art" -- Typescript, circa, 1930s

Box 235 Folder 46 "The problem of constants" -- Annotated typescripts, research notes, and clippings, circa, 1930s


Box 660 Folder 1 "Plekhanov's 'Art and Society'" -- Annotated typescript and research notes, circa, 1930s

Box 660 Folder 2 "Theory of physioplastic art -- Holograph papers, circa, 1930s

Box 660 Folder 3 "Aesthetic truth" --Annotated typescript and research notes, circa, 1930s

Box 660 Folder 4 "Problems of revolutionary art" -- Typescript, circa, 1930s

Box 660 Folder 5 "Artistic changes and linguistic changes" -- Annotated typescript, circa, 1930s

Box 660 Folder 6 "Jacob and the angel" -- Annotated typescript, early draft, and research notes, circa, 1930s

(Essay relating to Christian-Irish iconography)

"The Eiffel Tower"

Box 660 Folder 7 Annotated typescript and research notes, circa, 1930s

(Accompanied by a transcription created in 1992)

Box 660 Folder 8 Research file and reproductions, circa, 1930s

Box 660 Folder 9 "Cinema" -- Typescript, circa, 1930s

Box 660 Folder 10 "Cinema" -- Typescript, circa, 1930s

(Chiefly on animation and Mickey Mouse)

Box 660 Folder 11 "Science and Impressionism" -- Typescript, circa, 1930s

Box 660 Folder 12 "Fascism and art" -- Annotated typescript and research notes, circa, 1930s-1940s

Box 660 Folder 13 "The Medieval City" -- Annotated typescripts and research notes, circa, 1930s-1940s

Box 660 Folder 14 "On the language of Joyce" -- Typescript, research notes, and drawings, circa, 1930s-1940s

Box 660 Folder 15 "Parallelism of early Christian and Modern art -- Annotated outlines, circa, 1930s-1940s

Box 660 Folder 16 "On continuity as a principle of grouping" -- Annotated typescripts and research notes, circa, 1930s-1940s

Box 660 Folder 17 "Significance of monochromatic painting in modern times" -- Typescript, circa, 1930s-1940s

Box 660 Folder 18 "The collector" -- Typescript and notes, circa, 1930s-1940s

Box 660 Folder 19 "The aesthetics of cinema" -- Typescript, 1932

(Potentially published in the magazineNew Masses)


Box 236 Folder 1 "On the principle of good continuation" -- Annotated typescript and research notes, circa, 1930s-1940s

Box 236 Folder 2 "On connoisseurship" -- Typescript, circa, 1930s-1940s

Box 236 Folder 3 "Historical concepts" -- Annotated typescript, circa, 1930s-1940s

Box 236 Folder 4 "On history of art as a discipline" -- Outline, circa, 1930s-1940s

Box 236 Folder 5 "The magazine cover" -- Typescript, circa, 1930s-1940s

Box 236 Folder 6 "Italian medieval baptistery as a revival of Christian antiquity" -- Typescript and research notes, circa, 1930s-1940s

Box 236 Folder 7 "Note on problem of analogies of science and painting in 19th century -- Typescript and research notes, circa, 1930s-1950s

Box 236 Folder 8 "Abstract art and impersonality" -- Typescript, circa, 1930s-1950s

Box 236 Folder 9 "Geometry and Cubism" -- Typescript, circa, 1930s-1950s

Box 236 Folder 10 "Romanesque sculpture: narrative forms and linguistic parallels" -- Typescript and research notes,, 1931-1933

Box 236 Folder 11 "The cinematic art" -- Typescript, 1932

Box 236 Folder 12 "The art of being an artist" -- Annotated typescript, 1933

(Essay on Jean Cocteau'sLe sang d'un poète)

Box 236 Folder 13 "Léger" -- Annotated typescript, 1935

Box 236 Folder 14 "The southwest tower of the cathedral of Chartres: an architectural analysis" -- Annotated typescripts, correspondence, and slide lists,, 1935

Box 236 Folder 15 "Painting and cinema: photomontage and painting" -- Typescript and outlines,, 1938

Box 236 Folder 16 "Malraux's Man's fate" -- Typescript, 1938

Box 236 Folder 17 "Expressionism and Fauves" -- Typescript, research notes, reproductions, and clippings,, 1938

Box 236 Folder 18 "Modern and insane art" -- Outline, circa, 1940s

Box 236 Folder 19 "Significance of modern naïve painting" -- Outline, circa, 1940s

Box 236 Folder 20 "On freedom and responsibility of the artist" -- Outlines, circa, 1940s

Box 236 Folder 21 "The fine arts and the unity of mankind" -- Typescripts, research notes, correspondence, and clippings,, 1940s

(Correspondence is with Ernest Nagel relating to the essay)

Box 236 Folder 22 "The new gallery of contemporary art and its design" -- Annotated typescript,, 1940s

(Essay is chiefly on the gallery "Art of This Century")

Box 236 Folder 23 "Psychoanalysis and art" -- Typescript, 1940s

Box 236 Folder 24 "Laocoön and the scientists/physiologists" -- Annotated and corrected typescripts, correspondence, research notes, and reproductions,, 1940s

(Corrected typescript created in 1975)

Box 236 Folder 25 "On heliocentric orbits of Venus and Mercury" -- Annotated typescript, correspondence, research notes, and reproductions,, 1940s

Box 236 Folder 26 "The inferno of Silos" -- Annotated typescript, circa, 1940s

(Essay was given to André Breton circa 1942 for publication in a surrealist periodical. The essay was never published)

Box 236 Folder 27 Entries to be written for the International Encyclopedia of United Science-- Outlines and notes, circa, 1940s

(Topics include "knowledge" and "experience")

Box 236 Folder 28 Entries to be written for the International Encyclopedia of United Science-- Outlines and notes, circa, 1940s

(Topics include "classification," "valuation," "science," "judgment," "criticism," and the "foundations of art investigation")

Box 236 Folder 29 "Griffith's Intolerance thirty years later"-- Typescript and correspondence,, 1946

(Correspondence with Herman Singer, editor of the magazineThe Call)

Box 236 Folder 30 "On photography and painting in 19th and 20th century"-- Outlines, drafts, research notes,, 1940s-1960s

(Accompanied by a compilation of Schapiro's states on photography by Robert Bergman)

Box 236 Folder 31 "On the new art as critical reactions against existing order of life" --- Outline, circa, 1940s-1960s

Box 236 Folder 32 "On the rarity of Pericope books in the Carolingian period" -- Annotated typescript and research notes, circa, 1940s-1960s

Box 236 Folder 33 "On Heidegger's concept of history" -- Typescript, circa, 1940s-1960s

Box 236 Folder 34 "What do students get from art courses?" -- Typescript, circa, 1940s-1960s

Box 236 Folder 35 "On hostility to science" -- Typescript, outline, and research notes,, 1941-1942

Box 236 Folder 36 "On dialectics" -- Typescript, 1943

(Accompanied by the article "Social change and original sin: answer to Niebuht" by Sidney Hook)

Box 236 Folder 37 Preface to album of prints for Rose Fried -- Typescript, 1946

Box 236 Folder 38 "A note on the proposed expansion of the museum" -- Annotated typescript, correspondence, and clippings,, 1946-1947

(Essay is chiefly on the proposed expansion of the Metropolitan Museum of Art)

Box 236 Folder 39 Preface to Parker Tyler's publication Rodin -- Typescript and notes, 1950s

(Accompanied by Tyler's essay "Watteau's great Cythera" and clippings relating to Renoir and Rodin)

Box 236 Folder 40 "Children's art and adult creation" -- Annotated typescript and research notes, circa, 1950s

Box 236 Folder 41 "The two senses of the figure in the study of art" -- Typescript, circa, 1950s

(Based on a lecture given at the New York Studio School of Drawing, Painting and Sculpture. Accompanied by correspondence and drawings)

Box 236 Folder 42 Entries to be written for an unidentified encyclopedia-- Outlines, notes, and correspondence, circa, 1950s-1977

(Topic addressed is chiefly "art as knowledge")


Box 237 Folder 1 "The two concepts of pattern in cultural anthropology and history" -- Annotated typescript and research notes, circa, 1950s

Box 237 Folder 2 "'Pattern' and 'structure' as concepts of cultural form in ethnology" -- Annotated typescript and research notes, circa, 1950s

Box 237 Folder 3 "On value statements" -- Typescript, circa, 1950s

Box 237 Folder 4 "Valuation and the conditional in perception of art" -- Annotated typescript, circa, 1950s

Box 237 Folder 5 "On theory of proportion" -- Annotated typescript, circa, 1950s

Box 237 Folder 6 "On style analysis and value" -- Typescript, circa, 1950s

Box 237 Folder 7 "On the personal and on feeling in art and science" -- Typescript, circa, 1950s

Box 237 Folder 8 "Reason in art criticism" - Outline, circa, 1950s

Box 237 Folder 9 "On the concepts of the haptic and the tactile in art" -- Annotated typescript and research notes, circa, 1950s

Box 237 Folder 10 "Perspective as an expressive form" -- Typescript and research notes, circa, 1950s

Box 237 Folder 11 "On expressive and aesthetic-constructive function in pictorial composition" -- Annotated typescript, circa, 1950s

Box 237 Folder 12 "Logical truth and aesthetic truth" -- Annotated typescript, circa, 1950s

Box 237 Folder 13 "Aesthetic truth" -- Annotated typescript, circa, 1950s

Box 237 Folder 14 "The historian and what really happened" -- Typescript, circa, 1950s

Box 237 Folder 15 "Criticism and aesthetics" -- Typescript, circa, 1950s

Box 237 Folder 16 "What determines the choice of objects to be studied?" -- Annotated typescript, circa, 1950s

Box 237 Folder 17 "Concept of personality in art" -- Typescript and research notes, circa, 1950s

Box 237 Folder 18 "The script of our time" -- Typescript, circa, 1950s

Box 237 Folder 19 "On the cross nimbus" -- Annotated typescript and research notes, circa, 1950s

Box 237 Folder 20 "The illustrations of the Codex Amiatinus" -- Annotated outline, research notes, and reproductions, circa, 1950s

Box 237 Folder 21 "On 8th century peacock sarcophagus" -- Annotated outline, research notes, and reproductions, circa, 1950s

Box 237 Folder 22 "On some relations of science and modern art" -- Annotated outline, circa, 1950s

Box 237 Folder 23 "Some relations of science and art in the 19th century" -- Annotated typescript, research notes, and outlines, circa, 1950s

Box 237 Folder 24 "On the concept of form in classic and post-classic Renaissance art" -- Typescript and research notes, circa, 1950s

Box 237 Folder 25 "On the concept of creativeness from point of view of a historian of art" -- Typescripts, correspondence, research notes, and clippings,, 1950s-1960s

(Essay is a compilation of Schapiro's writings that are paginated and include the following topics: "On creativity" ; "On abstract forms as test objects" ; The unconscious as a source of imagery" ; "On the tests for artistic ability" ; and "Concept of regression in art")

Box 237 Folder 26 "The Auxerre fragment" -- Annotated typescript, research notes, and reproductions, circa, 1950s-1960s

Box 237 Folder 27 "On teleology and modern art" -- Annotated typescript, circa, 1950s-1970s

Box 237 Folder 28 "On abstract art as a sociological problem" -- Outline, circa, 1950s-1970s

Box 237 Folder 29 "Princess Casamassima" -- Typescript, 1953

Box 237 Folder 30 "Social freedom and the artist's freedom" -- Typescript, 1953

(Based on a lecture given at Teachers College)

Box 237 Folder 31 "On knowledge of technique and relation of practical and theoretical knowledge of the arts" -- Typescript,, 1956

Box 237 Folder 32 "On Jewish sources of Christian art" -- Annotated outline and clippings,, 1957

Box 237 Folder 33 "Duerer's [sic] monument for a victory over the peasants" -- Annotated typescript, research notes, and clippings,, 1957

Box 237 Folder 34 "On artists and criticism" -- Typescript, 1958

Box 237 Folder 35 "'New images of man'" -- Typescript, 1959

(Essay on the Museum of Modern Art exhibition of the same name)

Box 237 Folder 36 "The third modernism" -- Typescript, circa, 1960s

Box 237 Folder 37 "The place of myth in modern art" -- Typescript, circa, 1960s

Box 237 Folder 38 "The psychologizing of politics" -- Typescript, circa, 1960s

Box 237 Folder 39 "On spontaneity" -- Outline, circa, 1960s

Box 237 Folder 40 "On communication and the arts" -- Outline, circa, 1960s

Box 237 Folder 41 "Architecture and the other arts" -- Typescript, circa, 1960s

Box 237 Folder 42 "The size of painting or sculpture" -- Outline and research notes, circa, 1960s

Box 237 Folder 43 "On representation and schema" -- Typescript, circa, 1960s

Box 237 Folder 44 "Character of love in late Impressionist culture" -- Typescript, circa, 1960s

Box 237 Folder 45 "Unity of power in politics" -- Typescript, circa, 1960s

Box 237 Folder 46 "On religion as a remedy of present disorder" -- Typescript, circa, 1960s

Box 237 Folder 47 "On the historical (i.e. sociological) explanation of abstract art" -- Outline, circa, 1960s

Box 237 Folder 48 "On abstraction in painting and style" -- Annotated typescripts and outlines, circa, 1960s

Box 237 Folder 49 "The single note: on a type of modern painting" -- Outline, circa, 1960s

Box 237 Folder 50 "On freedom of expression and the quality of art" -- Typescript, circa, 1960s

Box 237 Folder 51 "Judgment and the grounds of value in art" -- Outlines, typescripts, and research notes, circa, 1960s

(Includes writing on C.I. Lewis)

Box 237 Folder 52 "How does modern adaptation of Persian painting differ from Persian art?" -- Typescript, circa, 1960s

Box 237 Folder 53 "On the ethical polemics against relativism …" -- Typescript, 1960s

Box 237 Folder 54 "On objective ethics" -- Typescript, 1960s

Box 237 Folder 55 "On religion and 'ultimate concern'" -- Typescript, 1960s


Box 238 Folder 1 "Wilson, this room …" -- Annotated typescript, 1960s

Box 238 Folder 2 "Art history and 'history'" -- Typescript, 1960s

Box 238 Folder 3 "On the support of artists" -- Outline, 1960s

Box 238 Folder 4 "State of the art market" -- Typescript, 1960s

Box 238 Folder 5 "On concept of two cultures (the two half-cultures)" -- Annotated outline,, 1960s

Box 238 Folder 6 "On art world as an institution and a social activity"-- Outline, 1960s

Box 238 Folder 7 "On the reactions in art during and after the first war" -- Outline, 1960s

Box 238 Folder 8 "On concept of abstraction and pure art" -- Typescript, 1960s

Box 238 Folder 9 "Filippo Lippi's Adoration of the infant Jesus" -- Annotated typescript and research notes, 1960s

Box 238 Folder 10 "On analogy of science and art"-- Annotated typescript, 1960s

Box 238 Folder 11 "Pictorial perspective and rationality" -- Annotated typescripts, 1960s

Box 238 Folder 12 "Content (and science and art)" -- Annotated typescript, 1960s

Box 238 Folder 13 "On culture, style, and politics" -- Typescript, 1960s

Box 238 Folder 14 "On art as knowledge -- Annotated typescript and editorial notes, 1960s

(Editorial notes by Lillian Milgram Schapiro from the 1990s)

Box 238 Folder 15 "On art schools" -- Outline, 1960s

Box 238 Folder 16 "On art teaching in the colleges" -- Annotated outline, 1960s

Box 238 Folder 17 "On Petrus Christus' portrait of a Carthusian: the shining face and the fly" -- Outline, research notes, and reproductions,, 1960s

Box 238 Folder 18 "Cubism and Cézanne" -- Annotated typescript and notes, 1960s

Box 238 Folder 19 "On sign and mark in Cubist painting" -- Annotated typescript and research notes,, 1960s

Box 238 Folder 20 "On pictures as signs" -- Annotated typescript, 1960s

Box 238 Folder 21 "On the universals and the singular in styles" -- Annotated outline, 1960s

Box 238 Folder 22 "Cubist painting and language" -- Annotated outline and research notes,, 1960s

Box 238 Folder 23 "Cubist signs and writing" -- Annotated outline, 1960s

Box 238 Folder 24 "On the ornamentation of Milan, Ambrosius 45 supplement" -- Annotated typescript and research notes,, 1960s

Box 238 Folder 25 "On Canterbury Cotton psalter" -- Annotated typescript and research notes,, 1960s

Box 238 Folder 26 "On the value of modern art" -- Annotated typescript and outlines, 1960s

(Essay is a critique of a Kenneth Clark article on modern art)

Box 238 Folder 27 "Randall Jarrell" -- Typescript and research notes, 1960s

(Accompanied by holograph papers of "Jerome" by Jarrell given to Schapiro in 1957)

"The trilingual inscription on the cross and Jan van Eyck's art"

Box 238 Folder 28 Annotated typescript, 1960s-1990s

(Typescript is interleaved with Schapiro's research notes)

Box 238 Folder 29 Annotated typescripts, correspondence, research notes, and clippings,, 1960s-1990s

(Correspondence is with Otto Brendel. Typescript is interleaved with Schapiro's research notes)

Box 238 Folder 30 Research file, 1960s-1990s

Box 238 Folder 31 Reproductions, 1960s-1990s

Box 238 Folder 32 "Gandy Brodie" -- Typescript, transcripts, and clippings, 1960s-1970s

(Essay was read at Brodie's memorial service. Accompanied by Schapiro's other writings on Brodie)

Box 238 Folder 33 "On art history and the historian" -- Outlines, notes, and clippings,, 1960s

Box 238 Folder 34 "A note on the Pilate scenes in the Rossano Gospels" -- Annotated typescript, drafts, and research notes,, 1961-1962

Box 238 Folder 35 "A note on perspective and illusion" -- Annotated typescript and drafts,, 1962

Box 238 Folder 36 "On disappearance of perspective in painting" -- Annotated typescript, circa, 1964

Box 238 Folder 37 "On despotism, freedom and the quality of art" -- Outline, 1966

Box 238 Folder 38 "On drawing from memory and from objects" -- Outline, 1966

Box 238 Folder 39 "A problem for iconographers: Adam and Eve clothed in the temptation and fall" -- Annotated typescript, research notes, and clippings,, 1970s

Box 238 Folder 40 "On the graphic analysis of form in painting" -- Annotated typescript and editorial notes,, 1970s

(Editorial notes by Lillian Milgram Schapiro from the 1990s)

Box 238 Folder 41 "The content of modern art" -- Outlines and clippings, 1970s


Box 239 Folder 1 "Papyraceas texturas" -- Annotated typescript and research notes, circa, 1970s-1980s

Box 239 Folder 2 "Raphael's Madonna of the chair" -- Annotated typescript, drafts, and research notes, circa, 1970s-1980s

Box 239 Folder 3 "Philosophy in painting: on modern theory of art" -- Typescript, 1970s

(Accompanied by an edited version from 1996)

Box 239 Folder 4 "Barnett Newman: in memoriam" -- Typescript, research notes, clippings, and press releases,, 1970

(Title supplied from original file heading)

Box 239 Folder 5 "The Campbell soup can: an experiment in size, meaning, affect in painting" -- Typescript and research notes,, 1971

Box 239 Folder 6 Eulogy for Parker Tyler -- Typescript and clippings, 1974

(Eulogy given at Tyler's memorial service)

Box 239 Folder 7 "The pictures of Enoch in the Junius manuscript of Caedmon"-- Annotated typescript, correspondence, research notes, and reproductions,, 1980s

(Typescript is interleaved with Schapiro's research notes)

Box 239 Folder 8 "On the tomb of an abbot in Cluny" -- Typescripts and research notes, circa, 1980s

Box 239 Folder 9 "Corot studio" -- Typescript and editorial notes, 1980s-1990s

(Essay is derived from the text found in the manuscript "Philosophy and worldview in painting" which is originally based on Schapiro's Slade Lectures in the Fine Arts given in 1968. Editorial notes by Lillian Milgram Schapiro from the 1990s)

Box 239 Folder 10 "Delacroix's painting of Michelangelo in his studio" -- Annotated typescript, research notes, clippings, and reproductions,, 1980

(Typescript is interleaved with Schapiro's research notes)

Box 239 Folder 11 "Representation, appearance and illusion" -- Annotated typescript, 1982

"The altar sculpture on Brunelleschi's bronze panel of Abraham and Isaac"

Box 239 Folder 12 to 13 Annotated typescript, research notes, and reproductions, 1984, (2 Folders)

Box 239 Folder 14 "The canvas and the battlefield: on the metaphor of the avant-garde" -- Annotated typescript, research notes, correspondence, and reproductions,, 1990s

(Typescript is interleaved with Schapiro's research notes)

Subseries: IV.4: Manuscripts, 1930s-2002

Subseries IV.4 contains unpublished material that Schapiro wrote, organized, and edited for intended publication. Among the titles included in this subseries are "The content of modern art: studies in the painting of the end of the nineteenth century from Manet to Munch," "Pablo Picasso'sGuernica," "The serpent with a woman's head in the temptation of Eve: researches on the invention of an image," and "Relativity and the interpretation of modern painting."

Schapiro continually revisited and reworked his previous writings, transcripts, and research notes to compile these manuscripts. As a result, work on one single manuscript could cross several decades and, after Schapiro's death, would continue to be worked on by his wife Lillian Milgram Schapiro. In each individual instance, original order created by Schapiro or his wife Lillian Milgram Schapiro was maintained. Every effort was made to contextualize these manuscripts by highlighting historical documentation contained elsewhere in the collection to give these writings a fuller understanding. To that end, included after each title are arrangement notes for how the manuscript is organized, their organizational structure, and, if applicable, the rationale on the final title chosen

"The introduction of the Romanesque in Silos"

(No substantial information about this manuscript exists, other than the same subject matter is found in Schapiro's published article "From Mozarabic to Romanesque in Silos." Related material can be found in Subseries: V.5: Research notes. The manuscript deals chiefly with the sculpture found in cloister of the abbey at Santo Domingo de Silos and its differentiation from manuscript illumination and other Romanesque sculpture. There are no indications that the manuscript was ever published and Schapiro prepared it as if it were ready for publication as evidenced by the inclusion of references for illustrations within the text.)


Box 240 Folder 1 Typescript, 1930s

Box 240 Folder 2 to 7 Drafts and notes, 1930s, (6 Folders)

"How the fish ate up the house"

(Schapiro's children's story was created in the 1930s for his daughter and was originally a hand sewn booklet made up of his typescripts and drawings. In 2004 Lillian Milgram Schapiro would revisit the story by adding text and other illustrations by Schapiro to create an expanded manuscript version for potential publication)

Box 240 Folder 8 Hand-sewn booklet, 1930s

(Accompanied by a 2004 typescript created by Lillian Milgram Schapiro with added text and illustrations)

Box 240 Folder 9 Correspondence, 2004

"The content of modern art: studies in the painting of the end of the nineteenth century from Manet to Munch"

(According to correspondence in file 18 of Box 242 of this series, plans to publish this manuscript began in 1937 when Oxford University Press, New York, initiated contract discussions with Schapiro. There was also an agreement between Oxford University Press and the Museum of Modern Art to collaborate on the publication in 1939 but that never materialized. In an announcement dated 1938 found in file 19 of Box 242 of this series, Phaidon Press was to publish the manuscript as "The content of modern art: studies in painting from Manet to Munch." That publication was also never realized. There are three variations of the title; the longer version is used since it includes variants from the other two titles. When possible, file titles below were supplied or condensed using Schapiro's annotations or text to guide users to the contents found in the manuscript. Original file order is maintained to preserve Schapiro's ordering. As a result, file titles may not include sequential sequencing such as section numbers. Files have research notes and editorial notes interleaved in the typescript sheets)


Box 241 Folder 1 Section I: themes -- Annotated typescript, research notes, and editorial notes,, 1930s

(Typescript is paginated 1-65 by hand. P)

Box 241 Folder 2 Section Ia: myth and imagination in modern art -- Annotated typescript, research notes, and editorial notes,, 1930s

Box 241 Folder 3 Section Ib: themes/common subjects -- Outline, annotated typescripts, research notes, and editorial notes,, 1930s

Box 241 Folder 4 to 5 File on the meaning of content -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s, (2 Folders)

Box 241 Folder 6 to 7 Section II: surface and randomness -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s, (2 Folders)

Box 241 Folder 8 Section IIIa: Cubism, Picasso, and Cezanne -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 241 Folder 9 to 10 Section IV: theory of causes and changes-- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s, (2 Folders)


Box 242 Folder 1 File chiefly on the predominance of France. -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 242 Folder 2 to 6 Section IV: theory of causes and changes-- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s, (5 Folders)

Box 242 Folder 7 File on surface and randomness -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 242 Folder 8 File chiefly on the theory of structure, painting and literature, and the inferiority of sculpture -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 242 Folder 9 File chiefly on classifications -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 242 Folder 10 File chiefly on the content of subject matter and themes -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 242 Folder 11 File chiefly on themes and their valuation -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 242 Folder 12 File chiefly on theme, subject, and objects -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 242 Folder 13 File chiefly on the content of expression and randomness -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 242 Folder 14 File chiefly on nature and perspective -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 242 Folder 15 File chiefly on the geometrical object -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 242 Folder 16 File chiefly on the survival of works of art and content -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 242 Folder 17 Section IVb: Towards a new content and conclusion -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s

Box 242 Folder 18 Correspondence, 1937-1946

Box 242 Folder 19 Announcement, 1938

"Georges Seurat"

(Files associated with this manuscript are largely in outline format and filed by subject. In the 1990s Lillian Milgram Schapiro used Schapiro's outline in file 1, Box 243 as a guide to reconstruct this manuscript. However, file naming conventions below follow title headings of the outlines and are arranged matching content to outline titles as closely as possible. Section titles of the manuscript indicated in the outline are given at the end of each file description)


Box 243 Folder 1 General outlines, research notes, and correspondence, 1940s-1950s

Box 243 Folder 2 "Paradox of taste" -- Outlines and research notes, 1940s-1950s

(Section I: Distinctiveness of his art)

Box 243 Folder 3 "Taste for archaic forms and simplicity" -- Outlines and research notes,, 1940s-1950s

(Section I: Distinctiveness of his art)

Box 243 Folder 4 "Early paintings before Baignade" -- Outlines and research notes, 1940s-1950s

(Section II: the early works)

Box 243 Folder 5 "Seurat" -- Outlines and research notes, 1940s-1950s

(Section II: the early works)

Box 243 Folder 6 "Baignade" -- Outlines and research notes, 1940s-1950s

(Section IV: the Baignade)

Box 243 Folder 7 "Seine at Courbevoie" -- Outlines and research notes, 1940s-1950s

(Section VI: The landscapes of circa 1884-1886)

Box 243 Folder 8 "Later works" -- Outlines and research notes, 1940s-1950s

(Section VII: the new phase: 1887-1890)

Box 243 Folder 9 "Circus" -- Outlines and research notes, 1940s-1950s

(Section XII: Cirque)

Box 243 Folder 10 "The large landscapes: 1885-1890" -- Outlines, research notes, and annotated typescripts,, 1940s-1950s

(Section XIII: the landscapes of 1888-1890)

Box 243 Folder 11 "Drawings for La Grande Jatte" -- Outlines and research notes, 1940s-1950s

(Section XIV: the drawings)

Box 243 Folder 12 "On Seurat and science" -- Outlines and research notes, 1940s-1950s

(Section XV: Seurat and science: color, composition, physiognomic)

Box 243 Folder 13 to 14 File chiefly on Seurat's theory -- Outlines, research notes, and correspondence,, 1940s-1950s, (2 Folders)

(Section XVI: Development of theory)

Box 243 Folder 15 "Sutter" -- Research notes, 1940s-1950s

(Section XXII: appendices)

Box 243 Folder 16 Research file, 1940s-1950s

"A bible from Cluny with paintings of the eleventh and twelfth centuries"

(This manuscript is concerned with an illuminated manuscript that forms part of the Fondi di Cluni held at the Bibliothèque nationale de France and especially with the illuminated manuscript Latin 15176. Schapiro originally wrote this in 1948 but continually worked on the text through to the 1960s)


Box 244 Folder 1 Typescript, 1948

Box 244 Folder 2 Annotated typescript, 1948

(First draft of manuscript)

Box 244 Folder 3 Annotated typescripts, research notes, and editorial notes, 1940s-1960s

(Typescript is interleaved with Schapiro's research and editorial notes. The final version of the manuscript is included in this file along with other draft versions)

Box 244 Folder 4 to 13 Research notes, 1940s-1960s, (10 Folders)


Box 245 Folder 1 Research file, 1940s-1960s

Box 245 Folder 2 Notes on reproductions, 1940s-1960s

Box 245 Folder 3 to 8 Reproductions, 1940s-1960s, (6 Folders)

Box 245 Folder 9 Forward to a publication on Chagall. -- Annotated typescript, outlines, research notes, and correspondence,, 1953

(This was to be published by Holbein Verlag publishers in Germany)

"Pablo Picasso's Guernica"

(From a book jacket design in file 5 of Box 248 in this series and correspondence in file 9 Box 248, this manuscript was to be published by the Museum of Modern Art, New York as "Guernica: studies, postscripts" possibly in the 1970s or 1980s. Schapiro wrote consistently on Picasso's Guernica, and material found in these files is culled from the 1940s through the 1990s. Files are organized by a pagination scheme devised by Lillian Milgram Schapiro in the 1990s through the 2000s relying on Schapiro's original annotations on the typescripts. Her notes and lists relating to the reconstruction of the manuscript can be found in file 5 of Box 248)


Box 246 Folder 1 Pages 1-6 -- Annotated typescripts, 1980s

Box 246 Folder 2 Pages 1-7 -- Annotated typescripts, 1980s

Box 246 Folder 3 Pages 1, 6, 9 -- Annotated typescripts, 1980s

Box 246 Folder 4 Pages 1, 4, 6, 9 -- Annotated typescripts, 1980s

Box 246 Folder 5 Pages 1-18 -- Annotated typescripts, 1980s-1990s

Box 246 Folder 6 Pages 1-24 -- Annotated typescripts, outlines, and notes, 1940s-1980s

Box 246 Folder 7 Pages 1-29 -- Research and editorial notes, 1980s

Box 246 Folder 8 Pages 1-29 -- Research and editorial notes, 1940s-1990s

(Chiefly on the evolution ofGuernicaand the attitude of Picasso towards Fernande Olivier)

Box 246 Folder 9 Pages 1-29 -- Research and editorial notes, 1940s-1990s

(Chiefly on Alexandre Millerand)

Box 246 Folder 10 Pages 7-12 -- Annotated typescripts, 1980s

Box 246 Folder 11 Pages 13-17 -- Annotated typescripts, 1980s

(Material is based on Schapiro's 1966 lecture "Guernica" presented at Harvard University's Carpenter Design Center)

Box 246 Folder 12 Pages 18-31 -- Annotated typescripts, 1980s-1990s

(Material is based on Schapiro's 1966 lecture "Guernica" presented at Harvard University's Carpenter Design Center)

Box 246 Folder 13 Pages 18-51 -- Annotated typescripts, 1980s-1990s

(Material is based on Schapiro's 1966 lecture "Guernica" presented at Harvard University's Carpenter Design Center)

Box 246 Folder 14 Pages 19-20 -- Annotated typescripts and research notes, 1980s

Box 246 Folder 15 Pages 19-20 -- Annotated typescripts and research notes, 1980s

(Typescripts chiefly on Picasso's preparatory drawings)

Box 246 Folder 16 Pages 19-35 -- Annotated typescripts, 1980s-1990s

(Typescript is interleaved with Lillian Milgram Schapiro's research and editorial notes)

Box 246 Folder 17 Pages 19-35 -- Research notes and reproductions, 1940s-1990s

Box 246 Folder 18 Pages 20-57 -- Research notes, 1940s-1990s

Box 246 Folder 19 Pages 30-34 -- Annotated typescripts, 1980s

Box 246 Folder 20 Pages 36-56 -- Annotated typescripts, 1980s

Box 246 Folder 21 Pages 36-56 -- Annotated typescripts, 1980s-1990s

(Typescript is interleaved with Lillian Milgram Schapiro's research and editorial notes)

Box 246 Folder 22 Pages 36-50 -- Research and editorial notes, 1940s-1990s


Box 247 Folder 1 Pages 57-58 [?] -- Annotated typescripts and research notes, 1980s

Box 247 Folder 2 Pages 57-60 -- Annotated typescripts, 1980s-1990s

Box 247 Folder 3 Pages 61-98 -- Annotated typescripts, 1980s-1990s

(Typescript is interleaved with Lillian Milgram Schapiro's research and editorial notes)

Box 247 Folder 4 Pages 61-97 -- Research and editorial notes, 1940s-1990s

Box 247 Folder 5 to 6 Drafts and research notes, 1940s, (2 Folders)

(Accompanied by Lillian Milgram Schapiro's editorial notes. These early drafts formed the basis for the paginated typescripts from the 1980s)

Box 247 Folder 7 to 9 Research notes and outlines, 1970s-1980s, (3 Folders)

Box 247 Folder 10 Research file, 1940s-1990s


Box 248 Folder 1 to 4 Research files, 1940s-1990s

Box 248 Folder 5 Editorial file, 1970s-2000

(Chiefly Lillian Milgram Schapiro's page reconstruction of manuscript and correspondence with Jeffrey Hoffeld. Accompanied by design for book cover)

Box 248 Folder 6 to 7 Reproductions, 1940s-1990s

Box 248 Folder 8 Reproduction lists and correspondence, 1940s-1990s

Box 248 Folder 9 Correspondence, 1980

(Correspondence is with the Museum of Modern Art regarding potential publication)

"Impressionism" --

(Material from this manuscript is based on Schapiro's Indiana University Patten Lectures from 1961. Schapiro would revise and annotate transcripts from these lectures for potential publication largely in the 1980s and 1990s with the editorial support of Lillian Milgram Schapiro. Materials found in these files were posthumously published in 1997 by George Braziller and edited by James Thompson asImpressionism: reflections and perceptions.The files in this subseries are organized according to Schapiro's own 1985 outline for the manuscript found in file 8, Box 252 in this subseries. While Thompson generally followed Schapiro's outline for the publication, Schapiro's scheme varies on section titles and organization. Schapiro also has additional sections and content and hence its inclusion into this subseries)


Box 249 Folder 1 Section I: introduction-- Outlines and research notes, 1960s-1990s

Box 249 Folder 2 Section I: introduction -- Annotated typescripts and research notes,, 1960s-1990s

Box 249 Folder 3 Section I: introduction -- Annotated typescripts and research notes,, 1960s-1990s

(Early draft of this section)

Box 249 Folder 4 Section I: introduction -- Annotated typescripts and research notes,, 1960s-1990s

(First draft of this section. Missing pages 1, 2, and 4)

Box 249 Folder 5 Section Ia 1: the seer, the seeing and the seen -- Annotated typescripts and research notes,, 1960s-1990s

(Early draft of this section)

Box 249 Folder 6 Section Ia 1: the seer, the seeing and the seen -- Annotated typescript and research notes,, 1960s-1990s

(Corrected draft of this section)

Box 249 Folder 7 to 9 Section Ia 1: the seer, the seeing and the seen -- Annotated typescript and research notes,, 1960s-1990s, (3 Folders)

Box 249 Folder 10 Section Ia 2: nature and environment -- Annotated typescripts and research notes,, 1960s-1990s

Box 249 Folder 11 Section Ia 2: nature and environment -- Annotated typescripts and research notes,, 1960s-1990s

(Early draft of this section)

Box 249 Folder 12 to 13 Section Ib 1: the city -- Annotated typescripts and notes, 1960s-1990s, (2 Folders)

Box 249 Folder 14 Section Ib 2: the crowd -- Annotated typescripts and research notes,, 1960s-1990s

Box 249 Folder 15 Section Ib 3: the railroad -- Annotated typescripts and research notes,, 1960s-1990s

Box 249 Folder 16 Section Id: performers -- Annotated typescripts and research notes,, 1960s-1990s

Box 249 Folder 17 Section Ie: on the imagination of the impressionists -- Annotated typescripts and research notes,, 1960s-1990s


Box 250 Folder 1 to 4 [Section IIa: the impression: the concept in philosophy and art] -- Annotated typescripts and notes,, 1960s-1990s, (4 Folders)

(Section title was supplied from original file heading. Schapiro's outline does not divide Section II, but titles it "The impression: its psychological, philosophical, and moral connotations")

Box 250 Folder 5 to 6 [Section IIb: the impression, confirmed] -- Annotated typescripts and research notes,, 1960s-1990s, (2 Folders)

(Section title was supplied from original file heading. Schapiro's outline does not divide Section II, but titles it "The impression: its psychological, philosophical, and moral connotations")

Box 250 Folder 6 [Section IIc: portraiture] -- Annotated typescripts and research notes,, 1960s-1990s

(Typescript is annotated to indicate that this section was to be placed at the end of this section)

Box 250 Folder 7 [Section IId: Jean-François Raffaëlli] -- Outlines and research notes,, 1960s-1990s

(Annotations indicate material was to be part of section II)

Box 250 Folder 8 to 10 Section III: the aesthetic of impressionism -- Annotated typescripts and research notes,, 1960s-1990s, (3 Folders)


Box 251 Folder 1 to 2 Section III: the aesthetic of impressionism -- Annotated typescripts and research notes,, 1960s-1990s, (2 Folders)

Box 251 Folder 3 Section IV: impressionism and science -- Annotated typescript, 1960s-1990s

Box 251 Folder 4 Section IV: impressionism and science -- Research notes, 1960s-1990s

Box 251 Folder 5 to 6 Section V: Monet -- Annotated typescripts and research notes, 1960s-1990s, (2 Folders)

Box 251 Folder 7 to 10 Section VI: Impressionism in history -- Annotated typescripts and research notes,, 1960s-1990s, (4 Folders)

Box 251 Folder 11 Section VI: Impressionism in history -- Research notes, 1960s-1990s

(Research notes chiefly on Impressionism and Rococo)


Box 252 Folder 1 Section VIa: Impressionism in history: Impressionism and literature -- Annotated typescripts and research notes,, 1960s-1990s

Box 252 Folder 2 Section VIa: Impressionism in history: Impressionism and literature -- Research notes,, 1960s-1990s

Box 252 Folder 3 Section VIb: Impressionism in history: from Realism to Impressionism -- Annotated typescripts and research notes,, 1960s-1990s

Box 252 Folder 4 Section VII: reactions against Impressionism -- Annotated typescript and research notes,, 1960s-1990s

Box 252 Folder 5 Section VII: reactions against Impressionism -- Outlines and research notes,, 1960s-1990s

Box 252 Folder 6 Research notes, 1960s-1990s

(Notes on photography, architecture, popular imagery, and Camille Pissarro)

Box 252 Folder 7 Research notes and early drafts, 1960s-1990s

Box 252 Folder 8 to 9 Manuscript outlines and reproduction lists, 1960s-1990s

Box 252 Folder 10 Reproduction lists, 1960s-1990s

"Philosophy and world-view in painting"

(While this manuscript would be published posthumously as an essay in the 1999 George Braziller publicationWorldview in painting: art and society: selected papers, Volume 5,Schapiro worked continuously since the 1960son revising and drafting components of this manuscript for publication. Material in these manuscript files are retained in this subseries because content differs considerably from the 1999 publication. The manuscript draws on lectures on the topic of philosophy and art given in the 1950s and the 1960s and files in this subseries include material from those lectures. In the 1990s Lillian Milgram Schapiro edited and supervised the reconstruction of the text for the 1999 publication. Her editorial notes are also retained in these files. )


Box 253 Folder 1 to 3 Annotated typescripts, outlines, and research notes, 1960s-1990s, (3 Folders)

(Typescript is interleaved with Lillian Milgram Schapiro's research and editorial notes)

Box 253 Folder 4 Transcripts, research notes, and correspondence, 1960s-1990s

(File contains source material used for this manuscript from lectures given at these institutions: Vasser College, 1957 ; Brooklyn College, 1965 ; University of Texas, 1965 ; Harvard University, 1966)

Box 253 Folder 5 Transcripts and research notes, 1960s-1990s

(Transcripts and notes are chiefly from a 1965 lecture given at the University of Texas)

Box 253 Folder 6 Transcript, 1958

(Holograph papers of Schapiro's lecture "Philosophy in painting" given in Baltimore, Maryland in 1958)

Box 253 Folder 7 Research and editorial notes, 1960s-1990s

Box 253 Folder 8 Research and editorial notes, 1960s-1990s

(Material chiefly on Henri Bergson and Cubists)

Box 253 Folder 9 to 10 Research and editorial notes, 1960s-1990s, (2 Folders)

(Chiefly additions and notes to lectures by Lillian Milgram Schapiro)

Box 253 Folder 11 Research file, 1960s-1990s

Box 253 Folder 12 Correspondence, 19990s

Box 253 Folder 13 "Dwarfs on the shoulders of giants" -- Annotated typescripts, research notes, outlines, and editorial notes,, 1970s-1990s

(An unpublished essay in manuscript form accompanied by editorial notes reconstructing the text by Lillian Milgram Schapiro)

"The serpent with a woman's head in the temptation of Eve: researches on the invention of an image" --

(This manuscript is dedicated to the art historian Otto Pächt on his 70th birthday. Schapiro began this manuscript in the 1970s and continued to revise and expand it through the 1980s. In the original typescript, Schapiro annotated an alternate subtitle as the following: "on invention and tradition in the illustration of a canonical religious text." In a subsequent, corrected typescript, found in file 1, Box 254 Schapiro would then again alter the subtitle as "an essay on iconographic invention." The latter typescript does not carry a dedication to Pächt either. The original title is used as it contains variations of all three titles)

Box 253 Folder 14 Pages 1-36 -- Annotated typescript and research notes, 1970s-1980s

(Typescript is interleaved with Schapiro's research notes)

Box 253 Folder 15 Pages 37-80 -- Annotated typescript and research notes, 1970s-1980s

(Typescript is interleaved with Schapiro's research notes)


Box 254 Folder 1 Corrected draft-- Annotated typescripts and research notes, 1970s-1980s

Box 254 Folder 2 to 8 Research notes, 1970s-1980s, (7 Folders)

Box 254 Folder 9 Reproductions, 1970s-1980s

"Sigmund Freud's Gradiva"

(This manuscript is not complete and is largely reconstructed by Lillian Milgram Schapiro using Schapiro's outlines, research notes, and annotated typescripts from circa 1970s)


Box 255 Folder 1 Research notes, outlines, and drafts, 1970s-1990s

(Material is interleaved with Lillian Milgram Schapiro's research and editorial notes)

Box 255 Folder 2 Research notes, 1970s

Box 255 Folder 3 to 5 Editorial notes, 1970s-1990s

(Notes are chiefly Lillian Milgram Schapiro's attempt at reconstructing the manuscript)

Box 255 Folder 6 Research file, 1970s-1990s

"Matisse"

(This manuscript is based on lectures given at Columbia University in 1965and in New Orleans in February 1966. The transcripts and typescripts, however, were created in 1975 and were continued to be revised and expanded by Schapiro until the 1990s as a manuscript)

Box 255 Folder 7 Annotated typescripts and research notes, 1975-1993

Box 255 Folder 8 Annotated typescripts and reproductions list, 1975-1993

Box 255 Folder 9 Editorial file, 1975-1993

"Words in pictures: the perspectives of the viewer and the reader"

(This manuscript is based on Schapiro's 1976 lecture "Perspective and script: the viewer and the reader in Medieval representations" given at the medieval painting symposium held at the University of Pittsburgh in honor of Carl Nordenfalk. As outlined in his editorial note in file 1, Box 256, Schapiro had two versions of this manuscript: 1) the original lecture typescript; and 2) an enlarged second version. According to Schapiro, the second version was enlarged to reflect the "revived interest in the use of writing on the canvas in 20th century art." Schapiro didn't develop these concepts due to lack of time, but the files incorporate his research and editorial notes to reflect his interest in these concepts. Schapiro continually changed the title of this manuscript, see file 3 Box 256 for an editorial note on title variations especially as they relate to the use of the term "semiotics." The title used reflects Schapiro's consistent use of the phrase" Words in pictures" to refer to this manuscript)


Box 256 Folder 1 Annotated transcript, research notes, and editorial notes, 1976-1996

(The title of the transcript uses the original University of Pittsburgh lecture from 1976)

Box 256 Folder 2 Annotated typescript and research notes, 1976-1996

Box 256 Folder 3 Annotated typescripts, research notes, and editorial notes, 1976-1996

Box 256 Folder 4 to 5 Research notes, 1976-1996, (2 Folders)

Box 256 Folder 6 Correspondence, programs, research notes, and editorial notes, 1976-1996

"Relativity and the interpretation of modern painting"

(This manuscript was referred to by Schapiro as "Albert Einstein and Cubism," but the title used is supplied from the first page of the typescript found in file 1 Box 257. According to Lillian Milgram Schapiro in a letter found in file 8 Box 258 this manuscript is loosely based on Schapiro's 1979 lecture "Einstein and Abstract art" given at a Hebrew University symposium commemorating the centennial of Albert Einstein's birth. In correspondence found in Folder 8, Box 258, Schapiro signed off to include his contribution to the symposium in a book to be published by Princeton University Press titledAlbert Einstein, historical and cultural perspectives : the centennial symposium in Jerusalem,but it was never included in the final publication of 1982. Material found in these manuscript files are largely research notes, drafts, and revisions that Schapiro wrote in the 1980s. In the 1990s Lillian Milgram Schapiro worked with Joseph Masheck to edit and reconstruct the text, but the material was never published. The pagination scheme used below is based on annotations that also match original file order)


Box 257 Folder 1 Pages 1-18 -- Annotated typescripts and research notes, 1980s

Box 257 Folder 2 Pages 13-24 -- Annotated typescripts and research notes, 1980s

Box 257 Folder 3 Pages 24-26 -- Annotated typescripts and research notes, 1980s

Box 257 Folder 4 Pages 28-38 -- Annotated typescripts and research notes, 1980s

Box 257 Folder 5 Pages 37-53 -- Annotated typescripts and research notes, 1980s

Box 257 Folder 6 Outlines and research notes, 1970s-1980s

(Material is chiefly on Schapiro's lecture "Einstein and Abstract art" given at Hebrew University)

Box 257 Folder 7 to 9 Research notes, 1980s, (3 Folders)


Box 258 Folder 1 to 3 Research notes, 1980s, (3 Folders)

Box 258 Folder 4 to 6 Research files, 1980s, (3 Folders)

Box 258 Folder 7 Reproductions list, 1980s

Box 258 Folder 8 to 9 Editorial notes and correspondence, 1980-1990s, (2 Folders)

"Vico on the visual arts"

(Although three files contain typescripts that include a title statement and some pagination, this manuscript is primarily composed of compiled drafts and research notes. There are several files titled "Footnotes and sources" that include a sequential pagination scheme that is not included in the manuscript typescripts. In 1997 Lillian Milgram Schapiro would revisit this manuscript with David Rosand for potential publication, but the project was never realized)


Box 259 Folder 1 Early drafts -- Annotated typescripts, research notes, and correspondence,, 1970s-1980s

(Correspondence is chiefly with Giorgio Tagliacozzo of the Institute for Vico Studies)

Box 259 Folder 2 to 5 Early drafts -- Annotated typescripts and research notes, 1980s, (4 Folders)

Box 259 Folder 6 to 7 Pages 1-15 --Footnotes and sources, 1980s-1990s, (2 Folders)

Box 259 Folder 8 Pages 3-15 -- Footnotes and sources, 1980s-1990s

Box 259 Folder 9 to 10 Pages 10-15 -- Annotated typescripts and research notes, 1980s-1990s, (2 Folders)

Box 259 Folder 11 Pages 16-24 -- Annotated typescripts and research notes, 1980s-1990

Box 259 Folder 12 Pages 16-44 -- Footnotes and sources, 1980s-1990s

Box 259 Folder 13 Pages 18-24 -- Footnotes and sources, 1980s-1990s

Box 259 Folder 14 Pages 25-38 -- Annotated typescripts and research notes, 1980s-1990s

Box 259 Folder 15 Pages 39-50 -- Annotated typescripts and research notes, 1980s-1990s

Box 259 Folder 16 Pages 39-49 -- Footnotes and sources, 1980s-1990s


Box 260 Folder 1 General footnotes and sources, 1980s-1990s

Box 260 Folder 2 to 4 Research notes, 1970s-1990s, (3 Folders)

Box 260 Folder 5 to 10 Research files, 1980s-1990s, (6 Folders)

Box 260 Folder 11 Correspondence and editorial notes, 1990s

(Correspondence with between David Rosand and Lillian Milgram Schapiro regarding the manuscript. Accompanied by Lillian Milgram Schapiro's organization of the manuscript in a photocopied format)

Box 260 Folder 12 "Classification on aesthetics" -- Editorial notes, 1980s-1990s

(According to a note by Lillian Milgram Schapiro, this manuscript was lost and all the editorial notes contained in this file serve as reminisces. Meyer Schapiro writes that the manuscript was based on the Columbia University course Theory and methods of art history (Art History G6001x) which was focused on theories of classification in the arts. Material on this course can be found in Boxes 187-188 of Series III and sound recordings of those lectures can be found in Series VII, Subseries VII.2))

"On Freud's forgetting of 'Signorelli'"

(An unpublished work dealing with Freud'sPsychopathology of Everyday Life)


Box 261 Folder 1 Annotated typescripts, outlines, research notes, and correspondence,, 1980s-1990s

Box 261 Folder 2 Research file and notes, 1980s-1990s

Box 261 Folder 3 Research file, 1980s-1990s

"Wolvinius Magister Phaber: the crowning of an artist in the early Middle Ages"

(Composed of three organized parts and largely paginated, this manuscript includes a large portion of footnotes that Schapiro meticulously compiled. In an annotation to the title statement of the manuscript found in file 4, Box 261, the original term used for "crowning" is "consecration." The annotated title is used for clarity. Consult file 14, Box 261 for Schapiro's section titles and general outline of the manuscript. Schapiro would generally interleave his research notes into the files with paginated manuscripts)

Box 261 Folder 4 Part I: pages 1-12 -- Annotated typescripts and research notes, 1980s-1990s

Box 261 Folder 5 Part I: pages 13-26 -- Annotated typescripts and research notes, 1980s-1990s

Box 261 Folder 6 Part I: pages 27-39 -- Annotated typescripts and research notes, 1980s-1990s

Box 261 Folder 7 Part I: edited versions -- Annotated typescripts and editorial notes,, 1980-1990s

(Edits and notes are largely by Judy Sund and completed in 1983. Lillian Milgram Schapiro's editorial notes are also included)

Box 261 Folder 8 Part I: editorial file --, 1980s-1990s

(Photocopy of assembled typescripts and research notes compiled by Lillian Milgram Schapiro)

Box 261 Folder 9 Part II -- Annotated typescripts and research notes, 1980s-1990s

Box 261 Folder 10 Part II: edited drafts, 1980s-1990s

(Drafts edited by Robert Melzak and include three versions: Schapiro's original; the edited version; and a transcription of an unknown recording. Accompanied by correspondence and computer disk carrying electronic files)

Box 261 Folder 11 Part III -- Research notes, 1980s-1990s

Box 261 Folder 12 to 13 Early drafts and research notes, 1980s-1990s

Box 261 Folder 14 Outlines, 1980s-1990s


Box 262 Folder 1 Footnote indexes, 1980s-1990s

Box 262 Folder 2 Footnotes 1-10 -- Annotated typescripts, 1980s-1990s

Box 262 Folder 3 Footnotes 1-37 -- Early drafts, 1980s-1990s

Box 262 Folder 4 Footnotes 1-44 -- Annotated typescripts, 1980s-1990s

Box 262 Folder 5 Footnotes 11-20 -- Printouts, 1980s-1990s

Box 262 Folder 6 Footnotes 21-37 -- Printouts, 1980s-1990s

Box 262 Folder 7 Footnotes 34-37 -- Printouts and annotated typescripts, 1980s-1990s

Box 262 Folder 8 Footnotes, 38-58 --Printouts and annotated typescripts, 1980s-1990s

Box 262 Folder 9 Footnotes 59-79 -- Printouts and annotated typescripts, 1980s-1990s

Box 262 Folder 10 Footnotes 73-80 -- Printouts and annotated typescripts, 1980s-1990s


Box 263 Folder 1 Footnotes 81-91 -- Printouts and annotated typescripts, 1980s-1990s

Box 263 Folder 2 Footnotes 92-100 -- Printouts and annotated typescripts, 1980s-1990s

Box 263 Folder 3 Footnotes 101-108 -- Printouts and annotated typescripts, 1980s-1990

Box 263 Folder 4 Footnotes 109-118 -- Printouts and annotated typescripts, 1980s-1990s

Box 263 Folder 5 Footnotes 123-130 -- Printouts and annotated typescripts, 1980s-1990s

Box 263 Folder 6 Footnotes 131-142 -- Printouts and annotated typescripts, 1980s-1990s

Box 263 Folder 7 Footnotes: Part I -- Annotated typescripts, 1980s-1990s

Box 263 Folder 8 Complete footnotes -- Annotated typescripts, 1980s-1990s

Box 263 Folder 9 Complete footnotes -- Printout, 1990s

(Created by Robin Sand following Schapiro's complete footnotes found in file 8, Box 263)


Box 264 Folder 1 Reproductions and lists, 1980s-1990s

Box 264 Folder 2 to 3 Research files, 1980s-1990s, (2 Folders)

Box 264 Folder 4 "Selected essays in the history of art: Hebrew edition" -- Correspondence and editorial notes,, 1993-2003

(This publication was to be edited by Mordechai Omer and published by the Tel Aviv University of Art Gallery and Old Jaffa Press. Omer began working with Schapiro in 1993 to formulate a list of works to be translated and published, but that was never realized. Lillian Milgram Schapiro began working on this project in 2003 but a published work never materialized. Title was derived from editorial notes found in the file)

"Burial at Ornans"

(Referring to the painting by Gustave Courbet, this manuscript survives primarily as printouts created using Schapiro's research notes and outlines from the 1940s-1960 found in files 5 and 6 in Box 264. Similar elements and motifs in this manuscript can be found in Shapiro's published article "Courbet and popular imagery: an essay on realism and naïveté" published in the Warburg Journal. In the 1990s Lillian Milgram Schapiro circulated Schapiro's research material on Courbet to Maura Reilly and Robin Sand to reconstruct the text into manuscript form. As a result, files for this manuscript have printout versions interleaved with Lillian Milgram Schapiro's editorial notes and Schapiro's photocopied notes in a semi-paginated format. When possible, pagination was supplied using annotations provided)

Box 264 Folder 5 to 6 Research notes, outlines, and clippings, 1940s-1960s

Box 264 Folder 7 Pages 1-10 -- Printouts, editorial notes, and research notes, 1996-1996

Box 264 Folder 8 Page 4a -- Printouts, editorial notes, and research notes, 1996-1997


Box 265 Folder 1 Pages 11-14 -- Printouts, editorial notes, and research notes, 1996-1997

Box 265 Folder 2 Corrected draft -- Printouts and editorial notes, 2000

Box 265 Folder 3 Edited draft -- Printouts and correspondence, 2002

(Edited draft was created by Robin Sand and correspondence in this file details her edits in comparison to the published Courbet essay)

Box 265 Folder 4 Edited draft -- Printouts and correspondence, 2002

(Edited draft was created by Maura Reilly and accompanied by correspondence relating to comparisons with the published Courbet essay)

Box 265 Folder 5 Editorial notes, 1996-1997

(Notes are by Lillian Milgram Schapiro)

Box 265 Folder 6 to 7 Research files, 1980s-1990s, (2 Folders)

Box 265 Folder 8 Reproductions and research notes, 1960s-1980s

Box 265 Folder 9 Correspondence, 2002

Subseries: IV.5: Publications, 1928-2009

Subseries IV.5 contains material relating to all of Schapiro's work that were published either in his lifetime or posthumously. This includes material from all of his "Selected Writings" series published by George Braziller, Inc. a s well as books that were published posthumously and edited and compiled by Lillian Milgram Schapiro.

For articles and reviews that were reprinted in Schapiro's "Selected Writings" series, consult Subseries: IV.2: Articles and Subseries: IV.6: Reviews where they are filed.

While the bulk of the material dates after 1950, the earliest record in this subseries isArt in the contemporary worlda 1928 reprint ofAn introduction to contemporary civilization in the west: a syllabus.


Box 266 Folder 1 Art in the contemporary world ( 928; reprint of An introduction to contemporary civilization in the west: a syllabus. New York: Columbia University Press). -- Photocopies

Vincent van Gogh. New York: Harry N. Abrams, 1950 and reprints, 1950

Box 266 Folder 2 to 4 Introduction and individual art works -- Annotated typescripts, 1940s-1950, (3 Folders)

Box 266 Folder 5 Introduction and research notes -- Annotated typescripts, 1940s-1950

(Includes notes and studies that were not published in the 1950 publication)

Box 266 Folder 6 Preface -- Annotated typescripts, 1940s-1950

Box 266 Folder 7 Research notes, 1940s-1950

(Includes notes and studies on St. Remy and Auvers that were not published)

Box 266 Folder 8 to 9 Research notes, 1940s-1950 (2 Folders, 1940s-1950

Box 266 Folder 10 Correspondence and reviews, 1951-1973

Box 266 Folder 11 Reviews, 1950s

(Reviews in German)

Box 266 Folder 12 Correspondence, 1950s-1980s

Paul Cézanne. New York: Harry N. Abrams. 1952 and reprints., 1952

Box 266 Folder 14 Pages 1-108 -- Annotated typescripts, 1940s-1952


Box 267 Folder 1 Introduction, acknowledgements, and reproductions list -- Annotated typescripts,, 1940s-1952

Box 267 Folder 2 German translation -- Annotated typescript, 1956

(Published in Cologne, Germany by M. Dumont Schauberg)

Box 267 Folder 3 to 9 Drafts and research notes, 1940s-1952, (7 Folders)

Box 267 Folder 10 Proofs, 1952

The Parma Ildefonsus: a Romanesque illuminated manuscript from Cluny, and Related Works. New York: College Art Association of America,, 1964

Box 267 Folder 11 Annotated book, 1964

Box 267 Folder 12 Research notes, 1950s-1964

(Notes chiefly on text, history, and styles)

Box 267 Folder 13 Research notes, 1950s-1964

(Notes chiefly on ornament and history of the manuscript)

Box 267 Folder 14 Research notes, 1950s-1964

(Notes chiefly relating to Cluny and Burgundinian manuscripts)

Box 267 Folder 15 Research notes, 1950s-1964

(Notes chiefly on Limoges manuscript of Ildefonsus from the Bibliothèque nationale de France)


Box 268 Folder 1 to 5 Research notes and drafts, 1950s-1964, (5 Folders)

Box 268 Folder 6 to 8 Research notes and correspondence, 1950s-1964, (3 Folders)

Box 268 Folder 9 Manuscripts cited -- Index, 1964

Box 268 Folder 10 Reviews, 1964

Words and pictures: on the literal and the symbolic in the illustration of a text. Approaches to Semiotics series 11, ed. Thomas A. Sebeok. The Hague and Paris: Mouton, 1973.


Box 269 Folder 1 to 2 Annotated typescripts and research notes, 1960s-1973, (2 Folders)

Box 269 Folder 3 Drafts and research notes, 1960s-1973

Box 269 Folder 4 to 6 Research notes, 1960s-1973, (3 folders)

Box 269 Folder 7 Editorial notes, 1960s-1973

Box 269 Folder 8 Reproductions lists, 1960s-1973

Box 269 Folder 9 Correspondence, reproductions, and clippings, 1970s-1980s

Box 269 Folder 10 Correspondence, 1960s-1970s

(Accompanied by review of the Italian translation)

Box 269 Folder 11 Correspondence, 1970-1996

Selected Papers I: Romanesque Art. New York: George Braziller, 1977.


Box 270 Folder 1 Annotated book, 1977

Box 270 Folder 2 Preface -- Research notes, 1970s

"From Mozarbic to Romanesque in Silos"

Box 270 Folder 3 Reproductions, 1970s


Box 633 Folder 8 Reproductions, 1977


Box 270 Folder 4 "The sculpture of Souillac" -- Reproductions, 1970s

Box 270 Folder 5 "On geometrical schematism in Romanesque art" -- Reproductions,, 1970s

Box 270 Folder 6 "A relief in Rodez and the beginnings of Romanesque sculpture in southern France" -- Reproductions,, 1970s

Box 270 Folder 7 "Two Romanesque drawings in Auxerre and some iconographic problems" -- Reproductions,, 1970s

Box 270 Folder 8 Footnotes, 1976

(Chiefly footnote number 66 of Moissac essay. Accompanied by research notes and correspondence)

Box 270 Folder 9 to 12 Correspondence and editorial notes, 1970s, (4 Folders)

Box 270 Folder 13 Reviews, 1977

Selected Papers II: Modern Art: 19th and 20th Centuries. New York: George Braziller, 1978 1982., 1978


Box 271 Folder 1 Annotated book, 1978

Box 271 Folder 2 Prefatory note -- Annotated typescript, 1978

Box 271 Folder 3 "The apples of Cézanne: an essay on the meaning of still-life" -- Reproductions,, 1970s

Box 271 Folder 4 "Courbet and popular imagery" -- Reproductions, 1970s

Box 271 Folder 5 "On a painting of van Gogh" -- Reproductions, 1970s

Box 271 Folder 6 "Seurat" -- Reproductions, 1970s

Box 271 Folder 7 "Picasso's Woman with a fan" -- Reproductions,, 1970s

Box 271 Folder 8 "Chagall's Illustration for the Bible" -- Reproductions, 1970s

Box 271 Folder 9 "Introduction of modern art in America: the armory show" -- Reproductions,1 970s

Box 271 Folder 10 "Arshile Gorky" -- Reproductions, 1970s

Box 271 Folder 11 "The nature of abstract art" -- Reproductions, 1970s

Box 271 Folder 12 "Recent abstract art" -- Reproductions, 1970s

"Mondrian: order and randomness in painting"

(While Schapiro worked on this essay for several years, it was first published in this volume)

Box 271 Folder 13 Annotated typescript, 1960s-1970s

Box 271 Folder 14 Research notes and drafts, 1960s-1970s

Box 271 Folder 15 Research ntoes, 1960s-1970s

Box 271 Folder 16 Reproductions, 1978

Box 271 Folder 17 Footnotes, 1970s

Box 271 Folder 18 Unpublished Matisse essay -- Reproductions, 1970s


Box 272 Folder 1 to 3 Correspondence and editorial notes, 1970s, (3 Folders)

Box 272 Folder 4 to 5 Reviews, 1978, (2 Folders)

Selected Papers Ill: Late Antique, Early Christian, and Medieval Art New York: George Braziller, 1979.

Box 272 Folder 6 "A note on the Mérode altarpiece" -- Reproductions, 1970s

Box 272 Folder 7 "Ancient mosaics in Israel: late antique art: pagan, Jewish, Christian" -- Reproductions,, 1970s

Box 272 Folder 8 "The Joseph scenes on the Maximianus throne in Ravenna" -- Reprductions,, 1970s

Box 272 Folder 9 "The place of the Joshua Roll in Byzantine history" -- Reproductions,, 1970s

"The frescoes of Castelseprio"

Box 272 Folder 10 Reproductions, 1970s


Box 633 Folder 9 Reproductions, 1979


Box 272 Folder 11 "Notes on Castelseprio" -- Reproductions, 1970s

Box 272 Folder 12 "The Carolingian copy of the Calendar of 354" -- Reproductions, 1970s

Box 272 Folder 13 "The religious meaning of the Ruthwell Cross" -- Reproductions, 1970s

Box 272 Folder 14 "The bomwan and the bird on the Ruhwell Cross and other works" -- Reproductions,, 1970s

Box 272 Folder 15 "Marginal images and drôlerie" -- Reproductions, 1970s

Box 272 Folder 16 to 17 "The decoration of the Leningrad manuscript of Bede" -- Reproductions,, 1970s, (2 Folders)

Box 272 Folder 18 "A note on the wall strips of Saxon churches" -- Reproductions, 1970s

Box 272 Folder 19 "'Cains jaw-bone that did the first murder" -- Reproductions, 1970s

Box 272 Folder 20 "The image of the disappearing Christ" -- Reproductions, 1970s


Box 273 Folder 1 "The angel and the ram in Abraham's sacrifice" -- Reproductions, 1970s

Box 273 Folder 2 "The Beatus Apocalypse of Gerona" -- Reproductions, 1970s

Box 273 Folder 3 "An illuminated English psalter of the early thirteenth century" -- Reproductions,, 1970s

Box 273 Folder 4 "On an Italian painting of the flagellation of Christ in the Frick collection" -- Reproductions,, 1970s

Box 273 Folder 5 "The Bird's Head Haggada, an illustrated Hebrew Manuascript circa 1300" -- Reproductions,, 1970s

Box 273 Folder 6 to 7 Correspondence and editorial notes, 1970s

Box 273 Folder 8 Reviews, 1979

Box 273 Folder 9 Corrections and editorial notes, 1977-1979

(Includes material from the first two volumes of Schapiro's selected works)

Box 273 Folder 10 Arte romanica. Translated by Adriano Sofri. Turin: Giulio Einaudi, 1982. -- Reviews,, 1982

(Italian translation ofSelected Papers I: Romanesque Art)

Style, Artiste et Société. Translated by Blaise Allan et. al. Paris: Editions Gallimard, 1982.

Box 273 Folder 11 "Sur quelques problèmes de sémiotique de l'art visual: champ et véhicule dans les signes iconiques" -- Annotated typescript,, 1970s-1980s

Box 273 Folder 12 to 15 Editorial notes, 1970s-1980s, (4 Folders)

Box 273 Folder 16 to 17 Editorial notes and correspondence, 1970s-1980s, (2 Folders)


Box 274 Folder 1 Correspondence, 1974-1980

Box 274 Folder 2 Correspondence, 1981-1999

Box 274 Folder 3 Reviews, 1982

Box 274 Folder 4 Moderne kunst: 19. und 20. jahrhundert ausgewählte aufsätze. Cologne: DuMont Buchverlag, 1982 -- Reviews, 1982, 1982, 1982

(German translation ofSelected Papers II: Modern Art: 19th and 20th Centuries)

Box 274 Folder 5 Estudios sobre el Románico. Translated by Maria Luisa Balseiro Madrid: Alianza Editorial, 1984 -- Reviews, 1984, 1984, 1984

(Spanish translation ofSelected Papers I: Romanesque Art)

The Romanesque sculpture of Moissac. New York: George Braziller,, 1985

(Reprint of Schapiro's dissertation which was originally published in Art Bulletin. This reprint includes photographs by David Finn)

Box 274 Folder 6 Correspondence and editorial notes, 1985

Box 274 Folder 7 Reviews, 1985

Box 274 Folder 8 L'arte moderna translated by Renato Pedio. Turin: Giuliu Einaudi Editore, no date. -- Reviews,, 1986

(Italian translation ofSelected Papers II: Modern Art: 19th and 20th Centuries

Selected papers IV: theory and philosophy of art: style, artist, and society. New York: George Brazillcr., 1994

Box 274 Folder 9 Preface -- Annotated typescripts and notes, 1990s

"Further notes on Heidegger and van Gogh"

(Previously unpublished essay published for the first time in this volume)

Box 274 Folder 10 to 11 Annotated typescripts, 1990s, (2 Folders)

Box 274 Folder 12 to 13 Annotated typescript and research notes, 1994, (2 Folders)

Box 274 Folder 14 Correspondence, 1981-1994

Box 274 Folder 15 to 16 Research notes, 1994, (2 Folders)


Box 275 Folder 1 Research file, 1994

"Further notes on Freud and Leonardo"

(Previously unpublished essay published for the first time in this volume)

Box 275 Folder 2 to 3 Research notes, 1994, (2 Folders)

Box 275 Folder 4 "On some problems in the semiotics of visual art: field and vehicle in image-signs" -- Reproductions,, 1990s

Box 275 Folder 5 "On perfection, coherence, and unity of form and content" -- Reproductions,, 1990s

Box 275 Folder 6 "Style" -- Reproductions, 1990s

Box 275 Folder 7 "Eugène Fromentin as critic" -- Reproductions, 1990s

Box 275 Folder 8 "Still life as a personal object: a note on Heidegger and Van Gogh" -- Reproductions,, 1990s

Box 275 Folder 9 to 10 Reproductions lists, 1990s, (2 Folders)

Box 275 Folder 11 to 13 Corrections and editorial notes, 1977-1994, (3 Folders)

(Includes material relating to Schapiro's other collected volumes)

Box 275 Folder 14 Contract, 1994

Box 275 Folder 15 Book jacket illustration proof, 1994

Box 275 Folder 16 Reviews, 1994

Oxford art journal 17, no. 1 (1994): 3-104

(Special issue on Meyer Schapiro)


Box 276 Folder 1 Notes and table of contents, 1994

Box 276 Folder 2 "A Vermont visit with Meyer Schapiro (August 1991)" -- Transcript and correspondence,, 1991-1994

Box 276 Folder 3 Reproductions, 1994

Word, script, and pictures: the semiotics of visual language. New York: George Braziller, 1996

Box 276 Folder 4 to 8 Reproductions, 1996, (5 Folders)

Box 276 Folder 9 Reviews, 1996

Impressionism: reflections and perceptions. New York: George Braziller, 1997

Box 276 Folder 10 Correspondence, 1997

Box 276 Folder 11 Reproductions, 1997


Box 277 Folder 1 Reproductions, 1997

Box 277 Folder 2 Reviews, 1997

Box 277 Folder 3 A kind of rapture / Robert Bergman ; introduction by Toni Morrison ; afterword by Meyer Schapiro. New York: Pantheon Books, 1998 -- Printouts, 1998, 1998, 1998

(Printout is an extended text of the work published in 1998. Accompanied by editorial notes by Lillian Milgram Schapiro)

Worldview in painting: art and society: selected papers, volume 5. Ne York: George Braziller, 1999

Box 277 Folder 4 Annotated book, 1999

(Annotations by Lillian Milgram Schapiro)

Box 277 Folder 5 Editorial ntoes, 1999

Box 277 Folder 6 to 7 Correspondence, 1998-1999, (2 Folders)

Box 277 Folder 8 Contract, 1998

Box 277 Folder 9 Reviews, 1999

The unity of Picasso's art. New York: George Braziller,, 2000

(Although published posthumously in 2000 Schapiro himself worked on the draft for this manuscript in 1985 while working with Gittelman Film Association on their video of Schapiro's lecture on Picasso for the Metropolitan Museum of Art. Portions of this manuscript incorporate Schapiro's lectures on Picasso from the following institutions: Brandeis University (1967) and the Albright-Knox Art Gallery (1973). Typescripts, research notes, and outlines can be found for these two lectures at Sub-Subseries: III.3.4: 1960s and Sub-Subseries: III.3.5: 1970s respectively)


Box 278 Folder 1 Annotated typescripts, 1985-2000

(Accompanied by Lillian Milgram Schaipro's editorial notes)

Box 278 Folder 2 Annotated typescripts, 1985-2000

(Typescript chiefly used to consolidate the Brandeis and Albright-Knox lectures for the video presentation)

Box 278 Folder 3 Correspondence and editorial notes, 1985-2000

Box 278 Folder 4 Editorial notes, 1980s

Box 278 Folder 5 to 8 Reproductions, 2000, (4 Folders)

Box 278 Folder 9 Reproductions list and editorial notes, 2000

Box 278 Folder 10 Reviews, 2000

Meyer Schapiro: his painting, drawing, and sculpture. New York: Harry N. Abrams, 2000


Box 279 Folder 1 Preface / John Russell -- Annotated printouts and editorial notes,, 2000

Box 279 Folder 2 Correspondence and editorial notes, 1998-2000

Box 279 Folder 3 Reviews, 2000

Language of forms: lectures on insular manuscript art / foreword by Charles E. Pierce, Jr. ; introduction by Jane E. Rosenthal. New York: Pierpont Morgan Library,, 2005

(Material for this publication is derived from Schapiro's Franklin Jasper Walls lectures held at the Pierpont Morgan library. Consult Sub-Subseries: III.3.4: 1960s for materials relating to that lecture)

Box 279 Folder 4 Chapter 1 -- Annotated typescripts and research notes, 1987

(Typescript is Schapiro's original and used as reference for the manuscript of this publication)

Box 279 Folder 5 Chapter 1 -- Annotated printouts and editorial notes, 2000

Box 279 Folder 6 Chapter 2 -- Printouts and editorial notes, 2000

Box 279 Folder 7 Chapter 3 -- Printout, 2000

Box 279 Folder 8 Chapter 4 -- Printout, 2000

Box 279 Folder 9 Chapter 5 -- Printout, 2000

Box 279 Folder 10 Chapter 6 -- Printout, 2000

Box 279 Folder 11 to 12 Editorial notes, 1980s-2005


Box 280 Folder 1 Editorial notes, 1980s-2005

Box 280 Folder 2 Reproductions list and reproductions, 1990s-2005

Box 280 Folder 3 Chapters 1-3 -- Reproductions, 2000-2005

(Annotated photocopies)

Box 280 Folder 4 Chapter 4 -- Reproductions, 2000-2005

(Annotated photocopies)

Box 280 Folder 5 Chapter 5 -- Reproductions, 2000-2005

(Annotated photocopies)

Box 280 Folder 6 Chapter 6 -- Reproductions, 2000-2005

(Annotated photocopies)

Box 280 Folder 7 Figures 1-64 -- Reproductions, 2000-2005

(Annotated photocopies)

Box 280 Folder 8 Figures 65-99 -- Reproductions, 2000-2005

(Annotated photocopies)

Box 280 Folder 9 Figures 100-156 -- Reproductions, 2000-2005

(Annotated photocopies)

Box 280 Folder 10 Plates 1-19 -- Reproductions, 2000-2005

(Annotated photocopies)

Box 280 Folder 11 to 13 Reproductions, 2000-2005, (3 Folders)


Box 281 Folder 1 to 10 Reproductions, 2000-2005, (10 Folders)

Box 281 Folder 11 Digital graphic design files, 2005, 1 computer optical disc

Romanesque architectural sculpture: the Charles Eliot Norton lectures / edited with an introduction by Linda Seidel. Chicago: University of Chicago Press, 2006.

Box 281 Folder 12 Editorial notes, 2006

Box 281 Folder 13 to 14 Correspondence and editorial notes, 1986-2006

Meyer Schapiro abroad: letters to Lillian and travel notebooks / edited by Daniel Esterman.Los Angeles, Calif: Getty Research Institute, c2009.

Box 281 Folder 15 Correspondence, 2001-2003

Box 281 Folder 16 Editorial notes, 2000

(Notes by Lillian Milgram Schapiro)

Box 281 Folder 17 Electronic files of published material -- Seven computer disks ; 3 ½ inch,, 1998

(Created by assistants, these electronic files contain materials from various Schapiro publications )

Box 281 Folder 18 Electronic files of published material -- Five computer disks ; 3 ½ inch,, 1990s-2005

(Created by assistants, these electronic files contain materials from various Schapiro publications. This file includes editorial notes by Lillian Milgram Schapiro wrapped around the disks)

Subseries: IV.6: Reviews, 1930-1972

Schapiro wrote reviews about books and exhibitions throughout his career. This subseries contains all his reviews and are organized chronologically. For consistency, bibliographic information was retrieved from Lillian Milgram Schapiro's bibliography of 1995. Early in his career, Schapiro would occasionally use the pseudonym John Kwait for publishing reviews. According to Lillian Milgram Schapiro's bibliography, Kwait is Schapiro's maternal grandmother's surname. File descriptions will indicate when the pseudonym has been used.

(Early in his career, Schapiro would occasionally use the pseudonym John Kwait for publishing reviews. According to Lillian Milgram Schapiro's published bibliography on Schapiro's work, Kwait is Schapiro's maternal grandmother's surname. File descriptions will indicate when the pseudonym has been used)


Box 282 Folder 1 Review of Ancient Painting from the Earliest Times, by Mary Hamilton Swindler (New Haven, CT, and London, 1929) -- Typescript and research notes,, 1930

(InNew York Herald Tribune Books, 1930 April 6, 16)

Box 282 Folder 2 Review of The Civilization of the Renaissance in Italy, by Jacob Burckhardt (New York and London, 1930) -- Annotated typescripts,, 1930

(InNew York Herald Tribune Books,1930 August 24, 15)

Box 282 Folder 3 "The New Architecture." Review of exhibition of modern architecture at the Museum of Modem Art, New York -- Typescript,, 1932

(InNew Masses, May 1932 23. Published under the pseudonym John Kwait)

Box 282 Folder 4 Review of The Doom of Youth, by Wyndham Lewis-- Annotated typescript, 1932

(InNew Masses, August 1932 27 Published under the pseudonym John Kwait)

Box 282 Folder 5 Review of Early Muslim Architecture by K.A. C. Creswell (New York and Oxford, 1932) -- Annotated typescripts and research notes,, 1932-1935

(InArt and Archaeology33, no. 6 (November-December 1932): 327-28. Expanded version printed inArt Bulletin17, no. 1 (March 1935): 109-14)

Box 282 Folder 6 "Über den Schematismus in der Romanischen Kunst." Review of La Stylistique Ornamentale dans la Sculpture Romane, by Jurgis Baltrusaitis (Paris, 1931) -- Annotated typescripts and research notes, 1932-1970(In Kritische Benchte zu Kunstgeschichtlichen Literatur 1 (1932-33): 1-21., 1932-1970

(Research notes are chiefly on geometric schematism from the 1970)

Box 282 Folder 7 "John Reed Club Art Exhibition [of the social viewpoint in art]" -- Typescripts,, 1933

(InNew Masses, February 1933 23-24 Published under the pseudonym John Kwait. Text in brackets is found on the typescript but is not included in Lillian Milgram Scahpiro's bibliography. Accompanied by a reply to this article by Jack Burck)

Box 282 Folder 8 Review of Art Now by Herbert Read (New York, 1934) -- Annotated typescript and research notes,, 1934

(InThe Nation,July 4,1934 25)

Box 282 Folder 9 Review of The Spirit of Man in Asian Art, by Laurence Binyon (Cambridge, MA, 1935) -- Annotated typescript,, 1935

(InNew York Herald Tribune Books, August 4, 1935 12)

Box 282 Folder 10 Review of Seurat and the evolution of La Grande Jatte" (Chicago, 1935) -- Typescript and research notes,, 1935

(In Columbia Review 17 (November 1935): 9-17)

Box 282 Folder 11 "The New Viennese School." Review of Kunstwissenschaftliche Forschungen, vol. 2, edited by Otto Pächt (Berlin and Frankfurt, 1922) -- Annotated typescripts and research notes,, 1936

(InArt Bulletin18, no. 2 (June 1936): 258-66)

Box 282 Folder 12 "Surrealist Field Day." Review of Surrealism by Julien Levy (New York, 1936) -- Clipping, 1937

(InThe Nation, January 23, 1937 102-3)

Box 282 Folder 13 Review of The Pierpont Morgan Library Exhibition of Illuminated Manuscripts, by Charles Rufus Morey, Belle da Costa Greene, and Meta Harrison (New York, 1934) -- Annotated typescript,, 1937

(InArt Bulletin19, no. 1 (March 1937):126-29)

Box 282 Folder 14 "Blue Like an Orange." Review of Surrealism by Herbert Read (New York, 1937) -- Clipping, 1937

(InThe Nation, September 25, 1937 323-24. Accompanied by annotated photocopy of article)

"A Metaphysics for the Movies." Review of Art and Prudence, by Mortimer J. Adler (New York, 1937)

(InMarxist QuarterlyI, no. 3 (October - December 1937).406-17)

Box 282 Folder 15 Typescript, 1937

Box 282 Folder 16 Drafts and research notes, 1937

Box 282 Folder 17 "Populist Realism."Review of An Artist in America, by Thomas Benton (New York, 1937) -- Typescript, 1938

(InPartisan Review4, no. 2 (January 1938): 55-37. Accompanied by annotated photocopy)

Box 282 Folder 18 "Architect's Utopia." Review of Architecture and Modern Life, by Baker Brownell and Frank Lloyd Wright (New York and London, 1937) -- Annotated photocopy,, 1937

(InPartisan Review4, no. 4 (March 1938): 42-47)

Box 282 Folder 19 "Looking Forward to Looking Backward." Review of The Culture of Cities by Lewis Mumford (New York, 1938) -- Annotated photocopy,, 1938

InPartisan Review5, no. 2 (July 1938): 12-24)

Box 282 Folder 20 Review of L'Art Réligieux Moderne by G. Arnaud d'Agnel (Grenoble, 1936) -- Proof and research notes,, 1939

(InReview of Religion3, no.4 (May 1939): 469-73. Research notes are on "modern Catholic art")

Box 282 Folder 21 Review of The Labors of the Months in Antique and Mediaeval Art to the End of the 12th Century, by J. C. Webster (Evanston, IL, 1938) -- Annotated photocopy,, 1938

(InSpeculum. 16, no. 1 (January 1941): 131-37)

Box 282 Folder 22 Review of The E1izabeth Day McCormick Apocalypse, by Harold Willoughby (Chicago, 1940) -- Typescript and proof,, 1941

(InReview of Religion5, no. 3 (March 1941): 310-12)

Box 282 Folder 23 Review of A Survey of Persian Art by Arthur Upham Pope and Phyllis Ackerman (New York, 1938) --- Annotated typescript,, 1941

(InArt Bulletin23, no. 1 (March 1941): 82-86)

Box 282 Folder 24 Review of Holy Images: An Inquiry into Idolatry and Image-Worship in Ancient Paganism and Christianity, by Edwyn Bevan (New York, 1940) -- Annotated outline and research notes,, 1942

(InReview of Religion6. no. 2 (January 1942): 237-38)

Box 282 Folder 25 Review of The Illustration of Manuscripts of the Septuagint, by Ernest T. De Wald (Princeton, NJ, and London, 1941) -- Annotated typescript and research notes,, 1942

(InReview of Religion6, no. 2 (January 1942): 239)

Box 282 Folder 26 "Film Chronicle: Mission to Moscow." -- Annotated typescript, research notes, and clippings,, 1943

(InPartisan Review10, no. 3 (May-June 1943): 275-78)

Box 282 Folder 27 Review of Early Christian Art by Charles Rufus Morey (Princeton, NJ, 1942) -- Drafts, research notes, and annotated reprint,, 1944

(InReview of Religion8, no. 2 (January 1944): 165-86)

Box 282 Folder 28 "Flemish Art Reconsidered." Review of The Last Flowering of the Middle Ages, by Baron Joseph van der Elst (New York, 1944) -- Annotated typescript and research notes,, 1945

(InView5,no. 1 (March 1945.1: 43, 49, 50)

Box 282 Folder 29 Review of Babel's Tower: The Di1emma of the Modern Museum, by Francis' H. Taylor (New York. 1945) -- Correspondence,, 1946

(InArt Bulletin27, no.1 (December 1945): 272)

Box 282 Folder 30 "French Reaction in Exile." Review of La Communion des Forts, by Roger Caillois (Mexico City, 1943) -- Annotated typescript, research notes, and correspondence,, 1945

(InKenyon Review7, no. 1 (Winter 1945),29-42)


Box 283 Folder 1 "How did Spinoza look?" Review of The Face of Benedictus Spinoza, by Simon L. Millner (New York, 1946) -- Annotated typescript and notes,, 1947

(InCommentary4., no. 2 (August 1947): 197-99)

Box 283 Folder 2 "The Last Aesthete." Reviews of Aesthetics and History in the Visual Arts, by Bernard Berenson (New York, 1948), and Sketch for a Self-Portrait by Bernard Berenson (New York, 1949) -- Annotated typescripts, research notes, and annotated clippings,, 1949

(InCommentary8, no. 6 (December 1949): 614--66. Page one is missing of typescript)

Box 283 Folder 3 Review of "A blot on the Scutcheon" by Herbert Read in Encounter 1950s[?] -- Annotated typescript, clippings, and correspondence,, 1950s

(This review was never published)

Box 283 Folder 4 Review of Lachen un Weinen: eine Untersuchung nach den Grenzen menschlichen Verhaltens, by A. Francke (Bern, 1950) -- Annotated typescripts and research notes,, 1950

(This review was never published)

Box 283 Folder 5 "The Place of Ireland in Hiberno-Saxon Art." Review of Essai sur les Origines de la Miniature dite Irlandais, by F. Masai (Brussels, 1947) -- Annotated typescript and annotated reprint,, 1950

(InGazette des Beaux-Arts37 (January 1950): 134-8)

"The Artists Creative Process." Review of The Psychology of Art, by André Malraux (New York. 1950)

(InSaturday Review of Literature,February 4, 1950 37)

Box 283 Folder 6 Annotated typescript and research notes, 1950

Box 283 Folder 7 Proof, 1950

Box 283 Folder 8 "Daring Mannerist." Review of Parmigianino by Sydney J. Freedberg (Cambridge, MA, 1950) -- Typescript,, 1950

(InSaturday Review of Literature,October 7,1950 69-70)

Box 283 Folder 9 Review of Santa Maria di Castelseprio, by G. P. Bognetti, G. Chieriei. and A. de Capilani d'Arzago (Milan. 1948) -- Annotated typescript, research notes, and correspondence,, 1950

(InMagazine of Art43, no. 8 (December 1950): 312-13)

Box 283 Folder 10 Review of Arquitectura y Escultura Románicas, by José Gudiol Ricart and Juan Antonio Gaya Nuño (Madrid. 1949)

(InSpeculum26, no. 3 (July 1951): 508-9)

Box 283 Folder 10 Typescript, 1951

Box 283 Folder 11 Typescript, research notes, and correspondence, 1951

Box 283 Folder 12 Review of History of Modern Painting from Picasso to Surrealism, by Maurice Raynal et al., trans. Douglas Cooper (New York, 1950) -- Typescript,, 1951

(InMagazine of Art44, no. 7 (November 1951): 29)

Box 283 Folder 13 Review of The Fresco Cycle of S. Maria di Castelseprio, by Kurt Weitzmann (Princeton, NJ. 1951) -- Annotated typescript, research notes, correspondence, and annotated reprints,, 1952

(InArt Bulletin34, no. 2 (June 1952): 147-63)

Box 283 Folder 14 "The Many da Vincis."Review of Leonardo do Vinci, by Sir Kenneth Clark (Cambridge, 1952) -- Typescript, 1953

(InNew Republic, March 9, 1953 20-21)

Box 283 Folder 15 "Treasury from Byzantium." Review of Byzantine Painting by André Grabar (Geneva and New York, 1953) -- Typescript,, 1954

(InArt News52, no. 9 (January 1954): 52, 85.)

Box 283 Folder 16 "The Content of Painting without Subject." Review of French Painting between the Past and the Present by Joseph C. Sloane (Princeton, NJ, 1951) -- Typescript, research notes, and annotated clippings,, 1954

(InArt Bulletin36. no. 2 (June 1954): 163-65)

Box 283 Folder 17 Review of Pittura e Scultura d'Avanguardia (1890-1950) in Italia, by Raffaele Carrieri (Milan, 1950) -- Typescript, research notes, reprints, and annotated clippings,, 1950

(InErasmus8, no. 1 (January 10, 1955): cols. 13-17)

Box 283 Folder 18 "Unsuspected Treasury." Review of Monuments of Romanesque Art, by Hanns Swarzenski (Chicago, 1954) -- Annotated typescripts and research notes,, 1955

(InArt News54, no. 5 (September 1955): 44, 59,60.)

Box 283 Folder 19 "Humanism and the Demonic in Art." Review of L'Umanesimo e il Demoniaco nell'Arte ed. Enrico Castilli (Rome and Milan, 1953) -- Annotated typescript and research notes,, 1955

(Review of Religion20, no. 1-2 (November 1955): 56-60)

Box 283 Folder 20 Review of Die Bronzetüren des Bonanus von Pisa und des Barisanus von Trani, by Albert Boeckler (Berlin, 1953) -- Typescript, research notes, and annotated clippings,, 1956

(InErasmus9, no. 11-12 (June 25, 1956): cols. 361-63)

Box 283 Folder 21 "German Art in Three Books." Reviews of German Expressionist Painting by Peter Selz (Berkeley, CA, 1957), The German Expressionists by Bernard S. Myers (New York,. 1957), and Modern German Painting, by Hans Konrad Roethel (New York, 1957) -- Typescript and research notes,, 1958

(InNew York Herald Tribune Book Review,January, 5, 1958,4)

Box 283 Folder 22 "Art of the Middle Ages." Review of Early Medieval Painting from the Fourth to the Eleventh Century, by Carl Nordenfalk and André Grabar (New York, 1957) -- Typescript,, 1958

(InNew York' Herald Tribune Book Review,January 26,1958,4)

Box 283 Folder 23 Review of Style and Civilizations by A. L. Kroeber (Ithaca, NY, 1957) -- Typescript and annotated clipping,, 1957

(InAmerican Anthropologist61, no. 2 (April 1959): 303-5.)

Box 283 Folder 24 Review of Die Karolingischen Minaturn, vol. 2; Die Hofschule by Wilhelm Koehler (Berlin, 1958) -- Typescript,, 1960

(InArt Bulletin42, no. 4 (December 1960): 301-2)

Box 283 Folder 25 Review of Interaction of Color by Josef Albers (New Haven and London, 1963) -- Annotated typescript, research notes, and clippings,, 1963

(This review was never published)

Box 283 Folder 26 "The Beatus Apocalypse of Gerona." Review of The Beatus Apocalypse of Gerona, by Jaime Marques Casanovas, Cesar E. Dubler, and Wilhelm Neuss (Olten, Lausanne, and New York, 1962) -- Outlines and research notes,, 1963

InArt News61, no. 9 (January 1963): 36, 49-50.)

Box 283 Folder 27 "Carolingian Classic." Review of The Lorsch Gospels, introduction by Wolfgang Braunfels (New York, 1967) -- Typescript and annotated proof,, 1968

(InArt News67, no. 2 (April 1968): 53)

Box 283 Folder 28 Review of Illuminated Manuscripts in the Bodleian Library, by Otto Pächt and J. J. G. Alexander (Oxford, 1966) -- Typescript,, 1968

(InCahiers de Civilisation Médiévale11, no. 4 (October-December 1968): 625)

Box 283 Folder 29 Review of Images in the Margins of Gothic Manuscripts, by Lillian M. C. Randall -- Annotated typescript, research notes, and annotated clippings,, 1970

(InSpeculum45, no. 4 (October 1970): 684-86)

Box 283 Folder 30 Review of Der Ingeborg Psalter by Florens Deuchler (1967) -- Typescripts and research notes,, 1972

(InCahiers de Civilisation Médiéval5, no. 2 (April-June 1972): 151-53)

Subseries: IV.7: Scrapbooks, 1928-1966

The scrapbooks found in this subseries were compiled by Schapiro and include articles and clippings of Schapiro's work written from eh 1930s to the 1960s. The scrapbooks' titles mirror the volumes of his collected work published by George Braziller and may have been the basis for the organization of those publications.


Box 284 Scrapbook I: early Christian and early Medieval art, 1935-1960


Box 285 Scrapbook II: Romanesque, later Medieval, Gothic and Renaissance art,, 1928-1961


Box 286 Scrapbook III: nineteenth and twentieth century art, 1932-1966


Box 287 Scrapbook IV: Art theory, criticism, the artist, theory and politics,, 1936-1965

Subseries: IV.8: Translations and poetry, 1930s-1943

Schapiro was a well known linguist and wrote several essays on language and semiotics. It comes as no surprise then that he also translated texts, predominantly those that are French. Of all his translations, only two were formally published: the 1943 translation of Andre Masson'sAnatomy of My Universe,of which Schapiro was not credited; and "Three Texts on Science ("A Dream"); Wit and Common Sense; Genius and Method (Lichtenberg, Diderot, Galiani)" published byAnonin 1973.

The bulk of this subseries, however, is dedicated to Schapiro's translations of Charles Baudelaire's texts. Since there were very limited English translations of Baudelaire's writings on art and culture at the time, Schapiro worked on translating them beginning in the 1930s. According to files in this subseries, there were plans to publish these translations, as Baudelaire's work in English had yet to materialize, but that project was never realized.

Also included in this subseries is an extensive file of poems that Schapiro wrote.

Charles Baudelaire

(Since there were very limited English translations of Baudelaire's writings on art and culture at the time, Schapiro worked on translating them beginning in the 1930s. According to correspondence in Folder 18, Box 288, Oxford University Press was to publish these translations as "The Art Criticism of Baudelaire." However, this publication never materialized and by 1948 Oxford University Press and Phaidon Press were again seeking to publish English translations of Baudelaire's work on art. There were discussions for Schapiro to be involved in these 1948 publications given his previous work on their translations, but neither press published them. Titles in quotes used are derived from Schapiro's typescripts)


Box 288 Folder 1 Annotated typescripts, 1930s-1940s

Box 288 Folder 2 Research notes, 1930s-1940s

Box 288 Folder 3 "Why sculpture is boring" (1846) -- Typescripts, 1930s-1940s

Box 288 Folder 4 "The classic museum of the Bonne-Nouvelle bazaar" (1846) -- Annotated typescript,, 1930s-1940s

Box 288 Folder 5 Assorted writings of 1846 -- Typescripts, 1930s-1940s, 1846, 1930s-1940s

Box 288 Folder 6 "Universal Exhibition of 1855" -- Annotated typescripts, 1930s-1940s

Box 288 Folder 7 "The Salon of 1859" -- Annotated typescripts and research notes, 1930s-1940s

Box 288 Folder 8 "The painter of modern life" -- Annotated typescripts and research notes,, 1930s-1940s

Box 288 Folder 9 "On the essence of laughter and on the comic in general in the plastic arts" -- Annotated typescripts,, 1930s-1940s

Box 288 Folder 10 "Some French caricaturists" -- Annotated typescripts, 1930s-1940s

Box 288 Folder 11 "Painters and etchers" -- Annotated typescripts, 1930s-1940s

Box 288 Folder 12 "The morality of the toy" -- Annotated typescripts and research notes,, 1930s-1940s

Box 288 Folder 13 "To the work and life of Eugène Delacroix: to the editor of L'opinion nationale" -- Annotated typescripts,, 1930s-1940s

Box 288 Folder 14 [Letters, 1864] -- Annotated typescripts, 1930s-1940s

Box 288 Folder 15 to 16 [Assorted short writings, 1860s] -- Typescripts, 1930s-1940s, (2 Folders)

Box 288 Folder 17 Corrections, 1930s-1940s

Box 288 Folder 18 Correspondence, 1944-1948

Anatomy of My Universe / by Andre Masson. New York: Curt Valentin,, 1943

(Schapiro was not credited for the translation of this publication)

Box 288 Folder 19 Resaerch notes, 1943

Box 288 Folder 20 Editorial files, 1996

"Three Texts on Science ("A Dream"); Wit and Common Sense; Genius and Method (Lichtenberg, Diderot, Galiani)." Anon

(published by the Kolokol Press for the editor, Austin, TX, no. 1 (December 31, 1970): 11-12)

Box 288 Folder 21 Research notes, 1970

Box 288 Folder 22 Clippings, 1970s

Box 288 Folder 23 Poetry -- Transcripts and notes, 1930s-1970s

(This file contains Schapiro's personal poetry)

Series V: Research files, 1930s-1990s

Schapiro was fastidious about collecting research material and of creating and collecting material for research purposes. Series V houses all of Schapiro's research material he used on a personal and professional level.

Subseries: V.1: Administrative records, 1950s-1980s

This subseries contains administrative records relating to Schapiro's research files.


Box 661 Folder 1 Notes relating to reproductions -- Notebook, 1950s-1970s

Box 661 Folder 2 Lists of contents to 4 x 6 research card files, 1970s-1980s

Subseries: V.2: Articles and clippings, 1930s-1980s

The articles and clippings amassed in this subseries were collected by Schapiro at his faculty office in Schermerhorn Hall at the Department of Art History and Archeology at Columbia University, where they resided prior to being transferred to the Rare Book & Manuscript Library in 2009 and 2010.

These files are organized alphabetically by author's last name or by subject matter. Many of these articles and clippings are given as personalized copies for Schapiro and include annotated notes and signatures by the authors.


Box 673 Folder 1 A, 1950s-1980s

Box 673 Folder 2 Aarsman, Hans, 1970s

Box 673 Folder 3 to 4 Ames, Van Meter, 1940s-1970s, (2 Folders)

Box 673 Folder 5 to 6 Art, 1940s-1960s, (2 Folders)

Box 673 Folder 7 Art, 1950s

Box 673 Folder 8 to 9 Art, 1950s-1960s, (2 Folders)

Box 673 Folder 10 to 11 Art, 1950s-1970s, (2 Folders)

Box 673 Folder 12 Art, 1950s-1980s

Box 673 Folder 13 to 23 Art, Medieval, (11 Folders)

Box 673 Folder 24 Aubèry, Pierre, 1940s-1960s


Box 674 Folder 1 B, 1930s-1970s

Box 674 Folder 2 to 3 Ba, 1930s-1970s, (2 Folders)


Box 685 Folder 1 Beck, James H., 1960s


Box 674 Folder 4 Bel, 1950s-1970s

Box 674 Folder 5 Bell, Charles G. (Charles Greenleaf)

Box 674 Folder 6 to 7 Ben, 1960s-1970s, (2 Folders)

Box 674 Folder 8 Ber-Bes, 1930s-1970s

Box 674 Folder 9 Berlin, Isaiah, 1950s-1970s

Box 674 Folder 10 to 11 Bettelheim, Bruno, 1940s-1950s, (2 Folders)

Box 674 Folder 12 to 13 Białostocki, Jan, 1950s-1970s, (2 Folders)

Box 674 Folder 14 Bickerman, E.J. (Elias Joseph), 1940s-1970s

Box 674 Folder 15 Bid-Bie, 1930s-1950s

Box 674 Folder 16 Bin-Blu, 1930s-1980s

Box 674 Folder 17 Bob-Bre, 1940s-1960s

Box 674 Folder 18 Bre-Bro, 1950s-1970s


Box 675 Folder 1 Bru-Buc, 1960s


Box 685 Folder 2 Bru-Buc, 1960s


Box 675 Folder 2 Buchthal, Hugo, 1930s-1960s

Box 675 Folder 3 Bud, 1950s-1960s

Box 675 Folder 4 Buh-Bur, 1930s-1970s

Box 675 Folder 5 Cah-Cez, 1930s-1970s


Box 685 Folder 3 Cah-Cez, 1930s-1970s


Box 675 Folder 6 Cha-Chi, 1930s-1970s

Box 675 Folder 7 Chomsky, Noam, 1950s-1960s

Box 675 Folder 8 Chr-Cip, 1940s-1960s

Box 675 Folder 9 Cla-Col, 1930s-1980s

Box 675 Folder 10 Com-Con, 1930s-1980s

Box 675 Folder 11 Co-Cr, 1930s-1980s

Box 675 Folder 12 Coomaraswamy, Ananda Kentish, 1930s-1970s

Box 675 Folder 13 Da, 1930s-1980s

Box 675 Folder 14 Dalma, Juan, 1950s-1970s

Box 675 Folder 15 to 16 Damisch, Hubert, (2 Folders)


Box 685 Folder 4 Damisch, Hubert


Box 675 Folder 17 De, 1930s-1980s

Box 675 Folder 18 Di, 1930s-1980s

Box 675 Folder 19 Diamond, Sigmund, 1950s-1970s


Box 676 Folder 1 Dob, 1930s-1980s

Box 676 Folder 2 Dor-Dy, 1930s-1980s

Box 676 Folder 3 Duchesne-Guilleman, Jacques, 1920s-1960s

Box 676 Folder 4 E, 1930s-1960s

Box 676 Folder 5 Elsen, Albert Edward, 1950s-1970s


Box 685 Folder 5 Elsen, Albert Edward, 1950s-1970s


Box 676 Folder 6 F, 1930s-1980s

Box 676 Folder 7 to 8 Farrell, James, 1940s-1970s, (2 Folders)


Box 691 Farrell, James T. "Author defends character Studs Lonigan," Louisville, 1960 November 22, 2 t.ms. Multilith copy.

"Comment by Farrell" as printed in The Louisville Times.

Cataloged.

Box 691 Farrell, James T. "The action of the government of Iraq...", [New York], 1969 February 6, 5 t.ms. Carbon copy: With corrections in the writer's hand.

Article for a journal; with envelope.

Cataloged.

Box 691 Farrell, James T. Golden Youth, [New York], 1963, 3 a.ms.

Poem; with covering autograph note.

Cataloged.

Box 691 Farrell, James T. John Fitzgerald Kennedy, [New York], 1963, 1 a.ms.

Poem; autograph note indicates the poem was printed in the Congressional Record, 1964 January 15.

Cataloged.

Box 691 Farrell, James T. Lebanon: a first impression, [New York], 1961, 7 t.ms.

Essay on the political situation in the Middle East; "unpublished."

Cataloged.

Box 691 Farrell, James T. Political Parties...by Robert Michels, New York, 1966-1967, 7 t.ms. Xerox copy.

Article on Michels' book, suggested by J.P. Nettl's biography of Rosa Luxemburg, Oxford University Press, 1966

Cataloged.

Box 691 Farrell, James T. Requiem For a Literary Bank Account, [New York], circa 1961, 4 t.ms.s. Page 4 missing; multilith copy, title and notes in the author's hand, with his signature.

Page 4 missing; multilith copy, title and notes in the author's hand, with his signature.

Cataloged.

Box 691 Farrell, James T. What Time Collects, [New York], 1964 February, 15 t.ms.

Final draft of Chapters thirty-three, thirty-four, and thirty-six

Cataloged.

Box 691 Clippings about James T. Farrell

Box 691 Farrell, James T. printed articles


Box 676 Folder 9 G-Gel, 1930s-1980s

Box 676 Folder 10 Gen-Gie, 1930s-1980s

Box 676 Folder 11 Gil, 1930s-1980s

Box 676 Folder 12 Gil- God, 1930s-1980s

Box 676 Folder 13 Gold, 1930s-1980s

Box 676 Folder 14 Gold-Gu, 1930s-1980s

Box 676 Folder 15 to 17 Gombrich, E.H. (Ernst Hans), 1940s-1970s, (3 Folders)

Box 676 Folder 18 Goodman, Nelson, 1960s-1970s

Box 676 Folder 19 Haa-Hal, 1930s-1980s

Box 676 Folder 20 Ham-Han, 1930s-1980s


Box 677 Folder 1 to 2 Har, 1930s-1960s, (2 Folders)

Box 677 Folder 3 Has-Hau, 1930s-1980s

Box 677 Folder 4 Hau-Hay, 1930s-1980s

Box 677 Folder 5 Hec-Hei, 1930s-1980s

Box 677 Folder 6 Hel-Hen, 1930s-1980s

Box 677 Folder 7 Her-Hiz, 1930s-1980s

Box 677 Folder 8 Hoe-How, 1930s-1980s

Box 677 Folder 9 to 11 Hook, Sidney, 1930s-1980s, (3 Folders)

Box 677 Folder 12 Hud-Hux, 1930s-1980s

Box 677 Folder 13 I, 1930s-1980s

Box 677 Folder 14 Jac-Jam, 1930s-1980s

Box 677 Folder 15 Jackson, Anthony, 1950s-1960s

Box 677 Folder 16 to 20 Jakobson, Roman, 1940s-1980s, (5 Folders)


Box 678 Folder 1 to 2 Janson, H.W. (Horst Woldermer), 1930s-1970s, (2 Folders)

Box 678 Folder 3 Joh-Jon, 1930s-1960s

Box 678 Folder 4 to 5 Jones, Leslie Webber, 1930s-1960s, (2 Folders)

Box 678 Folder 6 Jordan, Jim M., 1970s

Box 678 Folder 7 K-Kal, 1930s-1980s

Box 678 Folder 8 Kam-Kap, 1930s-1980s

Box 678 Folder 9 Kar-Kay, 1930s-1980s

Box 678 Folder 10 Kea-Kim, 1930s-1980s


Box 685 Folder 6 Kea-Kim, 1930s-1980s


Box 678 Folder 11 Kin-Kir, 1930s-1980s

Box 678 Folder 12 to 13 Kitzinger, Ernst, 1950s-1970s, (2 Folders)

Box 678 Folder 14 Kla-Kle, 1930s-1980s


Box 685 Folder 7 Kla-Kle, 1930s-1980s


Box 678 Folder 15 Kli-Kos, 1930s-1980s

Box 678 Folder 16 Kra, 1930s-1980s

Box 678 Folder 17 Kraus, Henry, 1960s

Box 678 Folder 18 Krautheimer, Richard, 1930s-1960s


Box 679 Folder 1 to 2 Kris, Ernst, 1930s-1950s, (2 Folders)

Box 679 Folder 3 to 4 Kristeller, Paul Oskar, 1940s-1960s, (2 Folders)

Box 679 Folder 5 Kro-Kuh, 1930s-1980s

Box 679 Folder 6 Kun-Kut, 1930s-1980s

Box 679 Folder 7 L-Lan, 1930s-1980s

Box 679 Folder 8 Lap-Laz, 1930s-1980s

Box 679 Folder 9 Lebensztein, Jean-Claude, 1970s-1980s

Box 679 Folder 10 Leh, 1930s-1980s

Box 679 Folder 11 Ler-Lev, 1930s-1980s


Box 685 Folder 8 Ler-Lev, 1930s-1980s


Box 679 Folder 12 Lew-Lit, 1930s-1980s


Box 685 Folder 9 Lew-Lit, 1930s-1980s


Box 679 Folder 13 Lo-Lop, 1930s-1980s

Box 679 Folder 14 Lor-Low, 1930s-1980s

Box 679 Folder 15 Low-Lu, 1930s-1980s

Box 679 Folder 16 M-Mal, 1930s-1980s

Box 679 Folder 17 Man-Mar, 1930s-1980s

Box 679 Folder 18 Mar-May, 1930s-1980s


Box 685 Folder 10 Mar-May, 1930s-1980s


Box 680 Folder 1 May-Mee, 1930s-1980s

Box 680 Folder 2 Med-Mei, 1930s-1980s

Box 680 Folder 3 Mel-Met, 1930s-1980s

Box 680 Folder 4 Met-Mil, 1930s-1980s

Box 680 Folder 5 Mil-Mon, 1930s-1980s

Box 680 Folder 6 Mondrian, Piet, 1944

Box 680 Folder 7 Moo-Mor, 1930s-1980s

Box 680 Folder 8 Mor-Muh, 1930s-1980s

Box 680 Folder 9 Mun, 1930s-1980s

Box 680 Folder 10 N-Neu, 1930s-1980s


Box 685 Folder 11 N-Neu, 1930s-1980s


Box 680 Folder 11 to 14 Nagel, Ernest, 1930s-1980s, (4 Folders)

Box 680 Folder 15 to 17 Nelson, Benjamin, 1960s-1970s, (3 Folders)

Box 680 Folder 18 Neu-Noe, 1930s-1980s

Box 680 Folder 19 to 21 Neurath, Otto, 1930s-1940s, (3 Folders)

Box 680 Folder 22 Nor-Nyb, 1930s-1980s

Box 680 Folder 23 O-Oi, 1930s-1980s


Box 681 Folder 1 On-Ou, 1930s-1980s

Box 681 Folder 2 Oster, Gerald, 1960s-1970s

Box 681 Folder 3 P-Pep, 1930s-1980s

Box 681 Folder 4 Pala d'oro, 1943

Box 681 Folder 5 Per-Pin, 1930s-1980s

Box 681 Folder 6 Pir-Pom, 1930s-1980s

Box 681 Folder 7 to 9 Polanyi, Michael, 1950s-1970s, (3 Folders)


Box 686 Folder 1 Polanyi, Michael, 1950s-1970s


Box 681 Folder 10 Pop-Por, 1930s-1980s

Box 681 Folder 11 Pope, Arthur Upham, 1930s

Box 681 Folder 12 Por-Pro, 1930s-1980s

Box 681 Folder 13 Preziosi, Donald, 1971

Box 681 Folder 14 R-Ref, 1930s-1980s


Box 686 Folder 2 R-Ref, 1930s-1980s


Box 691 Raphael, Max Zur Erkenntnistheorie des Marxismus, [Paris], 1933, 280 t.ms.

the last 10 pages: Anmerkungen

Cataloged.


Box 681 Folder 15 Ref-Ren, 1930s-1980s

Box 681 Folder 16 Religion, 1950s-1970s

Box 681 Folder 17 Rev-Rey, 1930s-1980s

Box 681 Folder 18 Ric-Rie, 1930s-1980s

Box 681 Folder 19 Rin-Riv, 1930s-1980s

Box 681 Folder 20 Rob-Rom, 1930s-1980s

Box 681 Folder 21 Roosval, Johnny, 1930s

Box 681 Folder 22 Ror-Ros, 1930s-1980s

Box 681 Folder 23 to 24 Rosand, David, 1970s-1980s, (2 Folders)

Box 681 Folder 25 Ros, 1930s-1980s

Box 681 Folder 26 Ros-Rou, 1930s-1980s

Box 681 Folder 27 Rub-Rus, 1930s-1980s


Box 682 Folder 1 S-San, 1930s-1980s


Box 686 Folder 3 S-San, 1930s-1980s


Box 682 Folder 2 Saint-Pierre

Box 682 Folder 3 Sar-Sax, 1930s-1980s


Box 686 Folder 4 Sar-Sax, 1930s-1980s


Box 682 Folder 4 Scha-Schi, 1930s-1980s

Box 682 Folder 5 to 7 Schlunk, Helmut, 1940s-1970s, (3 Folders)

Box 682 Folder 8 Schm-Schw, 1930s-1980s

Box 682 Folder 9 Science, 1960s

Box 682 Folder 10 Sed-Set, 1930s-1980s

Box 682 Folder 11 to 15 Semiotics, 1930s-1980s, (5 Folders)

Box 682 Folder 16 to 17 Seyrig, Henri, 1940s-1970s, (2 Folders)

Box 682 Folder 18 Seznec, Jean, 1940s

Box 682 Folder 19 Sha, 1930s-1980s

Box 682 Folder 20 She-Sin, 1930s-1980s


Box 686 Folder 5 She-Sin, 1930s-1980s


Box 682 Folder 21 Sku-Slo, 1930s-1980s


Box 686 Folder 6 Sku-Slo, 1930s-1980s


Box 682 Folder 22 Smi-Spe, 1930s-1980s

Box 682 Folder 23 Sta-Ste, 1930s-1980s

Box 682 Folder 24 Ste-Sti, 1930s-1980s


Box 686 Folder 7 Ste-Sti, 1930s-1980s


Box 682 Folder 25 Sto-Sza, 1930s-1980s


Box 686 Folder 8 Sto-Sza, 1930s-1980s


Box 683 Folder 1 T-Te, 1930s-1980s


Box 686 Folder 9 T-Te, 1930s-1980s


Box 683 Folder 2 Th-Tie, 1930s-1980s

Box 683 Folder 3 Tie-Tit, 1930s-1980s

Box 683 Folder 4 Tit-Tol, 1930s-1980s

Box 683 Folder 5 Tolnay, Charles de, 1950s-1970s


Box 686 Folder 10 Tolnay, Charles de, 1950s-1970s


Box 683 Folder 6 Tou-Tr, 1930s-1980s

Box 683 Folder 7 Ts-Tu, 1930s-1980s


Box 686 Folder 11 Ts-Tu, 1930s-1980s


Box 683 Folder 8 U, 1930s-1980s

Box 683 Folder 9 Val-Van, 1930s-1980s

Box 683 Folder 10 Vel-Von, 1930s-1980s

Box 683 Folder 11 Wac-Wal, 1930s-1980s

Box 683 Folder 12 Wal-Was, 1930s-1980s

Box 683 Folder 13 Walkowitz, Abraham, 1940s

Box 683 Folder 14 Wallach, Hans, 1940s-1960s

Box 683 Folder 15 Wechsler, Judith, 1960s-1970s

Box 683 Folder 16 Wei, 1930s-1980s

Box 683 Folder 17 Weitz, Morris, 1950s-1970s

Box 683 Folder 18 to 19 Weitzmann, Kurt, 1930s-1970s, (2 Folders)

Box 683 Folder 20 Wen-Wes, 1930s-1980s

Box 683 Folder 21 Werckmeister, O.K. (Otto Karl), 1960s-1970s

Box 683 Folder 22 Whi-Wil, 1930s-1980s

Box 683 Folder 23 White, Barbara Ehrlich, 1970s


Box 686 Folder 12 White, Barbara Ehrlich, 1970s


Box 683 Folder 24 White, Lynn Townsend, 1940s-1970s

Box 683 Folder 25 White, Minor, 1930s-1960s


Box 686 Folder 13 White, Minor, 1930s-1960s


Box 684 Folder 1 Whitehill, Walter Muir, 1930s-1970s

Box 684 Folder 2 Wij-Win, 1930s-1980s

Box 684 Folder 3 Winter, Irene, 1970s

Box 684 Folder 4 to 5 Winternitz, Emanuel, 1940s-1970s, (2 Folders)

Box 684 Folder 6 to 7 Wischnitzer, Rachel, 1930s-1980s, (2 Folders)

Box 684 Folder 8 Wit, 1930s-1980s

Box 684 Folder 9 Wit-Wol, 1930s-1980s

Box 684 Folder 10 Wol-Why, 1930s-1980s

Box 684 Folder 11 to 12 Worldman, Francis, 1920s-1970s, (2 Folders)

Box 684 Folder 13 Wright, David H., 1960s-1970s

Box 684 Folder 14 Y-Za, 1930s-1980s

Box 684 Folder 15 Ze-Zu, 1930s-1980s

Subseries: V.3: Bibliographies, 1930s-1960s

Schapiro maintained index cards filled with bibliographies related to art historical periods, artists, and subjects. Material in this subseries comprises the bulk of these bibliographies, which are unsorted. Also consult Subseries: V.4: Research card files where bibliographies are also present and are indicated as such.


Box 649 General, 1930s-1960s


Box 650 General, 1930s-1960s

Subseries: V.4: Research card files, 1930s-1980s

Schapiro took notes meticulously throughout his life, and this subseries reflects his consistent habit of note taking. Schapiro organized these 4 x 6 index cards thematically by subject and all the contents in this subseries were originally housed in metallic filing cabinets. All subjects titled in the finding aid are Schapiro's own file headings found sequentially in the note cards.

Since all material is organized as they were originally ordered by Schapiro, material relating to a subject may run across boxes. As a result, all subject terms in brackets are supplied when original headings lack the context from which they are derived in earlier boxes or when file headings do not exist.


Box 289 Primitive art

Box 289 Prehistoric art

Box 289 Greek art

Box 289 Hellenistic

Box 289 Roman art

Box 289 Far eastern

Box 289 Islamic art

Box 289 Early northern art

Box 289 Industrial arts

Box 289 Architecture

Box 289 Carolingian

Box 289 Romanesque

Box 289 Gothic architecture

Box 289 Medieval city

Box 289 Gothic architecture and cholasticism

Box 289 The artist (sociological and psychological)

Box 289 Architect

Box 289 Psychology of artist

Box 289 Proportion and measurement


Box 290 Color

Box 290 F.A. 2

Box 290 Film

Box 290 Theoretical

Box 290 Hiberno-Saxon manuscripts material

Box 290 Chartres


Box 291 Mediaeval

Box 291 Romanesque sculpture

Box 291 Romanesque lectures

Box 291 Moissac cloisters

Box 291 Iconography


Box 292 Drolerie, parody, folklore, pagan themes

Box 292 Animals

Box 292 Moissac History

Box 292 Moissac

Box 292 Apocalpyse iconography

Box 292 Moissac trumeaux

Box 292 Moissac architecture

Box 292 Epigraphy

Box 292 Moissac tympanum

Box 292 Moissac porch iconography

Box 292 Samson and lion

Box 292 Moissac photos

Box 292 Romanesque sculpture, Burgundy

Box 292 Romanesque sculpture, Languedoc

Box 292 Beaulieu

Box 292 Romanesque sculpture, Limousin

Box 292 Romanesque sculpture, Poitou, Angoumois

Box 292 Romanesque sculpture, Quercy

Box 292 Cluny capitals

Box 292 Cluny portal

Box 292 Toulouse, photos, musee

Box 292 Toulouse photos

Box 292 Toulouse, St. Sernin

Box 292 Toulouse, sarcophagi

Box 292 Pommevic (T & G)

Box 292 Languedoc, Pre-Romanesque art

Box 292 Romanesque sculpture, Gascony and Aquitaine

Box 292 Romanesque cloisters

Box 292 Riomanesque manuscripts

Box 292 15176 - I


Box 293 15176 - II

Box 293 15176

Box 293 P1650

Box 293 Content, Still Life

Box 293 Content


Box 294 Still life

Box 294 Content


Box 295 Manuscripts

Box 295 East Christian manuscripts

Box 295 Ashburnham Pentateuch

Box 295 Early Latin manuscripts

Box 295 Merov manuscripts

Box 295 Hiberno-Saxon [manuscripts]

Box 295 Carolingian [manuscripts]

Box 295 Stuttgart Psalter [manuscripts]

Box 295 Anglo-Saxon, X-XI [manuscripts]

Box 295 English manuscripts, 12th century


Box 296 Northern France/Belgium [manuscripts]

Box 296 Loire [manuscripts]

Box 296 Burgundy and eastern France [manuscripts]

Box 296 French Illuminated manuscripts, Limoges and south France

Box 296 German manuscripts

Box 296 Romanesque manuscripts

Box 296 Gothic manuscripts

Box 296 Philosophy-Art

Box 296 Philosophy of art

Box 296 Philosophy in painting

Box 296 Visible speech

Box 296 Perspective of script

Box 296 Perspective

Box 296 Imago

Box 296 Perception


Box 297 Psychology

Box 297 Psychoanalysis and art

Box 297 Miscellaneous, theoretical

Box 297 Baudelaire

Box 297 Literature

Box 297 Riegl

Box 297 Medieval

Box 297 Romanesque sculpture

Box 297 Pre-Romanesque sculpture

Box 297 General

Box 297 England/Ireland

Box 297 France

Box 297 Carolingian/Ottonian

Box 297 Italy

Box 297 Spain

Box 297 Denmark

Box 297 Dalmatia

Box 297 Poland

Box 297 Romanesque sculpture, general

Box 297 Romanesque, theory/aesthetics

Box 297 Balkans

Box 297 Bohemian (Czech)/Hungarian

Box 297 Byzantine

Box 297 England/Ireland, general

Box 297 England/Ireland, city-region

Box 297 France-Alsace (Burgundy), general

Box 297 France-Alsace (Burgundy), city-region

Box 297 Near East and miscellaneous

Box 297 Medieval


Box 298 [Medieval continued]

Box 298 Palo Alto notes, 1962-1963

Box 298 Roman provincial art

Box 298 Byzantine art

Box 298 Silos

Box 298 Romanesque sculpture - Spain

Box 298 Romanesque sculpture - Germany

Box 298 Byzantine "question" in Romanesque art

Box 298 Santiago de Compostela

Box 298 Spain - Romanesque

Box 298 Santo Domingo de Silos

Box 298 Leon

Box 298 Proportions

Box 298 Romanesque Sculpture

Box 298 Pre-Romanesque, Figure/Sculpture

Box 298 Monastic art

Box 298 Byzantine art

Box 298 Carolingian art

Box 298 Carolingian ornament

Box 298 Coptic sculpture


Box 299 Impressionism

Box 299 Impressionism II

Box 299 Impressionism II

Box 299 Impressionism III : aesthetic

Box 299 Impressionism IV : science


Box 300 Impressionsim V

Box 300 Impressionism VI

Box 300 Photography

Box 300 Impressionism

Box 300 Impressionism and literature

Box 300 Sculpture, architecture, music


Box 301 Impressionism VI and VII

Box 301 VIII

Box 301 Impressionism, history, individual

Box 301 Science

Box 301 Monet

Box 301 Early Christian


Box 302 Symbol and image [early Christian]

Box 302 Early Christian, figure II

Box 302 III: Order [early Christian]

Box 302 Light and Color [early Christian]

Box 302 Early Christian : book

Box 302 Early Christian art

Box 302 Painting and mosaics [early Christian]

Box 302 Dura

Box 302 Painting [early Christian]


Box 303 East Christian, 4th-7th centuries

Box 303 Italy, 7th-12th centuries

Box 303 Mid-Byzantine, paintings and mosaics

Box 303 Medieval art

Box 303 Medieval painting, France

Box 303 Titulus

Box 303 Iconography


Box 304 Old Testament

Box 304 Gospels

Box 304 Doubting Thomas

Box 304 Christ, Virgin, Saints

Box 304 Apocalypse

Box 304 Iconography, miscellaneous

Box 304 Seurat and Neo-Impressionism

Box 304 Works, lists

Box 304 Academic work

Box 304 Teaching

Box 304 Theory


Box 305 Theory - Color

Box 305 Puvis de Chavannes, Pierre

Box 305 Science and technology

Box 305 Contemporary literature

Box 305 Contemporary opinions, critics

Box 305 Drawings before, 1883

Box 305 1890s and Art Noveau, 1890s

Box 305 Drawings after '83

Box 305 Paintings before 1883 landscapes, 1883

Box 305 Paintings pre 1883 figures, 1883

Box 305 Baignade

Box 305 Grande Jatte

Box 305 Landscapes, 1885

Box 305 Landscapes 1888 Port-en-Bessin, 1888

Box 305 Homme à femmes

Box 305 Poseuses

Box 305 La Parade

Box 305 Late style

Box 305 Poudreuse

Box 305 Cirque

Box 305 Caricature and comic


Box 306 Alexander, Dedalus and Icarus

Box 306 [Personal notes]

Box 306 Content


Box 307 Science and art, Impressionism and Color

Box 307 Baudelaire translation

Box 307 Philosophy of modern history

Box 307 Religion

Box 307 Columbia students

Box 307 Columbia affairs

Box 307 Art teaching, Columbia

Box 307 Museums and collections

Box 307 Projects

Box 307 Personal

Box 307 Addresses

Box 307 Publishing off-prints

Box 307 Personal


Box 308 Albert Einstein and Art

Box 308 Germany, Austria, General [Romanesque bibliography]

Box 308 Germany, Austria: city-region [Romanesque bibliography]

Box 308 Italy, general [Romanesque bibliography]

Box 308 Italy: city-region [Romanesque bibliography]

Box 308 Near east [Romanesque bibliography]

Box 308 Poland [Romanesque bibliography]

Box 308 Russia [Romanesque bibliography]

Box 308 Scandinavia [Romanesque bibliography]

Box 308 Spain, general [Romanesque bibliography]

Box 308 Spain: city-region [Romanesque bibliography]

Box 308 Switzerland [Romanesque bibliography]

Box 308 Other areas [Romanesque bibliography]

Box 308 Islam [Romanesque bibliography]

Box 308 Japan [Romanesque bibliography]

Box 308 Sculptors, individual [Romanesque bibliography]

Box 308 Iconography, general [Romanesque bibliography]

Box 308 Animals [Romanesque bibliography]

Box 308 Devil, demons [Romanesque bibliography]

Box 308 Equestrian [Romanesque bibliography]

Box 308 New Testament, apocalypse[Romanesque bibliography]

Box 308 New Testament, Virgin and infancy [Romanesque bibliography] [

Box 308 Old Testament [Romanesque bibliography]

Box 308 Religious iconography, miscellaneous [Romanesque bibliography]

Box 308 Iconography miscellaneous [Romanesque bibliography]

Box 308 Altar frontals [Romanesque bibliography]

Box 308 Baptismal fonts [Romanesque bibliography]

Box 308 Candelabra [Romanesque bibliography]

Box 308 Ivories, bronzes [Romanesque bibliography]

Box 308 Tombs [Romanesque bibliography]

Box 308 Articles on miscellaneous subjects in fields of interest [Romanesque bibliography]

Box 308 Romanesque

Box 308 Romanesque sculpture


Box 309 Romanesque in later taste

Box 309 Romanesque in the United States of America

Box 309 Disappearance and rebirth

Box 309 Early Romanesque sculpture

Box 309 Sculpture

Box 309 Field and frame

Box 309 Figure, drapers, expression

Box 309 Animal imagery

Box 309 Romanesque realism

Box 309 Bibliography

Box 309 France

Box 309 Vézelay

Box 309 Toulouse

Box 309 Provence

Box 309 Spain, Italy, North

Box 309 England

Box 309 Moissac

Box 309 Moissac Cloister

Box 309 Souillac

Box 309 Beaulieu


Box 310 [Semiotics]

Box 310 Birth of semiotics and language

Box 310 Pictures and propositions

Box 310 N[elson] Goodman

Box 310 Architecture

Box 310 Symbolism

Box 310 Semiotics

Box 310 Meaning

Box 310 Representation

Box 310 Semiotics of visual art

Box 310 Non-mimetic structure

Box 310 Gesture of language

Box 310 Theory of expression

Box 310 Script and scribes

Box 310 Language


Box 311 Selected papers IV, style

Box 311 Gombrich

Box 311 Sigmund Freud and Leonardo da Vinci

Box 311 Sigmund Freud and Luca Signorelli

Box 311 Selected works

Box 311 Vincent van Gogh and Martin Heidegger


Box 312 Theory

Box 312 Work in progress

Box 312 Work, bibliographies, etc., left side of desk

Box 312 Unsorted


Box 313 Giotto

Box 313 Renaissance

Box 313 Galileo Gal

Box 313 Brueghel

Box 313 [Michelangelo Merisi da Caravaggio, Jean-Antoine Watteau, Rembrandt van Rijn]

Box 313 Jean-August-Dominique Ingres

Box 313 Francisco de Goya

Box 313 Antoine-Jean Gros

Box 313 Thédore Géricault

Box 313 Eugène Delacroix

Box 313 Landscape painting

Box 313 English landscape paintings

Box 313 Jean-Baptiste-Camille Corot

Box 313 Constantin Guys


Box 314 Honoré Daumier

Box 314 Gustave Courbet

Box 314 Introduction to modern art

Box 314 Fauves

Box 314 Georges Rouault

Box 314 Expressionism

Box 314 Machine forms

Box 314 Piet Mondrian


Box 315 Abstraction

Box 315 Abstract art

Box 315 Vassily Kandinsky

Box 315 Kazimir Malevitch and Russian art

Box 315 Impressionism

Box 315 Édouard Manet

Box 315 Edgar Degas


Box 316 Camille Pissarro

Box 316 Pierre-August Renoir

Box 316 Vincent van Gogh

Box 316 Paul Gauguin

Box 316 James Ensor

Box 316 Ferdinand Hodler

Box 316 Henri de Toulouse-Lautrec

Box 316 Pierre Bonnard and Edouard Vuillard

Box 316 Odilon Redon


Box 317 Modern art

Box 317 19th century

Box 317 Surrealism

Box 317 American

Box 317 Modern realism

Box 317 Modern sculpture

Box 317 Modern architecture

Box 317 Abraham and Isaac

Box 317 Ruthwell Cross

Box 317 Muscipula Diaboli

Box 317 Auxerre manuscripts


Box 318 Post-Impressionism

Box 318 19th and 20th century painting

Box 318 Words and pictures

Box 318 Paul Cézanne

Box 318 Apples of Cézanne


Box 319 [Value and proportion]

Box 319 Criteria

Box 319 Hierarchy of value

Box 319 On Lewis

Box 319 Style

Box 319 Style and theory of form

Box 319 Form

Box 319 Expression

Box 319 Value

Box 319 Interpretation


Box 320 Classification

Box 320 Interpretation, meaning, iconography

Box 320 Bibliography

Box 320 Theory of art

Box 320 Semiotics

Box 320 Language

Box 320 Theory of language

Box 320 Theory (Gestalt theory)


Box 321 Cézanne and the philosophers

Box 321 Words and pictures

Box 321 Filippo Brunelleschi


Box 322 [Artists]

Box 322 Art as knowledge

Box 322 Classification

Box 322 Classification and styles

Box 322 Style

Box 322 Psychology of art

Box 322 Interpretation


Box 323 Miscellaneous

Box 323 Theory

Box 323 Dwarfs and giants

Box 323 Wolvinius


Box 324 Enoch

Box 324 Pablo Picasso, Cubism, and Henri Matisse

Box 324 Guernica


Box 325 Meaning [Guernica]

Box 325 Meaning, content [Guernica]

Box 325 Before Guernica, January-April, 1937

Box 325 Preparatory drawings [Guernica]

Box 325 Sketches, studies, and stages [Guernica]

Box 325 Pablo Picasso's Guernica, states of canvas

Box 325 Style and structure [Guernica]

Box 325 Politics after 1944 [Guernica], 1944

Box 325 Pablo Picasso and Eugenio d'Ors

Box 325 Dream and lies of Franco

Box 325 Pegasus

Box 325 Pablo Picasso, texts and images, personal references, and biography

Box 325 Pablo Picasso's Guernica


Box 326 Cubism and science

Box 326 Giambattista Vico

Box 326 Views on art and science, 19th and 20th centuries

Box 326 Albert Einstein II

Box 326 Albert Einstein II: the organismic interpretation


Box 327 Selected Papers IV

Box 327 Aby Warburg

Box 327 Giambattista Vico


Box 328 [Albert Einstein]


Box 329 Siegfried Kracauer

Box 329 Origins of art

Box 329 Anglo-Saxon

Box 329 Rodez/Silos, Romanesque

Box 329 Joseph's story, Maximillian's chair, working notes

Box 329 Frick "Flagellation"

Box 329 An English illuminated psalrter/Morgan manuscript Glazier

Box 329 Crossed nimbus

Box 329 Leonardo da Vinci and Sigmund Freud

Box 329 Eugène Fromentin


Box 330 Bede-Hiberno-Saxon

Box 330 Glazier manuscript

Box 330 Hiberno-Saxon

Box 330 Exposition Universelle

Box 330 Bibliographies of Romanesque sculpture

Box 330 Bibliographies and personal notes


Box 331 [Bibliographies and personal notes, continued]

Box 331 Personal notes

Box 331 Bibliographies

Box 331 Modern Architecture


Box 332 Abstraction

Box 332 Study of art history

Box 332 Paul Cèzanne / Marc Chagall

Box 332 Doubting Thomas, early Christian, Hiberno-Saxon, Hieroglyphics

Box 332 Icarus and Daedelus

Box 332 Impressionism

Box 332 Carl Jung

Box 332 Perpsective

Box 332 Philosophy in painting

Box 332 Pablo Picasso and Cubism

Box 332 Political, Socialism

Box 332 Representation

Box 332 Romanesque

Box 332 Semiotics

Box 332 Words and pictures

Box 332 On authors, refugee scholars

Box 332 Personal, auto-biographical notes

Box 332 Shadow

Box 332 Color

Box 332 Religion


Box 333 Bibliographies

Box 333 Personal/publishing

Box 333 Paul Cézanne


Box 334 Primitive art

Box 334 Greek

Box 334 Coptic

Box 334 Etruscan

Box 334 Roman

Box 334 Manuscripts

Box 334 Early Christian

Box 334 Byzantine

Box 334 General medieval

Box 334 Hiberno-Saxon

Box 334 Romanesque

Box 334 Castelseprio

Box 334 Auxerre

Box 334 Beaulieu

Box 334 Moissac

Box 334 Silos

Box 334 Souillac

Box 334 Islamic

Box 334 Gothic

Box 334 Renaissance

Box 334 17th century Nicolas Poussin

Box 334 Rembrandt van Rijn

Box 334 18th and 19th German painting

Box 334 Jean-August-Dominique Ingres

Box 334 Eugène Delacroix

Box 334 Gustave Courbet

Box 334 Edouard Manet

Box 334 Paul Cézanne

Box 334 20th Century

Box 334 Henri Matisse

Box 334 Pablo Picasso

Box 334 Surrealism

Box 334 Cubism

Box 334 Paul Klee

Box 334 Germanic art and expression

Box 334 Russia

Box 334 Piet Mondrian

Box 334 Modern architecture

Box 334 Modern sculpture

Box 334 Abstract art

Box 334 Secular iconography

Box 334 Alois Riegl

Box 334 Museums/Collections

Box 334 Projects

Box 334 Art teaching

Box 334 Content

Box 334 Ornament / art teaching

Box 334 Perception

Box 334 Children's drawing

Box 334 Perspective

Box 334 Portraiture

Box 334 Theory


Box 335 Sociology of art

Box 335 Value

Box 335 Theory


Box 336 Selected Papers IV

Box 336 Lectures

Box 336 Script

Box 336 Work and personal

Box 336 Moissac, Merode, Bernard Berenson, Medieval city, Pablo Picasso, Political, Impressionism

Box 336 Pablo Picasso, woman with a fan


Box 337 Sigmund Freud and Luca Signorelli

Box 337 General -- Unsorted


Box 651 General -- Unsorted


Box 652 General -- Unsorted

Subseries: V.5: Research notes, 1920s-1990s

Subseries: V.5 contains the heart of Schapiro's research files and includes notes from a wide range of subjects. Although Schapiro was scrupulous about creating research notes, he was less concerned with how the notes were stored and filed. As a result, many of his research files contained a plethora of material that was not related to each other in either content or subject. As a result, material was organized and grouped according to the subject of the contents. For notes relating to the illumination of books and manuscripts, Schapiro organized material either by repository in which the codex is located or by region from which it was created. Physical folders indicate manuscript numbers which are represented in the file. Material related to illumination of books and manuscripts were reproduced in the 2007 publicationMeyer Schapiro abroad: letters to Lillian and travel notebooks.

Schapiro wrote many research notes that are interrelated with other subjects in the collection. In this light, material in this subseries can be used in conjunction with records in other series of this collection.

Unlike Subseries: V.4, files in Subseries V.5 are organized by subject headings that are derived from the Library of Congress Subject Headings based on the contents of the records housed in the files. In the event that Schapiro's own subject heading are too unique to be mapped to a Library of Congress Subject Heading, his own titles were utilized.


Box 338 Folder 1 Albers, Josef, circa, 1960s


Box 691 Notes removed from "Ammianus Marcellinus", 1996


Box 338 Folder 2 Animals as artists -- Monkeys, circa, 1950s

Box 338 Folder 3 Antisemitism, 1969

Box 338 Folder 4 Architecture -- Details, bulbous domes, circa, 1930s-1940s

Box 338 Folder 5 Architecture -- Details, double shell domes, circa, 1930s

Box 338 Folder 6 Architecture, Early Christian, circa, 1930s-1940s

Box 338 Folder 7 Architecture, Modern, 1948 February

(Notes are on the symposium "What is happening to modern architecture?" held at the Museum of Modern Art. Accompanied by the catalog for the symposium)

Box 338 Folder 8 to 9 Architecture, Romanesque, circa, 1930s, (2 Folders)

Box 338 Folder 10 Art, 1970s-1980s

Box 338 Folder 11 to 18 Art, Abstract, circa, 1930s-1960s, (8 Folders)

Box 338 Folder 19 Art, Early Christian, circa, 1930s-1950s

Box 338 Folder 20 Art, Early Christian and Modern art, circa, 1950s

Box 338 Folder 21 Art, Early Renaissance -- Ocaña (Spain), circa, 1930s


Box 662 Folder 1 to 3 Art, Medieval, circa, 1920s-1940s, (3 Folders)

Box 662 Folder 4 Art, Medieval and Romanesque -- Decoration and ornament -- Animal forms,, 1940s

Box 662 Folder 5 Art, Medieval -- France, circa, 1950s

Box 662 Folder 6 Art, Medieval -- Human beings -- Migration, circa, 1930s-1940s

Box 662 Folder 7 Art, Medieval -- Labors of the month, circa, 1950s-1960s


Box 339 Folder 1 to 3 Art, Modern, 1930s-1960, (3 Folders)

Box 339 Folder 4 Art, Modern -- Artists, circa, 1960s

Box 339 Folder 5 Art, Modern -- Religious aspects, circa, 1960s

Box 339 Folder 6 Art, Romanesque, circa, 1930s

Box 339 Folder 7 Art, Romanesque -- Church history, circa, 1970s

Box 339 Folder 8 Art, Romanesque -- Doorways -- Animal forms, circa, 1960s

Box 339 Folder 9 Art, Romanesque -- Fighting figures, 1930s

Box 339 Folder 10 to 11 Art, Romanesque -- Mural painting and decoration, 1930s, (2 Folders)

Box 339 Folder 12 to 13 Art, Romanesque -- Spain, 1940s-1970s, (2 Folders)

Box 339 Folder 14 Art, Romanesque -- Spain -- Alter cross of King Fernando and Queen Sancha, 1063 circa 1930s-1950s, 1063, 1930s-1950s

Box 339 Folder 15 Art, Sassanid, circa, 1930s


Box 340 Folder 2 Art criticism, 1940s-1960s

(Includes typescripts of Schapiro's own poetry)


Box 339 Folder 16 to 17 Art -- History, circa, 1930s-1940s, (2 Folders)

Box 339 Folder 18 Art -- History -- Historiography, circa, 1930s

Box 339 Folder 19 Art -- History -- Teaching, 1940s-1960s


Box 340 Folder 1 Art -- Methodology, 1950s

Box 340 Folder 3 Art nouveau, circa, 1940s

Box 340 Folder 4 Art and race, circa, 1930s

Box 340 Folder 5 to 6 Art and science, circa, 1930s-1950s, (2 Folders)

(Material in file 4 is sequentially paginated by Schapiro)

Box 340 Folder 7 to 8 Art and society, circa, 1960s, (2 Folders)

Box 340 Folder 9 to 10 Art and state, 1940s-1960s, (2 Folders)

Box 340 Folder 11 Bacon, Francis, 1963

(Notes relate to a Francis Bacon exhibition at the Guggenheim museum in November, 1963)

Box 340 Folder 12 Basilica di S. Vitale (Ravenna, Italy), circa, 1940s

Box 340 Folder 13 Barr, Alfred Hamilton -- Publications, circa, 1930s-1940s

Box 340 Folder 14 Baudelaire, Charles, circa, 1940s

Box 340 Folder 15 Benjamin, Walter, 1920s-1980s

Box 340 Folder 16 Berenson, Bernard, 1980s-1990s

Box 340 Folder 17 Bergman, Robet, 1990s

Box 340 Folder 18 Bernini, Gian Lorenzo, circa, 1940s

Box 340 Folder 19 Berzé-la-Ville, France. Chapelle des moines de Cluny, 1930s

Box 340 Folder 20 Bezalel (Biblical figure), 1980s-1990s

Box 340 Folder 21 Biel, Joseph, circa, 1950s

Box 340 Folder 22 Blind artists, circa, 1950s

(Notes are chiefly on Ludwig Münz and Victor Lowenfeld's stuy "Die plastische arbeiten blinder)

Box 340 Folder 23 Blume, Peter, 1937

Box 340 Folder 24 Boas, Franz, circa, 1930s

Box 340 Folder 25 Boas, Franz and primitive art, circa, 1930s

Box 340 Folder 26 Book of Kells, circa, 1960s

Box 340 Folder 27 Breton, André, 1934-1955

(Includes Breton's 1934 publicationQu'est-ce que le surréalisme?"

Box 340 Folder 28 Breton, André and Leon Trotsky, circa, 1930s-1940s

Box 340 Folder 29 Bruegel, Pieter, I, 1930s-1950s

Box 340 Folder 30 Buildings -- War damage, 1940s-1950s


Box 341 Folder 1 Caravaggio, Michelangelo Merisi da, 1950s-1960s

Box 341 Folder 2 to 4 Cathédrale de Chartres -- Towers, circa, 1930s-1940s, (3 Folders)

Box 341 Folder 5 to 10 Cézanne, Paul, 1940s-1960s, (6 Folders)

Box 341 Folder 10 Cézanne, Paul and Vincent van Gogh, comparisons and differences, circa, 1940-1960s


Box 692 Chambers, Whittaker, 1995

Includes research material from Sam Tanenhaus, Herbert Solow, J. W. Hamilton, and Allen Weinstein, and notes for J. D. Fox. There are also clippings, articles, and copies of poems by Chambers from the Louis Zukovsky collection at the Harry Ransom Center, the University of Texas at Austin.


Box 341 Folder 11 Chardin, Jean-Siméon, 1940s

Box 341 Folder 12 to 14 Christian art and symbolism, circa, 1930s, (3 Folders)


Box 663 Folder 1 Cinema, 1930s-1940s

Box 663 Folder 2 Cinema and painting, 1930s-1940s

Box 663 Folder 3 Circumcision of Christ and nudity in Renaissance art, circa, 1950s

Box 663 Folder 4 to 6 Cities and towns, Medieval, circa, 1930s-1960s, (3 Folders)

Box 663 Folder 7 to 8 Color, 1930s-1990s, (2 Folders)


Box 342 Folder 1 Color theory and Impressionism, circa, 1930s-1940s

(Notes were created by Miriam Schild Bunim)

Box 342 Folder 2 to 3 Communism, 1930s-1950s, (2 Folders)

Box 342 Folder 4 to 5 Communism and art, 1930s-1960s, (2 Folders)

Box 342 Folder 6 Computer art, 1975

Box 342 Folder 7 Coomaraswamy, Ananda Kentish, 1930s

Box 342 Folder 8 to 14 Corot, Jean-Baptiste-Camille, 1940s-1990s, (7 Folders)

Box 342 Folder 15 Croce, Benedetto, circa, 1930s

Box 342 Folder 16 Cubism, circa, 1950s-1960s

Box 342 Folder 17 Cubism and collage, 1938

Box 342 Folder 18 Dagulf psalter, circa, 1950s-1960s

Box 342 Folder 19 Daumier, Honoré, 1940s-1990s

Box 342 Folder 20 Degas, Edgar, 1938-1948

Box 342 Folder 21 Delacroix, Eugène, 1940s-1980s

Box 342 Folder 22 Deschamps, Paul, circa, 1930s


Box 343 Folder 1 to 2 Dewey, John, circa, 1930s-1950s, (2 Folders)

Box 343 Folder 3 Dreams, circa, 1940s

Box 343 Folder 4 Duchamp, Marcel, 1980s

Box 343 Folder 5 Echternach gospels and Islamic art, 1960s-1990s

Box 343 Folder 6 Education, 1970s

Box 343 Folder 7 to 8 Eighteen nineties, circa, 1940s, (2 Folders)

Box 343 Folder 9 Ensor, James, 1930s-1940s

Box 343 Folder 10 to 11 Evangelists -- Portraits, circa, 1940s, (2 Folders)

Box 343 Folder 12 Excavations (Archeology) -- Russia, 1930s

Box 343 Folder 13 Expression, 1970s-1980s


Box 344 Folder 1 Fauvism, 1940s-1950s

Box 344 Folder 2 Fogg Art Museum, 1930s

Box 344 Folder 3 Form (Aesthetics), 1930s

Box 344 Folder 4 Futurism (Art), circa, 1940s

Box 344 Folder 5 to 6 Gauguin, Paul, 1940s-1960s, (2 Folders)

Box 344 Folder 7 Geisteswissenschaft and Naturwiss, circa, 1950s

Box 344 Folder 8 Genetic method, theory and history, circa, 1920s-1930s

Box 344 Folder 9 Géricault, Théodore, circa, 1950s

Box 344 Folder 10 Gestalt theory, circa, 1930s-1940s

Box 344 Folder 11 Giorgione, circa, 1950s

Box 344 Folder 12 to 13 Gogh, Vincent van, 1940s-1980s, (2 Folders)

(File 13 is accompanied by a German publication on Vincent van Gogh)


Box 345 Folder 1 Gottlieb, Adolph, 1974

Box 345 Folder 2 to 3 Goya, Francisco de, 1940s-1980s, (2 Folders)

Box 345 Folder 4 Graffiti, 1970s

Box 345 Folder 5 Graubard, Mark, 1937

Box 345 Folder 6 Greco, El, 1950s

Box 345 Folder 7 Gros, Antoine-Jean, circa, 1930s-1940s

Box 345 Folder 8 Grünewald, Matthias, 1930s-1960s

Box 345 Folder 9 Hagia Sophia (Church : Iznik, Turkey), circa, 1930s


Box 691 Notes removed from "Hero of Alexandria", 1996


Box 345 Folder 10 Heschel, Abraham Joshua, 1951

Box 345 Folder 11 Hiberno-Saxon iconography, circa, 1940s-1950s

Box 345 Folder 12 History -- Periodization, 1950s-1960s

Box 345 Folder 13 Hodler, Ferdinand, 1940s

Box 345 Folder 14 Hook, Sidney, 1934-1994

Box 345 Folder 15 Humanism, circa, 1940s-1960s

Box 345 Folder 16 Hume, David, circa, 1930s

Box 345 Folder 17 Iconography -- Irish, circa, 1960s

Illumination of books and manuscripts


Box 346 Folder 1 Armenia -- Ejmiatsin, 1930s-1950s

Box 346 Folder 2 Austria -- Vienna, 1930s

Box 346 Folder 3 to 8 Ashburnham Pentateuch, 1930s-1950s, (6 Folders)

Box 346 Folder 9 to 10 Astronomical, 1940s-1960s, (2 Folders)

Box 346 Folder 11 to 12 Belgium, 1930s-1950s, (2 Folders)

Box 346 Folder 13 Biblioteca apostolica vaticana, circa, 1950s

Illumination of books and manuscripts


Box 347 Folder 1 Bibliothèque de l'Arsenal, 1930s-1950s

Box 347 Folder 2 Bibliothèque Mazarine, 1930s-1950s

Box 347 Folder 3 to 4 Bibliothèque nationale de France, lists, 1926-1950s, (2 Folders)

Box 347 Folder 5 to 9 Bibliothèque nationale de France, 1926-1960s, (5 Folders)

Illumination of books and manuscripts


Box 348 Folder 1 to 16 Bibliothèque nationale de France, 1926-1950s, (16 Folders)

Illumination of books and manuscripts


Box 349 Folder 1 to 3 Bibliothèque nationale de France, 1926-1950s

Box 349 Folder 4 to 6 Bodleian Library, 1960s, (3 Folders)

Box 349 Folder 7 to 8 British Museum, 1930s, (2 Folders)

Illumination of books and manuscripts


Box 350 Folder 1 to 4 British Museum, 1930s-1940s, (4 Folders)

Box 350 Folder 5 to 6 Byzantine, 1930s-1950s, (2 Folders)

Box 350 Folder 7 Carolingian, 1930s-1960s

Box 350 Folder 8 Carolingian -- Ada school, 1930s-1960s

Box 350 Folder 9 Carolingian -- Corbie school, 1930s-1960s

Box 350 Folder 10 Carolingian -- Franco-Saxon school, 1930s-1960s

Box 350 Folder 11 Codex Amiatinus, 1930s-1950s

Illumination of books and manuscripts


Box 351 Folder 1 Corpus Christi College (University of Cambridge), 1930s-1950s

Box 351 Folder 2 Correspondence, 1950s

Box 351 Folder 3 Early Christian, 1930s

Box 351 Folder 4 Early Christian, Syria, 1930s

Box 351 Folder 5 England, 1930s-1960s

Box 351 Folder 6 European libraries -- Lists, 1930s-1950s

Box 351 Folder 7 to 14 France, 1930s-1960s, (8 Folders)

Box 351 Folder 15 France -- Aix, 1930s-1960s

Box 351 Folder 16 France -- Albi, 1930s-1960s

Box 351 Folder 17 France -- Amiens, 1930s-1960s

Box 351 Folder 18 France -- Angers, 1930s-1960s

Box 351 Folder 19 to 25 France -- Auxerre, 1930s-1960s, (7 Folders)

Illumination of books and manuscripts


Box 352 Folder 1 France -- Auxerre, 1940s-1950s

Box 352 Folder 2 to 4 France -- Cluny, 1930s-1960s, (3 Folders)

Box 352 Folder 5 France -- Grenoble, 1930s-1960s

Box 352 Folder 6 France -- Libraries, 1930s-1950

Box 352 Folder 7 France -- Lyon, 1930s-1960s

Box 352 Folder 8 France -- Metz, 1930s-1950s

Box 352 Folder 9 to 11 France -- Moissac, 1930s-1950s, (3 Folders)

Box 352 Folder 12 France -- Montpellier, 1930s-1960s

Box 352 Folder 13 France -- Nantes and Nimes, 1930s-1950s

Box 352 Folder 14 France -- Orleans, 1930s-1950s

Box 352 Folder 15 France -- Provence, 1930s

Box 352 Folder 16 France -- Reims, 1930s-1950s

Box 352 Folder 17 France -- South, 1930s-1950s

Box 352 Folder 18 France -- Verdun, 1930s-1950s

Box 352 Folder 19 to 20 Germany, 1930s-1950s, (2 Folders)

Box 352 Folder 21 Germany -- Fulda, 1930s-1950s

Box 352 Folder 22 Germany -- Reichenau (Baden-Württemberg), 1930s-1950s

Illumination of books and manuscripts


Box 353 Folder 1 Golden Gospels of Henry VIII, 1930s-1950s

Box 353 Folder 2 Gothic, 1930s

Box 353 Folder 3 Hiberno-Saxon, 1930s-1960s

Box 353 Folder 4 Holland, 1930s

Box 353 Folder 5 to 7 Ireland, circa, 1940s-1950s, (3 Folders)

Box 353 Folder 8 Islamic, 1950s

Box 353 Folder 9 to 13 Italy, 1930s-1950s, (5 Folders)

Box 353 Folder 14 Kloster St. Gallen, 1930s-1950s

Box 353 Folder 15 Library collections -- Lists, 1930s-1950s

Box 353 Folder 16 Medieval, 1930s-1950s

Illumination of books and manuscripts


Box 354 Folder 1 to 4 Medieval, 1930s-1980s, (4 Folders)

Box 354 Folder 5 Merovingian, 1930s-1960s

Box 354 Folder 6 Newberry Library, 1940s-1960s

Box 354 Folder 7 to 8 New York Public Library, 1930s-1960s, (2 Folders)

Box 354 Folder 9 to 10 Ottonian, 1930s-1960s, (2 Folders)

Box 354 Folder 11 to 15 Pierpont Morgan Library, 1940s-1960s, (5 Folders)

Box 354 Folder 16 Quedlinburg Itala, 1930s

Box 354 Folder 17 to 19 Romanesque, 1930s-1950s, (3 Folders)

Box 354 Folder 20 to 22 Spain, 1930s-1960s, (3 Folders)

Box 354 Folder 23 Switzerland, 1939s-1950s

Box 354 Folder 24 University of Michigan, 1940s-1960s

Box 354 Folder 25 to 26 Vergilius Vaticanus, 1930s-1950s, (2 Folders)

Box 354 Folder 27 Walters Art Museum (Baltimore, MD), 1940s-1960s


Box 355 Folder 1 to 7 Impressionism (Art), 1960s-1980s, (7 Folders)

Box 355 Folder 8 Individualism -- Artists, 1930s

Box 355 Folder 9 Ingres, Jean-August-Dominique, 1940s

Box 355 Folder 10 Interpretation (Philosophy), 1930s-1950s


Box 356 Folder 1 Islamic architecture, circa, 1930s

Box 356 Folder 2 to 3 Jakobson, Roman, 1960s-1970s, (2 Folders)

Box 356 Folder 4 Jewish art, 1930s-1960s

Box 356 Folder 5 Joyce, James, circa, 1930s-1940s

Box 356 Folder 6 to 9 Judgment and valuation, circa, 1960s, (4 Folders)

Box 356 Folder 10 Kandinsky, Vassily, 1960s

Box 356 Folder 11 Klee, Paul, 1954

Box 356 Folder 12 Kornacki, Jerzy, 1961-1962

Box 356 Folder 13 Kracauer, Siegfried, 1990s

Box 356 Folder 14 Kroeber, A.L. (Alfred Louis) -- Style, circa, 1950s

Box 356 Folder 15 Le Corbusier, circa, 1930s

Box 356 Folder 16 Ledoux, Claude Nicholas and Emil Kaufmann, 1930s

Box 356 Folder 17 Left and right, circa, 1950s

Box 356 Folder 18 Leonardo da Vinci, 1940s-1960s

Box 356 Folder 19 Lessing, Gotthold Ephraim. Laokoon, 1930s-1940s

Box 356 Folder 20 Logical positivism, 1930s-1990s

Box 356 Folder 21 Lorian, Doria, 1980s


Box 357 Folder 1 Magnus, Albertus, Saint -- Speech, 1970s

Box 357 Folder 2 Malraux, André, 1990s

Box 357 Folder 3 to 5 Manet, Édouard, 1930s-1990s, (3 Folders)

Box 357 Folder 6 Masson, André, 1953

Box 357 Folder 7 Master of Sigena, circa, 1950s

Box 357 Folder 8 Matisse, Henri, 1940s-1960s

Box 357 Folder 9 Men's clothing -- Modernity, 1930s

Box 357 Folder 10 Millet, Gabriel, 1960s

Box 357 Folder 11 Middle Ages, circa, 1950s

Box 357 Folder 12 Miró, Joán, 1961

Box 357 Folder 13 Modern movement (Architecture), circa, 1930s

Box 357 Folder 14 Modernity and quality, circa, 1960s

Box 357 Folder 15 Mosaics -- Syria -- Damascus, 1927


Box 358 Folder 1 Mondrian, Piet, 1938

Box 358 Folder 2 Moreau, Gustave, circa, 1940s

Box 358 Folder 3 Müller, Jan, 1960s

Box 358 Folder 4 to 5 Mumford, Lewis, 1930s-1950s, (2 Folders)

Box 358 Folder 6 Munch, Edvard, 1940s

Box 358 Folder 7 Mural painting and decoration, circa, 1930s-1940s


Box 633 Folder 10 Mural painting and decoration -- 20th century, 1930s


Box 358 Folder 8 Museum of Modern Art (New York, N.Y.) -- Criminal investigation,, 1973

Box 358 Folder 9 Music, 1930s-1960s

Box 358 Folder 10 National socialism and art, 1934

Box 358 Folder 11 Neue Sachlichkeit (Art), 1938

Box 358 Folder 12 Notre-Dame de Reims (Cathedral), circa, 1930s

Box 358 Folder 13 Nuremberg Trial of Major German War Criminals, Nuremberg, Germany,, 1945-1946


Box 691 Notes removed from "Oracula Sibyllina", 1996


Box 358 Folder 14 Orozco, José Clemente, circa, 1940s-1950s

Box 358 Folder 15 Ormside cup, circa, 1950s-1960s

Box 358 Folder 16 to 18 Painting, Abstract, 1940s-1960s, (3 Folders)

Box 358 Folder 19 Painting, American -- 20th century, circa, 1940s-1960s

Box 358 Folder 20 Painting, Flemish, 1930s

Box 358 Folder 21 Painting, Neoclassical, 1930s

Box 358 Folder 22 Painting -- Myths and origins, circa, 1950s

Box 358 Folder 23 to 25 Paleography, 1930s-1980s, (3 Folders)

Box 358 Folder 26 Paleography, Arabic (Cufic), 1920s

Box 358 Folder 27 Panofsky, Erwin, circa, 1960s

Box 358 Folder 28 Parmigianino, circa, 1950s

Box 358 Folder 29 to 30 Perspective, circa, 1960s, (2 Folders)


Box 359 Folder 1 Philosophy, 1960s

Box 359 Folder 2 Photography, 1930s

Box 359 Folder 3 Physiognomy and expression, 1940s-1950s

Box 359 Folder 4 to 6 Picasso, Pablo, 1938-1960s, (3 Folders)

(File 6 includes a drawing by Schapiro in the style of Picasso which was possibly used as a study guide in color and composition)

Box 359 Folder 7 Picture books, 1960s

Box 359 Folder 8 Politics, practical -- Capitalism, 1940s

Box 359 Folder 9 Pollock, Jackson, circa, 1960s

Box 359 Folder 10 Portraits, 1970s-1990s

Box 359 Folder 11 Poussin, Nicolas, circa, 1980s

Box 359 Folder 11 Prayer book of Queen Emma, 1960s

Box 359 Folder 12 Semiotics, 1966


Box 360 Folder 1 Pre-Romanesque -- Spain -- Mozarbic, circa, 1930s

Box 360 Folder 2 Primitive, psychotic, and children's art, 1940s

Box 360 Folder 3 to 4 Proportions, 1950s-1960s, (2 Folders)

Box 360 Folder 5 to 6 Psychology, 1957-1960s, (2 Folders)

Box 360 Folder 7 Psychology and art, circa, 1930s

Box 360 Folder 8 Psychology and art history, circa, 1950s

Box 360 Folder 9 Purge of Russian artists, 1940s

Box 360 Folder 10 Puvis de Chavannes, Pierre, circa, 1940s

Box 360 Folder 11 Raphael, Max, 1971

Box 360 Folder 12 Redon, Odilon, circa, 1940s

Box 360 Folder 13 Reisman, Bernard, circa, 1940s

Box 360 Folder 14 Religion and culture, circa, 1940s

Box 360 Folder 15 to 16 Religion and ethics, 1930s-1960s, (2 Folders)

Box 360 Folder 17 Rembrandt van Rijn, circa, 1950s

Box 360 Folder 18 Rembrandt van Rijn and Montaigne, abbé, 1980s-1990s

Box 360 Folder 19 Renan, Ernest, 1930s

Box 360 Folder 20 Renoir, Pierre-Auguste, 1940s

Box 360 Folder 21 Representation (Art) and naturalism, circa, 1930s

Box 360 Folder 22 Riegl, Alois, circa, 1940s-1950s

Box 360 Folder 23 Rivera, Diego, circa, 1940s-1950s

Box 360 Folder 24 Rodez (France)--Antiquities., 1940s


Box 361 Folder 1 Rouault, Georges, 1937

Box 361 Folder 2 Rousseau, Henri, 1940s

Box 361 Folder 3 Russell, Bertrand, circa, 1940s

Box 361 Folder 4 to 5 Russian art -- Twentieth century, 1937-1960s, (2 Folders)

Saint-Gilles (Church : Saint-Gilles, Gard, France)


Box 362 Folder 1 to 2 General, 1920s-1980s, (2 Folders)

Box 362 Folder 3 to 4 Art, Provençal, 1920s-1950s, (2 Folders)

Box 362 Folder 5 Manuscripts, Provençal, 1920s-1930s

Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France)


Box 363 Folder 1 to 12 General, 1920s, (12 Folders)

Box 363 Folder 13 Apocalypse -- Crusaders -- Alexander, 1920s

Box 363 Folder 14 Architecture -- Tower -- Narthex -- Porch, 1920s

Box 363 Folder 15 Capitals, 1920s

Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France)


Box 364 Folder 1 Capitals -- Iconography -- Adam and Eve -- Cain and Abel, 1920s

Box 364 Folder 2 Capitals -- Iconography -- Choice and order, 1920s

Box 364 Folder 3 Capitals -- Iconography -- Daniel, 1920s

Box 364 Folder 4 Capitals -- Iconography -- David and musicians, 1920s

Box 364 Folder 5 Capitals -- Iconography -- Narrative form, 1920s

Box 364 Folder 6 Capitals -- Iconography -- Saints lives, 1920s

Box 364 Folder 7 Capitals -- Iconography -- Themes -- David and Samson, 1930s-1950s

Box 364 Folder 8 Capitals -- New Testament -- Cana -- Lazarus -- Washing of feet,, 1920s

Box 364 Folder 9 Capitals -- Saints lives -- Crusaders -- Ascension, 1920s

Box 364 Folder 10 Capitals -- Structure -- Composition, 1920s-1930s

Box 364 Folder 11 to 12 Comparative chronology, 1920s, (2 Folders)

Box 364 Folder 13 Dating -- Chronology -- Bibliography, 1920s

Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France)


Box 365 Folder 1 David and Goliath -- Daniel, 1920s

Box 365 Folder 2 Gallo-Roman art, 1920s-1930s

Box 365 Folder 3 Iconography, 1920s-1930s

Box 365 Folder 4 Iconography -- Lazarus, 1920s

Box 365 Folder 5 Iconography -- Saints, 1920s

Box 365 Folder 6 Inscription -- Paleography, 1920s

Box 365 Folder 7 Imposts, 1920s-1930s

Box 365 Folder 8 New Testament -- Annunciation -- Innocents, 1920s

Box 365 Folder 9 New Testament -- Baptism -- Good Samaritan, 1920s

Box 365 Folder 10 Ornament, 1920s

Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France)


Box 366 Folder 1 to 2 Ornament -- Capitals, 1920s, (2 Folders)

Box 366 Folder 3 to 4 Ornament, study of, 1920s (2 Folderes), 1920s

Box 366 Folder 5 to 10 Pier reliefts, 1920s, (6 Folders)

Box 366 Folder 11 Porch -- Iconography, 1920s

Box 366 Folder 12 Portal of leisure, 1920s

Box 366 Folder 13 Sacrifice of Issac -- Samson, 1920s

Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France)


Box 367 Folder 1 Trumeaux and lintel comparisons, 1920s

Box 367 Folder 2 Tympanum, 1920s-1970s

Box 367 Folder 3 to 4 Tympanum -- Iconography, 1920s-1930s, (2 Folders)

Box 367 Folder 5 to 6 Tympanum -- Iconography -- Christ on throne, 1920s, (2 Folders)

Box 367 Folder 7 Tympanum -- Iconography -- Eagle with roll, 1920s

Box 367 Folder 8 to 9 Tympanum -- Iconography -- The elders, 1920s, (2 Folders)

Box 367 Folder 10 Tympanum -- Iconography -- Relation to monumental painting, 1920s

Box 367 Folder 11 Tympanum -- Iconography -- Vision in Christian art, 1920s

Box 367 Folder 12 Tympanum and porch -- History and style, 1920s

Box 367 Folder 13 Tympanum and porch -- Reliefs, 1930s-1940s

Box 367 Folder 14 Tympanum and St. Sever miniature, 1920s

Box 367 Folder 15 West gallery capitals, 1920s

Santo Domingo de Silos (Benedictine abbey)


Box 368 Folder 1 to 8 General, 1930s-1998, (8 Folders)

Box 368 Folder 9 Architecture, 1930s-1940s

Box 368 Folder 10 Dating, 1940s

Santo Domingo de Silos (Benedictine abbey)


Box 369 Folder 1 Dating and paleography, circa, 1940s

Box 369 Folder 2 French art, circa, 1930s

Box 369 Folder 3 History -- Capitals -- Reliefs, circa, 1930s-1940s

Box 369 Folder 4 Mozarbic style, circa, 1940s-1950s

Box 369 Folder 5 to 6 Style and iconography, circa, 1930s-1940s, (2 Folders)

Saint-Sernin de Toulouse (Church)

Box 369 Folder 7 Altar, 1920s

Box 369 Folder 8 to 9 Porte des comtes, 1920s-1930s, (2 Folders)


Box 370 Folder 1 Sculpture, Romanesque -- Baltrušaitis, Jurgis, 1930s

Box 370 Folder 2 Sculpture, Romanesque -- England --York, circa, 1940s

Box 370 Folder 3 Sculpture, Romanesque -- France -- Figure, drapery, and relief, 1930s-1940w

Box 370 Folder 4 Sculpture, Romanesque -- France -- Vézelay, circa, 1930s

Box 370 Folder 5 Sculpture, Romanesque -- Italy, circa, 1930s

Box 370 Folder 6 Sculpture, Romanesque -- Ornament and capitals, circa, 1930s

Box 370 Folder 7 Sculpture, Romanesque -- Period style, 1930s-1940s

Box 370 Folder 8 Sculpture, Romanesque -- South France and Spain, 1930s

Box 370 Folder 9 Sedlmayr, Hans, circa, 1930s

Box 370 Folder 10 to 12 Semiotics, circa, 1950s, (3 Folders)

Box 370 Folder 13 Semiotics and schemas, circa, 1950s

Box 370 Folder 14 Seurat, Georges, 1950s

Box 370 Folder 15 Simple forms, circa, 1960s

Box 370 Folder 16 Sinyavsky, Andrei, 1965

Box 370 Folder 17 Social realism and revolutionary art, 1930s

Box 370 Folder 18 Socialism, circa, 1940s-1960s

Box 370 Folder 19 Socialism and art, circa, 1930s

Box 370 Folder 20 Sociology, 1930s

Box 370 Folder 21 Sombart, Werner, 1930s

Box 370 Folder 22 Sorokin, Pitirim Aleksandrovich

Box 370 Folder 23 Souillac (France), 1960s

Box 370 Folder 24 Spirit, 1980s

Box 370 Folder 25 Stalin, Joseph, 1930s-1940s

Box 370 Folder 26 to 28 Style, circa, 1950s, (3 Folders)


Box 371 Folder 1 Subjectivity -- Individuality, circa, 1940s

Box 371 Folder 2 Surrealism, 1930s-1960s

Box 371 Folder 3 Swift, Jonathon -- A tale of a tub, circa, 1930s-1940s

Box 371 Folder 4 Themes, 1930s-1980s

Box 371 Folder 5 Thompson, Robert, 1960s

Box 371 Folder 6 Toulouse-Lautrec, Henri de, 1940s

Box 371 Folder 7 Tour Eiffel (Paris, France), 1930s

Box 371 Folder 8 to 12 Unsorted -- General, 1980s-1990s, (5 Folders)


Box 372 Folder 1 to 3 Unsorted -- General, 1980s-1990s, (3 Folders)

Box 372 Folder 4 Varèse, Edgar, 1980

Box 372 Folder 5 Vermeer, Jan, circa, 1960s

Box 372 Folder 6 Villard, de Honnecourt, 13th century -- Ur (Extinct city), circa, 1960s

Box 372 Folder 7 Wall Street (New York, NY), circa, 1930s

Box 372 Folder 8 Weston, Edward, circa, 1960s

Box 372 Folder 9 Wölfflin, Henrich, circa, 1940s-1950s

Box 372 Folder 10 Wölfflin, Henrich and Paul Frankl, circa, 1940s

Box 372 Folder 11 Works in progress, 1980s-1990s

Box 372 Folder 12 Xanten (Germany)--Antiquities, 1940s-1960s

Box 372 Folder 13 Zagreb Gospels, 1970s

Subseries: V.6: Reproductions, 1930s-1990s

Reproductions in this subseries are photographs obtained by Schapiro from libraries, museums, and visual resource centers for research purposes. The reproductions provide a visual documentation to the works of art and architecture Schapiro consulted while writing, researching, and conducting university courses.

Files are organized by artists or subjects headings using the Union List of Artists Names and the Library of Congress Subject Headings respectively. Unique subject headings that were created by Schapiro and not found in the Library of Congress Subject Headings were retained for their unique. Reproductions of illuminated manuscripts are filed by repository or geographic location where they are held. For photographs used in publications or lectures, consult those respective series.


Box 666 Architecture -- General (Glass plate negatives)


Box 667 Architecture -- General (Glass plate negatives)


Box 668 Architecture -- General(Glass plate negatives)


Box 373 Folder 1 to 2 Architecture -- France -- Chartres, (2 Folders)


Box 393 Folder 1 Architecture, Early Christian


Box 373 Folder 3 Architecture, Classical -- Italy

Box 373 Folder 4 to 7 Architecture, Romanesque, (4 Folders)

Box 373 Folder 8 to 9 Architecture, Romanesque -- France, (2 Folders)

Box 373 Folder 10 Architecture, Romanesque -- France -- Chartres

Box 373 Folder 11 Architecture, Romanesque -- France -- Souillac

Box 373 Folder 12 to 13 Architecture, Romanesque -- Spain -- Santo Domingo de Silos (Benedictine abbey), (2 Folders)

Box 373 Folder 14 Architecture -- Turkey -- Istanbul


Box 374 Folder 1 Art -- General

Box 374 Folder 2 to 3 Art, Early Christian -- Italy, (2 Folders)

Box 374 Folder 4 Art, Medieval

Box 374 Folder 5 Art, Medieval -- Minneapolis Institute of Arts

Box 374 Folder 6 Art, Medieval -- Museum of Fine Arts, Boston

Box 374 Folder 7 Art, Medieval and Renaissance

Box 374 Folder 8 Art, Modern

Box 374 Folder 9 Art, Renaissance

Box 374 Folder 10 Art, Romanesque

Box 374 Folder 11 Art, Romanesque -- Spain

Box 374 Folder 12 to 13 Art, Romanesque -- Spain -- Santo Domingo de Silos (Benedictine abbey), (2 Folders)


Box 393 Folder 2 Baudelaire, Charles


Box 374 Folder 14 Bazille, Frédéric

Box 374 Folder 15 Bellini, Giovanni

Box 374 Folder 16 Bill, Max

Box 374 Folder 17 Bingham, George Caleb

Box 374 Folder 18 Blume, Peter

Box 374 Folder 19 Boudin, Eugène Louis

Box 374 Folder 20 Braque, Georges

Box 374 Folder 21 Bruegel, Pieter I

Box 374 Folder 22 Caillebotte, Gustave


Box 393 Folder 3 Campin, Robert

Box 393 Folder 4 Cézanne, Paul


Box 374 Folder 23 Chagall, Marc

Box 374 Folder 24 Chardin, Jean -Siméon

Box 374 Folder 25 Chintreuil, Antoine

Box 374 Folder 26 Corinth, Lovis

Box 374 Folder 27 Corot, Jean-Baptiste-Camille

Box 374 Folder 28 Courbet, Gustave


Box 375 Folder 1 Crucifixion in art -- Romanesque

Box 375 Folder 2 Dalí, Salvador

Box 375 Folder 3 Daubigny, Charles François

Box 375 Folder 4 Daumier, Honoré

Box 375 Folder 5 Degas, Edgar

Box 375 Folder 6 Delacroix, Eugène

Box 375 Folder 7 Derain, André

Box 375 Folder 8 Dix, Otto


Box 393 Folder 5 Drawing, Renaissance


Box 375 Folder 9 Ensor, James

Box 375 Folder 10 Ernst, Max

Box 375 Folder 11 Francés, Esteve

Box 375 Folder 12 Frescoes (paintings), Byzantine

Box 375 Folder 13 to 15 Frescoes (paintings), Romanesque, (3 Folders)

Box 375 Folder 16 Frescoes (paintings), Romanesque -- France


Box 393 Folder 6 Frescoes (paintings, Romanesque -- France -- Berzé-la-Ville


Box 375 Folder 17 Frescoes (paintings), Romanesque -- Italy -- Grado

Box 375 Folder 18 Frescoes (paintings, Romanesque -- Italy -- San Vincenzo al Volturno

Box 375 Folder 19 Gauguin, Paul

Box 375 Folder 20 Gogh, Vincent van

Box 375 Folder 21 Gorky, Arshile


Box 376 Folder 1 Gottlieb, Adolph

Box 376 Folder 2 Granet, François-Marius

Box 376 Folder 3 Gris, Juan


Box 393 Folder 7 Gros, Antoine Jean


Box 376 Folder 4 Grosser, Maurice Richard

Box 376 Folder 5 Harmon, Lily

Box 376 Folder 6 Hayter, Stanley William


Box 669 Illuminated manuscripts -- General (Glass plate negatives)


Box 670 Illuminated manuscripts -- General (Glass plate negatives)


Box 671 Illuminated manuscripts -- General (Glass plate negatives)

Box 671 Illuminated manuscripts


Box 393 Folder 8 General

Illuminated manuscripts


Box 376 Folder 7 General

Box 376 Folder 8 Abbazia di S. Paolo fuori le Mura (Rome, Italy)

Box 376 Folder 9 to 12 Arenberg (Duchy), (4 Folders)

Box 376 Folder 13 Ashburnham Pentateuch

Box 376 Folder 14 Austria -- Vienna

Box 376 Folder 15 Belgium -- Antwerp

Illuminated manuscripts


Box 377 Folder 1 Belgium -- Brussels

Box 377 Folder 2 Belgium -- Ghent

Box 377 Folder 3 Belgium -- Tournai

Box 377 Folder 4 to 5 Bible de Souvigny, (2 Folders)

Box 377 Folder 6 to 16 Biblioteca apostolica vaticana, (11 Folders)

Illuminated manuscripts


Box 378 Folder 1 Biblioteca medicea laurenziana

Box 378 Folder 2 Biblioteca vallicelliana

Box 378 Folder 3 Bibliothèque de l'Arsenal

Box 378 Folder 4 to 12 Bibliothèque nationale de France, (8 Folders)

Illuminated manuscripts


Box 379 Folder 1 to 12 Bibliothèque nationale de France, (12 Folders)

Illuminated manuscripts


Box 380 Folder 1 to 8 Bibliothèque nationale de France, (8 Folders)

Illuminated manuscripts


Box 381 Folder 1 to 9 Bibliothèque nationale de France, (9 Folders)

Illuminated manuscripts


Box 393 Folder 9 to 11 Bibliothèque nationale de France (3 Folders

Illuminated manuscripts


Box 381 Folder 10 Bibliothèque Sainte-Geneviève

Box 381 Folder 11 to 12 Bodleian Library, (2 Folders)

Illuminated manuscripts


Box 382 Folder 1 to 9 British Museum, (9 Folders)

Box 382 Folder 10 Byzantine

Box 382 Folder 11 Egypt -- Cairo

Illuminated manuscripts


Box 383 Folder 1 England

Illuminated manuscripts


Box 393 Folder 12 England

Illuminated manuscripts


Box 383 Folder 2 England -- Cambridge

Box 383 Folder 3 England -- Durham

Box 383 Folder 4 England -- Litchfield

Box 383 Folder 5 England -- Winchester

Box 383 Folder 6 Ethiopia

Box 383 Folder 7 to 11 France, (5 Folders)

Box 383 Folder 12 to 13 France -- Aix-en-Provence, (2 Folders)

Illuminated manuscripts


Box 393 Folder 13 France -- Aix-en-Provence

Illuminated manuscripts


Box 383 Folder 14 to 16 France -- Albi, (3 Folders)

Illuminated manuscripts


Box 393 Folder 14 France -- Albi

Illuminated manuscripts


Box 383 Folder 17 France -- Amiens

Illuminated manuscripts


Box 393 Folder 15 France -- Amiens

Illuminated manuscripts


Box 383 Folder 18 to 19 France -- Angers, (2 Folders)

Illuminated manuscripts


Box 393 Folder 16 France -- Angers

Illuminated manuscripts


Box 383 Folder 20 France -- Arles

Illuminated manuscripts


Box 384 Folder 1 France -- Auch

Box 384 Folder 2 France -- Autun

Illuminated manuscripts


Box 393 Folder 17 France -- Autun

Illuminated manuscripts


Box 384 Folder 3 to 4 France -- Auxerre, (2 Folders)

Box 384 Folder 5 France -- Avignon

Illuminated manuscripts


Box 393 Folder 18 France -- Avignon

Illuminated manuscripts


Box 384 Folder 6 France -- Avranches

Box 384 Folder 7 to 8 France -- Beaune, (2 Folders)

Illuminated manuscripts


Box 394 Folder 1 France -- Beaune


Box 384 Folder 9 to 10 France -- Besançon, (2 Folders)

Illuminated manuscripts


Box 394 Folder 2 France -- Besançon

Illuminated manuscripts


Box 384 Folder 11 to 13 France -- Bordeaux, (3 Folders)

Box 384 Folder 14 France -- Boulogne

Box 384 Folder 15 France -- Cambrai

Box 384 Folder 16 France -- Carpentras

Box 384 Folder 17 France -- Chalon-sur-Saône

Illuminated manuscripts


Box 394 Folder 3 France -- Chalon-sur-Saône


Box 384 Folder 18 France -- Chantilly

Box 384 Folder 19 France -- Chartres

Box 384 Folder 20 France -- Clermont-Ferrand

Box 384 Folder 21 to 22 France -- Dijon, (2 Folders)

Illuminated manuscripts


Box 385 Folder 1 France -- Douai

Box 385 Folder 2 France -- Grenoble

Box 385 Folder 3 France -- Lunel

Box 385 Folder 4 France -- Lyon

Box 385 Folder 5 to 6 France -- Moissac, (2 Folders)

Box 385 Folder 7 France -- Montpellier

Box 385 Folder 8 France -- Narbonne

Box 385 Folder 9 France -- Nîmes

Box 385 Folder 10 France -- Poitiers

Box 385 Folder 11 France -- Perigny

Box 385 Folder 12 France -- Orléans

Illuminated manuscripts


Box 394 Folder 4 France -- Poitiers

Illuminated manuscripts


Box 385 Folder 13 France -- Rheims

Box 385 Folder 14 France -- Saint-Étienne

Box 385 Folder 15 France -- Saint Omer

Box 385 Folder 16 France -- Saint-Yrieix-la-Perche

Box 385 Folder 17 France -- Tours

Box 385 Folder 18 France -- Valenciennes

Box 385 Folder 19 France -- Vendôme

Box 385 Folder 20 France -- Verdun-sur-Meuse

Box 385 Folder 21 Germany

Box 385 Folder 22 Germany -- Aschaffenburg

Box 385 Folder 23 Germany -- Basel

Illuminated manuscripts


Box 386 Folder 1 Germany -- Berlin

Box 386 Folder 2 Germany -- Freiberg

Box 386 Folder 3 Germany -- Munich

Box 386 Folder 4 Germany -- Stuttgart

Box 386 Folder 5 Iceland -- Reykjavík

Box 386 Folder 6 Insular (British Isles Medieval Style)

Box 386 Folder 7 to 8 Italy, (2 Folders)

Box 386 Folder 9 Italy -- Florence

Box 386 Folder 10 Italy -- Ivrea

Box 386 Folder 11 to 12 Italy -- Parma

Illuminated manuscripts


Box 394 Folder 5 Italy -- Parma

Illuminated manuscripts


Box 386 Folder 13 Italy -- Venice

Illuminated manuscripts


Box 394 Folder 6 Joshua Roll

Box 394 Folder 7 Netherlands -- Hague, the

Illuminated manuscripts


Box 386 Folder 14 to 16 Netherlands-- Leyden, (3 Folders)

Illuminated manuscripts


Box 387 Folder 1 to 3 Pierpont Morgan Library, (3 Folders)

Illuminated manuscripts


Box 394 Folder 8 Pierpont Morgan Library

Illuminated manuscripts


Box 387 Folder 4 Pierpont Morgan Library -- Astronomy

Box 387 Folder 5 to 6 Pierpont Morgan Library -- Arenberg, House of, (2 Folders)

Box 387 Folder 7 Romanesque schematism

Box 387 Folder 8 Seattle Art Museum

Box 387 Folder 9 Spain -- Gerona

Box 387 Folder 10 Spain -- Madrid

Box 387 Folder 11 Sweden -- Stockholm

Box 387 Folder 12 to 13 Walters Art Gallery (Baltimore, MD), (2 Folders)

Box 387 Folder 14 Ingres, Jean-August-Dominique

Box 387 Folder 15 Jongkind, Johan Barthold

Box 387 Folder 16 Kandinsky, Vassily

Box 387 Folder 17 Klee, Paul

Box 387 Folder 18 Korn, Elizabeth

Box 387 Folder 19 La Fresnaye, Roger de

Box 387 Folder 20 Léger, Fernand


Box 394 Folder 9 Léger, Fernand


Box 387 Folder 21 Leonardo da Vinci

Box 387 Folder 22 Lotto, Lorenzo


Box 388 Folder 1 Louis, Morris

Box 388 Folder 2 Manet, Édouard


Box 394 Folder 10 Manet, Édouard


Box 388 Folder 3 Marcks, Gerhard

Box 388 Folder 4 Marées, Hans von

Box 388 Folder 5 Masson, André

Box 388 Folder 6 Matisse, Henri

Box 388 Folder 7 Matta, Roberto

Box 388 Folder 8 Memling, Hans

Box 388 Folder 9 Messonier, Jean Louis Ernest

Metropolitan Museum of Art (New York, N.Y.)

(Reproductions found in the these files were ordered by Schapiro from the museum. They are chiefly focused on the art architecture of the Byzantine, Baroque, Romanesque, and Renaissance periods )


Box 664 Folder 1 to 3 Art and architecture, 1940s-1960s


Box 665 Folder 1 to 3 Art and architecture, 1940s-1960s


Box 388 Folder 10 Michelin, Jean

Box 388 Folder 11 Millet, Jean-François

Box 388 Folder 12 Miró, Joán

Box 388 Folder 13 Mondrian, Piet

Box 388 Folder 14 Monet, Claude


Box 394 Folder 11 Monticelli, Adolphe


Box 388 Folder 15 Morisot, Berthe

Box 388 Folder 16 to 17 Mosaics, Byzantine, (2 Folders)

Box 388 Folder 18 Munch, Edvard

Box 388 Folder 19 Nadar

Box 388 Folder 20 Newman, Barnett

Box 388 Folder 21 Noda, Hideo

Box 388 Folder 22 Nolde, Emil

Box 388 Folder 23 Onslow-Ford, Gordon


Box 394 Folder 12 Onslow-Ford, Gordon


Box 388 Folder 24 Orozco, José Clemente

Box 388 Folder 25 Papety, Dominique


Box 389 Folder 1 Penguilly-L'Haridon, Octave

Box 389 Folder 2 Perspective


Box 394 Folder 13 Picasso, Pablo


Box 389 Folder 3 Piranesi, Guiovanni Battista

Box 389 Folder 4 Pisidia

Box 389 Folder 5 Pissarro, Camille

Box 389 Folder 6 Pollock, Jackson

Box 389 Folder 7 Poussin, Nicolas

Box 389 Folder 8 Puvis de Chavannes, Pierre

Box 389 Folder 9 Rafaëlli, Jean-François

Box 389 Folder 10 Redon, Odilon

Box 389 Folder 11 Renoir, Pierre-Auguste

Box 389 Folder 12 Rivera, Diego

Box 389 Folder 13 Rodin, Auguste

Box 389 Folder 14 Rothko, Mark

Box 389 Folder 15 Rouault, Georges

Box 389 Folder 16 Rousseau, Henri

Box 389 Folder 17 Rubens, Arnold Frans

Box 389 Folder 18 Scorel, Jan van

Box 389 Folder 19 Sculpture -- Benin

Box 389 Folder 20 Sculpture, Early Christian -- Vladimir Simkovitch Collection

Box 389 Folder 21 Sculpture, Greek

Box 389 Folder 22 to 24 Sculpture, Romanesque, (3 Folders)

Box 389 Folder 25 Sculpture, Romanesque -- Art museums -- United States

Box 389 Folder 26 to 28 Sculpture, Romanesque -- France, (3 Folders)


Box 390 Folder 1 Sculpture, Romanesque -- Italy -- Gaeta, San Leandro and Matera frescoes

Box 390 Folder 2 Sculpture, Romanesque -- Italy -- Pisa

Box 390 Folder 3 to 4 Sculpture, Romanesque -- Italy -- Verona, San Zeno, (2 Folders)

Box 390 Folder 5 Sculpture, Romanesque -- Philadelphia Museum of Art

Box 390 Folder 6 Sculpture, Romanesque -- Spain

Box 390 Folder 7 Sculpture, Romanesque -- Spain -- Walters Art Gallery (Baltimore, Md.)

Box 390 Folder 8 Seligmann, Kurt


Box 391 Folder 1 to 10 Seurat, Georges, (10 Folders)


Box 394 Folder 14 Seurat, Georges


Box 392 Folder 1 Shahn, Ben

Box 392 Folder 2 Signorelli, Luca

Box 392 Folder 3 Sisley, Alfred


Box 394 Folder 15 Stained Glass -- France -- Poitiers


Box 392 Folder 4 Toulouse-Lautrec, Henri de

Box 392 Folder 5 Tura, Cosmè

Box 392 Folder 6 Twain, Mark

Box 392 Folder 7 Utrillo, Maurice

Box 392 Folder 8 Velázquez, Diego

Box 392 Folder 9 Vuillard, Edouard

Box 392 Folder 10 Weber, Max

Series VI: Exhibition announcements, invitations, and press releases, 1920-2001

Alongside Schapiro's academic background in Medieval and Romanesque art, he was very passionate about art of his contemporary time and of maintaining close relationships with working artists. Schapiro was a central figure in the art community of New York City since the 1930s and he visited art galleries and exhibitions throughout his life. Series VI is a collection of exhibition announcements, invitations, and press releases from New York City galleries that were sent to Schapiro and collected by him starting from 1920. After his death, Schapiro's wife, Lillian Milgram Schapiro, continued to receive and collect these materials until 2001.

These collection exhibition announcements and invitations give a micro-history of New York City through the lens of the art gallery. Items in this series record who owned galleries, where their spaces were located, which artists were exhibited across time, and what art works were shown.

Prior to being integrated into this collection in 2009, these materials were maintained in filing cabinets and housed at Columbia University's Visual Media Center located in Schermerhorn Hall.

The original filing structure organized by Schapiro was maintained, which grouped an artist's last name in alphabetic and chronologic batches. Group exhibitions were filed in their own groupings chronologically. To facilitate retrieval of archival material, all files were consolidated following a consistent alphabetic pattern and subdivided into the following subseries: Subseries: VI.1: 1920-1942, Subseries: VI.2: A-E, 1943-2001, Subseries: VI.3: F-L, 1943-2001, Subseries: VI.4: M-R, 1943-2001, Subseries: VI.5: S-Z, 1943-2001, Subseries: VI.6: Group exhibitions, 1945-2001, Subseries: VI.7: Oversize, 1930s-1990s.

Subseries: VI.1, A-Z, 1920-1942


Box 57 Folder 1 1920-1929

Box 57 Folder 2 1930-1934

Box 57 Folder 3 1935-1936

Box 57 Folder 4 1937-1938

Box 57 Folder 5 1939

Box 57 Folder 6 1940

Box 57 Folder 7 1941

Box 57 Folder 8 1942

Subseries: VI.2: A-E, 1943-2001

Box 57 Folder 9 A-E, 1943

Box 57 Folder 10 A-E, 1944

Box 57 Folder 11 A-E, 1945

Box 57 Folder 12 A-E, 1946

Box 57 Folder 13 A-E, 1947

Box 57 Folder 14 A-E, 1948

Box 57 Folder 15 A-E, 1949

Box 57 Folder 16 A-E, 1950

Box 57 Folder 17 A-E, 1951

Box 57 Folder 18 A-E, 1952

Box 57 Folder 19 A-E, 1953

Box 57 Folder 20 A-E, 1954

Box 57 Folder 21 A-E, 1955

Box 57 Folder 22 A-E, 1956

Box 57 Folder 23 A-E, 1957


Box 58 Folder 1 A-E, 1958

Box 58 Folder 2 A-C, 1959

Box 58 Folder 3 C-E, 1959

Box 58 Folder 4 A-C, 1960

Box 58 Folder 5 C-E, 1960

Box 58 Folder 6 A-C, 1961

Box 58 Folder 7 D-E, 1961

Box 58 Folder 8 A-B, 1962

Box 58 Folder 9 B-D, 1962

Box 58 Folder 10 D-E, 1962

Box 58 Folder 11 A-B, 1963

Box 58 Folder 12 B-C, 1963

Box 58 Folder 13 D-E, 1963

Box 58 Folder 14 A-B, 1964

Box 58 Folder 15 B-C, 1964

Box 58 Folder 16 D-E, 1964

Box 58 Folder 17 A-B, 1965


Box 59 Folder 1 B-C, 1965

Box 59 Folder 2 C-E, 1965

Box 59 Folder 3 A-B, 1966

Box 59 Folder 4 B-D, 1966

Box 59 Folder 5 D-E, 1966

Box 59 Folder 6 A-B, 1967

Box 59 Folder 7 B-C, 1967

Box 59 Folder 8 D-E, 1967

Box 59 Folder 9 A-B, 1968

Box 59 Folder 10 B-C, 1968

Box 59 Folder 11 D-E, 1968

Box 59 Folder 12 A-B, 1969

Box 59 Folder 13 B-C, 1969

Box 59 Folder 14 D-E, 1969

Box 59 Folder 15 A-B, 1970

Box 59 Folder 16 B, 1970


Box 60 Folder 1 B-C, 1970

Box 60 Folder 2 D-E, 1970

Box 60 Folder 3 A-B, 1971

Box 60 Folder 4 C, 1971

Box 60 Folder 5 D-E, 1971

Box 60 Folder 6 A-B, 1972

Box 60 Folder 7 B-C, 1972

Box 60 Folder 8 D-E, 1972

Box 60 Folder 9 A-B, 1973

Box 60 Folder 10 B-C, 1973

Box 60 Folder 11 C-E, 1973

Box 60 Folder 12 A-B, 1974

Box 60 Folder 13 B, 1974

Box 60 Folder 14 C, 1974

Box 60 Folder 15 D-E, 1974

Box 60 Folder 16 A-B, 1975

Box 60 Folder 17 C, 1975

Box 60 Folder 18 D-E, 1975


Box 61 Folder 1 A-B, 1976

Box 61 Folder 2 C-E, 1976

Box 61 Folder 3 A-B, 1977

Box 61 Folder 4 B-E, 1977

Box 61 Folder 5 A-C, 1978

Box 61 Folder 6 D-E, 1978

Box 61 Folder 7 A, 1979

Box 61 Folder 8 A-C, 1979

Box 61 Folder 9 D-E, 1979

Box 61 Folder 10 A-B, 1980

Box 61 Folder 11 B-E, 1980

Box 61 Folder 12 A-B, 1981

Box 61 Folder 13 C-E, 1981

Box 61 Folder 14 A-B, 1982

Box 61 Folder 15 C-E, 1982

Box 61 Folder 16 A-B, 1983


Box 62 Folder 1 B-C, 1983

Box 62 Folder 2 D-E, 1983

Box 62 Folder 3 A-B, 1984

Box 62 Folder 4 C, 1984

Box 62 Folder 5 D-E, 1984

Box 62 Folder 6 A-B, 1985

Box 62 Folder 7 C-E, 1985

Box 62 Folder 8 A-B, 1986

Box 62 Folder 9 C-E, 1986

Box 62 Folder 10 A-B, 1987

Box 62 Folder 11 C-E, 1987

Box 62 Folder 12 A-B, 1988

Box 62 Folder 13 B-C, 1988

Box 62 Folder 14 C-E, 1988

Box 62 Folder 15 A-B, 1989

Box 62 Folder 16 C-E, 1989


Box 63 Folder 1 A-E, circa, 1970s-1980s

Box 63 Folder 2 A-B, 1990

Box 63 Folder 3 B-C, 1990

Box 63 Folder 4 D-E, 1990

Box 63 Folder 5 A-B, 1991

Box 63 Folder 6 B-D, 1991

Box 63 Folder 7 D-E, 1991

Box 63 Folder 8 A-B, 1992

Box 63 Folder 9 C-E, 1992

Box 63 Folder 10 A-E, 1993

Box 63 Folder 11 A-B, 1994

Box 63 Folder 12 C-E, 1994

Box 63 Folder 13 A-B, 1995

Box 63 Folder 14 C-E, 1995

Box 63 Folder 15 A-C, 1996

Box 63 Folder 16 D-E, 1996

Box 63 Folder 17 A-E, 1997


Box 64 Folder 1 A-E, 1998

Box 64 Folder 2 A-E, 1999

Box 64 Folder 3 A-C, 2000

Box 64 Folder 4 D-E, 2000

Box 64 Folder 5 A-B, 2001

Box 64 Folder 6 B-E, 2001

Subseries: VI.3: F-L, 1943-2001

Box 64 Folder 7 F-L, 1943

Box 64 Folder 8 F-L, 1944

Box 64 Folder 9 F-L, 1945

Box 64 Folder 10 F-L, 1946

Box 64 Folder 11 F-L, 1947

Box 64 Folder 12 F-L, 1948

Box 64 Folder 13 F-L, 1949

Box 64 Folder 14 F-L, 1950

Box 64 Folder 15 F-L, 1951

Box 64 Folder 16 F-L, 1952

Box 64 Folder 17 F-L, 1953

Box 64 Folder 18 F-L, 1954

Box 64 Folder 19 F-L, 1955

Box 64 Folder 20 F-L, 1956


Box 65 Folder 1 F-L, 1957

Box 65 Folder 2 F-H, 1958

Box 65 Folder 3 H-L, 1958

Box 65 Folder 4 F-I, 1959

Box 65 Folder 5 J-L, 1959

Box 65 Folder 6 F-G, 1960

Box 65 Folder 7 H-L, 1960

Box 65 Folder 8 F-I, 1961

Box 65 Folder 9 J-L, 1961

Box 65 Folder 10 F-G, 1962

Box 65 Folder 11 H-I, 1962

Box 65 Folder 12 K-L, 1962

Box 65 Folder 13 F-G, 1963

Box 65 Folder 14 H-I, 1963

Box 65 Folder 15 J-K, 1963

Box 65 Folder 16 L, 1963


Box 66 Folder 1 F-G, 1964

Box 66 Folder 2 H-J, 1964

Box 66 Folder 3 K, 1964

Box 66 Folder 4 L, 1964

Box 66 Folder 5 F-G, 1965

Box 66 Folder 6 H-K, 1965

Box 66 Folder 7 K-L, 1965

Box 66 Folder 8 L, 1965

Box 66 Folder 9 F-G, 1966

Box 66 Folder 10 G-J, 1966

Box 66 Folder 11 K, 1966

Box 66 Folder 12 L, 1966

Box 66 Folder 13 F-G, 1967

Box 66 Folder 14 H-J, 1967

Box 66 Folder 15 K, 1967

Box 66 Folder 16 L, 1967


Box 67 Folder 1 F-G, 1968

Box 67 Folder 2 H-J, 1968

Box 67 Folder 3 K, 1968

Box 67 Folder 4 L, 1968

Box 67 Folder 5 F-G, 1969

Box 67 Folder 6 H-J, 1969

Box 67 Folder 7 J-K, 1969

Box 67 Folder 8 L, 1969

Box 67 Folder 9 F-G, 1970

Box 67 Folder 10 G-H, 1970

Box 67 Folder 11 H-J, 1970

Box 67 Folder 12 K, 1970

Box 67 Folder 13 L, 1970

Box 67 Folder 14 F-G, 1971

Box 67 Folder 15 G-H, 1971

Box 67 Folder 16 I-K, 1971

Box 67 Folder 17 L, 1971


Box 68 Folder 1 F-G, 1972

Box 68 Folder 2 H-J, 1972

Box 68 Folder 3 K-L, 1972

Box 68 Folder 4 F-G, 1973

Box 68 Folder 5 H-J, 1973

Box 68 Folder 6 K-L, 1973

Box 68 Folder 7 F-G, 1974

Box 68 Folder 8 G-H, 1974

Box 68 Folder 9 I-K, 1974

Box 68 Folder 10 L, 1974

Box 68 Folder 11 F-G, 1975

Box 68 Folder 12 G-J, 1975

Box 68 Folder 13 K-L, 1975

Box 68 Folder 14 F-G, 1976

Box 68 Folder 15 H-J, 1976

Box 68 Folder 16 K-L, 1976

Box 68 Folder 17 F-G, 1977


Box 69 Folder 1 H-J, 1977

Box 69 Folder 2 K-L, 1977

Box 69 Folder 3 F-G, 1978

Box 69 Folder 4 H-J, 1978

Box 69 Folder 5 K-L, 1978

Box 69 Folder 6 F-G, 1979

Box 69 Folder 7 H-L, 1979

Box 69 Folder 8 F-G, 1980

Box 69 Folder 9 H-J, 1980

Box 69 Folder 10 K-L, 1980

Box 69 Folder 11 F-G, 1981

Box 69 Folder 12 H-J, 1981

Box 69 Folder 13 K-L, 1981

Box 69 Folder 14 F-G, 1982

Box 69 Folder 15 H-J, 1982

Box 69 Folder 16 K-L, 1982

Box 69 Folder 17 F-G, 1983

Box 69 Folder 18 H-J, 1983


Box 70 Folder 1 K-L, 1983

Box 70 Folder 2 F-G, 1984

Box 70 Folder 3 H-I, 1984

Box 70 Folder 4 J-L, 1984

Box 70 Folder 5 F-H, 1985

Box 70 Folder 6 I-L, 1985

Box 70 Folder 7 F-G, 1986

Box 70 Folder 8 H-K, 1986

Box 70 Folder 9 K-L, 1986

Box 70 Folder 10 F-G, 1987

Box 70 Folder 11 H-J, 1987

Box 70 Folder 12 K-L, 1987

Box 70 Folder 13 F-G, 1988

Box 70 Folder 14 H-J, 1988

Box 70 Folder 15 K-L, 1988


Box 71 Folder 1 F-J, 1989

Box 71 Folder 2 K-L, 1989

Box 71 Folder 3 F-L, circa, 1970s-1980s

Box 71 Folder 4 F-G, 1990

Box 71 Folder 5 H-J, 1990

Box 71 Folder 6 K-L, 1990

Box 71 Folder 7 F-G, 1991

Box 71 Folder 8 H-J, 1991

Box 71 Folder 9 K-L, 1991

Box 71 Folder 10 F-J, 1992

Box 71 Folder 11 K-L, 1992

Box 71 Folder 12 F-L, 1993

Box 71 Folder 13 F-H, 1994

Box 71 Folder 14 I-L, 1994

Box 71 Folder 15 F-G, 1995

Box 71 Folder 16 H-L, 1995

Box 71 Folder 17 F-J, 1996


Box 72 Folder 1 K-L, 1996

Box 72 Folder 2 F-L, 1997

Box 72 Folder 3 F-L, 1998

Box 72 Folder 4 F-L, 1999

Box 72 Folder 5 F-H, 2000

Box 72 Folder 6 I-L, 2000

Box 72 Folder 7 F-H, 2001

Box 72 Folder 8 I-L, 2001

Subseries: VI.4: M-R, 1943-2001

Box 72 Folder 9 M-R, 1943

Box 72 Folder 10 M-R, 1944

Box 72 Folder 11 M-R, 1945

Box 72 Folder 12 M-R, 1946

Box 72 Folder 13 M-R, 1947

Box 72 Folder 14 M-R, 1948

Box 72 Folder 15 M-R, 1949

Box 72 Folder 16 M-R, 1950

Box 72 Folder 17 M-R, 1951

Box 72 Folder 18 M-R, 1952

Box 72 Folder 19 M-R, 1953

Box 72 Folder 20 M-R, 1954

Box 72 Folder 21 M-R, 1955

Box 72 Folder 22 M-R, 1956

Box 72 Folder 23 M-R, 1957


Box 73 Folder 1 M-R, 1958

Box 73 Folder 2 M-O, 1959

Box 73 Folder 3 P-R, 1959

Box 73 Folder 4 M-N, 1960

Box 73 Folder 5 O-R, 1960

Box 73 Folder 6 M-P, 1961

Box 73 Folder 7 R, 1961

Box 73 Folder 8 M-N, 1962

Box 73 Folder 9 O-R, 1962

Box 73 Folder 10 M, 1963

Box 73 Folder 11 O-R, 1963

Box 73 Folder 12 M-N, 1964

Box 73 Folder 13 O-P, 1964

Box 73 Folder 14 R, 1964

Box 73 Folder 15 M-O, 1965

Box 73 Folder 16 P-R, 1965

Box 73 Folder 17 M, 1966


Box 74 Folder 1 N-Q, 1966

Box 74 Folder 2 R, 1966

Box 74 Folder 3 M, 1967

Box 74 Folder 4 N-P, 1967

Box 74 Folder 5 R, 1967

Box 74 Folder 6 M, 1968

Box 74 Folder 7 M-P, 1968

Box 74 Folder 8 P-R, 1968

Box 74 Folder 9 R, 1968

Box 74 Folder 10 M, 1969

Box 74 Folder 11 N-P, 1969

Box 74 Folder 12 Q-R, 1969

Box 74 Folder 13 M, 1970

Box 74 Folder 14 M-O, 1970

Box 74 Folder 15 P-R, 1970

Box 74 Folder 16 R, 1970

Box 74 Folder 17 M-O, 1971

Box 74 Folder 18 P-R, 1971


Box 75 Folder 1 M-N, 1972

Box 75 Folder 2 O-R, 1972

Box 75 Folder 3 M-N, 1973

Box 75 Folder 4 O-R, 1973

Box 75 Folder 5 M, 1974

Box 75 Folder 6 N-P, 1974

Box 75 Folder 7 R, 1974

Box 75 Folder 8 M-N, 1975

Box 75 Folder 9 O-R, 1975

Box 75 Folder 10 M-O, 1976

Box 75 Folder 11 P-R, 1976

Box 75 Folder 12 M-P, 1977

Box 75 Folder 13 Q-R, 1977

Box 75 Folder 14 M-O, 1978

Box 75 Folder 15 P-R, 1978

Box 75 Folder 16 M-O, 1979

Box 75 Folder 17 P-R, 1979


Box 76 Folder 1 M-O, 1980

Box 76 Folder 2 P-R, 1980

Box 76 Folder 3 M-O, 1981

Box 76 Folder 4 P-R, 1981

Box 76 Folder 5 M-O, 1982

Box 76 Folder 6 P-R, 1982

Box 76 Folder 7 M-N, 1983

Box 76 Folder 8 O-R, 1983

Box 76 Folder 9 M-O, 1984

Box 76 Folder 10 P-R, 1984

Box 76 Folder 11 M-R, 1985

Box 76 Folder 12 M, 1986

Box 76 Folder 13 N-Q, 1986

Box 76 Folder 14 R, 1986

Box 76 Folder 15 M-O, 1987

Box 76 Folder 16 P-R, 1987


Box 77 Folder 1 M-N, 1988

Box 77 Folder 2 O-P, 1988

Box 77 Folder 3 Q-R, 1988

Box 77 Folder 4 M-O, 1989

Box 77 Folder 5 P-R, 1989

Box 77 Folder 6 to 7 M-R, circa, 1970s-1980s, (2 Folders)

Box 77 Folder 8 M, 1990

Box 77 Folder 9 N-Q, 1990

Box 77 Folder 10 R, 1990

Box 77 Folder 11 M-N, 1991

Box 77 Folder 12 O-R, 1991

Box 77 Folder 13 M-O, 1992

Box 77 Folder 14 P-R, 1992

Box 77 Folder 15 M-R, 1993

Box 77 Folder 16 M-N, 1994

Box 77 Folder 17 O-R, 1994

Box 77 Folder 18 M-N, 1995

Box 77 Folder 19 O-R, 1995


Box 78 Folder 1 M-R, 1996

Box 78 Folder 2 M-N, 1997

Box 78 Folder 3 O-R, 1997

Box 78 Folder 4 M-R, 1998

Box 78 Folder 5 M-R, 1999

Box 78 Folder 6 M-O, 2000

Box 78 Folder 7 P-R, 2000

Box 78 Folder 8 M-R, 2001

Subseries: VI.5: S-Z, 1943-2001

Box 78 Folder 9 S-Z, 1943

Box 78 Folder 10 S-Z, 1944

Box 78 Folder 11 S-Z, 1945

Box 78 Folder 12 S-Z, 1946

Box 78 Folder 13 S-Z, 1947

Box 78 Folder 14 S-Z, 1948

Box 78 Folder 15 S-Z, 1949

Box 78 Folder 16 S-Z, 1950

Box 78 Folder 17 S-Z, 1951

Box 78 Folder 18 S-Z, 1952

Box 78 Folder 19 S-Z, 1953

Box 78 Folder 20 S-Z, 1954

Box 78 Folder 21 S-Z, 1955

Box 78 Folder 22 S-Z, 1956

Box 78 Folder 23 S-Z, 1957

Box 78 Folder 24 S-Z, 1958


Box 79 Folder 1 S, 1959

Box 79 Folder 2 T-Z, 1959

Box 79 Folder 3 S-T, 1960

Box 79 Folder 4 T-Z, 1960

Box 79 Folder 5 S-T, 1961

Box 79 Folder 6 U-Z, 1961

Box 79 Folder 7 S, 1962

Box 79 Folder 8 T-V, 1962

Box 79 Folder 9 V-Z, 1962

Box 79 Folder 10 S, 1963

Box 79 Folder 11 S-T, 1963

Box 79 Folder 12 T-W, 1963

Box 79 Folder 13 W-Z, 1963

Box 79 Folder 14 S, 1964

Box 79 Folder 15 T-Z, 1964

Box 79 Folder 16 S, 1965

Box 79 Folder 17 T-V, 1965

Box 79 Folder 18 W-Z, 1965


Box 80 Folder 1 S-T, 1966

Box 80 Folder 2 U-Z, 1966

Box 80 Folder 3 S, 1967

Box 80 Folder 4 T-V, 1967

Box 80 Folder 5 W-Z, 1967

Box 80 Folder 6 S, 1968

Box 80 Folder 7 S-T, 1968

Box 80 Folder 8 V-Z, 1968

Box 80 Folder 9 S, 1969

Box 80 Folder 10 T-W, 1969

Box 80 Folder 11 W-Z, 1969

Box 80 Folder 12 S, 1970

Box 80 Folder 13 S-T, 1970

Box 80 Folder 14 U-Z, 1970

Box 80 Folder 15 S, 1971

Box 80 Folder 16 T-Z, 1971


Box 81 Folder 1 S, 1972

Box 81 Folder 2 T-Z, 1972

Box 81 Folder 3 S, 1973

Box 81 Folder 4 T-Z, 1973

Box 81 Folder 5 S, 1974

Box 81 Folder 6 S-T, 1974

Box 81 Folder 7 V-Z, 1974

Box 81 Folder 8 S, 1975

Box 81 Folder 9 S-V, 1975

Box 81 Folder 10 W-Z, 1975

Box 81 Folder 11 S, 1976

Box 81 Folder 12 T-Z, 1976

Box 81 Folder 13 S-T, 1977

Box 81 Folder 14 V-Z, 1977

Box 81 Folder 15 S-Z, 1978

Box 81 Folder 16 S, 1979

Box 81 Folder 17 T-Z, 1979


Box 82 Folder 1 S, 1980

Box 82 Folder 2 T-Z, 1980

Box 82 Folder 3 S, 1981

Box 82 Folder 4 T-Z, 1981

Box 82 Folder 5 S, 1982

Box 82 Folder 6 T-Z, 1982

Box 82 Folder 7 S, 1983

Box 82 Folder 8 T-Z, 1983

Box 82 Folder 9 S, 1984

Box 82 Folder 10 T-Z, 1984

Box 82 Folder 11 S-T, 1985

Box 82 Folder 12 U-Z, 1985

Box 82 Folder 13 S, 1986

Box 82 Folder 14 T-Z, 1986

Box 82 Folder 15 S-T, 1987

Box 82 Folder 16 U-Z, 1987

Box 82 Folder 17 S, 1988


Box 83 Folder 1 T-V, 1988

Box 83 Folder 2 W-Z, 1988

Box 83 Folder 3 S-T, 1989

Box 83 Folder 4 U-Z, 1989

Box 83 Folder 5 S-Z, circa, 1970s-1980s

Box 83 Folder 6 S, 1990

Box 83 Folder 7 S-T, 1990

Box 83 Folder 8 U-Z, 1990

Box 83 Folder 9 S, 1991

Box 83 Folder 10 T-Z, 1991

Box 83 Folder 11 S-Z, 1992

Box 83 Folder 12 S-Z, 1993

Box 83 Folder 13 S-T, 1994

Box 83 Folder 14 U-Z, 1994

Box 83 Folder 15 S-T, 1995

Box 83 Folder 16 U-Z, 1995

Box 83 Folder 17 S-Z, 1996

Box 83 Folder 18 S-Z, 1997

Box 83 Folder 19 S-Z, 1998


Box 84 Folder 1 S-Z, 1999

Box 84 Folder 2 S-Z, 2000

Box 84 Folder 3 S-Z, 2001

Subseries: VI.6: Group Exhibitions, 1945-2001

Box 84 Folder 4 1945

Box 84 Folder 5 1946

Box 84 Folder 6 1947

Box 84 Folder 7 1948

Box 84 Folder 8 1949

Box 84 Folder 9 1950

Box 84 Folder 10 to 11 1951, (2 Folders)

Box 84 Folder 12 1952

Box 84 Folder 13 1953

Box 84 Folder 14 1954

Box 84 Folder 15 1955

Box 84 Folder 16 1956

Box 84 Folder 17 to 18 1957, (2 Folders)


Box 85 Folder 1 1958

Box 85 Folder 2 to 3 1959, (2 Folders)

Box 85 Folder 4 to 5 1960, (2 Folders)

Box 85 Folder 6 to 7 1961, (2 Folders)

Box 85 Folder 8 to 9 1962, (2 Folders)

Box 85 Folder 10 to 11 1963, (2 Folders)

Box 85 Folder 12 to 15 1964, (4 Folders)

Box 85 Folder 16 1965


Box 86 Folder 1 to 3 1965, (3 Folders)

Box 86 Folder 4 to 7 1966, (4 Folders)

Box 86 Folder 8 to 11 1967, (4 Folders)

Box 86 Folder 12 to 15 1968, (4 Folders)

Box 86 Folder 16 1969


Box 87 Folder 1 to 4 1969, (4 Folders)

Box 87 Folder 5 Circa, 1960s

Box 87 Folder 6 to 10 1970, (5 Folders)

Box 87 Folder 11 to 14 1971, (4 Folders)

Box 87 Folder 15 to 16 1972, (2 Folders)


Box 88 Folder 1 to 2 1972, (2 Folders)

Box 88 Folder 3 to 7 1973, (5 Folders)

Box 88 Folder 8 to 12 1974, (5 Folders)

Box 88 Folder 13 to 16 1975, (4 Folders)


Box 89 Folder 1 to 4 1976, (4 Folders)

Box 89 Folder 5 to 8 1977, (4 Folders)

Box 89 Folder 9 to 12 1978, (4 Folders)

Box 89 Folder 13 to 16 1979, (4 Folders)


Box 90 Folder 1 to 3 1980, (3 Folders)

Box 90 Folder 4 to 9 1981, (6 Folders)

Box 90 Folder 10 to 15 1982, (6 Folders)


Box 91 Folder 1 to 5 1983, (5 Folders)

Box 91 Folder 6 to 10 1984, (5 Folders)

Box 91 Folder 11 to 12 1985, (2 Folders)

Box 91 Folder 13 to 14 1986, (2 Folders)


Box 92 Folder 1 to 3 1986, (3 Folders)

Box 92 Folder 4 to 7 1987, (4 Folders)

Box 92 Folder 8 to 10 1988, (3 Folders)

Box 92 Folder 11 to 14 1989, (4 Folders)


Box 93 Folder 1 to 2 Circa, 1970s-1980s

Box 93 Folder 3 to 8 1990, (6 Folders)

Box 93 Folder 9 to 11 1991, (3 Folders)

Box 93 Folder 12 to 14 1992, (3 Folders)

Box 93 Folder 15 1993


Box 94 Folder 1 to 2 1994, (2 Folders)

Box 94 Folder 3 to 4 1995, (2 Folders)

Box 94 Folder 5 to 6 1996, (2 Folders)

Box 94 Folder 7 to 8 1997, (2 Folders)

Box 94 Folder 9 to 10 1998, (2 Folders)

Box 94 Folder 11 to 12 1999, (2 Folders)

Box 94 Folder 13 to 14 2000, (2 Folders)

Box 94 Folder 15 to 16 2001, (2 Folders)

Subseries: VI.7: Oversize


Box 95 Folder 1 1940-1959

Box 95 Folder 2 1960-1965

Box 95 Folder 3 1966-1967

Box 95 Folder 4 1968-1969


Box 96 Folder 1 1970-1972

Box 96 Folder 2 1973-1975

Box 96 Folder 3 1976-1979

Box 96 Folder 4 Circa, 1970s-1980s


Box 97 Folder 1 1980-1985

Box 97 Folder 2 1986-1989

Box 97 Folder 3 1990-1995

Box 97 Folder 4 1996-2001

Subseries VI.8: Index to Meyer Schapiro's collection of gallery announcements


Box 693 Index cards to Meyer Schapiro's collection of gallery announcements: A-G


Box 694 Index cards to Meyer Schapiro's collection of gallery announcements: H-Pougn


Box 695 Index cards to Meyer Schapiro's collection of gallery announcements: Pougr-Z

Series VII: Sound and video recordings, 1952-1990s

Series VII chiefly houses a substantial set Schapiro's recorded lectures from the 1950s through the 1980s. It also includes a video recording created in 1988 by the Metropolitan Museum of Art which incorporates sound from Schapiro's lecture "The unity of Picasso's art" with images from the museum's permanent collection.

Subseries: VII.1: Administrative records, 1985-1990s

The administrative records housed in this subseries are related to the sound recordings found in Subseries VII.2. Prior to Columbia University's custodianship of Schapiro's sound recordings of his lectures, he donated his collection of audiotapes to the Metropolitan Museum of Art. The records in this subseries document the history of the museum's custodianship of the recordings in the form of correspondence, inventories and lists that were generated by the Office of Film and Television of The Metropolitan Museum of Art. There is also a small volume of records relating to the video recording "The unity of Picasso's art" which is housed in Subseries: VII.3.

Sound recordings

(Prior to Columbia University's custodianship of Schapiro's sound recordings of his lectures, he donated his collection audiotapes to the Metropolitan Museum of Art. All the following files deal with that initial gift to the museum. )


Box 395 Folder 1 Contracts and correspondence, 1985-1986

Box 395 Folder 2 Correspondence and notes, 1982-1986

Box 395 Folder 3 Notes, 1985-1986

Box 395 Folder 4 to 8 Lists and notes, 1983-1990, (5 Folders)


Box 396 Folder 1 to 2 Inventories, 1980s, (2 Folders)

Video recordings

(Administrative records dealing with the producers Gittelman Film Associates)

Box 396 Folder 3 to 4 Correspondence and notes, 1985-1996

General

Box 396 Folder 5 Meyer Schapiro's film and television appearances -- Lists, 1990s

Subseries: VII.2: Audiocassettes and Audiotapes, 1952-1982

Known for his vivid and lively lectures, these sound recordings document Schapiro's lectures that were delivered from 1952 to 1982. These recordings also demonstrate Schapiro's extemporaneous style and pedagogical method and add an aural dimension to the archival documents relating to Schapiro's lectures in Series III of this collection.

Prior to being housed at Columbia University, the Metropolitan Museum of Art held custody of these sound recordings. During their custodianship, the museum reformatted the audio into audiocassettes to facilitate access to the material. This subseries includes both one set of the duplicated audiocassettes created by the museum and the original audiotapes.

For lecture titles, locations, and dates, both the inventories created by the Metropolitan Museum of Art in the 1980s and the archival material housed in Series III: Professional papers, Subseries: III.3: Lectures were used against each other to fact check annotations found on the audiotape reels. The data used in this subseries reflects a systemization that incorporates elements from all primary sources and remains consistent with descriptive data relating to lectures found in Series III. For instances where the sound recording is the only record in the collection, titles were supplied from actual boxes holding the audio tape reels.

All sound recordings in this subseries that contain archival material in Series III are indicated after the lecture's title and are also cross-referenced with lecture material in Series III.

Preservation notes following the title of the recordings were retrieved from the inventories and condition reports the Metropolitan Museum of Art created in the 1980s. Unless otherwise noted, all sound tape reels are the standard ¼ inch width and sound cassettes are 3 7/8 x 2 1/2 inch.

Leonardo: the scientist and artist -- Cooper Union for the Advancement of Science and Art --, 1952 August

Access digital content: Leonardo: the scientist and artist -- Cooper Union for the Advancement of Science and Art --, 1952 August

(Quality of recording is poor, with echoes and noises. Reels 415 through 417 are copies of reels 413 through 414. Reels 415 through 417 are in very poor condition. Sound quality is fair. There is an echo in the introductory sections, but it clears up for the lecture. Professor is off microphone sometimes.)


Box 413-414 2 sound tape reels, 103 minute, analogue, 9.5 centimeters per second


Box 415-417 3 sound tape reels, analogue, 9.5 centimeters per second and 19 centimeters per second


Box 397 2 sound cassettes, 103 minutes, analogue, mono

Three poems, Sarah Jackson to Meyer Schapiro, 1956

Access digital content: Three poems, Sarah Jackson to Meyer Schapiro, 1956
Access digital content: Three poems, Sarah Jackson to Meyer Schapiro

(Reel begins with introduction on abstract art, but abruptly is replaced by poems by Sarah Jackson.)


Box 418 1 sound tape reel, 22 minutes, analogue, 19 centimeters per second


Box 397 1 sound cassette, 22 minutes,analogue, mono

Abstract art -- Houston, Texas -- Unidentified art convention --, 1957 April

Access digital content: Abstract art -- Houston, Texas -- Unidentified art convention --, 1957 April

(Good sound quality throughout.)


Box 419-420 2 sound tape reels -- 58 minutes, analogue, 19 centimeters per second


Box 397 1 sound cassette, 58 minutes, analogue, mono

Theory of expression -- Warburg Institute, 1957 June

Access digital content: Theory of expression -- Warburg Institute, 1957 June

(The lecture is incomplete; the sound disappears at the end. Some sections at the beginning are recorded in fast forward, but this clears up as the tape continues.)


Box 421 1 sound tape reel, 53 minutes, analogue, 9.5 centimeters per second


Box 397 1 sound cassette, 53 minutes, analogue, mono

Monet and Impressionism -- Minneapolis School of Art, 1957 November 14

Access digital content: Monet and Impressionism -- Minneapolis School of Art, 1957 November 14

(Sound quality is good, although professor occasionally off microphone.)


Box 422 1 sound tape reel, 70 minutes, analogue, 19 centimeters per second, 2 track)


Box 397 1 sound cassette, 70 minutes, analogue, mono

From pagan to Early Christian art -- Metropolitan Museum of Art (New York, N.Y.),, 1958 January 9-30

(Lecture I is incomplete, sound fades out. Sound quality of lectures II through IV is good)

Lecture I: symbols

Access digital content: Lecture I: symbols

Box 423 1 sound tape reels, 32 minutes, analogue, 19 centimeters per second


Box 397 2 sound cassettes, 32 minutes each, analogue, mono

Lecture II: figure/image of man

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Box 424-425 2 sound tape reels, 66 minutes, analogue, 19 centimeters per second


Box 397 1 sound cassette, 66 minutes, analogue, mono

Lecture III: light and color

Access digital content: Lecture III: light and color

Box 426-428 2 sound tape reels, 75 minutes, analogue, 19 centimeters per second


Box 397 1 sound cassette, 75 minutes, analogue, mono

Lecture IV: word

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Box 428-429 2 sound tape reels, 95 minutes analogue, 19 centimeters per second


Box 397 1 sound cassette, 75 minutes, analogue, mono

Abstract art : abstraction -- Southern Illinois University Carbondale,, 1958 February 3

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(Some distortion occurs throughout the lecture, there is a lot of audience and static noise. The end of the lecture is cut off.)


Box 430 1 sound tape reel, 32 minutes, analogue, 19 centimeters per second


Box 397 1 sound cassette, 32 minutes, analogue, mono

Philosophy in painting -- Baltimore, Maryland, 1958 April

Access digital content: Philosophy in painting -- Baltimore, Maryland, 1958 April

(At the beginning, Schapiro's voice seems extremely high pitched. It then becomes more natural, but still higher pitched than normal.)


Box 431 1 sound tape reel, 74 minutes, analogue, 9.5 centimeters per second


Box 397 1 sound cassette, 74 minutes, analogue, mono

Philosophy in painting -- University of Texas --, 1960

Access digital content: Philosophy in painting -- University of Texas --, 1960

(These reels contain programs number 2 and 3 of the lecture, program number 1 is missing. Beginning is cut off, and the professor is often off microphone. There is a slight high-pitched whine present throughout the tape.)


Box 432-433 2 sound tape reels, 40 minutes, analogue, 19 centimeters per second, 1 track


Box 397 1 sound cassette, 40 minutes, analogue, mono

Abstract art -- Cornell University --, 1960 April 21-28

(Sound quality overall for series is good, however small parts of the lectures are missing when reels were being changed. Lectures where given April 21-28, 1960. Lecture IV was not recorded. There is a small part of lecture V between parts b and c that is not recorded)

Lecture I: Concept of abstraction in art

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Box 434-435 2 sound tape reels, 64 minutes, analogue, 19 centimeters per second


Box 398 2 sound cassettes, 64 minutes, analogue, mono

Lecture II: Post-World War II abstraction

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Box 436-437 2 sound tape reels, 66 minutes, analogue, 19 centimeters per second


Box 398 2 sound cassettes, 66 minutes, analogue, mono

Lecture III: Cubist painting and its development (Picasso, Braque, Gris)

Access digital content: Lecture III: Cubist painting and its development (Picasso, Braque, Gris)

Box 438-440 3 sound tape reels, 72 minutes, analogue, 19 centimeters per second


Box 398 3 sound cassettes, 72 minutes, analogue, mono

Lecture V: Art and contemporary science

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Box 441-443 3 sound tape reels, 86 minutes, analogue, 19 centimeters per second


Box 398 3 sound cassettes, 86 minutes, analogue, mono

Lecture VI: Social roots of abstract art

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Box 444-447 4 sound tape reels, 63 minutes, analogue, 19 centimeters per second


Box 398 3 sound cassettes, 63 minutes, analogue, mono

Romanesque sculpture (Fine Arts 154a) -- Columbia University -- 1960 February - March, 1960 February

Access digital content: Romanesque sculpture (Fine Arts 154a) -- Columbia University -- 1960 February - March, 1960 February

(Lectures are complete, but overall sound quality is mixed. Professor is often off microphone, and there is audience noise)


Box 448-452, 648 6 sound tape reels, 534 minutes, analogue, 9.5 centimeters per second


Box 398 9 sound cassettes, 534 minutes, analogue, mono

Impressionism -- Patten lectures -- Indiana University --, 1961 March 1-27

(All lectures are complete and overall sound quality is good. There is some noise at beginning of lecture I, but it clears up fairly quickly. There is some difficulty with lecture V which has a hum sound throughout the lecture, the voice is audible but the sound is poor)

Lecture I: the Impressionist eye

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Box 453-455 3 sound tape reels, 61 minutes, analogue, 19 centimeters per second


Box 399 1 sound cassette, 61 minutes, analogue, mono

Lecture II: the concept of Impressionism

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Box 456-458 3 sound tape reels, 100 minutes, analogue, 19 centimeters per second


Box 399 1 sound cassette, 100 minutes, analogue, mono

Lecture III: the Impressionist aesthetic and method

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Box 459-462 4 sound tape reels, 81 minutes, analogue, 19 centimeters per second


Box 399 1 sound cassette, 81 minutes, analogue, mono

Lecture IV: Impressionism and science

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Box 463-465 4 sound tape reels, 88 minutes, analogue, 19 centimeters per second


Box 399 1 sound cassette, 88 minutes, analogue, mono

Lecture V: Monet's development

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Box 466-468 3 sound tape reels, 72 minutes, analogue, 19 centimeters per second


Box 399 1 sound cassette, 72 minutes, analogue, mono

Lecture VI: Impressionism in history

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Box 469-473 5 sound tape reels, 137 minutes, analogue, 19 centimeters per second


Box 399 2 sound cassettes, 137 minutes, analogue, mono

Theories and methods of investigation of art (Art History G6001x) -- Lecture on "Style" -- Columbia University,, 1961 November 14

Access digital content: Theories and methods of investigation of art (Art History G6001x) -- Lecture on "Style" -- Columbia University,, 1961 November 14

(The beginning and end of the lecture are cut off. There is a lot of audience noise with an echo effect throughout the tape.)


Box 474 1 sound, 101 minutes, analogue, 9.5 centimeters per second


Box 399 2 sound cassettes, 101 minutes, analogue, mono

The mark and image of the individual in modern art -- Rutgers University --, 1962 March 13

Access digital content: The mark and image of the individual in modern art -- Rutgers University --, 1962 March 13

(The lecture is complete. There is some distortion, with varied sound levels, the voice is often off microphone, and there is a slight echo effect. Questions from the audience are hard to hear)


Box 475 1 sound tape reel, 89 minutes, analogue, 9.5 centimeters per second


Box 399 1 sound cassette, 89 minutes, analogue, mono

Russian art in the twentieth century -- Columbia University --, 1962 May 2

Access digital content: Russian art in the twentieth century -- Columbia University --, 1962 May 2

Box 476 1 sound tape reel, 66 minutes, analogue, 9.5 centimeters per second


Box 399 1 sound cassette, 66 minutes, analogue, mono

Early Medieval painting (Art History G4330x) -- Columbia University -- 1963 October - 1963 January, 1963 October, 1963 January

Access digital content: Early Medieval painting (Art History G4330x) -- Columbia University -- 1963 October - 1963 January, 1963 October

(Only reel found in Box 477 is recorded at normal speed, the others were recorded at a slow speed and are in very poor condition. Reformatted duplicates of reels found in Boxes 478 through 483 were produced at normal speed, and are now housed in Boxes 484 through 493. The sound quality of this series is very poor.)


Box 477-483 7 sound tape reels, 1257 minutes, analogue, 4.75 centimeters per second


Box 484-493 10 sound tape reel, 1257 minutes, analogue, 9.5 centimeters per second


Box 399-400 16 sound cassettes, 1257 minutes, analogue, mono

Impressionism (Art History G4630) -- Columbia University, 1964 May 18-25

(The beginning of all three lectures are complete, but the endings of lectures II and III are cut off. Sound quality is decent, but the professor is sometimes off microphone, and there is some audience noise. Questions from the audience are not audible.)

Lecture I

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Box 494 1 sound, 70 minutes, analogue, 9.5 centimeters per second


Box 400 1 sound cassette, 70 minutes, analogue, mono

Lecture II

Access digital content: Lecture II

Box 82 1 sound tape reel, 106 minutes, analogue, 9.5 centimeters per second


Box 4 2 sound cassettes, 106 minutes, analogue, mono

Lecture III

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Box 496 1 sound tape reel, 65 minutes, analogue, 9.5 centimeters per second


Box 400 1 sound cassette, 65 minutes, analogue, mono

Early Christian art -- Hebrew Union College --, 1965 January

(Beginning and ending of all lectures are complete. All cassettes have slight hum sound, and sound level varies. lecture III has a slight echo effect in some places. Extra lecture given at end of series on The Synagogue. Only the first four lectures were recorded)

Lecture I: symbol, the meanings of early Christian imagery

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Box 497 1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 400 2 sound cassettes, 102 minutes, analogue, mono

Lecture II: figure, the image of the sacred person

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Box 498 1 sound, 121 minutes, analogue, 9.5 centimeters per second


Box 400 2 sound cassettes, 121 minutes, analogue, mono

Lecture III: order, structure of the image

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Box 499 1 sound tape reel, 87 minutes analogue, 9.5 centimeters per second


Box 400 2 sound cassettes, 87 minutes, analogue, mono

Lecture IV: light, light and color in late classic and early Christian art

Access digital content: Lecture IV: light, light and color in late classic and early Christian art

Box 500 1 sound tape reel, 80 minutes, analogue, 9.5 centimeters per second


Box 400 2 sound cassettes, 80 minutes, analogue, mono

Modern painting since 1900 (Art History G4640y) -- Columbia University -- 1965 February - April, 1900, 1965 February

(Annotations on reel Boxes identify these lectures as "Twentieth Century Painting." The course title used here was identified from Columbia Univeristy course material found in Series III, Subseries: III.2, Sub-Subseries: III.2.1. According to the Metropolitan Museum of Art's inventory, several lectures are recorded on the same reel. As a result, reels are organized according to lecture. Beginnings of all lectures are intact except lecture V and IV. The ending of lecture IV is also cut off. Sound quality is poor on lectures II, III, V, VIII, andXIII. The sound quality is mixed on lectures IV and XIV. Sound disappears midway through side b of lectures IX and XIV. Some of the lectures in this series were on the following topics: The art of the 1880s and 1890s ; The art of the 1890s ; Themes of self-color-portraiture ; Marquet-Matisse ; Matisse continued ; Picasso and Cubism.)

Lecture I and XIII

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Access digital content: Lecture XIII

Box 501 1 sound tape reel, 107 minutes analogue, 9.5 centimeters per second, 4 track


Box 401 2 sound cassettes, 107 minutes, analogue, mono

Lecture II and XII

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Access digital content: Lecture XII

Box 502 1 sound tape reel, 107 minutes analogue, 9.5 centimeters per second


Box 401 2 sound cassettes, 107 minutes, analogue, mono

Lecture III and XI

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Access digital content: Lecture XI

Box 503 1 sound tape reel, 107 minutes analogue, 9.5 centimeters per second, 4 track


Box 401 1 sound cassettes, 107 minutes, analogue,

Lecture IV and X

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Access digital content: Lecture X

Box 504 1 sound tape reel, 113 minutes analogue, 9.5 centimeters per second


Box 401 2 sound cassettes, 113 minutes, analogue,

Lecture V


Box 505 1 sound tape reel, 54 minutes analogue, 9.5 centimeters per second, 2 track


Box 401 1 sound cassette, 54 minutes, analogue, mono

Lecture VI and VII

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Box 506 1 sound tape reel, 102 minutes, analogue, 4.75 centimeters per second


Box 401 2 sound cassette, 102 minutes, analogue,

Lecture VIII

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Box 507 1 sound tape reel, 59 minutes analogue, 9.5 centimeters per second


Box 401 1 sound cassettes, 59 minutes, analogue,

Lecture IX

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Box 508 1 sound tape reel, 57 minutes analogue, 9.5 centimeters per second


Box 401 1 sound cassettes, 57 minutes, analogue,

Lecture XIV

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Box 509 1 sound tape reel, 52 minutes analogue, 9.5 centimeters per second


Box 401 1 sound cassettes, 52 minutes, analogue,

Carolingian manuscripts -- Columbia University, 1966 January 3

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(There is a hum on the tape, making it difficult to hear the lecture. Sound quality is poor)


Box 510 1 sound tape reel, 56 minutes analogue, 9.5 centimeters per second


Box 402 2 sound cassettes, 56 minutes, analogue,

Guernica -- Harvard University, Carpenter Design Center --, 1966 December 15

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(Reels in Boxes 512 through 514 are duplicates of of the reel in Box 511. The lecture is complete. The voice is audible and clear but the sound level varies.)


Box 511-514 4 sound tape reels, 83 minutes analogue, 9.5 centimeters per second


Box 402 1 sound cassettes, 83 minutes, analogue,

The unity of Picasso's art -- Brandeis University --, 1967 April 11

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(Columbia University's Rare Book & Manuscript Library is not in the possession of original sound tape reels. Sound quality is good. Film of the lecture was made by The Metroplican Museum of Art in association with Gittelman Film Associates in 1985)

Box 402 2 sound cassettes, 98 minutes, analogue, mono

Romanesque architectural sculpture -- Charles Eliot Norton lectures -- Harvard University -- 1967 February 8 - March 28, 1967 February 8

(For consistency, lecture titles correspond to those in the posthumous publicationRomanesque architectural sculpture: The Charles Eliot Norton lectures.Chicago: University of Chicago Press, 2006. Lecture titles as they appeared in the Metropolitan Museum of Art's inventory: Lecture I: Rebirth of monumental sculpture in the West-disappearance and return ; Lecture II: Field, figure and frame (1) ; Lecture III: Field, figure and frame (2) ; Lecture IV: Programs of imagery-theemes of action and themes of state ; Lecture V: Programs of imagery-tradition, new reality and nature ; Lecture VI: The human figure ; Lecture VII: Romanesque animal imagery.)

Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth,, 1967 February 8

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Box 515 1 sound tape reel, 72 minutes, analogue, 9.5 centimeters per second, mono


Box 402 1 sound cassettes, 72 minutes, analogue,

Lecture II: field, figure, and frame, 1967 February 15

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Box 516 1 sound tape reel, 63 minutes, analogue, 9.5 centimeters per second, mono


Box 402 peb1 sound cassette, 63 minutes, analogue, mono

Lecture III: field, figure, and frame, 1967 March 8

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Box 517 1 sound tape reel, 88 minutes, analogue, 9.5 centimeters per second, mono


Box 402 1 sound cassettes, 88 minutes, analogue,

Lecture IV: programs of imagery (i), 1967 March 11

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Box 518 1 sound tape reel, 79 minutes, analogue, 9.5 centimeters per second, mono


Box 402 1 sound cassettes, 79 minutes, analogue,

Lecture V: programs of imagery (ii), 1967 March 15

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Box 519 1 sound tape reel, 82 minutes, analogue, 9.5 centimeters per second, mono


Box 402 1 sound cassettes, 82 minutes, analogue,

Lecture VI: the human figure, 1967 March 22

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Box 520 1 sound tape reel, 91 minutes, analogue, 9.5 centimeters per second, mono


Box 402 2 sound cassettes, 91 minutes, analogue,

Lecture VII: animal imagery in Romanesque sculpture, 1967 March

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Box 521 1 sound tape reel, 82 minutes, analogue, 9.5 centimeters per second, mono


Box 402 1 sound cassettes, 82 minutes, analogue,

On drawing from the figure -- New York Studio School of Drawing, Painting and Sculpture --, 1967 May 26

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Box 522 1 sound tape reel, 110 minutes, analogue, 9.5 centimeters per second, mono


Box 402 5 sound cassettes, 110 minutes, analogue,

Abstract painting (Art History G4641x) -- Columbia University -- 1967 October - December, 1968 January, 1967 October, 1968 January

(All the lectures are complete except for lecture II where the second half of the lecture was not recorded, and lecture XII where the sound disappears. Sound quality of these lectures is mixed)

Lecture I: introduction, 1967 October 4

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Box 523 1 sound tape reel, 70 minutes, analogue, 9.5 centimeters per second


Box 403 1 sound cassettes, 70 minutes, analogue,

Lecture II: meaning of "abstract" preconditions for Abstract painting,, 1967 October 11

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Box 524 1 sound tape reel, 50 minutes, analogue, 9.5 centimeters per second


Box 403 1 sound cassettes, 50 minutes, analogue,

Lecture III: Preconditions for Abstract painting continued and art preceding abstraction -- Annotated typescript and outlines,, 1967 October 18

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Box 525 1 sound tape reel, 42 minutes, analogue, 9.5 centimeters per second


Box 403 1 sound cassettes, 42 minutes, analogue,

Lecture IV: themes in art preceding abstraction (1870-1910), 1967 October 25

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Box 526 1 sound tape reel, 94 minutes, analogue, 9.5 centimeters per second


Box 403 2 sound cassettes, 94 minutes, analogue,

Lecture V: role of photography and introduction to Cubism, 1967 November 1

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Box 527 1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 403 2 sound cassettes, 104 minutes, analogue,

Lecture VI: Picasso before Cubism, the Fauves, 1967 November 8

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Box 528 1 sound tape reel, 99 minutes, analogue, 9.5 centimeters per second


Box 403 2 sound cassettes, 99 minutes, analogue,

Lecture VII: Cubism, Picasso and Braque, 1967 November 15


Box 529 1 sound, 93 minutes, analogue, 9.5 centimeters per second


Box 403 2 sound cassettes, 93 minutes, analogue,

Lecture VIII: Cubism, 1967 November 22

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Box 530 1 sound tape reel, 100 minutes, analogue, 9.5 centimeters per second


Box 403 2 sound cassettes, 100 minutes, analogue,

Lecture IX: developments from Cubism, simultaneity, and the concept of time in painting,, 1967 November 29

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Box 531-532 2 sound tape reels, 108 minutes each, analogue, 9.5 centimeters per second


Box 403 2 sound cassettes, 108 minutes, analogue,

Lecture X: development of Cubism: France and Italy, 1967 December 6

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Box 533-534 2 sound tape reels, 103 minutes each, analogue, 9.5 centimeters per second


Box 403 2 sound cassettes, 103 minutes, analogue,

Lecture XI: Futurism, Russia, and Suprematism, 1967 December 13

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Box 535 1 sound tape reel, 106 minutes, analogue, 9.5 centimeters per second


Box 403 2 sound cassettes, 106 minutes, analogue,

Lecture XII: Suprematism and German Expressionism, 1967 December 20

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Box 536 1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 403 2 sound cassettes, 102 minutes, analogue,

Lecture XIII: Kandinsky and Mondrian, 1968 January 10

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Box 537-538 2 sound tape reels, 136 minutes each, analogue, 9.5 centimeters per second


Box 403 3 sound cassettes, 136 minutes, analogue,

Lecture XIV: developments from Cubism in America, 1968 January 17

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Box 539-540 2 sound tape reels, 109 minutes each, analogue, 9.5 centimeters per second


Box 403 2 sound cassettes, 109 minutes, analogue,

Lecture XV: American Abstract art -- Annotated typescript, 1968 January 24

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Box 541-542 2 sound tape reels, analogue, 9.5 centimeters per second

Abstract art -- Slade Lectures in the Fine Arts -- Oxford University -- 1968 Spring, 1968

(Sound quality for this entire series is poor. Only lectures III, VI, and VII are complete. The beginnings and endings are cut off on lectures I and II. The endings are cut off on lectures VI through VI.)

Lecture I: modern Abstract art: its continuity with preceding realistic art,, 1968 May 3

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Box 543 1 sound tape reel, 7 minutes, analogue, 19 centimeters per second


Box 404 1 sound cassettes, 7 minutes, analogue, mono

Lecture II: Cubism (i), 1968 May 8

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(Annotations indicate that Lecture I is included in this reel even though the Metropolitan Museum of Art inventory does not)


Box 544 1 sound tape reel, 130 minutes, analogue, 19 centimeters per second, 2 track


Box 404 1 sound cassettes, 67 minutes, analogue,

Lecture III: Cubism (ii), 1968 May 15


Box 544 1 sound tape reel, 130 minutes, analogue, 19 centimeters per second, 2 track


Box 404 1 sound cassettes, 63 minutes, analogue,

Lecture IV: Cubism and science, 1968 May 22

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Box 545 1 sound tape reel, 114 minutes, analogue, 19 centimeters per second, 2 track


Box 404 1 sound cassettes, 76 minutes, analogue,

Lecture V: Cubism and technology, 1968 May 22

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Box 545 1 sound tape reel, 114 minutes, analogue, 19 centimeters per second, 2 track)


Box 404 1 sound cassettes, 38 minutes, analogue,

Lecture VI: Abstract painting: Malevich and Mondrian, 1968 May 24

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Box 546 1 sound tape reel, 34 minutes, analogue, 19 centimeters per second


Box 547 1 sound tape reel, analogue, 9.5 centimeters per second


Box 404 1 sound cassettes, 34 minutes, analogue,

Lecture VII: Abstract painting: Kandinsky, 1968 May

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Box 548 1 sound tape reel, 62 minutes, analogue, 19 centimeters per second


Box 549 1 sound, analogue, 9.5centimeters per second


Box 404 1 sound cassettes, 62 minutes, analogue,

Lecture VIII: Abstract painting in America: Pollock, Rothko, and others,, 1968 May 29

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Box 550 1 sound tape reel, 74 minutes, analogue, 19 centimeters per second


Box 404 1 sound cassettes, 74 minutes, analogue,

Philosophy and worldview in painting -- Oxford University --, 1968 June 4

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Box 551-552 2 sound tape reels, 129 minutes, analogue, 19 centimeters per second


Box 404 2 sound cassettes, 219 minutes, analogue,

Insular manuscript art -- Franklin Jasper Walls lectures -- Pierpont Morgan library --, 1968 March

(Schapiro referred to these lectures as "Hiberno-Saxon manuscripts," the title reflects that used in Series III, Subseries: III.3: Lectures, Sub-Subseries: III.3.4: 1960s)

Lecture I: frame, field, and figure, 1968 March 4

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Box 553 1 sound tape reel, 273 minutes, analogue, 19 centimeters per second, 2 track


Box 404 1 sound cassettes, 70 minutes, analogue,

Lecture II: the carpet page and the giant initial, 1968 March 11

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Box 553 1 sound tape reel, 273 minutes, analogue, 19 centimeters per second, 2 track


Box 404 1 sound cassettes, 84 minutes, analogue,

Lecture III: image and ornament, 1968 March 18

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Box 553 1 sound tape reel, 273 minutes, analogue, 19 centimeters per second, 2 track


Box 404 2 sound cassettes, 97 minutes, analogue,

Lecture IV: the models and their transformation (i), 1968 March 20

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Box 554 1 sound tape reel, 273 minutes, analogue, 19 centimeters per second, 2 track


Box 404 1 sound cassettes, 88 minutes, analogue,

Lecture V: the models and their transformation (ii), 1968 March 25

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Box 554 1 sound tape reel, 273 minutes, analogue, 19 centimeters per second, 2 track


Box 404 1 sound cassettes, 75 minutes, analogue,

Lecture VI: the religious and secular grounds of Hiberno-Saxon art,, 1968 March 27

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Box 554 1 sound tape reel, 273 minutes, analogue, 19 centimeters per second, 2 track


Box 404 2 sound cassettes, 110 minutes, analogue,

Baudelaire between the imaginary and the real -- Queens College (New York, N.Y.) --, 1969 April 22

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Box 555 1 sound tape reel, 86 minutes, analogue, 9.5 centimeters per second


Box 405 1 sound cassettes, 86 minutes, analogue,

Beatus manuscripts of the apocalypse -- New York Studio School of Drawing, Painting and Sculpture,, 1969 May 2

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Box 556 1 sound tape reel, 120 minutes, analogue, 9.5 centimeters per second


Box 405 4 sound cassettes, 120 minutes, analogue, mono

(Accompanied by administrative notes by Lillian Milgram Schapiro)

The present state of art history -- Queens College (New York, N.Y.) -- Annotated outlines, transcript, and notes,, 1969 June 5

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Box 557 1 sound tape reel, 98 minutes, analogue, 9.5 centimeters per second


Box 405 2 sound cassettes, 98 minutes, analogue,

E.A. (Elias Avery) Lowe memorial -- Institute for Advanced Study (Princeton, N.J.) --, 1969 October 15

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Box 558 1 sound tape reel, 72 minutes, analogue


Box 405 2 sound cassettes, 72 minutes, analogue,

Theory and methods of art history (Art History G6001x) -- Columbia University -- 1969 October - 1970 January, 1969 October, 1970 January

(All lectures are complete except for the beginning of lecture I, and the endings of lectures V and VII. The sound quality of the series is poor. There is a hiss on all the recordings, with the voice audible but not good. Questions from the audience are difficult to hear, and sometimes inaudible.)

Lecture I, 1969 October 1

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Box 559 1 sound tape reel, 41 minutes, analogue, 9.5 centimeters per second


Box 405 1 sound cassettes, 41 minutes, analogue,

Lecture II, 1969 October 8

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Box 560 1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 405 2 sound cassettes, 102 minutes, analogue,

Lecture III, 1969 October 22

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Box 561 1 sound tape reel, 109 minutes, analogue, 9.5 centimeters per second


Box 405 2 sound cassettes, 109 minutes, analogue, mono

Lecture IV, 1969 October 29

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Box 562 1 sound tape reel, 103 minutes, analogue, 9.5 centimeters per second


Box 406 2 sound cassettes, 103 minutes, analogue,

Lecture V, 1969 November 5

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Box 563 1 sound tape reel, 107 minutes, analogue, 9.5 centimeters per second


Box 406 2 sound cassettes, 107 minutes, analogue,

Lecture VI, 1969 November 12

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Box 564 1 sound tape reel, 105 minutes, analogue, 9.5 centimeters per second


Box 406 2 sound cassettes, 105 minutes, analogue,

Lecture VII, 1969 November 19

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Box 565 1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 406 2 sound cassettes, 102 minutes, analogue,

Lecture VIII, 1969 November 26

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Box 566 1 sound tape reel, 113 minutes, analogue, 9.5 centimeters per second


Box 406 2 sound cassettes, 113 minutes, analogue,

Lecture IX, 1969 December 3

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Box 567 1 sound tape reel, 111 minutes, analogue, 9.5 centimeters per second


Box 406 2 sound cassettes, 111 minutes, analogue,

Lecture X, 1969 December 10

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Box 568 1 sound tape reel, 111 minutes, analogue, 9.5 centimeters per second


Box 406 2 sound cassettes, 111 minutes, analogue,

Lecture XI, 1969 December 17

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Box 569 1 sound tape reel, 110 minutes, analogue, 9.5 centimeters per second


Box 406 2 sound cassettes, 110 minutes, analogue,

Lecture XII, 1970 January 7

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Box 570 1 sound tape reel, 114 minutes, analogue, 9.5 centimeters per second


Box 406 2 sound cassettes, 114 minutes, analogue,

Lecture XIII, 1970 January 14

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Box 571 1 sound tape reel, 147 minutes, analogue, 9.5 centimeters per second


Box 406 2 sound cassettes, 147 minutes, analogue,

Three texts by Lichtenberg, Diderot and Galiani -- New York Studio School of Drawing, Painting and Sculpture --, 1970 April 10

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Box 407 3 sound cassettes, 108 minutes, analogue, mono

Early Christian painting (Art History G4320x) -- Columbia University -- 1970 Fall, 1970

(The sound quality of these lectures is mixed. The beginnings of lectures I-IV, VI, VIII, and XII are cut off. The sound is good on lectures IV-VIII, XI, and XIII. On other lectures the recordings have static and hum sounds, audience noise, and the professor is sometimes off microphone. Annotations indicate the title as "Early Christian art," but Columbia University class bulletins list the course as Early Christian painting)

Lecture I, 1970 September 30

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Box 572 1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 407 2 sound cassettes, 102 minutes, analogue,

Lecture II, 1970 October 7

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Box 573 1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 407 2 sound cassettes, 102 minutes, analogue,

Lecture III, 1970 October 14

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Box 574 1 sound tape reel, 98 minutes, analogue, 9.5 centimeters per second


Box 407 2 sound cassettes, 98 minutes, analogue,

Lecture IV, 1970 October 21

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Box 575 1 sound tape reel, 113 minutes, analogue, 9.5 centimeters per second


Box 407 2 sound cassettes, 113 minutes, analogue,

Lecture V, 1970 October 28

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Box 576 1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 407 2 sound cassettes, 102 minutes, analogue,

Lecture VI, 1970 November 4

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Box 577 1 sound tape reel, 112 minutes, analogue, 9.5 centimeters per second


Box 407 2 sound cassettes, 112 minutes, analogue,

Lecture VII, 1970 November 11

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Box 578 1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 407 2 sound cassettes, 112 minutes, analogue,

Lecture VIII, 1970 November 18

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Box 579 1 sound tape reel, 108 minutes, analogue, 9.5 centimeters per second


Box 407 2 sound cassettes, 108 minutes, analogue,

Lecture IX, 1970 November 25

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Box 580 1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 407 2 sound cassettes, 104 minutes, analogue,

Lecture X, 1970 December 2

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Box 581 1 sound tape reel, 107 minutes, analogue, 9.5 centimeters per second


Box 408 2 sound cassettes, 107 minutes, analogue,

Lecture XI, 1970 December 9

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Box 582 1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 408 2 sound cassettes, 104 minutes, analogue,

Lecture XII, 1970 December 16

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Box 583 1 sound tape reel, 100 minutes, analogue, 9.5 centimeters per second


Box 408 2 sound cassettes, 100 minutes, analogue,

Lecture XIII, 1971 January 6

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Box 584 1 sound tape reel, 116 minutes, analogue, 9.5 centimeters per second


Box 408 2 sound cassettes, 116 minutes, analogue,

Men with ideas: Alexander, Daedalus, Icarus: legends of the invention of flying -- Carnegie Institute of Technology --, 1971 January 27

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(The original audiotape was torn and needed to be repaired before the cassette copy was recorded. The lecture is complete with good sound. The voice is clear and audible.)


Box 585 1 sound tape reel, 87 minutes, analogue, 9.5 centimeters per second


Box 408 1 sound cassettes, 87 minutes, analogue,

Ornament and painting -- New York Studio School of Drawing, Painting and Sculpture --, 1971 April 23

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(The sound quality is poor, with echoes and muffling of the voice.)


Box 586 1 sound tape reel, 170 minutes, analogue, 9.5 centimeters per second, 2 track


Box 408 2 sound cassettes, 170 minutes, analogue,

Mondrian's forms and their relation to preceding styles of representation -- Solomon R. Guggenheim Museum --, 1971 October 9

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(The lecture is complete, but the sound quality is mixed. The voice is clear and audible, but the sound level varies. There is audience noise and the professor taps on the podium and is occasionally off microphone.)


Box 587 1 sound tape reel, 38 minutes, analogue, 9.5 centimeters per second


Box 408 1 sound cassette, 38 minutes, analogue, mono

Graphic analysis of structure -- University of Virginia --, 1972 April 11

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(The lecture is complete, but the sound quality is poor. The voice is high-pitched, and there is audience noise and varied sound levels.)


Box 588 1 sound tape reel, 53 minutes, analogue, 9.5 centimeters per second


Box 408 1 sound cassettes, 53 minutes, analogue,

An experiment with forms in art -- Columbia University --, 1973 April 2

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(The lecture is complete, but the sound quality is poor. There is a hiss on the recording, and an echo effect.)


Box 589 1 sound tape reel, 66 minutes, analogue, 9.5 centimeters per second


Box 408 1 sound cassettes, 66 minutes, analogue,

The south tower of the cathedral of Chartres -- Columbia University. School of Architecture --, 1973 October 3

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(The lecture is complete with voice audible. The quality of the sound is mixed, with audience noise, echo sound, and the professor is occasionally off microphone)


Box 590 1 sound tape reel, 83 minutes, analogue, 9.5 centimeters per second


Box 408 1 sound cassettes, 83 minutes, analogue,

The use of the Old Testament in the art of the middle ages -- Jewish Museum (New York, N.Y.) --, 1973 October 22

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(All three sound tape reels are incomplete and do not have the end of the lecture recorded. The sound quality is poor with a great deal of audience noise, although the voice itself is clear.)


Box 591-593 3 sound tape reels, 129 minutes each, analogue, 9.5 centimeters per second


Box 409 4 sound cassettes, 129 minutes, analogue,

The unity of Picasso's art -- Albright-Knox Art Gallery --, 1973 December 5

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(The lecture is complete with good sound quality, the voice is clear and audible. Film of this lecture was made in 1985 by The Metropolitan Museum and Gittelman Film Associates)

Box 409 2 sound cassettes, 94 minutes, analogue, mono

Theories and methods of investigation of art (Art History G6001x) -- Columbia University, 1974 Fall, 1974

(Lectures I and II were not recorded. All the recorded lectures are complete. The sound quality of this series is mixed. In most recordings the voice is clear and audible, but there is a lot of audience noise and some sounds from a construction site nearby are noticeable on lectures III through VI. The sound is very poor for lectures IV and XI.)

Lecture III, 1974 October 2

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Box 594 1 sound tape reel, 108 minutes, analogue, 9.5 centimeters per second


Box 409 2 sound cassettes, 108 minutes, analogue,

Lecture IV, 1974 October 9

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Box 595 1 sound tape reel, 106 minutes, analogue, 9.5 centimeters per second


Box 409 2 sound cassettes, 106 minutes, analogue,

Lecture V, 1974 October 16

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Box 596 1 sound tape reel, 107 minutes, analogue, 9.5 centimeters per second


Box 409 2 sound cassettes, 107 minutes, analogue, mono

Lecture VI, 1974 October 23

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Box 597 1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 409 2 sound cassettes, 104 minutes, analogue,

Lecture VII, 1974 October 30

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Box 598 1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 409 2 sound cassettes, 104 minutes, analogue,

Lecture VIII, 1974 November 6

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Box 599 1 sound tape reel, 106 minutes, analogue, 9.5 centimeters per second


Box 409 2 sound cassettes, 106 minutes, analogue,

Lecture IX, 1974 November 13

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Box 600 1 sound tape reel, 105 minutes, analogue, 9.5 centimeters per second


Box 409 2 sound cassettes, 105 minutes, analogue,

Lecture X, 1974 November 20

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Box 601 1 sound tape reel, 151 minutes, analogue, 9.5 centimeters per second


Box 410 2 sound cassettes, 151 minutes, analogue,

Lecture XI, 1974 November 27

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Box 602 1 sound tape reel, 101 minutes, analogue, 9.5 centimeters per second


Box 410 2 sound cassettes, 101 minutes, analogue,

Lecture XII, 1974 December 4

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Box 603 1 sound tape reel, 108 minutes, analogue, 9.5 centimeters per second


Box 410 2 sound cassettes, 108 minutes, analogue,

Lecture XIII, 1974 December 11

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Box 604 1 sound tape reel, 99 minutes, analogue, 9.5 centimeters per second


Box 410 2 sound cassettes, 99 minutes, analogue,

Lecture XIV, 1974 December 12

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Box 605 1 sound tape reel, 130 minutes, analogue, 9.5 centimeters per second


Box 410 2 sound cassettes, 130 minutes, analogue,

The south tower of the cathedral of Chartres -- University of California, Los Angeles --, 1974 January 10

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(Cassettes were not made of this lecture because the quality of the recording was too poor)


Box 606-607 2 sound tape reels

Theory and methods of investigation of art (Art History G6021x) -- Columbia University, 1975 Fall, 1975

(All recorded lectures are complete. Lectures I, XI, and XII were not recorded. The sound quality of this series is mixed. The recording of lecture VI has audience noise and a hiss sound on the tape, and the sound of lecture VII is very poor, with audience noise and a buzz sound at the beginning, echo noise throughout, and occasional ringing sound. The voice is best for recordings of lectures IV, V, IX, XIII and XIV. The question periods for all the lectures are hard to hear.)

Lecture II, 1975 September 17

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Box 608 1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 410 2 sound cassettes, 104 minutes, analogue,

Lecture III, 1975 September 24

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Box 609 1 sound tape reel, 108 minutes, analogue, 9.5 centimeters per second


Box 410 2 sound cassettes, 108 minutes, analogue,

Lecture IV, 1975 October 1

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Box 610 1 sound tape reel, 112 minutes, analogue, 9.5 centimeters per second


Box 410 2 sound cassettes, 112 minutes, analogue,

Lecture V, 1975 October 8

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Box 611 1 sound tape reel, 105 minutes, analogue, 9.5 centimeters per second


Box 410 2 sound cassettes, 105 minutes, analogue,

Lecture VI, 1975 October 15

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Box 612 1 sound tape reel, 101 minutes, analogue, 9.5 centimeters per second


Box 411 2 sound cassettes, 101 minutes, analogue,

Lecture VII, 1975 Oct6ober 22, 1975

Access digital content: Lecture VII, 1975 Oct6ober 22, 1975

Box 613 1 sound tape reel, 119 minutes, analogue, 9.5 centimeters per second


Box 411 2 sound cassettes, 119 minutes, analogue,

Lecture VIII, 1975 October 29

Access digital content: Lecture VIII, 1975 October 29

Box 614 1 sound tape reel, 108 minutes, analogue, 9.5 centimeters per second


Box 411 2 sound cassettes, 108 minutes, analogue,

Lecture IX, 1975 November 5

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Box 615 1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 411 2 sound cassettes, 104 minutes, analogue,

Lecture X, 1975 November 12

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Box 616 1 sound tape reel, 116 minutes, analogue, 9.5 centimeters per second


Box 411 2 sound cassettes, 116 minutes, analogue,

Lecture XIII, 1975 December 3

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Box 617 1 sound tape reel, 113 minutes, analogue, 9.5 centimeters per second


Box 411 2 sound cassettes, 113 minutes, analogue,

Lecture XIV, 1975 December 10

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Box 618 1 sound tape reel, 123 minutes, analogue, 9.5 centimeters per second


Box 411 2 sound cassettes, 123 minutes, analogue, mono

Perspective and script: the reader and the viewer in medieval representations -- University of Pittsburgh --, 1976 November

Access digital content: Perspective and script: the reader and the viewer in medieval representations -- University of Pittsburgh --, 1976 November

Box 619-620 2 sound tape reels, 74 minutes each, analogue, 9.5 centimeters per second


Box 411 1 sound cassettes, 74 minutes, analogue, mono

Cézanne and the philosophers -- Museum of Modern Art (New York, N.Y.) --, 1977 October 11

Access digital content: Cézanne and the philosophers -- Museum of Modern Art (New York, N.Y.) --, 1977 October 11

(The lecture is complete. The sound quality is good, but has a little audience noise and noise from professor moving around.)


Box 621 1 sound tape reel, 139 minutes, analogue, 9.5 centimeters per second


Box 411 2 sound cassettes, 139 minutes, analogue,

On logic and method in art history: from classification to explanation -- New School for Social Research (New York, N.Y.) --, 1979 November 17

Access digital content: On logic and method in art history: from classification to explanation -- New School for Social Research (New York, N.Y.) --, 1979 November 17

(Reel in Box 623 is a duplicate of the reel in Box 622. The lecture is complete but the sound quality is not good. The sound level varies, there is a hiss noise on the tape and the voice is muffled.)


Box 622-623 2 sound tape reels, 57 minutes, analogue, 9.5 centimeters per second


Box 412 1 sound cassettes, 57 minutes, analogue,

The unity of Picasso's art -- Columbia University --, 1980 April

Lecture I

Access digital content: Lecture I

Box 412 2 sound cassettes, 93 minutes, analogue, mono

Lecture II

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Box 412 2 sound cassettes, 100 minutes, analogue, mono

Lecture III

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Box 624-625 2 sound tape reels, 99 minutes, analogue, 9.5 centimeters per second


Box 412 2 sound cassettes, 99 minutes, analogue,

Lecture IV

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Box 412 2 sound cassettes, 30 minutes, analogue, mono

On the life and work of Arthur Kingsley Porter -- Harvard University --, 1983 April 10

Access digital content: On the life and work of Arthur Kingsley Porter -- Harvard University --, 1983 April 10

Box 412 3 sound cassettes, 55 minutes, analogue, mono

Meyer Schapiro interview with Ann Newsmith -- Vermont Council on the Arts --, 1982 August

Box 412 1 sound cassette

Meyer Schapiro: Art News [Interview ?] --, 1982 October 28

Box 412 1 sound cassette

Meyer Schapiro: film track, reel one and two

Box 412 1 sound cassette

Unidentified sound recordings


Box 626-631 6 sound tape reels


Box 412 8 sound cassette


Box 396 Oral History with Miriam Schapiro Grosof (Schapiro's daughter)

Subseries: VII.3: Videocassettes, 1988

Subseries VII.3 contains three copies of a program titled "The unity of Picasso's art." The program features audio from two lectures with images from the collection of the Metropolitan Museum of Art. The video was created by the Metropolitan Museum of Art in association with Gittelman Film Associates and produced and directed by Philip Gittelman.

The unity of Picasso's art [videorecording] : a master lecture / by Meyer Schapiro ; Metropolitan Museum of Art in association with Gittelman Film Associates ; produced and directed by Philip Gittelman -- [New York, N.Y.] : Office of Film and Television of The Metropolitan Museum of Art, [1988 ?]

(Credits: Animation camera, Fred Armstrong and Betsy Baker; film editing, Araness Communication ; video editing, Tapepower. Lecture presented at Brandeis University on April 11, 1967 and at Albright Knox Art Gallery on December 5, 1973)


Box 632 3 videocassettes-- 92 minutes each, sound, color; 1/2 inch

Series VIII: Works of art, 1920s-1980s

Schapiro began his artistic practice early in his life when, in his teens, he attended evening art classes taught by artist John Sloan at the Hebrew Settlement House. Schapiro would continually sketch, draw, paint, and sculpt throughout his life, and this series houses the single largest collection of his works of art.

Included in this collection are prints, drawings paintings, sculptures, printing plates, linoleum printing blocks, and sketchbooks from the 1920s through the 1980s. They include images he created at Columbia University, during his trips abroad in Europe and the Near East, portraits of his wife Lillian Milgram Schapiro, and friends, such as Whittaker Chambers.

For Schapiro, the practice of art and the academic pursuit of the art historical discipline were two sides of the same token. Many of his drawings and paintings reflect his interest in issues of form, content, and visual perception, issues pertinent to his writings on art theory.

In 1987, 65 of Schapiro's art works were displayed in the exhibition "Meyer Schapiro: Works of Art, 1919-1979" at Columbia University's Miriam and Ira D. Wallach Art Gallery. Consult Series I: Personal papers, Subseries: I.4: Exhibitions for records relating to that exhibition.

For all other administrative records relating to Schapiro's works of art, Subseries: VIII.1: Administrative records, 1980s-1990s

The works of art in this series are divided by medium to facilitate discovery of the material as follows: Subseries: VIII.2: Prints and drawings, 1920s-1980s, Subseries: VIII.3: Paintings, 1930s-1980s, Subseries: VIII.4: Sculptures and printing plates, 1930s-1980s, Subseries: VIII.5: Linoleum printing blocks, circa 1930s-1960s, Subseries: VIII.6: Sketchbooks, 1960s.

Subseries: VIII.1: Administrative records, 1980s-1990s


Box 55 Folder 1 Paintings and drawings -- Gelatin silver negatives, 1939 June 17

(These negatives document Schapiro's art works while also serving as "copying experimentations" for his photography skills)

Box 55 Folder 2 to 4 Unframed paintings and drawings -- Slides, (3 Folders)

Box 55 Folder 5 Paintings and drawings hung in Vermont home -- Slides


Box 56 Folder 1 Paintings -- Slides and reproductions

Box 56 Folder 2 Paintings, drawings, and sculptures -- Slides and reproductions

Box 56 Folder 3 to 4 Drawings and paintings -- Reproductions, (2 Folders)

Box 56 Folder 5 Published or exhibited paintings, drawings, and sculptures -- List

Box 56 Folder 6 Published works of art -- Reproductions

Box 56 Folder 7 Works of art in museum collections -- Reproductions and correspondence,, 1989-1999

Box 56 Folder 8 Administration of works of art -- Notes, 2002

(written by Lillian Milgram Schapiro)

Subseries VIII.2: Prints and Drawings, 1920s-1980s


Box 1 001-1121 Drapery - Study

Inscribed on verso, marked "3". 11 x 8 1/2 Graphite on detached diary page

Box 1 002-1121 Drapery

Inscribed on verso and paginated number "8." 11 x 8 1/2 Graphite on detached diary page

Box 1 003-1121 Columbia Campus South Field

10 3/8 x 7 5/8 Graphite pencil on paper

Box 1 004-1121 Life Sketch - National Academy

10 7/8 x 8 3/8 Conte crayon on paper

Box 1 005-1121 Bear at the Zoo

5 x 8 Charcoal on paper

Box 1 006-1121 Men and Women - Sketches

11 x 8 1/2 Graphite pencil on paper

Box 1 007-1121 Bearded Man

8 1/4 x 5 1/2 Graphite pencil on lined paper

Box 1 008-1121 Bear at the Zoo

5 1/2 x 8 1/2 Charcoal on paper

Box 1 009-1121 Columbia Library

8 x 5 1/2 Crayon on paper

Box 1 010-1121 Interior Study - Columbia

12 x 9 Charcoal on paper

Box 1 011-1121 Figure Studies Album

Multiple sheets torn from bound sketch book 12 x 9 Charcoal on paper

Box 1 012-1121 At Columbia

8 x 8 Charcoal on paper

Box 1 013-1121 Studies of Simplified Forms

12 x 9 Conte crayon on paper

Box 1 014-1121 Photocopies at Columbia

Photocopies of original charcoal drawings. Originals given to Jack Rush, subject of drawings. 8 1/2 x 11 Charcoal on paper

Box 1 015-1121 Interior - Study

4 7/8 x 3 Ink on paper

Box 1 016-1121 At Columbia

9 x 6 Charcoal on broadside

Box 1 017-1121 Figure in Interior - Studies

12 x 8 7/8 Charcoal on paper

Box 1 018-1121 Abstracted Interiors - Studies

11 x 9 Conte crayon on paper

Box 1 019-1121 At Columbia

7 3/4 x 5 Charcoal on paper

Box 1 020-1121 Study

Inscribed on verso. Paginated number "20" - see 069-1121. 8 1/2 x 11 Charcoal on detached diary paper

Box 1 021-1121 Elephants at the Zoo

5 3/8 x 8 1/2 Charcoal on paper

Box 1 022-1121 At Columbia

5 x 8 Ink on paper

Box 1 023-1121 At Columbia

10 3/8 x 7 7/8 Charcoal on paper

Box 1 024-1121 Wrestlers

11 x 8 1/2 Ink on paper

Box 1 025-1121 Nudes on the Beach - Study for Painting

7 1/2 x 9 Graphite pencil and gouache on kraft paper

Box 1 026-1121 At Columbia Library

5 1/2 x 8 1/2 Crayon on paper

Box 1 027-1121 Head Study

5 1/2 x 4 Charcoal on paper

Box 1 028-1121 At Columbia

Two sheets. 8 x 5 Charcoal on paper

Box 1 029-1121 Citiscape [sic]

8 x 5 Charcoal on paper

Box 1 030-1121 Landscape

8 x 5 Charcoal on paper

Box 1 031-1121 Person Looking at Works of Art

12 x 9 Charcoal on paper

Box 1 032-1121 Near Columbia

8 x 5 Crayon on paper

Box 1 033-1121 At Columbia

10 3/8 x 7 7/8 Charcoal on paper

Box 1 034-1121 [At Columbia]

8 3/8 x 10 7/8 Charcoal on paper

Box 1 035-1121 Two Studies

8 x 5 Charcoal on paper

Box 1 036-1121 Two Studies

8 3/8 x 5 3/4 Charcoal on lined paper

Box 1 037-1121 Nude

9 5/8 x 5 1/2 Charcoal on paper

Box 1 038-1121 Male Nude

8 x 5 Charcoal on paper

Box 1 039-1121 Citiscape [sic]

8 1/2 x 5 1/2 Charcoal on paper

Box 1 040-1121 In the Zoo

5 1/2 x 8 1/2 Charcoal on paper

Box 1 041-1121 Buffalo at the Zoo

5 1/2 x 8 1/2 Charcoal on paper

Box 1 042-1121 At the Zoo

8 1/2 x 5 3/4 Crayon on paper

Box 1 Bear at the Zoo

5 x 7 3/4 Charcoal on paper

Box 1 044-1121 Cat at the Zoo

Two sheets. 5 3/8 x 8 1/2 Charcoal on paper

Box 1 045-1121 Bears at the Zoo

Two sheets. 5 x 8 Charcoal on paper

Box 1 046-1121 Two Men

8 x 5 Crayon on paper

Box 1 047-1121 Citiscape [sic] - Perspective

5 x 8 Charcoal on paper

Box 1 048-1121 Crouching Figure - Sketch

8 1/2 x 5 3/4 Crayon on lined paper

Box 1 049-1121 Man with Beard - Sketch

8 1/4 x 5 3/4 Graphite on lined paper

Box 1 050-1121 Two Studies

8 x 5 Charcoal on paper

Box 1 051-1121 Study

7 3/4 x 5 Crayon on paper

Box 1 052-1121 Sketch

8 1/2 x 5 1/2 Crayon on paper

Box 1 053-1121 Study

7 3/4 x 5 Charcoal on paper

Box 1 054-1121 Two Studies

8 1/2 x 5 3/8 Charcoal on paper

Box 1 055-1121 [Columbia]

11 7/8 x 3 Ink on paper

Box 1 056-1121 Dr. J.L. Perrier - My French Teacher

6 x 9 Crayon on broadside

Box 1 057-1121 Boats - Sketch

8 1/2 x 5 1/2 Charcoal on paper

Box 1 058-1121 Woman - Sketch

8 1/4 x 5 2/3 Graphite on lined paper

Box 1 059-1121 Nurse and Child and Carriage - Sketch

8 1/4 x 5 3/4 Graphite on lined paper

Box 1 060-1121 Two Women

12 x 9 Graphite pencil on paper

Box 1 061-1121 Four Men - Sketch

5 1/4 x 5 1/2 Graphite pencil on paper

Box 1 062-1121 Sketch

5 1/2 x 6 1/4 Compressed charcoal on paper

Box 1 063-1121 Life Sketch - National Academy

11 x 8 1/2 Crayon on paper

Box 1 069-1121 Figure Study

Handwritten scopecontents on verso. Paginated as number "19" -- see item 020-1121. 8 1/2 x 11 Conte crayon on detached diary paper

Box 1 070-1121 Life Sketch - National Academy

10 7/8 x 8 3/8 Charcoal on paper

Box 1 071-1121 Seminar Room - Columbia

8 x 10 1/2 Ink on paper

Box 1 072-1121 Townscape - Study

12 x 9 Charcoal on paper

Box 1 073-1121 At Columbia

Paginated as number "19" -- see item 076-1211. 9 3/4 x 7 7/8 Graphite pencil on detached diary page

Box 1 074-1121 Boy

8 x 5 Charcoal on paper

Box 1 075-1121 Male Study

10 1/2 x 8 1/2 Charcoal on paper

Box 1 076-1121 At Columbia

Paginated as number "10" -- see item 073-1211. 9 7/8 x 7 7/8 Charcoal on detached diary page

Box 1 077-1121 Jack Rush

Clipping from The jester of Meyer Schapiro drawing. 6 3/4 x 5 1/4

Box 1 078-1121 College Study - Columbia

5 1/2 x 8 Conte crayon on paper.

Box 1 079-1121 Big Cats at Zoo

5 1/2 x 8 1/2 Charcoal on paper

Box 1 080-1121 Buffalo at Zoo

5 1/2 x 8 1/2 Charcoal on paper

Box 1 081-1121 Female Study

10 1/2 x 8 1/2 Charcoal on paper

Box 1 082-1121 Female Study

10 1/2 x 8 1/2 Charcoal on paper

Box 1 083-1121 At Columbia

Sketches on verso and recto. 6 1/2 x 4 1/8 Graphite pencil and crayon on paper

Box 1 084-1121 At Columbia

7 7/8 x 5 Crayon on paper

Box 1 085-1121 Reclining Man

11 7/8 x 6 7/8 Charcoal on paper

Box 1 086-1121 Clifton "Kip" Fadiman - Columbia

10 1/4 x 7 7/8 Ink and charcoal on paper

Box 1 087-1121 [Columbia]

8 1/2 x 5 1/2 Charcoal on lined paper

Box 1 088-1121 Boys - Sketch

8 x 5 Crayon on paper

Box 1 089-1121 People in Park

5 x 8 Crayon on paper

Box 1 090-1121 Man in White Pajamas

8 1/4 x 5 1/4 Graphite pencil on lined paper

Box 1 091-1121 Mother and Child in Cityscape - Sketch

8 1/2 x 5 Crayon on paper

Box 1 092-1121 Head - Sketch

8 3/8 x 6 1/2 Graphite pencil on lined paper

Box 1 093-1121 Heads - Sketch

Sketches on recto and verso. 8 3/8 x 6 1/2 Graphite pencil on lined paper

Box 1 094-1121 Artist and Easel

8 1/2 x 5 3/8 Compressed charcoal on paper

Box 1 095-1121 Study After Unknown

5 x 8 Ink on paper

Box 1 096-1121 Men in Boats

Two sheets. 8 x 5 Charcoal on paper

Box 1 097-1121 10 Prostrated on Hottest June 5

7 1/4 x 6 1/4 Graphite on newspaper

Box 1 098-1121 At Columbia

8 x 5 Charcoal on paper

Box 1 099-1121 Woman Writing

7 3/4 x 5 Crayon on lined paper

Box 1 100-1121 At Columbia

5 1/2 x 8 1/2 Graphite pencil on paper

Box 1 101-1121 Figure Study

5 5/8 x 9 1/8 Charcoal on paper

Box 1 102-1121 Two Figures

5 5/8 x 9 1/8 Charcoal on paper

Box 1 103-1121 Student

Attribution uncertain to Meyer Schapiro. 11 7/8 x 3 Graphite pencil on card catalog

Box 1 104-1121 At Columbia

8 1/2 x 5 3/8 Charcoal on paper

Box 1 105-1121 Man Drawing at Columbia

8 3/8 x 6 5/8 Ink on lined paper

Box 1 106-1121 Horsman [sic]

Inscribed on verso. See item 076-1121. 10 x 8 Charcoal on detached diary page

Box 1 107-1121 Nude at Columbia

10 1/4 x 7 7/8 Graphite pencil on paper

Box 1 108-1121 Boating

6 3/8 x 8 1/8 Graphite on paper

Box 1 109-1121 Drapery Study

8 1/4 x 6 5/8 Graphite pencil on lined paper

Box 1 110-1121 Two Nudes

5 x 8 Charcoal on paper

Box 1 111-1121 At Columbia

10 3/8 x 7 7/8 Charcoal on paper


Box 2 112-1121 At Ida Adams' With Eugene Purver

6 1/2 x 8 3/8 Ink on lined paper

Box 2 113-1121 Mary Jane

8 5/16 x 6 1/2 Ink on lined paper

Box 2 114-1121 At Ida Adams' With Eugene Purver

8 3/8 x 6 1/2 Ink on lined paper

Box 2 115-1121 At Ida Adams' With Eugene Purver

Accompanied by scopecontent. 6 5/8 x 8 3/8 Ink on lined paper

Box 2 116-1121 At Ida Adams' With Eugene Purver

8 3/8 x 6 1/2 Ink on lined paper

Box 2 117-1121 At Ida Adams' With Eugene Purver

6 3/4 x 8 3/8 Ink on lined paper

Box 2 118-1121 At Ida Adams' With Eugene Purver

6 1/2 x 8 1/4 Ink on lined paper

Box 2 119-1121 At Ida Adams' With Eugene Purver

6 5/8 x 8 3/8 Ink on lined paper

Box 2 120-1121 At Ida Adams' With Eugene Purver

6 5/8 x 8 3/8 Ink on lined paper

Box 2 121-1121 At Ida Adams' With Eugene Purver

6 5/8 x 8 3/8 Ink on lined paper

Box 2 122-1121 At Ida Adams' With Eugene Purver

6 5/8 x 8 3/8 Ink on lined paper

Box 2 123-1121 At Ida Adams' With Eugene Purver

6 5/8 x 8 3/8 Ink on lined paper

Box 2 124-1121 At Ida Adams' With Eugene Purver

6 5/8 x 8 3/8 Ink on lined paper

Box 2 125-1121 At Ida Adams' With Eugene Purver

6 3/4 x 8 1/4 Ink on lined paper

Box 2 126-1121 At Ida Adams' With Eugene Purver

6 1/2 x 8 3/8 Ink on lined paper

Box 2 127-1121 At Ida Adams' With Eugene Purver

8 3/8 x 6 5/8 Ink on lined paper

Box 2 128-1121 Columbia

8 x 5 Conte crayon on paper

Box 2 129-1121 Lillian

8 x 5 1/4 Crayon on Columbia University letterhead stationery

Box 2 130-1121 Lillian Drying Her Hair

10 15/16 x 8 3/8 Ink on paper

Box 2 131-1121 Woman Sweeping

6 x 4 Conte crayon on paper

Box 2 132-1121 At Ida Adams' With Eugene Purver

6 1/2 x 8 1/4 Ink on lined paper

Box 2 133-1121 Vermont

8 3/8 x 6 1/2 Ink on paper

Box 2 134-1121 Interior Study - Columbia

12 x 8 7/8 Conte crayon on paper

Box 2 135-1121 At the Zoo

5 3/8 x 8 1/2 Conte crayon on paper

Box 2 136-1121 Lillian

8 x 5 1/4 Conte crayon on Columbia University letterhead stationery

Box 2 137-1121 Saint

8 x 5 1/4 Crayon on Columbia University letterhead stationery

Box 2 138-1121 Lillian

11 x 8 3/8 Ink on paper

Box 2 139-1121 Lillian

11 x 8 1/2 Ink on paper

Box 2 140-1121 After Jacques Lipchitz

6 x 4 Ink on paper

Box 2 141-1121 Lillian

11 x 8 3/8 Ink on paper

Box 2 142-1121 Church and Town - France

Accompanied by scopecontent indicating drawing was moved from Barrow Farm drawings. 8 1/4 x 6 Graphite pencil on paper

Box 2 143-1121 Woman

11 x 9 Ink on paper

Box 2 144-1121 Lillian

10 3/8 x 7 1/4 Ink on paper

Box 2 145-1121 Lillian

11 1/8 x 8 1/2 Graphite pencil on paper

Box 2 146-1121 Rowboat on Lack [sic]

11 x 8 1/2 Crayon on paper

Box 2 147-1121 Lillian

11 x 8 1/2 Ink on paper

Box 2 148-1121 Drawing After Meyer's Wood Sculpture

11 1/2 x 9 Crayon on paper

Box 2 149-1121 Subway

3 1/16 x 3 Graphite pencil on paper

Box 2 150-1121 Near Cloisters - Sketch for Painting

6 1/2 x 10 Graphite pencil on paper

Box 2 151-1121 Lillian

11 x 8 1/2 Ink on paper

Box 2 152-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 2 153-1121 Male Studies

8 1/2 x 11 Crayon on paper

Box 2 154-1121 [Vermont]

8 1/2 x 5 1/2 Graphite pencil on paper

Box 2 155-1121 Park Bench

8 1/2 x 11 Graphite pencil on paper

Box 2 156-1121 River View

6 1/4 x 9 1/2 Crayon on paper


Box 3 157-1121 Conque Study

5 3/4 x 5 Ink on lined paper

Box 3 158-1121 Lillian Raising Arm

10 15/16 x 8 1/2 Ink on paper

Box 3 159-1121 Ferry Boat

Scrap of Columbia University exam schedule 5 3/4 x 4 Ink on paper

Box 3 160-1121 Male Portrait

Inscribed on verso. 10 1/2 x 8 Ink on Columbia University Library letterhead stationery

Box 3 161-1121 Subway

8 1/2 x 6 1/2 Graphite pencil on kraft paper

Box 3 162-1121 Wood Sculpture

11 x 8 1/2 Graphite pencil on paper

Box 3 163-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper

Box 3 164-1121 France

8 x 5 Ink on paper

Box 3 165-1121 Bondon

8 1/2 x 5 1/2 Ink on lined paper

Box 3 166-1121 Edgewater, New Jersey

6 x 9 Charcoal on verso of broadside

Box 3 167-1121 Nude Figure

12 x 9 Crayon on paper

Box 3 168-1121 Martin Raphael

12 1/4 x 9 1/8 Ink on paper

Box 3 169-1121 Figure Study

8 1/2 x 5 1/2 Charcoal on paper

Box 3 170-1121 A Church

9 x 11 1/2 Ink on paper

Box 3 171-1121 Flower

5 3/4 x 8 1/2 Ink on paper

Box 3 172-1121 Cityscape

Inscribed on verso. 7 3/4 x 5 Graphite pencil on lined paper

Box 3 173-1121 Like Paiting of Betsy - Head Park

5 3/8 x 6 1/2 Pastels on paper

Box 3 174-1121 Flower

5 1/8 x 8 1/2 Ink on paper

Box 3 175-1121 Landscape

3 x 4 3/4 Ink on paper

Box 3 176-1121 After Unknown

Two sheets. Drawings on recto and verso. 5 1/2 x 4 1/8 Graphite pencil on paper

Box 3 177-1121 Highway

5 x 8 Conte crayon on paper

Box 3 178-1121 Tent Forms in the City

8 x 10 1/2 Ink on Columbia University Library letterhead stationery

Box 3 179-1121 Figure Study

8 x 5 Conte crayon on paper

Box 3 180-1121 Building Study

8 1/4 x 6 3/4 Conte crayon on lined paper

Box 3 181-1121 Boy at Desk and Vase

6 x 8 7/8 Ink on lined paper

Box 3 182-1121 Nude Study

8 1/2 x 11 Crayon on paper

Box 3 183-1121 Male Studies

11 x 8 1/2 Crayon on paper

Box 3 184-1121 Study After Benozzo Gozzoli

11 x 8 1/2 Conte crayon on paper

Box 3 185-1121 [Park Scene]

3 x 4 3/4 Ink on paper

Box 3 186-1121 [Pennsylvania State]

6 x 9 Conte crayon on verso of broadside

Box 3 187-1121 Figure Study

8 x 5 Conte crayon on paper

Box 3 188-1121 Students at Ease

9 x 12 Conte crayon on paper

Box 3 189-1121 Heads

8 3/16 x 5 5/16 Ink on paper

Box 3 190-1121 [Ravenna]

6 11/16 x 5 3/8 Graphite pencil on paper

Box 3 191-1121 Ravenna

6 11/16 x 5 3/8 Ink on paper

Box 3 192-1121 [Copy of a Meyer Schapiro]

4 x 6 Ink on card index

Box 3 193-1121 Studies After Benozzo Gozzoli

8 1/2 x 11 Conte crayon on paper

Box 3 194-1121 Drapery - Study

9 1/8 x 12 Conte crayon on paper

Box 3 195-1121 Study

Drawings on recto and verso. 9 1/8 x 12 Conte crayon on paper

Box 3 196-1121 Studies After Benozzo Gozzoli

8 1/2 x 10 7/8 Conte crayon on paper

Box 3 197-1121 Townscapes

9 x 12 Conte crayon on paper

Box 3 198-1121 Unknown

Inscribed on verso. 10 1/2 x 8 Ink on paper

Box 3 199-1121 Study of Sculpture

7 x 3 Ink on paper

Box 3 200-1121 Untitled

6 x 8 3/4 Ink on paper

Box 3 201-1121 Riverside Drive

10 1/4 x 12 1/2 Oil paint on paper

Box 3 202-1121 Riverside Drive

10 1/4 x 12 7/8 Ink and oil paint on paper

Box 3 203-1121 Riverside Drive [in 70s]

10 1/2 x 12 3/4 Oil paint on paper

Box 3 204-1121 Looking East From Near Cloisters, New York

6 3/8 x 9 7/8 Graphite pencil on paper

Box 3 205-1121 Unknown

11 1/2 x 9 Charcoal on paper

Box 3 206-1121 Portrait

11 1/2 x 9 Ink on paper

Box 3 207-1121 After Meyer Schapiro Wood Sculpture

12 1/2 x 10 Ink on paper

Box 3 208-1121 [Log Tavern]

11 x 8 1/2 Crayon on paper

Box 3 209-1121 Log Tavern Lake

8 1/2 x 11 Graphite pencil on paper

Box 3 210-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 3 211-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 3 212-1121 After Michelangelo

6 1/2 x 5 Ink on paper

Box 3 213-1121 Amsterdam Avenue and 115th Street

8 1/4 x 6 1/4 Ink on paper

Box 3 214-1121 Girl

11 1/2 x 9 Charcoal on paper


Box 4 215-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 4 216-1121 Lillian

10 15/16x 8 1/2 Colored pencil on paper

Box 4 217-1121 Riverside Drive

10 x 6 3/4 Ink on paper

Box 4 218-1121 Lillian

9 1/4 x 7 1/4 Graphite pencil on paper

Box 4 219-1121 Jack Rush

8 1/2 x 5 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 4 220-1121 Lillian

12 x 9 Conte crayon on paper

Box 4 221-1121 Lillian

9 1/2 x 6 1/4 Chalk on paper

Box 4 222-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 4 223-1121 Lillian

11 x 8 1/2 Ink on paper

Box 4 224-1121 Jack Rush

10 1/2 x 8 Graphite pencil on paper

Box 4 225-1121 Drawing for Painting of Betsy - Head Park

8 x 5 Crayon on paper

Box 4 226-1121 Woman

10 x 7 1/2 Ink on paper

Box 4 227-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 4 228-1121 Boating Trip

6 x 4 Conte crayon on paper

Box 4 229-1121 Nude

6 x 4 Graphite pencil on paper

Box 4 230-1121 Lillian

11 x 8 1/2 Ink on paper

Box 4 231-1121 Lillian - West 76th Street

11 x 8 1/2 Graphite pencil on paper

Box 4 232-1121 Untitled

16 x 6 1/2 Gouache on paper

Box 4 233-1121 Untitled

10 x 6 3/8 Gouache on paper

Box 4 234-1121 Lillian Seated Reading

9 x 8 1/2 Conte crayon on paper

Box 4 235-1121 Lillian

9 3/8 x12 Ink on paper

Box 4 236-1121 Lillian Reading

11 1/4 x 7 1/4 Crayon on paper

Box 4 237-1121 Lillian - [Log Tavern]

9 3/4 x 6 3/8 Crayon on paper

Box 4 238-1121 Cuxa Capital - Cloisters, New York

10 x 6 1/8 Crayon on paper

Box 4 239-1121 Lillian

11 x 8 1/2 Ink on paper

Box 4 240-1121 Nude

12 x 9 Crayon on paper

Box 4 241-1121 Lake of Log Tavern [or Tohone]

8 1/2 x 5 3/8 Crayon on paper

Box 4 242-1121 [Log Tavern or Barrington]

11 x 8 1/2 Crayon on paper

Box 4 243-1121 Lillian - Log Tavern

9 5/8 x 6 1/4 Crayon on paper

Box 4 244-1121 View from the Cloisters

6 1/8 x 9 7/8 Graphite pencil on paper

Box 4 245-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 4 246-1121 Lillian

11 x 8 1/2 Ink on paper

Box 4 247-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 4 248-1121 Wrestlers

11 1/4 x 9 Crayon on paper

Box 4 249-1121 Lillian

11 x 8 1/2 Ink on paper

Box 4 250-1121 Lillian

Drawing on verso. 11 x 8 1/2 Graphite pencil on paper

Box 4 251-1121 Portrait

11 1/4 x 10 Oil paint on paper

Box 4 252-1121 Portrait of a Friend

12 1/2 x 10 Ink on paper

Box 4 253-1121 Portrait

11 3/4 x 10 Oil paint on paper

Box 4 254-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 4 255-1121 Shooshine [sic] in the Park

11 x 8 1/2 Graphite pencil on paper

Box 4 256-1121 Wood Sculpture by Meyer Schapiro

11 1/2 x 9 Graphite pencil on paper

Box 4 257-1121 Wood Sculpture by Meyer Schapiro

12 x 10 Oil paint on paper

Box 4 258-1121 Lillian

12 1/2 x 9 3/4 Oil paint on paper

Box 4 259-1121 Mother and Child - Two

11 1/2 x 9 Graphite pencil on paper

Box 4 260-1121 Mother and Child - One

11 1/2 x 9 Graphite pencil on paper

Box 4 261-1121 Wrestlers

12 x 9 Ink on paper

Box 4 262-1121 Lillian

11 1/2 x 9 Ink on paper

Box 4 263-1121 Portrait of a Friend

11 1/2 x 9 Ink on paper

Box 4 264-1121 Alan Wax

12 1/2 x 9 1/2 Ink on paper

Box 4 265-1121 Lillian

11 1/2 x 7 1/2 Oil paint on paper

Box 4 266-1121 Lillian

11 1/4 x 7 1/2 Oil paint on paper

Box 4 267-1121 Lillian

12 x 8 1/2 Ink on paper

Box 4 268-1121 Lillian

12 x 8 1/2 Ink on paper

Box 4 269-1121 Portrait

12 x 9 Ink on paper

Box 4 270-1121 Houses in Vermont

11 x 8 1/2 Conte crayon on paper

Box 4 271-1121 A Model

12 x 9 Crayon on paper

Box 4 272-1121 A Model

12 x 9 Crayon on paper

Box 4 273-1121 A Model

12 x 9 Crayon on paper

Box 4 274-1121 A Model

12 x 9 Crayon on paper

Box 4 275-1121 After Michelangelo [From Reproduction]

11 1/2 x 9 Conte crayon on paper

Box 4 276-1121 Portrait

Typing on verso. 11 x 8 1/2 Graphite pencil on paper

Box 4 277-1121 Wrestlers

From series for study for Linoleum-block-block cut. 11 1/2 x 9 Crayon on paper

Box 4 278-1121 Wrestlers

11 1/2 x 9 Crayon on paper

Box 4 279-1121 Wrestlers

11 1/2 x 9 Crayon on paper

Box 4 280-1121 Wrestlers

11 1/2 x 9 Crayon on paper

Box 4 281-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 4 282-1121 Lillian

11 x 8 1/2 Ink on paper

Box 4 283-1121 Lillian

9 1/2 x 6 1/2 Graphite pencil and watercolor on paper

Box 4 284-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 4 285-1121 Lillian

12 x 9 Crayon on paper

Box 4 286-1121 Young Woman

12 x 8 7/8 Conte crayon on paper

Box 4 287-1121 Tower Buildings

10 x 6 1/4 Graphite pencil on paper

Box 4 288-1121 Lillian

11 1/2 x 9 Conte crayon on paper

Box 4 289-1121 Lillian

13 x10 Conte crayon on paper

Box 4 290-1121 Lillian

13 x 10 Conte crayon on paper

Box 4 291-1121 Study for Wood Sculpture

11 1/2 x 9 Conte crayon on paper

Box 4 292-1121 Lillian Sitting

12 x 9 Crayon on paper

Box 4 293-1121 Lillian

12 x 9 Crayon on paper

Box 4 294-1121 Lillian

12 x 9 Ink on paper

Box 4 295-1121 Wood Figure

11 3/4 x 10 1/2 Ink on paper

Box 4 296-1121 Lillian Sleeping

12 x 9 Conte crayon on paper

Box 4 297-1121 Boating Trip

6 x 4 Conte crayon on paper

Box 4 298-1121 Boating Party

6 x 4 Conte crayon on paper

Box 4 299-1121 Wrestlers

12 x 10 Ink on paper

Box 4 300-1121 Lillian Sleeping

12 x 9 Conte crayon on paper

Box 4 301-1121 Lions

12 x 9 Ink on paper


Box 5 302-1121 Nude

12 x 9 Oil paint on paper

Box 5 303-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 5 304-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 5 305-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 5 306-1121 [Sophie Milgram]

10 3/8 x 7 1/4 Ink on paper

Box 5 307-1121 Lillian

11 x 8 1/2 Ink on paper

Box 5 308-1121 Lillian

Drawing on verso. 9 x 11 1/2 Ink on paper

Box 5 309-1121 Wrestlers

12 1/8 x 9 Crayon on paper

Box 5 310-1121 Lillian

11 x 8 1/2 Ink on paper

Box 5 311-1121 High Bridge - East River

8 1/2 x 6 3/8 Ink on paper

Box 5 312-1121 Lillian

Dated March 14. 11 x 8 1/2 Ink on paper

Box 5 313-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 5 314-1121 [Lillian]

6 x 4 Graphite pencil on paper

Box 5 315-1121 Lillian

6 x 4 Ink on paper

Box 5 316-1121 Lillian

6 x 4 Ink on paper

Box 5 317-1121 [Lillian and Teddy]

6 1/2 x 4 1/4 Crayon on paper

Box 5 318-1121 [Lillian]

11 x 8 1/2 Graphite pencil on paper

Box 5 319-1121 Riverside Drive - Sketch for Painting

8 1/4 x 6 1/4 Ink on paper

Box 5 320-1121 Sketches

Drawing on verso. 8 1/2 x 8 1/2 Ink and graphite pencil on napkin

Box 5 321-1121 Drawings of Friends

Drawing and inscription on verso. 9 x 6 Graphite pencil on paper

Box 5 322-1121 Riverside Park

6 1/4 x 8 1/8 Ink on paper

Box 5 323-1121 From Sculpture - From Imagination

6 x 4 Graphite pencil on paper

Box 5 324-1121 Lillian

11 x 8 1/2 Ink on paper

Box 5 325-1121 [Lillian]

6 x 4 Graphite pencil on paper

Box 5 326-1121 Lillian

9 x 12 Ink on paper

Box 5 327-1121 Lillian Sleeping

12 x 9 Conte crayon on paper

Box 5 328-1121 In New York Subway

Inscription on verso. 6 x 4 Graphite pencil on paper

Box 5 329-1121 From Imagination - From Sculpture

4 x 6 Graphite pencil on paper

Box 5 330-1121 After Michelangelo

6 x 4 Ink on paper

Box 5 331-1121 [Katherine Milgram]

11 1/2 x 8 1/2 Graphite pencil on paper

Box 5 332-1121 City Scene

11 x 6 15/16 Crayon on paper

Box 5 333-1121 Riverside Park

4 x 6 Crayon on paper

Box 5 334-1121 Columbia Friend - Marty Raphael

12 1/8x 9 1/4 Ink on paper

Box 5 335-1121 Lillian Sewing

11 x 8 1/2 Graphite pencil on paper

Box 5 336-1121 Lillian Sewing

11 x 8 1/2 Graphite pencil on paper

Box 5 337-1121 Lillian

8 1/2 x 11 Graphite pencil on paper

Box 5 338-1121 Howard Shaw

11 x 8 1/2 Conte crayon on paper

Box 5 339-1121 Lillian

9 x 12 Charcoal on paper

Box 5 340-1121 Untitled

12 1/2 x 10 Watercolor on paper

Box 5 341-1121 Two Heads

11 1/2 x 9 Ink on paper

Box 5 342-1121 For Wood Sculpture

10 x 7 1/4 Ink on paper

Box 5 343-1121 Landscape

8 1/2 x 11 Crayon on paper

Box 5 344-1121 Landscape

4 x 6 Ink on paper

Box 5 345-1121 Woman

Drawing on verso. 11 1/8 x 8 1/2 Graphite pencil on paper

Box 5 346-1121 Wood Sculpture

10 x 7 1/4 Ink on paper

Box 5 347-1121 Drawing of Wood Sculpture

11 1/2 x 8 1/2 Ink on paper


Box 6 348-1121 Berlin

Box 6 contains drawings relating to Schapiro's trip to Berlin and Brussels in 1923 and includes portraits of Whittaker Chambers. 10 7/8 x 8 1/2 Conte crayon on paper

Box 6 349-1121 [Henry Zolinsky]

Inscribed: Berlin (in Stillman's studio). 9 1/8 x 7 1/8 Conte crayon on paper

Box 6 350-1121 [Henry Zolinsky]

Incribed: Brussels. 10 3/8 x 7 7/8 Conte crayon on paper

Box 6 351-1121 Brussels

8 3/8 x 10 7/8 Conte crayon on paper

Box 6 352-1121 Outskirts of Brussels

8 3/8 x 10 7/8 Conte crayon on paper

Box 6 353-1121 Berlin

8 3/8 x 10 7/8 Conte crayon on paper

Box 6 354-1121 Outskirts of Brussels

8 7/8 x 10 7/8 Conte crayon on paper

Box 6 355-1121 Drawing of Henry Zolinsky

Inscribed: Berlin, in studio of Ary Stillman. 9 1/8 x 7 1/8 Conte crayon on paper

Box 6 356-1121 Brussels

8 3/8 x 10 7/8 Conte crayon on paper

Box 6 357-1121 Henry Zolinsky

Inscribed: Berlin. 9 1/8 x 7 1/8 Conte crayon on paper

Box 6 358-1121 Henry Zolinsky

Inscribed: Berlin. 9 x 7 1/8 Conte crayon on paper

Box 6 359-1121 Whittaker

Inscribed: Brussels 8 3/8 x 10 3/8 Conte crayon on paper

Box 6 360-1121 Whittaker

Inscribed: Brussels. 10 7/8 x 8 3/8 Conte crayon on paper

Box 6 361-1121 Whittaker Reading

Inscribed: Brussels. 10 7/8 x 8 3/8 Conte crayon on paper

Box 6 362-1121 Whittaker Behind

Inscribed: Brussels. 10 7/8 x 8 3/8 Conte crayon on paper

Box 6 363-1121 Whittaker

Inscribed: Brussels. 8 3/8 x 10 7/8 Conte crayon on paper

Box 6 364-1121 Henry Zolinsky

Inscribed: Berlin. Drawing on verso. 9 x 7 1/8 Conte crayon on paper

Box 6 365-1121 Outskirts of Brussels

8 3/8 x 10 7/8 Conte crayon on paper

Box 6 366-1121 Park - Brussels

10 7/8 x 8 3/8 Conte crayon on paper

Box 6 367-1121 Drawn on Dutch Boat [Veendam]

Inscribed: from Jester. 5 3/4 x 5 1/4 Conte crayon on clipping

Box 6 368-1121 Meyer and Whittaker's Room

Inscribed: Brussels. 8 1/8 x 6 3/8 Conte crayon on paper

Box 6 369-1121 [Henry Zolinksky]

9 1/8 x 7 1/8 Conte crayon on paper

Box 6 370-1121 Outskirts of Brussels

8 7/8 x 10 7/8 Conte crayon on paper

Box 6 371-1121 Outskirts - Brussels

10 7/8 x 8 3/8 Conte crayon on paper

Box 6 372-1121 Whittaker

Inscribed: Brussels. 8 3/8 x 10 3/8 Conte crayon on paper

Box 6 373-1121 Outskirts - Brussels

8 3/8 x 10 7/8 Conte crayon on paper

Box 6 374-1121 Brussels

10 7/8 x 8 1/2 Conte crayon on paper

Box 6 375-1121 Brussels

10 7/8 x 8 3/8 Conte crayon on paper

Box 6 376-1121 Brussels

8 3/8 x 10 7/8 Conte crayon on paper


Box 7 377-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 378-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 379-1121 Woman Washing

8 1/2 x 5 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 380-1121 Coal Storage Building [Pennsylvania]

8 x 5 Conte crayon on paper

Box 7 381-1121 Landscape - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 382-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 383-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 384-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 385-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on paper

Box 7 386-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 387-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 388-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 389-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 390-1121 Figure Study

7 3/4 x 5 Conte crayon on lined paper

Box 7 391-1121 Figure Study

7 3/4 x 5 Conte crayon on lined paper

Box 7 392-1121 Barrow Farms

4 1/4 x 4 Graphite pencil on Barrow Farms Inn letterhead envelope

Box 7 393-1121 Figure

7 3/4 x 5 Conte crayon on lined paper

Box 7 394-1121 Barrow Farms

8 1/2 x 5 1/2 Charcoal on paper

Box 7 395-1121 Barrow Farms

5 1/2 x 6 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 396-1121 Barrow Farms

5 1/2 x 6 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 397-1121 [Barrow Farms]

5 x 7 3/4 Charcoal on lined paper

Box 7 398-1121 [Barrow Farms]

5 1/2 x 8 1/2 Ink on paper

Box 7 399-1121 Barrow Farms

5 1/2 x 4 1/4 Charcoal on Barrow Farms Inn letterhead stationery

Box 7 400-1121 Barrow Farms

5 1/2 x 8 1/2 Charcoal on Barrow Farms Inn letterhead stationery

Box 7 401-1121 Barrow Farms

5 1/2 x 8 1/2 Charcoal on Barrow Farms Inn letterhead stationery

Box 7 402-1121 Barrow Farms

5 1/2 x 8 1/2 Charcoal on Barrow Farms Inn letterhead stationery

Box 7 403-1121 Barrow Farms

Inscribed on verso. 5 1/2 x 8 1/2 Charcoal on Barrow Farms Inn letterhead stationery

Box 7 404-1121 Barrow Farms

5 3/4 x 8 1/2 Charcoal on paper

Box 7 405-1121 Barrow Farms

5 1/2 x 4 3/8 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 406-1121 Townscape - Barrow Farms

Drawing on verso. 5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 407-1121 Cabins and Country - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 408-1121 Landscape

5 1/2 x 7 3/4 Conte crayon on lined paper

Box 7 409-1121 Barrow Farms

4 1/4 x 5 1/2 Charcoal on Barrow Farms Inn letterhead stationery

Box 7 410-1121 Cabins - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 411-1121 Haircut - Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 412-1121 Landscape - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 413-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 414-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 415-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 416-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 417-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 418-1121 Barrow Farms

5 1/2 x 7 7/8 Graphite pencil on paper

Box 7 419-1121 Barrow Farms

5 x 7 3/4 Conte crayon on lined paper

Box 7 420-1121 Landscape - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 421-1121 Barrow Farms

7 7/8 x 4 7/8 Graphite pencil on paper

Box 7 422-1121 Barrow Farms

8 1/2 x 5 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 423-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 424-1121 Barrow Farms

5 3/4 x 8 1/2 Conte crayon on paper

Box 7 425-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on paper

Box 7 426-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 427-1121 [Jack Rush] - Barrow Farms

8 1/2 x 5 1/2 Graphite pencil on paper

Box 7 428-1121 [Jack Rush - Barrow Farms]

8 1/2 x 5 1/2 Graphite pencil on paper

Box 7 429-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on paper

Box 7 430-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 431-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 432-1121 [Barrow Farms]

5 1/2 x 7 3/4 Conte crayon on lined paper

Box 7 433-1121 Barrow Farms

Two sheets. 5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 434-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 435-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 436-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 437-1121 Barrow Farms

7 3/4 x 5 Conte crayon on lined paper

Box 7 438-1121 Barrow Farms

8 1/2 x 5 1/2 Charcoal on Barrow Farms Inn letterhead stationery

Box 7 439-1121 Barrow Farms

5 x 7 3/4 Conte crayon on lined paper

Box 7 440-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 441-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 442-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on paper

Box 7 443-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 444-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 445-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on paper

Box 7 446-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 447-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 448-1121 Seated Figure - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 449-1121 Seated Figure - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery

Box 7 450-1121 Horse - Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 451-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 452-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 453-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery

Box 7 454-1121 Barrow Farms

5 5/8 x 8 1/2 Charcoal on paper

Box 7 455-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 8 456-1121 Ernest

11 1/2 x 9 Pastels on paper

Box 8 457-1121 New York Skyline

5 7/8 x 8 15/16 Ink on paper

Box 8 458-1121 Bridge - New York

10 1/2 x 8 Graphite pencil on paper

Box 8 459-1121 Wooden Structures - Vermont

11 x 15 Oil paint on paper

Box 8 460-1121 Vermont House with Abstract Sky

12 x 8 7/8 Oil paint on paper

Box 8 461-1121 Abstraction - Horned Animal Head

9 5/8 x 6 7/8 Oil paint on cardboard

Box 8 462-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 8 463-1121 Lillian

10 1/4 x 8 Crayon on paper

Box 8 464-1121 France [Cluny]

5 3/8 x 7 Conte crayon on paper

Box 8 465-1121 Lillian

10 1/2 x 8 1/2 Graphite pencil on paper

Box 8 466-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 8 467-1121 A Vermont Landscape

8 1/2 x 10 5/8 Conte crayon on paper

Box 8 468-1121 Lillian

6 x 4 Conte crayon on paper

Box 8 469-1121 Lillian and Miriam

6 x 4 Graphite pencil on paper

Box 8 470-1121 Miriam

12 x 9 1/2 Conte crayon on paper

Box 8 471-1121 Lillian

10 x 6 3/8 Ink on paper

Box 8 472-1121 Untitled

Page of travel diary from trip to St. Gilles, France, 1931. Inscribed on verso. 7 1/2 x 5 1/2 Ink on paper

Box 8 473-1121 Lillian - Belmont, Vermont

11 x 8 1/2 Graphite pencil on paper

Box 8 474-1121 Lillian

12 1/4 x 9 1/8 Gouache on paper

Box 8 475-1121 Lillian

8 1/2 x 10 7/8 Graphite pencil on paper

Box 8 476-1121 Lillian

6 x 4 Graphite pencil on paper

Box 8 477-1121 Mark in the Desert #4

5 x 8 Conte crayon on paper

Box 8 478-1121 Dog and Flower

11 x 8 1/2 Oil paint on paper

Box 8 479-1121 Abstraction - Vertical Forms #1

12 x 9 1/8 Oil paint on paper

Box 8 480-1121 Miriam, Lillian and Miriam

11 x 8 1/2 Graphite pencil on paper

Box 8 481-1121 Lillian

10 1/2 x 8 Graphite pencil on paper

Box 8 482-1121 Mark in the Desert #3

5 x 8 Conte crayon on paper

Box 8 483-1121 Lillian

8 1/2 x 11 Graphite pencil on paper

Box 8 484-1121 Miriam

9 x 12 1/8 Conte crayon on paper

Box 8 485-1121 Miriam - Vermont

Inscribed: from VIII. 9 1/8 x 12 Oil paint on paper

Box 8 486-1121 Male Study

10 7/8 x 8 1/2 Crayon on paper

Box 8 487-1121 Woman

4 x 6 Crayon on paper

Box 8 488-1121 Lillian

4 1/4 x 6 1/2 Conte crayon on paper

Box 8 489-1121 Unknown City

10 1/2 x 7 1/2 Pastels on paper

Box 8 490-1121 Unknown City

8 1/2 x 6 3/4 Conte crayon on paper

Box 8 491-1121 Vermont Hill House

10 3/4 x 7 Crayon on paper

Box 8 492-1121 Lillian

9 3/8 x 12 1/8 Oil on paper

Box 8 493-1121 Vermont House and Barn and Lean-to from Roadside

11 x 8 1/2 Crayon on paper

Box 8 494-1121 A Vermont Landscape

11 1/8 x 14 Oil paint on paper

Box 8 495-1121 A Vermont Scene

11 x 8 3/8 Crayon on paper

Box 8 496-1121 A Vermont Scene

11 x 8 1/2 Crayon on paper

Box 8 497-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 8 498-1121 Young Girl

10 7/8 x 8 1/2 Crayon on paper

Box 8 499-1121 [Vermont Lake]

4 x 5 Oil paint on scopecontentcard

Box 8 500-1121 For Ernest

10 x 13 1/8 Pastels on paper

Box 8 501-1121 Hair Drawing

Inscribed on verso: this was made by gluing hair to paper. 9 x 4 3/4 Graphite pencil on paper

Box 8 502-1121 Vermont Hill House

12 x 9 Oil paint on paper

Box 8 503-1121 Ernest

11 x 8 1/2 Crayon on paper

Box 8 504-1121 Lillian

10 7/8 x 8 1/2 Graphite pencil on paper

Box 8 505-1121 Children at Winhall Brook Below Vermont House

12 5/8 x 9 3/8 Oil paint on paper

Box 8 506-1121 Vermont From Hill - Unfinished

4 x 6 Gouache on paper

Box 8 507-1121 Vermont Garage - Unfinished

12 x 9 Oil paint on paper

Box 8 508-1121 Vermont Hill House

9 1/8 x 6 1/8 Gouache on paper

Box 8 509-1121 Vermont Garage - Unfinished

12 x 9 Oil paint on paper

Box 8 510-1121 Lillian

10 1/2 x 8 1/4 Colored pencil on paper

Box 8 511-1121 [Vermont]

8 1/2 x 11 Crayon on paper

Box 8 512-1121 For Ernest

12 x 8 3/8 Pastels on paper

Box 8 513-1121 Miriam

10 7/8 x 6 Crayon on envelope

Box 8 514-1121 Woman in Bathing Suit

9 5/8 x 12 1/2 Colored pencil on paper

Box 8 515-1121 Lillian

12 x 9 1/4 Ink on paper

Box 8 516-1121 Vermont Carbapple Tree

9 1/2 x 6 Gouache on paper

Box 8 517-1121 Miriam

8 3/8 x 11 Crayon on paper

Box 8 518-1121 Ink Blot of Signature of Meyer Schapiro

6 x 3 7/8 Ink on paper

Box 8 519-1121 Head

8 1/2 x 6 1/2 Conte crayon on paper

Box 8 520-1121 Hill House and House

12 1/8 x 9 Oil paint on paper

Box 8 521-1121 Dora Milgram

With five photocopies of original drawing. 12 1/8 x 9 1/2 Crayon on paper

Box 8 522-1121 Lillian

10 3/8 x 8 Graphite pencil on paper

Box 8 523-1121 Head

11 x 8 1/2 Crayon on paper

Box 8 524-1121 Ernest

11 x 8 1/2 Oil pastels on paper

Box 8 525-1121 [Female Head]

6 x 4 Conte crayon on paper

Box 8 526-1121 Lillian Asleep

4 x 6 Graphite pencil on paper

Box 8 527-1121 Lillian on Ship

Drawing on verso. 8 1/4 x 10 3/4 Graphite pencil on stationery

Box 8 528-1121 Vermont - Rausonville

Inscribed on verso: from III. 8 1/2 x 11 Conte crayon on paper

Box 8 529-1121 Lillian on Ship

8 1/4 x 10 3/4 Graphite pencil on stationery

Box 8 530-1121 After Mantegna

11 x 8 1/2 Graphite pencil on paper

Box 8 531-1121 Lillian - Europe

8 1/2 x 11 Conte crayon on paper

Box 8 532-1121 [France]

5 3/8 x 7 Conte crayon on paper

Box 8 533-1121 [France]

6 1/8 x 9 Conte crayon on paper

Box 8 534-1121 Lillian

6 x 4 Graphite pencil on paper

Box 8 535-1121 Lillian and Teddy

8 1/2x 11 Graphite pencil on paper

Box 8 536-1121 Lillian

13 1/8 x 9 3/8 Ink on paper

Box 8 537-1121 Lillian

12 x 9 3/4 Ink on paper

Box 8 538-1121 Lillian

13 1/4 x 9 1/4 Ink on paper

Box 8 539-1121 Lillian

11 1/2 x 9 Ink on paper

Box 8 540-1121 Teddy

Inscribed on verso: Katherine Milgram Shaw. 11 x 8 1/2 Conte crayon on paper

Box 8 541-1121 [Europa and Bull]

5 1/4 x 8 1/2 Graphite pencil on paper

Box 8 542-1121 Landscape - Sketch

6 x 3 5/8 Graphite pencil on paper

Box 8 543-1121 Vermont House and Barn

8 3/8 x 11 Crayon on paper

Box 8 544-1121 Miriam

9 x 12 Charcoal on paper

Box 8 545-1121 Vermont House and Lean-to

11 x 8 1/2 Graphite pencil on paper

Box 8 546-1121 Miriam

9 3/8 x 13 Crayon on paper

Box 8 547-1121 [Vermont]

8 1/2 x 11 Crayon on paper

Box 8 548-1121 Landscape

8 7/8 x 11 3/8 Graphite pencil on paper

Box 8 549-1121 Ernest

11 x8 1/2 Conte crayon on paper

Box 8 550-1121 Vermont Hill House and House

12 x 9 Oil paint on paper

Box 8 551-1121 Rawsonville House From N.E.

9 x 12 Pastels on paper

Box 8 552-1121 Rawsonville House - Vermont

9 x 12 Pastels on paper

Box 8 553-1121 Rawsonville House - Vermont

9 x 12 Pastels on paper

Box 8 554-1121 Lilly Klein's House - Vermont

10 x 14 Conte crayon on paper

Box 8 555-1121 Lilly Klein's House

10 x 14 Conte crayon on paper

Box 8 556-1121 Vermont

9 x 12 Oil paint on paper

Box 8 557-1121 Vermont

9 3/4 x 12 Oil paint on paper

Box 8 558-1121 Sleeping Woman

8 1/2 x 11 Graphite pencil on paper

Box 8 559-1121 Bronze Sculpture

5 x 3 Graphite pencil on paper

Box 8 560-1121 From Piero Della Francesca

6 x 4 Ink on paper

Box 8 561-1121 Greek Sculpture

4 x 6 Graphite pencil on paper

Box 8 562-1121 Lillian

6 x 4 Graphite pencil on paper

Box 8 563-1121 Glebe Mountain - Rawsonville, Vermont

6 x 4 Graphite pencil on paper

Box 8 564-1121 Rawsonville

4 x 6 Ink on paper

Box 8 565-1121 Bowl and Lillian - Vermont

3 x 5 Ink on paper

Box 8 566-1121 Church - Europe

6 x 4 Graphite pencil on paper

Box 8 567-1121 Lillian

6 x 4 Graphite pencil on paper

Box 8 568-1121 Interior - [Vermont]

4 x 6 Ink on paper

Box 8 569-1121 St. George

6 x 4 Graphite pencil on paper

Box 8 570-1121 Miriam and Dog

11 x 8 1/2 Conte crayon on paper

Box 8 571-1121 Unknown

Drawing on verso. 4 x 6 Graphite pencil on paper

Box 8 572-1121 Lillian - Belmont, Vermont

11 1/2 x 9 Crayon on paper

Box 8 573-1121 Copy of a Manuscript - Pierpont Morgan Library

Accompanied by two sheets of research scopecontents. 4 x 6 Graphite pencil on paper

Box 8 574-1121 Tracing of a Man With Tie

4 x 6 Graphite pencil on paper

Box 8 575-1121 Monster and People

6 x 4 Ink on paper

Box 8 576-1121 [Subway]

6 x 4 Graphite pencil on paper

Box 8 577-1121 Belmont, Vermont

Inscribed: three trees above the roof of the Odd Fellows Hall, in Belmont, highest village in Vermont, in moonlight. 4 x 6 Graphite pencil on paper

Box 8 578-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 8 579-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 8 580-1121 Lillian

8 1/2 x 11 Graphite pencil on paper

Box 8 581-1121 Miriam

11 x 8 1/2 Graphite pencil on paper

Box 8 582-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 8 583-1121 After Rembrandt

4 x 6 Ink on paper

Box 8 584-1121 Miriam

11 x 8 1/2 Graphite pencil on paper

Box 8 585-1121 Miriam

11 x 8 1/2 Graphite pencil on paper

Box 8 586-1121 Miriam

9 x 12 Conte crayon on paper

Box 8 587-1121 Glebe Mountain - Vermont

4 x 6 Ink on paper

Box 8 588-1121 In Hunt's Garage - Mechanic Working on Car - South Londonderry, Vermont

6 x 4 Graphite pencil on paper

Box 8 589-1121 Meadow and Glebe Mountain - Vermont

4 x 6 Conte crayon on paper

Box 8 590-1121 Badminton Court and Glebe Mountain

4 x 6 Ink on paper

Box 8 591-1121 Glebe Mountain - Vermont

4 x 6 Conte crayon on paper

Box 8 592-1121 Sky

4 x 6 Conte crayon on paper

Box 8 593-1121 Tire Swing - Vermont

9 x 12 1/28 Oil paint on paper

Box 8 594-1121 Vermont House and Glebe Mountain

4 x 6 Conte crayon on paper

Box 8 595-1121 Meadow, Vermont, with Glebe Mountain

6 x 4 Ink on paper

Box 8 596-1121 Glebe Mountain - Vermont

4 x 6 Conte crayon on paper

Box 8 597-1121 Badminton Court - Vermont

4 x 6 Ink on paper

Box 8 598-1121 Kitchen - Vermont

4 x 6 Graphite pencil on paper

Box 8 599-1121 Animal Eating Flower

3 1/8 x 4 1/4 Graphite pencil on scrap

Box 8 600-1121 Winhall Brook

4 x 6 Ink on paper

Box 8 601-1121 In Hunt's Garage - Mechanic Working on Car - South Londonderry, Vermont

6 x 4 Graphite pencil on paper

Box 8 602-1121 In Hunt's Garage - Mechanic Working on Car - South Londonderry, Vermont

4 x 6 Graphite pencil on paper

Box 8 603-1121 In Hunt's Garage - Mechanic Working on Car - South Londonderry, Vermont

4 x 6 Graphite pencil on paper

Box 8 604-1121 In Hunt's Garage - Mechanic Working on Car - South Londonderry, Vermont

6 x 4 Graphite pencil on paper

Box 8 605-1121 Lillian

6 x 4 Graphite pencil on paper

Box 8 606-1121 Lillian

4 x 6 Ink on paper

Box 8 607-1121 [Memory of Soutine Painting]

6 x 4 Conte crayon on paper

Box 8 608-1121 Glebe Mountain - Vermont

3 x 5 Ink on paper

Box 8 609-1121 Clothesline - Vermont

8 1/2 x 11 Oil pastel on paper

Box 8 610-1121 Miriam

6 x 4 Ink on paper

Box 8 611-1121 Abstraction - Vertical Forms With Zig-Zag #3

12 x 9 1/8 Oil paint on paper

Box 8 612-1121 Miriam

Two sheets. 6 x 4 Ink on paper

Box 8 613-1121 Abstraction - Scroll Forms Over Diagonal Curvilinear Shape #4

12 x 9 1/8 Oil paint on paper

Box 8 614-1121 Boy

8 1/2 x 5 1/2 Ink on paper

Box 8 615-1121 Abstraction - Diagonal Curvilinear Shapes With Rectangles #6

12 x 9 Oil paint on paper

Box 8 616-1121 Abstraction - Vertical Forms #2

12 x 9 1/8 Oil paint on paper

Box 8 617-1121 Cowboy

11 1/4 x 8 1/2 Oil paint on paper

Box 8 618-1121 Lillian on Ship

10 5/8 x 8 3/8 Graphite pencil on stationery

Box 8 619-1121 Nun - On Ship

8 1/4 x 10 3/4 Graphite pencil on stationery

Box 8 620-1121 Lillian On Ship

8 1/4 x 10 3/4 Graphite pencil on stationery

Box 8 621-1121 Lillian

10 3/4 x 8 1/4 Graphite pencil on stationery

Box 8 622-1121 Lillian On Ship

8 1/4 x 10 3/4 Graphite pencil on stationery

Box 8 623-1121 Lillian and Ernest

11 x 8 1/2 Conte crayon on paper

Box 8 624-1121 [Black Form in Landscape]

12 x 9 Oil paint on paper

Box 8 625-1121 Ernest Greeting Arrivals

8 1/2 x 11 Conte crayon on paper

Box 8 626-1121 Lillian

9 1/8 x 8 1/2 Conte crayon on paper

Box 8 627-1121 Lillian and Couple On Ship

8 1/4 x 10 3/4 Graphite pencil on stationery

Box 8 628-1121 Two Femme Heads

8 3/8 x 8 5/8 Conte crayon on paper

Box 8 629-1121 Lillian

10 3/8 x 8 Graphite pencil on paper

Box 8 630-1121 Sleeping Figure

4 x 6 Graphite pencil on paper

Box 8 631-1121 Man Lifting Child

11 x 8 1/2 Conte crayon on paper

Box 8 632-1121 Mother and Child

6 x 4 Graphite pencil on paper

Box 8 633-1121 Ernest On Rock in Winhall Brook with Weasel

8 1/2 x 11 Pastels on paper

Box 8 634-1121 Ernest

8 1/2 x 11 Conte crayon on paper

Box 8 635-1121 Child Asleep

8 1/2 x 11 Conte crayon on paper

Box 8 636-1121 [Ernest]

8 1/2 x 11 Conte crayon on paper

Box 8 637-1121 My Family

8 1/2 x 11 Conte crayon on paper

Box 8 638-1121 Cityscape

8 1/2 x 11 Conte crayon on paper

Box 8 639-1121 Cityscape

8 1/2 x 11 Conte crayon on paper

Box 8 640-1121 Farm Scene

8 1/2 x 11 Conte crayon on paper

Box 8 641-1121 Weasels

8 1/2 x 11 Conte crayon on paper

Box 8 642-1121 Miriam

11 x 8 1/2 Conte crayon on paper

Box 8 643-1121 Ernest - Vermont

11 x 8 1/2 Graphite pencil on paper

Box 8 644-1121 Lillian and Ernest - Vermont

11 x 8 1/2 Graphite pencil on paper

Box 8 645-1121 clotheslines - Vermont

8 1/2 x 11 Conte crayon on paper

Box 8 646-1121 Miriam

Drawing on verso. 11 x 8 1/2 Conte crayon on paper

Box 8 647-1121 W Motif

6 x 4 Conte crayon on paper

Box 8 648-1121 Miriam

8 1/2 x 11 Conte crayon on paper

Box 8 649-1121 W Motif

Drawing on verso. 6 x 4 Conte crayon on paper

Box 8 650-1121 W Motif

Drawing on verso. 6 x 4 Ink on paper

Box 8 651-1121 Miriam

11 x 8 1/2 Conte crayon on paper

Box 8 652-1121 Miriam

11 x 8 1/2 Pastels on paper

Box 8 653-1121 Building

6 1/4 x 8 1/2 Conte crayon on paper

Box 8 654-1121 Mark in the Desert [#1]

5 x 8 Conte crayon on paper

Box 8 655-1121 Mark in the Desert #4

5 x 8 Conte crayon on paper

Box 8 656-1121 Couple on Stage

8 5/8 x 11 1/4 Graphite pencil on paper

Box 8 657-1121 [Dog]

Drawing on verso. 4 x 6 Graphite pencil on paper

Box 8 658-1121 [Dog]

4 x 6 Graphite pencil on paper

Box 8 659-1121 Eagle

4 x 6 Graphite pencil on paper

Box 8 660-1121 W Motif

=6 x 4 Conte crayon on paper

Box 8 661-1121 Heads

6 x 4 Conte crayon on paper

Box 8 662-1121 Head in Circle

6 x 4 Conte crayon on paper

Box 8 663-1121 W Motif

6 x 4 Conte crayon on paper

Box 8 664-1121 W Motif

6 x 4 Conte crayon on paper

Box 8 665-1121 [Dog]

4 x 6 Graphite pencil on paper

Box 8 666-1121 Animal

4 x 6 Graphite pencil on paper

Box 8 667-1121 W Motif

6 x 4 Conte crayon on paper

Box 8 668-1121 W Motif

Drawing on verso, 6 x 4 Conte crayon on paper

Box 8 669-1121 W Motif

6 x 4 Conte crayon on paper

Box 8 670-1121 Female Heads and Ls

Drawing on verso. 4 x 6 Graphite pencil on paper

Box 8 671-1121 Vermont Meadow With Glebe Mountain

4 1/8 x 6 Oil paint on paper

Box 8 672-1121 Miriam

11 x 8 3/8 Graphite pencil on paper

Box 8 673-1121 Miriam

11 x 8 1/2 Graphite pencil on paper

Box 8 674-1121 Rawsonville

9 1/2 x 12 1/4 Oil paint on paper

Box 8 675-1121 Vermont

9 7/8 x 12 Oil paint on paper

Box 8 676-1121 Lillian and [Miriam or Ernest]

9 x 11 1/2 Oil paint on paper

Box 8 677-1121 Miriam and Doll

Drawing on verso. 11 x 8 Graphite pencil on paper

Box 8 678-1121 Miriam - Vermont

9 x 12 Oil paint on paper

Box 8 679-1121 Miriam

12 5/8 x 9 1/8 Oil paint on paper

Box 8 680-1121 Vermont Landscape

14 1/2 x 11 Oil paint on paper

Box 8 681-1121 Rawsonville House With Children

11 1/2 x 9 Pastels on paper

Box 8 682-1121 Apple Tree - Rawsonville

9 1/2 x 12 1/4 Oil paint on paper

Box 8 683-1121 Vermont

9 1/2 x 12 Oil paint on paper

Box 8 684-1121 Meyer and Lillian in Vermont

4 x 5 Oil paint on scopecontentcard

Box 8 685-1121 Rawsonville House - Vermont

9 1/8 x 11 1/2 Oil paint on paper

Box 8 686-1121 Vermont

9 1/2 x 12 Oil paint on paper

Box 8 687-1121 Near Cloisters, Washington Heights

10 x 12 Gouache on paper

Box 8 688-1121 Lillian

12 1/4 x 9 Ink on paper

Box 8 689-1121 Meyer Working in Vermont - Sketch for a Painting

Drawing on verso. 9 1/4 x 12 1/4 Oil paint on paper

Box 8 690-1121 Meadow and Glebe Mountain - Vermont

9 1/8 x 11 1/2 Oil paint on paper


Box 9 691-1121 Lillian

11 1/4 x 8 15/16 Colored pencil on paper

Box 9 692-1121 Model

11 1/8 x 8 1/2 Graphite pencil on paper

Box 9 693-1121 Lillian - Vermont

11 1/2 x 9 Ink on paper

Box 9 694-1121 Lillian - Montpellier, France

7 5/8 x 5 1/4 Ink on graph paper

Box 9 695-1121 Church

8 1/4 x 5 1/4 Crayon on graph paper

Box 9 696-1121 Lillian

11 1/8 x 8 1/2 Graphite pencil on paper

Box 9 697-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper

Box 9 698-1121 [Lillian - Belmont]

11 x 8 1/2 Crayon on paper

Box 9 699-1121 Lillian - Belmont

11 x 8 1/2 Crayon on paper

Box 9 700-1121 Lillian - Belmont

11 x 8 1/2 Crayon on paper

Box 9 701-1121 Model

11 1/8 x 8 1/2 Crayon on paper

Box 9 702-1121 Model

11 1/8 x 8 1/2 Crayon on paper

Box 9 703-1121 Le Havre

8 3/8 x 5 1/2 Pastels on cardboard

Box 9 Lillian

9 x 4 Graphite pencil on paper

Box 9 705-1121 Belmont

6 3/16 x 9 3/8 Crayon on paper

Box 9 706-1121 Lillian - Montpellier, France

8 1/4 x 5 5/16 Ink on graph paper

Box 9 707-1121 Lillian - Montpellier, France

8 1/4 x 5 5/16 Ink on graph paper

Box 9 708-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 9 709-1121 Nude

6 x 4 Graphite pencil on paper

Box 9 710-1121 [Belmont]

11 x 8 1/2 Crayon on paper

Box 9 711-1121 Lillian

5 1/2 x 8 1/2 Graphite pencil on paper

Box 9 712-1121 Belmont

9 3/8 x 6 1/4 Crayon on paper

Box 9 713-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 9 714-1121 Lillian

6 x 4 Conte crayon on paper

Box 9 715-1121 Lillian - Belmont, Vermont

Inscribed: from III. 9 1/4 x 6 1/4 Graphite pencil on paper

Box 9 716-1121 Lillian

Inscribed: Belmont. 12 x 9 Crayon and watercolor on paper

Box 9 717-1121 After Sculpture

6 x 4 Graphite pencil on paper

Box 9 718-1121 Town Landscape Next to Tall Buildings

13 x 10 Gouache on paper

Box 9 719-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper

Box 9 720-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper

Box 9 721-1121 Lillian

11 x 81/2 Graphite pencil on paper

Box 9 722-1121 Woman

8 1/2 x 5 1/4 Crayon on paper

Box 9 723-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper

Box 9 724-1121 [Heads of Lillian]

7 1/4 x 5 3/4 Ink on paper

Box 9 725-1121 Belmont, Vermont

11 x 8 1/2 Crayon on paper

Box 9 726-1121 Vermont

8 x 5 Ink on paper

Box 9 727-1121 Vermont

8 x 5 Ink on paper

Box 9 728-1121 [Belmont, Vermont]

11 x 8 1/2 Crayon on paper

Box 9 729-1121 Woman

11 x 8 1/2 Graphite pencil on paper

Box 9 730-1121 Avignon - South France

10 1/2 x 8 3/8 Ink on paper

Box 9 731-1121 Lillian

6 7/8 x 5 1/8 Graphite pencil on paper

Box 9 732-1121 Pots

5 x 2 7/8 Graphite pencil on paper

Box 9 733-1121 Cycladic Sculpture

5 x 2 7/8 Graphite pencil on paper

Box 9 734-1121 Cycladic Sculpture

5 x 2 7/8 Graphite pencil on paper

Box 9 735-1121 Portrait

6 x 4 Ink on paper

Box 9 736-1121 Nude

6 x 4 Crayon on paper

Box 9 737-1121 Asleep on Table Edge

11 x 8 1/2 Ink on paper

Box 9 738-1121 Belmont

9 1/2 x 6 1/2 Crayon on paper

Box 9 739-1121 Belmont

11 x 8 1/2 Crayon on paper

Box 9 740-1121 Nude

6 x 4 Graphite pencil on paper

Box 9 741-1121 Europe

Drawing on verso inscribed: Friend. 7 3/4 x 4 7/8 Ink on paper

Box 9 742-1121 Belmont

9 3/8 x 6 3/8 Crayon on paper

Box 9 743-1121 Europe

7 5/8x 4 7/8 Ink on paper

Box 9 744-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 9 745-1121 Country Silhouette

5 x 8 Conte crayon on paper

Box 9 746-1121 Rawsonville House - Vermont

9 x 12 Pastels on paper

Box 9 747-1121 Lillian

11 x 8 1/2 Crayon on paper

Box 9 748-1121 Lillian

5 1/2 x 7 1/2 Graphite pencil on graph paper

Box 9 749-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 9 750-1121 Lillian

11 x 8 1/2 Ink on paper

Box 9 751-1121 Lillian

11 x 8 1/2 Crayon on paper

Box 9 752-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 9 753-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 9 754-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 9 755-1121 A Statuet [sic] and a Plant

12 x 10 Ink on paper

Box 9 756-1121 Wood Statues amd Some Plant [sic]

11 1/2 x 7 1/2 Ink on paper

Box 9 757-1121 Poor Man

4 3/8 x 7 1/2 Oil paint on paper

Box 9 758-1121 Lillian

12 x 10 Ink on paper

Box 9 759-1121 Lillian

12 1/8 x 9 1/8 Ink on paper

Box 9 760-1121 Lillian

12 1/8 x 8 1/2 Ink on paper

Box 9 761-1121 Marty Raphael

12 1/4 x 9 Ink on paper

Box 9 762-1121 A Friend

12 1/4 x 9 Ink on paper

Box 9 763-1121 Bulldog

11 x 8 1/2 Crayon on paper

Box 9 764-1121 Lillian

12 x 9 3/8 Ink on paper

Box 9 765-1121 Lillian

10 3/8 x 8 Crayon on paper

Box 9 766-1121 Ernest

Drawn on verso of letter to Lillian Milgram from the E.L. Patch Company. 10 7/8 x 8 3/8 Graphite pencil on paper

Box 9 767-1121 Lillian

Inscribed on verso: "The Little Finger" or "A Great Improvement." 10 3/8 x 8 Crayon on paper

Box 9 768-1121 Unknown

11 1/2 x 9 Conte crayon on paper

Box 9 769-1121 Fish Tank

7 1/2 x 8 1/2 Graphite pencil on paper

Box 9 770-1121 [Vermont Road]

12 1/4 x 10 1/4 Oil paint on paper

Box 9 771-1121 Sleeping Woman

8 1/2 x 11 Graphite pencil on paper

Box 9 772-1121 Woman - [From Sculpture]

8 1/2 x 11 Conte crayon on paper

Box 9 773-1121 Lillian

11 x 8 1/2 Conte crayon on paper

Box 9 774-1121 Man Seated

11 x 8 1/2 Conte crayon on paper

Box 9 775-1121 Lillian

11 x 8 1/2 Conte crayon on paper

Box 9 776-1121 Ernest

11 x 8 1/2 Crayon on paper

Box 9 777-1121 Untitled

12 x 9 Graphite pencil and oil paint on paper

Box 9 778-1121 Belmont, Vermont

12 x 9 1/2 Watercolor on paper

Box 9 779-1121 Lillian

11 1/2 x 9 Crayon and oil paint on paper

Box 9 780-1121 Lillian in Belmont, Vermont

9 1/2 x 6 1/2 Crayon on paper

781-1121 Star Lake - Belmont

11 x 8 1/2 Crayon on paper

Box 9 782-1121 Belmont

11 x 8 1/2 Graphite pencil on Green Mountain College letterhead stationery

Box 9 783-1121 [Lillian]

12 x 9 1/2 Crayon on paper

Box 9 784-1121 [Hudson River]

6 1/4 x 8 1/2 Graphite pencil on paper

Box 9 785-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 9 786-1121 Lillian

Inscribed on verso: from XLIX. 8 1/2 x 11 Graphite pencil on paper

Box 9 787-1121 In Europe

Seven sheets. 7 1/2 x 5 1/2 Graphite pencil and ink on graph paper

Box 9 788-1121 Rawsonville

8 x 5 1/16 Crayon on paper

Box 9 789-1121 Miriam

14 1/2 x 9 3/4 Crayon on paper

Box 9 790-1121 Mother and Child

15 x 9 5/8 Crayon on paper

Box 9 791-1121 Lillian

9 x 12 Ink on paper

Box 9 792-1121 Lillian

10 1/2 x 8 1/2 Graphite pencil on paper

Box 9 793-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 9 794-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 9 795-1121 Belmont, Vermont

6 3/8 x 10 Crayon on paper

Box 9 796-1121 After Sculpture

6 x 4 Graphite pencil on paper

Box 9 797-1121 After a Statue

6 x 4 Graphite pencil on paper

Box 9 798-1121 Lillian

6 x 4 Graphite pencil on paper

Box 9 799-1121 [Belmont, Vermont]

11 x 8 1/2 Graphite pencil on paper

Box 9 800-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper

Box 9 801-1121 Belmont

8 1/2 x 5 3/8 Crayon on paper

Box 9 802-1121 Lillian

8 1/2 x 5 3/8 Graphite pencil on paper

Box 9 803-1121 Lillian in Europe

7 3/4 x 5 1/4 Graphite pencil on graph paper

Box 9 804-1121 Boaters Study

4 x 6 Crayon on paper

Box 9 805-1121 Boaters Study

4 x 6 Crayon on paper

Box 9 806-1121 Boaters Study

4 x 6 Crayon on paper

Box 9 807-1121 Belmont

Inscribed on verso. Sketch on verso initialed "LMS." 9 1/2 x 6 1/4 Crayon on paper

Box 9 808-1121 Belmont

9 1/2 x 6 1/4 Graphite pencil on paper

Box 9 809-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper

Box 9 810-1121 Wooden Sculpture

6 x 4 Graphite pencil on paper

Box 9 811-1121 Lillian

Drawing on verso. 7 1/8 x 5 1/4 Crayon on graph paper

Box 9 812-1121 Belmont

11 x 8 7/16 Crayon on paper

Box 9 813-1121 [Belmont]

5 5 /16 x 8 3/8 Crayon on paper

Box 9 814-1121 [Sophie Milgram] - Belmont

6 3/8 x 9 9/16 Crayon on paper

Box 9 815-1121 Female

5 1/2 x 8 7/16 Graphite pencil on paper

Box 9 816-1121 Lillian in Sad Mood

11 x 8 1/2 Graphite pencil on paper

Box 9 817-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper

Box 9 818-1121 Rawsonville House - Vermont

9 x 12 Oil paint on paper

Box 9 819-1121 On Rock in River

8 1/2 x 11 Conte crayon on paper

Box 9 820-1121 Lillian

11 1/2 x 9 Ink on paper

Box 9 821-1121 Untitled

11 x 8 1/2 Ink on paper

Box 9 822-1121 Lillian Nursing Miriam

6 x 4 Graphite pencil on paper

Box 9 823-1121 [Howard]

11 x 8 1/2 Crayon on paper

Box 9 824-1121 Lillian

6 x 4 Graphite pencil on paper


Box 10 825-1121 Female Head

11 1/2 x 9 Pastels on paper

Box 10 826-1121 [Couple on Stage]

8 1/2 x 11 1/4 Pastels on paper

Box 10 827-1121 Miriam #2

11 x 8 1/2 Pastels on paper

Box 10 828-1121 Passenger on Boat to Europe

11 x 8 1/2 Oil paint on paper

Box 10 829-1121 Lillian

Inscribed: Belmont, Summer 1932. Pregnant, unknown to two sisters. 9 1/2 x 6 1/2 Crayon and oil paint on paper

Box 10 830-1121 Household Objects - Vermont

11 x 8 1/2 Graphite pencil on paper

Box 10 831-1121 Curved Forms and Four Profiles

8 1/2 x 11 Conte crayon on paper

Box 10 832-1121 Found Cow's Pelvic Bone

6 x 4 Graphite pencil on paper

Box 10 833-1121 Sphere and Cube on Table

4 1/2 x 6 Oil paint on paper

Box 10 834-1121 Found Cow's Pelvic Bone

5 7/8 x 4 Graphite pencil on paper

Box 10 835-1121 Cemetery - Rawsonville

8 1/2 x 11 Conte crayon on paper

Box 10 836-1121 Miriam and Her Toys

8 1/2 x 11 Graphite pencil and pastels on paper

Box 10 837-1121 Young Woman

Drawing on verso. 11 x 8 1/2 Graphite pencil on paper

Box 10 838-1121 Miriam

6 x 4 Graphite pencil on paper

Box 10 839-1121 Corner of Studio - Vermont

Drawing on verso. Inscribed: 2 sides reversible. 4 x 6 Conte crayon on paper

Box 10 840-1121 [Person Dreaming]

12 x 8 1/2 Conte crayon on paper

Box 10 841-1121 Meyer and Lillian, Miriam and Dada

11 x 8 1/2 Graphite pencil on paper

Box 10 842-1121 Lillian

8 1/2 x 11 Conte crayon on paper

Box 10 843-1121 Color Study

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 4 x 5 Oil paint on scopecontentcard

Box 10 844-1121 Sphere and Cube on Table #2

4 5/8 x 6 Oil paint on paper

Box 10 845-1121 Color Study

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 5 x 4 Oil paint on paper

Box 10 846-1121 Color Study

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 4 x 5 Oil paint on paper

Box 10 847-1121 Color Study

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 4 x 5 Oil paint on paper

Box 10 848-1121 Color Study

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 4 x 5 Oil paint on paper

Box 10 849-1121 Family Admiration of Child

4 x 6 Conte crayon on paper

Box 10 850-1121 Family Admiration of Child

4 x 6 Conte crayon on paper

Box 10 851-1121 Miriam

6 x 4 Colored pencil on paper

Box 10 852-1121 Miriam

6 x 4 Graphite pencil on paper

Box 10 853-1121 Mother and Child

6 x 4 Graphite pencil on paper

Box 10 854-1121 Miriam

6 x 4 Conte crayon on paper

Box 10 855-1121 Lillian

6 x 4 Graphite pencil on paper

Box 10 856-1121 Lillian

6 x 4 Graphite pencil on paper

Box 10 857-1121 Lillian

6 x 4 Graphite pencil on paper

Box 10 858-1121 Miriam or Ernest

6 x 4 Graphite pencil on paper

Box 10 859-1121 Family Admiration of Child

4 x 6 Conte crayon on paper

Box 10 860-1121 Eye-Parasols

6 x 4 Graphite pencil on paper

Box 10 861-1121 [Lillian] and Ernest

4 x 11 Charcoal on paper

Box 10 862-1121 Howard Shaw

10 7/8 x 8 3/8 Graphite pencil on paper

Box 10 863-1121 Howard Shaw

11 x 8 3/8 Graphite pencil on paper

Box 10 864-1121 Kitchen - Vermont

4 x 6 Graphite pencil on paper

Box 10 865-1121 Kitchen

4 x 6 Conte crayon on paper

Box 10 866-1121 Color Study

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 4 x 5 Oil paint on paper

Box 10 867-1121 Unknow

11 x 8 1/2 Colored pencil on paper

Box 10 868-1121 [At Hapgood Pond] - Vermont

8 1/2 x 10 7/8 Conte crayon on paper

Box 10 869-1121 Ernest

8 1/2 x 11 Conte crayon on paper

Box 10 870-1121 Ernest

8 1/2 x 11 Conte crayon on paper

Box 10 871-1121 Ernest

8 1/2 x 11 Conte crayon on paper

Box 10 872-1121 Ernest

11 x 8 1/2 Conte crayon on paper

Box 10 873-1121 Lillian Reading the Paper - Vermont

9 x 10 3/4 Conte crayon on paper

Box 10 874-1121 Howard Shaw

8 3/8 x 10 7/8 Graphite pencil on paper

Box 10 875-1121 After Marcks

11 1/2 x 9 Ink on paper

Box 10 876-1121 After Marcks - From Memory

9 x 11 1/2 Pastels on paper

Box 10 877-1121 After Marcks - From Memory

11 1/2 x 9 Pastels on paper

Box 10 878-1121 City Scene

9 x 11 1/4 Ink on paper

Box 10 879-1121 City Scene

9 x 10 3/4 Pastels on paper

Box 10 880-1121 Lillian

9 1/2 x 12 Oil paint on paper

Box 10 881-1121 Children

9 1/2 x 12 1/4 Conte crayon on paper

Box 10 882-1121 Lillian

12 x 9 1/2 Conte crayon on paper

Box 10 883-1121 Running Nude

13 x 9 1/2 Conte crayon on paper

Box 10 884-1121 Miriam

11 1/2 x 9 Oil paint on paper

Box 10 885-1121 Two Heads in Frames

9 1/2 x 13 1/8 Graphite pencil on paper

Box 10 886-1121 Vermont

9 x 12 Watercolor on paper

Box 10 887-1121 Female Head

11 1/2 x 9 Pastels on paper

Box 10 888-1121 William's House - Vermont

9 1/2 x 12 Oil paint on paper

Box 10 889-1121 [Belmont]

9 1/2 x 12 1/4 Oil paint on paper

Box 10 890-1121 Female Head

11 1/2 x 9 Pastels on paper

Box 10 891-1121 Ernest

11 1/2 x 9 Pastels on paper

Box 10 892-1121 City Scene

9 x 10 3/4 Crayon on paper

Box 10 893-1121 Belmont

9 1/2 x 12 1/4 Oil paint on paper

Box 10 894-1121 Belmont

9 1/2 x 12 1/4 Oil paint on paper

Box 10 895-1121 West 4th Street

8 1/2 x 11 Pastels on paper

Box 10 896-1121 Teddy and Howard

11 x 8 1/2 Graphite pencil on paper

Box 10 897-1121 Landman's Barn

8 1/2 x 11 Conte crayon on paper

Box 10 898-1121 Landscape - On Boat to Europe

8 1/2 x 11 Oil paint on paper

Box 10 899-1121 Nuns - On Boat to Europe

11 1/8 x 8 1/2 Oil paint on paper

Box 10 900-1121 Sailor on Boat to Europe

11 1/8 x 8 1/2 Oil paint on paper

Box 10 901-1121 Passenger on Boat to Europe

11 1/8 x 8 1/2 Oil paint on paper

Box 10 902-1121 Passenger on Boat to Europe

11 1/8 x 8 1/2 Oil paint on paper

Box 10 903-1121 On Boat to Europe

11 1/8 x 8 1/2 Oil paint on paper

Box 10 904-1121 On Boat to Europe

8 1/2 x 11 1/8 Oil paint on paper

Box 10 905-1121 Lillian

11 1/8 x 8 1/2 Oil paint on paper

Box 10 906-1121 Lillian - Profile

11 1/8 x 8 1/2 Oil paint on paper

Box 10 907-1121 Sketch for Apple-Picking Painting

11 1/8 x 8 1/2 Graphite pencil on League of Professional Groups for Foster and Ford letterhead stationery

Box 10 908-1121 Sketch for Apple-Picking Painting

11 x 8 1/2 Graphite pencil on League of Professional Groups for Foster and Ford letterhead stationery

Box 10 909-1121 Sketch for Apple-Picking Painting

11 x 8 1/2 Graphite pencil on paper

Box 10 910-1121 Sketch for Apple-Picking Painting

11 1/8 x 8 1/2 Graphite pencil on paper

Box 10 911-1121 View - Vermont

12 x 9 1/2 Conte crayon on paper

Box 10 912-1121 Family Admiration of Child

12 x 9 1/2 Conte crayon on paper

Box 10 913-1121 Dog and Bug

9 x 12 Oil paint on paper

Box 10 914-1121 Lillian

13 x 9 1/2 Crayon on paper

Box 10 915-1121 Vermont

9 1/8 x 12 Oil paint on paper

Box 10 916-1121 [Sea Monster? Dragon?]

13 x 10 Oil paint on paper


Box 11 917-1121 Wooden Structures - Vermont

11 x 15 Oil paint on paper

Box 11 918-1121 Lillian Reading

6 x 4 Conte crayon on paper

Box 11 919-1121 Lillian

Drawing on verso. 8 x 8 Graphite pencil on paper doily

Box 11 920-1121 Studio - Vermont

9 1/4 x 6 Oil paint on paper

Box 11 921-1121 Winhall River - Vermont

9 1/8 x 11 1/2 Oil paint and graphite pencil on paper

Box 11 922-1121 Vermont House

5 1/8 x 7 3/4 Conte crayon on lined paper

Box 11 923-1121 Young Man

6 x 4 Graphite pencil on paper

Box 11 924-1121 Young Man

6 x 4 Graphite pencil on paper

Box 11 925-1121 Lillian

6 x 4 Graphite pencil on paper

Box 11 926-1121 Barn - Vermont

8 1/2 x 6 1/8 Crayon on paper

Box 11 927-1121 Lillian

6 x 4 Graphite pencil on paper

Box 11 928-1121 Miriam

6 x 3 7/8 Graphite pencil on paper

Box 11 929-1121 Miriam, Infant

6 x 3 7/8 Graphite pencil on paper

Box 11 930-1121 Lillian

6 x 4 Graphite pencil on paper

Box 11 931-1121 [Lillian]

4 x 6 Graphite pencil on paper

Box 11 932-1121 Reclining Woman

4 x 6 Graphite pencil on paper

Box 11 933-1121 [Young Girl and "Alice" Characters]

4 x 6 Graphite pencil on paper

Box 11 934-1121 Child

Drawing on verso. 6 x 4 Graphite pencil on paper

Box 11 935-1121 Lillian and Miriam in Vermont - Sketches for a Painting

5 x 8 Ink on paper

Box 11 936-1121 Miriam

Two sheets. 6 x 4 Graphite pencil on paper

Box 11 937-1121 Lillian

6 x 4 Graphite pencil on paper

Box 11 938-1121 Lillian

6 x 4 Graphite pencil on paper

Box 11 939-1121 Unknown

3 x 5 Ink on cardboard

Box 11 940-1121 New Year Card - Project

Two sheets. 6 x 4 Ink on paper

Box 11 941-1121 Interior with Piano and Radiator

4 x 6 Graphite pencil on paper

Box 11 942-1121 Visitor in the Hospital

5 1/2 x 3 1/2 Graphite pencil on Beacon Nurse's Registry Agency paper

Box 11 943-1121 Unknown on Subway

6 x 4 Ink on paper

Box 11 944-1121 Tracing

4 x 6 Conte crayon on paper

Box 11 945-1121 Lillian Sleeping

6 x 4 Ink on paper

Box 11 946-1121 Lillian

8 x 5 Ink on paper

Box 11 947-1121 Unknown Girl

6 x 4 Graphite pencil on paper

Box 11 948-1121 Unknown Girl

3 x 5 Ink on paper

Box 11 949-1121 After Michelangelo Ceiling

6 x 4 Ink on paper

Box 11 950-1121 Lillian

Three sheets. 7 1/5 x 5 3/4 Conte crayon on paper

Box 11 951-1121 Unknown

6 x 4 Graphite pencil on cardboard

Box 11 952-1121 Vermont

5 x 8 Conte crayon on paper

Box 11 953-1121 From 307 West 4th Street - From Our Back Window

6 x 4 Ink on paper

Box 11 954-1121 Vermont

5 x 8 Conte crayon on paper

Box 11 955-1121 [Chinese Bronze]

6 x 4 Ink on paper

Box 11 956-1121 [Vermont]

4 x 6 Graphite pencil on paper

Box 11 957-1121 Old Lean-To on Vermont House

4 x 6 Colored pencil on paper

Box 11 958-1121 Intertwined Figures

6 x 4 Ink on paper

Box 11 959-1121 Head

6 x 4 Conte crayon on paper

Box 11 960-1121 Miriam

6 x 4 Graphite pencil on paper

Box 11 961-1121 Lillian

Two sheets. 6 x 4 Graphite pencil on paper

Box 11 962-1121 Building

4 x 6 Graphite pencil on paper

Box 11 963-1121 Man Bending Over

4x 6 Conte crayon on paper

Box 11 964-1121 Vermont

4 x 6 Graphite pencil on paper

Box 11 965-1121 Woman

6 x 4 Ink on paper

Box 11 [Letters]

6 x 4 Graphite pencil on paper

Box 11 967-1121 Nude Running

4 x 6 Ink on paper

Box 11 968-1121 Nude Running

4 x 6 Ink on paper

Box 11 969-1121 [Sketch After a Painting]

4 x 6 Graphite pencil on paper

Box 11 970-1121 Sunset Over Glebe Mountain

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 4 x 5 Oil paint on scopecontentcard

Box 11 971-1121 Miriam

5 1/2 x 5 Graphite pencil on paper

Box 11 972-1121 Mother and Child

5 1/4 x 7 1/2 Crayon on lined paper

Box 11 973-1121 Grotesques

4 3/4 x 3 1/8 Ink on paper

Box 11 974-1121 In Spain

7 7/8 x 5 3/8 Graphite pencil on graph paper

Box 11 975-1121 Miriam

6 x 4 Ink on paper

Box 11 976-1121 Man and Wolf

4 x 6 Ink on paper

Box 11 977-1121 [Lillian]

6 x 4 Conte crayon on paper

Box 11 978-1121 Vermont House

5 x 8 Conte crayon on paper

Box 11 979-1121 Vermont House

5 x 8 Conte crayon on paper

Box 11 980-1121 Vermont House

5 1/8 x 7 3/4 Conte crayon on lined paper

Box 11 981-1121 Vermont House

5 1/8 x 7 3/4 Conte crayon on lined paper

Box 11 982-1121 Figure Sketches

8 x 5 Conte crayon on paper

Box 11 983-1121 Vermont House

5 1/8 x 7 3/4 Conte crayon on lined paper

Box 11 984-1121 Vermont House

5 1/8 x 7 3/4 Conte crayon on lined paper

Box 11 985-1121 Miriam

Three sheets. 6 x 4 Graphite pencil on lined paper

Box 11 986-1121 Birds

Drawing on verso. 6 x 4 Graphite pencil on paper

Box 11 987-1121 Faces

Drawing on verso. 6 x 4 Graphite pencil on paper

Box 11 988-1121 From 307 West 4th Street - Across the Street

6 1/2 x 4 1/4 Ink and pastels on paper

Box 11 989-1121 Sketch for Painting

6 x 4 Graphite pencil on paper

Box 11 990-1121 Vermont House

4 x 6 Graphite pencil on paper

Box 11 991-1121 Lillian in Vermont

6 x 4 Conte crayon on paper

Box 11 992-1121 Lillian

6 x 4 Graphite pencil on paper

Box 11 993-1121 Lillian Sleeping

6 x 4 Graphite pencil on paper

Box 11 994-1121 New Year Card

6 x 4 Ink on paper

Box 11 995-1121 New Year Card

Two sheets. 6 x 4 Ink on paper

Box 11 996-1121 New Year Card

Three sheets. 6 x 4 Ink on paper

Box 11 997-1121 Landscape

4 x 6 Conte crayon on paper

Box 11 998-1121 Unknown Woman

5 x 3 Graphite pencil on paper

Box 11 999-1121 Unknown

scopecontentcard is an invitation to a lecture by Kenneth de B. Codrington at New York University. 5 1/2 x 3 1/2 Ink on scopecontentcard

Box 11 1000-1121 Ernest

6 x 4 Graphite pencil on paper

Box 11 1001-1121 After RVR [Rembrandt van Rijn] - Syndics

4 x 6 Ink on paper

Box 11 1002-1121 Descending Order of Power

Two sheets. 4 x 6 Ink on paper

Box 11 1003-1121 "En Lisant" [After ?] #1

9 1/2 x 6 3/8 Conte crayon on paper

Box 11 1004-1121 Rawsonville

10 7/8 x 8 1/2 Graphite pencil on paper

Box 11 1005-1121 ["Matyr"] #2

9 1/2 x 6 1/4 Conte crayon on paper

Box 11 1006-1121 ["Matyr"] #3

9 1/2 x 6 1/4 Conte crayon on paper

Box 11 1007-1121 Country Road

5 1/2 x 8 3/8 Conte crayon on paper

Box 11 1008-1121 Emerging Infant Head - Profile #6

4 7/8 x 7 5/8 Graphite pencil on paper

Box 11 1009-1121 Emerging Head #5

4 7/8 x 7 5/8 Graphite pencil on paper

Box 11 1010-1121 Face in Shading #7

4 7/8 x 7 5/8 Graphite pencil on paper

Box 11 1011-1121 Egyptian Fantasy #4

4 7/8 x 7 5/8 Graphite pencil on paper

Box 11 1012-1121 Fantasy #3

4 7/8 x 7 5/8 Graphite pencil on paper

Box 11 1013-1121 Emerging Head #7 - [Insect on Comb] #8

4 7/8 x 7 5/8 Graphite pencil on paper

Box 11 1014-1121 [Beach Scene]

4 x 6 Ink on paper

Box 11 1015-1121 Female

6 x 4 Ink on paper

Box 11 1016-1121 Country House

3 5/8 x 6 Ink on paper

Box 11 1017-1121 Miriam

11 x 8 1/2 Pastels on paper

Box 11 1018-1121 Miriam and Doll

11 x 8 13/8 Pastels on paper

Box 11 1019-1121 Sketch for Painting

8 1/2 x 11 Pastels on paper

Box 11 1020-1121 Sketch for Painting of Joe

4 x 6 Conte crayon on paper

Box 11 1021-1121 Sketch for Painting of Apple-Picking

11 x 8 1/2 Pastels on paper

Box 11 1022-1121 Sketch for Painting of Apple-Picking

11 x 8 1/2 Pastels on paper

Box 11 1023-1121 Meeting

4 x 6 Conte crayon on paper

Box 11 1024-1121 Lillian Reading

6 x 4 Conte crayon on paper

Box 11 1025-1121 Meeting

4 x 6 Conte crayon on paper

Box 11 1026-1121 Meeting

4 x 6 Conte crayon on paper

Box 11 1027-1121 Meeting

4 x 6 Conte crayon on paper

Box 11 1028-1121 Meeting

4 x 6 Conte crayon on paper

Box 11 1029-1121 Vermont

4 x 6 Conte crayon on paper

Box 11 1030-1121 Color scopecontents

4 x 6 Graphite pencil on paper

Box 11 1031-1121 Sculpture by Jacques Lipchitz From Memory

6 x 4 Graphite pencil on paper

Box 11 1032-1121 Study of Lines and Triangles

6 x 4 Graphite pencil on paper

Box 11 1033-1121 Study of Lines and Triangles

6 x 4 Graphite pencil on paper

Box 11 1034-1121 Eye-Parasols

4 x 6 Graphite pencil on paper

Box 11 1035-1121 Miriam Eating

3 x 5 Graphite pencil on paper

Box 11 1036-1121 Miriam in Vermont

6 3/4 x 9 Oil paint on paper

Box 11 1037-1121 Miriam in Vermont

6 37/8 x 9 Oil paint on paper

Box 11 1038-1121 Study

6 1/4 x 9 Oil paint on paper

Box 11 1039-1121 Car in Repair

Drawing on verso. 6 3/8 x 9 5/8 Crayon on paper

Box 11 1040-1121 Entwined Animals

9 x 11 1/4 Crayon on paper

Box 11 1041-1121 Entwined Animals

9 x 11 1/4 Crayon on paper

Box 11 1042-1121 Vermont

9 x 10 3/4 Gouache on paper


Box 12 1043-1121 Shapes Piled On Table

9 1/2 x 12 3/4 Oil paint on paper

Box 12 Miniatures

12 x 9 Pastels on paper

Box 12 1045-1121 Abstraction - Diagonal Curvilinear Shapes #5

12 x 9 Oil paint on paper

Box 12 1046-1121 Following My Father's Elevated Train

Inscribed on verso: Williamsburg. 12 x 8 1/2 Oil paint on paper

Box 12 1047-1121 Family in Vermont

9 x 12 Oil paint on paper

Box 12 1048-1121 Winged Shapes - Abstraction

12 x 8 3/8 Pastels on paper

Box 12 1049-1121 Sailing with the Beasts - A Sketch

9 1/2 x 13 1/4 Oil paint on paper

Box 12 1050-1121 Man Wrestling Bird

9 x 12 Oil paint on paper

Box 12 1051-1121 Family in Vermont

9 1/2 x 12 Oil paint on paper

Box 12 1052-1121 Winged Shapes - Abstraction

12 x 8 3/8 Pastels on paper

Box 12 1053-1121 Lillian

5 x 8 Graphite pencil on paper

Box 12 Miriam on Phone

Two sheets. 3 1/2 x 5 1/2 Ink on paper

Box 12 Family Picnic in Winhall River - Sketch for Painting

9 x 11 1/2 Oil paint on paper

Box 12 1056-1121 Lillian

9 1/2 x 12 Oil paint on paper

Box 12 1057-1121 Winhall Brook - Vermont

4 x 5 7/8 Graphite pencil on paper

Box 12 1058-1121 Miriam

8 1/2 x 12 Pastels on paper

Box 12 1059-1121 Vermont

8 1/2 x 6 Pastels on paper

Box 12 1060-1121 Vermont House From East

7 x 10 5/8 Watercolor on paper

Box 12 1061-1121 Vermont From Hill Looking West

8 1/8 x 11 Oil paint on paper

Box 12 1062-1121 Vermont Shed

7 3/4 x 11 Oil paint on paper

Box 12 1063-1121 End of the Shed - Vermont

9 3/4 x 13 1/8 Oil paint on paper

Box 12 1064-1121 Vermont House From Hill

9 x 12 Oil paint on paper

Box 12 1065-1121 [Lillian]

12 x 8 1/2 Crayon on paper

Box 12 1066-1121 Head of Woman

5 x 2 7/8 Graphite pencil on paper

Box 12 1067-1121 Vermont Shed

4 x 5 7/8 Ink on paper

Box 12 1068-1121 Vermont Landscape II

6 1/8 x 9 1/2 Ink on paper

Box 12 1069-1121 From Cast of Chartres Head in Vermont

6 x 4 Graphite pencil on paper

Box 12 1070-1121 Seated Woman

6 x 4 Ink on paper

Box 12 1071-1121 Sailing with the Beasts

Two sheets. 4 x 6 Graphite pencil on paper

Box 12 1072-1121 Vermont House - Meyer, Lillian and the Children

9 1/8 x 6 1/8 Oil paint on paper

Box 12 1073-1121 Lillian

11 x 7 1/2 Ink on paper

Box 12 1074-1121 Corner of Study - West 4th Street

Drawn on verso of scrap of final examination for Fine Arts 175 - Modern Painting. 8 1/2 x 7 Graphite pencil on paper

Box 12 1075-1121 Junk-Shop

4 x 5 7/8 Graphite pencil on paper

Box 12 1076-1121 Darks in My Painting of Vermont House

3 x 4 Ink and graphite pencil on paper

Box 12 1077-1121 Fanciful Map

4 x 6 Ink and graphite pencil on paper

Box 12 1078-1121 House and Barn - Vermont

9 x 12 Oil paint on paper

Box 12 1079-1121 Cubist Buildings

6 x 4 Ink on paper

Box 12 1080-1121 Lillian Reading

4 x 6 Graphite pencil on paper

Box 12 1081-1121 House Helper and Ernest - [Vermont]

4 1/2 x 6 1/4 Ink on paper

Box 12 1082-1121 Woman Sleeping

8 7/8 x 6 Graphite pencil on paper

Box 12 1083-1121 Ballet

4 x 6 Ink on paper

Box 12 1084-1121 Central Park

5 3/4 x 7 5/8 Graphite pencil on paper

Box 12 1085-1121 Miriam

6 x 4 Graphite pencil on paper

Box 12 1086-1121 Fantasy Landscape

4 x 6 Ink on paper

Box 12 1087-1121 Abstract With Light

9 x 11 1/2 Conte crayon on paper

Box 12 1088-1121 Vermont Landscape I

6 1/8 x 9 1/2 Ink on paper

Box 12 1089-1121 Lillian Sketches

12 x 8 1/2 Graphite pencil on paper

Box 12 1090-1121 [Lillian]

12 x 8 1/2 Graphite pencil on paper

Box 12 1091-1121 Ernest at 5

11 x 8 1/2 Graphite pencil on paper

Box 12 1092-1121 Head of Young Girl

4 x 6 Graphite pencil on paper

Box 12 1093-1121 Lillian Wet Hair in Towel

6 x 4 Graphite pencil on paper

Box 12 1094-1121 Sky Battle Over Church

5 3/4 x 3 7/8 Ink on paper

Box 12 1095-1121 Pails and Kettles

4 x 6 Graphite pencil on paper

Box 12 1096-1121 Lillian Sketches

12 x 8 1/2 Graphite pencil on paper

Box 12 1097-1121 Head - Study

13 1/4 x 9 1/2 Crayon on paper

Box 12 1098-1121 House and Barn - Vermont

12 x 9 Oil paint on paper

Box 12 1099-1121 House and Barn with Wash-Line - Vermont

9 1/2 x 13 Oil paint on paper

Box 12 1100-1121 Lillian

9 x 7 3/4 Graphite pencil on paper

Box 12 1101-1121 Chair and Pitcher - Abstraction

4 x 6 Ink on paper

Box 12 1102-1121 Chair and Pitcher - Abstraction

3 x 5 Graphite pencil on paper

Box 12 1103-1121 [Cat Playing Cat's Cradle]

3 x 5 Graphite pencil on paper

Box 12 1104-1121 Rawsonville

3 1/8 x 4 1/4 Crayon on paper

Box 12 1105-1121 Ernest - Colored By Ernest

6 x 4 Pastels on paper

Box 12 1106-1121 Young Woman

6 x 3 7/8 Graphite pencil on paper

Box 12 1107-1121 Woman Profile Body

5 x 3 Ink on paper

Box 12 1108-1121 Artichoke

3 x 5 Ink on paper

Box 12 1109-1121 Woman's Head

5 x 3 Ink on paper

Box 12 1110-1121 Young Woman

5 x 3 Ink on paper

Box 12 1111-1121 Young Woman

5 x 3 Ink on paper

Box 12 1112-1121 Man with Mustache and Tie

Drawing on verso. 6 x 4 Ink on paper

Box 12 1113-1121 Landscape with Figures Carrying Body or Corpse

4 x 6 Graphite pencil on paper

Box 12 1114-1121 Triptyche on a Table

4 x 6 Ink on paper

Box 12 1115-1121 Ink Blots

Two sheets. 4 x 6 Ink on paper

Box 12 1116-1121 Looking Into Hall from Living Room - 279 West 4th Street

4 x 6 Ink on paper

Box 12 1117-1121 Morris

6 x 3 7/8 Graphite pencil on paper

Box 12 1118-1121 Morris - Violin

6 x 4 Graphite pencil on paper

Box 12 1119-1121 [Landscape]

4 x 6 Ink on paper

Box 12 1120-1121 Lillian with Towel on Head

6 x 4 Graphite pencil on paper

Box 12 1121-1121 Lillian with Towel on Head

6 x 4 Graphite pencil on paper

Box 12 1122-1121 Lillian with Towel on Head

6 x 4 Graphite pencil on paper

Box 12 1123-1121 Lillian with Towel on Head

6 x 4 Graphite pencil on paper

Box 12 1124-1121 Lillian on Queen Elizabeth

Drawn on verso of RMS "Queen Elizabeth" stationery. 5 3/8 x 6 7/8 Ink on paper

Box 12 1125-1121 Wildflowers for Ernest

6 x 4 Pastels on paper

Box 12 1126-1121 Wildflowers for Ernest

6 x 4 Pastels on paper

Box 12 1127-1121 Wildflowers for Ernest

6 x 4 Pastels on paper

Box 12 1128-1121 Wildflowers for Ernest

6 x 4 Pastels on paper

Box 12 1129-1121 Royal Institution

Inscribed: folding paper on wet ink. 5 7/8 x 4 Ink on paper

Box 12 1130-1121 Lillian

3 7/8 x 6 Grpahite pencil on paper

Box 12 1131-1121 Dancing

Two sheets. 6 x 4 Graphite pencil on paper

Box 12 1132-1121 [Horses and Figure from Sculpture]

4 x 5 7/8 Ink on paper

Box 12 1133-1121 Face

5 7/8 x 4 Graphite pencil on paper

Box 12 1134-1121 Child's Head - [Ernest]

5 7/8 x 4 Graphite pencil on paper

Box 12 1135-1121 Chinese Bronzes

5 7/8 x 3 7/8 Ink on paper

Box 12 1136-1121 Scattered Dots

6 1/8 x 4 Ink on paper

Box 12 1137-1121 Female Head

6 x 9 Graphite pencil on paper

Box 12 1138-1121 Figure

4 1/8 x 6 Graphite pencil on paper

Box 12 1139-1121 Lillian

5 x 3 Graphite pencil on paper

Box 12 1140-1121 Hill House - Vermont

5 1/8 x 7 1/4 Crayon on lined paper

Box 12 1141-1121 Miriam on the Phone

12 x 9 Graphite pencil on paper

Box 12 1142-1121 Lillian Sketches

12 x 8 1/2 Graphite pencil on paper

Box 12 1143-1121 Lillian Sketches

12 x 8 1/2 Graphite pencil on paper

Box 12 1144-1121 Lillian and Ernest

9 3/4 x 12 3/4 Charcoal on paper

Box 12 1145-1121 Lillian

12 1/4 x 9 3/8 Ink on paper

Box 12 1146-1121 After English Miniature Painting of 13th Century

9 3/8 x 5 1/2 Ink on paper

Box 12 1147-1121 Vermont House from South

7 1/2x 11 Oil paint on paper

Box 12 1148-1121 A Fragment - Legs

11 1/2 x 9 Graphite pencil on paper

Box 12 1149-1121 Untitled

9 x 11 1/2 Conte crayon on paper

Box 12 1150-1121 Landscape

4 x 6 Ink on paper

Box 12 1151-1121 Zoomorphic Form Over Overlapping Shapes

9 x 12 Crayon and watercolor on paper

Box 12 1152-1121 Black and White Abstraction

9 x 12 Charcoall on paper

Box 12 1153-1121 Landscape with Farm House

6 x 9 1/2 Ink on paper

Box 12 1154-1121 View of Side Roads and Mountains

Inscribed on verso: Meadow and Glebe Mountain, Rawsonville, Vermont. 15x 11 Pastels on paper

Box 12 1155-1121 Vermont Landscape

15 1/8 x 11 1/2 Oil paint on paper

Box 12 1156-1121 The Corner of the House and Garden - Vermont

15 x 11 1/8 Oil paint on paper

Box 12 1157-1121 Farm Meadows

15 x 11 Oil paint on paper

Box 12 1158-1121 A Couple - Half Figures

11 x 8 1/2 Graphite pencil on paper

Box 12 1159-1121 Vermont Landscape

15 1/8 x 11 1/8 Oil paint on paper

Box 12 1160-1121 House and Barns From West - Vermont

9 1/2 x 12 3/4 Oil paint on paper

Box 12 1161-1121 Eve

9 x 11 1/2 Oil paint on paper

Box 12 1162-1121 [Eve]

12 x 9 Oil paint on paper

Box 12 1163-1121 Ernest and Miriam - Sketch for Painting

12 x 9 Graphite pencil on paper

Box 12 1164-1121 Vermont

6 3/4 x 9 Oil paint on paper

Box 12 1165-1121 Studio and Hillside - Rawsonville

14 x 10 3/4 Oil paint on cardboard

Box 12 1166-1121 Abstraction

11 1/8 x 15 Gouache on paper

Box 12 1167-1121 Vermont Meadow and Landscape

12 x 8 1/2 Pastels on paper

Box 12 1168-1121 Sailing with the Beasts - A Sketch

9 3/8 x 13 1/8 Oil paint on paper

Box 12 1169-1121 Miriam in Vermont - Convalescent

14 x 10 Oil paint on canvas board

Box 12 1170-1121 Sailing with the Beasts - A Sketch

9 1/2 x 13 1/4 Oil paint on paper

Box 12 1171-1121 Sailing with the Beasts - A Sketch

9 1/2 x 13 1/8 Oil paint on paper

Box 12 1172-1121 Miriam and Ernest - Vermont Shed

8 x 10 7/8 Oil paint on paper

Box 12 1173-1121 Vermont Shed with Clouds and People

8 x 10 7/8 Oil paint on paper

Box 12 1174-1121 Miriam and Ernest - Vermont

6 7/8 x 8 7/8 Oil paint on paper

Box 12 1175-1121 Vermont - Study

5 3/4 x 5 7/8 Oil paint on paper

Box 12 1176-1121 Sailing with the Beasts - A Sketch

9 1/2 x 13 1/4 Oil paint on paper

Box 12 1177-1121 [Ernest]

12 x 9 1/2 Oil paint on paper

Box 12 1178-1121 Miriam Reading

12 1/2 x 9 Graphite pencil on paper

Box 12 1179-1121 Still Life

9 1/2 x 6 1/2 Oil paint on paper

Box 12 1180-1121 Lillian

12 x 9 Crayon on paper

Box 12 1181-1121 Lillian

14 1/2 x 11 1/8 Crayon on paper

Box 12 1182-1121 Head - Study

12 1/4 x 9 Crayon on paper

Box 12 1183-1121 Rubbing of Cover of Book by Hugh Miller

6 x 4 Graphite pencil on paper

Box 12 1184-1121 Somewhere - Vermont

9 1/2 x 12 Oil paint on paper

Box 12 1185-1121 Shed Door, Miriam and Ernest - Vermont

8 x 11 Oil paint on paper

Box 12 1186-1121 Lillian

5 7/8 x 4 Crayon on paper

Box 12 1187-1121 Vermont House

11 5/8 x 9 1/8 Crayon on paper

Box 12 1188-1121 Vermont Meadow and Landscape

12 x 8 1/2 Pastels on paper

Box 12 1189-1121 Trace of Texture

11 x 8 1/2 Graphite pencil and crayon on paper

Box 12 1190-1121 The Vermont Barn with Glebe Mountain

9 1/2 x 6 Oil paint on paper

Box 12 1191-1121 Still Life

11 x 15 Oil paint on paper

Box 12 1192-1121 Abstraction

11 1/2 x 9 Watercolor and crayon on paper

Box 12 1193-1121 Sailing with the Beasts - A Sketch

7 x 11 Pastels on paper

Box 12 1194-1121 [Self-Portrait]

12 x 9 1/2 Conte crayon on paper

Box 12 1195-1121 Good Shepard Figure from Sculpture

4 1/8 x 5 1/8 Ink on paper

Box 12 1196-1121 Open-Mouthed Head

6 x 4 Charcoal on paper

Box 12 1197-1121 New Year's Card

4 x 6 Pastel and ink on paper

Box 12 1198-1121 Lillian and Children - Vermont

4 x 6 Graphite pencil on paper

Box 12 1199-1121 Church Plans and Sections

6 x 4 Ink on cardboard

Box 12 1200-1121 After J. Lipchitz His Sumerian Object

6 x 4 Ink on paper

Box 12 1201-1121 Landscape

3 3/4 x 5 Oil paint on paper

Box 12 1202-1121 Head

9 1/8 x 12 Pastels on paper

Box 12 1203-1121 Baby

4 x 5 1/4 Crayon on paper

Box 12 1204-1121 Male Figure

4 x 6 Graphite pencil on paper

Box 12 1205-1121 [Boy and Dog]

3 1/2 x 5 Ink on paper

Box 12 1206-1121 Drawings After Romanesque Capital Reliefs

4 x 6 Ink on paper

Box 12 1207-1121 Figures

4 x 6 Conte crayon on paper

Box 12 1208-1121 Figures

4 x 6 Conte crayon on paper

Box 12 1209-1121 On Marble Wall on Lower Ground Floor Left

5 x 3 Ink on paper

Box 12 1210-1121 [Howard]

6 x 4 Conte crayon on paper

Box 12 1211-1121 Allegorical Subject

9 x 12 Pastels on paper

Box 12 1212-1121 [Painter at Work]

8 3/4 x 12 Graphite pencil on paper

Box 12 1213-1121 Miriam and Ernest in Vermont

9 3/4 x 12 Oil paint on paper

Box 12 1214-1121 Family in Vermont - Sketch

5 x 8 Oil paint on paper

Box 12 1215-1121 Hill House

6 1/4 x 7 3/4 Oil paint on paper

Box 12 1216-1121 Male Nude

9 x 11 1/2 Pastels on paper

Box 12 1217-1121 Lillian

13 7/8 x 9 7/8 Oil paint on canvas board

Box 12 Man Wrestling Bird

9 x 12 Oil paint on paper


Box 13 3172-1121 Siena landscape

Drawn on hotel brochure. 3 1/2 x 5 1/2 Ink on paper

Box 13 1219-1121 Miriam

6 x 3 7/8 Graphite pencil on paper

Box 13 1220-1121 Lillian

6 x 4 Graphite pencil on paper

Box 13 1221-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 13 1222-1121 Icarus

10 7/8 x 7 1/2 Pastels on paper

Box 13 1223-1121 Hill House with Curvilinear Vegetation

11 1/2 x 9 Oil paint on paper

Box 13 1224-1121 Overlapping Shapes with Violin

12 x 9 Crayon and watercolor on paper

Box 13 1225-1121 Ernest

8 1/2 x 7 Pastels on paper

Box 13 1226-1121 Hill House, Garage, Barn - Vermont

13 1/8 x 9 7/8 Oil paint on paper

Box 13 1227-1121 A Brook in Vermont

7 1/2 x 11 Oil paintl on paper

Box 13 1228-1121 Lillian with Hat

5 7/8 x 4 Graphite pencil on paper

Box 13 1229-1121 Ernest

8 1/2 x 6 Crayon on paper

Box 13 1230-1121 Lillian Reading - Vermont

9 x 12 Oil paint on paper

Box 13 1231-1121 Ernest

9 x 11 1/2 Oil paint on paper

Box 13 1232-1121 Hill House - Vermont

9 x 6 1/8 Oil paint on paper

Box 13 1233-1121 Lillian

4 x 5 7/8 Graphite pencil on paper

Box 13 1234-1121 Untitled

4 1/2 x 6 1/4 Oil paint on paper

Box 13 1235-1121 Jack in the Pulpit

12 x 8 1/2 Pastels on paper

Box 13 1236-1121 Ernest

11 x 8 1/2 Conte crayon on paper

Box 13 1237-1121 The Family in the Room at the Window

11 x 8 1/2 Crayon on paper

Box 13 1238-1121 Lillian

9 x 11 1/2 Conte crayon on paper

Box 13 1239-1121 Ernest

10 5/8 x 7 Conte crayon on paper

Box 13 1240-1121 Lillian Reading

4 x 6 Graphite pencil on paper

Box 13 1241-1121 Cubistic Head

4 x 6 Conte crayon on paper

Box 13 1242-1121 Lillian

6 x 4 Graphite pencil on paper

Box 13 1243-1121 From Memory of Lipchitz

4 x 5 7/8 Graphite pencil on paper

Box 13 1244-1121 Bombers and Anti-Aircraft Fire

6 x 4 Ink on paper

Box 13 1245-1121 Bombers and Anti-Aircraft Fire

6 x 4 Ink on paper

Box 13 1246-1121 Bombers and Anti-Aircraft Fire

6 x 4 Ink on paper

Box 13 1247-1121 Bombers and Flag

6 x 4 Pastels on paper

Box 13 1248-1121 Bombers and Flag

6 x 4 Pastels on paper

Box 13 1249-1121 Bombers and Flag

6 x 4 Pastels on paper

Box 13 1250-1121 Paris

2 7/8 x 4 3/8 Ink on lined paper

Box 13 1251-1121 Paris

Inscribed on verso: Tuilleries. 2 7/8 x 4 3/8 Ink on lined paper

Box 13 1252-1121 Lillian Resting

3 x 5 Ink on paper

Box 13 1253-1121 Italianate Perspective

3 7/8 x 5 7/8 Ink on paper

Box 13 1254-1121 [Lillian] with Hat

5 7/8 x 4 Graphite pencil on paper

Box 13 1255-1121 [Ernest] Playing Violin

6 x 4 Graphite pencil on paper

Box 13 1256-1121 Lillian with Drying Hair

6 x 4 Ink on paper

Box 13 1257-1121 Standing Pair

5 x 3 Graphite pencil on paper

Box 13 1258-1121 Seated Person

5 x 3 Graphite pencil on paper

Box 13 1259-1121 Young Woman

6 x 4 Pastels and graphite pencil on paper

Box 13 1260-1121 Ernst

Two sheets. 6 x 4 Crayon on paper

Box 13 1261-1121 Ernst

Two sheets. 6 x 4 Crayon on paper

Box 13 1262-1121 Seated Woman

Two sheets. 6 x 4 Graphite pencil on paper

Box 13 1263-1121 Lillian

Two sheets. 5 x 3 Graphite pencil on paper

Box 13 1264-1121 Head and Flower

Two sheets. 4 x 6 1/8 Ink on paper

Box 13 1265-1121 [After Grunewald]

5 x 3 Graphite pencil on paper

Box 13 1266-1121 Ernest

4 x 6 Graphite pencil on paper

Box 13 1267-1121 Sketch for Greeting Card

4 x 6 Graphite pencil on paper

Box 13 1268-1121 Sketchbook of an Afternoon in Rawsonville

Three sheets. 6 3/8 x 9 1/2 Oil paint on paper

Box 13 1269-1121 Crucifixion

Two sheets. 4 x 6 Graphite pencil on paper

Box 13 1270-1121 Mother and Child

4 x 6 Ink on paper

Box 13 1271-1121 Crucifixion

4 x 6 Graphite pencil on paper

Box 13 1272-1121 Desert Scene - Surrealist

Two sheets. 4 x 6 Graphite pencil on paper

Box 13 1273-1121 Three Persons on a Bed

4 x 6 Graphite pencil on paper

Box 13 1274-1121 [Landscape]

5 x 6 1/4 Ink on paper

Box 13 1275-1121 Head Looking Over Another Person's Shoulder

5 1/4 x 8 1/4 Ink on paper

Box 13 1276-1121 Running Figure

5 x 3 Graphite pencil on paper

Box 13 1277-1121 Ernst

Two sheets. 5 7/8 x 4 7/8 Graphite pencil on paper

Box 13 1278-1121 Two Women

4 x 6 Graphite pencil on paper

Box 13 1279-1121 Young Girl

6 x 4 Crayon on paper

Box 13 1280-1121 [Ernest]

6 x 4 Crayon on paper

Box 13 1281-1121 Bust

6 1/4 x 4 3/8 Ink on paper

Box 13 1282-1121 Joe Milgram

6 x 4 Graphite pencil on paper

Box 13 1283-1121 Griot = Alfred "Rosmer" and Marguerite

Inscribed on recto: griot house in Perigny. 6 x 3 1/2 Ink on paper

Box 13 1284-1121 Ernest

6 x 4 Graphite pencil on paper

Box 13 1285-1121 Young Woman

scopecontentcard is invitation to a lecture by Georges Gaillard at New York University. 5 3/8 x 4 1/4 Ink on scopecontentcard

Box 13 1286-1121 [West 4th Street Backyard]

3 x 4 15/16 Graphite pencil on paper

Box 13 1287-1121 Lillian

5 7/8 x 4 Graphite pencil on paper

Box 13 1288-1121 Ground Plan - Sketches

5 7/8 x 4 Graphite pencil on paper

Box 13 1289-1121 Corner of Upstairs Bedroom - Vermont

6 x 4 Graphite pencil on paper

Box 13 1290-1121 [Lillian] with Hat

5 7/8 x 4 Graphite penil on paper

Box 13 1291-1121 Paris

2 7/8 x 4 3/8 Ink on lined paper

Box 13 1292-1121 Ernest

6 x 4 Pastels on paper

Box 13 1293-1121 Vermont Meadow and Mountain

8 1/2 x 11 Oil paint on paper

Box 13 1294-1121 [Vermont View]

4 x 6 Ink on paper

Box 13 1295-1121 Young Girl

11 x 7 3/8 Oil paint on paper

Box 13 1296-1121 Young Girl

11 x 7 1/2 Oil paint on paper

Box 13 1297-1121 View from Hill House

11 x 8 Pastels on paper

Box 13 1298-1121 Lillian

4 x 6 Graphite pencil on paper

Box 13 1299-1121 Ernest

6 x 4 Pastels on paper

Box 13 1300-1121 [Miriam]

7 x 10 1/2 Conte crayon on paper

Box 13 1301-1121 Cringing Figure #2

6 x 4 Graphite pencil on paper

Box 13 1302-1121 Cringing Figure #3

5 1/2 x 2 7/8 Graphite pencil on paper

Box 13 1303-1121 Cat

5 7/8 x 3 7/8 Graphite pencil on paper

Box 13 1304-1121 Lillian

4 x 6 Conte crayon on paper

Box 13 1305-1121 Meyer's Slipper and Bell

Drawing on verso. 6 1/4 x 9 5/8 Conte crayon on paper

Box 13 1306-1121 Vermont Scene Through Window

8 1/4 x 9 1/2 Pastels on paper

Box 13 1307-1121 Head - Study

13 1/4 x 9 1/2 Conte crayon on paper

Box 13 1308-1121 Girl with Flowers

6 x 4 Graphite pencil on paper

Box 13 1309-1121 Lillian

9 x 11 1/2 Graphite pencil on paper

Box 13 1310-1121 Flowers

7 x 10 1/8 Oil on cardboard

Box 13 1311-1121 Ernest

11 x 8 1/2 Crayon on paper

Box 13 1312-1121 Ernest

11 x 8 1/2 Crayon on paper

Box 13 1313-1121 Abstract Bust

9 1/4 x 6 1/4 Gouache on paper

Box 13 1314-1121 Studies for Abstract Figure

9 1/8 x 12 Pastels on paper

Box 13 1315-1121 Study for Reclining Figures and Bust Figure

9 x 12 Graphite pencil on paper

Box 13 1316-1121 Bust Figure

9 1/2 x 6 1/8 Gouache on paper

Box 13 1317-1121 Sketch for Painting of Abstract Bust

6 x 3 7/8 Graphite pencil on paper

Box 13 1318-1121 Horse and Rider - [After Sculpture]

Inscribed on verso: England? 4 x 6 Ink on paper

Box 13 1319-1121 Lillian

9 x 11 1/2 Conte crayon on paper

Box 13 1320-1121 Hill House Interior

9 x 12 Gouache on paper

Box 13 1321-1121 Children Playing in Woods - Vermont

9 x 12 Pastels on paper

Box 13 1322-1121 Lillian and Children - Vermont Kitchen

9 x 12 Oil paint on paper

Box 13 1323-1121 Miriam and Ernest and Linda Schapiro

9 x 12 Pastels on paper

Box 13 1324-1121 Door Message

Inscribed on recto: We're up in the woods will be back around 3 or 3:30. 12 x 9 Graphite pencil on paper

Box 13 1325-1121 Lillian - Vermont

8 1/2 x 12 Oil paint on paper

Box 13 1326-1121 Lillian - Vermont

9 1/2 x 13 1/8 Conte crayon on paper

Box 13 1327-1121 Ernest Picking Daisies

9 x 11 5/8 Pastels on paper

Box 13 1328-1121 Young Child

6 x 4 Graphite pencil on paper

Box 13 1329-1121 Unknown Girl

12 x 9 1/2 Gouache and graphite pencil on paper

Box 13 1330-1121 Sketch for Painting of Family Picnic

9 x 11 1/2 Oil paint on paper

Box 13 1331-1121 Ernest

9 x 12 Pastels on paper

Box 13 1332-1121 Ernest

11 1/2 x 9 Pastels on paper

Box 13 1333-1121 Ernest

11 1/2 x 9 Pastels on paper

Box 13 1334-1121 River Scene

9 x 11 1/2 Pastels on paper

Box 13 1335-1121 River Scene

9 x 11 1/2 Pastels and gouache on paper

Box 13 1336-1121 Child or Doll

9 x 12 Pastels on paper

Box 13 1337-1121 Vermont Abstract #2

12 x 9 Oil paint on paper

Box 13 1338-1121 Vermont #1

12 x 8 7/8 Oil paint on paper

Box 13 1339-1121 Hill House

9 1/2 x 13 1/8 Oil paint on paper

Box 13 1340-1121 Ernest

8 1/2 x 12 Pastels on paper

Box 13 1341-1121 Siren

13 1/8 x 9 5/8 Conte crayon on paper

Box 13 1342-1121 Hill House Framed by House Window #1

12 x 9 1/2 Gouache and graphite pencil on paper

Box 13 Vermont House

Accompanied by detached diary page inscribed: Souvenir of Rawsonville, Vermont, July 1941. 5 7/8 x 4 Graphite pencil on paper

Box 13 1344-1121 Vermont

5 7/8 x 4 Graphite pencil on paper

Box 13 1345-1121 Ernest Gathering Flowers - Vermont

6 x 4 Graphite pencil on paper

Box 13 1346-1121 Hill House

6 x 4 Graphite pencil on paper

Box 13 1347-1121 Hill House

6 x 4 Graphite pencil on paper

Box 13 1348-1121 Vermont House Views

6 x 4 Graphite pencil on paper

Box 13 1349-1121 Vermont Views

6 x 4 Graphite pencil on paper

Box 13 1350-1121 [Abstraction Machine] with Mirrored Form

9 x 12 Pastels on paper

Box 13 1351-1121 Female Nude

11 1/2 x 9 Graphite pencil on paper


Box 14 1352-1121 Small Overlapping Shapes

7 1/2 x 11 Pastels on paper

Box 14 1353-1121 Abstract #4 - Still Life with Fruit

7 1/2 x 11 Pastels on paper

Box 14 1354-1121 Abstract #5 - Still Life with Fruit

7 1/2 x 11 Pastels on paper

Box 14 1355-1121 Still Life with Fruit

7 3/8 x 11 Watercolor on paper

Box 14 1356-1121 Overlapping Shapes

7 1/2 x 11 Pastels on paper

Box 14 1357-1121 Overlapping Perspective

12 x 9 Conte crayon on paper

Box 14 1358-1121 Abstraction - Still Life

9 x 12 Conte crayon on paper

Box 14 1359-1121 Abstraction #2 with Cone Shape

11 1/2 x 9 Conte crayon on paper

Box 14 1360-1121 Studio Interior

11 1/2 x 9 Conte crayon on paper

Box 14 1361-1121 Rawsonville House Kitchen

7 1/2 x 11 Ink on paper

Box 14 1362-1121 Abstraction #3 with Cone Shape

11 1/2 x 9 Conte crayon on paper

Box 14 1363-1121 Still Life - Cup and Fruit

9 1/2 x 12 Conte crayon on paper

Box 14 1364-1121 Coal Scuttle - Vermont

9 x 11 1/2 Conte crayon on paper

Box 14 1365-1121 Ovoids Over Blue and Green

7 1/2 x 11 Gouache on paper

Box 14 1366-1121 Old Persian Monarch

7 1/2 x 11 Pastels on paper

Box 14 1367-1121 Purple Snake Over Inhabited Background Green, Red, Yellow

7 3/8 x 11 Pastels on paper

Box 14 1368-1121 Field and Sky

11 x 7 1/2 Pastels on paper

Box 14 1369-1121 Smaller Ovoids Over Blue and Green

7 3/8 x 11 Gouache on paper

Box 14 1370-1121 Bottles

7 1/2 x 11 Pastels on paper

Box 14 1371-1121 Crab Apple Tree - Vermont

11 x 7 5/8 Pastels on paper

Box 14 1372-1121 Black-Eyed Susans

5 1/2 x 7 Oil paint on paper

Box 14 1373-1121 Landscape with Farmhouse and Barn

11 x 7 1/2 Pastels on paper

Box 14 1374-1121 Shapes on Vertical Bars

11 x 7 1/2 Gouache on paper

Box 14 1375-1121 Lillian

11 x 7 1/2 Oil paint on paper

Box 14 1376-1121 Miriamn

11 x 7 1/2 Graphite pencil on paper

Box 14 1377-1121 Vermont House - North End

7 1/2 x 11 Oil paint on paper

Box 14 1378-1121 Studio Interior - Sketch - Vermont

11 1/2 x 9 Crayon on paper

Box 14 1379-1121 Vermont Stream

9 1/2 x 13 Oil paint on cardboard

Box 14 1380-1121 Sketches of People - Vermont

11 x 7 1/2 Ink on paper

Box 14 1381-1121 View from Kitchen - Vermont

11 x 7 1/2 Ink on paper

Box 14 1382-1121 Reversed Profile and Head

12 x 9 Crayon on paper

Box 14 1383-1121 Abstract Still Life with Fruit

11 x 7 1/2 Pastels on paper

Box 14 1384-1121 Old Oriental Monarch

7 1/2 x 10 7/8 Pastels on paper

Box 14 1385-1121 Shapes on Vertical Bars

10 7/8 x 7 1/2 Gouache on paper

Box 14 1386-1121 Landscape with Mountain - [Vermont]

7 1/2 x 11 Gouache on paper

Box 14 1387-1121 Country Landscape with House

7 1/2 x 11 Pastels on paper

Box 14 1388-1121 Abstraction - Window View

11 x 7 1/2 Pastels on paper

Box 14 1389-1121 Annunciation

7 3/8 x 11 Gouache on paper

Box 14 1390-1121 Red, Tan, Green Abstraction with Ball

11 x 7 1/2 Pastels on paper

Box 14 1391-1121 Red, Tan, Green Abstraction

11 x 7 1/2 Pastels on paper

Box 14 1392-1121 Abstract #3 - Still Life with Fruit

7 1/2 x 11 Pastels on paper

Box 14 1393-1121 Purple Snake Over Inhabited Background Yellow, Red, Green

7 1/2 x 11 Pastels on paper

Box 14 1394-1121 Woman Under Hair Dryer

11 x 8 1/2 Graphite pencil on paper

Box 14 1395-1121 [Triborough Bridge]

3 x 5 Ink on paper

Box 14 1396-1121 Zoomorphic Creature

6 x 4 Pastels on paper


Box 15 1397-1121 Black Zig Zags and Color Patches #1

15 1/8 x 11 Oil paint on paper

Box 15 1398-1121 Flight Into Egypt

11 x 8 1/2 Pastels on paper

Box 15 1399-1121 Figure

11 x 8 1/2 Ink on paper

Box 15 1400-1121 Three Figures

11 x 8 1/2 Ink on paper

Box 15 1401-1121 Two Figures

11 x 8 1/2 Ink on paper

Box 15 1402-1121 After Picasso - Photo

4 x 6 Ink on paper

Box 15 1403-1121 Rio

Two sheets. 4 x 6 Crayon on paper

Box 15 1404-1121 A Farm Yard

6 x 4 Graphite pencil on paper

Box 15 1405-1121 Landscape - Abstract

6 3/8 x 9 1/2 Gouache on paper

Box 15 1406-1121 Many Shapes

11 x 7 1/2 Crayon on paper

Box 15 1407-1121 Abstraction of Still Life - Circular Shape Over Angular Shapes

9 x 11 1/2 Crayon on paper

Box 15 1408-1121 Abstraction of Still Life - Cut Circular Shape Over Triangular Shapes

7 1/2 x 11 Crayon on paper

Box 15 1409-1121 Smoker

11 x 8 1/2 Crayon on paper

Box 15 1410-1121 Lillian

15 x 11 1/2 Graphite pencil on paper

Box 15 1411-1121 Woman and Popet [sic]

14 3/4 x 9 5/8 Crayon and graphite pencil on paper

Box 15 1412-1121 Lillian

15 1/8 x 11 Crayon on paper

Box 15 1413-1121 Untitled

4 x 6 Graphite pencil on paper

Box 15 1414-1121 Highland Station - Chestnut Hill, Philadelphia

4 x 6 Graphite pencil on paper

Box 15 1415-1121 [Jerry and Jocelyn]

7 1/8 x 8 1/2 Graphite pencil on paper

Box 15 1416-1121 Lillian's Dress

5 x 3 1/8 Graphite pencil on paper

Box 15 [Frost on Window]

3 7/8 x 6 Ink on paper

Box 15 1418-1121 Head of Woman

4 1/4 x 5 5/8 Ink on newspaper clipping

Box 15 1419-1121 After Degas - Private Collector, New York

3 1/2 x 5 Ink on paper

Box 15 1420-1121 At Yaddo

9 x 11 1/8 Oil paint on paper

Box 15 1421-1121 At Yaddo

8 7/8 x 11 1/4 Oil paint on paper

Box 15 1422-1121 At Yaddo

8 7/8 x 11 Oil paint on paper

Box 15 1423-1121 At Yaddo

8 3/4 x 11 1/2 Pastels on paper

Box 15 1424-1121 Lillian at Yaddo

12 x 7 1/2 Graphite pencil on paper

Box 15 1425-1121 Profile

Two sheets. 6 x 4 Crayon on paper

Box 15 1426-1121 Howard Shaw

6 x 4 Crayon on paper

Box 15 1427-1121 A Vermont Barn

4 x 6 Graphite pencil on paper

Box 15 1428-1121 Hudson River

4 x 6 Graphite pencil on paper

Box 15 1429-1121 After Durer

4 x 6 Ink on paper

Box 15 1430-1121 After Picasso

4 x 6 Ink on paper

Box 15 1431-1121 After Picasso

4 x 6 Ink on paper

Box 15 1432-1121 Lillian

Two sheets. 6 x 4 Ink on paper

Box 15 1433-1121 After Picasso

4 x 6 Ink on paper

Box 15 1434-1121 [Lillian]

6 1/4 x 5 Ink on paper

Box 15 1435-1121 Lillian - West 4th Street Kitchen

4 1/4 x 5 Ink on paper

Box 15 1436-1121 [Lillian] - Female Bust

5 1/2 x 4 1/4 Ink on paper

Box 15 1437-1121 [Lillian] - Two Heads

6 x 4 Ink on paper

Box 15 1438-1121 Landscape with Figure

4 x 5 7/8 Ink on cardboard

Box 15 1439-1121 Woman Reading

4 x 6 Graphite pencil on paper

Box 15 1440-1121 Woman Resting on Table

4 x 6 Graphite pencil on paper

Box 15 1441-1121 Rio

Two sheets. 4 x 6 Crayon on paper

Box 15 1442-1121 Rio

Two sheets. 4 x 6 Crayon on paper

Box 15 1443-1121 Lillian

13 1/8 x 9 1/2 Graphite pencil on paper

Box 15 1444-1121 Lillian

15 x 11 Graphite pencil on paper

Box 15 1445-1121 Lillian

8 x 5 Ink on paper

Box 15 1446-1121 Lillian

8 x 5 Ink on paper

Box 15 1447-1121 Thread in Surrealist Landscape

7 1/2 x 11 Pastels on paper

Box 15 1448-1121 Abstraction - Egg Shapes

9 x 11 1/2 Crayon on paper

Box 15 1449-1121 Lillian

9 1/2 x 8 1/4 Crayon on paper

Box 15 1450-1121 Lillian in Lawn Chair - Vermont

Inscribed on verso: from XL. 7 7/8 x 9 7/8 Pastels on paper

Box 15 1451-1121 Abstract - Blue Rectangle on Horizontal Bands

11 x 8 1/2 Gouache on paper

Box 15 1452-1121 Horseman in the Woods

12 x 8 1/2 Conte crayon on paper

Box 15 1453-1121 Green and Orange Patches Among Black Rectangles

9 x 11 1/2 Gouache on paper

Box 15 1454-1121 Eve

4 x 3 1/4 Gouache on paper

Box 15 1455-1121 Abstract Figure by a Stream

11 1/2 x 9 Pastels on paper

Box 15 1456-1121 Sailing with the Beasts

9 x 12 Gouache on paper

Box 15 1457-1121 Dog and Another Animal

6 1/8 x 9 1/2 Conte crayon on paper

Box 15 1458-1121 Abstraction with Vases

15 1/8 x 11 Pastels on paper

Box 15 1459-1121 Figure with Rectangles - Abstract

15 x 10 Pastels on paper

Box 15 1460-1121 animal in Landscape - Abstraction

11 x 15 Pastels on paper

Box 15 1461-1121 Water Creatures

11 x 15 Ink on paper

Box 15 1462-1121 Bones

11 x 15 Ink on paper

Box 15 1463-1121 Coiled Shapes and Diagonals

11 x 15 Gouache on paper

Box 15 1464-1121 Vermont House

12 x 8 1/2 Pastels on paper

Box 15 1465-1121 Vermont House

12 x 8 1/2 Pastels on paper

Box 15 1466-1121 Lillian - Yaddo

9 1/2 x 8 1/4 Conte crayon on paper

Box 15 1467-1121 Lillian - Yaddo

9 1/2 x 8 1/4 Conte crayon on paper

Box 15 1468-1121 Vermont House at Night

9 1/4 x 12 1/8 Oil paint on paper

Box 15 1469-1121 Vermont House and Meadow

8 7/8 x 12 Pastels on paper

Box 15 1470-1121 Untitled

11 x 15 Gouache on paper

Box 15 1471-1121 [Flowers]

5 x 3 Ink on paper

Box 15 [Europe]

5 x 3 7/8 Graphite pencil on lined paper

Box 15 1473-1121 [Sketches of Paintings in a Museum]

6 x 4 Graphite pencil on paper

Box 15 1474-1121 Landscape Compositions

4 x 6 Graphite pencil on paper

Box 15 1475-1121 Lillian

6 x 4 Graphite pencil on paper

Box 15 1476-1121 Riez

4 x 3 7/8 Graphite pencil and watercolor on lined paper

Box 15 1477-1121 Lillian

4 x 6 Ink on paper

Box 15 1478-1121 Portrait - [Lillian]

Typing on verso. 5 1/8 x 3 7/8 Ink on scrap paper

Box 15 1479-1121 Glebe Mountain - Vermont

6 x 4 Ink on paper

Box 15 1480-1121 Landscape

3 x 5 Graphite pencil on paper

Box 15 1481-1121 Lillian

8 1/4 x 5 1/4 Graphite pencil on paper

Box 15 1482-1121 [Benjamin or David]

6 x 4 Conte crayon on paper

Box 15 1483-1121 Untitled

5 3/4 x 4 3/8 Crayon on paper


Box 16 1484-1121 Rounds and Tubes

12 1/2 x 9 Conte crayon on paper

Box 16 1485-1121 Woman - Study of Light and Dark

9 1/4 x 6 Crayon on paper

Box 16 1486-1121 Black Lines Over Color Ovoids

9 x 11 1/2 Pastels on paper

Box 16 1487-1121 Lillian

15 x 11 Graphite pencil on paper

Box 16 1488-1121 Abstracted Bowl of Flowers

8 1/2 x 12 Pastels on paper

Box 16 1489-1121 Head

14 x 9 Oil paint on canvas

Box 16 1490-1121 Abstract Horizontal Colored Bands

10 7/8 x 7 7/8 Gouache on paper

Box 16 1491-1121 Horizontal Bands with Semicircles

11 1/2 x 9 Gouache on paper

Box 16 1492-1121 Landscape [#4]

11 x 15 1/8 Oil paint on paper

Box 16 1493-1121 Sailing Vessel with Animals

15 x 11 Crayons on paper

Box 16 1494-1121 Overlapping Shapes Over Horizontals

11 1/2 x 9 Crayon on paper

Box 16 1495-1121 The Fall of Icarus

15 x 11 Oil paint on paper

Box 16 1496-1121 Vermont

4 x 6 Crayon on paper

Box 16 1497-1121 Pyramid Landscape

6 x 4 Graphite pencil on paper

Box 16 1498-1121 Yaddo

9 1/2 x 8 1/4 Conte crayon on paper

Box 16 1499-1121 Lillian

15 x 11 Graphite pencil on paper

Box 16 1500-1121 Hands and Legs

9 7/8 x 9 7/8 Ink on paper

Box 16 1501-1121 Portraits

6 x 4 Ink on paper

Box 16 1502-1121 Herbert Ferber Working on "The Burning Bush"

6 1/8 x 9 1/4 Graphite pencil on paper

Box 16 1503-1121 Man Holding Lamp

9 x 12 Crayon on paper

Box 16 1504-1121 Lillian in Hat

9 x 4 3/8 Graphite pencil on paper

Box 16 1505-1121 Ernest

5 7/8 x 4 Ink on paper

Box 16 1506-1121 Woman Asleep in Armchair

6 x 9 1/4 Graphite pencil on paper

Box 16 1507-1121 Dog Head in Fantastic Landscape

9 x 11 1/2 Conte crayon on paper

Box 16 1508-1121 Yaddo

9 1/2 x 8 1/4 Pastels on paper

Box 16 1509-1121 My Room in Yaddo

9 1/2 x 8 1/8 Colored pencils on paper

Box 16 1510-1121 Squiggles on Contact Paper

7 1/4 x 3 3/4 Pastels on paper

Box 16 1511-1121 Rio

Two sheets. 4 x 6 Crayon on paper

Box 16 1512-1121 Variation on Braque

9 1/4 x 6 Crayon on paper

Box 16 1513-1121 Glebe Mountain

Inscribed on verso: from XL. 7 7/8 x 9 7/8 Pastels on paper

Box 16 1514-1121 Vermont

4 5/8 x 7 3/8 Crayon on paper

Box 16 1515-1121 A and L Collins

5 1/2 x 8 1/2 Crayon on paper

Box 16 1516-1121 Lillian

Two sheets. 6 x 4 Ink on paper

Box 16 1517-1121 Lillian

Two sheets. 6 x 4 Ink on paper

Box 16 1518-1121 Lillian

13 1/8 x 9 1/2 Graphite pencil on paper

Box 16 1519-1121 Landscape in Black

8 3/8 x 12 Crayon on paper

Box 16 1520-1121 Small Abstract Forms

9 x 11 3/4 Watercolor on paper

Box 16 1521-1121 Still Life - Vermont

11 1/2 x 9 Pastels on paper

Box 16 1522-1121 Lillian

13 1/8 x 9 1/2 Graphite pencil on paper

Box 16 1523-1121 Shaded Spherical Forms

12 x 8 1/2 Conte crayon on paper

Box 16 1524-1121 Studio Interior - Hill House

13 1/8 x 8 1/2 Ink on paper

Box 16 1525-1121 Vermont

11 x 15 Gouache on paper

Box 16 1526-1121 Vermont Meadow

11 x 15 Pastels on paper

Box 16 1527-1121 Abstract Lamp Shades

9 3/8 x 13 1/8 Pastels on paper

Box 16 1528-1121 [Figure] [in Landscape] - Abstraction

11 1/8 x 15 Pastels on paper

Box 16 1529-1121 Abstract Lamp Shades

9 1/4 x 13 1/8 Pastels on paper

Box 16 1530-1121 Cup - Abstraction

6 x 4 Graphite pencil on paper

Box 16 1531-1121 Cup - Abstraction

6 x 4 Graphite pencil on paper

Box 16 1532-1121 Old Outhouse and Shed - Vermont

8 3/4 x 12 Pastels on paper

Box 16 1533-1121 By Free Association

Two pieces. 6 3/4 x 8 Ink on cardboard

Box 16 1534-1121 Overlapping Bands

11 x 15 Gouache on paper

Box 16 1535-1121 Lillian

15 1/8 x 11 1/8 Graphite pencil on paper

Box 16 1536-1121 Lillian

15 1/8 x 11 Crayon on paper

Box 16 1537-1121 Lillian - Yaddo

15 1/8 x 11 Graphite pencil and oil paint on paper

Box 16 1538-1121 For Ernest - To Illustrate "Falling All Over Himself"

15 1/8 x 11 1/8 Gouache on paper

Box 16 1539-1121 Interior with Still Life

12 5/8 x 9 1/2 Gouache on paper

Box 16 1540-1121 Abstracted Woman in Armchair

9 1/4 x 5 3/4 Graphite pencil on paper

Box 16 1541-1121 Woman Asleep in Armchair

9 1/4 x 5 3/4 Graphite pencil on paper

Box 16 1542-1121 Herbert Ferber Working on "The Burning Bush"

Inscribed on verso: at Schnabels' studio on West 57th Street. 6 x 9 1/4 Crayon on paper

Box 16 1543-1121 Lillian at Yaddo

15 1/2 x 11 Crayon on paper

Box 16 1544-1121 Lillian Reading

15 x 11 Conte crayon on paper

Box 16 1545-1121 Miriam - Vermont Study

14 7/8 x 11 Oil paint on paper

Box 16 1546-1121 Landscape with Glebe Mountain

12 5/8 x 9 1/2 Charcoal on paper

Box 16 1547-1121 Sailing Vessel with Animals

14 3/4 x 11 Crayons on paper

Box 16 1548-1121 Miriam - Vermont

11 1/8 x 8 7/8 Oil paint on paper

Box 16 1549-1121 Lillian in Outdoor Chair - Vermont

7 7/8 x 10 Crayon on paper

Box 16 1550-1121 Lillian - Yaddo

15 1/8 x 11 Colored pencil on paper

Box 16 1551-1121 Animals Playing

11 1/8 x 7 1/2 Pastels on paper

Box 16 1552-1121 Icarus

11 1/8 x 15 1/8 Oil paint on paper

Box 16 1553-1121 Lillian

15 x 11 Graphite pencil on paper

Box 16 1554-1121 Abstractions

15 1/8 x 11 Colored pencil on paper

Box 16 1555-1121 Radial Composition

15 x 11 Gouache on paper

Box 16 1556-1121 Abstraction

15 x 11 Gouache on paper

Box 16 1557-1121 Abstraction

15 x 11 Gouache on paper

Box 16 1558-1121 Rawsonville House and View Surrounding

8 1/4 x 11 Crayon on paper

Box 16 1559-1121 Farm Products

6 x 4 Graphite pencil on paper

Box 16 1560-1121 In the Kitchen

Drawing on verso. 6 x 4 Crayon on paper

Box 16 1561-1121 Abstraction - One of a Pair

11 1/2 x 9 Crayon on paper

Box 16 1562-1121 Abstraction - One of a Pair

9 x 11 1/2 Crayon on paper

Box 16 1563-1121 Organic Shapes - Abstraction

15 x 11 1/8 Crayon on paper

Box 16 1564-1121 Still Life

11 1/2 x 9 Crayon on paper

Box 16 1565-1121 Abstraction of Still Life with X-Shapes

11 1/2 x 9 Crayon on paper

Box 16 1566-1121 Yellow Egg Shape Over Black and White

9 x 11 1/2 Crayon on paper

Box 16 1567-1121 Sailing Vessel with Animals - Study for Painting

15 x 11 Gouache on paper

Box 16 1568-1121 Sailing Vessel with Animals with Brown Background

11 x 15 Crayon on paper

Box 16 1569-1121 Abstraction

11 x 15 Gouache on paper

Box 16 1570-1121 Abstraction

11 x 15 Gouache on paper

Box 16 1571-1121 Abstraction

15 x 11 Gouache on paper

Box 16 1572-1121 Overlapping Shapes with Shading

9 x 11 1/2 Crayon on paper

Box 16 1573-1121 Abstraction

12 1/4 x 9 1/2 Gouache on paper

Box 16 1574-1121 Seascape

7 1/2 x 11 Crayon on paper

Box 16 1575-1121 Abstraction - Stages

15 x 11 Gouache on paper

Box 16 1576-1121 Abstraction - Speaker

15 x 11 Gouache on paper

Box 16 1577-1121 Woman in Yellow Hat

15 x 11 Gouache on paper

Box 16 1578-1121 Vermont View with Crab Apple Tree

15 x 11 Oil paint on paper


Box 17 1579-1121 Lillian Reading - Vermont

11 x 8 1/2 Gouache on paper

Box 17 1580-1121 Abstract Head

11 x 8 1/2 Oil paint on paper

Box 17 1581-1121 [Abstract Seascape]

8 1/2 x 11 Pastels on paper

Box 17 1582-1121 Vermont Landscape

7 1/2 x 11 Watercolor and crayon on paper

Box 17 1583-1121 Lillian - For Teddy

Inscribed on verso: in Vermont. 12 5/8 x 9 1/4 Pastel on paper

Box 17 1584-1121 Abstract - Layered Colored Forms

8 1/2 x 12 Pastel on paper

Box 17 1585-1121 After Sketch of 1952

9 1/2 x 12 1/2 Tempera on paper

Box 17 1586-1121 Red, White and Black Forms

8 1/2 x 10 7/8 Pastels and oil paint on paper

Box 17 1587-1121 Abstraction with Emerging Heads

13 x 8 3/4 Gouache on paper

Box 17 1588-1121 Abstract - Lamp Shape

12 x 8 3/8 Pastels and ink on paper

Box 17 1589-1121 Abstract - Lamp Shape

11 x 8 1/2 Pastels on paper

Box 17 1590-1121 Lillian

4 1/2 diameter Crayon on paper

Box 17 1591-1121 View of Glebe Mountain

4 1/2 (radius) Crayon on paper

Box 17 1592-1121 Heavy Forms #3

8 1/2 x 12 Ink on paper

Box 17 1593-1121 Abstraction

Drawing on detached pamphlet sheet from Poses Institute of Fine Art. 12 5/8 x 8 3/4 Gouache and ink on paper

Box 17 1594-1121 Abstraction with Black and White Forms

7 x 5 Ink on paper

Box 17 1595-1121 Abstraction - Four Linear Forms - Version 3

7 7/8 x 4 7/8 Ink on paper

Box 17 1596-1121 Drawing for Relief Sculpture

8 3/8 x 12 Ink on paper

Box 17 1597-1121 Beach Haven Pool

4 x 6 Ink on paper

Box 17 1598-1601-1121 Sketchbook

Two drawings in bound scopecontentbook. Two loose sheets in scopecontentbook. 8 3/8 x 5 1/2 Graphite pencil on paper

1598 measures 8 3/8 x 5 1/2 and is dated 1962 October 11. 8 3/8 x 5 1/2 Graphite pencil on paper

1599 measures 8 3/8 x 5 1/2 and is dated 1965 October 12. 8 3/8 x 5 1/2 Graphite pencil on paper

1600 measures 8 x 4 7/8 and is dated 1968 May 6. 8 3/8 x 5 1/2 Graphite pencil on paper

1601 measures 6 1/4 x 4 3/8 and is dated 1968 November 17. 8 3/8 x 5 1/2 Graphite pencil on paper

Box 17 1602-1121 Abstract - Overlapping Blacks and Greys

8 1/2 x 11 Ink on paper

Box 17 1603-1121 Lillian

Photocopy of original from scopecontentbook. 8 x 5 3/8 Graphite pencil on paper

Box 17 1604-1121 Palo Alto

8 x 5 Ink on paper

Box 17 1605-1121 California View

6 x 4 Ink on paper

Box 17 1606-1121 Back Side - Siesta Key House

4 x 6 Ink on paper

Box 17 1607-1121 Abstraction

9 7/8 x 10 Ink and pastels on paper

Box 17 1608-1121 Abstraction

10 7/8 x 8 1/2 Pastels on paper

Box 17 1609-1121 Vermont Landscape

Drawn on verso of announcement card for exhibition of Edward Corbett's paintings at the Borgennicht Gallery. 9 1/8 x 6 Crayon on paper

Box 17 1610-1121 Abstraction with Calligraphic Shapes

11x 8 1/2 Oil paint on paper

Box 17 1611-1121 California Coast

Two sheets. 4 x 6 Colored pencils on paper

Box 17 1612-1121 Woodland Path - Vermont

14 7/8 x 11 Oil paint on paper

Box 17 1613-1121 Bands Radiating Gray Central Shape

8 3/8 x 11 Pastels on paper

Box 17 1614-1121 Abstract Head on Black Ground

8 1/2 x 11 Pastels on paper

Box 17 1615-1121 Vermont Landscape

7 1/2 x 11 Pastels on paper

Box 17 1616-1121 Martin's Beach - California

3 x 5 Graphite pencil on paper

Box 17 1617-1121 Piece at Ben Heller's Gallery

6 x 4 Ink on paper

Box 17 1618-1121 Center for Behvioral Sciences - Palo Alto

5 x 8 Ink on paper

Box 17 1619-1121 Untitled

8 7/8 x 5 7/8 Ink on cardboard

Box 17 1620-1121 Edge of Hill House - Vermont

12 x 8 3/8 Pastels on paper

Box 17 1621-1121 Abstraction - Piled Up Forms

8 x 5 Pastels on paper

Box 17 1622-1121 Vermont Site

Drawn on verso of exhibition announcement. 7 7/8 x 9 Pastels on paper

Box 17 1623-1121 View from Rawsonville House

11 x 8 1/2 Pastels on paper

Box 17 1624-1625-1121 Vermont Greeting to Teddy and Howard

Two cards. Various Pastels on paper

1624 is dated 1964 June 6 and measures 7 7/8 x 5. Inscription on recto. Various Pastels on paper

1625 is dated 1964 July 20 and measures 5 x 7. Inscription on verso: for Teddy and Howard, affectionately, Meyer. Various Pastels on paper

Box 17 1626-1121 Woman Playing Flute

Drawn on verso of a chamber music program at Stanford University dated 1962 November 11. 9 x 6 Graphite pencil on paper

Box 17 1627-1121 Lillian

8 x 5 Ink on paper

Box 17 1628-1121 Sculpture of Antinoos

6 x 4 Crayon on paper

Box 17 1629-1121 Stanford

5 x 3 Ink on paper

Box 17 1630-1121 House and Trees [unfinished]

5 1/4 x 8 3/8 Gouache on paper

Box 17 1631-1121 Untitled

11 x 7 1/2 Oil paint and graphite pencil on paper

Box 17 1632-1121 San Fransisco

7 1/4 x 15 Graphite pencil on paper

Box 17 1633-1121 Head Crossed By Black Bands

12 x 8 3/8 Gouache on paper

Box 17 1634-1121 Two Portraits

Drawn on verso of program for a film series presented by the Cambridge Center for Adult Education. 8 1/2 x 11 Ink on paper

Box 17 1635-1121 Pacific Coast

Three sheets. 6 x 4 Ink and graphite pencil on paper

Box 17 1636-1121 Abstraction with Black and White Forms

7 7/8 x 4 7/8 Colored pencils on paper

Box 17 1637-1121 Studio - Rawsonville

12 x 8 3/8 Pastels on paper

Box 17 1638-1121 Landscape - San Fransisco

Inscribed on verso: from Alex Fried's window. 8 1/2 x 13 Graphite pencil on paper

Box 17 1639-1121 San Fransisco

8 1/2 x 13 Graphite pencil on paper

Box 17 1640-1121 San Fransisco

Inscribed on verso: from Alex Fried's window. 8 1/2 x 12 7/8 Graphite pencil on paper

Box 17 1641-1121 Rawsonville

Drawing on verso. 8 7/8 x 12 Crayon on paper

Box 17 1642-1121 Landscape with Blacks

Inscribed on recto: to Teddy and Howard with love from Meyer. 8 3/8 x 12 Pastels on paper

Box 17 1643-1121 Lillian - Sarasota

7 7/8 x 4 7/8 Ink on paper

Box 17 1644-1121 Western Strata #2

11 x 8 1/2 Pastels on paper

Box 17 1645-1121 Melon Shape on Black

8 1/2 x 12 Pastels on paper

Box 17 1646-1121 Melon Shape on Purple and Green

8 1/2 x 12 Pastels on paper

Box 17 1647-1121 Melon Shape on Purple

8 1/2 x 12 Pastels on paper

Box 17 1648-1121 Lillian Reading - Vermont

11 x 8 1/2 Pastels and graphite pencil on paper

Box 17 1649-1121 Unknown Location

6 1/2 x 7 5/8 Ink on paper

Box 17 1650-1121 At Sophie's - Shaftesbury

11 x 8 1/2 Crayon on paper

Box 17 1651-1121 Drawing for Tin Cut-Out

8 1/2 x 12 Conte crayon on paper

Box 17 1652-1121 For Poem of Ephraim Mikhael on Priest Admiring Himself

11 x 7 1/2 Pastels on paper

Box 17 1653-1121 At Sophie's - Shaftesbury

11 x 8 1/2 Pastels on paper

Box 17 1654-1121 Abstract Brown Bands Over Black Dumbbell Shapes

11 x 15 Oil paint on paper

Box 17 1655-1121 After a Drawing of Late 40s

8 1/2 x 11 Ink and pastels on paper

Box 17 1656-1121 Abstract - Organic Shapes

11 x 8 1/2 Gouache on paper

Box 17 1657-1121 Lillian

6 x 4 Ink on paper

Box 17 1658-1121 Multicolored Overlapping Shapes

11 x 8 1/2 Pastels on paper

Box 17 1659-1121 Abstract Seated Figure

11 x 8 1/2 Gouache on paper

Box 17 1660-1121 Color Studies [See Yaddo]

9 x 6 Oil paint on paper

Box 17 1661-1121 Landscape

8 1/2 x 11 Pastels on paper

Box 17 1662-1121 Abstract - Spaced Colored Rectangles #2

8 1/2 x 11 Pastels on paper

Box 17 1663-1121 Abstract - Spaced Multicolored Rectangles #1

8 1/2 x 11 Pastels on paper

Box 17 1664-1121 Landscape with House

9 3/4 x 7 1/2 Pastels on paper

Box 17 1665-1121 Lillian Reading

15 x 11 Conte crayon on paper

Box 17 1666-1121 Abstract with Vertical Stripes

8 1/2 x 11 Pastels on paper

Box 17 1667-1121 Lillian

11 x 8 1/2 Graphite pencil on paper

Box 17 1668-1121 Creature with Tail

8 1/2 x 11 Ink on paper

Box 17 1669-1121 Lillian

11 x 8 1/2 Ink on paper

Box 17 1670-1121 Abstract - Flower

11 x 8 1/2 Pastels on paper

Box 17 1671-1121 Abstract - Lozenge Shapes with Vertical Bands

8 x 5 Pastels and ink on paper

Box 17 1672-1121 Person on a Horse in Landscape - Sketch

8 x 5 Pastels and ink on paper

Box 17 1673-1121 Abstract - Organic Forms Over Horizontals #1

8 1/2 x 11 Pastels on paper

Box 17 1674-1121 Abstract - Palette Shape Over Horizontals

8 1/2 x 11 Gouache on paper

Box 17 1675-1121 Abstract - Flying Forms

8 1/2 x 11 Gouache on paper

Box 17 1676-1121 Abstract - Interior

8 1/2 x 11 Pastels on paper

Box 17 1677-1121 Florida Gulf Sunset

6 x 9 Colored pencils on paper

Box 17 1678-1121 Lillian - Florida

7 x 5 Colored pencils on paper

Box 17 1679-1121 Siesta Key House

4 1/2 x 6 1/4 Colored pencils on paper

Box 17 1680-1121 Lillian

7 7/8 x 4 7/8 Ink on paper

Box 17 1681-1121 Beach Haven - Florida

5 x 3 Colored pencils on paper

Box 17 1682-1121 Lillian

4 7/8 x 7 7/8 Graphite pencil on paper

Box 17 1683-1121 Lillian in Hat - Florida

4 7/8 x 7 7/8 Ink on paper

Box 17 1684-1121 Florida

3 3/4 x 6 5/8 Ink on paper

Box 17 1685-1121 Front - Beach Haven

Drawn on verso of RMS Queen Elizabeth stationery. 5 1/4 x 6 7/8 Conte crayon on paper

Box 17 1686-1121 Beach Haven - Florida

4 1/2 x 6 3/8 Conte crayon on paper

Box 17 1687-1121 Beach Haven - Florida

3 x 5 Ink on paper

Box 17 1688-1121 Siesta Key House

6 x 9 Ink on paper

Box 17 1689-1121 Unfinished - Florida

Drawn on scrap. Typing on verso. 3 x 3 5/8 Pastels on paper

Box 17 1690-1121 For Hanna Josephson - "Baruch Pri ha-Gefen"

Drawn on scrop. Typing on verso. 3 3/4 x 4 3/8 Ink on paper

Box 17 1691-1121 Unknown - Siesta Key, Florida

4 x 6 Conte crayon on paper

Box 17 1692-1121 Dketch for Landscape - Florida

3 x 5 Graphite pencil on paper

Box 17 1693-1121 Unknown - Florida

5 x 3 Ink on paper

Box 17 1694-1121 After Photo Card - Florida

5 x 3 Ink on paper

Box 17 1695-1121 View From House Front on Mall - Florida

Drawn on verso of RMS Queen Elizabeth stationery. 5 1/4 x 6 7/8 Colored pencils on paper

Box 17 1696-1121 Checkerboard - Green, Yellow, Red - Florida

7 x 4 7/8 Colored pencils on paper

Box 17 1697-1121 Beach Haven - Florida

7 5/8 x 5 3/4 Pastels on paper

Box 17 1698-1121 Florida

6 x 4 Graphite pencil on paper

Box 17 1699-1121 View from Porch - Florida

3 x 5 Graphite pencil on paper

Box 17 1700-1121 View of Beach - Florida

6 x 4 Conte crayon on paper

Box 17 1701-1121 The Play of Oedipus

9 7/8 x 9 7/8 Ink on paper

Box 17 1702-1121 Positive and Negative Heads in Lozenges

5 x 8 Ink on paper

Box 17 1703-1121 Positive and Negative Heads and Shapes

5 x 8 Ink and oil paint on paper

Box 17 1704-1121 Color Shapes Over Green

8 1/2 x 11 Pastels on paper

Box 17 1705-1121 Color Shapes Over White

8 1/2 x 11 Pastels on paper

Box 17 1706-1121 Yellow Tree Forms

8 1/2 x 11 Gouache on paper

Box 17 1707-1121 Multicolor Tree Forms

8 1/2 x 11 Pastels on paper

Box 17 1708-1121 Study in Planes and Depth

9 x 12 Conte crayon on paper

Box 17 1709-1121 Flying Form #6

Drawn on detached pamphlet sheet. Typing on verso. 9 x 12 1/2 Ink on paper

Box 17 1710-1121 Flying Form #5

Drawn on detached pamphlet sheet. Typing on verso. 9 x 12 1/2 Ink on paper

Box 17 1711-1121 Flying Form #4

Drawn on detached pamphlet sheet. Typing on verso. 9 x 12 1/2 Ink on paper

Box 17 1712-1121 Flying Form #1

Drawn on detached pamphlet sheet. Typing on verso. 9 x 12 1/2 Ink on paper

Box 17 1713-1121 Flying Form #2

Drawn on detached pamphlet sheet. Typing on verso. 9 x 12 1/2 Ink on paper

Box 17 1714-1121 [Hillside]

4 x 6 Ink on paper

Box 17 1715-1121 Bedroom - Vermont

4 x 6 Ink on paper

Box 17 1716-1121 Deer in Field

Drawn on scrap. Typing on verso. 3 x 5 1/2 Ink on paper

Box 17 1717-1121 Meadow and Glebe Mountain - Vermont

4 x 6 Ink on paper

Box 17 1718-1121 Kitchen - Vermont

6 x 4 Ink on paper

Box 17 1719-1121 Lillian - Vermont

4 x 6 Ink on paper

Box 17 1720-1121 Irregular Shape Over Vertical Bands

8 1/2 x 11 Pastels on paper

Box 17 1721-1121 Abstraction - Scallops and Verticals

8 1/2 x 11 Pastels on paper

Box 17 1722-1121 Abstraction - Scallops and Verticals #1

11 x 8 1/2 Pastels on paper

Box 17 1723-1121 Abstraction Studies

11 x 8 1/2 Pastels on paper

Box 17 1724-1121 [Stage Set] #2

11 x 8 1/2 Ink on paper

Box 17 1725-1121 [Trees Before Buildings in City]

9 x 12 Gouache on paper

Box 17 1726-1121 [Recalled City View]

11 x 8 1/2 Oil paint on paper

Box 17 1727-1121 Black Shapes on Colored Ground

8 1/2 x 11 Pastels on paper

Box 17 1728-1121 Head

11 x 8 1/2 Pastels and oil paint on paper

Box 17 1729-1121 Imaginary Microscope View

12 x 8 1/2 Ink and pastels on paper

Box 17 1730-1121 Rape of Europa - Sketch for Sculpture

8 1/2 x 12 Conte crayon on paper

Box 17 1731-1121 Sunset

8 1/2 x 12 Pastels on paper

Box 17 1732-1121 Rape of Europa - Sketch for Sculpture

8 1/2 x 12 7/8 Graphite pencil on paper

Box 17 1733-1121 Rape of Europa - Sketch for Sculpture

8 1/2 x 12 Conte crayon on paper

Box 17 1734-1121 Rape of Europa - Sketch for Sculpture

8 1/2 x 12 Conte crayon on paper

Box 17 1735-1121 heavy Foms #1

8 1/2 x 12 Ink and conte crayon on paper

Box 17 1736-1121 Hunting Party

8 1/2 x 12 Gouache on paper

Box 17 1737-1121 Woman in a Hat

8 1/8 x 7 Ink on paper

Box 17 1738-1121 Rape of Europa - Sketch for Sculpture

8 1/2 x 12 Conte crayon on paper

Box 17 1739-1121 Abstract - Triangles

8 1/2 x 11 Gouache on paper

Box 17 1740-1121 Vermont

9 7/8 x 9 7/8 Pastel on paper

Box 17 1741-1121 Floating Forms

8 1/2 x 11 Pastels on paper

Box 17 1742-1121 Abstraction - Flooding Forms

11 x 15 Oil paint on paper


Box 18 1743-1121 Vermont Meadow

8 7/8 x 11 7/8 Pastels on paper

Box 18 1744-1121 Landscape Forms

Drawn on detached pamphlet sheet. Typing on verso. 9 x 12 1/2 Ink and Ink on paper

Box 18 1745-1121 Cubic Forms

Drawn on announcement card for exhibition of Wolf Kahn's work at Borgenicht Gallery dated 1969 February 1-28. 8 1/2 x 3 3/4 Ink on paper

Box 18 1746-1121 Abstract Black Amorphous Shapes

Inscribed on verso: drawn in Florida. 7 7/8 x 4 7/8 Conte crayon on paper

Box 18 1747-1121 Abstract - Overlapping Grays

8 1/2 x 11 Ink on paper

Box 18 1748-1121 Abstract Cubistic Study #3

6 x 4 Ink on paper

Box 18 1749-1121 After Seurat

12 x 9 Crayon on paper

Box 18 1750-1121 Abstrat - [Landscape]

11 x 8 1/2 Ink on paper

Box 18 1751-1121 Abstraction of Seascape in Black, Gray and White

8 3/8 x 12 Conte crayon on paper

Box 18 1752-1121 Abstract White Opening

10 7/8 x 8 1/2 Goauche on paper

Box 18 1753-1121 [Abstract Chair] of Overlapping Shapes

8 3/8 x 12 Gouache and Ink on paper

Box 18 1754-1121 Vermont Landscape

8 1/2 x 11 Pastels on paper

Box 18 1755-1121 Abstract - Overlapping Rectangles

11 x 8 1/2 Gouache on paper

Box 18 1756-1121 Landscape with Moon

12 x 8 1/2 Pastels on paper

Box 18 1757-1121 Black Zig-Zags on Green and Orange

7 1/2 x 11 Gouache on paper

Box 18 1758-1121 Abstract Landscape

8 1/2 x 11 Pastels on paper

Box 18 1759-1121 View with Road - Vermont

12 x 8 1/2 Pastels on paper

Box 18 1760-1121 White Figure Under Verticals and Diagonals

Inscribed on verso: Florida. 6 x 4 Colored pencils on paper

Box 18 1761-1121 White Figure With Colored Verticals and Diagonals

Inscribed on verso: Florida. 6 1/4 x 4 1/2 Colored pencils on paper

Box 18 1762-1121 White Figure Under Colored Verticals and Diagonals

Inscribed on verso: Florida. 6 x 4 Colored pencils on paper

Box 18 1763-1121 Gulf View of Sunset - Florida

4 3/8 x 5 7/8 Colored pencils on paper

Box 18 1764-1121 Cone and Egg Shape - Color Study

Inscribed on recto: Florida. 6 x 4 Colored pencils on paper

Box 18 1765-1121 Sunset - Florida

8 x 5 Pastels on paper

Box 18 1766-1121 Goblet Form

6 x 4 Colored pencils on paper

Box 18 1767-1121 From Our Porch - Florida

6 x 4 Colored pencils on paper

Box 18 1768-1121 Hill House Interior - Vermont

8 1/2 x 11 Pastels and Ink on paper

Box 18 1769-1121 Bowl of Flowers in a Country House

11 x 8 1/2 Pastels on paper

Box 18 1770-1121 Calligraphic Shapes and Colors #2

8 1/2 x 11 Pastels and oil paint on paper

Box 18 1771-1121 Circle and Lozenge Shapes Over Rectangles

12 x 8 1/2 Pastels on paper

Box 18 1772-1121 Abstract Landscape

Inscribed on verso: see same subject 1969 July. 8 1/2 x 11 Pastels on paper

Box 18 1773-1121 Lillian

15 1/8 x 11 Crayon on paper

Box 18 1774-1121 After Seurat

4 x 6 Graphite pencil on paper

Box 18 1775-1121 [Lillian] [In Florida House]

Accompanied by detached sketch for drawing measuring 5 x 3. 5 1/2 x 7 3/8 Crayon on paper

Box 18 1776-1121 Female Figure

8 x 5 Ink on paper

Box 18 1777-1121 Man Fighting Lion

5 x 8 Crayon on paper

Box 18 1778-1121 Man Fighting Lion

5 x 8 Crayon on paper

Box 18 1779-1121 Man Fighting Lion

5 x 8 Crayon on paper

Box 18 1780-1121 Untitled

5 x 8 Graphite pencil on cardboard

Box 18 1781-1121 Untitled

Drawn on scrap.Typing on verso. 5 x 6 Ink on paper

Box 18 1782-1121 [California] [Seattle]

5 1/4 x 8 1/4 Graphite pencil on paper

Box 18 1783-1121 From Our Porch - Florida

6 x 4 Graphite pencil on paper

Box 18 1784-1121 Goblet Form

6 x 4 Conte crayon on paper

Box 18 1785-1121 Beach - Florida

4 3/8 x 6 1/4 Ink on paper

Box 18 1786-1121 Abstract Cubistic Study #2

6 x 4 Ink on paper

Box 18 1787-1121 Abstract Cubistic Study #1

6 x 4 Ink on paper

Box 18 1788-1121 Lillian

8 x 5 Ink on paper

Box 18 1789-1121 Interior - Vermont

12 x 8 3/8 Conte crayon and graphite pencil on paper

Box 18 1790-1121 Family - Rawsonville

5 7/8 x 9 1/2 Ink on paper

Box 18 1791-1121 Katherine Shaw

9 x 6 Crayon on paper

Box 18 1792-1121 Lillian - Sarasota

4 7/8 x 7 7/8 Ink on paper

Box 18 1793-1121 Abstract - Fish Shapes

6 1/8 x 9 Oil paint on paper

Box 18 1794-1121 Head Study in Colors

6 x 4 Colored pencils on paper

Box 18 1795-1121 Our House - View of Rear - Florida

3 3/4 x 6 Ink and colored pencil on paper

Box 18 1796-1121 Abstract - Flying Forms

8 1/2 x 11 Gouache on paper

Box 18 1797-1121 Abstract - Head #5

11 x 8 1/2 Pastels on paper

Box 18 1798-1121 Abstract - Gray Zig-Zag Bands Over Tan Backgrounds

8 1/2 x 11 Pastels on paper

Box 18 1799-1121 Still Life with Pitcher and Spoon

8 1/2 x 10 5/8 Oil paint on cardboard

Box 18 1800-1121 Lillian Reclining on Coach

9 x 12 Pastels on paper

Box 18 1801-1121 Interior - Vermont

11 x 7 1/2 Gouache on paper

Box 18 1802-1121 Abstract - "Arrival"

Inscribed on verso: for oil painting on board, in hill house studio. 8 1/2 x 11 Pastels on paper

Box 18 1803-1121 [Abstract Head]

12 x 8 Oil paint on cardboard

Box 18 1804-1121 Abstract - [Landscape]

11 x 15 Gouache on paper

Box 18 1805-1121 Black Forms Over Horizontals

8 1/2 x 11 Watercolor on paper

Box 18 1806-1121 Midsummmer

8 1/2 x 10 7/8 Watercolor on paper

Box 18 1807-1121 Melon Shape on Black, Yellow and Blue

8 3/8 x 12 Pastels on paper

Box 18 1808-1121 Abstract - Green Star

8 1/2 x 11 Gouache on paper

Box 18 1809-1121 Abstract - Vase Shape Over Multicolored Shapes #3

8 1/2 x 11 Pastels on paper

Box 18 1810-1121 Backyard at 279 West 4th Street

7 1/2 x 6 1/4 Ink on paper

Box 18 1811-1121 Lillian

12 x 8 1/2 Pastels on paper

Box 18 1812-1121 Abstraction with Organic Shapes

9 3/4 x 11 1/4 Oil paint on paper

Box 18 1813-1121 Abstraction - Sharped Edge Forms

12 x 8 1/4 Pastels on paper

Box 18 1814-1121 Lillian

10 x 9 7/8 Ink on paper

Box 18 1815-1121 Hillside - Vermont

15 x 11 Oil paint on paper

Box 18 1816-1121 Black Forms in Imaginary Landscape

11 x 14 7/8 Oil paint on paper

Box 18 1817-1121 Abstract - Organic Forms on Horizontals #2

[8 1/2 x 11] Pastels on paper

Box 18 1818-1121 Sunset

8 1/2 x 12 Pastels on paper

Box 18 1819-1121 Lillian in Lawn Chair - Vermont

9 x 12 Gouache on paper

Box 18 1820-1121 Heavy Forms #4

12 x 8 1/2 Ink on paper

Box 18 1821-1121 Gray, Green, Brown, Rectangles

6 x 8 1/2 Oil paint on cardboard

Box 18 1822-1121 Study for White Figure Under Verticals and Diagonals

Inscribed on verso: Florida - 5858 Midnight Pass Road. 6 x 4 Graphite pencil on paper

Box 18 1823-1121 Abstract - Black Lines

6 x 4 Ink on paper

Box 18 1824-1121 Insect on Colored Paper

Inscribed on verso: Florida. 6 x 4 Crayons and watercolor on paper

Box 18 1825-1121 Abstract - Vertical Bands

8 1/2 x 11 Pastels on paper

Box 18 1826-1121 [Ernest]

12 x 8 1/2 Conte crayon on paper

Box 18 1827-1121 Abstract - Vermont Studio - [Interior]

8 1/2 x 12 Ink on paper

Box 18 1828-1121 Landscape Through a Window

11 x 8 1/2 Pastels on paper

Box 18 1829-1121 Color Studies [See Yaddo]

6 1/8 x 9 1/8 Oil paint on paper

Box 18 1830-1121 Lower Figure with Open Book

Drawn on scrap. Typing on verso. 8 1/2 x 5 3/4 Ink on paper

Box 18 1831-1121 Abstraction - Two Versions - One with Black and One with White Form

7 7/8 x 4 7/8 Ink on paper

Box 18 1832-1121 Abstraction - Linear Forms - Version 7

7 7/8 x 4 7/8 Ink on paper

Box 18 1833-1121 Abstraction - Four Linear Forms - Version 4

7 7/8 x 4 7/8 Ink on paper

Box 18 1834-1121 Abstraction - Four Linear Forms - Version 5

7 7/8 x 4 7/8 Ink on paper

Box 18 1835-1121 Abstraction - Four Linear Forms - Version 6

7 7/8 x 4 7/8 Ink on paper

Box 18 1836-1121 Male and Female Figures

9 3/4 x 11 7/8 Crayon on paper

Box 18 1837-1121 Vermont Landscape

8 3/8 x 12 Crayon on paper

Box 18 1838-1121 Night View with Moon

8 1/2 x 12 Crayon on paper

Box 18 1839-1121 Abstraction - Vertical Forms

11 x 8 1/2 Crayons on paper

Box 18 1840-1121 Plant Forms

8 1/2 x 12 Gouache on paper

Box 18 1841-1121 Lillian - Sarasota

4 7/8 x 7 7/8 Ink on paper

Box 18 1842-1121 Lillian - Sarasota

4 7/8 x 7 7/8 Ink on paper

Box 18 1843-1121 Abstract - Still Life with Stippling

5 x 8 Pastels and ink on paper

Box 18 1844-1121 Abstract - Landscape

8 1/2 x 11 Pastels on paper

Box 18 1845-1121 View From Deck of Siesta Key House - Florida

3 x 5 Ink on paper

Box 18 1846-1121 Interlace Color Threads

8 1/2 x 11 Pastels on paper

Box 18 1847-1121 Landscape

5 1/2 x 8 1/4 Pastels on paper

Box 18 1848-1121 Lillian - Vermont

6 x 4 Ink on paper

Box 18 1849-1121 Landscape

10 x 10 Pastels on paper

Box 18 1850-1121 Abstract Landscape

Accompanied by sketch measuring 4 x 6. 9 x 12 Oil on canvas board

Box 18 1851-1121 Abstract Figure in Hat

11 x 7 3/4 Ink on paper

Box 18 1852-1121 Abstract - [Flowers]

8 7/8 x 11 7/8 Pastels on paper


Box 19 1853-1121 After a Portrait by Gainsborough

6 x 4 Pastels on paper

Box 19 1854-1121 Overlapping Cubes

4 1/2 x 6 1/8 Ink on paper

Box 19 1855-1121 From Vancouver University

3 1/2 x 6 Conte crayon on paper

Box 19 1856-1121 Dead Trunk - Point Lobos

4 x 6 Pastels on paper

Box 19 1857-1121 From the University - Vancouver, B.C.

3 1/2 x 6 Conte crayon on paper

Box 19 1858-1121 [Victoria]

3 x 5 Conte crayon on paper

Box 19 1859-1121 Vancouver or Victoria

4 x 6 Conte crayon on paper

Box 19 1860-1121 Seattle

4 x 6 Conte crayon on paper

Box 19 1861-1121 Seattle

4 x 6 Conte crayon on paper

Box 19 1862-1121 California

4 x 6 Ink on paper

Box 19 1863-1121 Overlapping Forms

4 x 6 Ink on paper

Box 19 1864-1121 Wasp

4 x 6 Ink on paper

Box 19 1865-1121 Unknown Woman

4 x 6 Conte crayon on paper

Box 19 1866-1121 Unknown Woman

4 x 6 Ink on paper

Box 19 1867-1121 Buckle

4 x 6 Ink on paper

Box 19 1868-1121 Lillian

4 x 6 Conte crayon on paper

Box 19 1869-1121 Folded Forms

4 x 6 Ink on paper

Box 19 1870-1121 Female Unknown

6 x 4 Ink on paper

Box 19 1871-1121 Lillian

5 x 3 Graphite pencil on paper

Box 19 1872-1121 Lillian

5 x 3 Graphite pencil on paper

Box 19 1873-1121 279 West 4th Street

6 1/4 x 4 1/8 Ink on paper

Box 19 1874-1121 Lillian

6 x 4 Conte crayon on paper

Box 19 1875-1121 Lillian

6 x 4 Graphite pencil on paper

Box 19 1876-1121 After Bout's Drawing

6 x 4 Graphite pencil on paper

Box 19 1877-1121 Lillian

4 x 3 Ink on paper

Box 19 1878-1121 River from Study Window - Cambridge

4 x 6 Ink on paper

Box 19 1879-1121 Cambridge

4 x 6 Graphite pencil on paper

Box 19 1880-1121 Landscape Sketch - [Cambridge]

4 x 6 Ink on paper

Box 19 1881-1121 Charles River from Eliot House

4 1/2 x 6 Ink on paper

Box 19 1882-1121 Boston Landscape

4 x 6 Ink on paper

Box 19 1883-1121 [Cambridge]

4 3/4 x 3 3/8 Ink on paper

Box 19 1884-1121 Boston or Cambridge

5 1/4 x 8 1/2 Ink on paper

Box 19 1885-1121 Indian - Vancouver, University of B.C.

4 x 6 Conte crayon on paper

Box 19 1886-1121 West Coast

6 x 4 Ink on paper

Box 19 1887-1121 Columbia Icefields - Alberta, Canada

3 1/2 x 6 Conte crayon on paper

Box 19 1888-1121 Stone, Indian - City Museum, Vancouver

4 x 6 Conte crayon on paper

Box 19 1889-1121 Stone Carving, Indian - Vancouver Museum, University of B.C.

6 x 4 Ink on paper

Box 19 1890-1121 [Virginia B. Wright's Dog] - Seattle

4 x 6 Graphite pencil on paper

Box 19 1891-1121 Butchart Gardens - Victoria

6 x 4 Conte crayon on paper

Box 19 1892-1121 Center - Stanford, California

4 x 6 Conte crayon on paper

Box 19 1893-1121 Palo Alto

3 x 5 Graphite pencil on paper

Box 19 1894-1121 After a Japanese Print - Hokusai

6 x 4 Ink on paper

Box 19 1895-1121 Point Lobos

4 x 6 Conte crayon on paper

Box 19 1896-1121 Salem

6 x 4 Ink on paper

Box 19 1897-1121 Museum - Vancouver, University of B.C.

4 x 6 Conte crayon on paper

Box 19 1898-1121 Mountains - Sketch

4 x 6 Conte crayon on paper

Box 19 1899-1121 [California]

3 x 5 Conte crayon on paper

Box 19 1900-1121 [California]

3 x 5 Conte crayon on paper

Box 19 1901-1121 Vancouver or Victoria

4 x 6 Conte crayon on paper

Box 19 1902-1121 Seattle

4 x 6 Conte crayon on paper

Box 19 1903-1121 Seattle

4 x 6 Ink on paper

Box 19 1904-1121 Seattle

6 x 4 Conte crayon on paper

Box 19 1905-1121 Seattle

4 x 6 Conte crayon on paper

Box 19 1906-1121 Bridge - San Fransisco

4 x 6 Ink on paper

Box 19 1907-1121 Seattle

4 x 6 Conte crayon on paper

Box 19 1908-1121 Lillian - California

6 x 4 Ink on paper

Box 19 1909-1121 Inverness

4 x 6 Ink on paper

Box 19 1910-1121 San Fransisco

4 x 6 Ink on paper

Box 19 1911-1121 California

4 x 6 Ink on paper

Box 19 1912-1121 California

4 x 6 Ink on paper

Box 19 1913-1121 On the Road from a Moving Car - California

6 x 4 Conte crayon on paper

Box 19 1914-1121 On the Road - California

6 x 4 Conte crayon on paper

Box 19 1915-1121 Carmel - California

4 x 6 Pastels on paper

Box 19 1916-1121 California

4 x 6 Graphite pencil on paper

Box 19 1917-1121 California

4 x 6 Graphite pencil on paper

Box 19 1918-1121 Landscape - Stanford

4 x 6 Ink on paper

Box 19 1919-1121 Point Lobos

6 x 4 Conte crayon on paper

Box 19 1920-1121 California

4 x 6 Patels on paper

Box 19 1921-1121 California

4 x 6 Conte crayon on paper

Box 19 1922-1121 Point Lobos

4 x 6 Conte crayon on paper

Box 19 1923-1121 Lillian - California

6 x 4 Ink on paper

Box 19 1924-1121 Museum Object

4 x 6 Ink on paper

Box 19 1925-1121 Lillian - [Cambridge]

4 1/2 x 6 1/4 Ink on paper

Box 19 1926-1121 Seated Man

5 x 3 Graphite pencil on paper

Box 19 1927-1121 Seated Man

Drawing on verso. 3 x 5 Graphite pencil on paper

Box 19 1928-1121 Three Heads

Drawing on verso. 5 x 3 Graphite pencil on paper

Box 19 1929-1121 Chair

5 x 3 Graphite pencil on paper

Box 19 1930-1121 Unknown

6 x 4 1/2 Conte crayon on paper

Box 19 1931-1121 Seated Man

5 x 3 Graphite pencil on paper

Box 19 1932-1121 Lillian

6 x 4 Conte crayon on paper

Box 19 1933-1121 Lillian

4 1/2 x 5 3/8 Conte crayon on paper

Box 19 1934-1121 Unknown

6 x 4 Ink on paper

Box 19 1935-1121 Grasshopper

4 x 6 Ink on paper

Box 19 1936-1121 Lillian

5 x 3 Ink on paper

Box 19 1937-1121 Landscape

4 x 6 Conte crayon on paper

Box 19 1938-1121 Landscape

4 x 6 Conte crayon on paper

Box 19 1939-1121 Landscape

6 x 4 Conte crayon on paper

Box 19 1940-1121 Lillian

6 x 4 Ink on paper

Box 19 1941-1121 Lillian

5 x 3 Ink on paper

Box 19 1942-1121 Two Heads

6 x 4 Graphite pencil on paper

Box 19 1943-1121 At Andre Racz's - Lillian and Claire

4 x 6 Conte crayon on paper

Box 19 1944-1121 Lillian

4 x 6 Conte crayon on paper

Box 19 1945-1121 At Racz's

4 x 6 Conte crayon on paper

Box 19 1946-1121 Lillian at Racz's

4 x 6 Conte crayon on paper

Box 19 1947-1121 Lillian

6 x 4 Conte crayon on paper

Box 19 1948-1121 Variations on Mondrian

3 1/8 x 5 3/8 Ink on scrap

Box 19 1949-1121 Leaves

3 x 5 Graphite pencil on cardboard

Box 19 1950-1121 Good Shepherd

5 1/4 x 4 1/8 Ink on paper

Box 19 1951-1121 After Degas

6 x 4 Ink on paper

Box 19 1952-1121 Building - Sketch

4 x 6 Ink on paper

Box 19 1953-1121 Rubbing of Fancilful Beast

4 x 6 Graphite pencil on paper

Box 19 1954-1121 Head - [Sketch of Michelangelo]

6 x 4 Ink on paper

Box 19 1955-1121 Sketches of Medieval Objects

Drawing on verso. 4 x 6 Ink on cardboard

Box 19 1956-1121 "Tailed" Shapes

6 x 4 Conte crayon on paper

Box 19 1957-1121 Lillian

Drawing on verso. 5 x 3 Graphite pencil on paper

Box 19 1958-1121 Copenhagen

6 x 4 Ink on paper

Box 19 1959-1121 Objects in Museum - Copenhagen

4 x 6 Ink on paper

Box 19 1960-1121 Lillian

6 x 4 Ink on paper

Box 19 1961-1121 Female Unknown

5 x 3 Graphite pecil on paper

Box 19 1962-1121 Lillian

4 x 6 Conte crayon on paper

Box 19 1963-1121 [Daniel] Esterman

6 x 4 Graphite pencil on paper

Box 19 1964-1121 [At the Esterman's]

4 x 6 Ink on paper

Box 19 1965-1121 [At Esterman's]

6 x 4 Ink on paper

Box 19 1966-1121 After Dutch

Inscription on verso. 3 5/8 x 3 Ink on paper

Box 19 Sketch of [Byzantine] Object

5 x 3 Ink on paper

Box 19 1968-1121 Lillian

4 x 6 Ink on paper

Box 19 1969-1121 Central Park Landscape - Sketch

5 x 3 Graphite pencil on paper

Box 19 1970-1121 Central Park

5 x 3 Graphite pencil on paper

Box 19 1971-1121 Central Park

5 x 3 Graphite pencil on paper

Box 19 1972-1121 Central Park

3 x 5 Graphite pencil on paper

Box 19 1973-1121 Central Park

3 x 5 Graphite pencil on paper

Box 19 1974-1121 Lillian

6 x 4 Ink on paper

Box 19 1975-1121 Antinoos

6 x 4 Graphite pencil on paper

Box 19 1976-1121 After 12th Century English Manuscript Painting

Typing on verso. 2 1/2 x 3 1/2 Ink on paper

Box 19 1977-1121 From Joe's Back Window

4 x 6 Ink on paper

Box 19 1978-1121 Two Paintings of the Late 20s and Hydes - Abstraction on Our Walls (Bedroom)

4 x 6 Graphite pencil on paper

Box 19 1979-1121 Copy of Unknown Subject

4 x 6 Ink on paper

Box 19 1980-1121 [Sophie Esterman]

6 x 4 Ink on paper

Box 19 1981-1121 Interlace

6 x 4 Graphite pencil on paper

Box 19 1982-1121 [Jester]

6 x 4 Ink on paper

Box 19 1983-1121 Point Lobos

6 x 4 Conte crayon on paper

Box 19 1984-1121 Parthenon - British Museum

6 x 4 Conte crayon on paper

Box 19 1985-1121 Erechthium - British Museum

6 x 4 Conte crayon on paper

Box 19 1986-1121 Parthenon Metope - British Museum

4 x 6 Conte crayon on paper

Box 19 1987-1121 Erechtium Figure - British Museum

6 x 4 Conte crayon on paper

Box 19 1988-1121 Iffley

6 x 4 Conte crayon on paper

Box 19 1989-1121 Ingres

6 x 4 Conte crayon on paper

Box 19 1990-1121 Ingres

6 x 4 Conte crayon on paper

Box 19 1991-1121 Hawksmoor, London

6 x 4 Conte crayon on paper

Box 19 1992-1121 Hawksmoor, London

6 x 4 Conte crayon on paper

Box 19 1993-1121 Hawksmoor, London

6 x 4 Conte crayon on paper

Box 19 1994-1121 Hawksmoor, London

4 x 6 Conte crayon on paper

Box 19 1995-1121 Piero di Cosimo - National Gallery

3 x 5 Ink on paper

Box 19 1996-1121 Victoria and Albert Museum

3 x 5 Ink on paper

Box 19 1997-1121 [English] Landscape

4 x 6 Conte crayon on paper

Box 19 1998-1121 Rembrandt van Rijn - Monk - National Gallery

6 x 4 Conte crayon on paper

Box 19 1999-1121 Portrait

6 x 4 Graphite pencil on paper

Box 19 2000-1121 View from Deck of Florida House

3 x 5 Graphite pencil on paper

Box 19 2001-1121 Varese Memorial Concert - MoMA

Drawn on detached libretto page. 9 x 6 Ink on paper

Box 19 2002-1121 Glebe Mountain - Vermont

4 x 6 Ink on paper

Box 19 2003-1121 Professor Sam Eilenberg's India Bronze

6 x 4 Graphite pencil on paper

Box 19 2004-1121 After Jacques Lipchitz

4 x 6 Graphite pencil on paper

Box 19 2005-1121 Boat Race - Oxford, England

4 x 6 Ink on lined paper

Box 19 2006-1121 California

4 x 6 Ink on paper

Box 19 2007-1121 California

4 x 6 Ink on paper

Box 19 2008-1121 Vancouver or California

4 x 6 Ink on paper

Box 19 2009-1121 Museum Study - Vancouver or California

6 x 4 Ink on paper

Box 19 2010-1121 Baseball Players for Benjamin

Three sheets. Drawings on verso and recto. 6 x 9 Ink on paper

Box 19 2011-1121 [California] - Sketch for Painting

4 x 6 Graphite pencil on paper

Box 19 2012-1121 Female Toddler

6 x 4 Graphite pencil on paper

Box 19 2013-1121 Lillian

4 x 6 1/4 Ink on scrap

Box 19 2014-1121 Untitled

5 x 3 Ink on paper

Box 19 2015-1121 Untitled

3 3/8 x 5 1/2 Ink on paper


Box 20 2016-1121 Landscape

11 x 8 1/2 Oil paint and pastels on paper

Box 20 2017-1121 Landscape with Black Forms #5

8 1/2 x 11 Oil paint and pastels on paper

Box 20 2018-1121 Abstract - Clouds

8 1/2 x 11 Oil paint on paper

Box 20 2019-1121 Abstraction - Wood-like Structure

11 x 8 1/2 Gouache on paper

Box 20 2020-1121 Abstract - [Still Life]

11 x 8 1/2 Oil paint on paper

Box 20 2021-1121 Abstract - [Flower] #2

Inscrived on verso: from XLIX. 8 1/2 x 11 Gouache on paper

Box 20 2022-1121 Abstract - Diagonal Rectangles of Six Different Colors

8 1/2 x 12 Pastels on paper

Box 20 2023-1121 Landscape with River

5 x 7 1/2 Oil paint on paper

Box 20 2024-1121 Landscape with Road

8 7/8 x 11 7/8 Pastels on paper

Box 20 2025-1121 Gray Forms

11 x 8 1/2 Conte crayon on paper

Box 20 2026-1121 Abstract - Overlapping Verticals and Diagonal

12 x 8 1/2 Pastels on paper

Box 20 2027-1121 Landscape [with Figure] in Foreground

9 1/2 x 8 1/4 Pastels on paper

Box 20 2028-1121 Back Door - Vermont

12 x 8 1/2 Pastels on paper

Box 20 2029-1121 Abstract - Circle and Square on Horizontals

8 1/2 x 12 Pastels on paper

Box 20 2030-1121 Lillian

11 7/8 x 9 Ink on vellum

Box 20 2031-1121 Abstract - Overlapping Axe-Shapes

8 1/2 x 12 Pastels on paper

Box 20 2032-1121 Landscape

9 x 12 Oil paint on canvas board

Box 20 2033-1121 Landscape

8 1/2 x 12 Gouache on paper

Box 20 2034-1121 Landscape - Meadow, Vermont

8 1/2 x 11 Pastels on paper

Box 20 2035-1121 Abstract - [Landscape]

12 x 8 1/2 Pastels on paper

Box 20 2036-1121 Abstract Seascape

11 7/8 x 8 7/8 Pastels on paper

Box 20 2037-1121 Abstract - [Bottle] of Overlapping Shapes

12 x 8 3/8 Gouache on paper

Box 20 2038-1121 [Seascape Through Grotto Window]

9 x 12 Pastels on paper

Box 20 2039-1121 Lillian

Drawing on verso. 9 x 12 Ink on paper

Box 20 2040-1121 Abstract - Black Forms on Multicolored Background

12 x 8 1/2 Gouache on paper

Box 20 2041-1121 Abstract - Black Forms on Multicolored Background

12 x 8 1/2 Gouache on paper

Box 20 2042-1121 Abstract Landscape Trapezoid Over Horizontal Stripes

Inscribed on verso: see same subject dated 6/30/73. 8 7/8 x 11 7/8 Pastels on paper

Box 20 2043-1121 Abstract Landscape Trapezoid Over Horizontal Stripes

Inscribed on verso: see same subject dated 6/30/73. 8 7/8 x 11 7/8 Pastels on paper

Box 20 2044-1121 Landscape

12 x 8 1/2 Pastels on paper

Box 20 2045-1121 [Landscape]

8 7/8 x 11 7/8 Pastels on paper

Box 20 2046-1121 Landscape

8 1/2 x 12 Pastels on paper

Box 20 2047-1121 Black and White Forms Over Pink and Yellow Verticals

11 x 7 1/2 Gouache on paper

Box 20 2048-1121 Abstract - Overlapping Grays with Head

8 1/2 x 12 Ink on paper

Box 20 2049-1121 Abstract Landscape

Inscribed on verso: see same subject dated 1960s? 8 1/2 x 11 Pastels on paper

Box 20 2050-1121 [Vermont]

7 1/2 x 11 Gouache on paper

Box 20 2051-1121 Landscape in Black and White with House

7 1/2 x 11 Conte crayon on paper

Box 20 2052-1121 Lillian Watering Flowers - Vermont

8 1/2 x 12 Pastels on paper

Box 20 2053-1121 Landscape - Vermont

8 1/2 x 12 Gouache on paper

Box 20 2054-1121 Landscape

8 1/2 x 12 Pastels on paper

Box 20 2055-1121 Abstract Landscape

8 1/2 x 12 Gouache on paper

Box 20 2056-1121 Abstract - Spaced Colored Rectangles on Colored Background

8 1/2 x 12 Pastels on paper

Box 20 2057-1121 Landscape

8 1/2 x 12 Gouache on paper

Box 20 2058-1121 Abstract - Multicolored Shapes

12 x 8 1/2 Pastels on paper

Box 20 2059-1121 Abstract - Black Zigzags on Colored Background

8 1/2 x 12 Gouache on paper

Box 20 2060-1121 Primitive Figures

12 x 8 1/2 Conte crayon on paper

Box 20 2061-1121 Abstract - Vase Shape Over Multicolored Shapes #4

8 1/2 x 11 Pastels on paper

Box 20 2062-1121 Abstract Landscape - Sunset

8 1/2 x 12 Pastels on paper

Box 20 2063-1121 Abstract Landscape - Sunset

8 1/2 x 12 Pastels on paper

Box 20 2064-1121 Country Road

12 x 8 1/2 Pastels on paper

Box 20 2065-1121 L's Mother

Photocopy of original drawing. 11 x 8 1/2 Ink on paper

Box 20 2066-1121 Abstract - Diagonal Black and White

11 x 8 1/2 Goauche on paper

Box 20 2067-1121 Switzerland

4 1/8 x 5 3/8 Graphite pencil on paper

Box 20 2068-1121 Switzerland

4 1/8 x 5 3/8 Ink on paper

Box 20 2069-1121 Landscape - [Europe]

8 1/2 x 12 Pastels and Ink on paper

Box 20 2070-1121 Vermont

12 x 8 1/2 Pastels on paper

Box 20 2071-1121 Concert - Stanford

Drawn on concert program. Drawing on verso and recto. 9 x 6 Ink on paper

Box 20 2072-1121 Many Colored Head on Many Colored Background

11 7/8 x 8 7/8 Pastels on paper

Box 20 2073-1121 Abstract - Multicolored Lozenge Shapes

8 1/4 x 9 1/2 Gouache on paper

Box 20 2074-1121 Primitive Figure

Drawing on verso. 12 x 8 1/2 Conte crayon on paper

Box 20 2075-1121 Flower Sketches at Sophie's House - Shaftsburg, Vermont

11 x 8 1/2 Conte crayon and colored pencil on paper

Box 20 2076-1121 Flower Sketches at Sophie's House - Shaftsburg, Vermont

11 x 8 1/2 Colored pencil on paper

Box 20 2077-1121 Harpsichordist - Stanford

Drawn on concert program. 9 x 6 Ink on paper

Box 20 2078-1121 Abstract - [Multicolored Landscape]

8 1/2 x 12 Pastels on paper

Box 20 2079-1121 Abstract - [Landscape] [Sunset]

8 1/2 x 11 Pastels on paper


Box 21 2080-1121 Vertical Forms with Three Breaks

11 x 8 1/2 Ink on paper

Box 21 2081-1121 After Rodin Figure

6 x 4 Ink on paper

Box 21 2082-1121 Blind Drawing

6 x 4 Ink on paper

Box 21 2083-1121 Blind Drawing

6 x 4 Ink on paper

Box 21 2084-1121 Blind Drawing

6 x 4 Ink on paper

Box 21 2085-1121 Black Ladder - Shape Variations

6 x 8 1/2 Ink on paper

Box 21 2086-1121 Siesta Key, Florida

5 1/2 x 8 3/4 Ink on paper

Box 21 2087-1121 Lillian - Florida

8 5/8 x 5 1/2 Ink on paper

Box 21 2088-1121 Siesta Key, Florida

11 1/4 x 8 3/4 Graphite pencil on paper

Box 21 2089-1121 White Rectangle Over Color Forms

7 x 5 Pastels on paper

Box 21 2090-1121 Black Zoomorphic Forms #1

8 1/2 x 11 Pastels on paper

Box 21 2091-1121 Black and White Heads #3

8 1/2 x 12 Oil paint on paper

Box 21 2092-1121 Unfinished Doors #4

8 1/2 x 12 Ink on paper

Box 21 2093-1121 Overlaps #6

8 1/2 x 10 1/2 Pastels on paper

Box 21 2094-1121 Siesta Key, Florida

8 3/4 x 11 1/4 Pastels on paper

Box 21 2095-1121 Interior - Sarasota House

4 7/8 x 7 7/8 Ink on paper

Box 21 2096-1121 Abstract Landscape

Inscribed on verso: Fla. 7 5/8 x 5 3/4 Pastels on paper

Box 21 2097-1121 Vermont

3 x 5 Ink on paper

Box 21 2098-1121 Colored Squares Cut Daigonally

11 x 8 1/2 Oil paint on paper

Box 21 2099-1121 Geometrical Forms

8 1/2 x 5 1/2 Watercolor on paper

Box 21 2100-1121 Diagonal Black Grid with Colored Squares #4

4 x 6 Ink on paper

Box 21 2101-1121 Lillian

11 1/4 x 8 7/8 Crayon on paper

Box 21 2102-1121 Black Bars #2

8 1/2 x 11 Ink on paper

Box 21 2103-1121 Black Bars on Verticals #1

6 x 8 1/2 Ink on paper

Box 21 2104-1121 Postitive-Negative Heads

8 1/2 x 12 Oil paint on paper

Box 21 2105-1121 Siesta Key, Florida

7 3/4 x 5 Colored pencil on paper

Box 21 2106-1121 Black Bars #1

8 1/2 x 11 Ink on paper

Box 21 2107-1121 Untitled

5 1/2 x 3 1/2 Ink on paper

Box 21 2108-1121 Untitled

Drawn on exhibition card for Philip Guston paintings at the David McKee gallery dated 1979. 5 7/8 x 4 1/4 Ink on paper

Box 21 2109-1121 Abstract Landscape

8 1/2 x 11 Pastels on paper

Box 21 2110-1121 For My Dear Lillian

6 x 4 Ink on paper

Box 21 2111-1121 Untitled

4 x 6 Ink on paper

Box 21 2112-1121 Overlaps #1

8 1/2 x 12 Ink on paper

Box 21 2113-1121 Pseudo-Script #3

8 1/2 x 12 Ink on paper

Box 21 2114-1121 Grid

8 1/2 x 11 1/2 Ink on paper

Box 21 2115-1121 Calligraphic Shapes on Black

5 1/2 x 8 1/2 Ink on paper

Box 21 2116-1121 Abstract Gray Globe Shape Floating in Colors

Inscribed on verso: Fla. 7 3/4 x 5 3/4 Pastels on paper

Box 21 2117-1121 Colored Interlace on Rectangles

8 1/2 x 12 Pastels on paper

Box 21 2118-1121 Band #2

8 1/2 x 12 Ink on paper

Box 21 2119-1121 Radiating Black Lines

11 x 8 1/2 Ink on paper

Box 21 2120-1121 Club Shapes Over Horizontals

8 1/2 x 11 Pastels on paper

Box 21 2121-1121 Black and White Heads #4

8 1/2 x 11 Oil paint on paper

Box 21 2122-1121 From Postcard

Postcard of Nicolas Poussin's "Paysage avec Orion aveugle" included. Inscribed on verso and signed "Eva and Jim". 4 x 6 Pen on paper

Box 21 2123-1121 Lillian - West 4th Street

5 x 3 Ink on paper

Box 21 2124-1121 Rawsonville

3 1/2 x 5 1/2 Ink on paper

Box 21 2125-1121 Abstract Lines and Cubes

5 x 3 Ink on paper

Box 21 2126-1121 Abstract Lines and Cubes

5 x 3 Ink on paper

Box 21 2127-1121 Overlaps

8 1/2 x 11 Crayons on paper

Box 21 2128-1121 Sunset - Gulf - Florida

8 x 5 Pastels on paper

Box 21 2129-1121 Circus at Venice, Florida

7 7/8 x 4 7/8 Ink on paper

Box 21 2130-1121 View from Porch

7 7/8 x 4 7/8 Ink on paper

Box 21 2131-1121 Colored Grid

4 x 6 Ink on paper

Box 21 2132-1121 Geometrical Forms

8 1/2 x 5 1/2 Watercolor and ink on paper

Box 21 2133-1121 Horizontal Shapes

8 1/2 x 11 Pastels on paper

Box 21 2134-1121 Bars and Pear Shape

6 x 4 Ink on paper

Box 21 2135-1121 Abstract Landscape

3 3/4 x 7 1/2 Pastel on paper

Box 21 2136-1121 Zigzagging Heavy Black Lines

11 x 8 1/2 Ink on paper

Box 21 2137-1121 Overlapping Flecked Colored Rectangles

8 1/2 x 11 Ink on paper

Box 21 2138-1121 Abstract - Overlapping Curvilinear Vertical Shapes

8 1/2 x 12 Pastel on paper

Box 21 2139-1121 Abstract - Spaced Black Shapes

11 x 8 1/2 Oil paint on paper

Box 21 2140-1121 Organic Shapes Over Horizontal Bands #2

8 1/2 x 11 Pastels on paper

Box 21 2141-1121 Vertical Rectangles

11 x 15 Oil paint on paper

Box 21 2142-1121 Vertical Forms with Two Breaks

12 x 8 3/8 Ink on paper

Box 21 2143-1121 Black Compartmented Circular Form with Colors #4

8 1/2 x 11 Ink and pastels on paper

Box 21 2144-1121 Abstract Black Rectangle Over Horizontal Stripes #2

Inscribed on verso: see 1960? of same subject. 8 1/2 x 12 Ink on paper

Box 21 2145-1121 Convergence

8 1/2 x 11 Pastels on paper

Box 21 2146-1121 Abstracted Hillside

8 1/2 x 11 Ink on paper

Box 21 2147-1121 Lillian

5 x 3 Ink on paper

Box 21 2148-1121 [Lillian]

7 7/8 x 5 7/8 Ink on paper

Box 21 2149-1121 Lillian

11 1/4 x 8 7/8 Crayon on paper

Box 21 2150-1121 Lillian

11 1/4 x 8 3/4 Crayon on paper

Box 21 2151-1121 Lillian

11 1/4 x 8 3/4 Crayon on paper

Box 21 2152-1121 Man and Load

3 x 4 7/8 Ink on cardboard

Box 21 2153-1121 Leaf

8 3/4 x 11 1/4 Ink on paper

Box 21 2154-1121 Lillian Reading

11 1/4 x 8 7/8 Graphite pencil on paper

Box 21 2155-1121 Unfinished Female Face

11 1/4 x 8 7/8 Ink on paper

Box 21 2156-1121 Lillian

11 1/4 x 8 3/4 Crayon on paper

Box 21 2157-1121 Back of Sarasota House

6 x 9 Ink on paper

Box 21 2158-1121 Imaginary Architecture

4 x 6 Ink on paper

Box 21 2159-1121 Study for Vertical Forms with Central Break

7 x 5 Pastels on scrap

Box 21 2160-1121 Untitled

4 x 6 Ink on cardboard

Box 21 2161-1121 After Durer

7 7/8 x 5 Ink on paper

Box 21 2162-1121 Untitled

3 x 4 3/4 Graphite pencil on paper

Box 21 2163-1121 Joined Squares

8 3/4 x 11 1/4 Ink on paper

Box 21 2164-1121 Leaf Form

Drawn on detached pamphlet sheet. Typing on verso. 8 1/2 x 13 Ink on paper

Box 21 2165-1121 [After Medieval Sculpture]

8 1/2 x 12 Ink on paper

Box 21 2166-1121 Black Grid with Colored Rectangles #3

4 x 6 Ink on paper

Box 21 2167-1121 Black Grid with Various Shapes #2

4 x 6 Ink on paper

Box 21 2168-1121 Curvilinear Forms Over Verticals

8 1/2 x 11 Pastels on paper

Box 21 2169-1121 [Abstract Landscape]

6 x 8 1/2 Ink on paper

Box 21 2170-1121 Brachiated Forms

4 x 6 Ink on paper

Box 21 2171-1121 View of Vermont Property from Hill

8 1/2 x 12 Ink on paper

Box 21 2172-1121 Butterfly

8 1/2 x 11 Pastels on paper

Box 21 2173-1121 Pseudo-Script

9 x 11 1/2 Ink on paper

Box 21 2174-1121 Floating Shapes in Pastels

8 1/2 x 12 Pastels on paper

Box 21 2175-1121 Siesta Key

8 3/4 x 11 1/4 Ink on paper

Box 21 2176-1121 Siesta Key Beach

8 3/4 x 11 1/4 Ink on paper

Box 21 2177-1121 Unknown - In Subway

Two sheets. 5 x 3 Ink on paper

Box 21 2178-1121 Lido Beach

7 3/4 x 5 3/4 Conte crayon on paper

Box 21 2179-1121 Subway

3 3/4 x 8 Ink on paper

Box 21 2180-1121 Ezekial I

6 x 4 Ink and colored pencil on paper

Box 21 2181-1121 Ezekial I

6 x 4 Ink on paper

Box 21 2182-1121 Grid and Movable Cut-Outs for Vertical Forms with Central Break

11 x 8 1/2 Graphite pencil on paper

Box 21 2183-1121 Palm Trees #2 - Florida

11 1/4 x 8 3/4 Ink on paper

Box 21 2184-1121 Palm Trees #3 - Florida

11 1/4 x 8 3/4 Ink on paper

Box 21 2185-1121 Palm Trees - Florida

9 1/2 x 6 1/2 Ink and pastels on paper

Box 21 2186-1121 Drawing for David Grossoff (For Shell Mosaic of David and Goliath - Florida

6 x 4 Pastels on paper

Box 21 2187-1121 View from Our Porch - Florida

5 x 8 Ink on paper

Box 21 2188-1121 Myakka - Florida

Inscribed on verso. 4 1/4 x 4 3/4 Ink on scrap

Box 21 2189-1121 Line Cubic Forms

3 x 5 Ink on paper

Box 21 2190-1121 Florida

3 3/4 x 5 1/4 Ink on scrap

Box 21 2191-1121 Lillian - Florida

11 1/4 x 8 3/4 Conte crayon on paper

Box 21 2192-1121 Seashore Objects

8 1/4 x 11 1/4 Pastels on paper

Box 21 2193-1121 Beach at Siesta Key, Florida

8 3/4 x 11 1/4 Pastels on paper

Box 21 2194-1121 Beach at Siesta Key, Florida

8 3/4 x 11 1/4 Conte crayon on paper

Box 21 2195-1121 Blue Zigzag Under Black Quatrefoil

11 1/4 x 8 7/8 Watercolor and graphite pencil on paper

Box 21 2196-1121 Blue Zigzag Under Black Quatrefoil

11 1/4 x 8 7/8 Watercolor and graphite pencil on paper

Box 21 2197-1121 Black Brachiated Forms

8 1/2 x 11 Oil paint on paper

Box 21 2198-1121 Lillian

4 x 6 Ink on paper

Box 21 2199-1121 Female Nude in Heavy Black Line

11 x 8 1/2 Ink on paper

Box 21 2200-1121 Landscape

3 x 5 Graphite pencil on paper

Box 21 2201-1121 Lillian

5 7/8 x 3 5/8 Ink on scrap

Box 21 2202-1121 Creatures and Dentate Forms

8 1/2 x 11 Ink on paper

Box 21 2203-1121 Geometrical Shapes Surrounded by Bands

4 x 6 Ink on paper

Box 21 2204-1121 Landscape [with Gray Wall]

8 1/2 x 12 Pastels on paper

Box 21 2205-1121 New York

4 x 6 Graphite pencil on paper

Box 21 2206-1121 Jerusalem

4 x 6 Ink on paper

Box 21 2207-1121 Lillian

Drawn on detached diary page. 6 3/4 x 4 Ink on paper

Box 21 2208-1121 Lillian

6 x 4 Ink on paper

Box 21 2209-1121 Vermont

4 x 6 Pastels on paper

Box 21 2210-1121 From the Beach - Siesta Key

4 x 6 Ink on paper

Box 21 2211-1121 [Vermont]

3 x 5 Ink on paper

Box 21 2212-1121 Black Compartments with Green, Yellow and Red

8 1/2 x 12 Gouache on paper

Box 21 2213-1121 Black Angular Shapes #2

8 1/2 x 11 Ink on paper

Box 21 2214-1121 Vermont Meadows and Mountains

6 x 4 Ink on paper

Box 21 2215-1121 Trees and Mountains

4 x 6 Ink on paper

Box 21 2216-1121 Sarasota House

4 x 6 Graphite pencil on paper

Box 21 2217-1121 Jerusalem

4 x 6 Graphite pencil on paper

Box 21 2218-1121 In Mount Sinai

6 x 4 Graphite pencil on paper

Box 21 2219-1121 Study for "Slipping Grid" Painting on Plasterboard

6 x 4 Ink on paper

Box 21 2220-1121 Black and White Head #1

8 1/2 x 12 Oil paint on paper

Box 21 2221-1121 Abstract Brown Trapezoid Over Horizontal Stripes #1

Inscribed on verso: see 1960? of same subject. 8 1/2 x 12 Ink on paper

Box 21 2222-1121 Country House

5 x 3 Ink on paper

Box 21 2223-1121 Londonderry, Vermont

5 x 3 Ink on paper

Box 21 2224-1121 Head

Drawing of hillside in Vermont on verso. 7 x 5 1/8 Ink on cardboard

Box 21 2225-1121 Hillside - Vermont

8 1/2 x 12 Pastels on paper

Box 21 2226-1121 Black Compartmented Rectangle with Colors #3

8 1/2 x 11 Ink and pastels on paper

Box 21 2227-1121 Heavy Black Straight and Curved Short Lines

8 1/2 x 6 Ink on paper

Box 21 2228-1121 Black Compartment with Red, Green, Yellow #3

8 1/2 x 12 Gouache on paper

Box 21 2229-1121 Multicolored Mirror Image

8 1/2 x 11 Pastels on paper

Box 21 2230-1121 Labyrinth of Lines

8 1/2 x 6 Ink on paper

Box 21 2231-1121 Palm Trees #4

9 1/2 x 6 1/2 Ink on paper

Box 21 2232-1121 Palm Trees #5 - Florida

9 1/2 x 6 3/8 Ink on paper

Box 21 2233-1121 Goblet Shape

5 x 3 Ink on paper


Box 22 2234-1121 Lillian

10 x 7 7/8 Ink on paper

Box 22 2235-1121 Female Nude

9 7/8 x 10 3/4 Crayon on paper

Box 22 2236-1121 Butterfly

9 7/8 x 9 7/8 Pastels on paper

Box 22 2237-1121 Vermont Crabapple and Abstract Landscape

9 7/8 x 5 Pastels on paper

Box 22 2238-1121 Branch

9 7/8 x 9 7/8 Pastels on paper

Box 22 2239-1121 Country Landscape

9 7/8 x 9 7/8 Pastels on paper

Box 22 2240-1121 Sketch for Toy

9 7/8 x 9 7/8 Pastels on paper

Box 22 2241-1121 Abstract Tan Cross Over Vertical Rectangles

9 7/8 x 9 7/8 Pastels on paper

Box 22 2242-1121 Abstract - Landscape #1

9 7/8 x 9 7/8 Pastels on paper

Box 22 2243-1121 Abstract - Landscape, Trees #2

9 7/8 x 9 7/8 Pastels on paper

Box 22 2244-1121 Abstract - [Interior]

9 7/8 x 9 7/8 Pastels on paper

Box 22 2245-1121 Abstract - Red-Orange Cross Over Vertical Rectangles

9 7/8 x 9 7/8 Pastels on paper

Box 22 2246-1121 Abstract - Vertical Rectangles

9 7/8 x 9 7/8 Pastels on paper

Box 22 2247-1121 Landscape

9 7/8 x 9 7/8 Pastels on paper

Box 22 2248-1121 Cubist Head

11 x 7 1/2 Graphite pencil on paper

Box 22 2249-1121 Abstraction in Blue and Yellow

9 7/8 x 9 7/8 Pastels and ink on paper

Box 22 2250-1121 Abstraction - Verticals, Some Horizontals

8 1/2 x 11 Watercolor on paper

Box 22 2251-1121 Colored Bands

10 x 9 7/8 Pastels on paper

Box 22 2252-1121 Terza Rimer #3

9 7/8 x 9 7/8 Pastels on paper


Box 23 2253-1121 Self-Portrait

12 x 9 Oil paint on paper

Box 23 2254-1121 Untitled

9 3/8 x 8 1/8 Oil paint on fiberboard

Box 23 2255-1121 Meyer Schapiro

12 1/2 x 9 1/2 Crayon on paper

Box 23 2256-1121 Self-Portrait

Drawings after Michelangelo figures of Sistine Chapel on verso. 11 1/2 x 9 Graphite pencil on paper

Box 23 2257-1121 Self-Portrait

9 1/8 x 5 1/2 Graphite pencil on paper

Box 23 2258-1121 Untitled

Inscribed on verso: cut from a sketchbook? 7 3/8 x 5 1/8 Ink on paper

Box 23 2259-1121 Self-Portrait

8 3/8 x 6 3/4 Pastels on lined paper

Box 23 2260-1121 Self-Portrait

10 1/2 x 8 Ink on Columbia University Library letterhead stationery

Box 23 2261-1121 Untitled

6 x 4 Graphite pencil on paper

Box 23 2262-1121 Untitled

6 x 4 Graphite pencil on paper

Box 23 2263-1121 Self-Portrait

Photocopy of original drawing in unnumbered sketchbook, paginated 71. 8 x 5 Crayon on paper

Box 23 2264-1121 Self-Portrait

Photocopy of original drawing. 8 1/4 x 5 1/2 Crayon on paper

Box 23 2265-1121 Self-Portrait - Vermont

Photocopy of original drawing. 8 1/2 x 5 3/4 Crayon on paper

Box 23 2266-1121 Self-Portrait

Inscribed on verso: from VIII. 11 x 8 1/2 Conte crayon on paper

Box 23 2267-1121 Meyer Schapiro - Florida

8 x 5 Ink on paper

Box 23 2268-1121 Untitled

Drawing on verso. 5 1/2 x 8 1/2 Graphite pencil on paper

Box 23 2269-1121 Studies of Left Hand

Drawing on verso. 10 7/8 x 8 5/8 Graphite pencil on paper

Box 23 2270-1121 Self-Portrait

11 x 8 1/2 Conte crayon on paper

Box 23 2271-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 63. 8 1/4 x 6 Graphite pencil on paper

Box 23 2272-1121 Meyer Schapiro - Florida

7 x 5 Ink on paper

Box 23 2273-1121 Self-Portrait

Photocopy of original from unnumbered sketchbook, paginated 67. 8 x 5 Graphite pencil on paper

Box 23 2274-1121 Self-Portrait

11 x 8 1/2 Graphite pencil on paper

Box 23 2275-1121 Self-Portrait

Photocopy of original, paginated 66. 8 1/2 x 6 1/4 Graphite pencil on paper

Box 23 2276-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 42. 8 1/2 x 6 Ink on paper

Box 23 2277-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 66. 9 1/2 x 6 1/2 Graphite pencil on paper

Box 23 2278-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 63. 9 1/2 x 6 1/2 Graphite pencil on paper

Box 23 2279-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 59. 8 1/2 x 6 Ink on paper

Box 23 2280-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 53A. 8 1/2 x 6 Graphite pencil on paper

Box 23 2281-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 24. 8 1/2 x 6 1/4 Crayon on paper

Box 23 2282-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 11. 11 x 8 1/2 Graphite pencil on paper

Box 23 2283-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 19. 9 1/2 x 6 1/4 Graphite pencil on paper

Box 23 2284-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 4. 8 1/2 x 11 Graphite pencil on paper

Box 23 2285-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 3. 9 1/2 x 6 1/2 Ink and graphite pencil on paper

Box 23 2286-1121 Self-Portrait

8 x 5 Ink on paper

Box 23 2287-1121 Self-Portrait - Florida

6 x 4 Graphite pencil on paper

Box 23 2288-1121 Self-Portrait

6 x 4 Ink on paper

Box 23 2289-1121 Self-Portrait

6 x 4 Ink on paper

Box 23 2290-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 3. 8 1/2 x 6 Ink and graphite pencil on paper

Box 23 2291-1121 Self-Portrait - Vermont

Photocopy of original. 7 x 5 Crayon on paper

Box 23 2292-1121 Self-Portrait

Photocopy of original. 8 1/2 x 5 1/2 Crayon on paper

Box 23 2293-1121 Self-Portrait

Photocopy of original. 6 3/4 x 4 3/8 Crayon on paper

Box 23 2294-1121 Self-Portrait

5 x 3 Ink on card index

Box 23 2295-1121 Self-Portrait - Florida

6 x 4 Ink on card index

Box 23 2296-1121 Self-Portrait

Photocopy of original from unnumbered sketchbook, paginated 69. 8 x 5 Crayon on paper

Box 23 2297-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 76. 8 1/2 x 6 Graphite pencil on paper

Box 23 2298-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 73. 9 1/2 x 6 1/4 Crayon on paper

Box 23 2299-1121 Self-Portrait

5 7/8 x 4 3/8 Ink on paper

Box 23 2300-1121 Self-Portrait

Photocopy of original. 11 x 8 1/2 Ink on paper

Box 23 2301-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 20. 11 x 8 1/2 Graphite pencil on paper

Box 23 2302-1121 Self-Portrait

6 x 4 Ink on paper

Box 23 2303-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 123. 9 1/2 x 6 1/2 Ink on paper

Box 23 2304-1121 Self-Portrait

5 x 3 Graphite pencil on paper

Box 23 2305-1121 Self-Portrait - Florida

6 x 4 Ink on paper

Box 23 2306-1121 Self-Portrait - Florida

6 x 4 Ink on paper

Box 23 2307-1121 [Self-Portrait]

8 7/8 x 6 Ink on paper

Box 23 2308-1121 Self-Portrait

9 x 7 Conte crayon on paper

Box 23 2309-1121 Self-Portrait

13 x 10 Ink on paper

Box 23 2310-1121 Self-Portrait

11 x 8 1/2 Conte crayon on paper

Box 23 2311-1121 Self-Portrait

9 3/8 x 6 Oil on paper

Box 23 2312-1121 Self-Portrait

8 1/2 x 5 1/4 Graphite pencil on paper

Box 23 2313-1121 Self-Portrait

8 1/2 x 5 1/2 Charcoal on paper

Box 23 2314-1121 Self-Portrait - Brussels

10 7/8 x 8 1/2 Conte crayon on paper

Box 23 2315-1121 Self-Portrait

10 1/2 x 8 Ink on paper

Box 23 2316-1121 Self-Portrait

10 1/2 x 8 Graphite pencil on Columbia University letterhead stationery.

Box 23 2317-1121 Self-Portrait

9 1/2 x 6 7/8 Oil on cardboard

Box 23 2318-1121 Self-Portrait

11 1/4 x 8 5/8 Colored pencil on paper

Box 23 2319-1121 Self-Portrait

12 7/8 x 9 3/8 Conte crayon on paper

Box 23 2320-1121 Self-Portrait

12 3/4 x 9 1/2 Conte crayon on paper

Box 23 2321-1121 Self-Portrait - Florida

6 x 4 Ink on paper

Box 23 2322-1121 Self - Florida

7 x 5 Ink on paper

Box 23 2323-1121 Self-Portrait

8 x 5 Ink on paper

Box 23 2324-1121 Self-Portrait

11 x 8 5/8 Ink on paper

Box 23 2325-1121 Self-Portrait

6 x 4 Conte crayon on paper

Box 23 2326-1121 Self-Portrait

6 x 4 Conte crayon on paper

Box 23 2327-1121 Meyer Schapiro Left Hand - Brussels

10 7/8 x 8 1/2 Conte crayon on paper

Box 23 2328-1121 Self-Portrait - Brussels

11 x 8 1/2 Conte crayon on paper

Box 23 2329-1121 Meyer Schapiro Left Hand - Brussels

10 7/8 x 8 3/8 Conte crayon on paper

Box 23 2330-1121 Self-Portrait

11 1/2 x 8 Charcoal on paper

Box 23 2331-1121 Self-Portrait

12 x 10 Graphite pencil on paper

Box 23 2332-1121 Self-Portrait

12 1/2 x 9 5/8 Graphite pencil on paper


Box 24 2333-1121 War Allegory

6 1/8 x 9 Ink on paper, Etching

Box 24 2334-1121 Monotype

12 x 8 5/8 Monotype print, Ink on paper

Box 24 2335-1121 Untitled

5 x 3 3/4 Etching, Ink on paper

Box 24 2336-1121 [War Allegory]

11 3/8 x 8 Etching, Ink on paper

Box 24 2337-1121 Untitled

Accompanied by two copies of same print. 9 1/2 x 6 1/8 Unknown

Box 24 2338-1121 Rome

Two copies. 7 1/4 x 10 7/8 Etching, Ink on paper

Box 24 2339-1121 [Forgotten Symbols in Europe]

scopecontentcard is an invitation to a lecture at New York University, dated 1939 January 20. 3 1/2 x 5 1/2 Ink on scopecontentcard

Box 24 2340-1121 Logo of Facsimile Text Society

Accompanied by three sheets with copies of same print. 11 x 8 1/2 Linoleum-block-block print, Ink on paper

Box 24 2341-1121 Sketches for New Year's Cards - Fish Eating Fish - [Self Over West Europe]

8 x 5 1/8 Ink on paper

Box 24 2342-1121 New Year Card

4 x 6 Ink on paper

Box 24 2343-1121 Composition for New Year Card

4 x 6 Ink on paper

Box 24 2344-1121 Untitled

Accompanied by one copy of same print. 8 7/8 x 6 1/8 Linoleum-block-block print, Ink on paper

Box 24 2345-1121 Beginning of Greeting Cards

Four folded sheets. 5 1/2 x 7 Gouache on paper

Box 24 2346-1121 Morningside

Inscribed on recto: for College magazine cover. 9 x 5 3/4 Etching, Ink on paper

Accompanied by three sheets with copies of same print. 9 x 5 3/4 Etching, Ink on paper

Box 24 2347-1121 Happy New Year

4 1/4 x 3 3/4 Etching, Ink on paper

Box 24 2348-1121 New York View

Inscribed on verso: printed by Andre Racz, 1980. 6 1/4 x 8 Etching, Ink on paper

Two copies of same print. 6 1/4 x 8 Etching, Ink on paper

Box 24 2349-1121 Arlette Seligman

9 1/2 x 11 3/4 Etching, Ink on paper

Box 24 2350-1121 Arlette Seligman

7 1/4 x 6 1/4 Etching, Ink on paper

Box 24 2351-1121 Arlette Seligman

10 3/4 x 8 Etching, Ink on paper

Box 24 2352-1121 Female Figure

9 x 12 Linoleum-block-block print, Ink on paper

Box 24 2353-1121 Lillian

Accompanied by two copies of same print measuring 6 1/4 x 8. 11 1/4 x 7 Etching, Ink on paper

Box 24 2354-1121 Flagellation

Accompanied by five copies of same print. 10 x 6 1/4 Linoleum-block-block print, Ink on paper

Box 24 2355-1121 Flagellation

Accompanied by one copy of same print. 10 x 8 Linoleum-block-block print, Ink on canvas

Box 24 2356-1121 [Andre Racz]

Accompanied by one copy of same print. 12 5/8 x 8 1/8 Etching, Ink on paper

Box 24 2357-1121 New Year Card

Accompanied by one copy of same print measuring 8 7/8 x 11 1/4. 12 x 9 3/4 Linoleum-block-block print, Ink on paper

Box 24 2358-1121 Study - Rubbing

5 x 3 1/4 Crayon on paper

Box 24 2359-1121 "Janie's" New Year Card

Two sheets. 10 1/2 x 6 Print, Ink on paper

Box 24 2360-1121 After Holbein

11 1/2 x 9 1/8 Linoleum-block-block print, Ink on paper

Box 24 2361-1121 Untitled

9 x 12 Monotype print, Ink on paper

Box 24 2362-1121 A Tale of a Philosopher

5 x 7 1/2 Etching, Ink on paper

Box 24 2363-1121 Deposition

11 1/4 x 7 3/8 Linoleum-block-block print, Ink on paper

Box 24 2364-1121 Crucifixion

6 x 7 1/8 Linoleum-block-block print, Ink on paper

Box 24 2365-1121 [Related to War]

9 1/2 x 12 1/2 Etching, Ink on paper

Box 24 2366-1121 Female Figure

Accompanied by one copy of same print. 9 1/4 x 7 7/8 Linoleum-block-block print, Ink on paper

Box 24 2367-1121 Drawing for Etching

5 5/8 x 8 3/8 Conte crayon on paper

Box 24 2368-1121 Landscape

Accompanied by original metal printing plate. 6 1/4 x 7 1/4 Etching, Ink on paper

Box 24 2369-1121 Rubbing

Drawn on scrap paper. Typing on verso. 5 x 3 1/4 Graphite pencil on paper

Box 24 2370-1121 Rubbing

Drawn on scrap paper. Typing on verso. 5 x 3 1/4 Graphite pencil on paper

Box 24 2371-1121 Father Time - New Year Card

Accompanied by five sheets with copies of same print. 9 x 12 Linoleum-block print, Ink on paper

Box 24 2372-1121 Girl

6 1/4 x 4 3/4 Linoleum-block print, Ink on paper

Box 24 2373-1121 Sledding

4 x 3 1/2 Linoleum-block print, Ink on paper

Box 24 2374-1121 Unknown Woman

7 x 11 1/4 Etching, Ink on paper

Box 24 2375-1121 New York View

12 1/2 x 9 1/2 Etching, Ink on paper

Box 24 2376-1121 Sketch for Palo Alto Etching

5 x 8 Graphite pencil on paper

Box 24 2377-1121 Palo Altio

5 5/8 x 7 Etching, Ink on paper

Box 24 2378-1121 For New Year's Card

11 x 8 1/2 Linoleum-block print, Ink on paper

Box 24 2379-1121 After Poussin From Memory

Photocopy of original etching. 4 3/8 x 6 Etching, Ink on paper


Box 25 2380-1121 Wrestlers

11 1/2 x 8 Charcoal on paper

Box 25 2381-1121 [Eve]

9 3/4 x 7 3/8 Linoleum-block print, Ink on paper

Box 25 2382-1121 Untitled

Accompanied by two postcards of Nicholas Poussin's "The Infant Bacchus Entrsuted to the Nymphs." 7 x 11 1/4 Etching, Ink on paper

Box 25 2383-1121 Wrestlers

8 1/2 x 10 1/8 Linoleum-block print, Ink on paper

Box 25 2384-1121 Ms. Arlette S.

10 3/4 x 8 3/4 Etching and aquatint, Ink on paper

Box 25 2385-1121 [War Allegory]

7 1/2 x 10 Etching, Ink on paper

Box 25 2386-1121 Lillian in Vermont

11 1/2 x 16 Etching, Ink on paper

Box 25 2387-1121 The Ferry

11 1/2 x 8 1/2 Linoleum-block print, Ink on paper

Subseries VIII.3: Paintings, 1930s-1980s


Box 29 2899-1121 Portrait of L. - Belmont, Vermont

CU18 16 x 12 Oil paint on canvas

Box 29 2900-1121 Rawsonville, Vermont

17 1/4 x 13 13/4 Oil paint on canvas

Box 29 2901-1121 [Model for Rag Rug]

Accompanied by scopecontent: not hung in Vermont. 12 x 18 Oil paint on canvas


Box 30 2902-1121 Rawsonville, Vermont

14 x 24 Oil paint on canvas

Box 30 2903-1121 Church and Barn

CU12 14 1/8 x 18 Oil paint on canvas

Box 30 2904-1121 Vermont Woods, Summer Light - Rawsonville, Vermont

17 5/8 x 13 5/8 Oil paint on wallboard

Box 30 2905-1121 Sherman Monument - The Plaza, 59th Street and 5th Avenue

CU10. 12 x 16 Oil paint on canvas board

Inscribed on verso: from memory, after drawing sketch circa 1925-1926. 12 x 16 Oil paint on canvas board

Box 30 2906-1121 Loaded Creature in Full Dress

16 x 19 7/8 Oil paint on canvas board

Box 30 2907-1121 Bony [sic] Structures and Hollows

16 x 19 Oil paint on fiberboard

Box 30 2908-1121 Lillian - Yaddo

Inscribed on verso: 110.Studio. 20 x 16 Oil paint on canvas board

Box 30 2909-1121 Rawsonville House, Rear View and Barns

14 3/8 x 19 1/2 Oil paint on fiberboard


Box 31 2910-1121 Near Frank Williams' House - Rawsonville

16 x 20 Oil paint on canvas

Box 31 2911-1121 Lillian and Miriam - Rawsonville

16 x 20 Oil paint on canvas

Box 31 2912-1121 Untitled

20 x 16 Oil paint on canvas

Box 31 2913-1121 Road and Houses - Belmont, Vermont

CU4 16 x 20 1/8 Oil paint on canvas


Box 32 2914-1121 Houses in Village - Belmont, Vermont

22 x 18 Oil paint on canvas

Box 32 2915-1121 Pike's Falls

18 x 22 Oil paint on canvas

Box 32 2916-1121 Untitled

18 x 22 Oil paint on canvas


Box 33 2917-1121 Untitled

CU23 18 x 24 Oil paint on canvas

Box 33 2918-1121 Rawsonville, Vermont

22 x 18 Oil paint on canvas

Box 33 2919-1121 Belmont, Vermont

CU26 18 x 24 Oil paint on canvas

Box 33 2920-1121 Star Lake - Belmont, Vermont

CU15 18 x 24 Oil paint on canvas


Box 34 2921-1121 Landscape with Church - Belmont, Vermont

16 x 20 1/8 Oil paint on canvas

Box 34 2922-1121 Belmont, Vermont

16 x 20 1/8 Oil paint on canvas

Box 34 2923-1121 Untitled

16 x 20 Oil paint on canvas


Box 35 2924-1121 Untitled

17 7/8 x 23 7/8 Oil paint on canvas

Box 35 2925-1121 Farmhouse and Outbuildings - Belmont, Vermont

16 x 20 1/8 Oil paint on canvas

Box 35 2926-1121 Landscape - Belmont, Vermont

CU2 18 x 24 Oil paint on canvas

Box 35 2927-1121 Star Lake - Belmont, Vermont

CU11 18 x 24 Oil paint on canvas


Box 36 2928-1121 Lillian on Sofa - Belmont

CU14 20 x 26 Oil paint on canvas

Box 36 2929-1121 Portrait of L. - Belmont, Vermont

CU16 26 x 20 Oil paint on canvas


Box 37 2930-1121 Betsy Head Park and Playground - Brownsville, Brooklyn

19 3/4 x 30 Oil paint on canvas

Box 37 2931-1121 Untitled

30 x 24 Oil paint on canvas


Box 51 2932-1121 [Study after Manet]

30 x 25 Oil paint on canvas


Box 38 2933-1121 Untitled

19 x 24 1/4 Oil paint on paper

Box 38 2934-1121 Untitled

14 x 18 3/4 Oil paint on paper

Box 38 2935-1121 Lillian, Miriam and Meyer (On Ladder Picking Apples)

Accompanied by scopecontent: several drawings for this painting are dated 12/25/34. 18 1/2 x 14 1/2 Oil paint on paper

Box 38 2936-1121 View of Hillside and Mountains - Vermont

CU20 12 x 19 Oil paint on paper

Box 38 2937-1121 Vermont Landscape with Glebe Mountain

CU3 9 1/2 x 12 1/2 Oil paint on paper

Box 38 2938-1121 Lillian

CU 57; cat.32 8 1/4 x 10 5/8 Graphite pencil on paper

Box 38 2939-1121 Lillian and Miriam - Vermont

9 1/2 x 12 1/2 Oil paint on paper

Box 38 2940-1121 Untitled

11 x 15 Watercolor on paper

Box 38 2941-1121 Untitled

19 x 14 5/8 Oil paint on paper

Box 38 2942-1121 Still Life

CU 78; Accompanied by scopecontent: basement corridor. 8 3/4 x 6 1/8 Oil paint on paper

Box 38 2943-1121 Lillian

CU47 11 x 8 3/8 Ink on paper

Box 38 2944-1121 Suspended Pieces

CU76 5 1/2 x 6 1/4 Gouache on paper

Box 38 2945-1121 L. Sleeping

CU104, cat.13 8 3/8 x 11 Ink on paper

Box 38 2946-1121 Lillian

CU20, cat.40 16 x 10 1/4 Etching

Box 38 2947-1121 Branch Form

CU117, cat.55 8 3/8 x 12 Gouache on paper

Box 38 2948-1121 Concert Hall Lobby

CU82, cat.3 10 1/4 x 8 1/2 Charcoal on paper

Box 38 2949-1121 Lillian, Elbow on Table

CU99, cat.19 8 1/2 x 11 Graphite pencil on paper

Box 38 2950-1121 Clarice with Sliding Board

CU112, cat.30 9 x 11 1/2 Oil paint on paper

Box 38 2951-1121 From Sunshine to the Sunless Land: Remembering Mark Rothko

CU79, cat.58 14 x 11 Crayon on paper

Box 38 2952-1121 Vermont Landscape with Trees at Sunset

CU5, cat.34 9 x 11 1/2 Oil paint on paper

Box 38 2953-1121 War and Peace

CU12, cat.47 11 3/8 x 8 Etching

Box 38 2954-1121 Dr. Joseph Milgram

CU108, cat.35 10 x 6 1/8 Oil paint on paper


Box 38a 2955-1121 Whittaker Chambers in Europe After Reading George Moore

CU D81 POL, cat.6 11 x 8 3/8 Charcoal on paper

Box 38a 2956-1121 Study After Seurat's Drwing of a Child in LA GRAND JATTE

CU27, cat.53 12 3/8 x 9 1/2 Conte crayon on paper

Box 38a 2957-1121 Figures on the Beach

CU122, cat.2 9 x 12 Oil paint on paper

Box 38a 2958-1121 On the Beach at Siesta Key, Florida

Box 38a 2959-1121 New York Harbor

CU33, cat31 8 1/2 x 11 1/2 Oil paint on paper

Accompanied by scopecontent: corridor (near dining room). 8 1/2 x 11 1/2 Oil paint on paper

Box 38a 2960-1121 Riverside Park, New York, Near West Eighties

CU21 12 x 16 Oil paint on canvas board

Box 38a 2961-1121 Hudson River at Riverside Drive

CU19 12 x 15 3/4 Oil paint on paper

Box 38a 2962-1121 Siesta Key

14 x 15 3/4 Pastels on paper

Box 38a 2963-1121 L. Half-Figure, Hands Behind Head

CU91 11 1/2 x 9 Ink on paper

Box 38a 2964-1121 Picnic Surrealiste

Accompanied by scopecontent: drawn for Kurt Seligman. 8 1/2 x 11 Watercolor on paper

Accompanied by one typed and one handwritten transcription of poem inscribed on painting. 8 1/2 x 11 Watercolor on paper

Box 38a 2965-1121 L.

CU88 12 x 9 1/4 Oil paint on paper

Box 38a 2966-1121 Ernest Fishing

CU47 9 1/2 x 12 1/2 Oil paint on paper

Box 38a 2967-1121 Lillian Millgram

Painted by Lillian, not Meyer Schapiro. 9 1/2 x 12 1/2 Oil paint on paper

Box 38a 2968-1121 Lillian Among Rocks at Everett Vail's Property in Rawsonville

Accompanied by scopecontent: 1933 sketch for oil painting on canvas dated 1933 given by Meyer Schapiro to Sophie Esterman in 1968. 10 x 12 1/2 Oil paint on paper

Box 38a 2969-112 Vermont Landscape

6 x 10 1/8 Watercolor on paper

Box 38a 2970-1121 Two Heads and Leaf

9 x 12 Conte crayon on paper

Box 38a 2971-1121 Hudson River at West Eighties

10 x 12 1/2 Watercolor on paper

Box 38a 2972-1121 Star Lake - Belmont, Vermont

CU1 9 1/2 x 12 1/2 Oil paint on paper

Box 38a 2973-1121 Vermont Landscape with Mountain

9 1/2 x 12 1/2 Oil paint on paper

Box 38a 2974-1121 Fright

CU110, cat.18 11 x 8 1/2 Crayon on paper

Box 38a 2975-1121 Lillian

CU51, cat.20 11 x 8 1/2 Crayon on paper

Box 38a 2976-1121 Self-Portrait

CU46, cat.1 11 x 8 1/2 Graphite pencil on paper

Box 38a 2977-1121 Miriam and Ernest

CU54, cat.38 12 x 9 Watercolor on paper

Accompanied by scopecontent: April 1940, Meyer's drawing, Miriam's color 12 x 9 Watercolor on paper

Box 38a 2978-1121 Chicken House and Shed - Vermont

11 x 15 Oil paint on paper

Box 38a 2979-1121 Shed with Clothesline - Vermont

12 5/8 x 9 1/2 Oil paint on paper

Box 38a 2980-1121 Vermont Landscape

Accompanied by scopecontent: 279 West 4th Street. 9 1/2 x 12 1/2 Watercolor on paper

Box 38a 2981-1121 Untitled miscellaneous items

Nine photocopies. Various


Box 39 2982-1121 Untitled

Inscribed on recto: to Lloyd, with love, for his long awaited return 1/26/64. 8 1/4 x 14 Colored pencil on paper

Accompanied by approximately fifty photocopies of original. 8 1/4 x 14 Colored pencil on paper


Box 39b 2983-1121 Vermont

19 x 12 1/8 Oil paint on paper


Box 39a 2984-1121 Nude

18 1/2 x 8 1/2 Charcoal on cardboard


Box 39b 2985-1121 In Martin's Class

10 7/8 x 9 1/2 Charcoal on paper

Box 39b 2986-1121 Lillian

19 1/2 x 12 3/8 Graphite pencil on paper

Box 39b 2987-1121 Miriam

12 x 18 Graphite pencil on paper


Box 40a 2988-1121 West 76th Street

16 1/8 x 12 7/16 Gouache on paper


Box 39b 2989-1121 Lillian

19 x 12 Crayon on paper

Box 39b 2990-1121 Ernst

14 5/8 x 19 1/16 Oil paint on paper


Box 39a 2991-1121 Monotype at Yaddo

16 7/8 x 12 1/4 Ink on paper


Box 39b 2992-1121 Lillian - Drawn Left Hand or Foot

19 x 12 3/8 Graphite pencil on paper

Box 39b 2993-1121 Lillian

12 1/2 x 9 1/2 Paint on paper

Box 39b 2994-1121 Ernst

18 x 12 Charcoal on paper

Box 39b 2995-1121 Lillian - Hair Washed

19 1/2 x 12 1/2 Ink on paper


Box 39a 2996-1121 Rawsonville - Barnes and Howse [sic] From Hill

11 1/16 x 14 7/16 Oil paint on paper

Box 39a 2997-1121 Family and Dada at Winhall

16 3/8 x 12 3/4 Oil paint and graphite pencil on paper


Box 39b 2998-1121 Untitled

14 1/2 x 19 Crayon on paper

Box 39b 2999-1121 Untitled

14 1/2 x 19 Crayon on paper

Box 39b 3000-1121 Miriam

12 x 18 Graphite pencil on paper

Box 39b 3001-1121 Hyde Salomon at Yaddo

117 x 13 3/4 Crayon on paper

Box 39b 3002-1121 Lillian in Mexican Blouse

12 3/4 x 19 1/8 Charcoal on paper

Box 39b 3003-1121 Lillian

12 1/2 x 18 3/4 Gouache on paper

Box 39b 3004-1121 Sketches After Painting

18 x 12 Graphite pencil on paper


Box 39a 3005-1121 Lillian

15 1/8 x 12 1/8 Gouache on paper


Box 39b 3006-1121 Lillian

19x 12 Crayon on paper


Box 39a 3007-1121 Rawsonville - Barnes [sic] and Houses

14 7/8 x 11 1/16 Oil paint on paper


Box 39b 3008-1121 Lillian Nursing Ernst

18 x 12 Crayon on paper

Box 39b 3009-1121 Vermont

18 x 12 Charcoal on paper

Box 39b 3010-1121 Lillian and Miriam

12 x 18 Graphite pencil on paper

Box 39b 3011-1121 A Concert in Carnigy [sic] Hall

14 x 17 6/8 Charcoal on paper


Box 40a 3012-1121 Lillian

19 7/8 x 13 7/8 Graphite pencil on paper

Box 40a 3013-1121 Miriam

19 7/8 x 13 7/8 Graphite pencil on paper

Box 40a 3014-1121 Untitled

16 3/4 x 23 Paint on paper


Box 39a 3015-1121 Vermont Hill House

12 x 16 3/4 Gouache on paper


Box 39b 3016-1121 Lillian

19 1/8 x 12 Charcoal on paper

Box 39b 3017-1121 Lillian

19 x 14 3/4 Oil paint on paper

Box 39b 3018-1121 Woman in Bathing Suit

19 x 12 1/8 Charcoal on paper

Box 39b 3019-1121 Miriam

18 x 12 Graphite pencil on paper

Box 39b 3020-1121 Young Man

19 x 12 `1/8 Crayon on paper


Box 40a 3021-1121 Miriam, Ernst

19 7/8 x 13 7/8 Crayon on paper


Box 39b 3022-1121 Lillian Asleep in Folding Chair

12 1/2 x 19 Charcoal on paper

Box 39b 3023-112 Lillian

12 3/4 x 19 Charcoal on paper

Box 39b 3024-1121 Lillian

19 x 12 3/4 Graphite pencil on paper

Box 39b 3025-1121 [Shoe-Shine in Union Square]

12 7/16 x 19 Gouache on paper

Box 39b 3026-1121 Lillian

19 1/16 x 14 5/8 Oil paint on paper

3027-1121 Lillian - Brownsville

19 x 12 3/4 Charcoal on paper

Not found as of July 2022; could be one of unnumbered/unidentified works.


Box 40a 3028-1121 Lillian

19 1/8 x 12 7/8 Charcoal on paper


Box 41 3029-1121 Chinese Head

See item 3035 for additional print and item 3049 for corresponding plate. 25 x 15 1/4 Ink on paper


Box 39a 3030-1121 Barnes and Howse [sic] with Line Holder - Rawsonville

11 1/16 x 14 15/16 Oil paint on paper


Box 41 3031-1121 Family in Vermont

18 1/8 x 24 1/8 Graphite pencil on paper

Box 41 3032-1121 Vermont House

19 1/8 x 25 1/2 Oil paint on paper


Box 40a 3033-1121 Vermont House from Hill

12 1/8 x 19 1/8 Oil paint on paper


Box 41 3034-1121 The Vermont House

19 1/8 x 25 7/8 Oil paint and charcoal on paper

Box 41 3035-1121 Chinese Head

Item 3029-1121 is also a print and 3049 is the corresponding plate. 25 1/2 x 15 1/4 Lithograph, Ink on paper

Box 41 3036-1121 A House in Vermont

19 1/8 x 25 1/4 Oil paint on paper

Box 41 3037-1121 A House in Vermont

25 1/4 x 19 1/8 Graphite pencil on paper


Box 39b 3038-1121 Vermont House

15 1/4 x 19 1/8 Oil paint on paper


Box 41 3039-1121 Lillian - Yaddo

24 1/2 x 17 Monotype, Ink on paper

Box 41 3040-1121 Seated Figure - Yaddo

24 1/2 x 17 Monotype, Ink on paper

Box 41 3041-1121 Landscape - Yaddo

24 1/2 x 17 Monotype, Ink on paper

Box 41 3042-1121 [Landscape] - Yaddo

17 x 24 1/2 Monotype, Ink on paper

Box 41 3043-1121 [Landscape] [With Building] - Yaddo

17 x 24 1/2 Monotype, Ink on paper

Box 41 3044-1121 Memory of Romanesque - Yaddo

24 1/2 x 17 Monotype, Ink on paper

Box 41 3045-1121 Hyde Solomon - Yaddo

24 1/4 x 17 Monotype, Ink on paper

Box 41 3046-1121 Hyde Solomon - Yaddo

24 1/4 x 17 Monotype, Ink on paper

Box 41 3047-1121 Clowns - Yaddo

20 x 24 1/4 Monotype, Ink on paper

Box 41 3048-1121 Memory of a Romanesque - Yaddo

Recto and verso. 24 1/4 x 20 Monotype, Ink on paper

Box 41 3049-1121 Chinese Head

Accompanied by two prints. 25 1/2 x 15 1/4 Lithographic plate, Ink on paper

Items 3029-1121 and 3035 are also prints. 25 1/2 x 15 1/4 Lithographic plate, Ink on paper


Box 40 3050-1121 Abstraction with Black Disc

12 x 8 3/8 Pastels on paper


Box 39a 3051-1121 Interior, Studio - Vermont

11 1/2 x 9 Conte crayon on paper


Box 39b 3052-1121 Children Playing in Vermont

13 1/2 x 13 1/2 Oil paint on paper

Box 39b 3053-1121 After a Painting Unfinished on Kurt Seligman's Easel

Marked CU15. 13 x 12 1/4 Etching, Ink on paper

Box 39b 3054-1121 Lillian

19 x 12 1/2 Oil paint on paper

Box 39b 3055-1121 Lillian Nursing Ernst

18 x 12 Crayon on paper


Box 39a 3056-1121 Lillian

12 1/2 x 10 Crayon on paper


Box 39b 3057-1121 Wagon Ride - Vermont

19 x 9 1/2 Charcoal on paper

Box 39b 3058-1121 Miriam

19 x 12 Crayon on paper

Box 39b 3059-1121 [Lillian and Miriam and Teddy and Howard]

19 x 12 1/8 Oil paint on paper

Box 39b 3060-1121 Vermont - Sketch

12 x 19 Oil paint and graphite pencil on paper


Box 40 3061-1121 Lillian Sleeping

20 x 12 1/4 Graphite pencil on paper

Box 40 3062-1121 Lillian Sleeping

20 x 12 1/4 Graphite pencil on paper

Box 40 3063-1121 Lillian Sleeping

20 1/8 x 11 3/4 Pastels on paper

Box 40 3064-1121 Lillian Sleeping

20 1/8 x 12 3/8 Pastels on paper

Box 40 3065-1121 Lillian Sleeping

19 7/8 x 12 1/4 Pastels on paper

Box 40 3066-1121 Lillian

20 x 14 Crayon on paper


Box 39a 3067-1121 Vermont Landscape

9 1/2 x 12 Oil paint on paper


Box 39b 3068-1121 Hudson River Seen From Mountain Side

12 3/4 x 10 1/4 Oil paint on paper


Box 39a 3069-1121 Untitled

Attribution to Meyer Schapiro uncertain. 6 3/4 x 7 7/8 Etching, Ink on paper

Accompanied by one additional print. 6 3/4 x 7 7/8 Etching, Ink on paper

Box 39a 3070-1121 By Katherine Milgram-Shaw

Accompanied by additional sheet. 11 3/8 x 8 3/4 Ink on paper


Box 39b 3071-1121 Untitled

Inscribed: by Ernest Schapiro. 19 x 12 3/4 Crayon on paper


Box 40 3072-1121 Untitled

Inscribed on recto: Miriam Schapiro, 6th Class. 10 3/8 x 13 Paint on paper


Box 39a 3073-1121 Twilight Scene

Marked C39. 11 x 8 1/2 Oil paint and pastels on paper

Box 39a 3074-1121 Vertical Colour Bands

Marked C45. 12 3/4 x 17 3/4 Oil paint on paper

Box 39a 3075-1121 Landscape - Black Zig-Zags and Color Patches #2

15 1/8 x 11 Oil paint on paper


Box 39b 3076-1121 Dora Milgram - Rawsonville

19 x 12 1/2 Oil paint and charcoal on paper


Box 40 3077-1121 Hyde Solomon at Yaddo

20 1/2 x 14 1/4 Oil paint and charcoal on paper


Box 39b 3078-1121 Lillian and Miriam

19 x 12 1/2 Oil paint and graphite pencil on paper

Box 39b 3079-1121 Miriam on Rocking Chair

14 5/8 x 19 Oil paint and graphite pencil on paper


Box 40 3080-1121 Front Door - Vermont

12 x 21 Oil paint on paper


Box 39a 3081-1121 Hill Side

11 x 8 1/2 Pastels on paper

Box 39a 3082-1121 Abstraction

10 x 9 7/8 Pastels on paper


Box 39b 3083-1121 Rectangles

12 x 17 1/4 Gouache on paper


Box 39a 3084-1121 Hill House - Rawsonville

11 x 14 7/8 Oil paint on paper


Box 40 3085-1121 Vague Forms

8 1/2 x 12 Pastels on paper


Box 39b 3086-1121 Miriam on Rug in Vermont Living Room

14 3/4 x 19 1/8 Oil paint on paper

3087-1121 [Abstracted]

12 x 8 1/2 Crayon on paper

Not found as of August 2022. See unidentified and unnumbered items


Box 39a 3088-1121 Vermont

14 1/8 x 11 Oil paint on paper

Box 39a 3089-1121 Belmont, Vermont

9 1/4 x 13 1/8 Gouache on paper

Box 39a 3090-1121 Untitled

Marked CU77 and "from XLVII." 8 1/4 x 9 1/4 Gouache on paper


Box 39b 3091-1121 [Howard Shaw]

19 x 12 1/2 Crayon on paper

Box 39b 3092-1121 Untitled

19 x 12 1/2 Crayon on paper

Box 39b 3093-1121 Untitled

19 x 12 1/2 Crayon on paper

Box 39b 3094-1121 Untitled

19 x 12 1/2 Crayon on paper


Box 39a 3095-1121 Abstraction - Four-Sided Forms

9 7/8 x 9 7/8 Pastels on paper

Box 39a 3096-1121 Rawsonville Landscapes

10 x 9 Oil paint on paper

Box 39a 3097-1121 Abstraction with Reserved Whites

7 1/2 x 8 3/8 Tempera on paper

Box 39a 3098-1121 Abstraction with Blues

8 3/8 x 12 Ink on paper

Box 39a 3099-1121 Abstraction - Calligraphic Shapes

11 x 8 1/2 Oil paint and pastels on paper


Box 39b 3100-1121 Vermont

12 x 15 Oil paint on paper


Box 39a 3101-1121 Figure

12 x 14 Crayon on paper


Box 40 3102-1121 Meyer, Lillian, Miriam and Dada

19 1/8 x 14 5/8 Oil paint on paper


Box 42 3103-1121 Untitled

19 3/4 x 24 1/2 Raised relief, Plaster on fiberboard

Subseries VIII.4: Sculptures and printing plates, circa 1930s-1980s

Box 42 Sculptures and Bases

4 wood sculptures, 2 wood bases.


Box 43 Sculptures

1 wood sculpture.


Box 44 Sculptures and Bases

1 cut-copper sculpture with wood base (damaged), 2 clay sculptures (both damaged), 1 plaster sculpture.


Box 45 3104-1121 Untitled

2 1/2 x 3 1/8 Copper printing plate


Box 46 3105-1121 Untitled

3 3/8 x 3 Copper printing plate

Box 46 3106-1121 [Andre Racz]

See item 2356-1121. 7 x 5 Printing plate

Box 46 3107-1121 Lillian

See item 2353-1121. 5 x 4 Copper printing plate

Box 46 3108-1121 New York View

See item 2348-1121. 5 x 4 Printing plate

Box 46 3109-1121 Sarah Levine

See item 2463-1121. 6 x 4 Printing plate

Box 46 3110-1121 Flowers and Window - My First Etching

See item 2475-1121. 5 x 4 Printing plate

Box 46 3111-1121 My Second Etching

See item 2389-1121. 5 x 4 Printing plate

Box 46 3171-1121 Center for Advanced Study in Behavioral Science building, Stanford

5 x 4 Printing plate


Box 47 Sculpture

1 cut-copper sculpture on wood base.


Box 48 Sculptures

1 cut-copper sculpture on wood base (damaged), 2 aluminum-cut sculptures on wood bases, 1 unfinished wood carving and one wood block with sketch affixed.


Box 49 Sculpture

1 wood sculpture.

Subseries VIII.5: Linoleum printing blocks, circa 1930s-1960s

Box 50 contains the original Linoleum printing blocks for the prints found in box 24 and box 25.


Box 50 3112-1121 Eve

5 1/2 x 3 1/8 Linoleum printing block

Box 50 3113-1121 Wrestlers

7 7/8 x 7 1/4 Linoleum printing block

Box 50 3114-1121 Vermont

6 x 5 Linoleum printing block

Box 50 3115-1121 Deposition

3 1/2 x 4 1/8 Linoleum printing block

Box 50 3116-1121 Memory of Camping with Whittaker Chambers Near His House

8 x 7 1/2 Linoleum printing block

Box 50 3117-1121 Sledding

5 3/4 x 5 3/7 Linoleum printing block

Box 50 3118-1121 Crucifixion

4 1/4 x 7 5/8 Linoleum printing block

Box 50 3119-112 After Holbein's Portrait

5 7/8 x 4 7/8 Linoleum printing block

Box 50 3120-1121 Imaginary Murder

4 1/2 x 5 1/2 Linoleum printing block

Box 50 3121-1121 New Year Card

13 x 11 Linoleum printing block

Box 50 3122-1121 Phoenix

4 1/8 x 6 Linoleum printing block

Box 50 3123-1121 Female

7 1/4 x 5 3/4 Linoleum printing block

Box 50 3124-1121 The Ferry

6 1/2 x 4 1/8 Linoleum printing block

Box 50 3125-1121 Untitled

See item 2337-1121. 5 1/2 x 5 3/4 Linoleum printing block

Box 50 3126-1121 Flagellation

7 3/4 x 5 1/2 Linoleum printing block

Box 50 3127-1121 "Janie's" New Year Card

5 7/8 x 4 7/8 Linoleum printing block

Box 50 3128-1121 Untitled

7 1/4 x 6 3/8 Linoleum printing block

Box 50 3129-1121 Untitled

4 x 6 Linoleum printing block

Box 50 3130-1121 Untitled

12 1/2 x 13 1/4 Linoleum printing block

Box 50 3131-1121 Untitled

7 1/2 x 7 Linoleum printing block

Subseries VIII.6: Sketchbooks, 1960s


Box 52 3132-1121 Tokyo 1966 - "P"

Marked CU37. 4 5/8 x 6 3/4

Box 52 3133-1121 Sketchbook "HH"

8 1/4 x 5 5/8

Box 52 3134-1121 Sketchbook "EE"

Contains drawings of Sophie(1968). 8 1/4 x 5 1/2

Box 52 3135-1121 Sketchbook "G"

Contains mainly landscapes and self-portraits. 8 1/4 x 5 1/2

Box 52 3136-1121 Mustair 1961 - Sketchbook "F"

8 x 5 1/4

Box 52 3137-1121 Etretat, August 1939; Le Havre; Boat, September 1939 - Sketchbook "H"

7 3/4 x 5 3/4

Box 52 3138-1121 Sketchbook "CC"

Marked CU28. 7 3/4 x 5 3/4

Box 52 3139-1121 California and Canada - Sketchbook "L"

8 1/4 x 5 3/4

Box 52 3140-1121 Sketchbook "FF"

8 1/4 x 5 1/2

Box 52 3141-1121 West Coast - Sketchbook "K"

8 1/4 x 5 5/8

Box 52 3142-1121 Sketchbook "MM"

Contains sketches of Lillian. 8 1/4 x 5 3/4

Box 52 3143-1121 Utah and Nevada - Sketchbook "N"

6 3/4 x 4 1/2

Box 52 3144-1121 Later 1950s, 1960-1962 Vermont - Sketchbook "E"

6 3/4 x 5 1/2

Box 52 3145-1121 Vermont 1950s-1970s - Sketchbook "PP"

8 x 5 1/4

Box 52 3146-1121 Vermont 1961-1965 and 1971 - Sketchbook "V"

Marked CU40. 7 1/8 x 5 1/4

Box 52 3147-1121 Yaddo and Saratoga, Also Vermont - Sketchbook "U"

Marked CU39. 7 1/4 x 5 1/4

Box 52 3148-1121 New York - Sketchbook "T"

Marked CU34. 6 3/4 x 4 1/8

Box 52 3149-1121 Vermont 1950s - Sketchbook "B"

6 3/4 x 4 1/2

Box 52 3150-1121 Sketchbook "BB"

Marked CU30. 6 3/4 x 4 1/2

Box 52 3151-1121 Sketchbook

Marked CU29. 8 1/2 x 6 3/4

Box 52 3152-1121 Columbia College 1923-1924

Contains analyses of paintings and sketches of Columbia campus. 8 1/2 x 11

Box 52 3153-1121 Trip to California 1962- Sketchbook "C"

10 x 8

Box 52 3154-1121 At Joe's, Marlboro - Sketchbook "I"

6 1/2 x 10

Box 52 3155-1121 Vermont

8 1/4 x 6 `1/2

Box 52 3156-1121 [New York] - Sketchbook "QQ"

6 x 9

Box 52 3157-1121 Untitled

9 3/4 x 6 1/4

Box 52 3158-1121 Untitled

5 1/8 x 3 5/8

Box 52 3159-1121 Untitled

6 x 4

Box 52 3160-1121 Untitled"

Marked CU45. 7 1/2 x 4 7/8


Box 53 3161-1121 Mary Sklar's Sketchbook

6 x 9

Box 53 3162-1121 Sketchbook "AA"

8 3/4 x 12

Box 53 3163-1121 Sketchbook "GG"

9 3/4 x 8 1/2

Box 53 3164-1121 Starting 1965 - Sketchbook "JJ"

12 1/4 x 9

Box 53 3165-1121 New York 1960s - Sketchbook "W"

9 3/4 x 8 1/2

Box 53 3166-1121 Sketchbook "II"

13 x 9 3/4


Box 54 3167-1121 California - Sketchbook "Y"

Marked CU35. 11 x 14

Box 54 3168-1121 Paris 1931 - Sketchbook "NN"

Marked XXIV. 13 x 16

Box 54 3169-1121 Sarasota 1969- Sketchbook "OO"

14 x 17

Box 54 3170-1121 Sketchbook

14 x 17