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Journal of Art Criticism, 2016-2023
.50 Linear FeetPrint issues of the Journal of Art Criticism, 2016-2023 .42 Linear Feet Box 1
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- Print issues of the Journal of Art Criticism, 2016-2023
Meyer Schapiro papers, 1919-2006
400 linear feetArt criticism, 1940s-1960s Box 340, Folder 2
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- Art criticism, 1940s-1960s
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(Includes typescripts of Schapiro's own poetry)
International Association of Art Critics, 1949-1978 Box 135, Folder 5
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- International Association of Art Critics, 1949-1978
"Reason in art criticism" - Outline, circa, 1950s Box 237, Folder 8
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- "Reason in art criticism" - Outline, circa, 1950s
Edith Schloss Burckhardt Papers, 1962-2011
35 linear feetThe Edith Schloss Burckhardt Papers offer an extraordinary opportunity for research into multiple areas of scholarship, especially unique insight into the lives and experiences of women in the art world, an American artist's expat life in Rome from the 1960s-2010s, the New York School of painters and poets, and a particularly rich and far-reaching, vein of the avant-garde and experimental music world, to name a few.
Art criticism and writing Box 10
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- Art criticism and writing
Art criticism and writing Box 11
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- Art criticism and writing
Art criticism and writing Box 12
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- Art criticism and writing
Arthur Coleman Danto manuscripts, 1958-2011
7 linear feetThese book manuscripts include the corrected typescripts of: "Analytical philosophy of action" (Cambridge University Press, 1973); "Analytical philosophy of knowledge" (Cambridge University Press, 1968); "Jean-Paul Sartre" (New York, Viking, 1974) with a.ms. & galley proofs; and "Nietzsche and morality" (New York, Macmillan, 1965).
Philosophy and Art Criticism, undated
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- Philosophy and Art Criticism, undated
From Aesthetics to Art Criticism, 1995 undated
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- From Aesthetics to Art Criticism, 1995 undated
From Aesthetics to Art Criticism--diskette, undated
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- From Aesthetics to Art Criticism--diskette, undated
Rudolf and Margot Wittkower papers, 1916-1995
19.5 linear feetWorking files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.
Art Theory-Art Criticism-Quality (Bibliography) Box 7
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- Art Theory-Art Criticism-Quality (Bibliography)
Serge Chermayeff architectural records and papers, 1909-1980
17 linear feet of papersThis collection contains materials related to Chermayeff's personal, professional, and academic lives, the bulk originating during his residency in the United States, beginning in the late 1930s. Project records document the full range of his work, including many records from his British period. The collection also contains extensive correspondence with personal friends, clients, and professional and academic colleagues.
Letter to the Editor and Reply from Leo Balet.Journal of Aesthetics and Art Criticism , pp. 75-80, reprint., 1941 Winter-1942 Winter Box 29, Folder 10
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- Letter to the Editor and Reply from Leo Balet.Journal of Aesthetics and Art Criticism , pp. 75-80
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1 item. Printed paper; Mentions opening of exhibition of work of Erich Mendelsohn at the Museum of Modern Art, New York City.
Arthur C. Carr papers on Robert Indiana, 1952-1991
0.5 linear feetCorrespondence, a woodblock print, a typescript about Robert Indiana, photographs, and printed materials. There are 35 letters, post cards, and other correspondence from Indiana to Carr; his woodblock print on a Christmas card; 20 photographs of his paintings, and printed announcements and articles about Indiana. There is also some miscellaneous correspondence about the artist Ernest T. Trova
Roland Rood papers, 1910-1927
6 boxesA collection of notes and manuscript drafts of studies made by Rood, concerned with the theory and practice of painting, art criticism, esthetics, and related subjects. Some of the results of these studies were published in 1941 under the title, COLOR AND LIGHT IN PAINTING.
Bernard Berenson letters, 1935-1949
0.5 linear feetFifty-eight letters, including three fragments of letters, from Berenson to Prince Paul of Yugoslavia (1893-1976), 1935-1949. The letters deal with art and esthetics, travel, international affairs, and the personal lives of Berenson and Prince Paul. All are autograph and signed with initials. Included are a postcard photograph of Berenson at ages twenty-one and seventy-one, and an autograph letter from Arthur Bliss Lane to Prince Paul.
John Ruskin letters to George Allen, 1859-1889
7 VolumesLetters from John Ruskin to his friend and publisher, George Allen. A note in front of volume I states that "Ruskin wrote in all over 1,300 letters to George Allen" of which these are a part. The men were close friends and the correspondence contains both personal matter and that relating to artistic and business matters.
Ripley Hitchcock papers, 1885-1935
25 boxesLetters written to James Ripley Wellman Hitchcock, to Mrs. Hitchcock, and to Richard Henry Stoddard from various people in literary artistic and dramatic circles, mainly of New York. There are letters and documents relating to Hitchcock's early life, photographs, a group of materials relating to the American Art Alliance in which Mrs. Hitchcock was interested, and a group of miscellaneous papers and letters relating to the publication, dramatization, filming, and radio rights of Edward N. Westcott's DAVID HARUM which Mr. Hitchcock was instrumental in having published. Also, manuscripts and printed versions of Charles Chapin Sargent, Jr.'s (brother of Hitchcock's second wife, Helen Sargent Hitchcock) writings including short stories and a libretto for an operetta "Cleopatra" written for the Columbia College Musical Society in 1897, two scrapbooks containing mementos of his college years, two pictures, and a Columbia College diploma.
Graduate School of Journalism Alfred I. duPont-Columbia University Awards Videos, 1960s-2018
65 linear feet"Judeth Crist: Art & Critics Lecture"--Radio_Lecture_5, 1994 November 04, 1994 Box 58
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- "Judeth Crist: Art & Critics Lecture"--Radio_Lecture_5, 1994 November 04, 1994
W. J. Strachan letters, 1954-1992
0.5 linear feetStrachan's correspondence with his primary publisher, Peter Owen of London relates chiefly to the nuts and bolts of translation and publication. The translations that are the subject matter of the letters are of Hermann Hesse, Caesar Pavese, Marc Chagall, Jean Cocteau, and Julien Gracq. The majority of the letters are accompanied by retained copies of the replies of Peter Owen. Included is Owen's correspondence with the American publisher George Wittenborn.
Vladimir Veidle Papers, 1920-1979
26 linear feetJohn Howard Griffin papers, 1920-2004
28 linear feetCorrespondence, manuscripts, documents, photographs, and printed materials by and about John Howard Griffin. The correspondence is extensive and includes letter from Jacques Maritain; Thomas Merton; Maxwell Geismar; Eldridge Cleaver; Robert Casadeus; Abraham Rattner; P.D. East; Joseph Noonan; Sarah Patton Boyle; Lillian Smith; Father August Thompson; Nell Dorr; and Brother Patrick Hart. All of his major works are represented in manuscript form (usually typescript, carbon). In addition there are many original photographs by Griffin, which he pasted throughout his extensive journal, 1950-1980. This journal is a remarkable account of his life and thoughts, extending to over 3,000 pages.
Mary Taubman To John Howard Griffin, Strosbourg, France, 24 Aug. 1967 Box 17, Folder 598
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- [Art critic who was the curator for the Gwen John exhibition at the Tate Gallery, London
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[Art critic who was the curator for the Gwen John exhibition at the Tate Gallery, London
Gerald Sykes papers, 1921-1984
42 linear feetCorrespondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.
Felix Adler papers, 1830-1933
27 linear feetPolitics and Social Ethics, 1903 May Box 22
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- Burgess. Science and Art criticisms of life. The Teacher. What to teach? Sovereignty and political
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(1903 K. The State. The National Genius. Interdependence and interaction of groups. Bluntschli and Burgess. Science and Art criticisms of life. The Teacher. What to teach? Sovereignty and political obligation. Anarchy and religious persecution. Democracy. Collective action. Obedience. Representative government. Aristotle. Roman citizenship. Feudalism. 3 Estates. The individual and the social unit. Groups ignored. Political organizations. Preponderance of lawyers.)
Central Files (Office of the President records), 1890-1984
927 linear feetVenturi, Lionello, file, 1954-1955. [1 Folder], 6/1954-5/1955 Box 671, Folder 51
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- Correspondence between Italian art critic Lionello Venturi and the president and secretary of
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Correspondence between Italian art critic Lionello Venturi and the president and secretary of Columbia University. Venturi was appointed to give the Bampton Lectures in America for 1955. Correspondence relates to: his appointment as Bampton lecturer, visa and travel arrangements, and payments for stipends and expenditures. Includes two summaries of his lectures and copies of the program from the lecture series
C. J.Bulliet papers, 1899-1952
10 linear feetNew Leader records, 1895-2011, bulk 1924-2006
180 linear feetSeries III: Subject Files, 1919-1968, undated
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- occurred after Clement Greenberg, an art critic at The Nation , submitted a letter to that magazine
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This series contains correspondence and research materials related to specific issues, organizations, or special magazine supplements. The files are arranged alphabetically by subject. Topics include, The Challenge of Africa, Icelandic Social Democrats, the American Committee of Cultural Freedom.
Meyer Schapiro letters and manuscripts of Whittaker Chambers and James Thomas Farrell, 1923-1991
3 linear feetAutograph and typed letters from James Thomas Farrell to Schapiro, concerning Farrell's personal life, his writings, and current social and political affairs. There are also eight of Farrell's manuscripts from the 1960s. The long friendship of neighbors is seen in Farrell's personal letters about his private life and his family and in the discussions of whichever novel he was working on at the time. The main body of the correspondence is from the World War II period and shows much concern for current events in the Soviet Union as well as in the U.S. and Europe. The author also made a few forays into Irish humor, as in the use of his pseudonym, Jonathan Titelescu Fogarty. There are autograph drafts of Prof. Schapiro's replies to and notes about Farrell, and letters and post cards from Farrell's actress wife, Hortense Adler. Also, a letter from Frances Mitchell on her book, THE AWAKENING - LE REVEIL, 1950.
Barry Miles papers, 1958-1990, bulk 1965-1997
16 linear feetSerge Hollerbach Papers, 1914-2019
8 linear feetİlhan Mimaroğlu Papers, 1926-2012
40 linear feetThe collection documents the career and personal life of Turkish-American electronic music composer, record producer, journalist and cultural critic, photographer, and filmmaker İlhan Mimaroğlu (1926-2012). It includes materials from each of Mimaroğlu's professional interests and activities, the bulk of which date from the early 1950s until his death in 2012.