Search Results
Patricia Koo Tsien and Kia Chi Tsien papers, 1910s-2018, bulk 1932-1999 16.5 Linear Feet
- Highlight
- influential family from Jiashan, Zhejiang and moved to Shanghai at an early age. Tsien attended the Nanyang
- Creator
- Koo, V. K. Wellington, 1888-1985
- Abstract Or Scope
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The Patricia Koo Tsien and Kia Chi Tsien papers document the decades of internationally rooted lives of the Tsien couple, as well as family history materials on the Koo and Tsien families. The bulk of the papers consist of files associated with the professional and personal trajectories of Patricia Koo Tsien and Kia Chi Tsien, arranged in respective series. Also included are materials pertaining to the research of Koo and Tsien's family histories, in particular manuscripts, transcripts, and annotated copies of the Wellington Koo Memoir, and materials on Oei Huilan, Madame Wellington Koo.
Percival Goodman architectural records and papers, 1929-1989 46 document boxes
- Highlight
- artist and illustrator, began a seventy-year career in architecture at age thirteen as an apprentice to
- Creator
- Goodman, Percival
- Abstract Or Scope
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Percival Goodman (1904-1989) was an Americam architect, teacher, urban planner, artist and writer. In a career that spanned more than sixty years, Goodman achieved renown as one of the most prolific synagogue architects in the United States and was instrumental in the development of a critical discourse around the building of modern religious architecture. The collection consists of project records, drawings, models, photographs, slides, professional correspondence and contracts, articles and unpublished manuscripts, teaching and lecture notes and personal and professional memorabilia, such as architectural licenses and certificates, as well as articles and clippings about his work.
Price Waterhouse and Coopers & Lybrand records, 1891-2000 148 linear feet
- Highlight
- the early 1930s pushed the audit to the center of firms' practice. During the 'golden age' of 1950s
- Creator
- PricewaterhouseCoopers LLP
- Abstract Or Scope
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The collection is clearly divided into two record groups: Coopers & Lybrand archival materials and Price Waterhouse & Co. archival materials. The documents from the offices Price Waterhouse & Co. materials include original company documents, accounting books, and other records created by Price Waterhouse or the firms that have subsequently merged with it.
Saarinen, Eero & Associates—Bloomfield Hills, Mich. (3 folders), 1949-1963 Box 20, Folder 1 to 3
- Highlight
- AIA Journal. March 1960; Clipping. "Washington's new jet age international airport." Re Saarinen's
- Abstract Or Scope
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DH to John Dinkeloo. Eero Saarinen & Associates. 1962; Invites Dinkleloo to Downtown St. Louis Round Table Meeting to be held May 15 and 16.
Series XIX.The Griffin Journal, 1950-1980
- Highlight
- , wrote it honestly and wrote in it even when I felt I had nothing to say.". From the age of sixteen until
- Abstract Or Scope
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"In my teens, when I was a student at the Lycéee Descartes, in Tours, France," wrote Griffin in the unpublished preface to his Journal, "a man I greatly admired suggested that I begin keeping a journal of my life. He said it was one way of learning to know myself provided I let no one else see it, wrote it honestly and wrote in it even when I felt I had nothing to say.". From the age of sixteen until he was twenty-one, Griffin continued his journal; but when France was about to fall to the Germans, he gave the autograph journals to a schoolmate for safe-keeping, and returned to the states. "Years later when I returned to France [in 19761, I retrieved the journal which had been buried on my friend's father's farm during the war." He began to read his reflections. "It was a sickening experience. Pages were filled with literary analyses, musical analyses, foods we ate, with scarcely a word about the supreme reality of the war which preoccupied us day and night. It was pure escape from that reality rather than any attempt to handle it. I was heartsick to find myself so false.... I burned those pages and did not resume [a journal] until some years later when I was blind and had learned to use the typewriter.". Curiously, it was again on the advice of a man he admired--the theatre critic John Mason Brown--that Griffin began to write. But it was not a journal; it was his first novel, The Devil Rides Outside, written in 1949. His mature Journal was launched in December of 1950, during the third year of sightlessness. When.he was not working on novels or short stories, he poured impressions into the Journal, which became a seedbed for most of work he would publish later. We find in its pages fragments and drafts of stories and novels; essays and articles; voluminous meditations on ethics, religion and philosophy; responses to the music he listened to constantly; discussions of cooking, farming and family relationships; insights into the realities of blindness and how the condition is wrongly perceived by the sighted; speculations on psychology, sociology, anthropology and the arts in relation to the diminishment of culture in America. We hear every tone of voice from the compassionate to the dismissive; styles that range from lyric to polemic, from the scholarly to the absurd. At times he was naive and narrowly opinionated; at other times, measured and wise. He reflected on literature and life--the books he had read (and those which were read to him or recorded on tapes) and all the places he had traveled and lived. He was always a bit nostalgic for the high culture of France and the great joy of learning he had discovered in that adopted land; nostalgic also for the year he spent on a remote island in the South Seas living among the native inhabitants. Conversely, he had been horrified by war--both what he had witnessed working in the French Underground and the devastation of combat while in the Air Force in the Pacific.. Reading the Journal one is always aware that it is an intensely human document--full of contradictions and paradoxes; hope and despair; criticism of the world and self-criticism; fear and anguish over what often did not matter, as well as heroism in the face of what mattered most. The writing is, by turns, elegant and crude; often brilliant and sometimes ignorant; and splattered with passages that roar with comic hyperbole or soar with a spiritual clarity. But always one reads as if one has discovered a secret document; that one is looking over the shoulder of a man who is truely alive in the immense process of becoming a genuine artist and thinker. And later we meet the justly famous author who has absorbed the profound wisdom of humility.. This massive Journal runs to 2,762 pages of single-spaced typed pages. This page count does not include ten autograph notebooks he kept away from the typewriter nor the published books (previously mentioned) that were pulled out of the overall Journal and composed into separate books.. During the period of his blindness--recorded in the Journal from December of 1950 until sight-recovery in January of 1957--he typed almost 900 pages in a span of just slightly more than six years. That is roughly 150 pages each year. Yet, the count for 1951, the first full year of keeping the Journal, is 231 pages (the third highest volume for any year). This was a period of intense introspection for Griffin, he was in the process of making what the French call "the great yes" or the leap of faith from indecision to belief; Griffin became a convert to Catholicism in 1952.. In 1954 we find the second most voluminous year with 255 pages. That year, he was suffering not only from the complications of blindness and diabetes, but he had contracted spinal malaria--a condition which paralyzed him from the waist down and confined him to a wheelchair. All he could do was sit at the typewriter, listen to music, and write.. The entries of 1954 record a very real agony and ecstasy. Griffin experienced the most alienating depths of despair alternating with some of the greatest spiritual heights of his life. Without the love and understanding of his young wife (Elizabeth Holland and Griffin married in 1953), as well as his parents and also her parents--and with absolute faith in God--he would not have survived the ordeal. Instead he wrote about everything that year and drafted over 400 pages of Nuni, his second novel.. In the decade of blindness--from 1947 to early 1957--Griffin composed five novels (two were published, two remain unpublished and the fifth was lost); over sixty short stories (most unpublished); a short book on blindness (Handbook For Darkness); music lectures and articles; and nearly a thousand pages in the Journal . Virtually all of his fiction--literally thousands of pages--were written during the decade of sightlessness. Except for revisions of earlier novels in draft and one short piece of humor ("Pilgrimage"), his career as a fiction writer was over when he regained his sight.. During the 1960s he managed to average over100 pages per year in the Journal, including the second highest page count (248) in 1966. In general, however, these entries move away from introspection toward the concerns of a public life--a-decade which found him away from the studio and his expanding family and in a world of turmoil. His writings were much shorter and their focus was temporal not eternal. He published polemical and journalistic articles on racism, injustice, war, censorship, politics, and lectured extensively on these same issues (and, of course, specifically- on his experiences in Black Like Me, its aftermath, and the civil rights battles that followed. He wrote brilliantly and courageously, and his lectures and writings were in great demand. But the public life took its toll on the books he was forced to leave unfinished (novels as well as Scattered Shadows), and what limited private time that remained was spent with his family and friends and in the darkroom (where his photographic career blossomed), but not in the writing studio. Those years also took their toll on his fragile health. He was no longer blind and the paralysis had lasted only one year, but the stress of his schedule far from solitude increased the debilitating effects of his diabetic condition. He experienced blackouts and exhaustion. His Journal records all this activity in a cryptic rather than expansive manner.. With his appointment as the Official Biographer of Thomas Merton, illness turned toward relative health, exhaustion was replaced by energy, and Griffin once again found spiritual joy in solitude and a fascinating long-range project. The Journal, from 1970-1980 runs about 650 pages--about 65 pages as an annual average with only 1975 accumulating more than 200 pages. This drop in production was a result of the work on the biography and that includes The Hermitage Journals factored out of the equation, as well as a tremendous amounts of photographic work--choices that Griffin was pleased to make, of course. But other factors--not of his choosing--also impacted upon the Journal. There was a significant decline in his health (this is why the entries are more than three times the volume of 1970-1974; he was confined and unable to travel to Gethsemani and Europe where so much research had been accomplished); and there was also the countless intrusions of the curious making pilgrimages to his door.. The Autograph Notebooks, which Griffin considered part of his overall Journal, are from widely different time-frames. Written in spiral notebooks or bound composition books that Griffin carried on his travels when having a typewriter was impossible or inconvenient; these generally reflect a specific event or span of days that can be integrated by dated passage into the overall scheme of his personal Journal.
S (Sia—Sz), 1951-1964 Box 19, Folder 3 to 9
- Highlight
- FORUM's film The New Age of Architecture. Film contains interviews with top architects.
- Abstract Or Scope
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DH to Rev. H. Richard Siciliano. Department of City and Industry, Synod of Pennsylvania. 1958; Glad he liked article by Joseph Hudnut about "The Church in a Modern World."
Taliesin Associated Architects projects in Iran : architectural drawings and records, 1968-1980 8 document boxes
- Highlight
- age of 79.
- Creator
- Taliesin Associated Architects
- Abstract Or Scope
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This collection is composed primarily of the projects (built or unbuilt) that Taliesin Associated Architects (TAA) conducted in Iran in collaboration with Nezam Amery and his office NAKK spanning from 1965 to 1979. The collection includes final and working project drawings, correspondences, contracts, estimates, calculation, photographs, and additional papers. It also includes records of litigation after 1979 in the United States Courts. While the time of the projects overlaps, the series are arranged chronologically based on the dates each contract was signed.
Benckendorff Family Papers, 1772-1968 16.32 linear feet
- Highlight
- lady-in-waiting to Maria Feodorovna, wife of Emperor Paul I, in her early teens. At the age of 16 she
, younger brother of Alexander was educated for a career in the foreign service. At the age of 18, thanks to - Creator
- Benckendorff family
- Abstract Or Scope
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The bulk of the collection consists of Benckendorff family correspondence with prominent Russian noble families, documents, and photographs. There are also manuscripts, financial statements and drawings.
C. L. R. James papers, 1933-2001, bulk 1948-1989 27.75 linear feet
- Highlight
- one sister, Olive, and a brother, Eric. In 1910, at the age of nine, James won an "exhibition" or
- Creator
- James, C. L. R (Cyril Lionel Robert), 1901-1989
- Abstract Or Scope
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These papers contain correspondence; drafts, manuscripts and notes; transcripts of lectures and interviews; printed material; photographs; and audio and video tapes related to life and work of C. L. R. (Cyril Lionel Robert) James--a West Indian athlete, scholar, teacher, writer and political activist.