Search

Also, typescripts of lectures delivered by Boring in architecture courses at Columbia, 1932-1933, miscellaneous typescripts of articles and printed materials, 1930-1933, and a typescript of Boring's autobiography, MEMORIES OF THE LIFE AND WORK OF WILLIAM A. BORING, circa 1937. Also included are four sketches by Henri Gauthier, Edward Tilton, Maurice Sashin, and Joseph Laudin.

Included are approx. 7,000 architectural drawings, circa 1910s-1940s, for projects designed by Delano & Aldrich, including La Guardia Airport in New York; several buildings at Yale University; Willard Straight Hall at Cornell University; various buildings at United States Military Academy at West Point; the National Gallery of Art in Washington, D.C.; alterations to the White House; numerous residences throughout the New York City metropolitan area, particulary the Dwight W. Morrow house in Englewood, N.J., the J.A. Burden house in Syosset, N.Y., and the Willard D. Straight house on East 92nd Street in New York City; and various schools, churches, and residential structures throughout the United States. Rendered competition drawings are included. Drawings made by William Adams Delano while a student at the Ecole des Beaux-Arts, Paris, circa 1900. Also, 6 boxes of photographs of Delano & Aldrich completed projects, chiefly residential structures.

Three sketchbooks; the first, 1893-1894, containing sketches from his student years at the Columbia School of Mines, Department of Architecture (he received his degree in 1894); the second, 1894-1896, containing sketches made as a student at the Ecole des Beaux-Arts in Paris; and the third, circa 1896-circa 1905, containing sketches for a variety of projects and designs. Buildings and other structures depicted include the Academy of Music on 14th Street, New York City (a seating plan); Wells Fargo Bank Building, Portland, Oregon, 1910; Reunion Hall, Princeton University, 1902; lantern for the Aetna Building, Hartford, Connecticut; Woodland Street entrance to Kinney Park, Hartford, Connecticut, 1905 (some drawings are by others). Program notes from the classes of Paul Blondel and J. Gaudet at the Ecole des Beaux Arts are included. Also, designs (some done in partnership with Joseph Urban) for proposals for the Metropolitan Opera Company on various sites in New York City, circa 1920s; and designs for shopping and music centers in New York City, to 1936.

This collection includes a menu card with signatures of many of the members of the Society of Beaux-Arts Architects and three photographs depicting students in an atelier in Paris associated with the École nationale supérieure des beaux-arts. The menu card, dated in Josselyn's hand "Feb. 22, 1889", is from a dinner at the Cafe d'Orsay in Paris, during which preliminary discussions about forming the Society of Beaux-Arts Architects were held. On the verso of the card are the signatures of Thornton Floyd Turner, Austin W. Lord, Louis de Sibourg, T. R. Plummer, William A. Boring, Whitney Warren, Stephen Bonsal, Jr., S. B. P. Trowbridge, Ernest Flagg, John P. Benson, Evans Preston, Juan Guillermo de Lavalle, A. L. Brockway, Joseph H. McGuire, John W. Bemis, Edward L. Tilton, George Cary, and J. Donaldson, Jr. Mr. Josselyn's name also appears on the card, although not in his handwriting. According to correspondence from John Benson held in the Phillips Library in Salem, Massachusetts, the three photographs, taken by Benson, depict the students and instructor of a watercolor class in Paris in early 1889. In the first photograph, Josselyn has identified on the verso the sitters as follows: de Sibourg, McGuire, Josselyn, Lord, Flagg, Brockway, Cary, de Lavalle, Leteurtre, and Saglio. The second and third photographs depict the same men in the same atelier, although they appear to have been taken on a different day than the first image.

This collection contains architectural photographs, drawings and records related to the architectural projects and designs of Warren and Wetmore, principally in the United States, but also representing commissions in Canada, Cuba, and Puerto Rico. Unfortunately, the bulk of architectural drawings produced by the firm are no longer extant. Additionally, it holds a variety of photographs and other records used as reference materials in the course of Warren and Wetmore's professional work. Lastly, a small group of student and personal papers and photographs from Whitney Warren completes the collection.