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Graphic designs for newspapers, promotions, magazines, books, and related work by Silverstein. He primarily worked for the New York Times, regional U.S. newspapers, foreign newspapers, and other organizations. Includes correspondence, notes, sample newspaper issues, photographs, and negatives from his consulting projects. Also includes Silverstein's drawings, monoprints, and other artwork.

Typescript carbons of the reminiscences and memoirs of men and women prominent in American life including agriculture, art, book publishing, business, diplomacy, education, journalism, jurists, literature, labor movement, medicine, military history, New York City politics, and special projects such as the Eisenhower Administration, the Marine Corps, popular arts, the radio industry, and social security recorded on tape by the person concerned.

Summary: Tape recordings of American, English, and Irish music hall and vaudeville stars from Wisely's collection of records of music hall and vaudeville productions, 1875-1940. The tapes, made at Brooklyn College ca.1965, divide the recordings into fifteen programs with such titles as Victorians, Edwardians, Comics, Impersonators. Performers including Lillian Russell, Gertrude Lawrence, Fanny Brice, Elsa Lanchester, and W.C. Fields are represented. Copies are also available at Brooklyn College.

This collection of approx. 7 linear feet of papers documents the output of the independent printing press established at Taliesin in the 1930s. The collection consists of brochures, pamphlets, newsletters, Taliesin magazines, festival programs, invitations, and miscellaneous ephemera such as Christmas cards and stationery. The collection also includes every issue of the Taliesin Square Papers series dating from 1941 to 1953. All of the printed material in the collection features the distinctive graphic design associated with Frank Lloyd Wright. Much of the graphic design work can be attributed to Eugene Masselink (1910-1962).

Correspondence and works of Andre Racz, including one letter from Gabriela Mistral, 1952, a portrait of her (etching-aquatint), Ricz's etching (metal plate) for Mistral's POEMAS DE LAS MADRES (Santiago, Chile, 1950), a Christmas card, 1970, illustrated and signed by Racz, and a holograph of Thomas Merton's poem AUBADE--HARLEM, Racz's facsimile of this poem etched on a zinc plate, and his artist's proof pulled from the plate. Also, signature practice page for scroll presented to President Sovern by the Executive Committee of the Faculty in appreciation of his work as chairman, 1968.

Three groups of drawings, two in notebooks and the third torn from a notebook. 1). A 38 page spiral bound notebook containing 29 drawings, 9 pages of notes, and a concrete poem by Nancy Holt. Most of the drawings were done in preparation for his show at L'Attico Gallery in Rome, October 15 to November 7, 1969. The last two drawings refer to his travels in the Yucatan. 2). Three loose drawings torn from a larger spiral bound notebook. They are studies for L'Attico Gallery Exhibition. 3). A 12 page typewriter paper tablet containing 10 drawings (four are loose) and two pages of notes. The drawings were done from late 1969 through 1970 in Vancouver, the Anaconda Mines in British Columbia, and elsewhere.

Correspondence, memoranda, and legal and financial documents of Keppel. The files deal largely with Keppel's personal and professional life during his tenure as President of the Carnegie Corporation, and also include some files from his years as Newton D. Baker's Third Assistant Secretary of War, and as Dean of Columbia College. There are extensive files of correspondence from and to Keppel's parents and children, as well as files concerning his activities in organizations such as the Century and Columbia University Clubs. The letters from friends and business associates concern American education, politics, business, and cultural life, particularly in the New York metropolitan area, from 1900 to 1943.

Mostly printed materials including printed ephemera, with tape recordings of interviews, classes and talks.