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Correspondence, manuscripts, documents, financial records, photographs, memorabilia, and printed materials. The Foundation's correspondence files consist of letters from different organizations and foundations, including the Martin Luther King, Jr. Center for Social Change, The NAACP, the United Negro College Fund, the Studio Museum in Harlem, and the YWCA. Also included in this collection are community dialogues on race relations (1974-1975); proposed dialogues (1979) on such subjects as the Boy Scouts of America, Columbia University, and the National Council of Christians and Jews; and files on the Whitney M. Young Fellows Retreat Conferences (1980-1984). The collection contains many files on Ed Wilson's bust of Young (1991), including contracts and agreements, records of payments to Wilson, documents concerning the bust's placement in various locations, correspondence with Wilson (1983-1991), and miscellaneous photographs and pictures. The contributions files contain annual listings of contributions and records of contributions from the National Urban League, assorted organizations, corporations, individuals, foundations, and Philip Morris.

23 VHS cassettes.

Correspondence of Nikola Tesla and Robert Underwood Johnson include letters of Tesla to Johnson's wife and daughter, clippings, photographs, and miscellaneous materials. Letters to George Scherff, 1902-1930, and others, manuscripts, printed articles, patents, and brochures. The material is of a technical nature and the letters deal primarily with Tesla's work on transformers, turbines, steam and gas oscillators, compressors, pumps, induction motors, and wireless transmitters. Also, printed materials by and about Tesla, including DR. NIKOLA TESLA BIBLIOGRAPHY (1979) by John T. Ratzlaff and Leland I. Anderson; and published selections from diary entries, correspondence, patents, and patent wrappers by Tesla published by the Tesla Book Company. There is also a videotape cassette "Nikola Tesla the Genius Who Lit the World".

Includes recordings and photo albums of elementary, middle, high school, and college gospel choir competitions sponsored by the Black Music Caucus between the late 1970s and 2009, with the bulk dating from 1986 through 2009. Audiovisual media is on DVDs, audiocassettes, and VHS tapes located in Boxes 1-15. There are many duplicates, especially DVDs. Photo albums and paper files are also included in Boxes 16-21 of the collection.

The bulk of the collection relates to awards, honorary degrees, and other honors bestowed on I. I. Rabi during the latter half of his career. It contains correspondence, manuscript drafts, pamphlets, lectures, articles, interviews, reports, panel discussions, transcripts, books, and conference materials about Rabi's work. Includes photographs, VHS recordings, audiocassettes, scrapbooks, and press clippings related to his career. Subjects include science, atomic energy and weapons, peace, education, NATO, history, government, world affairs, and honors. Also includes awards, honorary degrees, certificates, medals, and other memorabilia. In addition, correspondence regarding his estate, the awards established in his honor, and related memorials. These were the materials that I.I. Rabi's widow, Helen Newmark Rabi, did not donate to the Library of Congress but kept as her own mementos.

The bulk of the Motley papers document her professional life. The papers include correspondence, manuscripts, memoranda, speeches, interviews, photographs, audio cassettes, and memorabilia.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.