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Cholly Atkins collection, 9999

47 linear feet
Abstract Or Scope

Books, recordings, and epherera.

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Juma Sultan papers, 1960s-1990s

20 linear feet
Abstract Or Scope

The Juma Sultan papers includes a large collection of performances from the loft era in New York City, a significant but under-documented period of jazz history. The recordings collection of circa 430 items, spanning the period from 1965-1975 (on open reel and cassette) contains unique, unreleased concert recordings, with the exception of a small amount of the collection included in the box set of Aboriginal Music Society recordings, Father of Origin (Eremite records, 2011). The recordings document not only the music of Sultan's own groups, such as the Aboriginal Music Society, but also a wide variety of recordings of other bands at Studio We, at other loft spaces in Lower Manhattan (e.g., Studio Rivbea, Artist House, the Ladies Fort, and Ali's Alley), as well as in Woodstock.

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Mark Tucker papers, 1939-2000, bulk 1980s

31 linear feet
Abstract Or Scope

Musical scores, correspondence, sheet music, audio tapes of interviews with jazz musicians, and other materials from Tucker, jazz pianist and scholar.

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Bob Fass Recordings and Papers, 1935-2011, bulk 1963-1991

200 linear feet
Abstract Or Scope

The Bob Fass Recordings and Papers contains materials created by Bob Fass, host of the late-night program Radio Unnameable on New York City's WBAI radio station. The collection primarily consists of audio recordings of Radio Unnameable and other radio programs hosted by Bob Fass between 1963 and 2011. A small number of video recordings, photographs, correspondence, printed ephemera, and motion picture films are also included in the collection.

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Howard "Stretch" Johnson papers, 1923-2011, bulk 1980-2000

5 linear feet
Abstract Or Scope
The Howard "Stretch" Johnson Papers document the life of Howard Johnson, known for most of his life as "Stretch." Johnson was a tap dancer with the Duke Ellington Orchestra and performed in Harlem at the Cotton Club and the Apollo Theater in the 1930s. After joining the Communist Party of the United States of America in 1940, Johnson went on to engage in social activism for most of his life, living in a number of places, including Brazil, Galveston, Texas, Hawaii, Paris, and St. Croix. The Papers contain correspondence, both personal and work related, as well as a nearly finished typescript of Stretch's autobiography. There are a number of photographs, mainly copies of the various performers at the Cotton Club, as well as audio and videocassettes, and ephemera. Additionally, the collection contains a family scrapbook with photos from the late 1940s and early 1950s.
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H. Lawrence Freeman papers, 1870-1982, 2015, bulk 1890-1954

35 linear feet
Abstract Or Scope
The original scores, clippings, correspondence and ephemera in this collection document the lives and careers of Harry Lawrence, Carlotta, and Valdo Freeman, a family of African-American performing artists involved in opera, theatre, and music in early-twentieth-century New York.
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Hettie Jones papers, 1895-2009, bulk 1958-2009

26.5 linear feet
Abstract Or Scope
The Hettie Jones Papers contains correspondence, writings, and teaching materials related to Hettie Jones' career as a writer, editor, and teacher in the New York City Beat and Downtown literary scene, from the 1960s through the 2000s. Included are manuscripts from Jones' numerous books of poetry and children's and young adult novels, as well as her 1990 autobiography, How I Became Hettie Jones. The collection also features materials from her time as co-editor of Totem Press and Yugen literary journal. A small amount of material pertaining to Jones' former husband, the poet LeRoi Jones/Amiri Baraka, including unpublished early manuscripts and photographs is also here.
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The Re-Imagining Community records, 1988 -- 2016

4.75 linear feet
Abstract Or Scope
The Re-imagining Community was a grassroots, ecumenical movement (centered in Minneapolis, Minnesota) that was organized to challenge what it saw as a patriarchal church hierarchy, promoting justice and equality in the church and society as a whole. The collection contains newsletters and other publications, audio recordings of annual conferences and video recordings of responses to the 1993 conference, records relating to the planning of the annual conferences, and administrative records of the organization.
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Maurice Peress papers, 1898-1923, 1950s-2017

55 linear feet
Abstract Or Scope
Maurice Peress (1930-2017) was an American orchestra conductor, arranger, author, and educator. The papers include audio and video recordings, clippings, contracts, correspondence, diaries, memorabilia, notebooks, photographs, posters, programs, research materials, reviews, scores, scrapbooks, and working files, sketches, and other materials.
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Angus and Hetty MacLise papers, 1950s-2010

15.5 linear feet
Abstract Or Scope
Angus MacLise was a musician, poet, artist, and countercultural figure who was a mainstay of the downtown New York arts scene in the 1960s, which included Fluxus alongside other avant-garde communities and scenes. Hetty MacLise was an English-born artist, poet, and multi-instrumentalist likewise associated with various overlapping movements and milieus within the 1960s and 70s avant-garde. This collection contains papers, documents, publications, ephemera, sound and video recordings, photographs, and artwork primarily created by, given to, or related to Angus MacLise and Hetty MacLise.
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