Material is unprocessed. Please contact rbml@columbia.edu for more information.
This collection is located on-site.
This collection has no restrictions.
Books, recordings, and epherera.
You will need to make an appointment in advance to use this collection material in the Rare Book and Manuscript Library reading room. You can schedule an appointment once you've submitted your request through your Special Collections Research Account.
Material is unprocessed. Please contact rbml@columbia.edu for more information.
This collection is located on-site.
This collection has no restrictions.
Reproductions may be made for research purposes. The RBML maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron.
Identification of specific item; Date (if known); Cholly Arkins Collection; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.
Materials may have been added to the collection since this finding aid was prepared. Contact rbml@columbia.edu for more information.
Transfer from Jazz Center, 2007, 2019.
Columbia University Libraries, Rare Book and Manuscript Library
Collection-level record describing unprocessed material made public in summer 2018 as part of the Hidden Collections initiative.
Papers [processed, etc.] [initials here] mm/dd/yyyy.
Papers appraised appraiser [date].
Charles Atkinson; tap dancer, choreographer; born 13 September 1913 in Pratt City, Alabama, United States; began recording soundtracks for tap sequences in Hollywood films (1936); began dancing with and doing choreography for the Cotton Club Boys at the New York World's Fair (1939); co-formed "Class Act" duo and toured internationally (1946); performed in the Broadway musical Gentlemen Prefer Blondes; ran tap program at the Katherine Dunham School of Arts and Research in New York City and taught at the International School of Dance at Carnegie Hall; choreographed for Cadillacs, Little Anthony, Imperials, Gladys Knight and the Pips (1950s); was staff choreographer for the record label Motown's Artist Development Wing, also known as "Motown U" (1965); won a Tony Award for best choreography for the Broadway musical Black and Blue along with Frank Manning, Fayard Nicholas, and Henry Letang (1989); earned a National Endowment for the Arts fellowship (1993); died 19 April 2003 in Las Vegas, Nevada, United States.