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Al Jaffee Papers, circa 1900-2019

56 linear feet
Abstract Or Scope
Al Jaffee (1921-2023) was a comic artist best known for creating MAD magazine's iconic Fold-In feature. The collection contains extensive original artwork, including sketches, tracings, and proofs documenting Jaffee's creative process. Publishing and commission contracts, correspondence, clippings, and a small amount of programs and ephemera from fan conventions and other public appearances are also included.
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Austin Strong papers, 1890-1961

4300 items
Abstract Or Scope

Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

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Boris Vladimirovich Gerua Papers, 1904-1974

2100 items
Abstract Or Scope

The collection consists primarily of letters written to Gerua in the 1930s by other emigres who had formerly served as officers, such as Vladimir Kamenskiĭ and Vasiliĭ Gurko. There are also copies of letters by Gerua from the Far East at the time of the Russo-Japanese War. Also included are manuscripts by Gerua and by Nikolaĭ Rotshteĭn; sketches by Gerua of participants in the 1926 Zarubezhnyĭ Sʺezd (Congress Abroad) in Paris; and photographs.

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Center for US-China Arts Exchange records, 1956-2019, bulk 1977-2003

102 Linear Feet
Abstract Or Scope
This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that helps to tell the recent history of cultural communications among individuals and organizations across the Pacific.
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Charles Saxon papers, 1940-1989

19 linear feet
Abstract Or Scope

Sketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career

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Columbia University Institute of Arts and Sciences Correspondence, 1930-1945

1 linear feet
Abstract Or Scope

A collection of letters addressed to Russell Potter, Director of the Institute of Arts & Sciences, relating to speaking engagerents and conferences. The correspondence, dated 1930-1945, includes letters from Gertrude Stein, Robert Frost, Edna Ferber, Al Smith, Henry Wallace, Anthony Eden, and Harold Laski. Some of the letters are of a personal nature.

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Comic Art collection, circa 1884-2016

16 linear feet
Abstract Or Scope

A teaching collection of original comic art, much of which sheds light on various historical styles or techniques. Accompanied by several comic books. Materials includes daily newspaper strip art, Sunday newspaper strip art, single-panel cartoons, comic book pages, and related comics material, such as printing plates and ephemera.

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Douglas Moore papers, 1883-2018, bulk 1907-1969

45 linear feet
Abstract Or Scope
Douglas Stuart Moore (1893-1969) was an American composer, educator, and author. His best known works include the operas The Devil and Daniel Webster (1937-1939), The Ballad of Baby Doe (1953-1956), and Giants in the Earth (1949-1950), which won the Pulitzer Prize for Music in 1951. The papers include clippings, correspondence, course and lecture materials, librettos, photographs, programs, publicity materials, recordings, and scores.
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Edmund Blunden papers, 1922-1986

8 linear feet
Abstract Or Scope

Correspondence, manuscripts, documents, photographs and printed material of the English poet and critic, Edmund Blunden, documenting his personal and professional activity. Blunden's letters to his second wife, Sylva Norman, and his secretary, Aki Hayashi, are particularly well represented. Also included are many letters addressed to Blunden by eminent literary figures such as John Betjeman, George Orwell, Siegfried Sassoon, Stephen Spender, and Henry Williamson. Other literary correspondents are Adrian Bell, Joyce Cary, Richard Church, C. Day Lewis, Walter de la Mare, Graham Greene, H.D., William Plomer, Kathleen Raine, and Leonard Woolf. A substantial portion of the cataloged correspondence contains drawings, verse fragments and poems by Blunden which have been analyzed. Also present are eleven of Blunden's diaries, 1936-1967, which contain drafts of a number of poems. In addition, the collection contains a small number of autograph manuscripts of Edmund Blunden's literary works.

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Fly papers, 1965-2023, bulk 1990-2012

70 Linear Feet
Abstract Or Scope
Professional and personal papers of Fly, a comic artist, textile artist, "crust punk," musician, feminist, squatter, illustrator, muralist, chronicler, teacher, and community activist. The papers include comics, zines, illustrations, original art, journals, sketchbooks, ephemera, production materials, printed materials, photographs, and audio and video recordings which documented Fly's personal life and artistic career highlighting the history of New York City's Lower East Side neighborhood and the counterculture scenes from the 1990s and beyond.
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